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A Las Vegas resident by the name of James Kay, has filed a lawsuit against the Las Vegas Sphere venue, alleging excessive noise levels that have disrupted his quality of life. The lawsuit, filed in Clark County District Court, targets the Sphere’s operators and Clark County for approving a waiver allowing the venue to exceed county sound limits. Kay, a resident of Park Towers, claims that the Sphere’s loud sound tests, which began in July, have caused significant disturbances, including rattling windows and disrupting peace and quiet. He alleges that the Sphere did not have the necessary permits to conduct these tests and subsequently obtained a waiver from Clark County through a controversial process. The lawsuit seeks damages for property rights violations, noise pollution, and other related harms. Kay argues that the Sphere’s noise levels exceed acceptable limits and negatively impact the surrounding neighborhood. On the contrary, a statement from the Sphere claims Kay is a man known for frequenting legal matters: “Mr. Kay is a litigious individual who has a history of filing numerous lawsuits in different states covering everything from taxes to a refusal to grant him a weapons permit“. The lawsuit reads: “At the time that the Sphere started blasting loud music, the Sphere did not have any governmental approval to do the same and Sphere’s subsequent application to Clark County admitted as such. Thereafter, the Sphere applied for a waiver to the applicable noise ordinances. The Sphere engaged certain nearby homeowner associations and property owners to seek conditions for the ability to blast loud music at certain levels throughout the year (and throughout certain times during the day) with additional decibel levels and timings for 18 or so days throughout the year.“ [H/T] Review Journal The post Las Vegas Man Sues Sphere Over Noise Complaints appeared first on EDMTunes.

Federal police indicted nine people for the murders of both Phillips and indigenous expert Bruno Pereira Continue reading...

The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene. You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here. EDM.com Fresh PicksChampion, Fout Tet, Skrillex, Naisha - Talk To MeDarby, ÊMIA - AUTOPILOTCovex, Lexi Shanley - I Miss U (SVDKO Remix)Elestu - IsolatedNOTION - JACK & PLAYParty Favor, DeatbyRomy - Hollowpronouncedyea, David Blake - World On Fire (Foxtrot Motel Remix)Bubble Love, Ross From Friends - HateAether - Among the DreamersVegyn, Jeshi - I See You SometimesJervi - New whip

Xenoverse by Chizawa Q Chizawa Q, has crafted a forward-thinking collection that proudly honours foundational influences while pushing into new sonic territory. His debut album on the powerhouse techno label R&S Records ‘Xenoverse’ is set for release November 22, 2024. Born in Yokohama, Japan, Chizawa Q remains deeply rooted in his homeland, recording this full-length project across from Tokyo Bay. Following the success of two lead singles: “Beluga” (October 4) and “Black Nebula” (October 25) Xenoverse channels the legacy of Detroit techno giants like Underground Resistance, Kenny Larkin, and Carl Craig, blended with European jazz techno innovators such as Dave Angel and Vince Watson. Chizawa describes his album as “a soundtrack to a universe not yet born – a sci-fi score stirring memories of a world we’ve never known. Being on R&S Records, a label with a legacy of showcasing Japanese artists like Ken Ishii, is a personal milestone.” With contributions from Masaki Sakamoto, Kowalewski, and Dan Samsa, as well as a remix by Tokyo drum ‘n’ bass icon Makoto Shimizu, Xenoverse spans deep, driving techno and intricate electronica, creating a ten-track journey that blends jazz and abstract beat science for a unique, immersive experience. His sound has garnered significant support from influential figures across the scene, including Laurent Garnier, Dave Clarke, Josh Wink, Ben Sims, Dave Angel, Ramon Tapia, Dino Lenny, M.A.N.D.Y., CJ Bolland, LTJ Bukem and plays on BBC Radio. Xenoverse is available on R&S Records on November 22, 2024, promising to be a standout release for electronic music fans worldwide. Chizawa Q – Xenoverse R&S Records Digital Album | RS24LP003 Tracklist: Planet 9 Beluga (w/ Masaki Sakamoto) Orca Cha Cha Psychedelia (w/ Kowalewski) Tokyo Bayside Blues God Is Blue Freaky Flowerz (w/ Dan Samsa) Black Nebula Cozmic Flowers (Makoto Remix) Pre-save: https://fanlink.tv/RS24LP003 The post Chizawa Q unveils debut ‘Xenoverse’ album on R&S Records appeared first on Decoded Magazine.

“Shooting Stars” lands as Marc Antonix’s latest love letter to bass and electro-house muscle with an unexpected twist. A bubbling talent on the West Coast, Antonix has carved his path through the LA underground, igniting Academy LA and Avalon Hollywood while stacking 3.75 million Spotify streams. Through releases like “Love Wantz Lovin,” “So Fine,” and “Flashback,” Antonix has carved out his own corner of the electronic landscape – one where experimental sound scapes and unpredictable drops lead the way. Now, with “Shooting Stars,” he’s pushing even further into uncharted territory. “Shooting Stars,” represents the beginning of a new era for me. I’ve been super inspired by some great ideas lately and this is the first chapter of bringing that to life.” – Marc Antonix The post Marc Antonix takes nostalgic trip on ‘Shooting Stars’ appeared first on Dancing Astronaut.

mobilee · Eli Fola "Healing For The Youth" – mobilee298 Nigerian / American artist Eli Fola has released ’the powerful two-track EP ‘Healing For The Youth’ on Mobilee. This compelling project showcases two standout tracks: the title piece, a collaboration with spoken word artist Cyrus Aaron, and the vibrant instrumental Nation of Dance by Eli Fola himself. ‘Healing For The Youth’ is a call to empower and uplift young people, especially those in inner cities who often feel marginalized or unseen. Eli Fola, known for his unique fusion of AfroHouse, techno, jazz, and classical music, teamed up with Cyrus Aaron to craft a track that combines deep, soulful sounds with poignant spoken word. The result is a message of hope, resilience, and joy, encouraging young listeners to rise above their circumstances and embrace their power to shape their futures. On ‘Nation Of Dance’, Eli Fola explores the universal language of music, creating an instrumental track that radiates positivity and unity. The pulsating basslines and melodic layers invite listeners to let go, dance freely, and celebrate the joy of collective movement. It’s a tribute to the unifying power of music and the energy that flows through dance floors across the globe. Eli Fola’s artistic vision is deeply rooted in his rich cultural heritage and personal experiences. As the creator of the live-hybrid set Yoruba Tech Soul, he continues to push the boundaries of sound, blending AfroHouse with elements of techno, jazz, and classical music. His innovative approach has garnered the attention of icons such as Swizz Beatz and Alicia Keys and led to performances alongside major artists like Black Coffee and ASAP Rocky. ‘Healing For The Youth’ stands as a beacon of empowerment, while ‘Nation of Dance celebrates’ the freedom and joy of movement, making this release a testament to the transformative power of music. Eli Fola said: “The title track ‘Healing For The Youth’ is a powerful call to uplift and empower young people who often feel marginalised and unseen. This record is deeply personal, collaborative journey with the brilliant poet and spoken word artist Cyrus Aaron, fusing music and words to offer hope and strength. On the reverse side, ‘Nation of Dance’ is an instrumental that transcends borders, exploring the universal language of music and its ability to unite us all in a shared rhythm.” Buy / Stream link: https://bfan.link/healing-for-the-youth-eli-fola The post Eli Fola joins Mobilee with ‘Healing For The Youth’ EP appeared first on Decoded Magazine.

Crazy P announce their ninth studio album Any Signs Of Love with the emotive lead single ‘Human After All’. The full album arrives on the 29th of November, via Walk Don’t Walk in association with !K7 Music. Completed earlier this summer, before the passing of beloved frontwoman Danielle Moore, Any Signs of Love is the culmination of three decades of unforgettable live performances, deep friendship and above all, incredible music. With the loss of Danielle, and the outpouring of love that followed, the announcement of Any Signs Of Love, has taken on a profound new meaning. While previous albums including A Night On Earth and Walk Dance Talk Sing, have focused on their accomplished musicianship, and how the tight-knit collective grew in confidence with each new record and live show, Any Signs Of Love is now also a celebration of a remarkable life. Known for her magnetic energy, soulful voice, and the unfiltered joy she brought to the stage, Danielle was not only the heart of Crazy P but also an icon of boundless creativity, community, and love in the electronic music world. This new album serves as both a tribute to Danielle’s life and a gift to the fans who have loved her, danced with her, and felt her spirit resonate from dancefloors to festival stages worldwide. The albums’ 10-tracks also honour an incredible 25 year friendship with fellow bandmates Chris Todd and Jim Baron. From their after-party first meeting in late 90s Manchester, and their first studio session together in Jim’s bedroom, to completing the band with bassist Tim Davies and drummer Matt Klose, disco aficionados Crazy P have come a long way. Over three decades Crazy P have built a devout following, playing the world’s most respected stages including Glastonbury, Love International, Glitterboxx Ibiza, and recently joined Roisin Murphy on tour, all while racking up streaming figures in their millions. On their first album in five years, Crazy P deliver everything fans expect from a band of their stature – whose catalogue has built a loyal, multi-generational following and is equally at home soundtracking sweaty basement clubs, and outdoor raves, as it is on festival stages. Lead single ‘Human After All’, is the perfect introduction – a feel good, sultry groover, bedecked with italo-y arps, Balearic pianos, and Danielle’s captivating vocals. From the anthemic ‘The Revolution Will Not Be Anything’, to the Italo-esque title track, and the psychedelia of ‘Not Too Late’, Any Signs of Love contains all the core ingredients of the Crazy P magic: grooves galore, hooks, and the electrifying presence of charismatic leader, Danielle Moore. Any Signs of Love is a final love letter from Danielle Moore to her fans—a reminder that love remains, even in loss. Pre-save here The post Crazy P announce ninth studio album appeared first on Decoded Magazine.

Disgruntled locals complained of “crap” music through the night until the early hours Continue reading...

On November 1st, Swedish House Mafia and Alicia Keys unveiled a set of fresh remixes of their popular track ‘Finally’, and in these new takes, one remix has quickly captured fans’ attention: Eran Hersh and Shooma’s Afro-house take. This reimagining brings a unique twist to the progressive house original, infusing it with vibrant Afro-house energy that revitalizes the song with a new feel. The remix blends Eran Hersh and Shooma’s distinct styles, blending classic Afro-house elements with modern production techniques. Skillfully meshing the original track’s iconic components with their signature sound, the duo has crafted a remix that seamlessly honors the essence of all artists involved. During production, they tested the track live and it received outstanding feedback. With the support from Swedish House Mafia, Hersh and Shooma knew they had created something special. “I’ve admired Swedish House Mafia and Alicia Keys for years,” Eran shares. Witnessing them perform the song live gave him the inspiration to give it a deep, Afro-house twist. Teaming up with Shooma in Budapest, the duo produced a remix that resonated with audiences from the start. When Swedish House Mafia expressed their enthusiasm and decided to release it, Hersh knew he had achieved a career milestone. This release also serves as a launchpad for Hersh’s new label, Vibora Records, dedicated to promoting house music with Afro and electronic influences. Vibora Records will focus on supporting innovative sounds and emerging talent, making this remix release even more significant in Hersh’s journey.

Jones produced and composed hit records for the likes of Frank Sinatra and Michael Jackson Continue reading...

In a time when electronic music sometimes seems caught between commercial accessibility and underground authenticity, Fritz Kalkbrenner‘s ‘Third Place‘ is a brilliant link between worlds. Released on November 1, 2024, the album is a careful investigation of what makes public places so essential to our collective experience, not just another compilation of party music. The Changing Character of a Sound Those who know Kalkbrenner’s path from his breakout song “Sky & Sand” (with brother Paul) would approach “Third Place” hoping more of the soulful electronics that made him a household name. They will find, nonetheless, an artist who has both respected his traditions and boldly entered uncharted ground. Inspired by the sociological idea of “third places,” those essential venues where community and creativity collide, the album’s title shows to be more than just smart naming. The first single “Into the Night” is the ideal portal into this changed sound. While Kalkbrenner’s unique vocals give that human touch, which is sometimes lacking in modern dance music, its Chicago house-inspired chords feel both nostalgic and contemporary. The production is sharp and lively, with a groove that strikes a challenging balance between club-ready and emotionally evocative — something Kalkbrenner appears to do naturally. One of the more daring passages on the record, “The Telepath” marks a break from Kalkbrenner’s customary field of influence. Though it surprises long-time listeners, the track’s breakbeat basis is executed with such conviction that it feels more like a natural development than a trend-chasing attempt. Here we can hear how Kalkbrenner’s live performances have shaped his studio work, with arrangements that seem meant for fresh life in a concert venue. Another peak comes from working with Coach Harrison on “Playing Games“. The song seems like a real conversation between artists rather than just including a guest vocalist. One of the most immediately interesting moments on the record, the connection is evident and finds a great mix between artistic integrity and accessibility. Emotional Depth in the Digital Era ‘Third Place’ distinguishes itself from many of its modern electronic releases in part with its emotional intelligence. Thanks to its catchy choruses, “It Ain’t Over” might be gathering streams; nevertheless, under its commercial appeal is a sophisticated awareness of dance music’s ability for emotional storytelling. Every component supports the emotional core of the song; the production never feels overdone. Tracks “High Line” and “Home” with more techno orientation show Kalkbrenner’s fluency in speaking several electronic dialects. These are completely realized visions that highlight his adaptability without sacrificing his unique voice, not just genre exercises. When the drums must strike powerfully, there is always room for melody and mood to grow. Pete Tong’s ear was piqued at BBC Radio 1 by “Fall Between the Cracks,” which explores more house territory and offers some of the album’s most reflective passages. These songs provide reflective areas between the more lively passages in the album’s flow, like natural breaths. The especially remarkable feature of “Third Place” is its production quality. Every painstakingly created sound and well-placed layer reflects Kalkbrenner’s experience. The blend is pure without feeling sterile, therefore preserving that vital human aspect even in its most computerized forms. Evidence of an artist who knows both club sound systems and home listening contexts, the bottom end is strong without being overpowering while the high frequencies shimmer without becoming harsh. Maybe the most amazing feat of ‘Third Place’ is how deftly it records the core of shared experience. From Electric Brixton to the Great Wall of China, Kalkbrenner’s many performances seem to have given him a unique insight into what makes shared musical events extraordinary. Whether in a busy club or on headphones on a solo walk, this record seems meant to help those times of connection. ‘Third Place’ seems in many respects both a new beginning and a climax. It pushes into uncharted ground while building on all that has made Fritz Kalkbrenner a revered person in electronic music. The album strikes a mix between universal and personal while being ambitious without appearing pretentious, and approachable without being shallow. After reaching the kind of success Kalkbrenner has enjoyed, some artists could rest on their laurels; rather, he seems more interested in stretching limits and investigating fresh ideas. The outcome is an album that is both modern and classic, very personal yet generally relevant. While beginners will have an easy access point into Kalkbrenner’s musical universe, longstanding admirers will find enough of his distinctive sound to be recognized. ‘Third Place’ reminds us of the genre’s possibilities for both artistic expression and community building in a time when electronic music could sometimes appear formulaic or too commercial. One of 2024’s most carefully produced electronic albums, it’s a deserving addition to Kalkbrenner’s catalog. The post Fritz Kalkbrenner’s ‘Third Place’ is a conjunction of Electronic Soul and Communal Spirit appeared first on The Groove Cartel.

Bristol’s dance music maestro, Jody Wisternoff, has unveiled the second single, ‘Sweetest Thing,’ from his eagerly awaited third studio album, Welcome To My World. The track is a deep house journey through ethereal soundscapes, blending thought-provoking spoken word samples with percussive grooves and ever-evolving synths. Layers and layers of various percussive beats and dazzling synths build upon each other throughout the track. Wisternoff’s masterful production skills are on full display, captivating listeners with the track’s intricate melody and dynamic production touches. “Sweetest Thing” follows the success of the album’s lead single, ‘Tales From Beyond,’ featuring Nox Vahn and Natascha Polke. Other notable tracks on the album include ‘Rain’ with Sian Evans and ‘Ease Yourself.’ To celebrate the release of Welcome To My World, Wisternoff has announced an extensive global tour, taking him to 29 cities across North America, the UK, Asia, and Australia. Fans in major cities like London, New York, Los Angeles, and Sydney can catch him live. The post Jody Wisternoff Releases ‘Sweetest Thing,’ Off His Upcoming Album appeared first on EDMTunes.

*Featured Cover Photo Credit: Kursza The 2024 edition of Breakaway Bay Area, which returned to the Bill Graham Civic Auditorium in San Francisco. was a spectacular experience. It brought tons of great bass, mesmerizing audiovisuals, electrifying pyrotechnics, and importantly, a lot of fans just having a great time jamming to amazing music on the weekend of October 25-26. Just like last year’s event, Breakaway Bay Area 2024 was a celebration of not just the world-class dance/electronic music that wowed the crowd over those two days, but also of PLUR culture, festival lifestyle, and all-around infectious fun alongside friends and beautiful strangers who love the same kind of vibes. These same vibes also perfectly align well with the Halloween theme that the festival had for the weekend, especially seeing many attendees dressed in colorful and outstanding costumes. Here is the review of the 2024 edition of Breakaway Bay Area, an event that brought out the vibrant Halloween atmosphere that connects perfectly well with a festival environment that ensures the bass and synths from the artists remain top-notch from start to finish. Photo Credit: Kursza Breakaway Bay Area 2024 continued enhancing the vibes with each set from the artists October 25th had the likes of Cat Liu, REMK, Jaded, Ian Asher, Alok, Wax Motif, and Marshmello providing phenomenal entertainment at Bill Graham Civic Auditorium. Alok’s set merged the best of electro house with techno, which also perfectly teamed up with stunning utilization of pyros illuminating the stage and lasers moving around the venue. As soon as Marshmello got on the stage, the crowd went wild and jammed out to great hits such as ‘Alone’ and ‘Here With Me’. His performances proved why he has received multiple awards and nominations from notable award shows like the American Music Awards, Billboard Music Awards, and iHeartRadio Music Awards. October 26th (Day 2) had the likes of L4NCELOT, Kastra, Control Freak, Wreckno, INZO, a powerful b2b set of Joyryde and Habstrakt, and RL Grime throw down some fire beats. The B2B set of Joyryde and Habstrakt was just bass house at its perfect level and RL Grime showed why he is a top superstar trap and bass by unleashing banger after banger that no one could not stop grooving to. Additionally, the festival also witnessed the return of the ‘Launch Pad’ stage, the smaller stage of Breakaway Bay Area located on the left side of the auditorium that equally producing sets of spectacular music over the festival’s two days. ‘Silent Disco‘ also returned to the festival as well for those two days, providing three stations of awesome music from local up-and-coming producers for the attendees who were looking for a break from the main stage and ‘Launch Pad’. Photo Credit: Kursza The cool vibes at the festival Breakaway Bay Area 2024 overall was an unforgettable experience that allowed the attendees to discover a lot of fun things to do while jamming out to very great dance/electronic music. The festival’s sponsors also were attractions that hooked the attendees to enjoy the products that were at the festival as well. The sponsors were Celsius, Beatbox, Cuervo, Bacardi, Lunchbox, Loose Lucys, Jeeter, and LA-based nonprofit End Overdose, which has its main goal to end drug overdose-related deaths. One thing that was very notable were the Celsius signs around the venue. One place in particular was the Celsius lounge booth at the back of the main stage where fans can get free cans of Celsius energy drinks (as long as they had valid orange wristbands that provide eligibility for the fans to obtain those drinks. In addition, the merchandise available for the fans to purchase at the festival were also unforgettable as well, ranging from cute pins to mesmerizing fans. This 2024 edition of Breakaway Bay Area does definitely will motivate anyone who attended over the weekend to look forward to another exciting edition of the festival next year. Photo Credit: KurszaThe post Breakaway Bay Area Pumped Up the Bass at Bill Graham Civic appeared first on EDMTunes.

Munchkin Kat is back with a new single, "UZUMAKI," dragging listeners into a twisted realm where glitch-hop and bass music collide. The track's title derives from the work of famed horror manga artist Junji Ito, whose beloved series of the same name was inspired by the iconic fantasy writer H.P. Lovecraft. Ito's surrealist story is about a quiet town that descends into madness when people become obsessed with the concept of spirals. Munchkin Kat beautifully channels Ito's timeless work through a dark and disorienting banger with bass that writhes like a living, breathing entity. The track's relentless drive mimics the inescapable pull of Ito's spirals, each cinematic layer coiling tighter around our ears. Meanwhile, the producer's textured synths eerily glide through the mix while glitchy percussion rattles like bones in a digitized graveyard. To that end, "UZUMAKI" doesn't just pay homage to horror—it becomes horror, transforming Ito's visual nightmares into an auditory blitz that leaves the mind reeling. You can listen to "UZUMAKI" below. View the original article to see embedded media. Follow Munchkin Kat:Facebook: facebook.com/MunchkinKatMusic Instagram: instagram.com/munchkin_kat Spotify: spoti.fi/3SZboMX YouTube: youtube.com/@munchkinkat

The body of work is inspired by vibrancies and intricacies of gemstones, and is housed on Seb Wildblood's all my thoughts Continue reading...

Landing at the end of November, the announcement follows a sold-out all night b2b session at London's Village Underground Continue reading...

They say legends remain with us even after passing away through their impact in our lives and how people immortalize them. In the commemory of 30 years since legendary race car driver Ayrton Senna passed away in the San Marino Grand Prix, many iconic DJs united to deliver the album Senna Driven to serve as tribute of the famous figure. Many artists such as Armin van Buuren, Alok, and Vintage Culture took part of this project. Senna Driven The album is a 21 track long feature, which includes quotes by the amazing driver on each track. The album release coincides with the Formula 1 São Paulo Grand Prix. The late Senna won this race in 1991. The album is a compilation of Trance, Techno, and other distinctive sounds that will get you ready to compete. Other contributors include Meduza, Tchami, Ken Ishii, and Nervo. Most recently, Armin van Buuren brought Brazilian DJ Alok onto the Tomorrowland Brasil main stage to play their track from this album together. Armin also brought one of Senna’s helmets to the stage. Armin van Buuren earned the world’s best trance DJ title in DJ Mag’s Top 100 DJs poll for 2024. Brazilian DJs Alok and Vintage Culture made it to the list as well at No.4 and No.9 respectively. Meduza took said a few words to honor the driver: “So when the Senna family contacted us, proposing that we use one of his interviews to create a track in his honour, we agreed immediately.” Meduza “Ayrton Senna was not just a driver. Being born in the ’80s, we had the chance to see him on the track. We remember the way he took corners differently from everyone else, and similarly, when he got out of the car, he distinguished himself from others by what he said in interviews. Despite being an extraordinary talent, he was the first to defend the weakest,” Meduza explained Get ready for the race of your life. Senna Driven is avaiable digitally now, with a vinyl release expected in 2025. The post DJs Pay Musical Tribute To The Racing Icon Ayrton Senna appeared first on EDMTunes.

808 Festival is back, ready to transform Bangkok’s Bitec Bangna into the ultimate paradise for electronic music fans from December 6-8. As one of the most awaited events of the year, 808 brings a magnetic energy that pulls fans from all across Southeast Asia and beyond. Known for crafting memorable nights with jaw-dropping performances and a vibe that just can’t be found anywhere else, this year’s Phase 1 lineup guarantees a massive festival experience. Headliners Making Their Mark Anyma is kicking off his Southeast Asia debut at 808 with his iconic Genesys Show, a performance that goes beyond music with mind-bending visuals and a sound that’s nothing short of hypnotic. For fans who love a full sensory journey, Anyma’s show is set to be a festival-defining moment, blending immersive visuals with deep, layered beats that are unforgettable. Adam Beyer is also making his Thailand debut, with Drumcode as the official stage host, bringing a night of techno mastery to 808. Known worldwide for his dark, pulsing techno, Beyer’s set will be the heartbeat of the festival, surrounded by some of the best techno acts in the world. With Drumcode curating the vibe, expect a night of powerful rhythms that’ll keep you moving long after the music fades. And the debuts don’t stop there! Mau P, Sara Landry, Massano, and Chase & Status are all set to ignite the stage with sounds that are new to the Thai scene. Whether it’s the high-energy tracks of Mau P or the legendary drum & bass of Chase & Status, each artist is bringing their own unique style, making this a truly versatile lineup. Sara Landry’s hard-hitting sounds will add an edgy twist, while Massano’s melodic vibes are perfect for an indoor rave atmosphere. And the debuts don’t stop there! Mau P: Bringing his fresh and unique style to 808 for the first time, Mau P has quickly become one of the most exciting new names in electronic music. Known for tracks that blend catchy grooves with a powerful edge, his set promises to deliver nonstop energy and a vibrant festival atmosphere. Fans in Thailand have eagerly awaited his debut, and with hits like ‘Drugs From Amsterdam’ gaining massive popularity, Mau P’s performance will be a long-anticipated highlight, delivering his dynamic sound straight to the heart of the 808 crowd. Chase & Status: Legends of the drum & bass genre, Chase & Status are set to deliver a powerful, rhythm-driven experience. Their set will be a highlight for drum & bass enthusiasts, bringing iconic sounds to the Thai audience for the first time. Thai fans and international attendees have heard their hit track ‘Baddadan’ played by various DJs throughout the year, but now, for the first time, the real treat will be hearing it live, delivered by the creators themselves. Sara Landry: Known for her fierce, dark techno style, Sara Landry brings an unfiltered intensity to the 808 lineup. Her sets, filled with raw, industrial beats, push the boundaries of the dance floor, creating an atmosphere that’s intense yet captivating. With tracks like ‘Heaven’, fans can expect a set that feels both exhilarating and transcendent—her performance will definitely make the crowd feel a little piece of heaven, 808-style. For those craving a harder edge, Sara’s set promises to be one of the weekend’s unforgettable highlights. Massano: Known for his immersive, melodic soundscapes, Massano brings a refreshing balance to the lineup, ideal for those seeking a journey through deep, emotive beats. His track ‘The Feeling’ has already captivated fans around the world, and his set at 808 promises to take the crowd even deeper, creating an atmosphere that feels both hypnotic and uplifting. Perfect for the indoor rave setting, Massano’s music invites festival-goers to lose themselves in an entrancing experience that contrasts beautifully with the festival’s harder sounds. Returning Favorites Ready to Set the Stage Ablaze Alongside these newcomers, 808 welcomes back some crowd favorites who are no strangers to Thai fans. James Hype, who blew Bangkok away with his January club show, is returning for his first-ever 808 Festival appearance. Known for his high-energy remixes and smooth transitions, Hype’s set will be packed with tracks that keep the energy soaring. Miss Monique and Bart Skils, each making their second appearance in Thailand, are primed to turn up the energy with their signature progressive and techno sounds. And for fans of melodic, emotional beats, San Holo—a frequent visitor to Thailand—is finally hitting the 808 stage. His heart-on-sleeve performances are made for creating those unforgettable festival memories, filled with crowd singalongs and hands in the air. Diversity and More Surprises in Phase 2 One of the hallmarks of 808 Festival is its dedication to bringing diverse sounds and experiences, and with Phase 2 yet to be announced, the anticipation is building. Whether you’re a die-hard techno fan, a drum & bass lover, or you just want to experience something new, 808’s lineup brings it all together. The best part? There’s more to come. TicketsTickets are already in high demand, with 3-Day General Admission passes priced at 4,200 Baht (Tier 2) and limited single-day passes at 2,900 Baht. For those looking to take the experience up a notch, VVIP tables are also available, offering premium access, comfort, and a front-row seat to all the action. So, are you ready to experience the magic of 808 Festival 2024? Grab your tickets, gather your festival crew, and get ready for three unforgettable nights of music, dancing, and memories waiting to be made. Don’t just hear about it—be part of it.

Since its founding in 1999 by Eelko van Kooten and Roger de Graaf, Spinnin’ Records has been a driving force in the electronic dance music (EDM) scene. Over the past quarter-century, the Dutch label has been instrumental in launching and nurturing the careers of numerous artists who have become household names in the genre. Spinnin’ Records has been home to a diverse roster of talent, including Afrojack, Martin Garrix, Tiësto, and KSHMR. These artists have consistently pushed the boundaries of EDM, delivering tracks that have resonated with audiences worldwide. The label’s commitment to innovation and quality has solidified its reputation as a leader in the industry. To commemorate its 25th anniversary, Spinnin’ Records is releasing a limited-edition vinyl titled “25 Years – Chapter 1” on November 1st. This exclusive collection features some of the label’s most iconic hits, including ‘Secrets’ by Tiësto & KSHMR, ‘Take Over Control’ by Afrojack & Eva Simons, and ‘Tsunami’ by DVBBS & Borgeous. With only 1,000 copies available, this release offers fans a unique opportunity to own a piece of EDM history. The vinyl not only celebrates the label’s past achievements but also serves as a testament to its ongoing influence in the music industry. Spinnin’ Records continues to discover and promote emerging talent, ensuring that the future of EDM remains vibrant and dynamic. For collectors and fans alike, this limited-edition vinyl is a must-have. Pre-orders are now open, and with such a limited run, it’s advisable to secure your copy before they sell out. Don’t miss the chance to own a tangible piece of Spinnin’ Records‘ illustrious history!

"Practising and mastering the new has brought me a broader, more sophisticated panorama in my artistic decisions. They’ve opened doors and introduced new approaches" Continue reading...

'Intermezzo Tre' blends EBM, techno and trance with more soft offerings of ambient and downtempo Continue reading...

Every so often, a vocalist emerges at the forefront of the dance music scene, where he or she evolves into a cultural icon. If it’s not John Martin, Dylan Matthew, or Becky Hill, it’s Liverpool-bred vocal powerhouse Hayla, whose debut solo album, DUSK, has freshly landed. Primarily known for her topline contributions on world-renowned dance records, namely John Summit‘s “Where You Are,” Sub Focus‘ “I Found You,” and, more recently, MEDUZA‘s “Another World,” among others, Hayla, born Hayley Williams, has rapidly risen the ranks as a front-running singer/songwriter in modern electronic music. Riding the wave of her explosive success, Hayla’s debut album marks an independent path forward for the UK singer, performer, musician, and now, music producer. Before its November 1 delivery, six of DUSK‘s album inclusions arrived as early-release singles. “Treading Water,” written and produced alongside Andy Sheldrake and Oliver Reed, materialized as the album’s first one-off preview in August 2022. Two months later, Andy Sheldrake-assisted “Unfold” hit digital stores as a sonic metaphor about “people’s perception of others as if they were a piece of art.” In 2023, Hayla piggybacked on the seismic upheaval achieved by “Where You Are” with the release of “Fall Again,” co-produced by Owen Jones, Ross Walsh & Alex Tepper, before issuing the final two album previews, “Freefall” and “Only I,” in 2024. Like most artists, Hayla enlisted songwriting and production support from respected industry tastemakers during the creation of DUSK. With that said, she took on the grand feat of producing the project’s title track, the last on the album, all on her own. “I was incredibly nervous about putting [‘DUSK’] on the album,” the producer revealed, adding, “I used to be incredibly nervous as a performer, feeling shy singing in front of people… Putting out ‘DUSK’ was sort of a ‘feel the fear and do it anyway’ kind of thing. I’ve always been in awe of producers, and I would love to be able to say that I’ll produce more in the future now that I’ve done this. It’s a completely ambient and experimental piece, and it doesn’t have any lyrics.” Distinguished by swelling pads, layered background vocals, and a bouncy synth topline, “DUSK” caps the album as an authentic resemblance of Hayla’s musicianship and taste-making abilities, “I wanted to throw myself into the deep end, and I’m really happy that I did.” DUSK consists of ten tracks—ten tracks starring, not featuring, Hayla. The UK singer hopes her solo project will appeal to fans of her celebrated collaborations while also showcasing a more vulnerable side of her artistry, “I think I’ve managed to balance the sound and energy from my collaborations with this other side of me,” she explains. “I’m hoping audiences don’t feel alienated from who I am, and what I’d been doing with other artists, because that’s a big part of me as well.” She elaborates, “I’ve always enjoyed electronica, UKG, some more ambient styles, and then there’s a side of me that’s lower tempo, kind of more diary-inspired songwriting… I tried to make this album a nice mixture.” Hayla’s innate knack for songwriting pins her as much more than an EDM topliner, bolstering her credibility in a predominantly male-dominated scene. “It feels amazing to be earning these kinds of accolades in a male dominated genre,” says Hayla, who clinched two Electronic Dance Music Awards for “Vocalist Of The Year” and “Dance Song Of The Year” in 2024. Coming from a “band background,” Hayla’s fleshed out dance records can all be completely stripped back, an example being her 2018-released acoustic rendition of “I Need,” originally produced by UK drum-and-bass artist Wilkinson. “Storytelling within dance music is definitely becoming a lot more prevalent. Most of the songs I write start on a piano and would work as a stripped back piece. If you removed the production from most of the tracks that I’m on, you could hear it in a wine bar, you know?” On December 4th, Hayla will perform her first headline show at Los Angeles’ famed The Roxy Theatre. “It’s going to be a fun evening,” Hayla remarks. Attendees might expect some special arrangements of songs from Hayla’s esteemed repertoire. They also might expect the availability of exclusive vinyl copies of a certain debut album, “Yes, there might be some vinyl, potentially, for some people who turn up. I will reveal more about that soon.” “I just can’t wait to get out there. It’s going to be a mixture of songs from the album, songs that people may have heard before, songs that I’ve released as well as some that I haven’t… I’m really excited for people to hear the new ones live, and of course I’m excited to sing along with the ones that everybody knows.” With the release of her debut album, Hayla is postured to elevate even beyond her famous features come 2025. Buy tickets to Hayla’s upcoming headline show in LA here, listen—for the first time—to the recorded Dancing Astronaut Hayla interview here, and be sure to stream DUSK, in its entirety, below. Dancing Astronaut · Dancing Astronaut Presents: HAYLA [#001] The post More than a feature—How Hayla’s ‘DUSK’ redefines her artistic identity [Interview] appeared first on Dancing Astronaut.

Last weekend, Ignite Group’s Twilight Harbor Festival transformed the Duggal Greenhouse into a mesmerizing realm of electronic music and Halloween spookies. Headlined by Dimitri Vegas, the event was a sensory overload of high hitting beats, dazzling visuals, and a spooky atmosphere. Duggal Greenhouse, a breathtaking industrial space, was adorned with eerie decorations and state-of-the-art lighting, creating the venue into a Halloween festive party. In addition to photo ops, there was also a haunted house that attendees could check out. There was also a complimentary food festival featuring a diverse range of culinary delights, and even a live tuna cutting! Starting off the night, Bassjackers, the dynamic duo known for their hard-hitting basslines and energetic performances, fired up the crowd with their high-octane set. Tracks like ‘All Around the World’ and ‘Bla Bla Bla’ had the audience jumping and cheering, as their signature blend of big room and electro house filled the air. They also performed their latest track ‘Wake the F Up’ which features an alarm clock intro which got everyone a bit confused in the first few seconds but got them all exploding in cheers once the track dropped. It definitely set the tone for the rest of the night. As the night progressed, Dimitri Vegas took the stage in his Spider man suit, captivating the crowd with his signature blend of high-energy tracks and big room sounds. The setlist was a carefully curated journey through the realms of big room, techno, progressive, and techno. Dimitri’s seamless mixing and track selection showcased not only his technical prowess but also his ability to read the crowd and keep them engaged. The energy was constant and nonstop pumping throughout the performance. My personal favorite track of the night is his track ‘Thank You (Not So Bad)’ with Tiesto. For those wanting to continue the party, Ignite Group has a few more shows coming up with R3HAB, and TJR on November 2nd and William Black on November 3rd. Check out the full lineup below. The post Dimitri Vegas Lights Up Duggal Greenhouse with Sold Out Show appeared first on EDMTunes.

DJ and Producer Cody Chase makes his debut on the No Definition label with the release of his latest Tech House single ‘Lift Me Up’. Known for his seamless blend of House and Techno, Cody Chase brings a fresh and balanced approach to this new track, intertwining the nostalgic essence of 1990s House music with contemporary production techniques. As he puts forward a track primed for dancefloors, Cody Chase brings his signature sound into the spotlight, highlighting his approach and creativity with a release that is both high in energy and original in sound. Cody Chase’s background as a live DJ, having gained experience performing his 4-deck live-mixing on stages around the USA and beyond, including at venues like The Fillmore, Pacha, and Superior Ingredients, continues to give way to polished-sounding productions. As ‘Lift Me Up’ comes as the latest example of this, Cody Chase keeps his momentum high, continuing to build on his trajectory that has so far seen industry giants like Tiësto, David Guetta, Benny Benassi and R3HAB offer their support for his music. With the track showcasing his signature style, inviting listeners on a journey through its unique sound and detailed arrangement, Cody Chase brings yet another innovative production to his fans, appearing to uphold his commitment to pushing boundaries as he adds more music to his ever-growing catalogue of work. Reviving a classic House vocal, ‘Lift Me Up’ offers the anthemic vibes of club-ready music while staying true to Cody Chase’s distinct bass-heavy approach. With its solid rhythmic foundation of a pounding bassline and infectious groove, the arrangement weaves in gritty synths, bouncy melodies, and dynamic sonic hits, keeping the soundscape building as filtered vocal lines join, ensuring the track maintains its high energy. The use of crisp percussion, underlying pads, and uplifting progressions keeps the momentum moving forward, with the intensity continuing to rise at the breakdown and hard-hitting drop, culminating in a track that is both engaging and energetic. With his production skills on display, coupled with his innovative signature style, ‘Lift Me Up’ further establishes Cody Chase’s reputation for producing unique, impactful tracks, offering fans and new listeners alike more refreshing music to discover. So, out now via No Definition, dive into ‘Lift Me Up,’ available to stream and download across all major platforms today, and keep up-to-date with Cody Chase’s news, projects and releases by following his journey via social media. Cody Chase Online   Website | Instagram | Soundcloud   No Definition Online   Beatport | Instagram

London-based DJ and Producer IND:RA teams up with Cruel But Fair for his latest Melodic House & Techno single, ‘Rebel’, released through his label, Desert Disco Records. Infusing a driving rhythm with expressive vocal lines and captivating motifs, this release captures IND:RA’s signature style while introducing fresh nuances through the unique influence of Cruel But Fair. Committed to his artistic vision and to uplifting the broader Electronic Music scene, IND:RA continues to push boundaries; from creating innovative productions to captivating live performances, hosting his radio show ‘RE:SET Radio,’ or leading his label Desert Disco Records, his multifaceted journey reflects his dedication to leaving a mark, and with every new release, IND:RA showcases a sonic identity that stands out, and ‘Rebel’ is no exception, reaffirming his creative spirit. In this latest collaboration with Cruel But Fair, IND:RA expands his sonic horizons, adding a new dimension to his catalogue. ‘Rebel’ unfolds as a deep and immersive soundscape, blending powerful beats, pulsating basslines, and captivating vocal hooks. As the track intensifies, layers of dynamic energy and suspenseful sound emerge, weaving in punchy leads, rhythmic arpeggiators, and ethereal pads, the breakdown highlights the vocals, steering the progression as atmospheric textures and striking synths join the mix. The momentum of the track is maintained, keeping listeners enthralled as ‘Rebel’ continues to evolve seamlessly until its conclusion. The collaboration draws on the rich backstory of Cruel But Fair’s track ‘Bruno’ that was used in the production of ‘Rebel;’ about this song the band members, Simon, Nigel and Mark said:“Nigel spent some time in Hamburg, and it inspired ‘Bruno’, which is from Cruel But Fair’s album Altona. It’s about Bruno Tesch, who was a plumber and a leader of a counter demonstration against a march by Nazis through Altona, a working-class district of Hamburg in 1932. 18 people were shot dead by the police and many more injured. Bruno and the other leaders were falsely convicted and executed the following year after a ‘show trial.’ Simon thought ALTONA was a strong image, the theme inspired a few songs on the album, and we think the theme resonates today.” With ‘Rebel’, IND:RA and Cruel But Fair deliver a track that embodies their creative synergy, offering an uniquely crafted fusion of their distinctive musical styles, so don’t forget to follow both artists on social media to stay in the loop about their future releases, live performances, and more exciting projects on the horizon. ‘Rebel’ is out now on Desert Disco Records, available for streaming and download on all major platforms. Listen and Buy ‘Rebel’ Now and purchase here. IND:RA Online Soundcloud | Instagram Cruel But Fair Online Instagram | Beatport