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Ahead of tickets going on sale this month, we've put together a step-by-step guide to the new booking system Continue reading...

Dreamers! We are treading really closely to our reunion. The Queen Mary will have us once again to share our love for Trance and Techno in Long Beach for Insomniac’s Dreamstate Music Festival Southern California 2024. The love and the light will reign supreme for two days of high-energy sets, art, and twisted afterparties. However, once most prepare, and if there’s something we learnt last year is that the dynamic is different than the NOS Center in San Bernardino. So, let’s start packing and plan out a magical weekend, yet again. The Venue The Queen Mary is an established waterfront that hosts many Insomniac shows such as Daytrip and Apocalypse. The cement port hosts four stages through the weekend. The days run for 12 hours each 1pm to 1am, with two afters that will allow you to bathe in the beautiful morning light on the ship, ending at 6am. You do need to take the bridge to get to the venue. Therefore, Dreamstate offers free shuttles that go from the convention center to the venue and back on both days. There will be prepaid parking on The Pike and the convention center. There will also be designated areas for rideshare drop-off near the venue. The venue has two major zones that are connected by a metal bridge and a tunnel. There could be some congestion once the festival is at peak hours so we recommended being considerate while moving in between areas to avoid any accidents during bottlenecks. We expect the vibes to be as amazing as usual, so make sure you stack up on kandi and trinkets to share with your fellow ravers. We alro recommend to arrive early to take opportunity of the photo ops and check out the vendors. The Weather Last year the weather was a bit unpredictible, with a regular november temperature on Friday. However, it got cooler on Saturday, with some rain towards the later times. Fashion-wise, ravers were really prepared with multiple layers to peel or add depending on the circumstance. So, we definitely recommend planning your outfits accordingly. The Lineup At Dreamstate, this is by far one of the most exciting lineups for Trance fans each year. There will be tons of influential artists that have shaped the scene to what it is today. These include Darude, Armin van Buuren, Vini Vici, Infected Mushroom, Brian Kearney, Ruben de Ronde, Markus Schultz, and more. This gets spicy as our Trance destination flips on its darker turn with an insane Techno lineup. Just as last year, there will be a Techno takeover on Friday. Must-watch artists include Anfisa Letyago, Funk Tribu, BLK, Hector Oaks, and Cera Khin. Other DJs who love to play insane Techno include Victor Ruiz and Giorgia Angiuli. Saturday we have major progressive artists that will delight us with some gorgeous beats. These include Above & Beyond, Amy Wiles and Leena Punks, Andrew Bayer, and Grigore. For more specifics, check out here. We’re so glad to be back home soon, and reunite with all the returning dreamers and all the newcomers too! The post What To Know Before You Go To Dreamstate SoCal 2024 appeared first on EDMTunes.

Barclay Crenshaw has been on an absolute tear this year, with the official send-off of his OG Claude VonStroke moniker and the release of his Open Channel album and accompanying tour. The DJ/producer is now back with another new track, the emotionally charged ‘Goodbye My Friends,’ featuring vocals from his son, Jasper Crenshaw. This track marks a significant moment as Jasper’s first official release, coinciding with his journey into college life. Renowned for his electrifying performances and boundary-pushing productions, Barclay Crenshaw continues his streak on ‘Goodbye My Friends.’ The creation of the track stems from a heartfelt song Jasper wrote to bid farewell to his high school friends as he transitions to college at the prestigious University of Southern California’s Pop Vocal Performance undergraduate program. The powerful emotions in Jasper’s vocals inspired Barclay to transform it into an emotive bass track. This collaboration beautifully blends Jasper’s poignant lyrics with Barclay’s acclaimed production skills, following closely on the heels of Barclay’s recent collaboration with his daughter, Ella, on the track ‘Tiramisu.’ Barclay Crenshaw continues to tour extensively, with over 60 dates in 2024, including major festivals such as LIB, Elements, Apocalypse, Movement, Electric Forest, and Texas Eclipse. His dynamic tour and the release of ‘Goodbye My Friends’ epitomize his continued evolution as an artist committed to blending and bending genres, ensuring his music remains as fresh and engaging as ever. For more information on tour dates and to purchase tickets visit Barclay Crenshaw’s website here. The post Barclay Crenshaw Releases New Single, ‘Goodbye My Friends’ appeared first on EDMTunes.

In a cloudy succession of events in the early hours of November 5th, the Norwegian Joy, the cruise currently hosting EDC’s EDSea, had to return to Miami after running into medical emergencies on board. While little is currently known about the situation and no official statement has been released, internauts at the festival have been sketching the situation for the rest to try and understand. Theories involve a concussed individual who fell off a balcony, cases of overdose, and even one passing. A Twitter user by the name @moderatelymoist reported, “Back in Miami briefly due to a medical emergency. Staff member said they’ve had 4 serious medical emergencies today“. Meanwhile, a thread on Reddit has several users exposing their views on the situation. Back in Miami briefly due to a medical emergency. Staff member said they've had 4 serious medical emergencies today. #edsea #edc #insomniacevents pic.twitter.com/bYcLINmPSz — Moist (@moderatelymoist) November 5, 2024 As of now, there is no confirmation of any sort by the EDSea team, therefore all these different reports should be taken with a grain of salt. We’ll be updating this story if there are any updates on the situation. Stay tuned. The post EDSea Returns to Miami After Medical Emergencies & Possibly 1 Death appeared first on EDMTunes.

The East London venue has also upgraded its lighting to create a "unique sensory experience" for day-to-night parties Continue reading...

The office will represent Black genres and global talent across England, Scotland, Wales and Northern Ireland Continue reading...

The decision has been called a “vote of confidence in the intelligence and genius of the new generations” Continue reading...

By now, the word is out: one of the world’s biggest and most iconic electronic music festivals, Electric Daisy Carnival (EDC), is set to electrify Thailand. From January 17th-19th, 2025, EDC Thailand will transform Boat Avenue Lakefront in Phuket into an unforgettable, three-day celebration. With a massive lineup spread across three main stages, EDC Thailand promises to be a landmark event for Southeast Asia’s festival scene. While the lineup boasts returning legends like Alesso, Fisher, Illenium, Nicky Romero, R3HAB, Skrillex, Subtronics, The Chainsmokers, Tiesto, Yellow Claw and more, it’s the debut performances that are drawing attention. Here’s a look at the artists who will be stepping onto Thai soil for the first time, each bringing their own unique vibe and style to EDC’s already epic roster. Debuting Artists at EDC Thailand 2025 Ahadadream London-based producer Ahadadream has been making waves in the underground electronic scene with his fusion of UK funky, garage, and global club sounds. His debut in Thailand will surely bring a fresh, dynamic element to the festival, perfect for fans craving a unique sonic experience. Alignment Berlin-based Alignment is no stranger to the techno scene, and his performance at EDC Thailand will bring his intense, atmospheric sound to a new audience. With a reputation for crafting relentless, pulsating beats, his debut here will showcase the darker side of techno for fans who crave a moody, immersive set. Eli Brown Rising in the house and techno scene, Eli Brown’s hard-hitting sets and tech-infused beats have captured audiences worldwide. Known for his addictive basslines and high-energy drops, his first performance in Thailand is bound to be one of the weekend’s most electrifying moments. Indo Warehouse: Kahani vs. Kunal Merchant Indo Warehouse’s signature sound merges traditional South Asian melodies with modern electronic beats, a fusion brought to life by Kahani and Kunal Merchant. This performance promises to be both a tribute to cultural heritage and a cutting-edge set that celebrates global beats with a distinct desi twist. Level Up Known for her high-energy sets that keep crowds on their feet, Level Up’s debut in Thailand is much-anticipated. Fans can expect a bass-heavy set full of surprises, as this talented DJ has a knack for blending genres and styles to keep the energy at an all-time high. Who knows, we might even get a surprise B2B or fun moments on stage between Level Up and her partner, Subtronics. 999999999 Known for their raw, high-energy techno, 999999999 is set to bring an unfiltered, underground vibe to EDC Thailand. The Italian duo’s hard-hitting beats will land just two months before their anticipated Ultra Miami debut, giving Thai fans a first taste of their explosive style. This diverse lineup of debuting artists promises to bring fresh sounds and unique performances to EDC Thailand 2025, making it an event not to be missed. With such a dynamic lineup of both familiar and first-time performers, EDC Thailand 2025 promises to elevate the country’s music scene. EDC’s arrival in Thailand underscores the nation’s growing presence as a festival hotspot in Asia. Known for its vibrant culture, scenic landscapes, and enthusiastic crowd, Thailand is set to be the ideal destination for an unforgettable EDC experience. Festival-goers can expect larger-than-life stage designs, immersive art installations, and an atmosphere that captures the spirit of EDC’s famous events worldwide. As the countdown begins, fans are eagerly securing their tickets and planning their trips! Tickets are available through Klook, offering exclusive promotions for attendees, including a free 1GB Thailand eSim with every booking. Attendees booking two or more tickets can enjoy hotel discounts of 6% and 12%, while existing ticket holders can take advantage of 5% and 10% hotel discounts. These perks make it easier for fans to plan an immersive EDC experience, ensuring that their journey to Thailand is as memorable as the event itself. Whether you’re a seasoned EDC fan or experiencing it for the first time, EDC Thailand 2025 is set to be an extraordinary celebration, combining world-class music, stunning production, and Thailand’s legendary hospitality. So, pack your colorful rave kit and squad, bring your energy, and get ready to spark unforgettable memories—EDC Thailand is calling, and it’s about to be electric!

Ibiza bid a bittersweet farewell to one of its most beloved nights, Trip, at Chinois, and it was nothing short of an electrifying sendoff. The evening was electric from the moment doors opened, with queues snaking around the corner, capturing the island’s loyal locals who came out to celebrate and say goodbye to their favorite night. Kicking off the night, Bobby Pleasure took to the decks, delivering a masterclass in genre-blending. Known for his impeccable tune selection, he rolled out a smooth fusion of techno, breaks, and rolling beats. The crowd was instantly locked into his vibe, setting a strong tone for the night. Bobby’s set was as much a warm welcome as it was an invitation to dive into the depths of Trip’s unique soundscape. Then came Sonja Moonear, a powerhouse whose every set feels both commanding and intimate. But tonight was especially charged. Armed with her signature vinyl selection, she crafted a seamless journey that kept the dancefloor hypnotized. As her set climbed, the crowd responded with pure elation—she had them completely under her spell, pulling out deep cuts that transformed the space into a haven for serious dance music lovers. Dropping heavy-hitters at just the right moments, Sonja brought the energy to a fever pitch. Finally, the stage was set for the legend himself, Ricardo Villalobos. Effortlessly building on the energy Sonja created, Ricardo took the audience on an unforgettable sonic journey. His set transcended the boundaries of house and techno, exploring lush, unexpected terrains that had the room in total rapture. As the night approached its end, Ricardo kept the energy alive, and with each track, the dancefloor responded in full force, riding the wave until the very last beat. As the doors closed and the lights faded, it was clear: Trip had left an indelible mark on Ibiza’s 2024 season. This final night was a testament to the night’s impact and influence, leaving everyone buzzing for what’s to come. Summer 2025 can’t come soon enough. The post Trip Closing at Chinois: A Perfect Farewell to an Unforgettable Ibiza Summer appeared first on Electric Mode.

‘I’m Tim’ features never-before-seen interviews and footage from his final ever show in Ibiza Continue reading...

Today marks the 57th birthday of the legendary David Guetta who is still at the top of his game and showing no signs of slowing down. The French DJs journey in music started all the way back in 1984 where he started DJing in Paris and gradually made a name for himself in the club scene even becoming the manager of the ‘Le Palace’ nightclub. But it was in 2007 when Guetta’s career really took off with his third studio album ‘Pop Life’ featuring the unforgettable track ‘Love is Gone’ which reached Number 1 on the American Dance Chart. What followed this breakthrough was one of the most amazing runs of chart success with Guetta regularly topping the charts around the world. 17 years on from ‘Pop Life’ he is still one of the biggest DJs in the world having now sold over 10 million albums, been named DJ Mags number 1 DJ 4 times, performed at all the biggest festivals in the world, and has pioneered his own genre in future rave. So today let’s celebrate the birthday of the undeniably brilliant David Guetta by listening to his top 10 tracks. 10. Say My Name – David Guetta, Bebe Rexha, J Balvin (637 million streams) 9. Where Them Girls At (ft. Nicki Minaj & Flo Rida) – David Guetta (645 million streams) 8. Baby Don’t Hurt Me – David Guetta, Anne-Marie, Coi Leray (646 million streams) 7. Flames – David Guetta, Sia (651 million streams) 6. 2U (ft. Justin Bieber) – David Guetta (839 million streams) 5. Hey Mama (ft. Nicki Minaj, Bebe Rexha & Afrojack) – David Guetta (872 million streams) 4. Sexy Bitch (ft. Akon) – David Guetta (997 million streams) 3. Memories (ft Kid Cudi) – David Guetta (1 billion streams) 2. Titanium (ft. Sia) – David Guetta (1.7 billion streams) 1. I’m Good (Blue) – David Guetta & Bebe Rexha (1.8 billion streams)

Crys L‘s “Hironoda” boldly moves backward to forward in a time when electronic music sometimes follows the next trend. This throbbing work of electronic craftsmanship offers a fresh version that resonates with modern audiences and is a love letter to the pioneering sounds of 1980s Electronic Body Music (EBM). With truly old synthesizer tones that could have come from a forgotten underground club circa 1985, “Hironoda” sets its retro credentials from the first minutes. The basis of the music is the EBM framework: hypnotic patterns, industrial-tinged percussion, and mechanically exact rhythms demanding movement. Still, this is far from a simple nostalgic pastime. Crys L adds subdued layers of modern production techniques while early EBM sometimes embraced a purposefully harsh, almost cruel look. The sound design shows depth and clarity not found in the original heyday of the genre. Perfect, clean mixing lets every component occupy its own place and help to create a coherent whole. Most remarkable is how “Hironoda” gives what might have been a just mechanical workout emotional resonance. Like threads of humanity in a digital tapestry, the melodic themes thread across the music to create surprising beauty among the unrelenting rhythm. The reason “Hironoda” is especially successful is its awareness that invention does not always entail rejecting the past. Rather, Crys L shows how traditional components may be reinterpreted for viewers of today. For long-time EBM aficionados, the tune offers a new viewpoint on favorite sounds and for younger listeners an entrance point into the rich legacy of the genre. It feels both familiar and contemporary. Verdict “Hironoda” points toward EBM’s prospective future and is evidence of its continuing impact. It reminds us that, especially when viewed with respect and inventiveness, the past of electronic music is still rich ground for modern discovery. By crossing these historical gaps, Crys L has produced something that transcends simple classification as either vintage or modern — it simply existing as interesting music regardless of date. The post Crys L’s “Hironoda” Bridges Past and Present with some Retro Fusion appeared first on The Groove Cartel.

The illegal rave was shut down by police over the weekend, with one arrest made Continue reading...

In a pivotal moment for the music industry, it’s rare to see an artist emerge with the power to redefine boundaries. Chizawa Q has crafted a forward-thinking collection that proudly honours foundational influences while pushing into new sonic territory. His debut album on the powerhouse label R&S Records ‘Xenoverse’ is set for release November 22, 2024. Chizawa describes his album as “a soundtrack to a universe not yet born – a sci-fi score stirring memories of a world we’ve never known. Being on R&S Records, a label with a legacy of showcasing Japanese artists like Ken Ishii, is a personal milestone.” Born in Yokohama, Japan, Chizawa Q remains deeply rooted in his homeland, recording this full-length project across from Tokyo Bay. Following the success of two lead singles: “Beluga” (October 4) and “Black Nebula” (October 25), Xenoverse channels the legacy of Detroit techno giants like Underground Resistance, Kenny Larkin, and Carl Craig, blended with European jazz techno innovators such as Dave Angel and Vince Watson. With contributions from Masaki Sakamoto, Kowalewski, and Dan Samsa, as well as a remix by Tokyo drum ‘n’ bass icon Makoto Shimizu, Xenoverse spans deep, driving techno and intricate electronica, creating a ten-track journey that blends jazz and abstract beat science for a unique, immersive experience. His sound has garnered significant support from influential figures across the scene, including Laurent Garnier, Dave Clarke, Josh Wink, Ben Sims, Dave Angel, Ramon Tapia, Dino Lenny, M.A.N.D.Y., CJ Bolland, LTJ Bukem and plays on BBC Radio. Xenoverse is available on R&S Records on November 22, 2024, promising to be a standout release for electronic music fans worldwide. Chizawa Q – Xenoverse R&S Records Digital Album | RS24LP003 Tracklist: Planet 9 Beluga (w/ Masaki Sakamoto) Orca Cha Cha Psychedelia (w/ Kowalewski) Tokyo Bayside Blues God Is Blue Freaky Flowerz (w/ Dan Samsa) Black Nebula Cozmic Flowers (Makoto Remix) Pre-save: https://fanlink.tv/RS24LP003 Find Out More Chizawa Q Instagram | Soundcloud | X R&S Records Website | Soundcloud | Bandcamp | X The post Chizawa Q Unveils ‘Xenoverse’ Album On R&S Records, Pioneering A Universe Unseen. appeared first on Electric Mode.

After setting Transmission Bangkok 2024 ablaze with an electrifying performance, Maddix sat down with us to reflect on his unique musical journey, his game-changing collaborations, and the recent launch of his signature Maddix Rumble plug-in. Known for pioneering a bold fusion of Big Room, Techno, and Trance, Maddix opened up about the freedom he’s found in merging genres and his evolving role as an inspiration to aspiring producers worldwide. From his unforgettable set at Transmission to his upcoming debut marathon set at ADE, Maddix continues to redefine what it means to push boundaries in electronic music. You’ve just finished an insane set here at Transmission in Bangkok. Could you tell us a bit about it? How do you feel? I feel amazing. I think this is the best set I’ve done in the whole of Thailand and it was a crazy crowd. I love it so much. You’re known for merging big room, techno and trance, could you tell us about this journey and how you got to this point? So back in the day, I used to do big room only and I got a bit tired of the genre and wanted to do something different. So I realized that actually I wouldn’t buy a ticket to my own show because I would rather go to a techno event and that’s the moment I realized I should change it to something different. I went to the studio and managed to get some techno influences, some trance influences, it’s like a mix of everything and I love it. I can now play at Transmission but also play a techno stage and I love it. A lot of freedom. I wanted to talk about your collaborations and your mentorship. So you’ve worked closely with Hardwell over the years and have had a lot of releases with him. How has that relationship influenced this transition from big room to techno? He’s been a really good friend during my big room days. He’s also changed his style and it was a perfect fit so we decided to do some collaborations together and it’s worked out perfectly. I love to work with him. He’s a really talented DJ and producer. Following up on that, what would be your favorite collaboration with him if you had to pick one. That’s hard. But I really like Satisfaction and I still play it because it’s like techno-y. I wanted to talk about your recent launch – the Maddix Rumble plug-in. Could you tell us about that? I remember Revealed Recordings, Hardwell‘s label that I’m still working with asking me if there’s anything that pops up in my mind as they want to build some plug-ins. It was hard to think of as I’m always in the studio producing music and then I realized that I’m manually creating all these rumbles and using all these crazy plug-ins to do it. I thought can we do it in one plug-in, and I shared my ideas and they loved it. Its out now and I use it for almost every single track myself and a lot of techno and trance DJs they actually use it. So what’s the significance it has on home producers, or Instagram/TikTok DJs who see you as an inspiration and want to make the same music as you? How do you think this will help them? I think it helps them make the same kinds of kicks I make way faster because it’s the signature sound. All the presets I put in there are actually presets I use myself. I use them for my kicks and they can just grab it and in a second they can have the same thing. So you’ve played at some of the biggest festivals in the world and you have ADE coming up. Could you tell us a bit about that? It’s actually my first my only event at ADE and it’s the first time I’m going to play a 7 hour set. I mean I’ve done 3 hour sets before but yeah this one is going to be 7 hours. There’s going to be a lot of back-2-backs happening with a few of my favorite artists and it’s going to be massive. The day after I will also be playing at AMF which is the biggest show there. I’m going to be playing in a stadium in front of 30,000 but I’m really looking forward to it. Looking ahead and talking about the future, what can fans expect like besides ADE and beyond that? There are three more releases coming this year, including some special ones before the end of this year. I’m also working on some new music which is difficult to do because I’m touring so much but there’s a lot of exciting stuff happening. Basically I go with the flow. I’m just making music and see what comes out. I try it out and if it doesn’t work, I change the song. Do you have any last words and about your set today? Transmission Bangkok was amazing. I love it here. It was my first time at this festival here and insane energy. I was a little afraid because I do not play trance that much but you guys went crazy and I loved it. Thank you.

Innellea takes us back into his dark but comforting universe with his new single ‘Euphoria‘. A song that, as its name suggests, indicates a feeling of great emotion for a specific event, such as a celebration or an important milestone in our lives. Available now via his imprint Distorted Youth. Since the beginning of his productive activity back in 2016 until the latest songs and remixes, Innellea has always shown that, although his predominant style is susceptible to be within the house and melodic techno, his musical repertoire has always gone a little further in terms of creativity compared to artists of a similar nature, thus confirming himself as an uneven producer within his genre. Based on this concept, the artist presents a new single called ‘Euphoria’ which seems to continue the path proposed by his most recent album The Belonging. Throughout the track, he confirms a clear melancholic and existentialist tone but also, at the same time, powerful and aggressive with a hopeful final message. “I actually produced ‘Euphoria’ between the 2 Coachella weekends, and played it live there for the first time (last slide). What I love most about this track is how it captures all the energy we felt out there! It’s intense, got some serious drive, perfect for a run, gym session, or anytime you need a boost”- Innellea on Instagram. Innellea- ‘Euphoria’ This song is another example of the constant dominance of cybernetic and industrial sounds permeating the electronic music scene in recent months. At the same time, it presents a variation of sounds more typical of House than melodic techno at the beginning. However, after the build-up of the middle part, we can more clearly notice the characteristic style of the DJ and producer from Munich. Unlike his previous album and works, this one shows a more optimistic feeling considering it captures an iconic moment in Innellea’s life, which gives it precisely the feeling of ‘Euphoria‘, a piece of light in the midst of perpetual darkness. We can say in 2024 he has established himself as an artist who is not according to be pigeonholed into a specific musical genre, and who seeks to express his feelings and talent through different means. You can listen to Innellea- ‘Euphoria’ below! The post Innellea Shows Once Again His Mastery With Uplifting single ‘Euphoria’ appeared first on EDMTunes.

The recent death of Quincy Jones sent shockwaves across the music industry as artists and fans took to social media to share about his impact on their lives. Among them was David Guetta, who shared a heartfelt post about his encounter with Jones at the Grammys a few years ago. Known for his groundbreaking work with artists like Michael Jackson, Frank Sinatra, and Ray Charles, Jones’ influence on music and culture was massive. His production of Michael Jackson’s ‘Thriller’ album, a cultural phenomenon, cemented his legacy as one of the greatest music producers of all time. In the post, Guetta expressed his admiration for Jones’ work, particularly the “Thriller” album, and recalled a memorable meeting at the Grammys where they conversed in French, a language Jones mastered. Guetta’s tribute highlights the far-reaching influence of Jones’ legacy and the profound impact he had on countless artists around the world. The post David Guetta Pays Heartfelt Tribute to Quincy Jones appeared first on EDMTunes.

Emerging UK producer Morty (real name Harry Evans) has just released a new single, ‘Stay With Him‘. Aiming to be much more than just a song, this track features strong vocal performance and explores the theme of toxic relationships, turning into a piece with a much deeper meaning than what can be seen at first glance. With its driving beat and emotive lyrics, ‘Stay With Him’ showcases Morty’s ability to blend raw emotion with energetic production. The song has its roots in personal experiences, and serves as a call for empowerment. “I wanted to create something that’s not just about sound, but about feeling“, says Morty, regarding the single. Morty’s music has been gaining recognition in the UK and beyond. He has performed at various venues across the country and is now expanding his international reach with upcoming shows in Zurich and Prague. He’s committed to creating music that connects with listeners on an emotional level. His focus on storytelling and authenticity has stood him firmly in the scene, making him a proper artist to watch in the coming months. You can listen to Morty’s ‘Stay With Him’ down below! The post Morty Releases New Powerful Single ‘Stay With Him’ appeared first on EDMTunes.

Electronic music producer OBLVYN just conquered a new summit, by releasing her highly anticipated album, Self Help. This complete piece is a deeply personal project, which revolves around her most intimate, thoughtful side, through themes of resilience, heartbreak, and the power of human connection. The album portrays a beautiful collection of Melodic Bass tracks which all showcase OBLVYN’s signature soundprint — Bass blended with emotive storytelling. She has quickly risen to prominence in the electronic music scene, earning recognition for her innovative production techniques and captivating live performances. Her collaborations with renowned artists like Seven Lions and Au5 have further solidified her position as a leading figure in the genre. Self Help is a testament to OBLVYN’s growth as an artist. By sharing her personal journey through music, she aims to inspire and connect with listeners on a deeper level. “Self Help represents my journey over the past few years, turning challenges like self-doubt and heartbreak into something positive”, says OBLVYN. “Each track is meant to offer comfort and strength to those going through tough times”. ‘Everything‘ with Wayfie, ‘Bloom‘ featuring Roseanna, ‘Colours‘, and ‘Pouring Rain‘ with Luxtides, are just a handful of previously lifted singles from the complete eight-tracker crafter by the 2022 Western Canadian Electronic Artist of the Year. Listen to the entire Self Help album by OBLVYN below! The post OBLVYN Shares Personal Journey Through Her New Album, Self Help appeared first on EDMTunes.

Universal Music Group, ABKCO and Concord Music Group are seeking "at least" $500 million in damages after filing a copyright infringement lawsuit against TuneCore and the music distributor's parent company, Believe, Billboard reports. TuneCore allows independent artists to easily distribute their music across major streaming services like Spotify, Apple Music and Amazon. The company, which in 2015 was acquired by Believe for an undisclosed sum, says it's paid out over $4 billion in revenue to artists since its 2006 launch. UMG, ABKCO and Concord have collectively accused TuneCore of enabling "massive" fraud and piracy in the bombshell lawsuit, filed November 4th in Manhattan federal court. The coalition's complaint alleges that Believe's platform is "overrun with fraudulent 'artists' and pirate record labels" that are distributing illegal derivatives of hit songs to streaming services and social media. Those so-called artists, lawyers for the plaintiffs claim, uploaded "minor variants" of hit tracks by the likes of Kendrick Lamar, Ariana Grande, Justin Bieber, Lady Gaga and many more. They reportedly attempted to avoid detection by attributing the music to intentionally misspelled names like "Kendrik Laamar,' "Arriana Gramde," "Jutin Biber" and "Llady Gaga." Believe, which operates in over 50 countries, has positioned itself as an independent, artist-friendly alternative to major label distribution. The explosive lawsuit, a major escalation in the ongoing battle against music piracy, accuses the company of failing to adequately police its platform. "Believe is a company built on industrial-scale copyright infringement," a UMG spokesperson said in a statement. "Their illegal practices are not limited to cheating artists on major labels but artists on independent labels as well—including artists on the independent labels within the trade bodies of which Believe is itself a member." "It’s no wonder that Believe has been outspoken against the streaming reform principles for which so many major and independent labels have been advocating. Why? Because such reforms would undermine and expose their system of building scale and market presence by distributing music for which they have no rights and illegally collecting royalties to enrich themselves and their co-conspirators." A spokesperson for Believe vehemently denied UMG's claims and said the company is preparing to fight them in court. "As companies that work with artists and labels around the world, we take the respect of copyright very seriously," the Believe rep told Billboard. "We strongly refute these claims, and the statements made by Universal Music Group and will fight them. We have developed robust tools and processes to tackle this industrywide challenge, working collaboratively with partners and peers and will continue to do so. We have been at the forefront of the digital music ecosystem for nearly 20 years, supporting the development of independent artists and labels, and have been awarded Tier 1 status and included in the Preferred Partner Program across all music stores." You can read the full complaint, obtained by MBW, here.

Buyers who use the "refresh" tactic may struggle this year... Continue reading...

Home Bass, Orlando's architect of electronic music-fueled "stay-where-you-play" experiences, has announced their 2024 lineup. Billed as "Florida’s largest music festival resort takeover," Home Bass returns November 7-11 for its sixth year. Fans of the event can look forward to a makeover at a new resort location, the four-star Doubletree by Hilton at the Entrance of Universal Orlando, which features an outdoor pool, jacuzzi, splash pad, arcade, five onsite dining experiences and a pair of massive event spaces. The elevated hospitality will meet its match through Home Bass' stellar 2024 lineup. Fans attending this year will be able to catch electrifying DJ sets from Crankdat, Deathpact, Malaa, Feed Me, Rossy, UZ, Kill Safari (Kill The Noise and Bro Safari). Bass music superstar NGHTMRE is also primed for a rare throwback set. Check out the full to Home Bass 2024 lineup below and purchase passes here. c/o Home Bass The organizers of Home Bass have also announced a spate of new onsite experiences, like a brand-new silent disco with three stages. Ravers in 2024 can also partake in morning yoga sessions and the beloved Frick Frack Black Jack experience. Home Bass also offers a VIP upgrade, which allows pass-holders to access express shuttle lines, VIP viewing areas, the daily "Beats & Brunch" outing and exclusive merchandise. Considering the event's dates coincide with EDC Orlando, shuttles to and from the festival's location at Tinker Field will be available. You can find out more about Home Bass here. Follow Home Bass:Instagram: instagram.com/homebass X: x.com/homebassorlando TikTok: tiktok.com/@wearehomebass Facebook: facebook.com/homebass

The Ninth Circuit U.S. Court of Appeals has upheld a lower court's decision allowing a class action lawsuit to proceed against Live Nation and its subsidiary, Ticketmaster, over accusations of excessive ticket pricing. The plaintiffs in the class action suit claim that Live Nation has monopolized the ticketing market, thereby inflating prices and limiting consumers' choices in the process. The court condemned the company's attempt to enforce restrictive arbitration policies, agreements that force customers to settle disputes privately rather than in court. The ruling declared those policies "unconscionable and unenforceable." The development marks a significant shift after previous lawsuits were effectively blocked by these terms, which the court found made it nearly impossible for consumers to hold the ticketing giant accountable. Live Nation initially argued that purchasing a ticket implicitly meant consumers waived their right to sue and instead required arbitration. However, the appeals panel has found the terms to be overly biased, stating in the decision that they were "so dense, convoluted, and internally contradictory as to be nearly unintelligible." The ruling comes amid other ongoing legal troubles for Live Nation, including a separate multimillion-dollar lawsuit following a Ticketmaster data breach that exposed the private information of up to 560 million users, per TheTicketingBusiness.

When NASA envisions art for space, it aims to bridge worlds. Enter Jon Hopkins and Ólafur Arnalds, whose new track, "Forever Held," was inspired by letters from NASA creative director Erica Bernhard. Described as "love letters from Earth to space," Bernhard's writings reflect humanity's deep-rooted connection to the cosmos, a theme brought vividly to life by the musicians. Awash in Arnalds' haunting strings, the piece is a work of tranquil, cinematic resonance that speaks to Earth's "fragility and power," Hopkins said. Bernhard sees the renowned electronic music producer's work as a soundscape that bridges "the awe and wonder of space" with "the rhythms of life on Earth," creating a journey that prompts listeners to reflect on humanity's cosmic role. Adding a unique twist, "Forever Held" is part of NASA's "Space for Earth" experience in Washington, DC, a first-of-its-kind exhibit where Earth is viewed through the eyes of agency's satellites. Both Bernhard's letters and stills from her video for the song will accompany it as it travels to the lunar surface, a symbolic expression of humankind’s enduring desire to reach beyond our home planet. Before its lunar mission, "Forever Held" has already had an earthly debut thanks to Coldplay, who recently used the song to open their latest album, Moon Music. You can listen to the full composition below. Follow Jon Hopkins:X: x.com/jon_hopkins_ Instagram: instagram.com/mrjohnhopkins Facebook: facebook.com/johnhopkinsmusic Spotify: tinyurl.com/2dfkdthx

Universal Music Group has made it clear that any advancement in AI music technology must put artist rights at the forefront. With a series of high-profile lawsuits targeting AI developers who trained models on copyrighted works without authorization, UMG's legal actions have demonstrated the label giant's commitment to protecting artists. Now, the company is taking proactive steps to reshape the landscape by joining forces with Klay Vision to develop an ethical framework for AI-generated music. Klay has committed to creating "responsibly trained" models that uphold copyright laws, an approach UMG deems essential in preserving the integrity of human creativity. The firm aims to ensure that its models support rather than compete with traditional music catalogs, focusing on innovation that benefits instead of replacing human artistry. "Building generative AI music models ethically and fully respectful of copyright, as well as name and likeness rights, will dramatically lessen the threat to human creators," the companies said in a joint statement. UMG has been carefully curating partnerships with companies that share its vision for ethical AI. Deals with companies like SoundLabs, and now Klay, illustrate the company's resolve to protect their intellectual property. According to UMG’s Chief Digital Officer, Michael Nash, "advancing generative AI technology in ways that are both respectful of copyright and have the potential to profoundly impact human creativity" remains a top priority.