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Some of the most creative personalities in electronic music have reinterpreted Aalson‘s expressive original song “World Of Reflections,” providing a new and varied musical viewpoint on the introspective trip. Four separate versions of the original work highlight the adaptability of the “World Of Reflections” Remixes EP. Peer Kusiv establishes the tone with his deep, atmospheric approach, enveloping the sad melody in ethereal pads and subdued rhythmic changes. Then Mitch de Klein gives the song a more vibrant, club-ready feel, rising toward a euphoric conclusion with complex percussion and pounding bass lines. Polygraph approaches more experimentally, disassembling the original and reassembling it into a mesmerizing, off-kilter remix combining synthetic and organic components. Sezer Uysal adds his own emotive embellishments but finishes the EP with a passionate, synth-heavy version that catches the emotional weight of the source text. The “World Of Reflections” EP highlights the amazing ability of these producers over these four remixes, each adding their own original flare and creative vision. From rich, ambient soundscapes to peak-time club cuts, this release provides something for any electronic music lover – ideal for both reflective playlists and vibrant dancefloors. The post Aalson presents ‘World Of Reflections’ remixes EP appeared first on The Groove Cartel.

Booka Shade have announced their ‘For Real’ Tour, with the duo set to play shows in Germany, Austria, Switzerland and the Czech Republic throughout March 2025. Named after their forthcoming album on Blaufield Music, the tour also marks a notable change from recent dates, with the iconic pair returning to early evening concert performances for the first time since 2017 – showcasing fan favourites from their extensive catalogue alongside fresh new productions. “For the first time since 2017, we’ll play early evening concert shows as part of this club tour. For this special occasion, we’ll be presenting a large variety of the biggest songs taken from our 20-year-long career, as well as brand new songs from our forthcoming release, ‘For Real’.” – Booka Shade. Building on an extensive touring 2024 schedule, with shows from Brooklyn Mirage in New York to Ibiza’s Cova Santa, the tour starts on 11th March at Mascotte in Zürich before welcoming stops in Munich, Frankfurt / Main, Hamburg, Prague, Vienna and more, before wrapping up in Berlin to close out the run of dates. Tour Dates: 11.03. Mascotte, Zürich 12.03. Strom, Munich 13.03. Das Bett, Frankfurt / Main 14.03. Uebel und Gefährlich, Hamburg 19.03. MeetFactory, Prague 20.03. Fluc Wanne, Vienna 21.03. TBA 22.03. Säälchen, Berlin Pre-sale ticket links HERE The post Booka Shade announce 2025 ‘For Real’ live tour appeared first on Decoded Magazine.

The day dawns bright and warm at Nene Park, Peterborough. The usual suspects are about; geese, grassy hills, Sunday morning strollers out for a walk in the wilds. An opal lake reflects the rays near the motorway bridge overarching the park. The Unitee crew are also present, engrossed in preparation for Charlie Tee’s Unitee summer event under the bridge; readying the stage, stocking bars and running final sound check, ahead of the day’s lineup descending on-site in a few hours time, surrounded on all sides by the colourful eyes of the spray painted murals adorning the bridge’s pillars. Charlie herself can be glimpsed recording her last few pre-show editorial cuts centre front, seamlessly moving from one station to the next to check in on every last detail and every last member of the crew. Smiles are aplenty and the air is brimming with a curious warm undercurrent of positivity. If drum and bass had a Mount Rushmore, Charlie Tee would smile down alongside the greats. DJ, Presenter, Journalist, Tastemaker, Curator and now beloved Host of her own event. Much like many other scene titans, Charlie seems to have been destined for dance music. Reminiscing, she remembers discovering drum and bass amidst her student days, bouncing around the country to various raves, hooked on the advent of Chase & Status’ debut, ‘More than Alot’. She smiles, “I almost failed my second year!” Beginning her journey at Drum&BassArena in 2012 interviewing the best and brightest at the time, it’s hard to believe that the wonderfully warm multi talented scene star once thought herself not capable of DJing, “because I didn’t really see any girls doing it. I know it sounds really silly. At the time the mentality was; you’re the presenter, the guys are the DJs.” Soon after, a set of second hand decks found their way into Charlie’s hands and the rest is history. A glittering track record in the world of bass music has now seen her take the helm of the Radio 1 Drum and Bass Show as the show’s first full time female presenter and drum and bass specialist, co-host the AIM Awards and play everywhere from Boomtown, to Glastonbury, Let It Roll, Drumsheds, Boardmasters to Hospitality – show us a festival untouched by Tee’s magic. Aside from her powerful, expertly executed, full throttle pedal to the metal DJ sets and innate journalistic sensibility when it comes to producing quality multimedia content, the truly raw Charlie Tee star quality is her beaming wholehearted commitment and unconditional belief in the scene’s talent, community and true values of peace, love, unity and respect. It’s there in the eyes of every artist, colleague, raver and fan that interact with her, Charlie unearths the best within all those that surround her. The evolution of Unitee events was a no-brainer, a natural progression from the Radio 1 Drum and Bass Show in an opportunity that arose from Mixology, Unitee is also a reflection of Charlie herself and everything she stands for. A unique event within an even more unique setting; mixing artists hailing from all corners of drum and bass land and ravers of all ages, backgrounds, colours and creeds, for an afternoon under the motorway bridge, allowing everyone a joyful share in the music we love, within a culture of positive inclusivity. Excitedly speaking in a corner away from the pre-show madness, Charlie explains “the whole idea is that it doesn’t matter where you’re from or who you are, everybody is welcome on the dance floor. We don’t want anyone to ever feel like you have to dress a certain way or have a certain amount of money, it doesn’t matter who you are, if you can get yourself to our dancefloor then you’re part of the family.” The inclusivity and safety of the space is everything, smiling broadly Charlie goes on “just creating that safer space on the dance floor for everyone to feel they can have a good time is key for me. I’ve noticed with the Unitee events, the difference in our crowds. We have so many girls in the front row at these shows now and you notice the difference in energy when you switch over the artist to, say someone like Ama or Emily Makis coming on. You see the effect on them, seeing women up there doing their thing and it’s beautiful!” A carefully cultivated environment, promoting intolerance of any form of negativity for a true chance at inclusivity, Unitee offers bass-lovers the opportunity to connect on a deeper purer level, whilst reaffirming the fundamental values our music was built on. Every minute detail is meticulously planned and thoughtfully executed; the timing to allow everyone to join in the fun without worry of losing precious Z’s, the beautifully imposing murals standing proud on the bridge pillars feature artists on the lineup of the day, including a tribute to Randall. “Yes that’s all by a guy called Nathan” Charlie says proudly, “he’s incredible. His tag is Nyces. When we unfortunately lost Skibadee and Stevie Hyper D a while ago, we were deciding who to have on the murals at the time and he’s a big drum and bass fan. It was actually his decision to do the memorial to them, which was so beautiful. They even kept it as a secret and surprised me when I turned up to do the last show! Then obviously with the passing of Randall we had to put him on our wall of fame and that’s going to stay there.” The memorial piece glows in the background over our heads, “as long as drum and bass has a home underneath this bridge and the council allows it, our heroes will stay up there – hopefully we won’t have to add any more, but yes we honour those that we’ve lost.” A well seasoned music journalist and tastemaker, Charlie puts her encyclopaedic knowledge of bass music to work; curating Unitee lineups with a confident hand and careful consideration of artist energies, a byproduct of years spent working closely with artists of every calibre. “It’s really important to me to create a balanced lineup in terms of how it would feel sonically. For example, Shy FX – even though he sadly couldn’t make it in the end, we know he’s a sound system artist and we thought about who would compliment him. Lens is a great jungle artist, Gardna’s a great multi genre artist and Dread MC, Rage, some of my favourite MC’s, they fit really well with that sound.” The insider knowledge of their tendencies, preferences and styles come with years of countless performances and interviews, “lineups need to really fit together and they just happen to be artists that are of colour or are female, and that’s the way I think it should be. It should just feel organic and of course fair and representative.” But it runs deeper. A scene so distinctive for its interaction with and involvement of the crowd, Charlie skillfully curates lineups and shows alike with the intention of creating a fulfilling repay in-kind experience. “Music is energy transference. If I give a really high energy performance, that energy is given to the crowd, then they give me energy back. It’s this beautiful never ending circle of energy transference. It’s the most energising, beautiful thing, sharing music and dancing to music.” Trademark Charlie Tee sets and Unitee performances in general, speak to the crowd on a personal level, training cameras on faces then displayed on the LED screens, encouraging participation at every moment throughout. “Without that crowd, I am nothing. I can’t give a good performance without them, it’s very much a working partnership.” “Connecting with people when you haven’t said a word, that’s powerful.” The day shines on and ravers begin to arrive under the bridge, gleefully skipping across the park towards the distant wobbly bass of the local collectives’ early sets. It’s clear for Charlie and all involved that this is a family affair. Fans passing her on her quick final walk around the site, wave hello and share their excitement to be back at Unitee. Crew members are well versed in the Unitee way now, most of them having worked on every show so far, some even from the same family, with two sisters manning the artist team. The bonds between the crew, both backstage and frontstage are strong, most of the people here are interconnected beyond imagination, whether by blood, kin, friendship or all the above. The warm vibration of positivity continues to permeate the air, the smiles growing broader. Supporting new talent is crucial in paving the way forward for drum and bass music, nurturing talent to instil confidence, grow creativity and cement the scene’s legacy. Despite this, not everyone has the time to pay attention to new artists breaking into the upper levels of drum and bass eminence, or the skill to showcase the unique skills of DJs, Producers, Vocalists or MC’s in the impactful way they need. Charlie Tee eagerly takes on all the above with a welcoming smile. An ardent supporter of breaking talent, her enthusiasm for platforming new sounds manifests throughout her work; through the Radio 1 Drum and Bass Show submissions, the show’s exhibitive ’60 Second Send It’ feature, confidently booking an early career Bou for the first Unitee event, or simply mentoring young artists, one such mentee happily dancing backstage today at Charlie’s invite. Balancing on a cultural tightrope, throughout her career Charlie has kept one eye firmly on the future, with the other trained on the past, paying homage to classic dubs that came before whilst simultaneously pushing the new wave. This mindset, Charlie embodies throughout the rest of her regular Radio 1 covers; Future Dance, Soundsystem Party and Radio 1 Ibiza, all under her charge in these recent two weeks alone, all curated carefully and delivered with unfailing energy. The Drum and Bass show especially, serves as a vehicle for introducing new drum and bass talent to the world and championing the hottest productions of the day on the world stage – all magnificently curated and managed by Charlie’s hand through her on air and online formats that have propelled the show to new heights. Headz and RAJAR alike are very happy. When pressed on the reason behind the passion, the journalist in her wins out, “I just love being a part of a story. I started doing radio because I love sharing music with people. Then I got to a stage within radio where we could have guests and I thought I could use that platform to help artists. It was an organic progression.” Charlie’s care for the creations entrusted to her is tangible, “people spend so long creating their art and I just want to help them get it out there to the best of my ability. Particularly when you see people working really hard and you have the opportunity to do so, why wouldn’t you want to be a part of it?” Again, every detail of today is addressed and carefully considered. Charlie reminds herself to give Charlotte Plank – performing later during Charlie’s set, a copy of her setlist with every one of the vocalist’s tracks highlighted so she is well prepared. A journo knows how to bring out the best in people. Charlie tends to uncover gold. When it comes to seeking out fresh talent, in an oversaturated landscape of up and comers, algorithms and collectives, Charlie’s keen eye aims true. “Social media and the way that you promote your music is so important. I know people don’t want to do it but it shows the amount of effort you’re willing to put in. I know that making music takes so long and social media is hard work, I do. I think it’s an amalgamation of lots of different things. It’s artists I see building themselves as an artist.” She stresses the importance of creating an online presence and brand on social media, “if they already know who they are as an artist and where they want to go, that helps me in being able to give them a platform. You already know how you want to be perceived, so that’s going to make it much easier for me to help elevate you.” We discuss supporting up and comers through various routes, “that doesn’t mean I don’t support grassroots ground level artists too. I play their tunes on the show, but in terms of booking them for an event like this I want to see artists have lots of experience already playing to crowds, videos of them etc.” ‘U + Me = Unitee’. The slogan basks under the sun’s glare, atop the bar. Charlie warmly greets fans backstage, sharing stories and taking pictures, asking them how their experience has been so far, thanking them for coming back. Ever the story connoisseur, even fan stories cannot escape her bright eye. Determined to lift up the ravers as well as the music makers, Charlie mulls over plans for one of her next ideas – a series centred on ‘The People of Unitee’, illustrating the individual stories of the Unitee community in all their candid beauty. “There’s a lady called Sarah who was here last time in a wheelchair and it was the first music event she’d attended since her accident. I chat to her all the time. We of course also had Nick and Annie get engaged here under the bridge last time, which I helped Nick with when it came to the surprise! TJ, one of the MCs here today, met his girlfriend at the first ever event. They’re still together.” Charlie’s smile is wide as these human moments float in the air in front of her. She spreads her arm towards the stage, “Unitee is about creating spaces for people that want to rave like this. We have a multitude of different people that maybe don’t want to go to a club or can’t go to other venues. I don’t want us to just be another event, I want to create those real life moments and memories, amazing music and where we’re all about the people. I think that’s what makes it super special and that’s why people love coming here. I get messages all the time from people in this community. There’s so many beautiful little stories and that’s what Unitee is all about for me personally.” “The scene belongs to everybody that wants to contribute into it. It’s a joint effort.” As Charlie takes the stage with her MC, Savvy B, the Unitee community go wild. As per usual the selection is a merciless, heady high-octane mix of new school with old school neatly woven into the carnage. Charlie is in her element, joyfully looking out to the crowd as drop after drop lands on the bobbing heads. The Tee effect is palpable, many of the event-goers, staff and artist crews gather near the stage and share a story whilst they’re at it. One recounts how Charlie met his mum at a rave. Later she laughs at the memory, “I do think that because we encourage a friendly vibe, as a result, people bring their parents because they know that backstage won’t be messy, but a calm, chill environment instead.” Another accolade for the Unitee shelf. After a respectful pause in remembrance of Randall, Charlie resumes fire, working in tandem with Savvy and then joined by Charlotte Plank – both running the mics with every ounce of their energy, in an awe-inspiring showcase of female talent. After, she coins it as her favourite moment. Long ago, she once named Radio 1 the ‘pinnacle of all (her) goals’ but it’s easy to recognise a rocket on trajectory to space taking off in front of us. The question is how both Tee and Unitee could get any better than this. Later in the evening, Charlie leans back with a laugh, “in terms of the radio world, you can’t get much bigger than the BBC. I’ve been listening to the BBC since I was 11, 12. At night I would record tapes of all the different bits of music before the presenter talks. Which actually makes me quite sad now as I used to cut the presenter out, which is obviously my job nowadays!” We turn back to the music and ponder the future, “with DJing, sky’s the limit. The US is next on the cards for touring now. I played Australia and New Zealand earlier this year, where I honestly didn’t know how I’d be received. It’s the other side of the world, and I’m not currently putting music out. But I played this show in Auckland and I sold it out. I had people from there telling me they loved the Radio 1 show which was crazy to me! I’d love to do EDC one day. That’s on the list.” Charlie is no stranger to production, having studied a course and learnt the skills for herself, “I’m just so busy. The thing is, if I do something, I do it properly. I’m not going to do something half arsed” she resolves, on the subject of any Charlie Tee originals. But there is more than enough to occupy her time with the growth of Unitee and dominating the music world in other ways. Team Tee have big plans, there’s a whisper of Unitee merch, collectable core values cards and a mystery announcement due next May of something never before seen in drum and bass. Further prodding reveals nothing else… for now. “I hope people make a new friend today, learn something new, just enjoy the setting, or that this adds some value to their life!” As the day draws to a close with the final headliners tearing up the Unitee stage against the amber glow, Charlie reflects back on her path so far, “DJing and Radio are both so different and skilled in their own ways… articulating emotion and excitement with words or through a record.” The atmosphere cools but the bass continues to roll. The crowd settles to a steady simmer in the twilight but the sun has now ducked out beneath the horizon. Charlie begins a story; “someone once messaged me to say they weren’t having a great time in their life and they had gotten in their car to…” the evening temperature seems to flicker, “I don’t want to finish that sentence. Then they put the radio on, and I was on Radio 1 and they decided to stay. It’s moments like that that put things in perspective for me.” The stories continue to flow; ravers on their honeymoon tuning into the show, a man emotionally meeting her eyes front left of her Reading set for a powerful singalong record, Boomtown goers thanking her for creating core memories with them. Charlie resolutely believes in the healing power of music and all the connection it brings, unfaltering in her conviction of what dance music can do for the world and for human beings. Borne of Charlie’s hopes and dreams for the scene’s future, Unitee is her gift to drum and bass, a call to Artists, DJs, Producers, Creatives, Ravers, Skankers, Technicians, Festival Goers, Parents, Singletons, Young, Old and everything else in between, to join together under the speakers and lights, united in bass music. Her plans for the Unitee mothership remain tightly under wraps but there’s enough to suggest that Charlie Tee and Unitee are headed for international waters in a mission to reach the world. When asked for one word to describe the future of drum and bass, Charlie laughs “there’s so much more sonic ground to be explored, we’re in such an exciting time at a moment where people thought the genre couldn’t progress anymore!” The stars twinkle above the bridge, “for what I would like it to be? …Infinite.”

Fejká has done something amazing with his reimagining of Teho‘s “Origins,” in the field of electronic music, where remixes sometimes tread a tight line between originality and appreciation of the source material. The German producer has created a remix that honors and exceeds its origin, therefore generating a musical environment that seems both familiar and totally fresh. He clearly shows from the initial minutes. His signature ethereal approach infuses the mix and adds layers of atmospheric textures that float and weaves throughout the music like morning mist. These fresh components not only lay on top of the existing structure but also interact naturally to provide a complex tapestry of sound that gives Teho’s work fresh emotional depths. Fejká‘s deft balancing of invention with restraint makes this remix especially successful. Although he veers off course in terms of development, the producer stays spiritually connected to the basic components of the original. Though seen through a different prism, the minute subtleties that made Teho’s “Origins” so appealing still abound. Fejká’s airy, expressive characteristic sound accentuates rather than overwhelms these features, therefore fostering a conversation between the new and the original. Every layer allows room to breathe in the mix, so the production quality is essentially perfect. The way many textures interact and change to produce moments of both tension and relaxation that keep the listener interested over the trip shows Fejká’s meticulous nature. This remix is a master class in how to reinterpret a song while preserving its core. In the realm of electronic music, this is a novel viewpoint that manages to feel both creative and polite – no little achievement. This release provides a convincing link between the two musicians for those who enjoy both of them, showing that occasionally the best remixes are those that dare to dream while keeping one foot firmly planted in known terrain. The post Fejká Transforms Teho’s “Origins” with Ethereal Grace appeared first on The Groove Cartel.

Each release will donate to the contributing artist's chosen charity Continue reading...

The Berlin-based label and queer collective have involved Sepehr, Roza Terenzi, Cora, Sexapil and more as it celebrates its ninth anniversary Continue reading...

Calling all ravers and Squid Game fans! Netflix is taking immersive experiences to the next level with a free Squid Game-theme massive party in London on December 18th, 2024. Bringing fans of the global hit series into its dystopian world for a night of music by live DJs, Korean food, and plenty of games. Set to take place at the iconic Drumsheds venue, the moment you step foot into what used to be the Old Tottenham Ikea you are no longer in London; you’re in the world of Squid Game. Expect towering sets, dim red lighting, and the scary familiarity of the iconic giant doll watching the crowd. “Red Light, Green Light.” The lineup of DJs and times are yet to be announced, keeping every fan on their toes! This isn’t just an event; it is a memory in the making. It is for the fans who want to experience the adrenaline of the games with bangers playing in the background. If you are a rave lover or a Squid Game superfan, this is a must-do. The tickets are free for this 18 and up massive immersive experience. Join the waitlist for the chance to secure your free tickets on the official site. Squid Game 2, starring Lee Jung-jae, arrives December 26 on Netflix. “Three years after winning Squid Game, Player 456 gave up going to the States and comes back with a new resolution in his mind,” reads the official Season 2 synopsis. Watch the official trailer below. The post Netflix To Throw ‘Squid Game’ Rave At Drumsheds London appeared first on EDMTunes.

Grammy-nominated artist GORDO has joined forces with TECH IT DEEP to recreate the iconic hit single ‘Maria Maria’, originally performed by Carlos Santana, Product G&B, and Wycle Jean. Released on November 8th through TECH IT DEEP Records, this fresh interpretation is poised to mesmerize audiences worldwide. The original track, which made waves in early 2003, garnered over 80 million streams, spent 13 weeks on the UK Official Chart, achieved 270,000+ sales in the UK, and received a Silver certification. Now, GORDO, a chart-topping Billboard Hot 100 Producer and the #1 Hispanic DJ according to DJ Mag, brings his unique touch to this club favorite. This revamped version of ‘Maria Maria’ comes hot on the heels of GORDO’s debut album ‘DIAMANTE’, a musical masterpiece that seamlessly blends various genres such as Dance, Hip Hop, Pop, Reggaeton, Indie, and Jazz. The album features collaborations with industry heavyweights like Drake, T-Pain, Fuerza Regida, Maluma, Nicki Nicole, &ME, and Rampa. With such an eclectic mix of influences and artists, GORDO’s music transcends boundaries and speaks to a diverse audience. GORDO’s Musical Evolution GORDO’s journey in the music industry has been nothing short of remarkable. Starting as a young DJ with a passion for blending different sounds and beats, he quickly rose through the ranks to become a sought-after producer and DJ. His innate ability to infuse emotion and energy into his music sets him apart from his peers. With ‘DIAMANTE’, GORDO showcased his versatility and innovation by seamlessly fusing diverse musical styles. From the infectious rhythms of Reggaeton to the melodic hooks of Pop, each track on the album tells a unique story. Collaborating with top artists from around the globe, GORDO has created a musical tapestry that resonates with fans across borders. With his reimagining of ‘Maria Maria’, GORDO continues to push the boundaries of creativity and reinvent classic hits for a new generation. His ability to breathe new life into familiar tunes while staying true to the essence of the original is a testament to his artistry and talent. As fans eagerly await the release of this latest single, the anticipation and excitement surrounding GORDO’s music only continue to grow. The Impact of ‘Maria Maria’ When ‘Maria Maria’ first hit the airwaves in the early 2000s, it took the music world by storm. The infectious Latin rhythms, soulful vocals, and catchy hooks captured the hearts of listeners everywhere. The song’s success on the charts and its enduring popularity are a testament to its timelessness and universal appeal. Now, with GORDO’s fresh take on this beloved classic, we can expect a new wave of excitement and energy to surround ‘Maria Maria’. By infusing his signature style and sound into the track, GORDO has effectively bridged the gap between past and present, creating a musical experience that pays homage to the original while offering a contemporary twist. The post GORDO Teams With TECH IT DEEP For A New Version Of ‘Maria Maria’ appeared first on EDMTunes.

Music collaborations are a common occurrence in the industry, with artists from different genres coming together to create unique exciting tracks. One such collaboration that has caught the attention of fans worldwide is the recent release of the dance-pop song ‘Where Do I Go‘ by Nicky Romero, featuring Vikkstar, Alpharock, and Oaks. Each of these artists brings their own unique style and expertise to the table, resulting in a track that is sure to be a hit with listeners. Vikkstar, a member of the popular group Sidemen, has been making waves in the music industry since he began his music career two years ago. With a global fanbase and a string of successful releases under his belt, Vikkstar is no stranger to creating catchy and memorable tracks. His collaboration with Alan Walker on ‘Better Off (Alone, Pt. III)‘ garnered over 100 million streams on Spotify, showcasing his ability to connect with audiences on a large scale. Alpharock is another artist who has gained recognition for his unique sound and infectious beats. Known for his hit single ‘Drop the Guns,’ Alpharock has a knack for creating high-energy tracks that get listeners moving. His collaboration with Nicky Romero, Vikkstar, and Oaks on ‘Where Do I Go’ is sure to be a crowd-pleaser, combining his signature style with the talents of the other artists involved. Oaks, the musical alter ego of the talented artist Winona Oak, has carved out a niche for herself in the music industry with her ethereal vocals and emotive songwriting. Having worked with industry giants like The Chainsmokers, Alan Walker, and Martin Garrix, Oaks has established herself as a formidable presence in the music scene, earning accolades for her distinctive style and artistic vision. The post Nicky Romero, Vikkstar, Alpharock, Oaks – Where Do I Go appeared first on EDMTunes.

Steve Angello has pulled back the curtain on an intriguing development in the Swedish House Mafia lore: the iconic dance music trio scrapped an entire album of new material. In an interview with Billboard, Angello revealed that the group had recorded a full album as a follow-up to 2022's Paradise Again, their long-awaited debut album that saw them embrace a more mature, atmospheric sound. But he made it clear that their musical compass is ever-shifting: "We had an album, we scrapped it, and we put out singles." Angello elaborated on the decision, explaining the standard to which the trio holds themselves in the studio. Their relentless pursuit of artistic evolution is hardly surprising for a group that has redefined the electronic dance music landscape many times over. "We are still always working on music, and when we feel like [what we have] is good enough, we will put it out," he said. "As a creator, if you're not feeling something, it's not going to see daylight." The revelation arrives as Angello continues to expand on his solo catalog while assuring fans that plenty of fresh SHM music is on the horizon. Shifting plans, in place of a full record, the trio has since opted to release two standalone tracks: the long-awaited "Lioness" and a captivating rework of Kings of Tomorrow's house classic "Finally" with Alicia Keys. Check out the full interview with Angello below. Follow Swedish House Mafia:Instagram: instagram.com/swedishhousemafia X: x.com/swedishousemafia TikTok: tiktok.com/@swedishhousemafia Facebook: facebook.com/swedishhousemafia Spotify: spoti.fi/36uoBWe

Armin van Buuren and W&W savor living in the moment with their latest collaboration, "Late Checkout," a track that beckons us to pull the all-nighter, dance until dawn and embrace every second of life before the inevitable pause. The reunion of van Buuren and W&W recalls their past collaboration over a decade earlier on "D# Fat," a fan-favorite song that brought melodic trance elements with an unforgettable depth. While that track balanced emotional resonance with powerful, sweeping melodies, "Late Checkout" takes a different path, propelling you deeper into the night with an infectious energy that refuses to let go. The electrifying track evokes that breathless, frantic energy of pushing life's boundaries, refusing to relinquish the rush even as the clock ticks closer to morning. Its mainstage structure is built on a foundation of driving kicks, 8-bit-like synths and a thumping low end. Meanwhile, the hypnotic, almost zombified vocal tones reinforce the idea of surrendering to the moment and losing yourself in the rhythm. Listen to "Late Checkout" below and find the new single on streaming platforms here. Follow Armin van Buuren:X: x.com/arminvanbuuren Instagram: instagram.com/arminvanbuuren TikTok: tiktok.com/@arminvanbuuren Facebook: facebook.com/arminvanbuuren Spotify: spoti.fi/2WHsl2t Follow W&W:Facebook: facebook.com/wandwofficial X: x.com/WandWmusic Instagram: instagram.com/wandwmusic Spotify: spoti.fi/3RML4DI

The night is alive, and sleepless with Hardwell and Sarah de Warren’s new collaboration. An invitation to lose yourself in the relentless pulse of mainstage techno, "No Sleep" brims with stadium-filling energy and raw intensity. Hardwell's evolution into the genre's thunderous world continues as de Warren’s mesmerizing vocals anchor the track’s emotional core. Their collaborative offering drives with a rhythmic sense of urgency and speaks to the heart of those who crave both the night’s freedom and the cathartic power of dance music. Having debuted at major festivals like Creamfields and Tomorrowland, "No Sleep" has already become an integral part of Hardwell’s DJ sets. The track seamlessly marries underground techno energy with mainstream appeal, capturing the hearts of fans new and old alike. Listen to "No Sleep" below and find the new single on streaming platforms here. Follow Hardwell:X: x.com/hardwell Instagram: instagram.com/hardwell TikTok: tiktok.com/@hardwell Facebook: facebook.com/djhardwell Spotify: spoti.fi/3s1xcJD Follow Sarah de Warren:X: x.com/sarahdewarren Instagram: instagram.com/sarahdewarren TikTok: tiktok.com/@sarahdewarrenmusic Facebook: facebook.com/sarahdewarrenmusic Spotify: tinyurl.com/3jnuwsxa

deadmau5 has always been known for his tech-savvy innovation, but his latest project might be his most unconventional yet. The influential electronic music producer has teased Meowingtons Simulator, a ragdoll-style dancing game starring his beloved cat of the same name. Taking to social media, deadmau5 hyped up the forthcoming release with an in-game sneak peek. The gameplay preview showcases Meowingtons roaming the digital dancefloor of Oberhasli Nightclub, complete with the ability to jump on DJ decks and disrupt the party. Players can control Meowingtons' head and tail independently, creating outrageous dance routines as the club lights pulse to the music. The game is all about embracing absurdity, so there’s no wrong way to make your cat groove. Additionally, a multiplayer mode will allow you to host up to seven friends for a virtual dance-off, complete with voice and text chat. deadmau5, who developed the game with Oberhasli Studios, has poured his love for tech and his playful sense of humor into the project. It also functions as a de facto homage to Meowingtons, who tragically died in August 2023. "We've worked particularly hard to include the most random and absurd achievements," he said. You can wishlist Meowingtons Simulator on Steam. View the original article to see embedded media. Follow deadmau5:X: x.com/deadmau5 Instagram: instagram.com/deadmau5 TikTok: tiktok.com/@deadmau5 Facebook: facebook.com/deadmau5 Spotify: spoti.fi/3otTHVp

The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene. You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here. EDM.com Fresh PicksCFCF - suburbiludeDJ_Dave - ArrayJust Reality - Serotonin Flume - Road To Japan [2017 Export Wav]Harpsichord Canvas, Orchid Mantis - That Time Has PassedThe Code - SwitchesKillen. - Get LostAmber Revival - HurricaneTimmmm - ThrowMedasin - I Feel Strange

"Another trip into the current vistas of progressive house and trance, this time round presenting a darker and more hypnotic sound" Continue reading...

"I can’t wait to see how today’s audience embraces the track and makes it their own" Continue reading...

Since his electrifying debut on Kannibalen Records earlier this year, MUST DIE! has been on a relentless rampage, dropping three earth-shattering singles that showcased his undeniable evolution as an artist. Now, he’s ready to take things to the next level with his latest full-length album, VAMPIRE WEAPON: MIDNIGHT. VAMPIRE WEAPON: MIDNIGHT is a ten-track masterpiece that is a raw and unfiltered expression of his artistic vision, delving deep into the darker side of the genre. From the heavy-hitting basslines of ‘Selecta’ and the collaborative effort with AFK, ‘One Eight Seven,’ to the hardstyle anthems ‘Once Again’ and ‘2 Ya Face,’ and the tech-inspired ‘Disconnect,’ this album offers a diverse listening experience. Even when he slows things down with the emotionally charged ‘See Through,’ MUST DIE! maintains his signature intensity, creating a truly captivating journey. Just from the album title, you can expect this one to be filled with gnarly basslines and some of the heaviest hits out there in today’s bass scene. “This album is a snapshot of the very best of me in the present moment. It’s an unapologetic ode to the music that I love.” MUST DIE! The post MUST DIE! Unleashes His Latest 10 Track Album ‘VAMPIRE WEAPON: MIDNIGHT’ appeared first on EDMTunes.

VEIL’s upcoming album has just unveiled another chapter prior to its release. Rising star VEIL’s new full-length artist album, HIGH VOLTAGE, is just around the corner. Coming out on November 22nd, there was time to lift one more single before the complete project drops. The single in question? ‘OVERLOAD‘, another haunting, experimental piece of banging Bass music. Veil’s HIGH VOLTAGE aims to present art beyond boxy definitions and sticking to genres. The album tells the story of AZAL, a fictional character crossing odd spatial zones known as THE HOLLOW. Through VEIL’s artistry, AZAL’s journey is brought to life, exploring themes of strength, transformation, and bending realities. ‘OVERLOAD’ VEIL’s latest, ‘OVERLOAD,’ sketches the optimal blend between high energy and atmospheric bliss. It follows AZAL’s path across THE HOLLOW, and it does so enhancing the sensory response through audition. Complex textures and odd warped elements are a crucial part of this eerie sensation you get when listening to the pieces of the album. As you’re listening to ‘OVERLOAD’, have a read at the following, the official lore as to what’s happening at this point of the story: “The OVERLOAD would be her [AZAL’s] final chance. The system, bloated and overrun with corrupted data, was reaching a critical mass. Soon, it would collapse in on itself, and when it did, there would be a window—an infinitesimal opening in the code, a breach in the firewall that kept her imprisoned. If she could exploit it, if she could hack the system just right, she might escape“. Listen to VEIL‘s ‘OVERLOAD’ by hitting the ‘Play‘ button on the Spotify player below. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post VEIL Releases Final ‘OVERLOAD’ Single Ahead Of High Voltage LP appeared first on EDMTunes.

As more and more DJs speak out against smartphone use at shows, Chris Stussy has defended it. Appearing on The Will Clarke Podcast for a recent interview, the Dutch house music virtuoso addressed prevalent concerns in the global electronic music community about excessive smartphone usage in nightlife. "That's just the new generation, they just want to capture a moment," Stussy said. "But not just a moment—they want to capture every moment that they feel like, 'I was a part of this.'" Stussy drew comparisons to expensive sporting events, saying that if people are paying high prices for the occasion, they'll likely want to film it. The DJ's comments lock horns with anti-device sentiments made by many artists in 2024, like the influential Bob Sinclar, who recently took to social media to reprimand smartphone usage in clubs after a particularly vexing event he called the "worst gig" of his career. Other prominent artists to lament the trend include Damian Lazarus, James Hype and MEDUZA, Barry Can't Swim and WAVEDASH. The ongoing debate illuminates the fine line we walk between capturing lasting memories and robbing ourselves of authentic experiences from behind a screen. A recent study found that 55% of live music fans prioritize recording footage of a performance over being present in the moment. Watch Stussy's comments below. FOLLOW CHRIS STUSSY:X: x.com/djchrisstussy Instagram: instagram.com/chrisstussydj TikTok: tiktok.com/@chrisstussydj Facebook: facebook.com/djchrisstussy Spotify: tinyurl.com/8ytzz9sm

The package includes the legendary cut, as well as remixes from deadmau5, Paul van Dyk, Tale Of Us, and more. We’re starting to see our genre-defining masterpieces age like fine wine, yes sir! To commemorate the 30th anniversary of the iconic ‘Café Del Mar‘, Superstition Records is releasing a limited-edition vinyl box set. This special release features remastered versions of the original and the classic Three ‘N One remix, alongside new remixes from renowned artists such as Nalin & Kane, deadmau5, Tale Of Us, Paul van Dyk, Orbital, and Michael Mayer. The box set also includes a bonus 10″ vinyl with exclusive remixes from Amirali and REZarin. This comprehensive package celebrates the enduring legacy of ‘Café Del Mar‘ and offers a unique opportunity for fans to own a piece of Dance music history. Furthermore, the remixes come from different points in time. For instance, the Tale Of Us remix saw the light of day in 2019, while Orbital’s was released a few months ago. Secure your copy by going to this link, and check out the complete tracklist below. Superstition Records — Café Del Mar LE Vinyl Box Set Tracklist Café Del Mar (DJ Kid Paul Mix 30 years anniversary Vinyl Remaster) Café Del Mar (Three ’N One Remix 30 years anniversary Vinyl Remaster) Café Del Mar (Nalin & Kane Remix) D. Café Del Mar (Deadmau5 Remix) Café Del Mar (Tale Of Us Renaissance Remix) Café Del Mar (Paul van Dyk’s XOXO Remix) Café Del Mar (Orbital Remix) Café Del Mar (Michael Mayer Remix) Café Del Mar (Amirali Extended Remix) Café Del Mar (REZarin Extended Remix) The post ‘Café Del Mar’ Vinyl Box Set Released For Record’s 30th Anniversary appeared first on EDMTunes.

NEON Countdown is back with a bang! As we gear up to close out the year, there’s no better place to reflect on everything that’s happened than NEON Countdown. This year’s edition is especially exciting, as Martin Garrix is set to headline with an exclusive New Year’s Eve set. For any NEON Countdown fan, this is massive—Garrix has only performed at Neon once before, back on New Year’s Day, so having him lead us into the new year is nothing short of magic. As a loyal attendee since 2019, I can say without hesitation that NEON Countdown never disappoints. It has become a cornerstone of Neon Events, with its vibrant shows stretching across Asia, from Malaysia to China and, since 2019, Bangkok, Thailand. Today, NEON Countdown is more than just a festival; it’s a dynamic celebration that unites people from all walks of life, sharing in the joy of world-class music as we welcome the New Year together. For first-timers or returning fans alike, here’s what you need to know: ● Dates: 30-31 December, 2024 ● Venue: Wonder World Extreme Park, Bangkok, Thailand ● Expected Attendance: Based on previous years and early ticket sales, NEON Countdown is expected to draw 15,000–20,000 attendees each night, filling Wonder World Extreme Park with an atmosphere like no other. Imagine an old theme park turned into a NEON-lit playground for ravers, with a giant ferris wheel casting an enchanting glow over NEON attendees, and standing tall parallel to the NEON stage—a sight that has to be seen to be believed. What To Expect From Neon This year’s Phase 1 lineup is nothing short of spectacular. Alongside Martin Garrix, we’ll see powerhouse acts like Dimitri Vegas & Like Mike, MRAK, Lost Frequencies, and Indira Paganotto, with more artists to be announced. For me, seeing Dimitri Vegas & Like Mike back at NEON Countdown is a thrill—they first played here in 2019, then again in 2022, and both sets were pure magic. They say the third time’s the charm, so I can only imagine how unforgettable their set will be this year. But NEON Countdown isn’t just about the big names. Last year, I was in the PGA zone as the sun set behind the Neon stage, and it felt like a scene from a fairytale—a surreal, almost dreamlike moment. Later, when I found myself right in front of the stage during Blasterjaxx’s set, the outside world just melted away; it was just me, the music, and the crowd moving as one. It’s moments like these that make NEON Countdown truly unforgettable. NEON Countdown is more than a festival—it’s a welcoming haven that brings together people from around the world. I’ve met attendees from across Asia and beyond, and some of my closest friendships were forged right here at Neon. There’s a special energy, an almost magnetic aura, that makes everyone feel like they belong to something extraordinary. Festival Highlights From the moment you step in, NEON Countdown immerses you in a vibrant world of lights, music, and unforgettable visuals. Here are some highlights that make Neon Countdown unlike any other festival: The Illuminated Entry Tunnel: Right from the entrance, you’re transported to another world. Walking through the glowing, color-lit tunnel, you feel a buzz of excitement that builds with every step, setting the perfect tone for the night ahead.2. Walkway of NEON’s Artists: As you make your way deeper into the grounds, you’ll walk through a pathway showcasing NEON Countdown’s stellar lineup. It’s a powerful reminder of the festival’s legacy and all the incredible talent that has graced its stages. 3. Inside NEON Walkway: Another walkway inside the festival grounds glows in neon lights, creating an atmosphere that’s both vibrant and electric. With neon lights guiding you, this path gives you a moment to feel the energy building up before the music even starts. 4. Four-Faced Photo Op Box: One of the most unique photo spots is the four-faced box adorned with neon signs and vibrant wordings. This cube of color and light invites festival-goers to snap photos from every angle, making it a perfect stop for capturing the spirit of the night. 5. Whimsical Photo Ops: Throughout the park, you’ll find photo spots with butterfly motifs, neon accents, and whimsical designs. Each corner invites you to capture the magic, giving festival-goers the perfect backdrop for unforgettable memories. 6. NEON Garden Zone: This peaceful oasis offers a relaxed vibe and houses the festival’s second stage. As night falls, the NEON Garden lights up like a dreamscape, creating a surreal setting where you can unwind, soak in the ambiance, or dance to a more intimate beat. 7. Chill Zones with Swings: After exploring the NEON Garden, take a moment to relax in the nearby chill zones, complete with swings for lounging. These cozy spaces let you recharge and connect with friends while still feeling part of the festival’s energy. 8. Food Zone with a View: The food zone is designed to keep you connected to the music—thanks to a large screen TV showing everything happening on the main stage, you don’t have to miss a single beat while grabbing a bite. It’s perfect for those who want to fuel up without missing out. 9. Hair and Makeup Station: Located in the NEON Garden, this station lets you add a touch of glam to your look, adding sparkle and color for a night that truly shines as you welcome the New Year. 10. PGA Zone: For those wanting an elevated experience, the PGA Zone, situated to the left of the main stage, offers unmatched views, premium drink options, and standing tables, making it the perfect place to enjoy the festival in style. Amenities and Festival Experience NEON Countdown goes beyond the music to offer everything you need for a comfortable, worry-free experience: ● Food & Beverages: From international bites to satisfying meals, including vegetarian and vegan options, you’ll find a variety of options to keep you fueled and dancing all night. ● Onsite Facilities: Need to recharge? ATMs, portable chargers, and medical aid stations are conveniently located throughout the venue. Pack light with a small bag or hydration pack, and know that security is top-notch to ensure a smooth, safe entry. Ticketing and Pricing To be part of this incredible NYE experience, here’s a breakdown of ticket options: ● 2-Day General Admission (GA): THB 4,200 ● 1-Day GA for Dec. 31 only: THB 3,200 (currently sold out but may reopen closer to the event date) ● Premium GA (PGA): THB 7,000, offering VIP access and amenities, including faster entry, dedicated restrooms, and exclusive chill-out zones Tickets are selling fast, and with so many eager to be part of this once-in-a-lifetime experience, they’re expected to sell out soon. For real-time updates, especially if you’re hoping for New Year’s Eve single-day passes, stay tuned via NEON Countdown’s official ticketing partner, Ticketmelon, and their social channels. For me, the real magic is in the shared experience. There’s something unforgettable about dancing under the neon lights, counting down to midnight with thousands of other fans, and watching as the New Year unfolds to the beat of the music. If you’re searching for a New Year’s Eve like no other, NEON Countdown is the place to be!

Recently, Martin Garrix hinted at his return to India, igniting excitement among his dedicated fanbase. This announcement marks a significant milestone in his enduring relationship with the country, culminating in his first-ever stadium show in India at Mumbai’s DY Patil Stadium on March 14, 2025 as what is claimed to be the world’s ‘Biggest Holi Celebration’. Garrix‘s journey with India began in 2014 when he headlined the Enchanted Valley Carnival (EVC) at Aamby Valley, Maharashtra. This debut performance introduced Indian audiences to his electrifying energy and chart-topping hits. Over the years, Garrix‘s shows in India have grown in scale and impact. He has performed at Sunburn Festival several times, each appearance expanding his connection with the Indian audience. His Sunburn journey began with a headlining set at Sunburn Goa in 2015, and he returned in 2016 for a special charity show at Mumbai’s Mahalaxmi Racecourse, powered by Sunburn, which drew thousands and supported educational initiatives. He was back with Sunburn in 2018 and then again in 2019, performing at Sunburn Pune and other key events, each show attracting massive crowds. His most extensive tour yet took place in March 2023, once again in collaboration with Sunburn, spanning eight cities and reinforcing his status as one of India’s most beloved EDM icons. Sunburn, India’s premier electronic music festival, has played a pivotal role in bringing global artists like Garrix to the forefront of Indian EDM, helping foster a dynamic and enthusiastic music culture. The upcoming show at DY Patil Stadium represents a new chapter in Martin Garrix‘s relationship with India. Performing in a stadium setting allows for grander production, a larger audience, and an unparalleled atmosphere. Fans are eagerly anticipating this historic event, which promises to be a landmark moment in India’s music scene. Tickets for the show will be available starting this Sunday via BookMyShow! Given Garrix‘s immense popularity and the significance of this event, tickets are expected to sell out quickly. This show is not just a performance; it’s a celebration of the enduring bond between Martin Garrix and his Indian fans, forged over years of unforgettable music and shared experiences.

The independent music scene has never been more exciting, and for artists like OKAYVAL, it’s a moment of true potential. In the past, artists without a label often struggled for exposure, but with the rise of social media, music can be heard from anywhere and everywhere, going viral in an instance. OKAYVAL is a perfect example, releasing her new single, ‘Disco’, and capturing attention along the way. With ‘Disco’, OKAYVAL delivers exactly what her fans have been asking for. She’s also setting an example for other independent artists by showing you don’t need a major label to make waves. Through viral social media trends, she’s been promoting her music with remarkable results. Leading up to the release of ‘Disco’ she teased the track across Instagram and TikTok, gaining over 100k views multiple times, and even close to a million views on one particular TikTok video. As a track, ‘Disco’ fuses tech house and EDM into a high-energy anthem. It has a deep, driving bassline that pulses with rhythm and an underground edge, while maintaining an infectious, fist-pumping vibe. The minimalist approach to synths and sounds keeps the track fresh and memorable. Receiving support from dance music legend Armin van Buuren is a testament to the high quality of this track, further reinforced by endorsements from prominent artists such as Sam Feldt and Nostalgix. ‘Disco’ marks OKAYVAL‘s most ambitious effort to date, signaling an evolution in her style toward a darker, tech house influence. This shift takes inspiration from genre heavyweights like Fisher, Mau P, and early John Summit, positioning OKAYVAL as an artist to watch in the growing tech house scene.

Emerging melodic house artist Nick Somnia, recognized for his dreamy, evocative melodies, has been crowned the winner of Fankee’s debut music contest for Dance and Electronic Music producers. His winning track, ‘Dreamzone’, achieved more than 60,000 Spotify streams within the first 30 days —an extraordinary eightfold increase over previous releases. This success was amplified by 10 million social media interactions from Fankee Community users who used the track in their own content, showcasing a groundbreaking model for fan-driven music promotion. Born in 1995, Nick Somnia began his musical journey at the age of 16, motivated by a desire to express the connection between the dream world and everyday life through music. Driven by a mission to spread love and elevate frequencies, Nick’s unique sound has taken listeners on emotional, immersive journeys that explore inner worlds and parallel realities. “Winning Fankee’s contest has been an incredible milestone for me,” Nick says. “The engagement and passion from fans helped bring ‘Dreamzone’ to life, giving it a reach I couldn’t have imagined alone.” Founded by Italian entrepreneurs Giacomo Pellegrini and Dario Pozzi, Fankee is the world’s first community-driven music label, transforming fans into active co-owners and promoters of the music they love. Fankee enables passionate fans to support their favorite artists by taking an active role in the success of new releases, allowing them to earn royalties and grow their passion into a tangible asset. Through Fankee’s innovative contest model, fans participate by backing tracks with tokens and creating social content, driving visibility for each song. The recently completed first MVP contest demonstrated this model’s power, giving micro-creators a gamified experience where their influence directly shaped the winning track’s success—all without any financial commitment. “Fankee is transforming music promotion by putting power in the hands of fans,” says co-founder Dario Pozzi. “Nick’s ‘Dreamzone’ is a prime example of how artists and fans can create success together.” With the success of ‘Dreamzone’, Nick Somnia and Fankee have shown the music industry a new path forward. By blending cutting-edge technology, gamification, and fan ownership, Fankee is redefining what’s possible for emerging artists in a highly competitive landscape. This model paves the way for a future where fans and artists shape the soundtracks of tomorrow, collaboratively redefining what it means to connect through music.

Rest assured that when SLANDER and Fairlane join forces, they're transporting us all to cloud nine. Their new single, "Heaven Feels Like," does just that with a blend of euphoric bass and exultant lyricism, delivering a downright blissful experience. SLANDER showcased the collaboration before its release at EDC Las Vegas, while Fairlane did the same at Colorado's iconic Red Rocks Amphiteatre six months ago. Since then, fans have waited in a state of patient purgatory for it to hit streaming platforms. Out now via SLANDER's Heaven Sent label, the track waxes optimistic from its first bar in an arrangement propelled by affectionate lyrics. As if we weren't already feeling euphoric before the drop, the bass then blasts in to lift us skyward to the heavens, gliding on the wings of soaring, distorted vocal chops. Listen to "Heaven Feels Like" below and find the new single on streaming platforms here. Follow SLANDER:X: x.com/slanderofficial TikTok: tiktok.com/@slanderofficial Instagram: instagram.com/slanderofficial Facebook: facebook.com/slanderofficial Spotify: spoti.fi/3zpUP2P Follow Fairlane:X: x.com/FairlaneMusic TikTok: tiktok.com/@fairlanemusic Instagram: instagram.com/fairlanemusic Facebook: facebook.com/fairlaneofficial Spotify: spoti.fi/30BJxLZ