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Melbourne bred indie-electronic tastemaker Mild Minds, born Benjamin David, has officially bequeathed his sophomore studio album, GEMINI, via ODESZA‘s esteemed Foreign Family Collective. Featuring a total of nine innovative new dance tracks, the same number of recordings housed on David’s 2020-issued debut album, MOOD, GEMINI explores a plethora of electronic sub-genres while effecting an invigorating sonic consistency. The brand new project opens with “I NEED U,” which combines trance-like synth patterns and future bass-reminiscent vocal sampling, layered atop intricate drum-and-bass percussion. “TEARDROPS,” on the other hand, explores tech-house drum sequences and stutter house synth programming. Still, the listening experience is not once derailed by anything that might be “out of place.” In revitalizing turn of the century club music through an emotional lens, the GRAMMY-nominated producer’s latest undertaking also capitalizes on two infectious joint efforts, “1 DAY 2 LATE,” featuring fellow Melbourne artist Juno Mamba, as well as edapollo-assisted “IN YOUR EYES.” “After years of navigating the pressures of the music industry, I was hesitant to step too far into the spotlight,” shares David in a press statement, adding, “But taking the plunge into my own project—something I was often discouraged from pursuing—has been seriously transformative. Seeing it resonate has been incredibly fulfilling and given me a newfound confidence and freedom.” Having kicked off the GEMINI tour on February 7th at The Atlantis in Washington, D.C., Mild Minds looks ahead to three dates in Canada before bringing his live show back to the US. Browse all of Mild Minds’ North American tour dates, currently spanning through April, and stream his freshly unveiled sophomore album, GEMINI, below. The post Mild Minds formalizes sophomore album, ‘GEMINI,’ on Foreign Family Collective appeared first on Dancing Astronaut.

What would Ultra be without Carl Cox? It's a fair question, considering the techno legend has performed a staggering 19 times since the festival's inception back in 1999. A lynchpin of Ultra's storied RESISTANCE MegaStructure, Cox didn't appear last year but is now returning in 2025 and once again shaping the event's future by debuting an ambitious live show, "Evolution." The performance will harken back to the ethos of 2022's scintillating Electronic Generations album, Cox's first-ever body of work, he told us at the time, as a live artist. He'll be using a combination of hardware and software "to create and manipulate sounds in real-time," he said. "I’ll be playing my music live on stage, using a combination of hardware and software to create and manipulate sounds in real-time," Cox explained. "Unlike a DJ set with pre-recorded tracks, or my hybrid set that combines elements of live performance and DJing, I’ll be crafting and evolving the music live, adding an extra layer of spontaneity and energy to the performance." Celebrating the festival's 25th anniversary, he's also bringing his "Carl Cox Invites" series to Ultra for the first time this year, inviting Adam Beyer, Richie Hawtin DEF EFX X0X, Stephan Bodzin, Joris Voorn, Dubfire EVOLV, Marc Romboy and a special b2b performance between him and Christopher Coe. We've teamed with the iconic festival to share an exclusive selection of tracks, curated by Cox, for its official Spotify playlist, System Breach. "My playlist for System Breach is going to knock you out," Cox tells EDM.com. "I didn’t hold anything back for this one and I think it’s a perfect soundtrack for the countdown to Ultra's 25-year anniversary. See you on the dancefloor!" Follow Carl Cox:X: x.com/carl_cox Instagram: instagram.com/carlcoxofficial TikTok: tiktok.com/@carlcox Facebook: facebook.com/carlcox247 Spotify: spoti.fi/3oJKvw8 Follow Ultra Music Festival:X: x.com/ultra Instagram: instagram.com/ultra TikTok: tiktok.com/@ultra Facebook: facebook.com/ultra

Lane 8 is gearing up for his Childish tour, where fans can expect a unique experience emphasizing connection over distractions. The Deep House legend is popular for his “no phones” shows and has promoted this format since 2016. His message to fans is clear: let go of phones and embrace the energy of the crowd, making the live show experience more meaningful. Recently, He took to social media to deliver a long and impactful message describing his why with honesty and his own story. “i’ve been thinking about how lucky i was to fall in love with electronic music in the 2000s right before smartphones really took over the world. i was in college in los angeles and i had a group of friends i went to shows with and the feeling of being in a club, surrounded by friends and strangers, all dancing and celebrating to the same music, was so profound and incredible that it made me stop and say “this is what i want to do with my life”.” Lane 8’s concept behind ‘no phones’ shows In the message, Lane 8 reflects on his journey into dance music, mentioning that the early 2000s was a time when fans could truly experience music without the distractions of smartphones. For him, his ‘This Never Happened’ (TNH)(no phones) concept is about recreating that atmosphere where fans connect face to face, creating an unforgettable collective experience. His shows are designed for fans to engage with the music and each other, removing the pressure of filming moments for social media. He says directly that he too struggles with wanting to take his phone out instead of living in the moment. “he reality is that I grapple with being on the phone too often just as much as the next person. I have had periods even recently where I used my phone way more than I would have liked to and then felt really guilty and gross about it afterwards.” The impact of phones on social interactions Smartphones have significantly impacted social interactions since their creation. This is leading to increased feelings of isolation and reduced face-to-face communication. A 2017 study found that young adults aged 19 to 32 with higher social media usage are more than three times as likely to feel socially isolated compared to those who use social media less. Additionally, a 2022 study reported that 37.7% of respondents felt strongly lonely having increased screen time being a contributing factor. Furthermore, research indicates that the presence of smartphones during social interactions can negatively affect the quality of conversations. A study published in the Journal of Experimental Social Psychology found that the mere presence of a phone can impact the quality of human interactions. Altogether, there is data that supports Lane 8’s claims about using your smartphone at a social interaction like a concert. Lane 8 Childish Tour As Lane 8 prepares for his tour, he looks forward to sharing his latest album, Childish, which embraces uninhibited self-expression. This album is a reflection of his vision to bring back the freedom of dancing without concerns for tech distractions. The Childish tour is not just about the music but about creating a space where fans can reconnect with each other in a deeply human way. Lane 8 continues to innovate in the electronic music scene, and his ‘no phones’ philosophy is helping his fans rediscover the joy of being present at live shows. You can find ticket links here. “looking forward to seeing you out on the road. Lots of love” -Daniel (Lane 8) The post Lane 8 Sounds Off On Importance of His No Phones Shows appeared first on EDMTunes.

It’s New Music Friday and today we have Dutch superstar Joris Voorn brings to us a brilliant rendition of Tom Walker’s original ‘Burn’. Out today via Armada Music, stream on your preferred platform. ‘Burn’ Joris Voorn’s latest single, ‘Burn’ emerges as a remarkable collaboration reimagining Tom Walker’s original track. This release distinguishes itself in Voorn’s impressive discography by merging his signature electronic production with Walker’s deeply emotive vocals. What began as a remix has transformed into a powerful collaboration. It has captivated audiences in Voorn’s live performances for over a year. Tom Walker’s original track ‘Burn’ released on September 2023, serves a thrilling opener for his album I Am. With its dynamic vocal range and poignant songwriting, the song expertly blends elements of pop and rock to create an anthemic sound. ‘Burn’ is a true reflection of Walker’s personal experiences and artistic evolution. Fast forward to Voorn’s rendition, a departure from his usual instrumental tracks, ‘Burn’ introduces lyrical elements that elevate the overall experience. The track preserves his hallmark suspenseful and dramatic production style while seamlessly weaving in Walker’s raw and heartfelt vocal performance. This fusion not only highlights Voorn’s remarkable versatility but also showcases his fearless exploration of new musical landscapes. Making ‘Burn’ is a defining moment in Joris’ artistic journey. This collaboration showcases his ability to seamlessly blend his sound with evocative storytelling. If you haven’t caught this tune live yet, check out the clip from Budapest, below. Enjoy this tune, stay tuned to EDMTunes for all your music updates. The post Joris Voorn Releases A Catchy Rendition of ‘Burn’ appeared first on EDMTunes.

GENESI & MEDUZA – Freak EP One of Dancing Astronaut‘s most-anticipated IDs of 2025 has finally landed on Solomun’s Diynamic label. And it comes in the form of a three-part EP from GENESI — one of Dancing Astronaut‘s Artists to Watch in 2025 — and MEDUZA, with the two recruiting Aya Anne to help headline Freak, which arrives alongside “Run” and “Take It.” All three of Freak‘s inclusions have generated their own extensive list of support across the dance music sphere, making live appearances in sets from the likes of Solomun, Layton Giordani, Max Styler, and more. Sainte Vie – Light Beams Kicking off 2025, Sainte Vie has unveiled “Light Beams,” the first single from his forthcoming album Pablo that serves as a deeply personal project dedicated to his late father. Sainte Vie’s album promises to explore themes of loss, emotion, and healing, with “Light Beams” setting the tone and offering a powerful introduction to what is sure to be an emotionally charged journey. Westend & HOSANNA – Drum Death Another one of Dancing Astronaut‘s most-anticipated IDs of 2025 comes via Westend’s highly anticipated tech-house weapon alongside HOSANNA. “Drum Death” has been a staple in Summit’s sets dating back to EDC Orlando, with the Experts Only-backed release also stealing the spotlight during Westend’s appearance at Seismic Dance Event. And it marks a full-circle moment for Westend, whose longtime friendship with Summit dates back to 2017 when Summit first reached out for production advice. anamē – Hopes & Fears [album] anamē — one of Dancing Astronaut‘s Artist to Watch in 2025 — has returned with their sophomore studio album via Anjunabeats, Hopes & Fears. “This new album is about holding onto hope in increasingly uncertain times,” the Scandinavian duo shares, adding that “there’s always a glimmer of light worth fighting for.” Arriving as a deeply resonant and uplifting long-form outing, Hopes & Fears captures the emotional highs and lows of the present moment. DRYDEN – Turn Me Up Dancing Astronaut Artist to Watch alum DRYDEN has delivered his first original of the new year with “Turn Me Up,” his debut self-released single. Freshly removed from touring with ISOxo on the KGM(irl) tour across America, DRYDEN has continued his upward trajectory, with “Turn Me Up” following his “Bangarang” edit on SoundCloud and an official “dontstopme!” remix for ISOxo. new music this week RemK anamē Matroda Wennink DRYDEN Sainte Vie Mild Minds Boris Brejcha Arcando x Pirapus GENESI x MEDUZA Dirty South x Jantine OCULA x Nathan Ball Westend x HOSANNA Adam Sellouk x Doriann Said The Sky x Dia Frampton Mila Journée x Olivier Giacomotto Eli Brown… — Dancing Astronaut (@dancingastro) February 21, 2025 Featured image: Meduza/YouTube The post Dancing Astronaut’s New Music Friday: February 21, 2025 appeared first on Dancing Astronaut.

A new sound is emerging deep within Lumon Industries' labyrinthine halls, and this time, it's sanctioned by the board—and ODESZA. ODESZA have joined forces with Apple TV+ to sever and reconstruct Theodore Shapiro's unsettling Severance soundtrack into an eerie remix, which pulses with the anxious energy of an "innie" stepping off the elevator. Lumon's handbook probably doesn't approve of such musical experimentation, but fans of both Severance and the superstar electronic duo will find plenty of macrodata easter eggs to refine in the new track, which spans a staggering 23 minutes. "We wanted to take people on a journey and give a wider breadth of music and play off and reinterpret Teddy's score in a unique way," ODESZA's Clayton Mills told Billboard. "We put different chords under a lot of his melodies, while also trying to stay true to the vibe of the show, which is kind of creepy and subversive. You’re not overtly aware of this dark underbelly." Meanwhile in the real world, the second season of the brilliant Apple TV+ sci-fi show is breaking records after toppling Ted Lasso as the platform's most-watched series globally. Severance has amassed 589 million minutes of viewership in the U.S. over all existing episodes, ballooning subscriptions by 126%, according to data released by the streaming service. You can listen to ODESZA's Severance remix below. Follow ODESZA: X: x.com/odesza Instagram: instagram.com/odesza TikTok: tiktok.com/@odesza Facebook: facebook.com/odesza Spotify: tinyurl.com/jmn8cyre

The unstoppable Breakaway Festival has announced its latest masterstroke, a massive lineup heading to Minnesota in summer 2025. Presented by CELSIUS, the nation's fastest-growing traveling festival is returning to the North Star State with a can't-miss event June 6-7 at the Allianz Field Festival Grounds. Set to headline Breakaway Minnesota 2025 are John Summit, Tiësto and Alison Wonderland, who top a lineup featuring 20 national touring acts and four local DJs. Joining them on the festival's impressive undercard are TroyBoi, Disco Lines, Grabbitz, J. Worra, ACRAZE, Mary Droppinz and EDM.com Class of 2025 star Max Styler, among others. A particular highlight is Cassian, who is currently gearing up to DJ at the Vegas Sphere in support of Anyma as part of the venue's first-ever electronic music residency. Tickets are on sale now, including two-day GA, VIP, Ultra VIP and Space Deck passes as well as Space Deck tables. As is custom with Breakaway, the Minnesota edition will also feature the brand's curated stage, The Launch Pad presented by White Claw Surge, as well as a Silent Disco featuring local artists. Festival partners the likes of Jimmy John's, Señorita THC Margarita, BeatBox and Jose Cuervo: Devil’s Reserve, among others, will host onsite activations, branded bars and more. You can check out the full lineup below and find out more via Breakaway's official website. c/o Breakaway Festival Follow Breakaway Festival:X: x.com/breakawayfest Instagram: instagram.com/breakaway TikTok: tiktok.com/@breakawayfest Facebook: facebook.com/breakawayfestival

A universal feature of the human condition is balancing the temptation to sin with the deep-seated desire to be good. That struggle lies at the heart of "Original Sin," the new collaboration between Ganja White Night and Boogie T. Out now via Ganja White Night's own SubCarbon Records imprint, the track will appear on their upcoming album Sprouted, due out February 28th. "Original Sin" finds the Belgian dubstep duo renewing their creative partnership with Louisiana native Boogie T, adding another chapter to a catalog that already includes bangers like "Burnin," "Clarity" and "Flava." But this time, their genre-fusing production takes on an even deeper meaning, brought to life through another stunning animated music video. Wrapped in a compelling blend of reggae, rock and bass, the new single is much more than just another dancefloor-ready heater from Ganja White Night and Boogie T—it’s an allegorical journey packed with stunning visuals and masterful sound design. With Sprouted on the horizon, "Original Sin" sets the stage for what promises to be one of Ganja White Night’s most compelling releases yet. A soundtrack for the internal struggleAt its core, "Original Sin" is a commentary on the duality of human nature—our ability to sin, our desire for redemption and the forces that pull us in opposing directions. Musically, it’s a seamless fusion of Ganja White Night’s unmistakable bassline craftsmanship and Boogie T’s signature island-rock aesthetic. The track begins with a breezy, sun-soaked groove, driven by Boogie T’s laid-back vocals and blues-inflected guitar work. The opening feels like an invitation to relax on a Caribbean shoreline, but the tone quickly shifts as the lyrics hint at an internal war: "Torn between a righteous path or a rockstar lifestyle." The moment temptation takes hold, the track plunges into a turbulent sea of churning bass and distorted guitar riffs. An animated battle for the soulThe animated video visually manifests this conflict with cinematic precision. It opens with a peaceful scene: Boogie T fishing on a wooden dock, accompanied by a pink, gummy bear-like creature resembling a youthful version of Ganja White Night’s recurring character, Mr. Wobble. But the tranquility is short-lived as a demonic version of Boogie T splits from his body and drags him underwater. What follows is a frantic descent into darkness. Baby Wobble desperately tries to save his blonde-bearded friend, throwing him a lifeline as a monstrous figure looms beneath the surface. The animation captures the pitfalls of temptation—how easily one can be pulled under when vices take hold—and the battle intensifies as the song’s explosive drop fuels a clash between virtue and corruption. A resolution through forgivenessThematically, the showdown of good versus evil and the frenzied strumming of a string instrument are reminiscent of Charlie Daniels' 1979 hit "The Devil Went Down to Georgia." But here, Boogie T’s battle isn’t against an external enemy. His greatest adversary is himself. Just when it seems like darkness will prevail, Baby Wobble intervenes with newfound strength, fighting off the demon with bursts of bass-driven force. When the opportunity to deliver a final blow to his "dark side" arises, Boogie T chooses another path. As the lyrics echo "Hope one day I'm forgiven," he places a hand on his shadow self’s shoulder, accepting it rather than destroying it. It’s a powerful moment, one that suggests true peace comes not from eradicating our darker impulses, but from understanding and accepting them. You can find "Original Sin" on streaming platforms here. Follow Ganja White Night:X: x.com/ganjawhitenight Instagram: instagram.com/ganjawhitenight TikTok: tiktok.com/@gwn_wobble Facebook: facebook.com/ganjawhitenight Spotify: spoti.fi/2FuqR5I Follow Boogie T:X: x.com/boogietmusic Instagram: instagram.com/mrboogiet TikTok: tiktok.com/@mrboogiet Facebook: facebook.com/boogietmusic Spotify: spoti.fi/3f2WO2I

Marshmello has teamed up with rising Latin hip-hop superstar Trueno for a new collaboration, "Fale Então." Blending Latin trap with funk carioca, the track hit streaming platforms today after its debut in the post-Super Bowl LIX short film, When football ends, fútbol begins. The film, released by Apple TV as part of the streamer's 2025 MLS Season Pass campaign, features Argentine soccer legend Lionel Messi. "Fale Então" will appear on a new Spanish-language album from Mello, his second following 2023's Sugar Papi, according to a press release shared with EDM.com. The album is expected to be a star-studded affair after its predecessor featured collaborations with renowned Latin artists Young Miko, Nicky Jam, Farruko and Manuel Turizo. Listen to "Fale Então" below and find the new single on streaming platforms here. Follow Marshmello:X: x.com/marshmellomusic Instagram: instagram.com/marshmellomusic TikTok: tiktok.com/@marshmello Facebook: facebook.com/marshmellomusic Spotify: spoti.fi/3eeTJuD

RayRay, DJ Mii, and CHYL have joined forces to unleash their debut collaboration, ‘I Think I Like You,‘ a high-octane thrill ride through the realms of Speed House, Dubstep, and Hardstyle. Released via Dim Mak Records, this track showcases the raw chemistry between these three talented artists. In ‘I Think I Like You’ the trio masterfully blends their signature sounds, creating a hybrid bass production that’s both powerful and captivating. A relentless bassline drives the energy, while explosive half-time drops keep listeners on the edge of their seats. The addition of a high-pitched, Nightcore-inspired vocal elevates the track to another level, making it an absolute showstopper. The accompanying music video takes the energy to the next level, depicting an international alien invasion. Filmed transpacifically from Los Angeles to Tokyo, the video follows the artists on an intense alien hunt. Incorporating CHYL’s signature motorsports-inspired branding and RayRay’s extraterrestrial vibe, the visual element perfectly complements the track’s otherworldly sound. RayRay reflects on the single; “Collaborating with DJ Mii and CHYL on “I Think I Like You” has been an exhilarating journey. Together, we’ve crafted a high-energy fusion of speed house, hard dance, and dubstep that embodies the power and creativity of female artists in the electronic music scene. Releasing this track under Dim Mak Records marks a significant milestone in our collective careers, and we can’t wait for you to experience the energy and passion we’ve poured into this project.” CHYL chimes in with; “It was super fun putting this dubstep / speed house record together with RayRay and Mii. Perfect fusion of all of our styles and I hope our listeners will love it!” DJ Mii adds; “Our new record, ‘I Think I Like You’, is a very uptempo and powerful track that embodies everything we stand for. Releasing this energetic, girl-powered beat with Kawaii sounds through Dim Mak Records marks a major turning point for us. We’d love for you to check it out and feel the energy!” The post RayRay, DJ Mii, and CHYL Unleash Genre-Bending Banger ‘I Think I Like You’ appeared first on EDMTunes.

15 years ago, they taught us what it meant to be slizzard. Now, The Cataracs and DEV are back to prove lightning can strike twice. The architects of your questionable college decisions have reunited for a new single, "Make Ya Body Whistle," out today via EMPIRE. The track might not change the game for previous collabs like "Bass Down Low," but it's an undeniable banger for anyone who misses the days when Kesha was spelling her name with a dollar sign and BlackBerry BBM was the height of social connectivity. "Make Ya Body Whistle" arrives like a time capsule from the early 2010s club scene, when phrases like "on fleek" dominated pop culture and Ed Hardy t-shirts were somehow cool. For fans who spent that time pounding energy drinks and dancing to "Like a G6," this reunion delivers a dopamine hit of musical nostalgia while proving The Cataracs and DEV still know how to craft an electro-pop anthem. Those vintage, trunk-thumping subs are back along with DEV's unapologetic vocals, which retain their characteristic blend of detached cool and sultry invitation. Meanwhile, David Singer-Vine of The Cataracs drops his own lyrical callback to "Like a G6," rapping, "Poppin' bottles in the ice like a hurricane / Now I'm feelin' so fly like an airplane." Listen to "Make Ya Body Whistle" below and find the new single on streaming platforms here.

Brazilian duo Bleeping Sauce’s 2016 hit “What You Gonna Do” gets a refreshing modern take from Eli Iwasa and Mau Maioli. The remix is part of a new EP on the Heels of Love record label, which also features a ‘Garage Mix’ by Capetini and a 2025 remaster. Originally formed in 2014 by Eli Iwasa alongside Marco A.S., Bleeping Sauce rose to prominence for their unique blend of post-punk and synth-pop. Iwasa lends her own vocals to “What You Gonna Do”, with the 2025 remixes and remaster breathing new life into the track. This marks the second-ever release on Heels of Love, a new label helmed by Iwasa herself. With performances at major festivals like Lollapalooza, Rock in Rio, and Time Warp, Iwasa has firmly established herself as a key figure in Brazilian electronic music. Featured image: Jorge Alexandre Divulgacao The post Eli Iwasa delivers remix of Bleeping Sauce’s 2016 hit “What You Gonna Do” appeared first on Dancing Astronaut.

The intimate Williamsburg venue will shutter next month — exactly 12 years since it first opened its doors Continue reading...

Long before John Summit was topping charts and headlining festivals, he was an accountant with a dream—and Westend was one of the people pushing him to chase it. Years of collaborative DJ sets and shared studio time have forged a creative bond between the two producers, and a full-circle moment has now arrived with "Drum Death," Westend’s new single released today on Summit's Experts Only imprint. Earlier this week, Summit reflected on his career, crediting Westend as one of the key figures who encouraged him to take music seriously. Their history spans from B2Bs played for a handful of people to a breakout Dirtybird collaboration in 2019, and more than a few shows together. View the original article to see embedded media. "Drum Death" is another standout moment for Westend, who was named to the EDM.com Class of 2023 and continues to be a force in shaping the future of house music. Featuring vocals from HOSANNA, the track's kinetic groove, cyberpunkian textures, and crisp, percolating basslines make for a peak-time powerhouse. Its entrancing vocal chops and revving low-end create a hypnotic push-and-pull, making it the kind of record that grips a dancefloor. Listen to "Drum Death" below and find the new single on streaming platforms here. Follow Westend:X: x.com/itsthewestend Instagram: instagram.com/itsthewestend TikTok: tiktok.com/@itsthewestend Facebook: facebook.com/itsthewestend Spotify: spoti.fi/3m2GlTO

The ghost of 90s rave culture possesses modern techno in Reinier Zonneveld's latest dancefloor weapon, "Tokyo." Out now via the producer's own Filth On Acid label, "Tokyo" is a calculated shot of adrenaline that knows exactly what it wants to be. The track, co-produced by Dea Magna, marries techno's thrilling pulse with happy hardcore's sugar rush, creating something that feels both nostalgic and current. Despite drawing from happy hardcore, a genre known for excess, Zonneveld and Magna maintain control of the chaos. Their production is crisp and intentional, ingeniously interpolating whistle samples in a nod to the golden age of warehouse raves. Meanwhile, Magna's vocals ride the line between playful and hypnotic, following dance music's tried-and-true formula of invitation and release. "Come with me to Tokyo" works as both a literal call to adventure and a metaphor for escape—exactly what you want when you're lost in a crowd at 3am. You can listen to "Tokyo" below and find the new single on streaming platforms here. Follow Reinier Zonneveld:Instagram: instagram.com/reinierzonneveld TikTok: tiktok.com/@reinierzonneveldofficial Facebook: facebook.com/ReinierZonneveld Spotify: tinyurl.com/trxnmzsr Follow Dea Magna:Instagram: instagram.com/deamagna Facebook: facebook.com/deamagna Spotify: tinyurl.com/yc3w8sz3

D.O.D. is back with "Wrap Yourself Around Me," an emotive house track that manages to be both an embrace and an exit wound. The new single is out now via Armin van Buuren's Armada label and it features NORTH, a rising singer-songwriter who recently featured on tracks by Gorgon City and Wilkinson. There's a special kind of loneliness that comes after someone says "I love you" and "goodbye" in the same breath. NORTH's lyricism crystallizes that moment atop propulsive house production from D.O.D., who is back with his first track of 2025 after sold-out tours across the UK, North America and Australia. What really elevates "Wrap Yourself Around Me," however, is its restraint. Rather than drowning in melodrama, D.O.D. lets the tension build naturally, especially in the track's cinematic break. It's dance music that doesn't shy away from its emotional core, proving that club tracks can carry real weight without sacrificing their ability to move a crowd. Listen to "Wrap Yourself Around Me" below and find the new single on streaming platforms here. Follow D.O.D.:X: x.com/dj_dod Instagram: instagram.com/dj_dod TikTok: tiktok.com/@djdoduk Facebook: facebook.com/djdod Spotify: tinyurl.com/4xj9bxd4 Follow NORTH:Instagram: instagram.com/north.north.north.north TikTok: tiktok.com/@songsbynorth Spotify: tinyurl.com/3m92tc7p

The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene. You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here. EDM.com Fresh PicksNXSTY - Real Bad ManDVNK - FREAKYMXLAN & Too Martian - Freefall (feat. Kris Jana)N3WPORT - Forever In Your EyesKillen. - ONANONclear eyes - something i can't seeYoe Mase - are you finally at peace?Hayden Calnin - MajuyOklou - family and friendsbh - we need more time

Both DJ Dobrel and SPIKY are coming off the back of a barnstormer of a year with them each dropping the biggest songs of their careers so far with Dobrel dropping the techno remix of ‘Firework’, and SPIKY releasing the hardstyle remix of ‘Way 2 Sexy.’ Both artists have been finding massive success and are pushing on in 2025 with their new powerful offering of the monumental ‘Nightmares.’ Featuring the classic melody of Eurythmics iconic ‘Sweet Dreams (Are Made of This)’ which is sure to get crowds chanting, ‘Nightmares’ is a haven of in-your-face kicks and chunky bass. Dobrel and SPIKY blend their signature sounds together excellently to create a track packed with energy and infectious lyrics. This collaboration is a continuation of the momentum both artists have been generating with Dobrel recently having his track ‘In Your Eyes’ signed to ‘Gameroom / Black Hole Recordings’, and SPIKY releasing a consistent stream of heaters including ‘Side Bets’ and ‘Hot N Cold.’ Both have kept up a rigorous release schedule which is a testament to their insane drive and skills in the studio. ‘Nightmares’ is another absolutely killer track which is sure to get fists pumping wherever it’s heard and is a great sign of what more is to come from Dobrel and SPIKY. Connect with DJ Dobrel on socials below: Connect with SPIKY on socials below:

The Danish artist said that he “walked away with a new scar”, but is otherwise unscathed Continue reading...

Nine hundred million Spotify streams buy you a lot of creative freedom. Julie Bergan’s using hers to make dance music on her own terms. ‘EURONITES’ caps a year of relentless evolution from the Norwegian powerhouse, transforming her top-line expertise into peak-time euphoria. This is just as the name suggests. Big, playful, unpretentious dance music. Lead single “Dance All Night” showcases exactly what happens when chart-proven songwriting meets club architecture. It’s the culmination of Bergan’s fearless 2024 run – from the self-produced “Kiss Me Better” that racked up 6.3 million views to “Eternity Tonight,” which reimagines Rosa Helikopter through a Darude-tinted lens. The timing feels right, both for the genre and Bergan’s own career arc. Fresh off launching Karate Records and lighting up Coachella with Alan Walker, she’s got the platform and the prowess to push boundaries. Her collaborations with David Guetta and track record of sharing stages with Dua Lipa prove she can play in any arena. But EURONITES isn’t about proving anything – it’s about pure creative voltage, channeled straight to the dance floor. The post Julie Bergan drops Euro Club Blueprint with ‘EURONITES’ appeared first on Dancing Astronaut.

There’s something special about dance music that sits in the liminal space between genres. KITTENS’ latest, “Take Me Home,” featuring Yasmin Jane’s velvet vocals, lives precisely there – where UK garage meets ’90s house, where jazz textures blur into R&B smoothness. Released via Moodswing Music, “Take Me Home” marks KITTENS’ emergence from what she calls “the chaotic energy” of her twenties into something more grounded and intentional. It’s the sound of an artist comfortable enough to let the music breathe, to explore without boundaries, and to craft something that feels both timeless and absolutely of the moment. Between the garage rhythms, house foundations, and Yasmin Jane’s soul-drenched delivery, the track feels like a mission statement from an artist shedding old skin. After making her name with high-energy sets, KITTENS has found something deeper here, crafting a groove that captures that precious 3AM moment when the dancefloor becomes a sanctuary of possibility. The post KITTENS and Yasmin Jane find a Garage Groove on ‘Take Me Home’ appeared first on Dancing Astronaut.

Some samples are sacred ground – you either do them justice or you don’t touch them at all. BRN’s “FREAK OUT” falls firmly in the former category, taking that immortal “Aww freak out” vocal and giving it the respect it deserves while sliding it into a thoroughly modern house framework. The track is a masterclass in minimalism. That iconic guitar riff, recontextualized but not overdressed, rides a crisp house pulse that feels both inevitable and fresh. BRN, who’s been building serious momentum with releases like “Mommy” and “Spicy,” knows exactly when to let the classics speak for themselves and when to add his contemporary touch. It’s fitting that this caps his breakthrough year. Between millions of streams and a heavy tour schedule, BRN’s carved out his lane by focusing on what matters: groove, space, and dancefloor impact. The post BRN’s latest weapon gives a classic a modern touch – ‘Freak Out’ appeared first on Dancing Astronaut.

Cox promises to return to the festival in 2026 with a “full live show experience” Continue reading...

The US producer has also shared the first single from the new record 'Besos Robados' featuring Isabella Lovestory Continue reading...

Tuesday Early Morning, firefighters in NYC responded to a blaze that engulfed an empty six-story building that was once the popular European-style nightclub Pacha NYC in Hell’s Kitchen. The nightclub was a top rated venue for a decade before shutting down in 2016, and up until 2020, the building hosted a haunted house. Fire at Former Pacha NYC The structure observed smoke and fire early morning tuesday around 8am at 616 W46th St from the third floor. Firefighters and EMS personnel assisted with the fire for about 90 minutes, controlling it fully around 9:32am. According to FDNY, about 25 units responded to the fire, with minor injuries. There were six ambulances in the vecinity, and W46th Street on the west side of 11th Avenue was shut down. According to formal complaints filled at the Department of Buildings in November, neighbors reported squatters in the vacated building. This resulted in lots of debris, garbage, and clutter throughout the building. Before all this, Pacha nightclub was celebrated in the building, which was built in the 1920s. The club won Best Superclub at the Club World Awards for five years, before shutting down in 2016. The buildings propriety remains uncertain, thought. According to W42ST news, it is not clear in City records who kept ownership of the portfolio of records. Nevertheless, the current owner appears to be 616-620 WEST 46TH STREET LLC. That block saw a recent fire back in November, where a derelict car wash engulfed in flames across from the building. The post Firefighters Put Down Fire at Former Pacha Nightclub in NYC appeared first on EDMTunes.