Ravebot

Mark Reeve returns to Monika Kruse’s Terminal M Records with his highly anticipated 2-track Golden EP. Featuring a reimagined version of his 2019 hit ‘Golden’ alongside the brand new track ‘All We Have’, the EP highlights Reeve’s evolving sound and his mastery of deep, atmospheric techno. Golden (2024 Remake) The title track reimagines ‘Golden’ with a more intense, modern feel. The revamped version intensifies the basslines and rolling rhythms while preserving the original’s emotive core. With euphoric builds and emphasis on Mark Reeve’s production advancement, this remake strikes a perfect balance between nostalgia and innovation, offering something fresh for today’s techno fans. ‘All We Have’ – A Bold New Original On the flip side, ‘All We Have’ marks a powerful new creation from Reeve. To sum up, the track dives into a traditional, industrial techno with intense basslines and ear-catching samples. A standout feature is its hypnotic vocal drops, building in momentum and culminating in a high-energy breakdown. Overall, this track showcases Reeve’s signature industrial textures and deep, driving beats, creating an anthem for techno lovers worldwide. Mark Reeve’s Evolution and Stream The Golden EP demonstrates Mark Reeve’s constant evolution as an artist. By reworking a fan-favorite and offering a bold new original, Reeve continues to push the boundaries of his sound while staying true to his roots. The Golden EP’s ‘All We Have’ is available now on Beatport and will be on all streaming platforms on December 6. The ‘Golden’ remake is streaming on Spotify already. The post Mark Reeve Drops Golden EP appeared first on EDMTunes.

Returning to the stunning island of Sunny Side Festival lineup 2025 CARISTA, Dungeon Meat, Felipe Valenzuela, Hamish & Toby, Harry Mccanna, Magda, Margaret Dygas, Maxime DB, Sam Bangura, Sonja Moonear and many more now emerge from this world-class mix of rising stars, legends, and cutting-edge talents from across the house and techno spectrum. Between Sicily and the coast of North Africa, Malta is a magnificent gem in the middle Mediterranean with glistening seas, immaculate beaches, and perfect clear blue sky. Rich in local food, history, and culture, this beautiful island presents countless chances for exploration given its many hotels and year-round sunlight. Among the exceptional sites hosting Sunny Side is the globally known Uno Malta, which has two rooms with cutting-edge sound equipment and amazing production. Dancers will also enjoy daytime parties by the sea where they can swim and soak in the sunlight or join exciting boat parties for an amazing experience of dancing on the sea. The lineup for Sunny Side Festival 2025 Edition in Malta CARISTA brings high energy, emotive sounds, the jacking, stripped down House Music duo Dungeon Meat, sophisticated grooves from Felipe Valenzuela, carefully dug-out tech delights from Hamish & Toby, Harry Mccanna, Magda, Margaret Dygas, eclectic goodness from Paris’s Maxime Database, tasteful house and techno from North-South and Half Baked man Sam Bangura and cutting edge house, techno and minimal from Sonja Moonear. Along with these are talents including Ben & Macelli, Carlos Valdes, Georgia, Hugo Martinez, Human Safari, Louie G, Luca Cordina, Monile, NEST, Tomas Refvik and Yamour. Ryan Elliott, Mathew Jonson (live), Sweely (live), Christian AB, PARAMIDA, BASHKKA, Aline Umber, Bruno Schmidt, Jonny Rock, Hostom (Varhat), Mike Shannon (live), Lamache, and many more who will make another unmissable few days in the sun top all these new names. Beyond the music, Malta is a paradise for adventure whether your taste is for a pulse-pushing or chill-out to delve into swimming and water sports, see historic sites, or enjoy feasts and fireworks. Malta delivers an unparalleled experience with its amazing cuisine and many chances for discovery. Malta is a true Mediterranean paradise, and Sunny Side Festival 2025 is the only better way to see it than with a refined soundtrack and like-minded music aficionados. The post Sunny Side Festival Unveils Headliners for 2025 Edition in Malta appeared first on The Groove Cartel.

Demonstrations took place earlier this month in protest of the budget slash Continue reading...

Producer and DJ Cody Chase unveils his latest EP, ‘To The Moon,’ featuring two tracks that showcase his detail-orientated approach towards music creation and the Techno genre. Released on Mavic Music, this EP represents an exciting step in Cody Chase’s journey, emphasising rhythm, depth, and carefully crafted arrangements to highlight his signature sound and skillset. As he invites listeners into his creative world, Cody Chase ensures that the momentum he continues to build keeps climbing, aiming his artistic sights high as he works to establish a solid reputation on the Electronic Music scene. The title track, ‘To The Moon,’ opens the EP with a pounding beat and driving bassline, setting the tone for the production and putting forward the raw energy Cody Chase is becoming known for. A soundscape layered with hypnotising synth lines, from melodic leads to gritty pads to bold hook details, the arrangement steadily builds, introducing a robust low-end with relentless and dark-sounding basslines. As Cody Chase skillfully uses production techniques to keep the energy high and the intensity raised, ‘To The Moon’ keeps propelling forward, resulting in a track that feels dynamic, layered, and primed for the dancefloor. The second track, ‘5 on 4’ complements the title production while offering variation to the EP and its listeners. Featuring a heavy-hitting groove anchored by a prominent bassline, ‘5 on 4’ evolves into a full-bodied soundscape, with playful synth hits and raw textures that give the track a unique sound. As the bassline remains the driving force, Cody Chase crafts a detailed sonic tapestry with rhythmically driven synth leads, incorporating choppy motifs, filtered details, chordal progressions, staggering lines, and compelling risers. This layered approach gives ‘5 on 4’ a distinctive sound, enhancing the EP with dynamic energy whilst further highlighting Cody Chase’s skill in crafting original productions. With his ‘To The Moon’ EP, Cody Chase shows the evolution of his artistic direction, offering a production that highlights his dedication to exploring the intricacies of Techno and pushing the boundaries of his creativity. As each track contributes a unique atmosphere to the EP, allowing listeners to experience Cody Chase’s signature sound, ‘To The Moon’ comes as a bold addition to his growing catalogue and will no doubt appeal to both fans of Cody Chase and new listeners alike. So, follow Cody Chase via social media to keep up with his journey, making sure to stay up-to-date with his upcoming releases, projects, and performances. ‘To The Moon’ is out now via Mavic Music and is available to stream and download across platforms. Listen to ‘To The Moon’ now: Cody Chase Online   Website | Instagram | Soundcloud   Mavic Music Online   Beatport | Instagram

Decoded Magazine · Decoded Magazine presents Luke Brancaccio Internationally acclaimed DJ and producer, Luke Brancaccio has enjoyed a dynamic career spanning multiple music genres. Initially making his mark as the frontman of the British band “Suicide Sports Club” and achieving chart success as part of the production duo Brancaccio & Aisher, he has since graced the covers of DJ Magazine and headlined events around the world. Currently, as part of the trio Tokyo Fan Club, Luke has become a staple at Bedrock, boasting more releases there than any other artist. In recent years, he has signed with prestigious labels like Renaissance, Mobilee, Circus, Crosstown Rebels, Lost & Found, Sudbeat, and Selador. His cutting-edge tracks consistently top charts, earning widespread critical acclaim and leading to collaborations with iconic figures like Nick Muir and John Digweed. We caught up with Luke during our 10th Birthday celebrations along with an exclusive live recording of his recent gig with the Warm Up underground raves in London. Congratulations on joining us with Decoded Magazine’s 10th birthday. Could you share some of the most memorable moments from this incredible journey with us? The journey with Decoded Magazine has been incredible, full of standout moments that have shaped my experience. Interviewing artists like Booka Shade and travelling to places like Amsterdam and Ibiza to cover top clubs and events have been real highlights. My former residency with Pioneer DJ Radio and Decoded, where I had the opportunity to host some of the biggest names in the industry each week on the radio was also an unforgettable chapter. I’ve enjoyed every moment and am grateful for all the experiences along the way. Let’s talk about your former group, Suicide Sports Club, which was part of a new sound in the 90s, signed to Bedrock, playing major festivals, and travelling the world, what gave you and Bruce Aisher inspiration and creative process behind the formation of the Suicide Sports Club? Wow, that brings back memories, a lot has changed since then and it’s not something I focus on nowadays, however, my days at Suicide Sports Club came from a need to push past the usual limits and create something raw yet emotionally charged. From a personal high of making the cover of DJ Mag (I can’t remember what year, way too many fun nights I can’t ever repeat), we pushed for a sound that felt intense, almost like a release, while blending darker tones and different genres. It’s music that speaks to both personal experiences and broader, shared emotions. At first, we couldn’t even get into Bedrock, twice from memory (Heaven) once we got in though, we spent our nights listening to Digweed, Tilt, Tony de Vit and Slacker. We’d finish up and go home, thinking, how do we sound like them, how did they even make that sound, we were so inspired and threw ourselves into music. At the time, I was DJing at Sunflowers (The Garden Club) and had a chance meeting with Gertz the Engineer of Faithless, who asked us to come into the studio, I think we were paying something like £700 a week, back in the 90’s that was a lot of money (it probably still is) we were now sitting opposite Sister Bliss, Rollo, Maxi Jazz to Grace Jones and Gwen Stefani, we were so fresh, it was a baptism of fire to say the least. I remember when were warming up for Radiohead, Block Party & Beck at V Festival, I had no idea what was going on, it was quite a hedonistic time, I can’t describe the feeling of sharing the stage and playing to massive crowds, I even lost my shoe, I had to borrow a flip flop from some random next to the stage, some emo kid (whatever happened to them?) It was a rock n roll time, brilliant memories. One of the highlights was the guitarist from The Cure, Porl Thompson heading up on our song “My Black Dog”. quite surreal to be honest, listening back recently, you can pick his influence of The Cure in the track. All good parties come to an end though, people grow, people explore new sounds, we had a brilliant run, we are still all good friends and look back and laugh at some of the shit we got up to. We were so young, that we thought we knew it all. Still, honestly, I wish the industry was as mature as it is now and had close friends and support as I do now. Still, we were part of a new sound, Indie Electronic, sharing the billing of acts like Daft Punk, Basement Jaxx, Chemical Brothers through to Underworld, always exploring new music, we didn’t know what we were a part of back then, but it was interesting to hear that sound come back again, now living in Hackney, I’m surrounded. Still, such great new acts, it’s everywhere! Photograph © Matt Stephens // mattstephensphotography.co.uk Ok, you pursued a career as a stand-alone DJ for many years afterwards, we hear on good advice, that you actually ran away to LA at one point. Is it true you took a bag of records with you and by chance bumped into Jon Phillipe Abience (famed from Give Me Love) on Melrose Boulevard (LA) which ended up cementing your DJ career (and even honed the skills you have today) How was it leaving stage to the decks? No names, but that must have been an incredible time, what can you tell us about those days? Hahah where does one start, back then, I was booked as “A British DJ” not even my name, I’m sure most of them hadn’t met a Brit back then. I didn’t even have my own headphones, I borrowed a pair from Jon and each week, dug through crates of records, playing at nights I can barely remember, from warehouses through to underground clubs, it was an incredible time. After 3 and a half years, I had enough (or Immigration was on my case) but I decided to head back to the UK. With my family first in mind, it was the right time and was the first of me taking time away from the industry, something that consumed me since my teens, it was a transition that was difficult and what came next, years later, it took to me now. A Hiatus from the scene, interspersed with releases with various artists, labels and gigs, we arrive at your recent live concept, Tokyo Fan Club, which gained quite a following after being signed to Bedrock Records. What was the initial idea behind this project, how difficult was it putting it together during Covid and how has it evolved over the years? Tokyo Fan Club started as a concept, focused on capturing the essence of underground and leftfield music. Covid pushed us to rethink how we work and find new ways to create remotely. Over time, the project has evolved into something bigger than I expected, yet still firmly rooted in the underground, especially after signing with Bedrock Records. The pandemic gave us the chance to explore more experimental sounds and narratives, making the music deeper and more introspective. There’s a lot more in store for this project. Working with your wife Kiki must bring a unique dynamic to your music. How does this partnership influence your creative process and the work you produce together? Working with Kiki is truly special. There’s an intuitive understanding that comes from knowing someone so well, both personally and creatively. We balance each other out—where I might be more conceptual or abstract, she brings in a fresh perspective that grounds the music in something emotionally resonant. It’s like a dialogue through sound, and that dynamic adds layers to the work we produce together. You’ve collaborated with various artists, including Gai Barone. What was it like working with Gai, and what have you taken away from that experience? Working with Gai is truly inspiring. He brings such a deep emotional depth to everything he touches. The collaboration taught me a lot about patience and attention to detail. Gai is a master of layering, and seeing his process up close really expanded my own creative approach. I think what stood out the most was how he could create such complex sound structures while still maintaining a soulful, human element to the music. Being a solo artist brings its own set of challenges and rewards. What does it mean to you to perform and produce music solo, compared to working within a group or duo? Performing and producing solo is a different beast. It’s a more introspective process—you’re not bouncing ideas off anyone else, so it can feel more personal, but also more demanding. You have to push yourself harder because there’s no one else to rely on creatively. But at the same time, it offers a sense of freedom. You can follow your own vision without compromise, which can be incredibly rewarding. With a group or duo, it’s about finding that perfect balance between voices. Looking back at your career, do you have a favourite track you ever produced, and what makes it stand out to you? It’s tough to choose just one, but “Wake Up,” the track I did with Simon Berry from Platipus Records, stands out. Released on Yousef’s Circus Recordings, it represents a specific moment for me both personally and sonically. The process in the studio wasn’t easy, but the struggle made it all the more rewarding. The final result still resonates with me, and seeing how it connects with listeners makes it even more meaningful. The music world is always evolving. How do you stay current with trends, and what are you most excited about for the future of electronic music? Staying current is about always being open to new sounds and not getting stuck in one place. I make it a point to explore different genres, attend festivals, and see what’s happening on the ground. Collaborating with other artists who bring fresh ideas is key—it keeps things interesting and pushes me to step outside my own creative habits. Who would you recommend we keep an eye on that is pushing the boundaries of music? One name to watch right now is Tape Tomorrow. They’re pushing boundaries in a way that feels genuinely fresh, blending electronic and experimental sounds into something that’s both innovative and unexpected. I’ve had the chance to work closely with him recently, and his approach to music is truly next-level. He’s got a rare talent for weaving together complex textures while keeping things grounded and engaging. We’ve got some exciting plans to collaborate further when the timing lines up—definitely someone to keep on your radar. As Decoded Magazine celebrates its 10th birthday, what advice would you give to emerging artists who aspire to have a long-lasting impact on the music scene? Don’t be afraid to be yourself, and don’t chase trends. It’s important to understand where the scene is headed, but ultimately, your authenticity is what will make you stand out. Find your own voice, and keep pushing boundaries—not just in music, but in how you connect with your audience. Longevity comes from building something that resonates deeply with people, not just following what’s popular at the moment. The post Decoded Magazine Presents Luke Brancaccio appeared first on Decoded Magazine.

Hanna Haïs is one of these long-lasting icons as Laurent Garnier, Black Coffee, Louie Vega, Âme, Loco Dice, Chez Damier, Kerri Chandler, all of them play her music. After the success of Carthago, Angeke and Space Fair Hanna Haïs presented Sitting Bull, on 22nd November 2024 on Beatport and Spotify. From 6th December, the track will be available on all major digital platforms. Released under the Donkela label, this new single adds another chapter to her long-standing career in AfroTech and electronic music. Hanna Haïs has been a key figure in the house music scene, with a career spanning over 70 releases, including albums, singles, and remixes. Her first release, a remix by Larry Heard, paved the way for collaborations with top labels like Defected, MoBlack, and Distance. Nevertheless, it’s extraordinary to see that she has performed in several African countries throughout her career and how it became part of her musical journey. Taking a closer look at Sitting Bull, it is composed, arranged, and produced by Hanna Haïs, was recorded in France and mixed and mastered in Greece by George Deligiannis. The track combines hip hop-inspired vocal samples with rhythmic AfroTech elements, including an arpeggiator layered over driving beats and a deep bassline. The track’s creation started with the discovery of vocal samples with a distinct hip-hop vibe, described by Hanna Haïsas reminiscent of artists like Drake and Kanye West. These samples set the tone for the production, which came together quickly using Ableton Live and samples from Loopcloud. Hanna Haïs highlights the energy of the track’s post-break section as a standout moment. Listen here: Spotify “I found some vocal samples which were a bit different from what I usually use, these vocals had a hip-hop vibe, sort of Drake-like and started working”. Since 2010, Hanna Haïs has blended Afro influences into her sound, beginning with the single Ka Donké. As a DJ and producer, she has performed at venues and festivals around the globe, with her music supported by industry heavyweights like Black Coffee, Caiirosa, Joseph Capriati, Loco Dice, Ghedion Behonegne, Jamiie, DJ Gregory, Louie Vega, Laurent Garnier and many others Looking ahead, Hanna Hais will perform in Dubai in December 1st at the Arkadyan Voyage, and the artist has plenty lined up for 2025, including a collaboration with Dante.T and Mario Da Ragnio due in January, followed by a solo release in February. Additionally, she’s working on remixes, keeping her schedule packed with new music. Sitting Bull is available for DJs on Beaport and ready to listen anywhere on Spotify since 22nd November. Stay connected with Hanna Haïs and Donkela for updates on this and future releases @hannahaisparis @donkelamusic The post A must-listen: AfroTech Icon Hanna Haïs Drops Single: Sitting Bull on Donkela appeared first on Electric Mode.

Set to blast Mexico City from February 21–23, 2025, Insomniac‘s most awaited Latin American event, EDC Mexico (Electric Daisy Carnival) promises an unparalleled musical adventure that will turn the venerable Autodromo Hermanos Rodriguez into a throbbing electronic music paradise. Every electronic music lover will find something on the carefully chosen aural landscape of the 2025 EDC Mexico roster, which spans many genres. The event has created a musical experience mirroring the active worldwide dance music scene from big headliners to underground icons. The Electric Daisy Carnival EDC Mexico 2025 lineup includes Oliver Heldens, Tiesto, Tinlicker, Sara Landry, I Hate Models, Cosmic Gate, Astrix, Martin Garrix, Mau P, Excision, and more. The EDC 2025 Mexico Lineup That Defines Musical Diversity First among them are industry behemoths poised to provide earth-shattering performances. Returning as a pillar act, Martin Garrix promises his trademark high-energy progressive house with great room sound. Veteran who still keeps reinventing himself, Tiësto will surely offer a lesson in musical growth. Oliver Heldens, noted for his contagious dance rhythms, is ready to blast the main stage. This year the techno contingent is really amazing. While I Hate Models reflects the darker, more experimental side of the genre, Sara Landry will deliver her hard-hitting industrial techno. Artists such as Amelie Lens and Nico Moreno will make sure the techno stages remain a throbbing center of unvarnished, unapologetic power. Cosmic Gate and Astrix promise transcendental musical experiences that will transport listeners to extraterrestrial levels. They represent the trance and psytrance worlds. Ferry Corsten‘s great reputation guarantees trance aficionados will be more than happy. From tech house to deep house, the schedule addresses every subtlety. While The Martinez Brothers reflect the underground house culture, Mau P delivers his infectious, whimsical tech house vibe. San Pacho and Duke Dumont deepen an already excellent house music selection. Excision will provide bone-crushing bass music for those yearning for stronger sounds, while hardstyle and hard techno aficionados may celebrate with performers like Coone, Rooler, and the creative Hive Mind collaboration. EDC Mexico 2025 stands out for its dedication to regional artists. Emphasizing the festival’s commitment to supporting local scenes, Secret Echoes, Rebolledo, Tayhana, and Mariana BO reflect the rich, varied electronic music talent growing out of Mexico. EDC Mexico 2025 full lineup The post This is the 2025 EDC Mexico Lineup: Martin Garrix, Tiësto and more appeared first on The Groove Cartel.

Twelve years ago, on November 26, 2012, Hardwell released Apollo, a track that became more than just a milestone in his career—it transformed into a beacon of resilience for fans across the globe. Beyond its powerful beats and soaring melodies, Apollo tells a story of survival, gratitude, and connection that remains as moving today as it was the day it was released. From the opening lines, “Just one day in life, so I can understand,” Amba Shepherd’s vocals draw you into a narrative of struggle and triumph. The lyric “Fighting just to survive, but you taught me I can” captures a deeply human emotion: the quiet strength we find when someone believes in us. In a world often overshadowed by challenges, Apollo serves as a reminder that even in our darkest moments, we are capable of finding light. What sets Apollo apart is how Hardwell’s production complements, rather than overshadows, the message. The drop is powerful, but it doesn’t feel like a punctuation mark; it’s a continuation of the story. When the beat kicks in, it’s as if the music itself is lifting the listener out of the struggle described in the lyrics and into a place of hope. The repeating chorus, “We are the lucky ones,” transforms into a mantra, urging us to find gratitude even in the smallest moments. Released on the heels of his breakout hit Spaceman, Apollo marked a new chapter for Hardwell. It showcased his ability to craft music that wasn’t just electrifying but also deeply meaningful. While Spaceman catapulted Hardwell to stardom, Apollo proved he was more than a producer of big-room anthems. It was his way of connecting with listeners on a personal level. Twelve years later, the track’s legacy lives on. Whether you first heard it at a festival, on the radio, or through a friend’s playlist, Apollo likely left its mark. It reminds us of the golden era of progressive house while still feeling timeless. The energy it brought to stages around the world, from Tomorrowland to Ultra Music Festival, is matched only by the intimate moments it created for individual listeners. As we celebrate 12 years of Apollo, it’s worth reflecting on what makes it so enduring. It’s more than just the melodies or the production; it’s the feeling it gives you. It’s the reminder that music has the power to lift us up, bring us together, and remind us that, even in tough times, we are the lucky ones. Hardwell’s Apollo isn’t just 12 years old—it’s timeless.

The wait is over—Kygo’s highly anticipated Palm Tree Club Miami will finally open its doors next week. The first previews of the venue reveal a tropical oasis unlike any other in North Bay Village. Located at the iconic former Shuckers location, the club merges waterfront luxury with Kygo’s unmistakable tropical house vibes, setting a new standard for Miami nightlife. The opening events will take place on December 6th with Jamie Jones and on the 7th with Blond:ish. Check out the events and tickets on the official website here. From the first previews, the venue boasts stunning water views framed by swaying palm trees, warm lighting, and a vibrant color palette that perfectly captures the essence of laid-back sophistication. Every detail, from the décor to the ambiance, echoes Kygo’s signature blend of tropical escapism and modern elegance. The main stage and dining areas are the heart of the club. Pictures highlight the venue’s open layout, seamlessly transitioning from intimate dining spaces to energetic performance zones. Whether you’re there for the music or the cuisine, the venue’s design immerses guests in its dynamic atmosphere. Palm Tree Club’s grand opening be just the beginning. The venue is already making waves with a packed lineup of events featuring live performances, DJ sets, and more. Clearly, the Palm Tree Club isn’t just a place to visit—it’s a destination that captures the spirit of Miami’s vibrant music and hospitality scenes. As Kygo continues to expand the Palm Tree Crew brand, this first look at Palm Tree Club Miami proves that his vision for creating immersive, music-driven experiences is hitting all the right notes. With its stunning setting and endless entertainment, the club is already on its way to becoming a cornerstone of Miami nightlife. Kygo, known for blending tropical house music with mainstream appeal, has been at the forefront of creating immersive experiences for his fans. The Palm Tree Club Miami is a natural extension of his brand. Thus offering visitors the chance to live out the “Palm Tree Crew” lifestyle—a world where music, friendship, and tropical escapism come together. So with its December opening around the corner, the Palm Tree Club Miami is already generating excitement among locals and visitors eager for a fresh take on Miami’s famed hospitality. While Miami continues to evolve as a global destination for electronic music. the Palm Tree Club stands poised to become a must-visit venue for electronic music fans and those seeking a slice of paradise. So mark your calendars and get ready to step into Kygo’s world. Where the nights are vibrant, the beats are infectious, and the views are unforgettable. The post Kygo’s Palm Tree Club Miami First Look & Events Revealed appeared first on EDMTunes.

The French duo have discussed the anime influences around their latest album, including Masanobu Hiraoka-directed music video for 'Neverender' ft. Tame Impala Continue reading...

‘Overdose of Bass’ EP is here, a power-packed techno two-tracker enriched by diverse elements. This first Adam Beyer x Eli Brown collaborative release has been feverishly anticipated by fans keeping tabs on their growing friendship. The pair’s first official B2B at Lisbon’s Brunch Electronik in September further added to the excitement. It sees the light of day today, 22nd of November, on Beyer’s Drumcode. This also marks Eli Brown’s welcome return to the label after his massive collaboration this January ‘When I Push’ with Layton Giordani and OFFAIAH. It follows Brown’s 2022 EP ‘Deep Down’. The EP ‘Overdose of Bass’ combines recent developments and past influences of both techno giants. Overdose of Bass ‘Overdose of Bass’: the title track has rattling snares and a breaksy beat. It ushers in a spoken vocal layering different levels of processing, for a half sensual, half robotic riff – ‘there it goes/ overdose/of bass’. It combines with the doppler siren builds, giving a spacey, mysterious call and response. Could be classified as hypnotic, disturbing and edgy. Living In The Moment ‘Living In The Moment’: an urgent techno beat, a Moroder-esque bass synth, and a recurrent riff like a signal. It becomes ever more high and desperate. It is counterpointed by an ethereal, quavering, sweet female vocal, strengthened by the melodic build in the huge central breakdown. Urgent, demanding, hyper, this is dancefloor heaven. Adam Beyer’s revered status as a producer, DJ and leading label head of Drumcode and Truesoul is unquestionable. His outstanding contribution to electronic music, via his own releases across his pioneering 30+ year career, and his seminal electronic imprints which have launched many upcoming talents as well as spotlighting global superstars has made him a household name. With his productions, the Swedish powerhouse still consistently pushes boundaries, especially in his recent EP ‘Don’t Go’, after solo EP ‘Ghost Kiss’ and his massive debut Vintage Culture collaboration. Experimenting with techno enhanced by melodic elements, vocal processing/vocoders and creative use of samples from world cultures, the dynamic producer keeps on evolving and surprising his legions of fans. Master producer and veritable phenomenon Eli Brown is a sonic force in a category of his own. Boasting a career that spans over two decades since bursting onto the scene in 2016, the techno powerhouse’s brooding sound and visceral energy have catapulted him from the UK’s underground to global icon status at meteoritic pace. This collaborative track arrives hot on the heels of a massive year for the DJ/producer/record label head, following a steady stream of chart topping releases to etching his name in history as the first techno artist to perform at the iconic Rockefeller Center, and launching his streetwear label – 92 Thing. Adam Beyer x Eli Brown ‘Overdose of Bass’ drops November 22nd on Drumcode. Save it here. Track list: Overdose of Bass Living in the Moment The post Adam Beyer & Eli Brown Finally Unveil Debut Collab Release EP ‘Overdose of Bass’ appeared first on EDMTunes.

Producer and DJ Cody Chase unveils his latest EP, ‘To The Moon,’ featuring two tracks that showcase his detail-orientated approach towards music creation and the Techno genre. Released on Mavic Music, this EP represents an exciting step in Cody Chase’s journey, emphasising rhythm, depth, and carefully crafted arrangements to highlight his signature sound and skillset. As he invites listeners into his creative world, Cody Chase ensures that the momentum he continues to build keeps climbing, aiming his artistic sights high as he works to establish a solid reputation on the Electronic Music scene.   The title track, ‘To The Moon,’ opens the EP with a pounding beat and driving bassline, setting the tone for the production and putting forward the raw energy Cody Chase is becoming known for. A soundscape layered with hypnotising synth lines, from melodic leads to gritty pads to bold hook details, the arrangement steadily builds, introducing a robust low-end with relentless and dark-sounding basslines. As Cody Chase skillfully uses production techniques to keep the energy high and the intensity raised, ‘To The Moon’ keeps propelling forward, resulting in a track that feels dynamic, layered, and primed for the dancefloor. The second track, ‘5 on 4’ complements the title production while offering variation to the EP and its listeners. Featuring a heavy-hitting groove anchored by a prominent bassline, ‘5 on 4’ evolves into a full-bodied soundscape, with playful synth hits and raw textures that give the track a unique sound. As the bassline remains the driving force, Cody Chase crafts a detailed sonic tapestry with rhythmically driven synth leads, incorporating choppy motifs, filtered details, chordal progressions, staggering lines, and compelling risers. This layered approach gives ‘5 on 4’ a distinctive sound, enhancing the EP with dynamic energy whilst further highlighting Cody Chase’s skill in crafting original productions. With his ‘To The Moon’ EP, Cody Chase shows the evolution of his artistic direction, offering a production that highlights his dedication to exploring the intricacies of Techno and pushing the boundaries of his creativity. As each track contributes a unique atmosphere to the EP, allowing listeners to experience Cody Chase’s signature sound, ‘To The Moon’ comes as a bold addition to his growing catalogue and will no doubt appeal to both fans of Cody Chase and new listeners alike. So, follow Cody Chase via social media to keep up with his journey, making sure to stay up-to-date with his upcoming releases, projects, and performances. ‘To The Moon’ is out now via Mavic Music and is available to stream and download across platforms. Listen to ‘To The Moon’ now: Cody Chase Online    Website | Instagram | Soundcloud    Mavic Music Online    Beatport | Instagram The post ‘To The Moon’: Cody Chase’s Latest Techno Exploration Lands on Mavic Music appeared first on EDMTunes.

Tantok reinvents Lucky Choice’s original track with his signature style from deep house to dark techno, Denver-based DJ and producer Tantok adds his distinctive touch to Cocaine, originally produced by Lucky Choice, with a remix that ventures into dark techno territory. Released by Reva Records, this version delivers a powerful, high-energy transformation tailored for intense dance floor moments. DJs can find it now on Beatport. In this reimagined take on Cocaine, Tantok retains the essence of the original while amplifying its energy with a driving force. The remix features meticulously layered bass synths, resonant kick drums, and a haunting piano chorus, creating a soundscape that merges aggressive energy with an unrestrained, dark atmosphere. Crafted for peak moments at festivals and club events, the remix runs at a blistering 129 BPM, offering fans a compelling techno experience. About this remix, Tantok shares: “The bass synth and kick are the groundbeat, but the piano during the chorus is what gives the track its flavor.” Listen here: Spotify Tantok has established himself as a significant presence in the electronic music scene, known for his innovative DJ sets and house- and techno-driven releases. His performances include international festivals like the Amsterdam Dance Event and Ibiza’s International Music Summit, as well as sold-out shows across Denver. His recent tracks, including Meant to Me featuring Rebecca Hartt, showcase his ability to experiment while staying true to his current focus on house and techno. Lucky Choice, the artist behind the original Cocaine, is celebrated for creating deep, atmospheric house tracks that resonate on dance floors worldwide. A core member of Reva Records, he collaborates with both emerging and established artists to explore fresh interpretations of his work. The original track’s dark, layered sound provided a solid foundation for Tantok’s energetic, techno-forward remix. Tantok’s remix of Cocaine takes the track to bold new heights, delivering an intense listening experience that appeals to both house and techno enthusiasts. Released by Taras Revansh’s (aka Lucky Choice’s) Reva Records, the remix is now available on Spotify and other streaming platforms. Tantok is also developing his label and working on several new releases, including a track under his publishing deal with Sirup Music and an upcoming release with Natura Viva. For updates, fans can connect with Tantok via Instagram @tantokhouse or visit his official website tantokmusic.com. The post Reva Records releases Tantok’s Deep and Dark Remix for “Cocaine” appeared first on Electric Mode.

Get ready for Art Basel Miami Beach, the ultimate contemporary art fair in North America, making its exciting return to the lively city of Miami Beach! Since it first kicked off in 2002, this incredible event has been a go-to for art lovers, collectors, and industry insiders from all corners of the globe. With over 80,000 visitors heading to the Miami Beach Convention Center each year, Art Basel Miami Beach has become an absolute must-see on the international art calendar. Beyond the fantastic selection of artworks, Art Basel Miami Beach is also known for its fabulous parties and exclusive events. Celebrities and influencers from the art, fashion, and entertainment worlds come together in South Beach, adding an extra dash of glamour to this already dazzling event. From trendy rooftop soirées to VIP galas, pool parties, and exciting 48 Hours closing events, the social scene during Art Basel is bursting with fun and intrigue, making it the perfect destination for culture lovers. And this year, EDM Tunes has put together an awesome Art Basel Party weekend, so you can fully experience all that Miami has to offer from December 5 to 9, 2024. Join the fun! Wednesday December 4 Experts Only Miami When: Wednesday 8PM Where: Toe Jam Backlot Lineup: John Summit, Damian Lazarus, Max Styler b2b Azzecca, Airrica, Benjamin Lloyd Tickets: $84+ Thursday December 5 Mayan Warrior Galaxyer + Seth Troxler B2B Victor Calderone (Espacio Proximo) (Factory Basel Opening 2024) When: Thu 5 Dec, 7:00 pm GMT-5 Where: Factory Town, 4800 NW 37th Ave, Miami, FL 33142, USA Line up: Seth Troxler , Victor Calderone, Traumer, Cassy & Jonny From Space Tickets: $40+ GOLFOS (The Park Stage) + EASTENDERZ (Cypress End Stage) – Factory Basel Opening 2024 When: Thu 5 Dec, 7:00 pm GMT-5 Where: Factory Town, 4800 NW 37th Ave, Miami, FL 33142, USA Line up: PAWSA, Dennis Cruz, East End Dubs Tickets: $50+ III Points Presents: Adam Port When: Thu 5 Dec, 7:00 pm GMT-5 Where: Lot 11, 301 NW 2nd Ave, Miami, FL 33128, USA Line up: Adam Port Tickets : $72.50+ No Art Basel When: Thu 5 Dec, 11:00 pm GMT-5 Where: Club Space Miami 34 NE 11th St, Miami, FL 33132, USA Line up: ANOTR, The Martinez Brothers, Chloé Caillet, Luuk van Dijk, Toman, Miguelle & Tons, Mai iachetti Tickets : $30.50+ HE.SHE.THEY Art Basel Miami When: 7:30pm-3AM Where: Toe Jam Backlot Lineup: Richie Hawtin, LSDXOXO, ONYVAA, Lindsey Herbert, hhunter Tickets: Domicile x Sesh: Basel Week Opening Party When: 10PM-5AM Where: TBA Lineup: Clara Cuve, Boys Noize, MCR-T, Ultrathem Tickets: $65+ Friday December 6 LMR: Fisher, Paco Osuna & More + MADAFAKAZ (Factory Basel 2024) When: Fri 6 Dec, 7:00 pm GMT-5 Where: Factory Town, 4800 NW 37th Ave, Miami, FL 33142, USA Line up: Fisher, Paco, Blondish, Riordan, Stoley, Differ, ALISHA, MADVILLA, Max Dean, Ms. Mada, MADVILLA, ALISHA, Dombresky, Totally Enormous Extinct Dinosaurs, Amtrac, Nicole Gallamini Tickets: $50+ Brutalismus 3000 When: Fri 7PM-7AM Where: Factory Town Lineup: Brutalismus 3000, Boys Noize, Cera Khin, LSDXOXO, MCR-T, Pressure Points, VTSS Tickets Music On Basel When: Fri 6 Dec, 11:00 pm GMT-5 Where: Club Space Miami,, 34 NE 11th St, Miami, FL 33132, USA Line up: Marco Carola, Dennis Cruz, Ilario Alicante,Thunderpony (DJ) Tickets: $40+ Jamie Jones Presented By Palm Tree Club Miami When: Friday 3PM-12AM Where: Palm Tree Club Miami Tickets Saturday December 7 Circoloco Miami When: Sat, Dec 7, 7:00 PM EST Where: Factory Town, 4800 NW 37th Ave, Miami, FL 33142, USA, Line up: The Martinez Brothers, ANOTR, Rampa, Seth Troxler, Bedouin, Joseph Capriati, Dixon, Rony Seikaly, Luciano, Prospa, Quest (IT), Konstantin, O.BEE, Tomas Station, DESIREE, Sparrow & Barbossa, Peace Control Tickets: +80+ Paradise Miami (Space Basel) When: Sat, Dec 7, 11:00 PM EST Where: Club Space Miami Line up: AJ Christou, ALISHA, Archie Hamilton, Ben Sterling, Bontan, ChaseWest, Damian Lazarus, East End Dubs, Harvy Valencia, Jamie Jones, Jean Pierre, Josh Baker, Malóne, Manda Moor, Mason Collective, Max Dean, Miluhska, Ms. Mada, Natalia Roth, OMRI., Seb Zito Tickets: $20+ RESISTANCE Miami Art Week – Mind Against When: Sat, Dec 7, 10:00 PM EST Where: M2 Miami, 1235 Washington Ave, Miami Beach, Florida 33139, United States Line up: Mind Against, Denis Horvat, Olympe Tickets: $49.95+ The Summer Club & Hyde Beach Present Miami Art Week with HUGEL When: Sat, Dec 7, 12:00 PM EST Where: Hyde Beach, 1701 Collins Avenue, Miami Beach, Florida 33139, United States Line up: HUGEL Tickets: $55+ Sunday December 8 Adriatique present X When: Sunday 7PM-7AM Where: Factory Town Lineup: Adriatique, Whomadewho, AME, Rivo, Layla Benitez, Max Stern Tickets elrow: Factory Basel Closing 2024 When: Sun, Dec 8, 7:00 PM EST Where: Factory Town Miami Line up: Paco Osuna, HUGEL, Ilario Alicante, Oden & Fatzo, BASTIAN BUX, Francisco Allendes, SYREETA, Max Styler, TINI GESSLER, Monoky Tickets: $60+ 24 + Hours Space Basel Closing Party When: Dec 8 – Dec 10, 2024 Where: Club Space Miami, 34 NE 11th St, Miami, FL 33132, USA Line up: TBA Tickets: $40+ Art Events Untitled Art When: Dec 3–8, 2024 Where: Ocean Drive & 12th Street What: Explore “East Meets West” at this leading contemporary art fair with 172 global exhibitors Tickets:$55+ SCOPE Art Show When: Dec 3–8, 2024 Where: Lummus Park, Miami Beach, FL 33139 Theme: Interdependence Tickets:$60+ Art Basel Miami Beach ABMB22, Misc, General Impressions, Public Interactions, PR When:Dec 6–8, 2024 Where:Miami Beach Convention Center, Meridian Ave #403, Miami Beach, FL 33139 What: The crown jewel of Miami Art Week showcases 285 galleries from 38 countries, hosting the world’s top contemporary artists Tickets:$85+ Design Miami When: Dec 3–8, 2024 Where:adjacent to the Miami Beach Convention Center, Meridian Ave #403, Miami Beach, FL 33139 What: Immerse in collectible design pieces and curated talks Tickets:$45+ CONTEXT Art Miami When:Dec 3–8, 2024 Where:One Herald Plaza, NE 15 St & Herald Plaza ,Miami, FL 33132 What: Spotlight on emerging and mid-career artists at this sister fair to Art Miami Tickets:$65+ The post The EDMTunes Art Basel 2024 Events Guide appeared first on EDMTunes.

SiriusXM, a household name in satellite radio and streaming, has found itself in hot water with the New York Attorney General (NY AG). In a recent announcement, the NY AG accused SiriusXM of violating consumer protection laws by implementing an illegal and deliberately complex cancellation process. This marks a significant moment in the broader conversation about consumer rights in the digital age. According to the allegations, SiriusXM has been engaging in predatory tactics to retain subscribers against their will. Customers reportedly faced numerous hurdles when attempting to cancel their subscriptions, including misleading information, excessive wait times, and unclear or convoluted instructions. These practices have been described by the NY AG as deceptive and unlawful, creating frustration among subscribers who wish to opt out. The timing of this controversy is particularly critical, as subscription-based services dominate the entertainment landscape. From music streaming platforms to video-on-demand services, the industry relies on recurring payments for sustainability. However, many companies are now under scrutiny for designing opaque processes to discourage cancellations, effectively trapping users in their subscriptions. SiriusXM, known for its exclusive content that appeals to electronic music fans and beyond, has been a go-to platform for curated DJ sets, artist radio shows, and live performances. Yet, the backlash from this legal action may encourage listeners to reconsider their loyalty. Alternative platforms offering transparent policies and user-friendly experiences may become more attractive options. In response to the allegations, SiriusXM has stated it is reviewing the claims but has not yet issued a detailed rebuttal. If proven guilty, the company could face hefty fines and a mandate to overhaul its subscription and cancellation processes. This case has the potential to set a significant precedent for how subscription-based services operate across all sectors, not just entertainment. For the electronic music community, this development shines a light on the importance of holding companies accountable for fair practices. As listeners rely on these platforms for access to exclusive content, ethical business practices are non-negotiable. The NY AG’s crackdown serves as a reminder that consumer rights must be respected, even in an increasingly subscription-driven economy. Check out the full statement here. The post SiriusXM Faces Legal Action Over Allegedly Illegal Cancellation Practices appeared first on EDMTunes.

The plans, which are set to rollout next year, involve training nightlife staff Continue reading...

London-based, tech-house DJ and producer PAWSA has announced his biggest UK headline performance to date with PAWSA In The Park – All Day Long, a huge outdoor show happening at London’s Gunnersbury Park on Friday 8 August 2025, with more acts to be announced. Sign up here for pre-sale access by 12PM on Tuesday 26 November. Pre-sales begin at 10AM on Wednesday 27 November. Tickets go on general sale at 10AM on Friday 29 November via www.ticketmaster.co.uk. A name that has emerged to become one of the scene’s most-loved DJs and producers, PAWSA remains an individual whose passion and focus remains solely on the music. An artist forever in the ascendancy, the Solid Grooves Records co-founder continues to deliver a never-ending arsenal of curated, dancefloor-ready cuts of his unmistakable sound. His signature sound – inventive tech house with an old-school vibe – is decisively made for the dancefloor, and as a DJ, he lays down carefully curated and dynamic sets spanning genres, decades, and styles. More recently his unique approach has been celebrated, gracing the cover of DJ Mag, featuring in their Alternative Top 100 DJ’s list and winning Best Producer in their Best of British Awards. Add to the mix numerous Beatport #1’s, sold out dates across the world, and Solid Grooves’ esteemed Ibiza residencies going strong since 2016, it’s easy to see why he’s a name that stands apart from the rest. Last week PAWSA released the viral sensation ‘Dirty Cash (Money Talks)’, a reworking of the Adventures of Stevie V classic, which will be a certified crowd pleaser when the DJ takes to the stage at Gunnersbury Park next summer. West London’s Gunnersbury Park has become established as one of the capital’s favourite outdoor venues and will play host to a series of day shows offering an eclectic mix of music genres in August 2025 with more brilliant shows still to be announced.

The takeover will see the likes of 070 Shake, A. G. Cook, Bladee, Kelly Lee Owens and The Dare joining the 'Brat' star's headline slot Continue reading...

In a move to reinvigorate the UK nightclub scene, internationally acclaimed DJ and producer James Hype takes action to preserve the culture that shaped his career. Known for dominating global stages, James Hype recently reflected on his roots in nightclubs and the impact they’ve had on his journey, sharing a deeply personal Instagram post that resonated with fans and industry peers alike. “When I was 16, I got a fake ID and started going to nightclubs. By 18, I was DJing in clubs, and for the next 10 years, they gave me the best musical education and life experience ever,” James wrote. However, he also highlighted a stark reality: since 2020, a staggering number of nightclubs have closed. “Me and my manager found that 90% of the clubs I played at in 2020 no longer exist. That hit me hard.” Determined to give back to the community that helped shape him, James Hype and his team embarked on an ambitious UK tour. Focusing on smaller venues and cities most in need of support, the initiative was a bold effort to breathe life into struggling local nightlife scenes and inspire others in the industry to follow suit. Key Highlights of the TourAffordable Tickets: Priced at just £11, the shows were designed to be accessible to as many fans as possible. Top-Tier Production: A 14-person crew delivered high-quality shows, including production and media, entirely free for the venues. Nonstop Performances: The team traveled via tour bus, performing in a different city each night for a week. Viral Content: High-energy performances captured on video quickly gained traction online, sparking a renewed conversation about the future of nightlife.While James acknowledges that the tour alone cannot “save the nightclub scene,” he believes it proves that artists have the power to drive meaningful change. “We showed that artists can have an impact. Who’s next?” he asked, leaving an open challenge to his peers. James Hype’s initiative demonstrates the transformative power of community-driven action. As a leading voice in electronic music, he continues to inspire DJs, fans, and industry professionals to protect and nurture the spaces that foster creativity, connection, and cultural innovation. His efforts serve as a powerful reminder that revitalizing nightlife is not just about music—it’s about preserving the soul of a community.

999999999, AK Sports, AZYR, Bad Boombox, Blawan, Brutalismus 3000, Charlie Sparks x Parfait, Dax J x Daria Kosolova, Deborah De Luca, DJ Hyperdrive, Funk Tribu, Helena Hauff, Kettama, LB Aka Labat, OGUZ, Patrick Mason, Reinier Zonneveld, Testpress, X Club. and many more will all perform. The famously high-octane thrills of Terminal V Festival are returning to Edinburgh’s Royal Highland Centre and Showground on the Easter Bank Holiday Weekend of Saturday 19th and Sunday 20th April 2025. With more than 100 world-class acts, six specially designed stages and 20,000 people per day – everything about Terminal V is supersized, which is why it is one of the most celebrated and largest techno festivals in Europe. This iconic annual event is sure to be sold out fast. The festival stands apart from the competition thanks to a dedication to key details – innovative and explosive production, high spec sound systems and carefully curated artists that traverse a wide spectrum of techno, bass, electro and acid from red-hot new stars to venerated veterans. Chief amongst them are the likes Brutalismus 3000 who are playing a Scottish festival for the first time ever and have a serrated blend of gabber, post-punk and techno, returning favourite Blawan who is a staple in the experimental techno world, bringing raw, industrial sounds that push sonic boundaries and he plays with Helena Hauff who has long been a leader of the electro and techno worlds as she commands the decks with raw, analogue-driven energy. There will be fireworks when hard techno titans Charlie Sparks x Parfait step up and combine frenetic energy with a touch of rave nostalgia, while Dax J x Daria Kosolova promise a seamless fusion of hard-hitting industrial techno and cerebral rhythms and AK Sports has a hybridised sound that is always hard and fast whether taking in slamming techno, big breaks or earth-quaking bass. Italian Deborah De Luca mixes melodic techno with pounding basslines to create a sound that is emotive and club-ready and DJ Hyperdrive takes things into the future with his innovative approach to techno and electro. Kettama offers euphoric, house-infused techno that’s as groovy as it is powerful. Contemporary breakout star LB Aka Labat brings a barrage of breaks, club and bass from with a modern edge. There will be a superb Scottish contingent representing the fertile local scene with likes of Testpress who specialise in dark, punchy techno, fast-rising simOne who is all about hardcore beats and big, Eurotrash sounds, and Sikoti, a co-founder and resident DJ at Dark Room Sessions who plays it hard, all stepping up. Berlin legend Patrick Mason is known for his theatrical performances and combining commanding vocals with pulsating techno, Filth On Acid label head Reinier Zonneveld is a live techno wizard who has helped define the acid and hard techno revolution. Add in AZYR, who is up for Best DJ in the DJ Mag Awards, plus the famously high energy sounds and catchy melodies of Aussie duo X Club and these artists, along with tens more, promise a lineup that’s as dynamic as it is forward-thinking. Held at Edinburgh’s Royal Highland Centre, Terminal V Festival offers many different and equally immersive experiences across six indoor and outdoor stages each with their own look and feel. This means you can dance the day and night away as you please and have your own musical adventure through the night, matching the music to your mood. In all across the two days, 40,000 house and techno enthusiasts from across the UK and beyond all unite on the famously warm and welcoming dance floor. It is a safe space for all that makes this more than just a party – it’s a gathering of like-minded music lovers where lifetime memories and friendships are formed. Terminal V is all set to kick off the 2025 festival season in spectacular fashion so make sure you are part of the story by getting your tickets now at https://www.terminalv.co.uk/festival The post Terminal V Festival announces initial line-up for 2025 edition appeared first on Decoded Magazine.

German electronic producer Fejká marks the first release of his brand-new label imprint, “Coexist,” with “Maara” on November 15th. Complementing with an amazing self-directed live-performance video, his melodic and atmospheric characteristic style sets off a fresh trip combining organic components, ambient techno, and deep house into a very ethereal sound. Featuring the audiovisual polymath performing the song live on a cliff of Gran Canaria with all his instruments, the video signals only the beginning of a larger new chapter and highlights his artistic ability in an amazing context. Maara captures the core of the young Coexist imprint, a label Fejká characterizes by the limitless dichotomy within his music: calm and reflective by day, then bursting with vitality and dynamism by nightfall. Within “Maara,” a mesmerizing plucked melody blends with a powerful bassline, while ethereal piano layers and fractured voice chops progressively give its rhythmic basis life. The core of the piece blossoms in the break section, where angelic strings combine delicate beauty with wild, strong energy—a rare and amazing event on the dancefloor. “Maara” was born following the success of his second studio album Hiraeth when Fejká chose to stop his demanding tour schedule. Seeking comfort in the calm Pacific island of Gran Canaria, where he sank himself into reflection and creativity, he was escaping the terrible German winter. Surrounded by stunning natural settings, “Maara” sets the start of a new chapter with a taste of the ethereal melodies he developed from the island’s pure surroundings. The post Fejká presents “Maara” from upcoming album “Coexist” appeared first on The Groove Cartel.

The debut event will be held in collaboration with Tropical Waste on November 30 Continue reading...

A pioneering icon of the underground, Bushwacka! presents a two-track release on DFTD, ‘What You Want / I Dream Of You’. Bushwacka!’s impact on the scene is still felt to this day; together with fellow British producer Layo Paskin, the pair helped to shape the sound of UK house, techno and acid by delivering genre-crossing electronic music approaching the new millennium. His output remains as cutting edge after 30 years in the biz, recently landing on cult NYC label Nu Groove with four-track EP ‘Back To The Underground’ as well as Luke Solomon’s Classic imprint with ‘Sunday School’. DFTD is proud to unveil ‘What You Want / I Dream Of You’, a two-track collection of damagers that demonstrate the work of an innovator; ‘What You Want’ firmly delivers a metropolitan cool, voyaging through different moods and eras thanks to intricate percussion choices, while ‘I Dream Of You’ is more understated in its approach, building with quiet intensity and hazy complexity. Bushwacka! ‘What You Want / I Dream Of You’ is out 29 November 2024 via DFTD. Pre-order / pre-save: https://dftd.lnk.to/DFTDS209 The post Bushwacka! presents a two-track release on DFTD, ‘What You Want / I Dream Of You’ appeared first on Decoded Magazine.

A fundraiser event will go ahead next month featuring General Levy, Fabio & Grooverider, and more Continue reading...

Get ready, music lovers! Toronto’s renowned Veld Music Festival is returning for its 12th edition from August 1st to 3rd, 2025, and you won’t want to miss it. INK Entertainment Group has just unveiled the first wave of headliners. Promising an extraordinary lineup that underscores Veld’s status as one of North America’s leading music festivals. This is your chance to experience cutting-edge performances, stunning production, and an unforgettable festival atmosphere. Veld 2025 Phase 1 Lineup The 2025 lineup’s first phase is nothing short of thrilling! These world-class artists are set to ignite the Veld stage with their exhilarating energy: Deadmau5 – The Grammy-nominated electronic music pioneer will present a legendary performance, highlighting his innovative production and chart-topping tracks Dom Dolla – Beloved for his infectious house beats, Dom Dolla is sure to captivate the audience with his signature energy and vibrant sound. John Summit – No stranger to Veld, John Summit with his dynamic performances will make a memorable impact at Veld 2025. Tiësto – As a titan in the global dance music scene, Tiësto guarantees an unforgettable set, reinforcing his legacy as one of the most influential DJs worldwide. Rumour has it, that there will be a possibility of John Summit and Dom Dolla debuting their collaboration “Everything Always” in Canada at Veld. I’m excited to see if this becomes a reality! This exciting first-phase lineup is just a glimpse of what’s to come! Stay tuned for more headliners and thrilling surprises to be announced in the months leading up to the festival. VELD 2025 promises to be an unforgettable experience. Don’t miss your chance to be part of it! Pre-sale begins on Tuesday, November 26th, at 10 AM EST. Sign up for the VELD mailing list here to get your exclusive pre-sale ticket code. The general sale kicks off Wednesday, November 27th, at 10 AM EST. Stay tuned to EDMTunes for all the VELD 2025 announcements. The post Veld Music Festival Reveals Exciting 2025 Phase 1 Lineup appeared first on EDMTunes.