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Forget about frostbitten nights and layered looks—a new electronic music festival, Destination Unknown: Chicago to Tulum, is flipping the script on January blues. From January 9-11, this boundary-blurring festival will teleport Chicago's legendary house music scene to Tulum's sun-drenched beaches. Windy City legends Green Velvet, Felix da Housecat, Gene Farris and DJ Heather will headline the fest and keep its dancefloors alive under the kind of star-studded sky only a tropical escape can offer. 23 other Chicago-rooted artists have also been confirmed for Destination Unknown, which will take place across a handful of venues in Tulum. According to its organizers, the flagship outing will be hosted by Green Velvet at IT Tulum, an opulent, brand-new beach club located in the heart of the city's gleaming hotel zone. Ticket packages promise premium stays, transit to and from the airport and concert venues, and an open invitation to lose yourself in music that's both homegrown and globally magnetic. Each includes four nights of lodging at a variety of Tulum properties: Motto, Wyndham, Viva, Bakal, Amour, Amira, Eve and Moonlight. You can check out the full lineup for Destination Unknown: Chicago to Tulum below and find out more about travel packages here. c/o Destination Unknown Follow Destination Unknown:Instagram: instagram.com/destmusicfest Facebook: facebook.com/profile.php?id=61567518703154

There's still a month to go until we can officially put 2024 in the rearview, but we can already dart our calendars for one of next year's biggest festival lineups: Electric Forest. It'll be tough to beat the organizers of the beloved Rothbury festival, who have revealed an epic lineup coming in 2025. The mystical Sherwood Forest will play home to a slew of electronic music superstars next year, including Justice, Disclosure, Tiësto, Liquid Stranger, Louis The Child, WORSHIP, Khruangbin, FISHER, Barry Can't Swim and Mochakk. A pair of EDM.com Class of 2024 inductees, Sara Landry and Of The Trees, will also headline. The festival's diverse undercard is also impressive, featuring Crankdat, Moody Good, Mersiv, Zingara, 33 Below, Mindchatter, Beltran, Hamdi, Lilly Palmer and Jade Cicada, among others. More artists will be announced in 2025. The 2025 lineup for Electric Forest features Justice, Disclosure, Tiësto, Sara Landry and many more.Electric Forest Electronic enthusiasts have descended on West Michigan's Double JJ Resort since 2008 for Electric Forest, which remains one of the nation's most popular music, art and camping events. The experience, however, extends far beyond the confines of its lineup, as its organizers annually develop stunning audiovisual production and subversive art installations deep in the forest grounds. Electric Forest is scheduled to return June 19-22, 2025. The festival's general ticket on-sale begins Friday, December 6th at 12pm ET. You can register for access to Electric Forest 2025 passes here. Follow Electric Forest:X: x.com/electric_forest TikTok: tiktok.com/@electricforest Instagram: instagram.com/electric_forest Facebook: facebook.com/electricforest

From sweaty underground clubs to one of the most iconic concert venues in the world, Dom Dolla is set to make his debut at Madison Square Garden. Dolla is set to grace the Garden's illustrious stage on March 7th, 2025, he announced today. It's a big moment for the Australian DJ, effectively crystallizing one of the electronic music scene's most explosive breakouts in recent memory. The announcement marks a major milestone, not just for Dolla, but for the house music community that helped propel him. For a genre often sidelined in favor of arena-friendly pop, his MSG debut upholds an ongoing cultural shift: house is here to stay. Dolla's Everything Always bandmate, house music superstar John Summit, nabbed a momentous headline at the venue back in June. Prior to that show, South African house luminary Black Coffee etched his name in its walls with a stunning performance. And who could forget when Skrillex, Fred again.. and Four Tet transformed the Garden into a once-in-a-lifetime rave? A pre-sale for Dolla's show will begin Tuesday, December 10th at 10am ET. Fans can register for access here. View the original article to see embedded media. Follow Dom Dolla:X: x.com/domdolla Instagram: Instagram.com/domdolla TikTok: tiktok.com/@domdolla Facebook: facebook.com/domdollamusic Spotify: spoti.fi/3g2cuTm

The days of restless naps and sweltering tents are over, thanks to FestPro's groundbreaking gear designed with your all-night music festival adventures in mind. FestPro, the brainchild of festival veterans Tucker Gumber and Gareth Price, is setting a new standard with tents tailored specifically for the unique needs of festivalgoers. Unlike traditional camping brands, FestPro designs products that prioritize comfort, ease of setup and resilience against the unique challenges of festival environments. Their flagship product, the Siesta4 tent, is a game-changer. Originally developed under their Outback Logic brand, it's equipped with heat-blocking fabric, ventilation systems and light-blocking features to tackle one of the biggest festival pain points: daytime sleep. Despite the pandemic shuttering Outback Logic, Gumber and Price saw an opportunity to refine and expand their ideas, ultimately launching FestPro. "Festivals are evolving, and increasingly experiential. The gear we use should evolve too," says Price. "We’re looking ahead at new ways to enhance comfort, ease, and enjoyment for Festivalgoers and other fun loving outdoor enthusiasts. Whether it’s faster setups, better protection from the sun, or improved durability, we’re designing products that will make festivals better for everyone." FestPro co-founders Gareth Price and Tucker Gumber.c/o FestPro The duo's partnership is a perfect blend of expertise. Gumber's 180+ festival experiences over 13 years have given him a deep understanding of what festivalgoers need, while Price's background in product design and manufacturing ensures those needs are met with innovation. Now, the duo is doubling down on innovation, working on larger tents with added headroom, improved shade tarps and other camping essentials designed to enhance the festival experience. With these products under development, FestPro is committed to being a driving force in the festival world, delivering solutions that will make camping at festivals more accessible and enjoyable. "By improving camping gear, we can not only offer seasoned festivalgoers a better experience, but also open up the market to newcomers, for whom the lack of comfort has historically been too off-putting and RVs too expensive," Gumber explains. "Festivals are about community, joy and culture, and we’re here to support that by making sure people can enjoy them comfortably." FestPro will be giving away one tent per week through the end of the year. You can join their email list to be entered and learn more about the brand's products here. Follow FestPro:Instagram: instagram.com/festprogear Facebook: facebook.com/festprogear

19-year-old non-binary musical prodigy Moore Kismet is back with a transformative take on Tsubi Club’s hit track ‘laced up.’ Out now via Thrive Music, ‘the laced up theory‘ offers a dazzling reinterpretation infused with Moore Kismet’s signature sound – a blend of emotional resonance and genre-defying creativity. Kismet’s signature sound shines through in this remix, blending elements of future bass, melodic dubstep, and progressive house. The track opens with a haunting, atmospheric soundscape, gradually building into a euphoric drop that is both powerful and delicate. The intricate production and lush synths create a very unique and dreamy listening experience for listeners. Additionally, the track’s high energy vocals and soaring melodies evoke a sense of wonder and excitement. “The minute I watched the original music video for ‘laced up,’ I lost my mind,” says Moore Kismet. “My jaw hit the floor as I wondered how any human could create something so magical. I immediately wanted to give it my own spin, adding a bit of unicorn magic to the mix. This remix became one of my favorite things I’ve made in so long, and I hope I did it justice.” The post Moore Kismet Reimagines Tsubi Club’s ‘laced up’ with a Magical Twist appeared first on EDMTunes.

After delivering earlier this year with the awesome release ‘Something In The Water’, Amsterdam-based artist Naizon closes the year on a high note with his latest single, ‘Bad Vibes’. Staying true to his “quality over quantity” mindset, Naizon once again delivers a track that stands out as a high-caliber addition to his growing catalog. ‘Bad Vibes’ also marks a significant milestone for Naizon, as it’s his debut release on the highly regarded Municipal Recordings. A label founded in 2022 by Hatim El Khatib and with releases by the likes of Gian Varela, Nicky Romero, Melissa Pools, MANIBA, and many more, this is the perfect home for Naizon. The synergy between Naizon’s signature sound and the label’s reputation for excellence has already made waves, with prominent DJs incorporating the track into their sets. This collaboration highlights Naizon’s rising influence in the electronic music scene. True to its name, ‘Bad Vibes’ is an anthem that flips negativity on its head, radiating nothing but energy and positivity. Anchored by a bouncy, irresistible bassline, the track combines infectious vocals with subtle melodic elements that enhance its replay value. Naizon’s expert use of breakdowns, layered synths, and dynamic samples elevates the production, making it both memorable and dancefloor-ready. With ‘Bad Vibes’, Naizon not only wraps up 2024 with a bang but also cements his status as an artist to watch in the coming year. If this track is any indication, Naizon’s upward trajectory shows no signs of slowing down. Stream this single below or on all other platforms here. Naizon, an Amsterdam-based artist, has made a global impact with over 300 live performances, blending technical mastery with crowd-pleasing energy to create unforgettable dancefloor experiences. His impressive studio work, boasting over 2 million streams, includes notable tracks like ‘What The Funk’ with Gustavo Mota. In 2020, he launched “Naiz:On Air”, a weekly radio show broadcast on 20+ stations, showcasing both classic and emerging house music. With releases on respected labels and support from industry heavyweights, Naizon‘s rise in the dance music scene continues into 2024 with new music and growing influence.

Canguru, a Producer working to make waves within the Electronic Music space, recently delivered his album, ‘Pick It Up,’ marking a significant milestone in his creative journey as he brought his signature sound to listeners, blending musical influences with personal reflections. In this interview, Canguru joins us to offer a deeper look into the album’s creation, from the inspirations behind its title to his process of combining genres like Trap, Techno, and Alt-Dance. As an artist known for balancing electronic and live elements, Canguru reflects on his techniques, lyrical process, and the journey that brought his vision for ‘Pick It Up’ to life. Hi Canguru, how’s it going? I’m fine thanks. To begin, what inspired the title of the album, ‘Pick It Up’, and how would you say it reflects the overall themes of the album? The overall lyrical theme of the album was based on a socio-political commentary of my state of mind during the coronavirus pandemic lockdown period. I thought that it would be appropriate to entitle the album with a positive note and since “Pick it up” is one of the strongest singles of the album, I thought it would be fitting to use this for the album’s name. How would you say your background in Classical Music influenced the production process for this album? Indirectly speaking, yes, I guess it did influence my process. Classical Music will always be a big part of my upbringing, and I feel very much attuned to Classical orchestral sounds/timbres. Thinking about it now, one can definitely hear some Classical influences here and there. I would say that it can be heard mainly in my choice of samples and arrangements. A lot of the samples I used were orchestral or piano samples and I also recorded some string parts in places. The album features a mix of genres, including Trap, Techno, and Alt-Dance. How do you approach blending such varied influences into a cohesive sound? Well, it was very much a trial-and-error process, constantly trying ideas out. I often get my influences from a lot of different types of music and I’m always keen to experiment on trying new ideas. I wanted this album to sound unique and different. I always strive to find my own signature sound, it’s important for me to find my own identity as an artist. Trap was a genre of music I was listening to a lot while I was writing the album as well as Techno and Dance music. Can you walk us through the creative process behind the title track, ‘Pick It Up’? Was there a particular moment or experience that sparked the idea for this song? Well, I remember that before I wrote the track, I got into some Emo Rap tracks from the American artist Lil Peep. I liked the dark alternative vibe of his music and wanted to write a darkish tune with a memorable guitar hook part in a similar style. I had been experimenting with an idea of a song for a while, but I was struggling to get this song finished. At some point, I played the song to my friend Eric, and he came up with the perfect guitar riff almost instantly for the track. That guitar riff was really the missing part that glued the whole track together. Several tracks on the album, like ‘Awake,’ have a vocal-heavy sound. Can you share how you approach crafting vocal melodies? I tend to play around a lot with ideas, jamming vocal parts along to the track and recording my ideas on my phone as I go along. Usually, if the idea sounds good enough the next day, it will “make the cut” and I will record it for the song. With “Awake”, I wanted to write a memorable chilled opening vocal chorus part in my baritone lower register. The album has a blend of electronic and live elements, such as guitar and vocals. How do you find a balance between these in your music? Do have any go-to techniques to ensure a cohesive sound? It is really most of the time a trial-and-error process by which I jam along to the track and check how it fits in. Sometimes I might start recording an idea with the guitar or keyboards and use that as a grounding to start building on. The whole process is never the same but I would say that most of the time I will first program/ record a structure for a song and then later try ideas to fit in my vocal parts. The structure of the song will often be altered to fit the lyrics. By jamming along to the track, I can test ideas out and record them on my phone to use as a reference. I tend to catalog and log all my rough recordings on my phone so I can easily A/B test the different takes and choose the best one. Your lyrics often draw from personal experiences. Can you tell us more about your process for composing lyrics? When I write lyrics, it is always a very free-flowing process by which I just write anything that comes to my mind without overthinking it. I let go of any of my inhibitions and just write anything that comes to my mind. After that initial process, I will then play around with the structure of the lyrics alongside the track and tweak them here and there for it to make more sense. I often work alongside an online dictionary/synonyms app to play around with new words and rhymes. I get really excited about learning new words and using them in my lyrics. ‘West Goes The Sun,’ ‘Nobody,’ and ‘Pick It Up,’ were released as singles ahead of the album. How did you choose those tracks to represent the project before its full release? I like to get a second opinion usually when it comes to deciding which singles to choose from. In this case, I got some feedback from my daughter, some friends and the PR company I work with. I also like getting feedback if I can from younger “Gen Z” group of people as they usually know what new sounds are cool out there. Which track on the album is your favourite and why? That’s a tough question to answer. I think all the tracks are great on the album, but I guess, depending on my mood, I would say: “Up &Down” for the sexy vibe/ groove, “Elevated” or “Awake” for the more chilled vibe and “Pick it up” for the strong message and its cool dark alternative vibe. With ‘Pick It Up’ now out in the world, what do you hope the album achieves, and where do you see your music going from here? Well, I hope that it will attract the attention of new listeners and that it can inspire people for positive change. I am busy working on a lot of new music at the moment. I’ve got a new Alt-Hip-Hop album and an Electronica album in the pipeline. I am also writing new Electro-Pop music with my friend Eric. Other than that, I am also doing remixes of songs by other artists that I like. As ‘Pick It Up’ continues to garner attention, Canguru remains focused on pushing his creative boundaries and connecting with listeners on a deeper level. With plans for new music, collaborations, and remixes already underway, his journey as an artist is far from over, so be sure to take note and stay connected with his latest projects and releases by following Canguru via social media. As we conclude our interview, we thank Canguru for his time and look forward to hearing what he brings his listeners next. Listen and Buy ‘Pick It Up’ Now: Canguru Online Website | Instagram | Spotify

Tiësto, the renowned Dutch DJ and producer, has unveiled a dynamic electro remix of Sevdaliza’s global sensation ‘Alibi.’ This collaboration merges Sevdaliza’s avant-garde artistry with Tiësto’s signature electronic flair, offering a fresh take on the original track. The original ‘Alibi’ features a multilingual composition, blending English verses by Sevdaliza, a Spanish chorus, and additional vocals in French by Yseult and Portuguese by Pabllo Vittar. This fusion of languages underscores the song’s rich cultural tapestry. Tiësto’s remix amplifies this diversity, infusing high-energy beats that elevate the track’s dance appeal. The original ‘Alibi’ has achieved remarkable success, garnering over 600 million streams and maintaining a month-long presence on the Billboard Hot 100. It also spent 20 weeks on the Billboard Global 200 and secured the #1 spot on both Shazam and TikTok, solidifying its status as one of the year’s top tracks. In addition to this release, Tiësto has an array of upcoming performances. Notably, he is scheduled to perform at Echostage in Washington, DC, on December 5 and 6, 2024, followed by a show at Ovation Hall in Atlantic City, NJ, on December 7. He will also grace the stage at Marquee New York on December 12th. Fans can stream the ‘Alibi (Tiësto Remix)’ on major platforms, including Spotify and Apple Music Here. The post Tiësto Electrifies Sevdaliza’s Hit ‘Alibi’ with a High-Energy Electro Remix appeared first on EDMTunes.

When Coachella Festival 2024 tickets remained available up until the second weekend, Goldenvoice attempted to revitalize sales by booking major headliners. However, the strategy doesn’t seem to be paying off, as general admission tickets for Weekend 2 are still easy to find. The 2024 lineup boasted big names like Lana Del Rey, Tyler, The Creator, and Doja Cat. This year’s roster includes Lady Gaga, Green Day, and Post Malone, with Travis Scott. As for the electronic music acts, U.K. legends The Prodigy, progressive trance icons Above & Beyond, EDM architect Zedd, German trio Keinemusic, Brazilian star Alok, psych-electronic trio Darkside, hard techno upstart Sara Landry, Dutch wunderkind Mau P will all be part of the festivities. You can check out the full lineup here. Many think that Coachella has evolved into a cultural phenomenon driven more by celebrities and influencers than dedicated music fans. While Weekend 1 general admission tickets are sold out, VIP packages for both weekends remain available. General admission now costs $549, marking a price hike compared to previous years. Hotel packages start at $3,300 and can exceed $9,000 for the weekend. Coachella added some enhanced VIP area and expanded some camping options to optimize the experience, but it does not seems to have the desired effect on the ticket sales. Nonetheless, the experience remains unique as many of the biggest artists in the world from a plethora of different genres perform each year at the event. The festival is scheduled for April 11 – 13 and April 18 – 20. For tickets and info, please visit the official website. Stay tuned for more news! The post Coachella Festival Tickets Still Selling Slower Than Usual appeared first on EDMTunes.

Swedish DJ and producer Eric Prydz, celebrated for his progressive house and techno contributions under aliases such as Pryda and Cirez D, has recently unveiled his tour dates for 2024 and 2025. After a drip-drip of leaks online with venues teasing show dates and a Facebook post highlighting the 20 years of Pryda Tour, the full announcement is now live. The tour will be a full retrospective look at the Pryda catalogue, which we all know is miles deep. Tickets go on sale Friday. Celebrating over 20 Years of Pryda, 2004-2024. A full retrospective look at my catalogue.. See you all in 2025 ❤️ Tickets on sale Friday 10am local time:https://t.co/9vEYTK4qFR pic.twitter.com/vVHMY5szd7 — Eric Prydz (@ericprydz) December 3, 2024 Some of these notable venues include The Concourse Project in Austin, Texas, EchoStage Washington, District in Atlanta, and more are expected to be announced! Eric Prydz’s innovative live shows, including concepts like HOLO and Holosphere, have set new standards in concert technology, featuring groundbreaking holographic visuals and elaborate stage designs. For fans of progressive house, Eric Prydz’s Pryda project feels like more than just music—it’s a journey into sound, emotion, and imagination. Since its debut in 2004, Pryda has grown into one of the most influential and beloved names in electronic music, shaping how we experience the genre today. One of the reasons Pryda resonates so deeply is because of the creative freedom behind it. Prydz launched Pryda Recordings to give himself full control over his music, free from the pressures of mainstream expectations. This independence is why every Pryda track feels so genuine—crafted with care and a vision that’s unmistakably Prydz’s own. Groove Cruise? One piece of this announcement is sending some worries across the festival-verse. Eric Prydz is current announced as a headliner on Groove Cruise 2025 which takes place from January 23-27. Not only is Groove Cruise absent from his tour dates list, but he has two shows in the Northeast during Groove Cruise. The ship docks in Labadee, Haiti on January 25, when Eric has a show in Philadelphia. At this point, the only way Eric would be able to play on Groove Cruise is while the ship is docked in Miami on January 23 (until about 7-8pm) or if Eric flies in and out of Labadee on January 25 for a daytime beach set. The list of upcoming shows and details can be found on his official website +More The post Eric Prydz Announces 20 Years of Pryda Tour appeared first on EDMTunes.

Creating life while creating music, Juliet Fox is proving that motherhood isn't a limitation for DJs—it's an amplifier. The Australian techno producer and label boss is dismantling music industry myths about pregnant women, proving that maternal power and musical prowess aren't just compatible, but combustible. From the radiant shores of Ibiza to the towering skylines of New York City to the misty canals of Amsterdam, she's blowing up and DJing all over the world. And she's coming into her own. Fox's hormonal changes are making her "more driven and determined," she tells EDM.com, and helping her deliver the best DJ sets of her career. Juliet Fox.c/o Press Touring while pregnant, however, comes with challenges. The loud acoustics of nightclubs and the circuitous logistics of music festivals can be taxing, so Fox has learned to treat wellness and self-care as integral parts of her routine. For her, balancing physical demands with the grind of a global touring schedule is a calculated strategy. It's also a clear message to the music industry: motherhood isn't a barrier to success, but an opportunity to grow. We caught up with Fox to discuss the pressures, changes and triumphs that come with touring as a pregnant DJ. EDM.com: Many artists feel pressured to keep pregnancy private in the entertainment industry. What influenced your choice to be open about your journey, and how has the electronic music community responded? Juliet Fox: I've always believed in being authentic and showing the true version of myself, plus this journey is a huge part of who I am right now, something really special in which I want to be able to share with everyone. I wanted to be open, not just for myself but for others, especially women in the industry who might feel the pressure to keep such a personal experience hidden. The response from the music scene has been great, and its also been so nice to connect with people I hadn’t before to share their own stories—which for me shows others want to be more open to conversations about being a woman in this space, especially during pregnancy. EDM.com: Many pregnant women in demanding careers struggle with societal pressure to "slow down." How do you balance listening to your body's needs while maintaining your professional momentum? Juliet Fox: I have always been very in tune with my body, so I use this as my driving force while keeping a strong mind focus. It's all about balancing, and since being pregnant I have not only listened to my body more, but also respected it to another level. In the past I definitely pushed through exhaustion and used to challenge myself to run on hardly any sleep, but now I’m much more aware of what my body is telling me. I’m not afraid to slow down when I need to, and I’ve surrounded myself with people and a team that understand my needs and respect my boundaries. It’s not about slowing down as such, instead about having a smarter and more strategic approach, which in turn allows me to show up with the energy and focus needed for my performances. EDM.com: From late nights to loud acoustics, the club environment presents unique challenges for pregnant women, who have to DJ and stand for extended periods. How have you adapted your performances and approach to protect both yourself and your baby? Could you walk us through the physical modifications you've made to your DJing routine? Juliet Fox: As mentioned before, I had to not only listen to my body but I had to now respect the growing little human inside of me. So even though I had no trouble playing a few extended sets while pregnant, I would ask to limit the time to 2-3 hours as the maternal instinct would set knowing I should rest and not push myself. I took less gigs over the summer especially to make sure I had time to rest between shows, and was very careful to take earlier flights sometimes even coming in the night before so I had time to rest, or stay on the next day. Then of course most importantly was the booth monitor levels, with frequency and bass, which was adjusted to ensure there was no high vibration. And I had full control of the sound level, which I kept off through most of my sets and mixed as much as I could in my headphones. After the gigs I would make sure I had extra food already in the hotel, or if time was an issue the promoters were always great at organizing healthy options for me. EDM.com: Tech riders and hospitality requirements are standard in our industry. What specific pregnancy-related requirements have you added to yours? Juliet Fox: Well this got switched straight to a sober rider, and funny enough no one even questioned this at all, even before I announced I was pregnant. I made sure to include extra hydration options, like coconut water, fruit and healthy snacks. We requested more comfortable seating in the green room or backstage area for when I need a break, and more flexible timeframes for sound checks or rehearsals, as I might need additional rest in between. It's not just about physical comfort, but mental comfort too and making sure I had a quiet, relaxing space to recharge when I'm not performing. EDM.com: What infrastructural changes would you like to see venues and festivals implement to better support pregnant artists? Juliet Fox: Honestly I found all promoters really accommodating, and as soon as everyone knew they made sure I had a place to rest and helped where needed. There were some venues that didn’t have a huge back area or green room, or where people were smoking, but if so they would ask those to stop and give me the space needed to ensure the health and safety of me and my little one. Pregnant artists aren't something that is happening so often, but I hope that with people like myself and other females that were recently pregnant—and have spoken out about it—will help shape the way for more to come. EDM.com: Jet lag and irregular sleep patterns are challenging enough for any touring artist. What wellness strategies have you developed to maintain healthy sleep cycles and energy levels while pregnant? Juliet Fox: I have always been pretty good with random sleep patterns, and rarely got jet lag. I’m great at napping, so this came in very handy over the last six months. I’ve had to become even more disciplined with my sleep, especially during long tours. I prioritize rest as much as possible, making sure to take naps when I can and adjusting my sleep schedule gradually to sync with the timezone I’m in. I also make sure I do some form of exercise between gigs, and would often get to the hotel gym or go for a walk outside—fresh air and nature work wonders. For flying I use compression socks, and would sit on the aisle to make sure I could get up and move about often, plus making sure I always have a bag of healthy snacks with me at all times—although if anyone knows me I always have snacks on me so nothing new here! I am also very fortunate to have my partner travel with me, as really I think this would be impossible without him to help with lifting bags and making sure no one bumps into me. Not to mention the support he gives just being there and handling any extra requests I need. He's been amazing throughout all of this! Juliet Fox.c/o Press EDM.com: Pregnancy comes with hormonal changes and the altering of those energy levels. Has it affected your music selection and the energy you bring to your DJ sets? Juliet Fox: I think if anything it has made me want to listen to harder, more energetic music. My sets have been even more powerful this year and I feel they have flowed so well being totally present and sober, a new type of connection. The hormone changes have been there, but they make me more driven and determined to do all I can for this life inside of me. It's such an incredible feeling actually, as you are not just doing this for yourself anymore—you have someone else to think of and is my driving force. What's really amazing is when I prepare my sets, listen to music or make music at home, I get little kicks from him. I know he loves techno already! While I am playing it puts him to sleep, and it’s only after I stop and sit down he starts to kick and move about again. EDM.com: What message would you share with other women in electronic music who might be hesitant to pursue pregnancy while maintaining their careers? Juliet Fox: I want other women out there to know that it's all possible. You don’t have to choose between your career and motherhood. You can do both, but it takes patience, flexibility, a willingness to prioritize your well-being and most importantly someone who can be your rock—your main support in this—and who understands every part of you and the music industry. The electronic music scene is evolving and more women are speaking out about their experiences, which is creating space for others to follow. You deserve to have both, and by being open about your journey, you might even inspire the next generation of women in music to pursue their dreams without fear of judgment or sacrifice. I know I have been inspired by other women myself, and I am sure this will be a ripple effect to help strengthen that bond of motherhood even more. Follow Juliet Fox:X: x.com/djjulietfox Instagram: instagram.com/djjulietfox TikTok: tiktok.com/@djjulietfox Facebook: facebook.com/djjulietfox Spotify: tinyurl.com/ny8cxbs4

*Featured Cover Photo Credit: Cristian Lourenco/Getty The Sphere has hosted countless amounts of entertainment fans in various thrilling events for over the past year since it hosted its grand opening on September 29, 2023. These events included the likes of UFC 306 back on September 14 and U2‘s ‘U2/UV Achtung Baby Live’ 5-show residency when The Sphere first opened its doors to the public (and also earlier this year when the legendary band came back to perform there for three months). In fact, Anyma will headline its highly-anticipated show at The Sphere on New Year’s Eve, which will usher in what will be a very prosperous year for Sphere Entertainment, Co. According to an article from the Las Vegas Review Journal, fans worldwide will get to expect possibly “multiple shows each day”. Additionally, the company also stated that one of its main goals is to have at least a show a day at The Sphere. Recent Ticket prices at the Sphere emphasized the important goal of enhancing profits It was just not too long ago that tickets for The Sphere Experience and “Postcard” went for around $119 per person for the least expensive seats through Ticketmaster. Now, tickets go as low as $99 per seat. Additionally, in September, the venue debuted V-U2: An Immersive Concert Film, which is a film version of U2’s residency performances from last year and earlier this year. Right now, Ticketmaster is selling seats that go between $100-200. Earlier last month, Executive Chairman and CEO James Dolan told investors in the company’s first-quarter earnings that the vision for The Sphere has always “included a global network of venues”. That will come into fruition after the recently announced plans for the second Sphere venue in Abu Dhabi. Big and exciting things are coming into shape for the innovative spherical-shaped venue that visitors to Las Vegas, and its local residents, have now gotten to admire. Photo Credit: Kevin LieblerThe post The Sphere Plans to Increase Profits of Upcoming Events Soon appeared first on EDMTunes.

The scene-leading Sonus Croatia is to take its 2025 festival experience to all new heights. The first chapter of a new era in partnership with the world’s leading live events experience creator, Insomniac, begins. Sonus’ lineup, revealed today, boasts its signature fusion of new school stars, legends, and tastemakers. Moreover, it’s amplified by the elements of adventure travel that make this one of the world’s most celebrated destination events. Insomniac brings its storied production expertise to the table to continue to elevate Sonus’ offerings, as it returns to the idyllic shores of Pag Island this August 17-21, 2025. Photo Courtesy of Sonus Festival // Credit: Benny Gasi Sonus Festival 2025 Partnerships The 12th edition of Sonus will be the most ambitious yet, marking the coming together of heavyweight event producers Time Warp, with its thirty year tenure in genre-defining programming; We Love Sound, with 20 years as foremost electronic music tastemakers in the Balkans; and Insomniac. Best known for its flagship EDC events, and drawing on vast reserves of expertise in producing some of the best festivals on the planet, Insomniac now brings all that know-how to underground institution Sonus. Sonus Croatia 2025 will also see the return of the eminent Space Miami — a name synonymous with discerning electronic music curation and unrivalled afterhours — and LA’s Factory 93, known for its deferential homage to the spirit of the 90s underground, raw warehouse aesthetic, and the myriad spectrum of Techno at its heart. Lineup Stacked with new school stars and returning favourites, the Sonus 2025 lineup features the likes of Drumcode boss Adam Beyer, Berghain paragon Ben Klock, German duo FJAAK, Italian titan Joseph Capriati, the melodic sounds of ARTBAT and Deborah De Luca, and the hard-edged grooves of Spain’s Indira Paganotto. Trance and acid will be on display from DJ Heartstring and KI/KI, alongside off-kilter rave weapons from Filth on Acid label head Reinier Zonneveld live, the deft minimal of Ricardo Villalobos and Seth Troxler, and customary curveballs from Cocoon’s Sven Väth. Photo Courtesy of Sonus Festival // Credit: Dino Ninkovic House and melodic sounds are catered for by the likes of Adriatique and Anetha, the organic depths of Saga duo Bedouin, and the new school beats of Ben Hemsley and Ben Sterling. Bass-heavy sounds from Fleur Shore and Gordo are featured alongside the floating melodies of Jan Blomqvist live, weighty cuts from Loco Dice, warehouse sounds from Mau P, progressive lushness from Miss Monique, hypnotic rollers from Vintage Culture, and a hybrid DJ set from WhoMadeWho, with many more to be announced. Location “In music and nature we trust” has always been the Sonus mantra. In parallel, putting the music and sound systems first has been vital as well. Those simple values have earned Sonus a global reputation for quality experiences in the glistening Adriatic Sea. It’s a paradisiacal escape, where revellers can soak up the unique views. Furthermore, they can experience breathtaking sunrises and sunsets each day, and plot their own party adventure. Sonus is produced by ravers for ravers, from the curation of the soundtrack to the superior production. Finally, the result is a picturesque blend of music, travel and culture, with a like-minded crowd of warm and welcoming people from the world over. Photo Courtesy of Sonus Festival // Credit: Benny Gasi The stunning beachside open-air venues at the heart of the festival include Aquarius, Papaya, and Kalypso. Noa Beach Club, previously used as a single sunrise afterparty, will be an integral part of the programme in 2025. Additionally, Sonus will introduce the Noa Beach Stage for this edition. As a consequence, it creates the festival’s first stage environment on the sand in its twelve year history. Ready to swim and dance in the water all week long? Amenities The infamous boat parties are back. In previous years, we have seen the likes of Archie Hamilton, Ellen Allien, Enzo Siragusa, Clara Cuvé, Paula Temple, and countless more. 2025 will also see pop-up parties return in numbers, after Hector Oaks’ 2024 takeover at Tattva. Afterparties remain at the core of Sonus’ identity, and will return. Beyond the beats, there is an endless array of fun and adventure at Sonus in and around the local area. Simply, activities include authentic Croatian cuisine, to water sports, kayaking, rock climbing, etc. Happily, all are just 10 minutes from the festival with a wide range of accommodation to suit all budgets. Accommodation packages are available following festival ticket tier selection, with options including villas, 5* hotels, hostels, glamping, and apartments. Booking deposits start from as little as €19 per person, with monthly payment installments scheduled up to June 2025. Sonus Croatia festival tickets and accommodation packages are on sale. The post Sonus Festival Unveils 2025 Lineup and New Partnerships appeared first on EDMTunes.

Dysphemic is taking charitable missions to a new level with "AI Dolphin," a wobbly bass track that doubles as a fundraising opportunity to save the aquatic creatures. The Australian DJ and electronic music producer imbues a heroic narrative into his new song, blending glitched-out bass and dolphin calls in a futuristic soundscape. And in the world of "AI Dolphin," the animals can save themselves from human harm. "AI Dolphin" is more than just a tune," Dysphemic tells EDM.com. "It's the theme song for a dolphin superhero fighting corporate tyranny to save the planet." In the meantime, though, Dysphemic is donating 100% of the track's proceeds to Action for Dolphins (AFD) in the charity's fight to end dolphin hunting and captivity. The Australian nonprofit supports the initiative through public education and advocacy of institutional changes, according to its website. "Together, with dolphin bass, we can save some dolphins," he said. Check out Dysphemic's announcement below and find "AI Dolphin" on streaming platforms here. Follow Dysphemic:X: x.com/dysphemic Instagram: instagram.com/dysphemic1 TikTok: tiktok.com/@dysphemic Facebook: facebook.com/dysphemicmusic Spotify: tinyurl.com/dzsan8yy Follow Action for Dolphins:X: x.com/act_4dolphins Instagram: instagram.com/actionfordolphins TikTok: tiktok.com/@actionfordolphins Facebook: facebook.com/actionfordolphins

Adam Beyer, Adriatique, Anetha, ARTBAT, Bedouin, Ben Hemsley, Ben Klock, Ben Sterling, Deborah De Luca, DJ Heartstring, FJAAK, Fleur Shore, Gordo, Indira Paganotto, Jan Blomqvist live, Joseph Capriati, KI/KI, Loco Dice, Mau P, Miss Monique, Nico Moreno, Partiboi69, Reinier Zonneveld live, Ricardo Villalobos, Seth Troxler, Sven Väth, Vintage Culture, WhoMadeWho (Hybrid DJ Set) and more August 17-21, 2025 at Zrće Beach, Croatia Tickets On Sale Wednesday December 4 at 6pm CET http://www.sonuscroatia.com/ The scene-leading Sonus Croatia is to take its 2025 festival experience to all new heights, as the first chapter of a new era in partnership with the world’s leading live events experience creator, Insomniac. Sonus’ lineup, revealed today, boasts its signature fusion of new school stars, legends, and tastemakers, amplified by the elements of adventure travel that make this one of the world’s most celebrated destination events. Insomniac brings its storied production expertise to the table to continue to elevate Sonus’ offerings, as it returns to the idyllic shores of Pag Island this August 17-21, 2025. The 12th edition of Sonus will be the most ambitious yet, marking the coming together of heavyweight event producers Time Warp, with its thirty year tenure in genre-defining programming; We Love Sound, with 20 years as foremost electronic music tastemakers in the Balkans; and Insomniac. Best known for its flagship EDC events, and drawing on vast reserves of expertise in producing some of the best festivals on the planet, Insomniac now brings all that know-how to underground institution Sonus. Stacked with new school stars and returning favourites, the Sonus 2025 lineup features the likes of Drumcode boss Adam Beyer, Berghain paragon Ben Klock, German duo FJAAK, Italian titan Joseph Capriati, the melodic sounds of ARTBAT and Deborah De Luca, and the hard-edged grooves of Spain’s Indira Paganotto. Trance and acid will be on display from DJ Heartstring and KI/KI, alongside off-kilter rave weapons from Filth on Acid label head Reinier Zonneveld live, the deft minimal of Ricardo Villalobos and Seth Troxler, and customary curveballs from Cocoon’s Sven Väth. House and melodic sounds are catered for by the likes of Adriatique and Anetha, the organic depths of Saga duo Bedouin, and the new school beats of Ben Hemsley and Ben Sterling. Bass-heavy sounds from Fleur Shore and Gordo are featured alongside the floating melodies of Jan Blomqvist live, weighty cuts from Loco Dice, warehouse sounds from Mau P, progressive lushness from Miss Monique, hypnotic rollers from Vintage Culture, and a hybrid DJ set from WhoMadeWho, with many more to be announced. Sonus Croatia 2025 will also see the return of the eminent Space Miami — a name synonymous with discerning electronic music curation and unrivalled afterhours — and LA’s Factory 93, known for its deferential homage to the spirit of the 90s underground, raw warehouse aesthetic, and the myriad spectrum of techno at its heart. “In music and nature we trust” has always been the Sonus mantra, but so too has putting the music and sound systems first. Those simple values have earned Sonus a global reputation for quality experiences in the stunning locale of Novajla surrounded by the glistening Adriatic Sea. It’s a paradisiacal escape, where revellers can soak up the unique views, experience breathtaking sunrises and sunsets each day, and plot their own party adventure on the sand, out at sea, or under the stars. Sonus is produced by ravers for ravers, from the curation of the soundtrack to the superior production — the result is a picturesque blend of music, travel and culture, with a like-minded crowd of warm and welcoming people from the world over. The stunning beachside open-air venues at the heart of the festival include Aquarius, Papaya, and Kalypso. Noa Beach Club, previously used as a sunrise afterparty venue for one night only, will also now be an integral part of the programme in 2025. Additionally, Sonus will introduce the Noa Beach Stage for this edition, creating the festival’s first stage environment on the sand in its twelve year history where attendees can swim and dance in the water all week long. The infamous boat parties are back and in previous years have seen the likes of Archie Hamilton, Ellen Allien, Enzo Siragusa, Clara Cuvé, Paula Temple, and countless more all lay down varied and vital sets. 2025 will also see pop-up parties return in numbers, after Hector Oaks’ 2024 takeover at Tattva. Afterparties remain at the core of Sonus’ identity, and will return following 2024’s momentous Space Miami afters at Noa Beach Club. Beyond the beats, there is an endless array of fun and adventure to be had at Sonus in and around the local area from authentic Croatian cuisine, to water sports, kayaking, rock climbing, quad bike hire, bungee jumping, wind and kite surfing, all just 10 minutes from the festival with a wide range of accommodation to suit all budgets. Accommodation packages can be added to bookings following festival ticket tier selection, with options including villas, 5* hotels, hostels, glamping, and apartments. Booking deposits start from as little as €19 per person, with monthly payment installments scheduled up to June 2025. Sonus Croatia festival tickets and accommodation packages are on sale at http://www.sonuscroatia.com/book Sonus Croatia is a unique coming together of quality music, relaxation and the stunning beauty of the Adriatic Sea, and for the past two years has been a proud partner of HTZ – the Croatian National Tourist Board. #InspiredbyCroatia #CroatiaFullOfLife Sonus 2025 Line-Up – Phase One (A-Z): Adam Beyer, Adriatique, Alex Wann, ALISHA, Anetha, ARTBAT, Bedouin, Ben Hemsley, Ben Klock, Ben Sterling, Boris Brejcha, Deborah De Luca, Dennis Cruz, DJ Heartstring, Fatima Hajji, FJAAK, Fleur Shore, Funk Tribu B2B Bad Boombox, Gordo, Indira Paganotto, Jan Blomqvist (Live), Joseph Capriati, KI/KI, Loco Dice, LOVEFOXY, Mau P, Miss Monique, Nico Moreno, Ogazón, ØTTA, Partiboi69, Patrick Mason, Reinier Zonneveld (Live), Ricardo Villalobos, Richie Hawtin, Seth Troxler, Shimza, Sven Väth, Trym, Vintage Culture, WhoMadeWho (Hybrid DJ Set). Follow Sonus: Website / IG / FB / TT / TW The post Sonus Croatia Reveals Phase One Line-Up for 2025 Alongside New Insomniac Partnership appeared first on Electric Mode.

On November 13, 2001, French electronic music pioneers Daft Punk released the iconic track, ‘One More Time’. The lead single from their sophomore album, ‘Discovery’. The song became a timeless anthem that still hits over two decades later. ‘One More Time’ marked a turning point for Daft Punk, showcasing their ability to merge electronic music with pop. The track’s heavy use of auto-tune and sampling sparked conversations about the evolving sound of electronic music at the time, but its energy quickly won over fans and critics alike. The song peaked at No. 1 on the Billboard Dance Club Songs chart and became a Top 10 hit in multiple countries. As we celebrate 23 years of ‘One More Time’, it remains a testament to Daft Punk’s innovation and their ability to create music that transcends through time. Though the duo announced their split in 2021, the legacy of tracks like ‘One More Time’ ensures that their music will keep us dancing for years to come.

Skrillex just delivered a heavy punch with his latest track, “Heavy Heart,” featuring Loco Dice and Fireboy DML. However, it’s not just the music that’s striking a chord—it’s the weight of his accompanying statement. The electronic music icon hinted at a significant pivot in his career, leading fans to reflect on the future of Skrillex and his ever-evolving artistry. I’m feeling every cell in my body, feeling so alive and connected as I move into this new phase. A Message of Transition and Reflection In his announcement, Skrillex shared profound insights about the creative process, quoting filmmaker David Lynch: “You need to dive deep into bliss to catch the big fish. But the fish need to come to you. You need space, quiet, focus.” He described “Heavy Heart” as the last release before he shifts into “full focus mode” to work on his upcoming projects. Reflecting on this new phase, Skrillex wrote, “I’m feeling every cell in my body, feeling so alive and connected as I move into this new phase.” Adding another layer of significance, he revealed that his 15-year record deal with Atlantic Records is coming to an end—a milestone that he described as “surreal.” At this point, it’s unclear if ‘Heavy Heart’ is his final project with Atlantic Records, or if there is one final album in the can for 2025. While his words signal the conclusion of one chapter, they also suggest a deliberate pause as he channels his energy into what lies ahead. Fan Interpretations: What Does It All Mean? The announcement has sparked a flurry of fan speculation, with many analyzing the statement for clues about what’s next. A recurring theme in fan discussions is whether Skrillex might be retiring the Skrillex alias entirely, or simply pausing new releases until larger projects are complete. Some fans believe Skrillex is hinting at a temporary hiatus: “The quote is ‘as I’m going into full focus mode on my forthcoming projects,’ so he’s just saying there’s not gonna be any more singles for a while.” Others speculate about the potential launch of new aliases like SKRLX or Contra: “If he launches a new alias, obviously we’ll support whatever he does. But the end of Skrillex? It can’t be.” Many are confident this marks a transition, not an end: “I don’t think the Skrillex project ends. If he launches a new alias, it’s amazing, but I don’t think he’d let Skrillex die.” A Closing Chapter, A New Beginning Skrillex’s words suggest a deeper focus and commitment to his artistry than ever before. The release of “Heavy Heart” feels not just like a powerful track but a reflective moment—a tribute to the past and a doorway to the future. As the electronic music pioneer steps into a new phase, fans are left both nostalgic and excited for what’s next. Whether under the Skrillex moniker or a fresh identity, his artistry continues to inspire, leaving the world eager to see what transformative creations lie ahead. The post Skrillex Posts Cryptic Message About “Final Release” appeared first on EDMTunes.

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Three big stars working together on one project should produce a startling surge of vitality. When underground heavyweight DJ and producer Loco Dice partners with nine-time Grammy-winning DJ, producer, and composer Skrillex along with platinum and gold-certified Afrobeats singer Fireboy DML, that is exactly what occurs. That produced A genre-bending hit called “Heavy Heart,” a potent mix sure to enthrall listeners and preserve the dance floor life. First from Loco Dice’s forthcoming record, “Heavy Heart” is already creating waves in both electronic and Afrobeats communities after being released under Universal Music/Virgin Records on November 29, 2024. With a special mix of house, techno, and synth parts, this song is an exciting trip that captures the vitality and inventiveness these musicians are renowned for. Deep basslines, complex synth textures, and Fireboy DML’s captivating Afrobeat tunes perfectly balance to keep you vibrating nonstop. ” Heavy Heart”—A Track That Pulls Everything Together When Fireboy DML, Skrallex, and Loco Dice band together? A dynamic, genre-defying masterpiece combining Afrobeats, house, and techno into a flawless, high-energy hymn. ” Heavy Heart” is evidence of the potency of teamwork among top-notch creative brains. Every musician offers a unique tone, which produces a song that seems both modern and classic. A perfect balance among the addictive synths, rhythmic bass lines, and soulful vocals of Fireboy DML will produce an anthem fans will be hitting repeat. Whether your taste in music is Afrobeats, techno, or just something you enjoy genre-blending, “Heavy Heart” is a must-have on your playlist. 2025 seems to be an interesting year for music enthusiasts as Loco Dice keeps pushing limits with his next project and Skrillex shows no slowing down. Right now, ” Heavy Heart” is the ideal approach to experience what’s to come; this cooperation is obviously only the start of something unique. The post The collab you don’t expect: Loco Dice x Skrillex appeared first on The Groove Cartel.

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Celebrating dubstep and drum and bass on Friday, December 13, UKF is ready to ignite London’s DRUMSHEDS after 15 years of leading the front stage in bass music. Completely sold out and bursting with excitement, this historic event highlights UKF’s reputation as a tastemaker in the worldwide electronic music scene by assembling an unmatched slate of heavyweight talent. UKF 15 debuts at DRUMSHEDS this December with a stacked lineup. In the X Room, catch headliners Pendulum (Live), Knife Party, NERO, and special guests Caspa & Rusko. The Y Room features Flux Pavilion, Joker, and an unmissable b3b between Imanu, Buunshin, and The Caracal Project. The three stages: X, Y and Z The mainstage for tonight, X Room, features an irresistible trio of headliners capable of upending the foundations of any arena. Pendulum Live is driving the charge with its genre-defining mix of live instrumentation and drum and bass. Joining them are the mysterious NERO, whose anthemic creations have become a mainstay in electronic music history, Knife Party, masters of razor-sharp electro, and dubstep pandemonium. Rising artists Andromedik and Youphoria promise fresh vitality; extremely special guests Caspa & Rusko—legends of the dubstep world—will perform a masterclass in sub-bass. The Y Room transports listeners on a sonic journey arranged by none other than Flux Pavilion, whose legendary tunes have soundtracked a generation. From genre-pushing artists like Joker, and 33 Below b2b MPH, to the mind-bending trio of Imanu b2b Buunshin b2b The Caracal Project, the lineup is a dizzying mix of brilliance. With Flava D b2b Anaïs, combining garage, bassline, and more in a fluid set, expect a collision of styles and an honoring of creativity. Concurrent with this, the Z Room—led by the incomparable Taiki Nulight—is a refuge for those yearning for underground grooves. Along with him are a number of modern selectors who each provide their own interpretation of the always-changing bass music spectrum: Cesco, Jackum, Shosh, and Yue. DRUMSHEDS Nestled among the vast and unspoiled boundaries of DRUMSHEDS, this anniversary celebration transcends mere celebration to become a cultural monument. Renowned for its industrial look and flawless sound equipment, the venue is ready to present an evening guests won’t soon forget. Five Fifteen Years of Bass Culture From its founding, UKF has been a lighthouse for bass fans all around, supporting up-and-coming talent and honoring the great. From viral YouTube uploads to staging some of the most legendary bass events, UKF has molded the sound and culture of a whole generation. This 15th-anniversary exhibition offers a look into the future of electronic music as well as the climax of its path. The evening looks to be absolutely sublime for the lucky ticket holders. UKF’s first at DRUMSHEDS will be evidence of the force and passion of bass music, with legends, innovators, and pioneers under one roof. https://drumshedslondon.com/app/uploads/2024/10/ds-aw24-ukf.mp4 The post UKF Debuts at DRUMSHEDS for a 15-Year Anniversary appeared first on The Groove Cartel.

Nightclubs globally pay over €400 million* each year to Collective Management Organisations (CMOs) for music rights so DJs and artists can play music at their events. If setlists are not submitted, CMOs don’t know what music has been played. Incomplete information can lead to significant delays to creators being paid for the use of their music, and in some cases not being paid at all. This is about to change. With ongoing successful service pilots for PRS for Music & PPL in the UK, BUMA in the Netherlands, and APRA AMCOS/PPCA in Australia, the KUVO powered by DJ Monitor service has demonstrated unparalleled technology for identifying the music played in clubs to enable more accurate royalty payments for electronic music creators and rightsholders. The service enables DJs to support music creators by simply playing their tracks. And importantly, it respects DJ setlist privacy, as no details of who played which songs are captured by the technology, and no playlists are publicised. What DJ’s are saying Jaguar (DJ) said: “The KUVO powered by DJ Monitor project and logging tracklists is so important to supporting artists and keeping the scene alive. Not enough DJs and artists are aware of the benefits of logging tracklists. This is something I’m passionate about – artists deserve to get paid for their work, for that sick techno tune played in a club, for that earwormy remix heard at a festival! In a world where it’s increasingly difficult to make money off music and the arts, I think KUVO could be a game-changer for helping artists be more sustainable. Let’s get it in every club!!” Boris Brejcha (DJ/Producer) said: “This technology aims to support electronic music creators, so it gets my full support. I play only my tracks at shows, but I know my music is also played by many other DJs in clubs all over the world, so I welcome this progress towards automated reporting for royalty purposes.” Dave Seaman (DJ/Producer) said: “I’m a keen supporter of tech that helps DJs to support the producers making the music we spin and depend on. It’s the lifeblood of the scene, but getting increasingly harder to earn a living from. It’s good to see AlphaTheta making this process much more operable. Hopefully, we’ll now see more clubs adopt this technology and ensure producers get the remuneration they deserve.” Alan Fitzpatrick (DJ/Producer) said: “I’d love to see this technology deployed in more clubs to help support the producers of the music DJs play.” Sirus Hood (DJ/Producer) said: “It’s great to know that by DJing, we can contribute to music creators getting their royalties. It’s a simple way to appreciate the artists who make our sets possible.” Venues also benefit by using KUVO powered by DJ Monitor in the form of music insights and extended warranties on their CDJ-3000 units. There is no cost for venues to participate and it does not affect the license fees they pay to CMOs for music. What venues are saying James Newmarch, FOLD, Technical Manager (UK Venue) said: “KUVO powered by DJ Monitor has been really useful for us at FOLD. KUVO Care has been extremely important in keeping our fleet of CDJ-3000 units operational due to the harsh environment they are used in. Without this, we would have faced huge repair bills which would have been very challenging for the venue. The analytics and insights into popular tracks and artists is also very interesting and allows us to let certain artists know when their tracks are being played often in the club.” Sophie Kollmorgen, Home The Venue and ARQ By Home (Australia Venue) said: “We are strong supporters of ensuring the fees we pay for music use are distributed more accurately to the electronic music creators who actually get played in our venues. KUVO powered by DJ Monitor is an important step in addressing this problem and we encourage other venues to get involved to support our community.” Jasper Löwik, Founder, The Other Side (Amsterdam NL Venue) said: “At The Other Side, we believe music drives our community. Supporting initiatives like KUVO powered by DJ Monitor ensure the artists behind the tracks we enjoy are paid fairly. By adopting technology that respects privacy and supports creators, we can help build a more sustainable future for electronic music.” The industry has previously struggled to find an effective and scalable solution to ensure that the money from license fees which clubs already pay to Collection Societies/CMOs for music use actually goes to the right artists and rightsholders. Now there is a proven solution that provides benefits to everyone involved, we plan to expand into many more territories and venues over the coming months and years. How the tech works KUVO powered by DJ Monitor brings together the strengths of Music Recognition Technology and Direct Metadata Capture technology. Direct Metadata Capture (DMC): Track, artist name, and other metadata is captured when music is played through a set-up where Pioneer DJ CDJ-3000 or CDJ-2000 units are present. Music Recognition Technology (MRT): Music identification process where an encrypted fingerprint of the audio in a performance is compared to a database of music tracks. More questions about KUVO powered by DJ Monitor? Visit the official website here *€400m figure derived from ‘CISAC 2023 Global Collections report’ + ‘IFPI Global Music Report 2024’ The post AlphaTheta announces significant progress with its KUVO powered by DJ Monitor initiative appeared first on Decoded Magazine.

The height of electronic dance music in the Nordic region, Weekend Festival is staging all the extra efforts for its 2025 event. Set against the energetic background of Vermo Event Park in Espoo, Finland, this legendary festival promises a memorable two-day celebration on August 1–2 with a roster that suits attendees across the electronic music spectrum. A Star-Studded Lineup Headlined by Fisher and Meduza Leading the attack is Australian sensation Fisher, a Grammy-nominated force whose explosive smash Losing It shot him to world fame. Fisher is scheduled to provide his trademark high-energy house vibes after recently crowned DJ Mag’s Best House DJ and placed ninth among the world’s Top 100 DJs. Anticipate a performance that will linger long beyond the festival lights go out. Meduza, the Italian group behind worldwide top-notchers like Piece of Your Heart and Lose Control, adds to the thrill. Renowned for their ability to combine throbbing beats with soulful songs, Meduza’s show will surely be a festival highlight. Mostly dominated by major hitters like Blasterjaxx and Showtek, the Dutch scene With their powerful drops, Blasterjaxx, masters of large room house anthems, are prepared to knock the ground; Showtek, the legendary sibling pair, provides their own mix of big room and festival songs that always leaves audiences wanting more. The event has secured Angerfist, the masked Dutch hardcore legend, and Sub Zero Project—who have been transforming the worldwide hardstyle scene with their creative works and unwavering energy—for fans of tougher styles. The lineup Previously announced performers improve the program even more: Armin van Buuren: The undisputed king of trance who needs no introduction. Da Tweekaz: The Norwegian hardstyle duo loved for their euphoric anthems. Holy Priest: A rising star in hard techno, commanding the decks with raw power. Maddix: Dutch trailblazer pushing the boundaries of techno-infused big room. Tungevaag: The Norwegian chart-topper and Finnish favorite with hits like Samsara. VE/RA: A dynamic force in Dutch electronic music, bringing fresh, innovative sounds. Weekend Festival’s Marketing Director, Atro Anttila, calls the event a refuge for aficionados of electronic music. Weekend Festival’s diverse artist lineup offers experiences for all EDM fans. From Fisher’s pulsating house beats to the raw energy of Angerfist and Sub Zero Project, the festival spans the full spectrum of electronic music. This diversity, coupled with international superstars and rising talent, makes Weekend Festival unparalleled in Finland. Anttila guarantees even more well-known names, with early next year additional artist announcements scheduled. Tickets for Weekend Festival 2025 With the present lineup is preparing the ground for one of the most unforgettable Weekend Festival editions, ticket demand is expected to explode. Now available are two-day pre-sale tickets; official sales begin Monday, December 9. Don’t miss your opportunity to be part of this amazing festival of electronic music. See Weekend Festival for tickets and further information. Get ready for a lifetime of memories, music, and vitality right over a weekend. The post Weekend Festival 2025 Lineup with Fisher, Meduza, and More appeared first on The Groove Cartel.

As Viper Recordings celebrates two decades at the forefront of Drum & Bass, Matrix & Futurebound are back at the helm for one final blowout in 2024. Following a packed-out event at XOYO earlier this year, Viper’s epic anniversary celebration continues with a massive showdown at the same venue on December 6 for the concluding chapter of their 20th anniversary celebrations. The event coincides with the release of the 20 Years of Viper album, a compilation that showcases the label’s diverse legacy—from their groundbreaking releases to the newer sounds. Viper Recordings has become a powerhouse in the scene, nurturing talent from breakout stars to established legends. Over the past 20 years, the label has been a launchpad for some of the genre’s most enduring names, including Sigma, Nero, and Camo & Krooked, alongside rising stars like Dossa & Locuzzed and Jack Mirror. Grab Your Tickets Here Matrix & Futurebound reflect on their 20 standout moments… Futurebound & Jaquan – Blind Cobblers Thumb The one that kicked it all off. Brendan made this in 2003, and a whole load of labels wanted to sign it at the time. Many of the scene’s artists played it in their sets. Starting his own imprint was always Brendan’s plan, and this was the moment. Matrix & Futurebound – Universal Truth LP We always join our labels for our own releases, and making this album felt so natural. At the time of making it, we felt there was a void in the scene. It was either full-on liquid or full-on jump-up, so the goal was to bridge the energy of both in our own epic flavour. ShockOne – Polygon Karl was our first exclusive signing to the label, and early on, we knew this guy had everything to kick on to great things. The ‘Polygon’ EP was a game-changer for him, and his excitement and hunger for Viper were growing. Various Artists – Acts Of Mad Men Album We wanted to celebrate our five-year anniversary with something special. This project was a good twelve months in the making, and the goal was to showcase our sound and representation in D&B with a pivotal body of work from our own acts and some of the scene’s finest, such as Nero, Ed Rush & Optical, Sigma, Camo & Krooked, etc. This album really put Viper on the map and established us as a household name in the industry, gaining accolades such as Zane Lowe’s Album of the Week on Radio 1 and more. Futurebound & Metrik – Brave New World Tom Metrik was the next guy to come on board after ShockOne, and after a series of early Metrik singles, Brendan jumped in the studio with him and came up with this. They were both on laptops, headphones on, saying nothing to each other for about two hours. When they played each other’s ideas, they fitted perfectly, and knew they had something really cool on the go. DC Breaks – Halo EP It’s 2010, and everything was moving in the direction we’d hoped for. DC Breaks, who had joined us in recent years, delivered the ‘Halo’ EP, which brilliantly encapsulated Viper’s sound. Camo & Krooked – Pulse Of Time EP Another huge four-tracker from the fast-rising Austrian duo. We’d worked with them on and off on singles for a few years prior, but this was the best of the lot. Matrix & Futurebound ft. Luke Bingham – All I know We thought our first idea of this was too light for our sets and decided to make more of a set starter banger version (M&F’s Smash & Grab Mix). We ended up putting the original edit on the package as a bonus, and the next thing we knew, we were 29 in the UK Top 40, which opened new exciting doors for us to walk through. It’s funny how things turn out unintentionally. Fred V & Grafix ft. Reija Lee – Just A Thought 2013, and the sound of Viper really is a thing, a label that delivered strong, powerful hooks and great dancefloor energy, and this track did exactly that. Seven Lions – Polarize EP This whole era of Viper was so exciting. D&B was having a real golden spell, but we wanted to branch out and try some other styles along the way, and when Brendan was sent these demos from Seven Lions in Cali, he was blown away. They were epic Dubstep with a hint of breaks. ShockOne – Universus LP Karl had really developed his sound at the point of releasing his debut album in 2013. It was such a pleasure to see him grow from this shy kid from Perth into a serious producer who was now playing shows all over the world. Also, we’ve got to give a big shout to Karl’s sister, Reija Lee, who’s featured heavily throughout Viper’s history. Metrik – Freefall VIP Metrik had released his seminal cut ‘Freefall’ two years earlier but the VIP took it to a whole new level which featured on our 50th Release EP. Brookes Brothers ft. Chrome – Carry Me On Another act that Viper had grown with since its infancy was Brookes Brothers. After delivering a huge album on BBK, the guys came back to Viper to begin work on their second album. The brothers delivered the ultimate feel-good D&B track, gaining fans on radio and D&B dancefloors. The Prototypes – Pale Blue Dot / Lights In 2014, we’d just signed The Prototypes, who’d been honing their sound on various labels for a few years. But when they came to Viper, the stars aligned. If we had to explain the term double A-side, then this is it. Both tracks exploded them into the spotlight and led them to deliver their gargantuan ‘City Of Gold’ Album later on. InsideInfo & Mefjus – Pulsation InsideInfo had been signed with us for a good few years up until this point, but this collaboration with Mefjus blew us away. Incredible sonics. What a tune. Dossa & Locuzzed – Shag These guys had been sending demos, and we instantly knew they had something different going on, a Daft Punk meets D&B vibe; it was a no-brainer to sign them to Viper. ‘Shag’ is one of those tracks we would tag under the anthem; it’s never left our sets since the day they sent it to us. Koven – Figure We signed Max and Katie back in 2014 and released many epic releases by them, but there was just something special about this single. Lush and beautiful, it’s been so great to see another Viper act go on to great things. Two very talented people who deserve all the goodness that comes their way. Millbrook – Rituals Finding and building artists from scratch has been our speciality over the years, and Millbrook was another act who we knew had the potential to do great things. ‘Rituals’ was the one that put him in the spotlight, and from there on, he flourished. One of those stripped-back tracks where all the elements feel fresh as f**k. Futurebound ft. Tom Cane – Dangerous Brendan wrote this one early on during the first lockdown. The world was freaking out, so he hit the studio HARD!!! It has all the ingredients of Vipers’ euphoric sound and features our long-standing collaborator and friend Tom Cane, who also has one of the most iconic voices in the game. Various Artists – 20 Years Of Viper Album We’ve worked tirelessly in the creation of this exclusive 20-track album, which features brand-new exclusive cuts and remixes of some Viper classics. “I’m very proud of what we’ve done over the twenty years, but the glass is half empty for me. Hold tight for the new era of Viper! Huge love and respect to all the Artists who’ve passed through Viper and to the team who’ve played a crucial role in our journey and growth over the years. I also want to thank every promoter, venue, publisher, distributor, and punter for believing in Viper and to all our peers in the scene who inspired and motivated me to push Viper to the limit.” –Brendan (Futurebound)

one of the godfathers of Garage MJ Cole returns to announce the first event in a series of exciting moments throughout 2025 to celebrate an incredible 25 years of his epochal and seminal Mercury Prize nominated album Sincere. On the 27th March, he will debut a brand new live show at London’s iconic Jazz Cafe for an evening to revisit key tracks from his brilliant and varied catalogue, re-imagined with past, present & brand new collaborators. Fans can expect some very special guest appearances and surprises along the way yet to be announced. Speaking on the event, MJ Cole shares: “Feeling more proud than ever of the records I’ve had the pleasure to make with the talents of many immensely gifted artists over the years. Feels like the time is right to celebrate by presenting a brand new live show in my home town of London. I’m beyond excited to be performing live at the Jazz Cafe with some of my musical family. Expect sounds, faces and voices both old and new – shared with passion, love and sincerity x “ Originally released in 2000 under the iconic Talkin’ Loud label, MJ Cole’s ground-breaking album—and its unforgettable singles “Sincere” and “Crazy Love”—did more than define the sound of an era; it became the pulse of a generation. With shimmering melodies and soulful rhythms, these tracks captured the essence of UK Garage at its finest, setting dancefloors alight and weaving their way into the DNA of club culture. Alongside legends like Wookie, Tuff Jam and Dreem Teem, MJ Cole carved out a legacy that reverberates far beyond its origin. MJ Cole’s is a catalogue that sees club moment nostalgia transcend generations hearing his music for the first time. Be it in 2000 or 2025 – the feeling his music evokes is synonymous with pure dancefloor energy not confined to a yearning for the past. It’s here and it’s now. It’s easy to overlook quite how seminal the 90s were in birthing pretty much everything that has since come to dominate UK culture. In just a matter of years garage, jungle, UK funky, bassline and many more genres would explode out of one another like firecrackers. On the coal face of it all was electronic spearhead MJ Cole, whose pioneering 2-step sound went on to influence everything from grime to dubstep to bands like The xx. His breakthrough track, “Sincere”, was one of the first proper garage songs to penetrate the UK top 40, and even now it is the track played religiously at 6am during every house party from Hackney to Hartlepool. Over the years, MJ Cole has established himself both as one of the most consistent producers in Britain and a mastermind for bringing through new talent. He’s produced tracks across the spectrum for artists like Dizzee Rascal, Katy B, Becky Hill and Stormzy. He co-wrote and produced “Nobody But You” for Mary J Blige, alongside SamSmith and JimmyNapes. He has since teamed up with the ferocious young grime MC AJ Tracey to create “The Rumble”–a dark and industrial colossus that showed just how diverse his sound has become. The Rumble was followed by Shelter featuring Bruno Major, also released on Cole’s label 892 Recordings. As for his remix work, he’s been called upon to work his magic on original tracks from some of the biggest names in music; Amy Winehouse, Mariah Caray, Alicia Keys and JorjaSmith. In more recent years, he’s DJed alongside new-gen UKG faves such as Sammy Virji, been invited by Jamie XX to play at his MOT residency, and been a regular in the studio with Eliza Rose who he collaborated on “Business As Usual” with last year. Outside of his own label, MJ Cole has dropped records on Disclosure’s Method White label, and Redlight’s label Lobsterboy. Tickets available here The post MJ Cole announces brand new live show to celebrate 25 years of “Sincere” appeared first on Decoded Magazine.