Ravebot

CRSSD’s spring 2025 edition was everything that the festival’s 10-year anniversary deserved, and then some. Read the full review below. Featured image: Dancing Astronaut The post CRSSD celebrates 10-year anniversary in style [Review] appeared first on Dancing Astronaut.

Over the past year, Spotify’s stock has almost doubled in value. This shouldn’t be that surprising since people love their music. Stock prices being driven up not only makes the investors happy, but more importantly, the CEO and co-founder, Daniel Ek, has to be very pleased with himself. Spotify has done a good job at increasing the number of subscribers, which has helped with the high stock price. But the huge move was Ek’s team had cut back on company costs, which drastically improved profitability for the company. SPOT said in 2024 they experienced their first full year of operating income profitability at $1.52 billion. Spotify’s premium subscribers grew by 11 million at the end of 2024, ending the year with 263 million of them. They announced that they finished their fourth quarter earnings with a record high of $516.2 million On Wednesday, March 5th, Ek sold another 50,000 company shares for $29.2 million. Bringing his total earnings to $695.3 million. This is his 15th time selling shares since his first sale in July 2023. That was his largest sale by far, 675,000 shares worth $100 million. Regardless of these large sales, Ek still remains the largest owner with 14.3% ownership. We also see that his business partner and co-founder Martin Lorentzon has also been following suit with selling shares, earning $556.8 million. Lorentzon still possesses 9.8% ownership. At the beginning of 2024, Spotify was trading at $187.91 per share. Achieving 154.7% growth in 2024 and carrying that momentum into 2025 with another 40.9% growth so far. In mid-February of 2025, Spotify was trading at a record high of $648.32. The post Spotify CEO Sells Off More Shares Worth $29M appeared first on EDMTunes.

© The post We Belong Here ignites Miami with stellar two-day festival lineup ahead of Music Week [Photo Gallery] appeared first on Dancing Astronaut.

*Featured Cover Photo Credit: Priscilla Rodriguez / Diplo’s Run Club Diplo is launching an exhilarating nationwide initiative with the announcement of Diplo’s Run Club, set to take place in six major U.S. cities in 2025 and 2026. Each event will feature an exciting 5k run paired with a “mini music festival”, headlined by the Mad Decent record label head himself. Cities hosting Diplo’s Run Club include Philadelphia, San Francisco, Seattle, Los Angeles, New York, San Diego, Miami, and Phoenix, with the kickoff event scheduled for Philadelphia in July. Stay tuned for specific dates and locations for each event by visiting the race’s official website. This announcement builds on the tremendous success of Diplo’s Run Club’s debut last year, where over 20,000 participants joined the festivities in Seattle and San Francisco. Notably, the San Francisco event ranked among the top-10 largest 5k runs in the United States in 2024. Diplo’s Run Club brings in the joy of running along like-minded individuals who love music and fitness altogether In a statement, the multi-Grammy winning DJ/producer expressed his excitement, saying, “Getting Diplo’s Run Club started last year was some of the most fun I’ve had in a long time. Bringing so many people together to run and celebrate is really all I ever want to do. I’m stoked to bring you guys a bunch more this year with a ton of friends from around the world”. Diplo originally came up with the idea for this event series after he ran the Miami half marathon and then found himself at the club with other runners craving a post-workout celebration. Dates of this exciting race to look out for Diplo’s Run Club is proudly presented in collaboration with Mascot Sports and Wasserman. Tickets for these all-ages events will go on sale March 14. Additionally, $1 from every ticket will directly benefit local nonprofits in each city. Get ready to join the movement! Additionally, the dates for when this spectacular 5k run will arrive in the aforementioned cities are shown below. July 26 — Philadelphia, PA—FDR Park September 7— San Francisco, CA—Pier 30/32 September 27 — Seattle, WA—Gas Works Park October 12—Los Angeles, CA—LA State Historic Park October 25 — Queens, NY—Flushing Meadows Corona Park November 8 — San Diego, CA—Gallagher Square January 17 — Miami, FL—Bayfront Park January 24—Phoenix, AZ—TBA The post Diplo’s Run Club Heads To Six Cities For 2025 And 2026 appeared first on EDMTunes.

Boys Noize, the artist-producer, was just announced as the opening artist for the entire Nine Inch Nails’ Peel It Back World Tour. Boys Noize (Alex Ridha), Trent Reznor, and Atticus Ross previously worked together on Challengers [MIXED], as Ridha had reworked and remixed the original score by Reznor and Ross for Luca Guadagnino’s Challengers movie OST. As an international headliner and A-list producer Boys Noize embodies the transformation and expansion of 21st century techno, house and electro into a massive global phenomenon. Yet as a Berliner and lifelong DJ, he remains dedicated to the underground, tearing through subcultural scenes large and small as he experiments with aliases across genres. The Nine Inch Nails’ Peel It Back World Tour kicks off in Europe in June and will move on to North America in August. All tour dates are listed below, and tickets are now available here. Boys Noize on tour with Nine Inch Nails: 06/15 – Dublin, Ireland @ 3Arena 06/17 – Manchester, UK @ Co-op Live 06/18 – London, UK @ The O2 06/20 – Cologne, Germany @ Lanxess Arena 06/21 – Dessel, Belgium @ Graspop (Festival) 06/24 – Milan, Italy @ Parco della Musica Novegro 06/26 – Zurich, Switzerland @ Hallenstadion 06/27 – Vienna, Austria @ Wiener Stadthalle 06/29 – Amsterdam, Netherlands @ Ziggo Dome 07/01 – Berlin, Germany @ Uber Arena 07/07 – Paris, France @ Accor Arena 07/08 – Lyon, France @ LDLC Arena 08/06 – Oakland, CA @ Oakland Arena 08/08 – Portland, OR @ Moda Center 08/10 – Vancouver, BC @ Rogers Arena 08/12 – Seattle, WA @ Climate Pledge Arena 08/14 – Salt Lake City, UT @ Maverik Center 08/15 – Denver, CO @ Ball Arena 08/17 – St. Paul, MN @ Xcel Energy Center 08/19 – Chicago, IL @ United Center 08/20 – Chicago, IL @ United Center 08/22 – Detroit, MI @ Little Caesars Arena 08/23 – Toronto, ON @ Scotiabank Arena 08/26 – Baltimore, MD @ CFG Bank Arena 08/27 – Philadelphia, PA @ Wells Fargo Center 08/29 – Boston, MA @ TD Garden 08/31 – Cleveland, OH @ Rocket Mortgage Fieldhouse 09/02 – Brooklyn, NY @ Barclays Center 09/03 – Brooklyn, NY @ Barclays Center 09/05 – Raleigh, NC @ Lenovo Center 09/06 – Nashville, TN @ Bridgestone Arena 09/09 – Duluth, GA @ Gas South Arena 09/10 – Tampa, FL @ Amalie Arena 09/12 – Houston, TX @ Toyota Center 09/13 – Ft. Worth, TX @ Dickies Arena 09/16 – Phoenix, AZ @ Footprint Center 09/18 – Los Angeles, CA @ Kia Forum 09/19 – Los Angeles, CA @ Kia Forum Stay tuned for more news! The post Boys Noize Joins Nine Inch Nails On Peel It Back World Tour 2025 appeared first on EDMTunes.

Today, the cultural tastemakers and trailblazers behind Maison Arts – the boutique music publishing house that takes a multidimensional, hands on approach to creative development – Simon Kessler, John Scholz, and Tyler Goldberg officially debut their full-service record label, Maison Records. This latest endeavor from the industry authorities enhances support for the Maison Arts roster, providing a new avenue for career growth as guided by the group’s distinctive, artist-centric ethos. Building on the success of Maison Arts – where Kessler, Scholz, and Goldberg have cultivated a thriving, multi-genre publishing venture having songs placed with artists such as PARTYNEXTDOOR & Drake, Shaboozey, Suki Waterhouse, and Danny Ocean – this launch signals a defining next chapter for the group, yet talent remains at the forefront. Initial Roster Staying true to its boutique roots and a dedication to authentic talent curation, the label makes its debut with a dynamic roster of new signings, including: Arc De Soleil – Swedish multi-instrumentalist with a debut album set to drop this spring. Following sold-out global tour dates, Arc De Soleil is poised to make a major impact. Not3s – UK-based Afrobeats artist, currently climbing the UK Afrobeats chart with his single release “Mine” on Maison Records. Social House – Hit writers and producers known for their chart-topping work with artists such as Ariana Grande and Lil Yachty. Their new EP is set to release in Spring 2025. Devault – Renowned DJ, also known for his collaborations with DJ Snake, Devault will be touring globally and making significant festival appearances. Roi Turbo – An exciting new artist, Roi Turbo’s debut project is already generating buzz in the press. Pauza – Cuba’s first female electronic duo, reinterpreting house music with latin rhythms and Cuban folklore. Maison Records is joined by seasoned executive Maya Michaelian, who will lead the marketing efforts as Head of Marketing. The Maison Arts A&R team, including Livia Piomelli and Arielle Tindel, will also play a key role in shaping the label’s vision and artist roster. Maison Records has partnered with The Orchard for global distribution services, ensuring that their talent reaches fans worldwide. Launched in 2021, Maison Arts is a boutique music publishing company based in Los Angeles whose focus is to bring a modern approach to the music business. In addition to the launch of the label, Maison Arts’ publishing venture has been thriving for the past three years with significant success across a variety of genres. Maison Arts Publishing has landed a series of key sync placements, including campaigns with Pizza Hut, Android, Sonos, Dior Beauty, and Shop with Google, further proving its success in both the commercial and creative spaces. Additionally, Maison Arts is celebrating a series of Grammy nominations and prestigious industry recognitions. The post Maison Arts Co-Founders Announce Launch Of Maison Records appeared first on EDMTunes.

Rising West Coast house talent NOISES is keeping his groove going with ‘Need Space’, a super catchy techno-deep house track that had dropped on February 28th. This new release really shows off NOISES’ unique style and strengthens his spot in the California dance music scene. ‘Need Space’ nails the blend of warm, feel-good deep house vibes with some serious techno energy. Additionally, the track mixes in dreamy vocal chops and upbeat rhythms, creating a fresh, chill vibe. With its relaxing groove and uplifting feel, it hits that perfect mix of dance floor fun and peace. NOISES has found a cool niche in the house music world, mixing underground beats with mainstage energy. In fact, his versatility shines through in deep, immersive tracks on Zeds Dead’s Altered States label and catchy UK garage bangers on Insomniac’s NightMode Records. Furthermore, from club bangers on Boombox Cartel’s Monta Records to high-energy tracks on Dr. Fresch’s House Call Records, NOISES is all about pushing creative limits with fresh sounds that stand out. Click ‘Play’ on the Spotify link below to stream ‘Need Space’ from NOISES, a track that really gets everyone dancing spontaneously on the dance floor. At the same time, it’s a track that is melodic enough for one to also enjoy while relaxing at the comforts of their own room or whenever they’re out and about anywhere. NOISES describes how ‘Need Space’ allows him to channel his emotions intimately “I’m constantly pushing myself to channel every emotion in the way I know best—through creation. I’ve always believed that music can communicate what words sometimes can’t, and with Need Space, I set out to challenge myself to explore those emotions on a deeper level. This track isn’t about lyrics—it’s about feeling. I wanted to craft a sound that speaks directly to the soul, evoking emotions that words could never fully capture”. The post NOISES Gets Grooves Going With ‘Need Space’ appeared first on EDMTunes.

Joseph Capriati has officially returned with his first solo single since 2020, unveiling ‘Meandri’ via Global Underground. The track serves as an electrifying preview of what’s to come from Capriati, who is set to helm the next installment of the legendary mix series with GU47: Montreal, dropping on March 21st. Global Underground’s Founder, Andy Horsfield, described ‘Meandri’ as a “spine-tinglingly, hypnotic techno monster,” a sentiment that perfectly encapsulates the track’s dark and entrancing energy. Known for his ability to seamlessly blend deep, driving rhythms with intricate layers of sound, Capriati delivers a masterful piece that builds tension with pulsating basslines, immersive textures, and a relentless groove designed for late-night dance floors. Capriati’s involvement with GU47: Montreal is a testament to his standing in the global electronic music scene. With nearly two decades of experience as a touring DJ, he continues to showcase his ability to transcend genres with an ambitious, two-disc musical odyssey. CD1, titled ‘Bright Disc’, focuses on his refined house music selection, delivering warm grooves and uplifting rhythms. This disc highlights his ability to craft immersive, soulful experiences that tap into the deeper and more melodic elements of dance music. Featured artists on Bright Disc include KiNK, Solomun, Louie Vega, Âme, and Fear-E, all of whom contribute to the smooth, groove-driven atmosphere of the mix. CD2, ‘Obscure Disc’, dives into the darker and more intense realms of techno, a genre Capriati has become synonymous with over the years. This mix is where the Metamorfosi boss truly shines, bringing his signature high-energy, hypnotic techno to life. With a pulsating selection of tracks from Indira Paganotto, Len Faki, Julieta Kopp, Oscar Mulero, and Capriati himself, Obscure Disc captures the relentless power of underground dance floors, making it a must-listen for techno purists. Capriati’s latest offering, ‘Meandri’, stands as a bold declaration of his continued evolution. The track’s hypnotic progression and meticulous production reaffirm his reputation as a force in contemporary techno. As anticipation builds for GU47: Montreal, ‘Meandri’ sets the stage for what promises to be an unforgettable sonic expedition. Listen to Joseph Capriati – ‘Meandri’ below: Stay tuned for GU47: Montreal, out March 21st via Global Underground. The post Joseph Capriati – ‘Meandri’ Marks a Hypnotic Return to Solo Releases appeared first on EDMTunes.

The Get WARM conference daily program offers discussions from music rights to labels and distribution, to music production, mental health, music tech and much more. Portugal’s electronic music scene is on the rise, driven by major festivals and international artists who are strengthening the local industry. With the aim of connecting Portuguese talent with high-level professionals and creating new business opportunities, ”Get Warm‘ arrives in Lisbon as a key meeting point for the sector. Tickets are now available and can be purchased here. The event takes place on 5th April in Lisbon and will feature panels, talks, and networking spaces. Amongst the confirmed professionals are Maximilien Jazani, from Catalogue Associates, who works with artists such as David Guetta; David De Valera, from Spike Management, Mochakk’s artist manager; Alex Branson, from Beatport – biggest online e-music store – Annie Birkeland, from Ultra Records, Nicole Hofman, from Labelworx, Finlay Johnson, from AFEM – the association for electronic music – Nazen Carneiro, from NZPR Public Relations and others. The conference presents the present and future of the electronic music scene in Portugal and the world and is hosted by WARM, a real-time radio airplay monitoring more than 25k radio stations worldwide. “Lisbon has an audience that truly loves electronic music, and the city has everything it takes to establish itself as a cultural hub for the genre in Europe,” says Jesper Skibsby, CEO of WARM. What to Expect from Get Warm The conference will cover crucial topics for the professionalisation of the electronic music market in Portugal. Highlights from the programme include panels on copyright, music distribution, international promotion, and the growth of Portugal’s electronic scene. Renowned industry professionals, including Alex Branson, Philip Morais, Annie Birkeland, Finlay Johnson, Nazen Carneiro and Maximilien Jazani (Catalogue Associates), will be among the speakers. The event will also feature a series of masterclasses and exclusive networking sessions for Pro Ticket holders. Additionally, the programme extends to an afterparty at Duro De Matar, bringing together guest DJs. Panels and Speakers Understanding Music Rights – Moderated by David Serras, covering copyright, royalties, and licensing. Label & Distribution – Discussion on managing labels and distribution in the digital era. How to Run a Successful Label – A conversation with experts on A&R strategies and business models. International Music Promotion – Strategies to expand electronic music’s global reach. The Electronic Music Scene in Portugal – An analysis of the local scene and its opportunities. Emotional Intelligence & Mental Health in Electronic Music – A session focusing on the psychological challenges faced by artists and industry professionals. Masterclass: Vertate – A workshop on innovative tools for the music industry. A Lasting Impact Although this is the first edition of the event in Lisbon, the positive reception has already ensured another edition in 2026. ‘Get Warm‘ is set to become a landmark event, solidifying Portugal as a European hub for electronic music and strengthening connections between emerging talents and major industry players. The event will take place at Duro de Matar, Av. Infante Dom Henrique 151, Lisbon. All the information can be found on the official event website. Tickets are now available and can be purchased here. Duro De Matar in Lisbon is a unique cultural venue that combines a third-wave taqueria with a vibrant international music scene. The venue hosts cultural events, music and DJ performances daily, featuring its impressive JBL Vintage Sound system and ESR Radio Station. It’s a favorite among the local creative community for its delicious Mexican cuisine, warm music, friendly staff, and inspiring atmosphere. The post Lisbon hosts “Get Warm”, a Dance Music conference bringing together top industry professionals from Portugal and the World on 5th April appeared first on Electric Mode.

Purple Fly Records spark new opportunities for their artists with brand new publishing house, EDM Publishing. After making a name in the industry through their innovative use of cryptocurrency and NFTs, the label makes its way into the publishing world, offering electronic dance musicians a launchpad for success through cutting-edge licensing deals, synchronization opportunities, and strategic partnerships that amplify their reach. Already featuring an extensive catalog with songs from Grammy-winning producer Damon Sharpe, Aloe Blacc, Klaas, Sickick, and Chris Burke, as well as over one billion streams, the company mentions their collection is more than just music; it is a cultural pulse pushing the genre forward. The EDM Publishing catalog covers all parts of EDM, from house to techno, dance-pop, trance and beyond, ready to provide the perfect music for all sync needs, whether it’s for commercials, TV shows, or games. Additionally, EDM Publishing has also announced a landmark music licensing deal with the MTV, taking its collection to the spotlight of popular entertainment. Besides their agreement with the MTV, EDM Publishing has also partnered with Netflix, Amazon Prime, Spinnin’ Records and Spotify on various music placements. Being the publishing arm of Purple Fly Records takes things to the next level considering the label has released productions made by Ferry Corsten, Laidback Luke, DJ Diesel, Zafrir and other famous names in the electronic dance music industry. Now, the company is looking at taking the genre to further heights, seeking fresh artists, producers and brands to join the trend that EDM has created all over the world. More information is available on the EDM Publishing website, where people can also discover the catalog and make collaboration inquiries.

Martin Garrix has announced his first-ever headlining show at Los Angeles State Historic Park, scheduled for June 27th, 2025. Prior to the official announcement, Garrix sparked curiosity over the weekend by sharing a teaser image of a billboard displaying "Los Angeles 2025," hinting at a major event in the city. This subtle yet impactful teaser led to widespread speculation among fans and industry insiders about a forthcoming performance. Those rumors have now been confirmed after Garrix revealed the details of what is set to be one of his biggest standalone shows in the US. The STMPD RCRDS founder will headline LA State Historic Park, a venue that has hosted some of the most notable electronic music events in the city, like Zedd's beloved "Zedd In The Park" series. The show marks a milestone moment in Garrix's career, bringing his signature production, visuals and high-intensity drops to thousands of fans in an open-air setting. No additional supporting acts have been announced at the time of this writing, but Insomniac is producing the event, which suggests a large-scale production and a promising lineup of special guests. Tickets will go on sale on Thursday, March 13th at 12pm PST, with a pre-sale starting on Wednesday, March 12th at the same time. Fans can sign up for early access here. View the original article to see embedded media. Follow Martin Garrix:X: x.com/martingarrix Instagram: instagram.com/martingarrix TikTok: tiktok.com/@martingarrix Facebook: facebook.com/martin.garrix Spotify: spoti.fi/2YszVxQ

The streaming giant axed the documentary last month following concerns from Prince's estate around it reportedly containing allegations of "physical and emotional abuse" against the musician Continue reading...

ZEROTOKYO, Japan’s largest nightclub operated by TST Entertainment Inc. and highlighted by DJ Mag Top 100 clubs is set to celebrate its 2nd anniversary this April 25-28 with an unmissable three-day event featuring electronic music, fashion, and culture. Located in the heart of Shinjuku’s iconic Kabukicho district, ZEROTOKYO continues to redefine the Tokyo nightlife experience by blending local energy with global artistry. The celebration kicks off with the NYLON JAPAN 21st Anniversary Party, a night where fashion and music collide. Day two brings the world-renowned techno powerhouse Charlotte de Witte to the stage for a headline event. The final night wraps up with Berlin’s electronic music innovator Boys Noize, whose ever-evolving sound promises an ideal close to the festivities. NYLON JAPAN will kick off and celebrate its 21st anniversary with a special one-night-only event—the “NYLON JAPAN 21ST ANNIVERSARY PARTY.” This highly anticipated annual celebration returns with this year’s theme: “HOTEL NYLON.” Guests will be invited into a uniquely curated world where fashion, music, and entertainment come together for an unforgettable night. Featuring a diverse lineup of artists including IS:SUE, the rising female group, LIKIYA, Kenta Kamiya, Shogo Yamamoto, Shohei Urakawa, and more. Hailing from Belgium, Charlotte de Witte has solidified her status as a techno powerhouse, performing at major festivals such as Tomorrowland and will be performing a headline show for the masses on April 26. As a highly acclaimed producer, she continues to push boundaries, with numerous hit releases under her belt. In October 2024, she dropped the collaborative EP “Sanctum” with MARION DI NAPOLI, further proving her production prowess and musical ingenuity. On the other stage, B4F ENTER will be curated by TOKYO PARTY CLUB, a cultural collective dedicated to expanding and evolving the dance music scene. For the grand finale, leading the global electro music revolution of the 2000s, Boys Noize has been an undeniable force in the industry and will be returning to ZEROTOKYO for his headline performance on April 28. In 2021, he won a Grammy Award for producing Lady Gaga & Ariana Grande’s “Rain on Me.” As the founder of Boysnoize Records, he has also collaborated with major global icons like A$AP Rocky and Frank Ocean, and continues to push boundaries as part of Dog Blood, his collaboration project with Skrillex. ZEROTOKYO has welcomed top global artists, including Diplo, Nina Kraviz, Agents of Time, and KSHMR. The venue also spotlights Japanese legends such as Takkyu Ishino, Ken Ishii, and Shinichi Osawa, as well as Gen Z DJs and cultural influencers, introducing new DJ culture to a broad audience and consistently drawing large crowds. Consisting of three levels extending from the second through the fourth basement levels and divided into five areas. The venue is equipped with Adamson Systems Engineering speakers, with over 100 Adamson speakers installed across all floors. The main hall features a 360-degree LED vision system, delivering an immersive audio-visual experience. This LED system is powered by COSMIC LAB, a specially designed system exclusive to ZEROTOKYO, enhancing the venue’s sound, lighting, and visual effects to create a next-level, immersive club experience. This milestone event underscores ZEROTOKYO’s reputation as the ultimate destination for music lovers and partygoers, offering a one-of-a-kind experience that connects Tokyo’s vibrant culture with internationally acclaimed talent. For more information on the event schedule and purchasing tickets, please visit here. Connect with ZERO TOKYO: Instagram | X | TikTok | Official Website

Ultra Europe has revealed the Phase 1 lineup for its 11th edition, set to take place from July 11-13 at Park Mladeži in Split, Croatia. As one of the world’s premier electronic dance music festivals, the event is expected to attract over 150,000 attendees from more than 140 countries, bringing together dance music fans for an unforgettable weekend on the Adriatic coast. This year’s lineup is already shaping up to be one of the festival’s strongest yet. Martin Garrix, Armin van Buuren, Hardwell and Alesso—all familiar faces on the Ultra Europe Main Stage—will return to deliver the high-energy performances that have made them fan-favorites over the years. After a six-year break from the festival, Tiësto will make a long-awaited comeback while John Summit, one of house music's most in-demand acts, will make his Ultra Europe debut. The festival’s underground concept, RESISTANCE, will once again showcase a curated selection of world-class house and techno talent. One of the most exciting additions to this year’s lineup is the debut b2b between Mau P and Drumcode boss Adam Beyer, blending the signature styles of a techno icon and a rising house music star for a never-before-seen performance. Also returning to Ultra Europe are Carl Cox, a defining figure in Ultra's lore; Solomun, who will play his first Ultra Europe set since 2016; Amelie Lens, known for her relentless techno sound; and ARTBAT, the Ukrainian duo celebrated for their cinematic productions. Check out the Phase 1 lineup below. More artists will be announced in the weeks ahead. Ultra Worldwide In terms of three-day general admission tickets, Tier 2 tickets have sold out and Tier 3 tickets start at €199. VIP and premium packages are also available offering exclusive perks, while the Destination Ultra Europe Yacht Package provides a seven-day luxury cruise along the Adriatic with island-hopping, VIP access and exclusive events. For tickets, updates and more information, visit Ultra Europe's website. Follow Ultra Music Festival:X: x.com/ultra Instagram: instagram.com/ultra TikTok: tiktok.com/@ultra Facebook: facebook.com/ultra

India, brace yourselves! House music heavyweight and one of the most sought-after names in the world right now, John Summit is making his way in your country. The ‘Experts Only’ label Boss is set to kickstart his India tour at India’s biggest nightclub Ballr in Pune. 7th of March is the date to mark on your calendars. Fresh off breaking in the DJMag Top 100 DJ Polls for 2024, Summit is one of the hottest properties in dance music currently. off to india for my first ever tour there. quite excited to ask them how in the fuck are they feeling (baby) — John Summit (@johnsummit) March 5, 2025 John Summit is on a rapid ascend to becoming one of the most iconic names in House music. As a testimonial, he was billed as the ‘Hottest Name in Dance Music’ in 2024 by Rolling Stone. Variety earmarked him as one of EDM’s biggest rising stars. The self-taught artist had trudged a long way from leaving his position as a CPA in 2019. He went on to seek a full-time career in music production using the his personal savings. Summit’s big break came in the form of ‘Deep End’ on Defected Records in 2020. It went to become the longest running Beatport Track of the Year and a potential lockdown anthem. A career graph that is on a massive inclination since then, he oversaw the release of chartbusters like ‘Sun Came Up’ and ‘Human’ in 2021. Dancing Astronaut named him their Breakout Artist for that year. The 2023 release ‘Where are You’ (feat. Hayla) propelled John into his first Billboard Hot 100 in March that year. He went on to grace the stages of festivals like Tomorrowland, Coachella, Lollapalooza and EDC. Summit also performed at venues like Red Rocks & Madison Square Garden. His show at The Sphere for Anyma’s ‘The End of Genesys’ Residency on 2nd March is one that will go down the books. It was one of the most groundbreaking audio visual performances in recent times. He kickstarts his India tour in India’s biggest nightclub Ballr, Pune on the 7th of March. Tickets for John Summit’s first show in India at Ballr, Pune are low and running out fast. Head to District to procure them at the earliest. The post John Summit Kicks Off Debut India Tour at The Country’s Biggest Nightclub – Ballr appeared first on EDMTunes.

The DJ, producer and label head was also the former disco editor at Mixmag Continue reading...

Shambhala Music Festival has just unveiled its 2025 Lineup, and it’s bigger and bolder than ever. With over 140 artists already announced—and another 150+ still to come—the excitement is through the roof for this already sold-out event. The festival’s roster blends industry heavyweights, fan-favorite returnees, and exciting up-and-comers. This year’s lineup features powerhouses like Andy C, Apashe, Big Gigantic, Bob Moses, Bou, Channel Tres, Chris Lake, Elderbrook, Excision, Flying Lotus, Glass Beams, ILLENIUM, Malaa, Mura Masa, Skream, Slander, Sofi Tukker, Tape B, TroyBoi, Vintage Culture, and Wooli. Earlier this winter, Shambhala teased fans with the first two names on the bill—Canadian icon Rezz and bass trio Levity—setting the stage for what’s shaping up to be an unforgettable year. “Our Stage Directors go all out to bring something special to the farm every year, and 2025 is no exception,” says Shambhala CEO Neil MacLeod. “This lineup is the perfect mix of legends and rising stars. Seeing the community’s excitement is what makes this so rewarding. We can’t wait to welcome everyone back for another magical summer!” And the excitement isn’t over yet—individual stage lineups for The AMP, Fractal Forest, The Grove, The Living Room, Pagoda, and The Village will be revealed in the coming weeks, keeping fans on their toes as they speculate where their favorite artists will land. The 26th edition of Shambhala Music Festival takes place July 25–28, 2025, in Salmo, BC. Tickets sold out in under 24 hours last September, proving once again why this festival remains a staple in the global electronic music scene. With a lineup this stacked, the countdown to Shambhala 2025 is officially on! Follow Shambhala Music Festival:X: x.com/shambhala_mf Instagram: instagram.com/shambhala_mf TikTok: tiktok.com/@shambhalamusicfestival Facebook: facebook.com/shambhalamusicfestival

The much-anticipated 25th Anniversary of Ultra Music Festival has officially SOLD OUT tickets as of Wednesday, March 5. Last year, Ultra sold out three days later, but the festival was also a week earlier. As of this moment, only a limited number of tables remain for the Ultra VVIP Experience. In order to have this experience, prospective attendees would have to click on this link to select any of the dates that they want to reserve their tables for (the weekend of March 28-30). Attendees can even choose to reserve tables for ALL three dates of this exciting 25th Anniversary of Ultra Music Festival as well, which may become one of the most unforgettable editions of the festival’s history. Furthermore, on the aforementioned link to reserve the tables, the attendees would just have to put down their names, phone numbers, email addresses, and add some details about their prospective parties. Also, of course, click on the checkmark that they are 21 years and older as well. If anyone wants, the option to get those tables is still available, and those tables can sell out quick. Underneath the X post from Ultra’s official X account that confirmed the festival’s selling out the tickets, check out the full lineup for the upcoming event below. To emphasize the great impact of the 25th Anniversary of Ultra Music Festival, it will inspire thousands of fans to have countless memories that they cannot wait to share with their friends, family, and other like-minded individuals. The 25th Anniversary of ULTRA MUSIC FESTIVAL is officially SOLD OUT! Only a LIMITED amount of tables remain for the Ultra VVIP Experience. See you all soon at Bayfront Park for #ULTRA25!https://t.co/fqclh49mGV pic.twitter.com/skuSlZN9mm — Ultra Music Festival (@ultra) March 5, 2025 The post Ultra Music Festival’s 25th Anniversary is Officially Sold Out appeared first on EDMTunes.

The music tech company paid tribute to his “significant contributions to the music industry” Continue reading...

The deal also marks the start of a joint venture for future recordings Continue reading...

Dozens of dance music artists line the top of this year’s bill Continue reading...

Mark Knight and Mark Dedross new Fool’s Paradise song “Fighting Love” is the first important house anthem of 2025. It’s a masterful reimagining of Thelma Jones’ “How Long” that doesn’t just sample the past but gives it fresh new life. When these two musicians work together, it’s like a perfect storm of musical intuition. Knight, who designed Toolroom Records to be the biggest record label in the world, brings his usual accuracy and club-ready style. Dedross, who used to be half of the band Markosa, adds his skill for writing moving melodic stories that stay with you long after the speakers stop playing. “Fighting Love” shakes with a rare honesty. The music builds up like a journey, starting with soft, hypnotic percussion that becomes the base for Jones’s famous vocals. These aren’t just samples; they’ve been carefully put back together again, letting the emotional core of the original flow through modern production methods. As a result, the song sounds both familiar and completely present. The time of this release is what makes it so important. As Miami Music Week 2025 gets closer, Toolroom’s annual mix will be released along with their huge 11-hour pool party on March 30th at The Surfcomber Hotel. “Fighting Love” is the perfect emotional contrast to the upbeat club songs that usually rule the season. In spite of the heavy beats and festival euphoria, this song reminds us that house music’s lasting power comes from its ability to express deep human feelings. Fool’s Paradise continues to make a name for itself in the crowded world of house music by putting out albums that focus on musical depth and emotional impact. In “Fighting Love,” they’ve made a song that speaks to both the body and the soul and works just as well in a small club as it does in a private listening session. As we learn more about music in 2025, this partnership between Knight and Dedross makes a strong case for how house music can continue to change while still honoring its deep emotional history. “Fighting Love” isn’t just another release; it’s proof of how dance music can change people when it’s made with real artistic purpose. The post Mark Knight and Mark Dedross Drops “Fighting Love” appeared first on The Groove Cartel.

Said to currently be in the "design stage," the run of 5,000-capacity smaller-scale spheres would address "sustainability" issues currently impacting the Nevada flagship venue Continue reading...

Ayers passed away after battling a long illness, according to a statement Continue reading...

Decoded Magazine · Decoded Magazine Presents Paul Loraine Paul Loraine is a man with a mission to convert you to his cult. The figure behind Rhythm Cult has seen his passion project become one of the most highly regarded underground house and techno labels of the last decade. Curating selections from some of the most forward-thinking electronic artists in the industry, the imprint has initiated the likes of Ian Pooley, Funk D’Void, Cinthie, Satoshi Fumi, youANDme and DCLVIII OFC into the Cults ever-expanding roster in recent years. With a growing tribe of followers and DJ heavyweights such as Laurent Garnier, Dixon and John Digweed throwing support behind releases, Rhythm Cult has become a firm favourite amongst discerning selectors, blending astute dance floor dynamics and a cutting-edge sonic signature. As a DJ, Loraine cut his teeth at the tender age of nineteen becoming the resident at the infamous Monkey Club in Guernsey. Here he regularly turned out five-hour sets that required him to dig deep into his vast collection. Supporting everyone from Brandon Block to Goldie he earned a reputation for marathon sets, honed his skills as a precise selector and developed a taste for the innovative deep electronic sounds that would inspire the label’s formation. Loraine would prove to be no slouch in the studio either, and his releases were championed by the likes of Laurent Garner, Maceo Plex, and Sasha. With Rhythm Cult celebrating its tenth-anniversary last year, he delivered an exclusive DJ mix for Decoded, so we caught up with Paul to talk inspiration, the label’s longevity, and his plans for its future. RC seems to be a label that has established support from a wide range of underground DJs. Can you tell us about the ethos of the label and why you think it appeals to such a diverse range of selectors? At Rhythm Cult, my ethos has always been about curating music with true longevity – a quality that stands the test of time. I’ve consciously chosen to step away from fleeting trends and fads, instead focusing on artists who bring something unique and enduring to the table. I’m not interested in what’s popular for the moment, but in music that resonates deeply and remains relevant for years. That’s the sound I personally gravitate towards, and it’s the kind of sound I want the label to reflect. This approach has really paid off, especially with our Details series, which has proven that timeless quality. The artists in that series and their music have shown that they can withstand the test of time, and that’s the goal with every release we put out. By sticking to this ethos of quality over trends, I think we’ve managed to appeal to such a diverse group of underground DJs. They recognise that we’re committed to something more substantial, and that kind of integrity resonates with people who value longevity in music. We’ve heard that you started out as a resident at the infamous Monkey Club in Guernsey. Can you tell us a little about those heady days, your background and how they inspired the formation of Rhythm Cult? You’re right, I was the weekly resident DJ at the infamous Monkey Club in Guernsey for almost seven years, and it’ll always hold a special place for me. It was the best venue – 500 capacity, located in a basement with no windows, a ridiculously loud sound system, and unforgettable nights with great friends. The energy from the Guernsey crowd was unlike anything I’ve ever experienced; they really knew how to bring it. It was pure energy, and it’s the definition of what it means to truly “have it.” As a resident DJ, I had the opportunity to warm up week in, and week out, for some incredible names like Danny Howells, Jody Wisternoff, Gaz White, Brandon Block, Lisha Lasha, Lottie, DJ Sonique, Alex P, Steve Lawler, I even warmed up for Goldie once. So, you can imagine how diverse my record collection became over the years—it was vast, spanning across many genres and sounds. Those days in the Monkey Club were a huge influence on the formation of Rhythm Cult. They taught me so much about reading the crowd, about the importance of building energy, and how to create an atmosphere. The experience helped shape the direction of the label, as I wanted Rhythm Cult to have that same raw, underground spirit, but also with an emphasis on quality and timelessness. That ethos was born out of the energy and diversity I encountered in those early years. Last year marked the label’s 10th anniversary. What’s the key to RC’s success and how hard has it been to navigate the shifting sands of the electronic music scene over recent years? Music is my life, so for me, running Rhythm Cult is a labour of love – and it always will be. For me, it’s something I’m addicted to, and I won’t stop. I’ve always been committed to the long haul, and that’s been a big part of Rhythm Cult’s success. It’s not about chasing quick wins or jumping on trends; it’s about staying true to what I believe in, even when the landscape shifts. The key to the label’s success has been consistency, quality, and a true passion for the craft. Navigating the ever-changing electronic music scene over the years hasn’t always been easy. The landscape can shift quickly and staying relevant while keeping that sense of authenticity requires dedication. But I’ve always been focused on long-term goals, and that’s helped me steer Rhythm Cult through the changes. My aim has always been to take the label from minor to major – eventually – and we’re still pushing towards that. We’ve built something with staying power, and we’ll keep going, no matter how the scene evolves. You have launched the RC Select series recently. Can you tell us a little bit about exactly what this is and the philosophy behind the series? Yes, Rhythm Cult is a multi-genre label, but with Select Series, I wanted to create something focused solely on the dancefloor. It’s all about tracks that keep the energy high and the crowd moving. My goal is for every release to end up on DJs’ “Must Haves” playlists. We kicked things off with Alive by François Dubois and Liam Garcia, which hit the top spot on Beatport’s best-selling charts. It’s the kind of energy we’re after – tracks that instantly connect with the crowd and keep the vibe strong all night. Last year saw you heading out to Ibiza to DJ at Pikes with Funk D’Void. How was the experience and what are your thoughts about the state of play on the island? Yes, it was great to see you in Ibiza and spend some quality time together – thanks for coming! I’ve been lucky to DJ on the island for over 15 years now, all thanks to Ryan O’Gorman. He’s the one who got me started, first playing in the Red Box at Space, then the next year on The Terrace, and I’ve been back every year since. Last year marked my 6th year DJing at Pikes (apart from the Covid break), and I have to say, it’s still one of the best places to play or party on the island. There’s something magical about the atmosphere. I love playing in Freddies, and also by the poolside for my more eclectic sets on Sundays. Last year, I had the chance to play in the new room, Plaza Mayor, for the first time, and the vibe was unreal. As for the state of play on the island, it has still got that unique energy, but things are definitely evolving. There’s more competition now, but venues like Pikes continue to stand out because they offer something different- intimate and with a real sense of community and a deep history. That’s what keeps me coming back. I’m also excited to hear that UNVRS is opening up this season, and I’ve seen that Carl Cox will be hosting a residency there. I’m so happy about this news – it’s great to see the island still dedicated to showcasing the world’s best DJs and underground artists. It’s exactly the kind of space Ibiza needs to keep that true underground spirit alive. The label’s release schedule seems to have accelerated over the last twelve months with some incredible artists joining the Cult. Can you reveal what is in store for 2025 and what you are most excited about for the forthcoming year? We’ve kicked off 2025 in style! We’ve already dropped two incredible releases – DCLVIII OFC’s “No Soul,” which will be a Beatport exclusive on February 20th, and Fiorella’s “Velvet Rebel,” which is available now as a Traxsource exclusive and will be out worldwide on February 6th. Both tracks have been massive hits, with amazing support from DJs like Radio Slave, Laurent Garnier, Danny Tenaglia, Jamie Jones, Chris Lake, Damian Lazarus, Bushwacka, Sasha, Âme, and many more. Looking ahead, we’ve got some exciting releases lined up. We’ll be dropping a follow-up EP from Orlando Voorn, a new single from Yotam Avni with a fantastic remix from youANDme, and a deep, chuggy release from Hardway Brothers. Sascha Dive is revisiting his classic “Brother’s Vibe”, originally released on our vinyl-only series, with a fresh tribal version and remixes from Francesco Mami and YokoO. And here’s the big one for me – my first single on Rhythm Cult! I can’t believe it, but it’s true. Minor Major is a track I wrote 12 years ago, and I’m giving it new life with some incredible remixes from Funk D’Void, Acitone, DCLVIII OFC, and Mark Jackus. It’s shaping up to be a truly exciting year, and I can’t wait to share all the new music and incredible talent we’ve got lined up! Which artists/producers are you most excited in 2025 and why? There are some incredible artists and producers that are really exciting me in 2025. LOLOMAN, Saporta, Tod Louie, Polygonia, E-Bony, Anthony Rother, and Lee Scott are all pushing boundaries with their unique signature sounds and great energy. Each of them has a distinctive style that really stands out, and I’m sure you’ll be hearing a lot more from them in the coming months and years. They’re all artists that I’m really excited to see evolve, and I’m looking forward to what they have in store for the future. Can you give us your top three RC picks for those unfamiliar with the label so that they can check them out? What is special about each of these tracks for you? No, I can’t, I’m sorry he he, it’s like trying to pick a favourite pet! Every release on Rhythm Cult is unique and special in its own way. What makes each one stand out is the quality and authenticity behind it, and that’s what I’m most proud of. All I can say is, if you genuinely love house and techno, do yourself a favour and check out Rhythm Cult. I’m 100% certain that you’ll find music you’ll fall in love with. Recently you have had some incredible DJs featured on your Cultcast mix series. Can you tell us a little more about the series and what you have in store on there? The Cultcast mix series is a fantastic platform where we showcase some of the most talented DJs in the scene today. It originally began as a collaboration with Vanity Dust, an independent music journalist based in Barcelona and a very close friend. In the beginning, the series was actually called Cultdust—a nod to our partnership—where we featured exclusive mixes alongside in-depth interviews with the artists, giving listeners a deeper insight into their creative worlds. Over time, we’ve been fortunate to feature incredible talents like Dinky, André Lodemann, Bushwacka, Rui Da Silva, and Reboot. Eventually, we merged this with our Rhythm Cult artist mix series, which evolved into what is now the Cultcast. For our upcoming 40th episode, we’re thrilled to have Timo Maas on the Soundsystem, along with confirmed sets from Ryan Crosson, Shaun Reeves, and Radio Slave. There’s so much exciting music in store, and we can’t wait to share it with our audience! Tracklist  1.⁠ ⁠Hydrogen Rockers – Musica (Patch Park Remix) [Plastic Fantastic]  2.⁠ ⁠Four Candles & Jon Towell – If We (…Just Did) (Sean Harvey Remix) [Keep Thinking]  3.⁠ ⁠Tommy Bones – Lost Love (Original Mix)  4.⁠ ⁠Skatman-Save Me (Tal Fussman Remix)  5.⁠ ⁠Daniel Stefanik – Say It Loud (Original Mix)  6.⁠ ⁠Mathias Kaden – Circulate (Original Mix)  7.⁠ ⁠L.B. Dub Corp – Your Love  8.⁠ ⁠Funk D’Void – Masque  9.⁠ ⁠Danny Howells – Cygnet (DCLVIII OFC Remix) 10.⁠ ⁠Laurent Garnier – Give Me Some Sulfites The post Decoded Magazine presents Paul Loraine appeared first on Decoded Magazine.