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The new song from rising duo Anvaya, “Dheere,” out March 7th as the first taste of their highly anticipated debut EP, Sands Between Us, continues to define the sound of South Asian-inspired electronic music. “Dheere” is a big step in Anvaya’s quickly changing career. It comes out just before a historic, sold-out Indo Warehouse showcase at The Roundhouse in London on March 7th, where the duo will perform with Kahani and Kunal Merchant, the owners of the label. Over 1,700 people are going to experience Indo Warehouse’s unique mix of deep, culturally-rooted house music. The event is also a great place for Anvaya to show off their newest work, making it a full-circle celebration of sound, movement, and identity. Kaushal and Sonia are married and work as doctors during the day. Their story is just as interesting as their music. It takes hours for Anvaya to be creative. The two members spend their nights making songs that combine their shared history and musical upbringing. As a result, the sound is both deeply personal and accessible to everyone. Avaya expertly captures this balance on “Dheere,” a slow-burning percussion groove with swirling basslines, sultry vocal refrains, and an obvious air of mystery that draws users in. The track, which was made for late-night dancefloors but has roots in tradition, shows how well the pair can combine traditional instruments with modern electronic production. It’s the kind of record that stays with you long after the last beat and is meant to move your body and your heart. “Dheere” sets the scene for “Sands Between Us,” which comes out April 4 as the first EP by an artist on the Indo Warehouse label. Indo Warehouse has made a name for themselves through groundbreaking shows and carefully curated compilations. Sands Between Us is a bold new chapter that puts Anvaya at the head of the movement and gives listeners a deeper look into the duo’s evolving, genre-defying sound. Anvaya are becoming one of the most exciting electronic music acts in the world. They have already made big waves with their shows at Garba SZN II and other important events on the Indo Warehouse calendar. It’s not only Sands Between Us that boosts the next wave of club music with South Asian influences; it’s also them telling their own story, their way. The post Anvaya Unveil First Single ‘Dheere’ on Indo Warehouse appeared first on The Groove Cartel.

Discovery – Daft Punk You can’t talk about the best electronic albums of all time without including Daft Punk’s undeniable masterpiece ‘Discovery.’ Daft Punk were always great innovators and ‘Discovery’ was no exception as the albums revolutionary disco inspired house sound took the world by storm. It went to number 2 in the UK, French, and Canadian album charts along with going triple platinum in France in 2007 and being widely praised by critics. Despite being released 24 years ago it doesn’t sound dated which is evident from the fact that there’s still music off this album being played at clubs and festivals all the time. Featuring some of the most iconic songs in electronic music such as ‘One More Time’, ‘Harder Better Faster Stronger’, and ‘Digital Love’, ‘Discovery’ is a hit machine which rightfully earnt its spot in Rolling Stones 500 Greatest Albums of All Time at 236. True – Avicii Undoubtably one of the greatest debut albums of all time, ‘True’ stands as Avicii’s crowning achievement earning him worldwide love and recognition for his talent. Despite a lot of early criticism following the unveiling of the contents of the album at Ultra Music Festival 2013, pretty soon after people started to realise the genius of ‘True.’ Featuring amazing songs such as ‘Addicted To You’, ‘Hey Brother’, ‘You Make Me’, and of course ‘Wake Me Up’, the album was a massive success reaching number 1 in the album charts in Australia, Denmark, Norway, and Sweden, as well as in the Billboard US Top Dance/Electronic Albums chart. ‘True’ earned worldwide acclaim and contains some of Avicii’s finest work with his unbelievable talent for blending the lines between genres on display. Fat of the Land – The Prodigy ‘Fat of the Land’ is one of those few albums that just doesn’t have any songs you want to skip as The Prodigy were firing on all cylinders from start to finish. Coming off the back of their stunning ‘Music for the Jilted Generation’ album it was a tall order to try outdo themselves yet they found a way. The album kicks off bombastically with the iconic ‘Smack My B***h Up’ followed by ‘Breathe’ which are a couple of The Prodigy’s biggest songs that hook you in instantly. The punches just keep coming with more great tracks like ‘Diesel Power’ and ‘Mindfields’, but the knockout blow comes with the legendary ‘Firestarter.’ The album was particularly popular in the UK as both ‘Breathe’ and ‘Firestarter’ rocketed to number 1 in the charts. ‘Fat of the Land’ gave us the welcome introduction to Keith Flints vocal power, along with giving us a plethora of timeless classics. 18 Months – Calvin Harris With Calvin Harris it’s incredibly hard to pick just one album to talk about having made great albums the likes of ‘Ready For The Weekend’, ‘Motion’, and ‘96 Months.’ However, the album that features possibly his best work that has stood the test of time has to be ‘18 Months.’ This album features a lot of the biggest artists in the world at the time with appearances from Rihanna, Tinie Tempah, Dizzee Rascal, Example, Ellie Goulding, Ne-Yo, Florence Welch, Kelis, and Ayah Marar. This astronomical lineup of artists working side by side with Calvin Harris could equal only one thing, a goliath of an album. Impressively ‘Feel So Close’, ‘We Found Love’, ‘I Need Your Love’, ‘We’ll Be Coming Back’, and ‘Sweet Nothing’ all hit number 1 in the singles charts in various countries. But it’s ‘We Found Love’ that flew the highest reaching number 1 in 24 different countries. Forever – Alesso Diversity in style, chart hits, club bangers, iconic anthems. Not many albums can have all these attributes, so the fact Alesso achieved all of this on ‘Forever’ makes it one of the best electronic albums ever. Ranging from the heavier tracks like ‘Tear The Roof Up’ to the more emotional progressive house anthems like ‘If I Lose Myself’, Alesso displayed his amazing diversity in production skills across the album. ‘Forever’ went to number 1 on the Billboard US Top Dance/Electronic Albums chart while several of the singles had great success in the UK. In the UK Singles Chart ‘Cool’ reached number 10, ‘If I Lose Myself’ reached number 8, ‘Heroes (We Could Be)’ reached number 6, and ‘Under Control’ went all the way to number 1. Honourable Mentions Sentio – Martin Garrix Wild Youth – Steve Angello Nothing But The Beat – David Guetta Justice – Justice >Album Title Goes Here< – Deadmaus

A former neo-Nazi who once spread hate through violent music has revealed an unexpected path to redemption: rave culture and electronic dance music. Arno Michaelis was once the lead singer of a neo-Nazi metal band and a prominent member of Hammerskin Nation, one of the most dangerous white supremacist skinhead gangs in the US. Today, he works as an anti-hate activist with organizations like Parents for Peace, helping to deradicalize others caught in extremist movements. Michaelis recently appeared on Business Insider's "Authorized Account" series, in which he opened up about how raves played a crucial role in his journey away from extremism. "My deradicalization process was the Midwest rave scene," Michaelis said. "Within a year and a half of leaving the hate group, I found myself on the South Side of Chicago, 4 in the morning on Sunday, shaking my ass to house music with 3,000 people of every possible ethnicity, socioeconomic background, gender identity, sexual orientation—and loving every minute of it." From 1987 to 1994, Michaelis was deeply embedded in white supremacist activities, with his band Centurion selling over 20,000 copies of its hateful albums in just six months. His days, he recalled, were marked by violence, paranoia, addiction and crime. Michaelis said he severed ties with his hate group after seven years of living "in constant fear" and found himself attending raves in Chicago, which is universally considered the birthplace of house music. He noted that the scene "took over and filled those needs of identity, purpose and belonging" that had initially drawn him to extremism. "In the rave scene of the '90s, their mantra was 'peace, love, unity and respect,'" Michaelis said, highlighting the stark contrast to his previous worldview. You can watch his interview on Business Insider's "Authorized Account" series below.

This past weekend, Dom Dolla returned to New York City this week for 2 sold-out shows at the world renowned Madison Square Garden. To cap off the unbelievable weekend, Dom Dolla decided to put on 1 final show at the Brooklyn Storehouse as the official afterparty to the MSG festivities. In typical Dom Dolla fashion, the afterparty sold out in minutes after tickets were released. The Brooklyn Storehouse has quickly become one of the most beloved venues in New York City and has been home to some of the biggest TekSupport shows. The incredible warehouse venue was the perfect place to wrap up the weekend of festivities for Dom Dolla. Dom started his set at 3AM to give fans heading over from Madison Square Garden ample time to arrive at the Brooklyn venue. Many fans went to both of his MSG shows so he made sure to perform a unique set to create a different experience for his final set of the weekend. Although there were differences in his sets, he also brought with him a special guest that appeared at his MSG shows. During the first night of MSG, Dom debuted his newest collaboration with Kid Cudi. The 2 also united at the afterparty to gives another peek into the highly anticipated collaboration. This weekend was certainly a milestone moment for the ever evolving career of Dom Dolla. Many fans who partook in this weekend’s festivities are even calling for a New York residency with the DJ. There is no doubt that Dom Dolla will be back to New York and we can all just speculate what else he can do to top off such a monumental weekend. The post Dom Dolla Closes Out His NYC Takeover with a Sold-Out Show at Brooklyn Storehouse appeared first on EDMTunes.

David Guetta and Sia are back at it again! The dynamic duo that brought us legendary hits like ‘Titanium’ and ‘Flames’ have joined forces once more for a brand-new dance anthem, ‘Beautiful People’, out now via Warner Records. Guetta, a 14x Grammy-nominated producer and DJ, has an undeniable musical chemistry with 9x Grammy-nominated powerhouse Sia, creating some of the most iconic tracks in EDM history. With a track record that includes over 8 billion streams and 35 Platinum records, their collaborations are nothing short of extraordinary. “I’m so happy to be back working with Sia again! She’s one of the greatest voices and songwriters of our generation, and it feels like we’ve had this special connection ever since we wrote ‘Titanium’ back in 2011,” says Guetta. A Dancefloor Anthem for the Ages ‘Beautiful People’ is yet another showcase of the duo’s ability to craft high-energy, emotionally charged dance music. The track is set to dominate airwaves and festival stages, blending Sia’s soaring vocals with Guetta’s signature high-octane production. This release follows Guetta’s massive recent success with ‘Forever Young’, featuring Ava Max and Alphaville, which hit #1 on Billboard’s Dance/Mix Show Airplay chart. It also precedes his highly anticipated residency at LIV Beach at Fontainebleau Las Vegas, set to kick off on March 22. The Legacy of David Guetta & Sia David Guetta is one of the most influential figures in electronic dance music. With over 53 billion streams and multiple #1 hits, he has shaped the industry for decades. Known for his high-energy live sets at festivals like Tomorrowland, Ultra Miami, and EDC Vegas, Guetta continues to push boundaries with his innovative Future Rave sound. Sia, on the other hand, is one of the most unique voices in modern pop music. Having transitioned from indie pop into global stardom, she has penned hits for Rihanna, Beyoncé, and Katy Perry while maintaining her own chart-topping career. With her unmistakable vocals and artistic vision, she remains a trailblazer in the music industry. Listen to ‘Beautiful People’ Experience the magic of David Guetta & Sia once again with ‘Beautiful People’ – stream it now and get ready to hear it everywhere! The post David Guetta & Sia Reunite for Electrifying New Anthem ‘Beautiful People’ appeared first on EDMTunes.

VDED in the Park is set to take over Holland Park in Surrey, BC, on July 4 & 5, 2025, delivering a massive all-electronic lineup for the second year in a row. Known for its high-energy performances, cutting-edge production, and festival vibes right in the heart of Metro Vancouver, FVDED continues to evolve—this year, adding a brand-new fourth stage to showcase even more diverse electronic sounds. Leading the charge for 2025 are Tiësto, Zedd, Kaytranada, Disclosure, Subtronics, RL Grime, and Uncle Waffles, bringing an eclectic mix of house, bass, techno, and more. Also joining the lineup are heavy-hitters Black Tiger Sex Machine, Lane 8, Loud Luxury, Dabin, and Rudimental, ensuring two days of nonstop energy and unforgettable moments. With last year marking the festival’s return to an all-electronic music focus, 2025 is set to push the boundaries even further with expanded stages, immersive visuals, and next-level performances. Tickets are on sale now! Secure yours at FVDEDinthePark.com before they sell out. With a stacked lineup, upgraded production, and an even bigger festival experience, FVDED in the Park 2025 is shaping up to be the most exciting edition yet.

The algorithm that trained us to crave instant gratification is now feeding us its antidote, thanks to music producers like Øneheart. Thanks to his breakout track "snowfall," the teenaged beatsmith is on the cusp of joining Spotify's elusive billion-stream track club, where electronic music greats like Avicii and Swedish House Mafia reside. Rooted in a nascent genre called "liminal ambient," his haunting soundscapes have captivated a young audience still reeling from post-pandemic isolation. Led by "snowfall," which he created in collaboration with fellow Russian producer reidenshi, the genre itself occupies a deliberate space between comfort and discomfort. Many producers of liminal ambient music employ granular synthesis to create ghostly, stretched textures, evoking a dreamlike or distant quality. They also incorporate field recordings and elements of biomusic—like rustling leaves, empty hallways, HVAC hums and cassette tape hiss—to enhance the sense of vastness. Somewhere between the eerie glow of a forgotten shopping mall and the warmth of a childhood lullaby, liminal ambient music marks itself as distinctly Gen Z. To that end, what makes the genre's popularity so remarkable is its primary distribution channel, TikTok. A platform designed for rapid consumption and constant stimulation, TikTok seems fundamentally incompatible with music designed to be absorbed slowly—but that tension might explain its appeal. It's like a digital oxygen mask, offering meditative space amid an otherwise claustrophobic and overwhelming feed of brain-rot content. Awash in reverb and languid soundscapes, liminal ambient's rise on TikTok seems paradoxical. The platform thrives on rapid-fire dopamine hits, but the music demands patience. The faster we scroll, the more we seem to crave Øneheart's digital slowness. His "snowfall" audio has been used in nearly five million TikTok videos, generating billions of impressions and influencing young producers across the world's bedrooms to craft soundscapes that feel like memories of places they've never been. "I tried to ride various TikTok trends a few years ago," Øneheart, whose real name is Dmitry Volynkin, tells EDM.com. "But now I realize it’s better to do what you really like because trends come and go, but your discography is eternal." It's a refreshing take from an 18-year-old artist who could've easily chased clout. Regardless of commercial outcomes, liminal ambient stands as a fascinating cultural phenomenon, a sound specifically calibrated to provide relief from the very digital environment that made it possible. And in Øneheart's hands, it's evolving into something timeless. We sat down with the electronic music prodigy to unpack how his eerie, contemplative beats have found a home in TikTok's hyperactive digital metropolis, and where this genre might drift next. c&sol;o Kurate EDM.com: Many artists in your position might have pursued more mainstream electronic genres with established audiences. What convinced you to venture into relatively uncharted musical territory at such a young age? Øneheart: When I started making electronic music at 11, I never imagined so many people would end up listening to my tracks. Back then, I was inspired by EDM artists and dreamed of following in their footsteps. Over time, I've realized that the most important thing is to create music that I genuinely enjoy making and can put my heart into. That shift really shaped my journey to where I am now. EDM.com: Your music has been described as both nostalgic and futuristic—looking backward and forward simultaneously. Why do you think your sound has been so closely associated with the concept of escapism? Øneheart: In my music, I try to reflect on my life's memories, experiences and ordinary happenings. I think that people feel that in what I do, and that's the reason it resonates. If my tracks help someone deal with or feel an emotion, even for a moment, that means the world to me. EDM.com: The term "liminal" implies being caught between worlds, neither here nor there. In what ways do you see your generation existing in liminal spaces beyond just music, and how does this influence your sound? Øneheart: Our generation is living in the information age. We are constantly stressing out at the endless hustle-and-bustle, overthinking, and feeling like we are everywhere and nowhere at once. That sense of disconnection is something a lot of people my age relate to. For me, music is a way to translate those emotions into something tangible. And when people tell me my music has helped them navigate those feelings, it a reminder of why I do this. EDM.com: TikTok has been crucial to the spread of liminal ambient music, yet the platform's algorithm-driven, rapid-fire nature seems almost contradictory to the slow, contemplative nature of your soundscapes. How do you navigate those conflicting ideas? Øneheart: I'll be honest with you: I tried to ride various TikTok trends a few years ago, but now I realize that it's better to do what you really like because trends come and go, but your discography is eternal. I'm grateful to all the people who use my music on there—without them I probably wouldn't be close to where I am now. c&sol;o Kurate EDM.com: Your rise coincided with a period of profound global isolation. If liminal ambient is a response to the loneliness of the modern world, where does it go next? Does it become even more isolated, or does it transform into something more hopeful? Øneheart: I really hope these genres evolve rather than becoming repetitive or overly commercial. There's so much room for this style of music to grow in unexpected directions, whether that’s through collaboration, new textures and sound or ways to make it feel even more immersive. EDM.com: Your music exists in this fascinating space between comfort and discomfort. How much of this tension is intentionally crafted versus being an organic expression of your own emotional state during the isolation of the pandemic? Øneheart: It wasn’t something I set out to create on purpose. I was just pouring emotion into the music, and that contrast happened naturally. I think music is a reflection of what we feel, even when we don’t fully understand what we feel or how that occurs. EDM.com: The electronic music world often prioritizes club-driven sounds. Do you think the industry fully understands or respects the growing power of ambient and introspective electronic music? Øneheart: Yes, yes and yes again! Lately I've been seeing more and more often that quite famous and important people in the electronic music industry release ambient albums. For example, there is Secret Life, a collaborative album between Fred again.. and the father of ambient, Brian Eno; or Moby with his Long Ambients series of albums. I know ambient music is not for clubs—it's music that you want to listen alone at home to relax. I know an example of cool live shows like Malibu does, so I'd really like to do a similar thing someday. EDM.com: You’ve crafted a signature sound at just 18—how do you evolve without losing the identity that made you stand out? Øneheart: For me the key is always staying curious and open-minded. I listen to a wide range of music. Lately, I’ve been really inspired by artists like Charli xcx, Instupendo, Jaron and Oklou. As my sound evolves, I try to focus on keeping that emotional core consistent—I think thats what ties my catalog together. Follow Øneheart:Instagram: instagram.com/oneheartisok TikTok: tiktok.com/@oneheartisok Spotify: tinyurl.com/234f78tj

Rounding up festival news from across the dance and electronic world Continue reading...

The Line-UpThe Dutch pioneer of EDM festivals, Mysteryland returns in 2025, 22-24 August, announcing a line-up for everyone’s taste. From techno to trance, big-room, house and almost every genre people can imagine, Mysteryland promises another edition for the books. Gearing up for its 32nd edition, the festival will host names such as Hardwell, Marlon Hoffstadt, Eric Prydz, Adriatique and many others over its nine stages. Crowd favourite Fisher is also making an appearance at this year’s Mysteryland edition conquering the dancefloor with his infectious energy and chart-topping hits. Bringing the emotions and uplifting beats is trance legend Paul Van Dyk who will take fans on a magical journey through the power of his timeless sounds. Along with the old-school, comes the new techno generation, with artists such as Indira Paganotto and Oguz providing their high-energy sets to one of the largest crowds in Europe. The Ending ShowsRenowned for its ending shows, Mysteryland aims to take things to the next level again in 2025, pushing the limits of imagination and technology. After the magnificent drone show, supported with fireworks and 3D visuals last year, the festival is planning to raise the bar with an even better spectacle at its 32nd edition. Part of the Endshow on Saturday will be Hardwell, who has been chosen as the mainstage closer for the day. Mysteryland’s New LookAttendees of this year’s edition will discover a new layout of the festival, which has been created by the organisers to enhance visitor experience and build a more immersive journey. The festival grounds have been redesigned to cut down on walking distances, which will make it simpler for attendees to move between stages and take in everything the event has to offer. However, Mysteryland will maintain its adventuristic arrangement, with intimate venues and secret alleyways that will encourage festival-goers to discover hidden performances, side quests, and installations. Additionally, The iconic Pyramid, which was once the second stage of the festival, will become the mainstage at this year’s edition. Transforming into an arena that features a wide range of electronic music genres, the Pyramid will become the main point of attraction at Mysteryland 2025. The camping site, known as the Mysteryland Resort will now be located onto the festival grounds, surrounded by a lake for swimming and leisure, a sandy beach, and an abundance of greenery. Keeping It SustainableTwo years ago, Haarlemmermeer saw the installation of a green power grid which will once again power almost the entire festival. Adding to the green energy, the grounds will be decorated with recycled and reused materials that have contributed to the making of previous editions and other ID&T Group festivals. Tickets for Mysteryland 2025General access passes for Mysteryland 2025 start at €79.95, with accommodation prices starting at €165.00 p.p. All types of tickets can be bought via the official Mysteryland website.

Avi Sic adds her touch to Bexxie and Yurie’s ‘Sacrifice,’ invited for an official remix on Purple Tea Records as part of an all-female remix album. As she heightens the energy of the track, bringing in her signature bass-heavy sounds, Avi Sic reminds fans of the creativity and innovation that roots her approach; seeking to give way to fresh, forward-thinking sounds in her material, she remains focused, upholding consistency in her output to ensure each track resonates with her listeners and further cements her as a unique force within Electronic Music. Through her remix, Avi Sic crafts an engaging sonic journey: establishing a strong groove and detailed arrangement, the track pulls listeners into a captivating yet punchy soundscape, offering up the distinct sonic identity that Avi Sic is becoming known for, all whilst maintaining the core spirit of the Bexxie and Yurie original. Kicking off with shuffled percussion, a steady beat, lively low end, and catchy melodic motif, Avi Sic’s rework of ‘Sacrifice’ quickly evolves, integrating the familiar vocals of the original as uplifting chordal progressions lead the track forward. Then, with processed vocal textures raising the intensity, the track takes on a renewed energy, darker in tone and hypnotising in vibes. As a sharp lead dominates the mix, coupled with the energetic bassline and compelling underlying details, stuttering vocals layer in, ensuring the rework holds attention, keeping to its engaging quality. With dynamic lines, impactful synth hits, and energising rhythms, the remix continues to evolve with driving momentum, placing Avi Sic’s approach, signature sound, and skills on full display once more. A track surely poised to excite the dancefloors of her live performances and beyond, Avi Sic’s take on Bexxie and Yurie’s ‘Sacrifice’ serves as a bold example of her remixing abilities; balancing creative freedom with preserving the integrity of the original, she has considerately and skilfully designed a rework that blends dynamic energy with intricate production details. As she continues with new projects, performances, and releases, there is no doubt she is a talent to stay tuned to within Electronic Music, ensuring to keep up with her latest news and updates via social media. ‘Bexxie & Yurie – Sacrifice (Avi Sic Remix)’ is out now via Purple Tea Records and available to stream and download across platforms. Listen and Buy ‘Bexxie & Yurie – Sacrifice (Avi Sic Remix)’ here: Avi Sic Online Spotify | Instagram | Website          Bexxie Online Spotify | Instagram Yurie Online Spotify | Instagram Purple Tea Records Online Instagram | Beatport | Website

Kid Cudi once took us to the moon, but this weekend, he took us to the dancefloor alongside Dom Dolla. Dolla cemented his place among the genre's elite last night, headlining a sold-out Madison Square Garden in the first show of a doubleheader at the legendary venue. But the evening's biggest surprise came when Cudi stepped onstage to unveil their stunning new collaboration. Some moments in music feel destined for history, and when Dolla welcomed Cudi onstage at The Garden, the crowd knew they were witnessing one. They erupted as the artists embraced, celebrating a genre-defying moment that bridges hip-hop with house music in a dream collaboration. With sweeping strings, euphoric synths and an anthemic refrain ("I want to stay forever"), the track is a bona fide house anthem built for stadiums, sunset raves and every moment in between. Fans are already clamoring for its official release, but neither Dolla nor Cudi has revealed a date at the time of this writing. Watch a clip of the song's debut at MSG below. View the original article to see embedded media. Follow Dom Dolla:X: x.com/domdolla Instagram: Instagram.com/domdolla TikTok: tiktok.com/@domdolla Facebook: facebook.com/domdollamusic Spotify: spoti.fi/3g2cuTm Follow Kid Cudi:X: x.com/kidcudi Instagram: instagram.com/kidcudi TikTok: tiktok.com/@kidcudi Facebook: facebook.com/kidcudi Spotify: spoti.fi/3ejTOjK

As dusk settled over San Diego's Waterfront Park on Sunday, the sky darkened and a light, unrelenting rain began to fall. Instead of sending festivalgoers scattering, however, instead it transformed the dancefloor into groove-soaked spectacle. It was a fitting scene for the 10th edition of CRSSD Festival's spring showcase, which has not only endured, but flourished as a cornerstone of stateside electronic music culture on the West Coast. Over the last decade, techno and house have moved from the fringes of the festival circuit to the center of global dance music culture. But CRSSD’s success hasn’t come from following the crowd. Instead, its identity is built on sharp, intentional curation, favoring artistry over hype. This year’s lineup embodied that philosophy, seamlessly blending pioneers and rising talents alike. Keiki Lani-Knudsen Few acts illustrate that balance better than Justice. The iconic French duo, whose Hyperdrama tour has been selling out international arenas, took the Ocean View stage on Saturday night, delivering a dazzling symphony of distortion, disco and maximalist electro against the backdrop of the Pacific. CRSSD's heart beats in the underground, and this year, that sentiment manifested in the form of Green Velvet, a surprise last-minute addition to the lineup. The Chicago house music legend felt like a natural fit for a festival that thrives on carefully curated selections, adding another layer of authenticity to a weekend that celebrated the genre's origins. Sunday’s programming leaned into techno's darker, more relentless side, culminating in a feverish b2b set from Nicole Moudaber and EDM.com Class of 2023 star Anfisa Letyago at the City Steps stage. Their performance was a masterclass in momentum, each kickdrum landing in a rhythmic storm that mirrored the rain falling over the crowd. Meanwhile, Poolside offered contrast, their breezy, sun-drenched house beats soundtracking a picture-perfect San Diego afternoon. If Moudaber and Letyago’s set was a sprint to the finish line, Poolside was a deep exhale, reminding "America's Finest City" that CRSSD’s magic lies in a balanced blend of intensity and euphoria. Keiki Lane-Knudson And at its heart, CRSSD is built on community, the kind of festival where a shared love for a four-on-the-floor beat is enough to form a bond. That spirit was never more evident than on Sunday night, when Kavinsky closed out the festival with a sweeping set that spanned synthwave and cinematic electronic music. A decade in, the festival has proven that it is an institution. And in a world where dance music continues to evolve at a breakneck pace, CRSSD remains exactly what it’s always been: a place where the music matters most. Follow CRSSD:X: x.com/crssdfest Instagram: instagram.com/crssdfest TikTok: tiktok.com/@crssdfest Facebook: facebook.com/crssdfest

Hard dance isn’t just knocking at the door of mainstream appeal anymore—it’s kicking it down at 150 BPM. With their new single "Good Enough," GESES, Charles B and Jerome are doing their part in propelling the ascendant hard dance wave, fusing the unrelenting cadence of hard techno with the soaring euphoria of trance and nostalgic charm of Eurodance. Pitched-up vocals cut through a storm of pummeling kicks, throwing down an ultimatum: "Are you good enough?" As stewards of the "Nu Rave Order" mix series, GESES and Charles B have been instrumental in redefining the boundaries of high-energy club music, bridging the underground’s raw intensity with the polish needed to resonate on a global scale. Their latest effort alongside Jerome is a testament to that vision, channeling a combination of electronic subgenres that have previously existed on the fringes into a force now too powerful to be ignored. Listen to "Good Enough" below and find the track on streaming services here. Follow GESES:X: x.com/iamgeses TikTok: tiktok.com/@iamgeses Instagram: instagram.com/iamgeses Facebook: facebook.com/gesesmusic Spotify: bit.ly/3V3LHNc Follow Charles B: Instagram: instagram.com/djcharlesb Facebook: facebook.com/djcharlesb Spotify: bit.ly/41zg94c Follow Jerome: Instagram: instagram.com/djjerome Facebook: facebook.com/artistjerome Spotify: bit.ly/41NHzom

Contradictions have long plagued the music industry, where creative freedom meets relentless pressure. A new study examines the devastating reality beneath the surface: musicians are at a significantly higher risk of suicide than most other professions across the world. Published in Frontiers in Public Health, the epidemiological data found that musicians in England have one of the highest suicide rates of any occupational group, ranking fourth behind construction workers, tradespeople and agricultural workers. In the US, the broader occupational category that includes musicians had the highest female suicide rate of any profession in multiple years, and the third highest for men (138.7 per 100,000). The study suggests that the industry is, in the words of co-author Dr. George Musgrave, "demonstrably unsafe." It cites as cautionary tales Avicii and The Prodigy's Keith Flint, who died by suicide in 2018 and 2019, respectively. "Occupational mortality data in the US and the UK should make all of us who love and care about music stop and pause," Musgrave said. Sean Eriksson Roughly 70% of musicians are freelancers, meaning they have no benefits, no sick pay and little safety net, per The Guardian. Even those who achieve recognition often find themselves in a cycle of economic uncertainty, forced to tour relentlessly or take on multiple side jobs just to sustain themselves. Despite growing awareness of mental health struggles in the music world, real change has been slow. Some major record labels have introduced mental health initiatives and organizations like Help Musicians and Music Minds Matter offer critical support, including crisis hotlines and financial aid. But Musgrave and his colleagues argue that far more must be done. They are calling for the industry to implement a "zero suicide framework," a structured approach that has successfully reduced suicide rates in other high-risk professions. You can read the full study here.

In honor of International Women’s Day, we’re celebrating the incredible female DJs who are shaping the global dance music scene in 2025. These artists are breaking boundaries, headlining major festivals, and redefining electronic music with their unique sounds. From techno titans to bass music queens, house music pioneers to trance legends, these women continue to inspire and push the genre forward. Whether you’re a longtime fan or just discovering these artists, here’s a look at 30 female DJs who are making waves and commanding the decks this year. Alison Wonderland – Australian DJ, singer, and producer known for her emotionally charged bass-heavy music and electrifying live performances. Amelie Lens – Belgian techno powerhouse recognized for her hypnotic, high-energy sets and deep, driving beats that dominate the global underground scene. B Jones – Spanish DJ making waves in the EDM and house scene, known for being the first female DJ from Spain to perform at Tomorrowland’s main stage. Blond:ish – Canadian DJ duo blending deep house and spiritual vibes, promoting sustainability and positivity in their music and lifestyle. Charlotte de Witte – Belgian techno queen famous for her dark, industrial sounds and commanding presence at major festivals worldwide. Deborah De Luca – Italian techno artist celebrated for her fusion of hard-hitting beats with melodic elements, earning her a devoted global following. Elohim – American electronic artist and singer-songwriter known for her dreamy, genre-bending productions and deeply personal lyrics. Emily Fox – Emerging DJ with a growing reputation for her dynamic sets that blend techno, house, and underground sounds. Hannah Laing – Scottish DJ and producer bringing fresh energy to the techno and house scene, gaining traction with viral tracks and festival sets. Indira Paganotto – Spanish techno DJ recognized for her psychedelic, trance-infused beats, making her a standout in the underground scene. Korolova – Ukrainian progressive house and melodic techno DJ who has quickly gained attention with her emotive and cinematic sound. Le Twins – Mexican twin sisters who combine DJing, live singing, and energetic performances across EDM and house music. Level Up – American bass music DJ blending dubstep and riddim with a high-energy, horror-inspired aesthetic. Lilly Palmer – German techno DJ known for her deep, rolling basslines and hypnotic soundscapes, captivating audiences worldwide. Mandy – Belgian DJ and producer known for her high-energy sets blending techno and hard-hitting house music. Marianna Bo – Mexican DJ and violinist fusing electronic beats with live instrumentals, creating a unique hybrid performance style. Mattn – Belgian DJ and producer known for her festival-ready big room house and collaborations with major EDM artists. Merow – Rising electronic artist making waves with her unique sound and engaging performances. Miss K8 – Ukrainian hardcore and hardstyle DJ, dubbed the “Queen of Hardcore” for her intense, relentless beats. Miss Monique – Ukrainian progressive house DJ known for her deep, melodic sound and popular livestream sets on YouTube. Nervo – Australian twin sisters dominating the EDM scene with infectious big-room house hits and songwriting for top artists. Nifra – Slovakian trance DJ and producer affiliated with Markus Schulz’s Coldharbour Recordings, known for her driving, euphoric sound. Nina Kraviz – Russian techno icon blending acid, industrial, and hypnotic sounds while also running her own label, трип (Trip). Nicole Moudaber – Lebanese-British DJ and producer, a key figure in the global techno scene with her deep, pulsating grooves. Nora En Pure – Swiss-South African DJ celebrated for her nature-infused deep house and melodic soundscapes. Peggy Gou – South Korean DJ and producer blending house, techno, and 90s vibes, with a unique fashion-forward aesthetic. RayRay – Taiwanese bass music DJ recognized for her dynamic fusion of trap, dubstep, and future bass. Rezz – Canadian DJ and producer known for her hypnotic, dark midtempo bass sound, often referred to as “Space Mom” by fans. Sara Landry – American DJ rising in the techno scene with her industrial, hard-hitting sound and underground energy. Tita Lau – UK-based DJ and producer creating infectious tech-house beats, known for her collaborations and vibrant sets.

Some songs define a moment while others, like "Titanium," define a generation. More than a decade after their timeless 2011 collaboration "Titanium," David Guetta and Sia have rekindled their creative spark with "Beautiful People," a soaring dance anthem that channels their signature blend of euphoria and emotional intensity. Guetta took to social media to confirm the long-awaited reunion prior to its release, calling Sia "one of the greatest voices and songwriters of our generation." And the synergy they forged in the alchemy of "Titanium" remains evident as ever. A track that had once circulated in the shadows of internet leaks, "Beautiful People" now emerges in its fully realized form, polished and primed for dancefloors worldwide. The track builds with quiet anticipation, an instantly memorable chorus and a cascading drop. Sia’s unmistakable vocals, equal parts raw and resilient, rise above Guetta's production with anthemic urgency. Guetta, whose influence on the evolution of mainstream dance music is unparalleled, has never been one to shy away from a radio-ready smash. With "Beautiful People," he returns to a sound that embodies the spirit of the early 2010s with modernized production. As he prepares to kick off his residency at LIV Beach in Las Vegas, the new single serves as a reminder of his ability to craft anthems that bridge generations. You can listen to "Beautiful People" below and find the track on streaming services here. Follow David Guetta:X: x.com/davidguetta Instagram: instagram.com/davidguetta TikTok: tiktok.com/@davidguetta Facebook: facebook.com/davidguetta Spotify: spoti.fi/3fHbpAC Follow Sia:X: x.com/sia Instagram: instagram.com/siamusic TikTok: tiktok.com/@sia Facebook: facebook.com/siamusic Spotify: spoti.fi/31A6aOm

44 years ago, Ricardo Urgell, who founded Pacha, created Flower Power which has now become one of the most highly regarded parties in Ibiza. This year it’s back again with a stacked lineup that promises to make for another iconic season in Ibiza. Although Flower Power isn’t widely recognised outside of Ibiza, to the islanders and those who are aware of it it’s known for being one of the best and most historic parties in Ibiza. It’ll be taking over Pacha every Saturday from June 7th to August 30th and then making a return on October 4th bringing positive vibes while spreading the message of peace and happiness. Flower Power is a musical journey of love, freedom, expression and self-discovery which a series of amazing acts will be taking everyone on. Setting the foundations and tone will be the ever-vibrant Bora Uzer whose immersive live sets and astonishing musical creativity is sure to bring the dancefloor to life. With Sam Oui and Fabrice opening the night along with a mixture of artists joining them every Saturday, the lineups over the season will include: Boy George, Roger Sanchez, Purple Disco Machine, Louie Vega, Sophie Ellis-Bextor, Flight Facilities, David Morales, Kenny Dope, and the London Gospel Community Choir. This lineup is possibly one of the biggest and best that Flower Power has put together in its history with icon after icon making it the place to be in Ibiza. Pacha Ibiza is the cornerstone of experiential nightlife providing unique experiences for over 50 years that have earnt its reputation as one of the most legendary clubs in the Balearic Islands. It’s not only a musical experience, but a cultural experience that looks to spread the Ibizan lifestyle through its carefully crafted events. Flower Power stands as one of its most historic and iconic events which looks set to make history again this year. If you’re wanting the experience of a lifetime with beautiful music, a journey of self-discovery, all while being surrounded by love and like-minded people then you know where to go. Full Lineup 7th June: Bora Uzer, Boy George, Sam Oui 14th June: Bora Uzer, Bora Uzer feat. London Gospel Community Choir 1st June: Bora Uzer, Roger Sanchez, Sam Oui 28th June: Bora Uzer, Boy George, Sam Oui 5th July: Bora Uzer, Boy George, Sam Oui 12th July: Bora Uzer, Roger Sanchez, Sam Oui 19th July: Bora Uzer, The Ritual (Louie Vega + Anané), Sam Oui 26th July: Bora Uzer, Roger Sanchez, Sam Oui 2nd August: Bora Uzer, Masters At Work (Louie Vega + Kenny Dope), Sam Oui 9th August: Bora Uzer, Purple Disco Machine, Sam Oui 16th August: Bora Uzer, Roger Sanchez, Sam Oui Tickets for Flower Power are available through the link below: https://pacha.com/residence/flower-power: Flower Power Announces Stacked Lineup For Pacha Ibiza SeasonYou can follow Pacha Ibiza on their socials below:

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After being away from releasing music for 3 years, Grayson Repp has now made an emphatic return with his brand new single ‘Heart and Soul’ which is the first of a series of songs planned for the year. ‘Heart and Soul’ is an interesting blend of progressive house with an afro feel from the drums which makes for a unique sound that is perfectly executed. Through the lyrics a story of developing love for someone is told that reaches its conclusion at the chorus where the track explodes into being wonderfully uplifting. The leap into this euphoric section is spectacular with a sound somewhat akin to Matisse & Sadko along with the mirroring between the tracks lyrics and energy being masterful. Though he has been away from releasing music for a while, Grayson Repp has been making waves in the world of DJing as he has been the Head DJ and Music Director for the FIFA World Cup 2022, CONCACAF Gold Cup/Nations League Finals 2023 & 2024, and Copa America 2024. His music and DJ sets have taken him all over the globe including sharing the stage with Travis Scott. These performances have been seen and heard by millions of people around the world and have earnt him the spot of Head DJ for the 2026 World Cup. ‘Heart and Soul’ marks the beginning of a huge year for Grayson Repp with plenty of performances and collaborations on the horizon. The release of this single is a strong statement from him of what he is capable of in the studio and what we can look forward to from him over the coming months. Follow Grayson Repp on his socials below:

Picture this: It's 2008, the iPhone is barely a year old, there's this new movie Twilight that everyone's talking about, and Passion Pit just released their debut single, "Sleepyhead." Now, nearly two decades later, SOFI TUKKER have joined forces with Passion Pit to release a reimagined version of the indietronica band's ageless earworm. "Sleepyhead 2025" interpolates frontman Michael Angelakos' unmistakable vocal chops through a blissed-out four-on-the-flour beat, showcasing the production prowess of the genre-defying duo. "We didn’t want to change the direction of the song too much, just modernize it and sonically bring it into the SOFI TUKKER world," they said in a press release. Listen to the new track below. SOFI TUKKER's Tucker Halpern said the original "Sleepyhead" was one of his all-time favorite songs back in high school and "soundtracked so many pivotal moments with [his] friends." "I recently met Michael Angelakos and we instantly connected," Halpern recalled. "I told him how much his music had inspired me. After talking about how much the industry has changed since he released Manners [the album featuring ['Sleepyhead'], we decided to bring the track back in 2025 for a new generation." "Sleepyhead 2025" also marks the first release of 2023 on SOFI TUKKER's own label, Animal Talk Records, effectively marking a relaunch. It started in 2018 as a way to introduce the world to promising artists, starting with their friend LP Giobbi, who released her first songs on the imprint before blossoming into a dance music superstar. In other SOFI TUKKER news, you can catch the duo at one of their 10 headlining performances in Las Vegas this year. Their Wynn Nightlife residency comprises appearances at Encore Beach Club and its nighttime offshoot as well as XS Nightclub. Their tour also features performance at BottleRock, Tomorrowland, Shambhala and Elements, among other festivals. Follow SOFI TUKKER:Instagram: instagram.com/sofitukker TikTok: tiktok.com/@sofitukker X: x.com/sofitukker Facebook: facebook.com/sofitukker Spotify: spoti.fi/37qJdQd

The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene. You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here. EDM.com Fresh PicksØneheart, Scarlxrd - running xut xf dxubtJaxon Wild - Badman DubHidden Face - Not so badphritz - PodsCloudNone - From HereBronze Whale - OppositesAMNES, artemis orion - StaminaDJ Carpenter, Kasbo, Izza Gara - GarraGarraWINK - TELLMEWHYEMBRZ - Someone To LoseWhereisalex - AshesLaurent Iacomucci - Deep in Your LoveHIFEELINGS - Hear It

On March 5th Calvin Harris, real name Adam Wiles, is prepared to release a surprisingly new song that he has teased online for the world to react to. Two things that make this song shocking are that he is back to using his own vocals again and this track has a very classic country feel to it. He posted a short clip of him singing the new song ‘Smoke The Pain Away.’ In the video, Harris looks like he’s about to drop the hottest country album of the year while he is playing an acoustic guitar to a foot drum beat. He sings, “Eyes sparkle like the sun in June, grow up and wait for you. Wide awake in a hotel room, thinking ‘oh what could I do.’ Too late I’ve been up for days, I can’t even see straight, no I can’t smoke the pain away.” You can listen to the clip yourself below. Fans immediately expressed their excitement and love for this. One fan reacts, “What is happening? I love it!.” Another writes, “Calvin vocals are back lfg.” In the caption, he wrote, “It’s coming,” and we have been informed that it will be released on March 14th. His last release was the song ‘Free’ in July 2024. Even though Harris is not scheduled for any performances in 2025, this is going to be one amazing start to his year. Harris is no stranger to singing. He used his vocals in many of the songs that forged his career and initially left his fingerprint on the EDM world. Iconic songs like ‘Feel So Close,’ ‘Summer,’ and ‘My Way.’ His cadence and tone have a very pleasing sound. Many of us wish he would sing more songs that he makes. ‘Smoke The Pain Away‘ is not the first time an EDM artist has crossed over into the country realm. Avicii successfully achieved it first with his smashing hit ‘Wake Me Up,’ followed by Diplo releasing an entire album under his real name, Thomas Wesley, as his country project. This may be another defining moment for Harris, but the question we are left with is, does the song contain dance elements or does it stay fully in the country lane? This one will surely be worth the wait! The post Calvin Harris Teases New Song With His Own Vocals appeared first on EDMTunes.

EDM.com is gearing up for another epic Miami Music Week with the return of its open-air kickoff networking party, "EDM.com & Friends," on Wednesday, March 26th. Following successful events in Miami, Amsterdam, Tulum and other cities around the world, we're bringing together key players from all corners of the electronic dance music scene for a networking event and party. This year's event will take place on the C-Level Rooftop of the iconic Clevelander South Beach, in the heart of Miami's Art Deco District on Ocean Drive, from 11am to 9pm. Attendees will groove to performances by Henry Fong, Kaleena Zanders, Sunday Scaries, Myles O'Neal, Rich DietZ, PLS&TY, Sherm, MARTA, R3WIRE and Not Available. A special performance from a secret guest headliner is also on tap. They'll all be DJing on the sleek Clevelander rooftop, which offers panoramic views of the Atlantic Ocean coupled with historic 1938 Art Deco design. EDM&period;com While the music sets the tone, the event is designed to open doors like none other. Attendees will be able to connect with DJs, promoters, artists, label representatives, venue owners, booking agents, media, content creators and more. Whether you’re looking to collaborate, seek career advice or you're simply interested in learning more about the scene, "EDM.com & Friends" is annually designed to fostering meaningful industry relationships. Artists can maximize these opportunities with a producer meet-up and exclusive demo drop from 11am to 12pm. This session will give producers direct access to A&Rs from renowned labels such as Tchami's Confession, James Hype's Stereohype, Hood Politics Records, House Hats and Peak Dial, among others. They will be able to share their work, receive constructive feedback and potentially walk away with a signed record. Arriving early is recommended for those looking to take advantage of this experience. View the original article to see embedded media. As the day unfolds, the rooftop will transform into the ultimate Miami Music Week setting, where great dance music and great company go hand in hand. As the sun dips below the skyline and the night creeps in, the excitement will only reach new heights, creating yet another unforgettable event in Magic City. Admission is free with the code EDMFRIEND, and $19 without the code. Table reservations are also available starting at $200. Tickets and tables can be reserved here.

Blossoming progressive house artist Ward Andrews is stepping into the electronic music world with a bold vision. At a time when the industry favors short, easily digestible tracks, Andrews is embracing a different philosophy – crafting expansive, long-form soundscapes designed to transport listeners through layered, immersive experiences. As a longtime creative force in the arts and design world, Andrews has discovered a new medium for his lifelong passion: music. His approach is rooted in his knack for creating cinematic masterpieces that serve as a soundtrack for work, play, and life. Inspired by the hypnotic energy of 70s disco, 80s synth pop, and 90s house, Andrews blends nostalgia with forward-thinking production, resulting in compositions that are both familiar and refreshingly original. With an artist project born during the pandemic, his debut single “Do You Hear Me Now” garnered 90,000 streams, followed by his sophomore track, “Timbavati,” which amassed 100,000 streams. His latest release “Now or Never” caught the attention of Swedish label LoudKult, marking a key milestone in his musical evolution. Andrews has also performed at major events like Goldrush Music Festival and Decadence Arizona; supported artists including Genix, LUTTRELL, Jerro, and Romain Garcia; and he hosts a new radio show on Insomniac Radio, Creation Park, airing on the first Tuesday of each month at 10 PM PT. Now, Andrews is gearing up for the release of his debut EP, The Decoration Of Time, on Friday, May 16. Fusing his unique progressive house sound with elements of atmospheric and melodic beats, the upcoming EP is a deep exploration of Andrews’ artistic journey. With The Decoration Of Time, Andrews seeks to not only captivate through rhythm and melody but also evoke emotions that encourage personal reflection, growth, and connection with the passage of time. Today, Andrews kicks off the EP rollout with lead single “Future Memories” – a track created as a way to redefine the way music, memory, and time are experienced. Exploring the concept of time “Future Memories” captures the feeling of being suspended between the past and what’s yet to come. Its immersive soundscape creates a continuous loop of emotion, blending nostalgia with endless possibility. Spanning six minutes, “Future Memories” is a melodic journey that incorporates warm synth textures, pulsating basslines, and evolving percussion. While the track develops, it pulls listeners in deeper with ethereal synth pads and sweeping atmospheric elements, creating a sense of movement, while rhythmic progressions give the track its driving force. Rejecting conventional song structures, “Future Memories” is a cinematic loop that transports listeners into a transcendent soundscape. Fans can catch Ward Andrews play out “Future Memories” at his upcoming tour dates during Miami Music Week, including two shows at The Clevelander Rooftop, The Clevelander Pool, and Over Under. Download/Stream The post Cinematic progressive house artist Ward Andrews unveils lead single from his forthcoming debut EP The Decoration of Time appeared first on EDMTunes.

In a city overflowing with parties, Factory Town cuts through the chaos to deliver the ultimate Miami Music Week itinerary year after year. While it's easy to feel overwhelmed by the hundreds of events during the week, fans hunting for the best lineups, production and atmosphere should look no further than this Miami staple. Factory Town has developed an unrivaled experience with some of the world's top electronic acts for a multi-night spectacle that's once again set to define Miami Music Week in 2025. The sprawling venue offers five unique stages, each with their own curated lineups, to drive nonstop energy from sunset to sunrise. If you can't decide which night to attend, simply secure an all-access pass enabling entry for the entire marathon of shows. Read on to discover them, and check out our comprehensive guide for a full breakdown of Miami Music Week 2025 events. Factory Town: Wednesday, March 26Rev up your engines with the Hellbent Opening Party, which will ignite the Infinity Room with a massive lineup. Label boss Cloonee, Loco Dice, Hot Since 82 and more will deliver high-energy grooves for a proper Music Week kickoff. Over at the Park Stage, Eli Brown's Arcane label takeover promises a night of unrelenting beats and hypnotic basslines, setting the tone for an unforgettable week. If you're ready to dive headfirst into the deep end, join LP Giobbi, Alex Wann and more for the Deep House Bible takeover in the Chain Room. Calling all techno fans: 999999999, Johannes Schuster, Sister System and more will drive industrial-strength energy in a can't-miss party in the Warehouse, where heavy kicks and raw power will keep you locked in till sunrise. Amsterdam-based PIV Records are hosting an energizing label takeover at Cypress End, featuring sets by TSHA, HoneyLuv, Ranger Trucco and more. Factory Town: Thursday, March 27After a marathon birthday bash at Club Space, house music icon Marco Carola returns for another round. His Music On brand is taking over the Infinity Room with support from Chris Stussy, Cole Knight and more. Techno superstar Sara Landry's HEKATE label will command the Park Stage for a full-throttle techno takeover, packed with dark, driving energy all night long. A secret surprise guest will accompany Ben Sterling for his Planet X party in the Chain Room, with fiery sets by EDM.com Class of 2025 star Beltran and many more. Intergalactic grooves and futuristic sounds will keep fans dancing into the morning hours. Meanwhile, the Warehouse will descend into bass-heavy madness as WORSHIP convert it into a drum & bass sanctum featuring Sub Focus, Culture Shock and a surprise guest. Cypress End will come alive thanks to Argentine dance music vet Hernan Cattaneo, who will go b2b with Sasha. Dive deeper into the night with sets by Deer Jade, Enamour and more. Factory Town: Friday, March 28The Infinity Room will transform into a sunrise haven curated by Link Miami Rebels. The stacked lineup includes CamelPhat, MEDUZA, Max Styler and more. The Park is heating up with a Deep Root Tribe takeover presented by Francis Mercier. Expect groovy performances by Thunderpony and breakout Afro-house duo Sparrow & Barbosa. Pablo Fierro presents "We're Here," an invasion of sound in the Chain Room featuring Roger Sanchez, Bontan and more. Berlin’s Linear, the brainchild of Klangkuenstler, is set to unleash raw, unfiltered techno in the Warehouse with support from Hiroko Yamamura, SHDW and more. Over at Cypress End, Differ & Friends are curating a house affair with Nick Warren, Nico Rada, Solkey and more, providing the perfect soundtrack from sunset to sunrise. Factory Town: Saturday, March 29Dance music icon Black Coffee returns to claim the Infinity Room, promising a transcendent experience. With more artists yet to be announced, this show is bound to be one of Miami Music Week's best. The Park is in for a treat with Indira Paganotto's ARTCORE label, which is celebrating its 1-year anniversary. The party will include Giorgia Angiuli, Dax J and more. Now Here with Paco Osuna, featuring Iglesias, Melanie Ribbe, Wheats and more will transform the Chain Room. Saturday's energy will be unmatched for the Drumcode takeover in the Warehouse. Two techno stars will go b2b in addition to their individual performances: Adam Beyer and Layton Giordani. At Cypress End, Ciao Dany! and MADAFAKAZ are bringing their signature energy to keep the night pumping. Factory Town: Sunday, March 30As the final night of Miami Music Week 2025 descends, Factory Town’s Closing Parties promise an all-out finale that will push ravers to their limits. We'll see exactly who trained for their marathons at one of the globe's most iconic EDM parties: elrow. Expect a night of outrageous decor, infectious energy and an absolutely stacked lineup featuring Dombresky, Eats Everything, HUGEL, Odd Mob, Matroda and more. Disco, house, jazz and funk will collide for ANOTR's highly anticipated "On a Trip" album release party at the Park stage. Over in the Chain Room, Bedouin’s SAGA will make its Factory Town debut, pumping hypnotic grooves deep into the night. The Warehouse is getting a Factory 93 facelift, featuring raw underground sounds from Bad Boombox b2b Mischluft, Funk Tribu and more. ChaseWest will also lay claim to the final sunrise of Miami Music Week, presenting a label takeover at Cypress End. Beltran, Liam Palmer and more will lead the charge into the early hours of Monday morning. Follow Factory Town:X: x.com/factorytown_ Instagram: instagram.com/factorytown_ TikTok: tiktok.com/@factorytownmia Facebook: facebook.com/factorytownmiami