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In the heart of the American electronic music scene, a beacon of unassuming sounds of soulful drum & bass shines bright on the West coast. In a scene saturated with House, Dubstep and Jump Up, an outlier still stands strong in the form of JUICE, a drum & bass brand that aims to cater to fans of the melodic, deep and soulful sounds of the genre. For two decades, JUICE has been a fixture, a testament to the dedication and passion of its founder, Chemynne Perlingieri. From its humble beginnings in Bend, Oregon, to its current home in Portland, JUICE has not only weathered the storms of change but has thrived, becoming an internationally recognised platform for the soulful side of drum & bass. Chemynne’s journey is one of resilience, creativity, and an unwavering love for the music. As a woman in a male-dominated industry, she has faced challenges head-on, carving a space for herself and for the sounds she champions. Through JUICE, its accompanying live stream, and her booking agency, BassRoutes, Chemynne has fostered a vibrant community, brought legendary artists to the US, and nurtured local talent. On the cusp of JUICE’s 20th anniversary, we had the pleasure of sitting down with Chemynne to discuss her remarkable journey, the evolution of the drum & bass scene in the US, and the challenges and triumphs of promoting a niche genre with global appeal. You had a late-night last night doing your JUICE Live Stream, how was it? It was great! It’s always a bit hectic with the family in the evenings, getting dinner and everything together before starting the stream, but it’s also energising. The community is extraordinary, and it’s what keeps us coming back. Where did it all begin? When did you get involved in working in the US electronic music scene? Juice Drum and Bass itself started in Bend, Oregon, which is a small city in the middle of Oregon back in 2005. At that point, I had already been a keen follower of drum & bass for at least a decade and Jungle as well. I did listen to other genres of electronic music long before that. Living in central Oregon, we really didn’t get much musical diversity and hardly any headliners were coming to town. Back then, even Portland didn’t get a lot of play. Basically, the bigger artists would play in San Francisco and then they’d head to Seattle, skipping right over Oregon. I just wanted to see this change. I wanted to put Oregon on the map for drum & bass. My design studio at the time was doing well, so I had the foundation to test out a show or two. And truthfully, back then, I had no idea what I was doing. I had recently designed a brand, menu, and advertising for a local club and restaurant. The owners are wonderful people, and they knew that I was an avid follower of drum & bass. They gave me a chance to host a night on the last Saturday of the month, knowing that drum & bass wasn’t really well known, but they were both big fans of electronic music. They used to have breaks, and deep house shows there on the regular. I am still grateful to them for that opportunity. At the time I think I’d only planned to do a couple of shows, but it turned out that there was a real need to give a forum for local and regional people as well as getting international producers there. People would say, “Where’s Oregon? I’ve never been there. Sounds beautiful.” And it is beautiful here. So I deeply embedded myself into the scene to bring some unique bookings to the area, and the rest is history; JUICE grew from a monthly for years and then relocated to Portland in 2009 and continued forward. What sparked the initial idea for JUICE? What were some of the early challenges you faced in establishing a drum & bass night? I observed that most nights were generally not focused on the soulful sounds of drum & bass and I just wanted to celebrate that style. Simply put, I just wanted to see that type of drum & bass make it to Oregon. I wanted to help create and be a part of the movement. Brand development was my longtime professional focus, so in a way, I just saw JUICE as another design challenge: a client to grow. The idea behind the name was that the music really nourished and energised. Drum & bass IS the JUICE of life! In some ways, running a night early on in Bend was easier than it is now because I had venue support, and extra income to throw toward shows. There was a need for the niche, so I tapped into that to grow our base. Moving to Portland later on brought tougher challenges. It was a terrible time economically 2008-2010, so money was tight, venues didn’t want to support a lesser-known style of dance music, and overall, just required a LOT for me to prove that our night was “worthy” of being in their space. Most venue owners didn’t even know what drum & bass was, and certainly didn’t want to take a chance on us. Most agencies wouldn’t give me the time of day to book artists, so I had to rely on creativity and building a professional reputation amongst artists. Word of mouth has always been key for us. JUICE has been running for 20 years. How has the night, and the drum & bass scene in Portland and the US in general, evolved during this time? How have you adapted to changes in music consumption, promotion, and the overall cultural landscape? Well, we’ve come a long way, and I’m proud of having established us as a cornerstone in electronic music here in the Pacific Northwest. I think our scene here in Portland is pretty strong with several different nights running for a while. We all try to support each other’s endeavours too. Drum & bass has definitely grown stateside, but there has definitely been an ebb and flow. I remember at times people telling me that drum & bass had no future, especially the sounds we pushed. I think people were always bringing up the likelihood that we’d fail, rather than acknowledging that we were building something special and doing a damned good job of it. As for adapting to changes, one thing I’ve learned is to keep reinventing! Never get comfortable with anything. Keep staying creative, trying new things, and different methods and platforms for reaching your audience. I’ve definitely put my design & marketing skills to good use in the process. For instance, when the pandemic hit and venues closed, at first, I was mortified. Both my agency BassRoutes and JUICE Drum and Bass are my jobs, my income. That week that lockdown started, I began working on new merch designs, and a month after that we got on Twitch. We did something that we weren’t seeing anywhere else: offering to actually pay artists to do guest sets for feature livestreams. Bringing in local, regional, and international talent—all remotely—we literally kept our monthly going exclusively through these features and donations. During that time we also donated to over 25 different organisations who support equality programs, LGBTQ rights, the local environment, Portland culture, and youth music programs. Much to my surprise, JUICE actually grew over the pandemic. And with regard to the agency, I just kept learning and networking, starting early work and planning for Visas so we’d be ready once things opened back up. Even though everything screeched to a halt, I just kept going. I didn’t want to give up on all that I’d worked so hard to build. You’re known for your dedication to the soulful side of drum & bass, particularly jungle and liquid. What draws you to these styles, and how have you ensured they remain relevant and continue to thrive within the scene? Growing up, I was raised on a lot of jazz through my dad as well as a healthy dose of R&B, soul and reggae, which led me through the doorways of early electronica and downtempo through artists like Peshay, Big Bud, PFM and early Good-Looking compilations. I heard so much jazz through those sounds, and it was like the ultimate combination of my upbringing, and the sounds of “now”. My parents also focused on learning instruments, so into middle school I took piano, guitar and flute lessons. As a teen I was a rebel with a cause, drawn to the rougher side of ska and punk music, so gravitating to jungle felt natural; like a sound that was already familiar to me. Jungle has always felt like my “roots.” Though I spent most of my professional life as a designer, music has always been a constant. It is still surprising to me that I ended up dedicating my professional life to it. Helping international artists to get their visas and tour here via BassRoutes, along with continuing to push the sounds through JUICE ensures that the music stays fresh and relevant here in the states. Twitch has also been a big part of sharing these sounds over the last almost 5 years on that platform. How would you describe the JUICE community, and what role has it played in the success and longevity of the night? How has the weekly stream contributed to building and nurturing this community? Our listeners are literally from ages 17 to 60+. Attendees at our quarterly shows range from early 20s to over 60. They are students, professionals and creatives of all sorts, some are in the music industry, many aren’t…it’s a very diverse group of people. Our vibe, energy and venue Holocene encourages coming as you are, in all your uniqueness and flavour. What I also love about our in-person events is that you’ll find a lot of women and folks from the LGBTQ community on the dancefloor—it’s not just predominantly guys which we do see a lot with drum & bass events. All are welcome, safe and appreciated. We encourage the same on our weekly “radio show” stream. We don’t discuss politics or stressful subjects. We keep chat light, often sharing cooking tips and recipes, info about other shows and tours around the country, etc. A lot of producers hang out in our stream too, where we can ink others to their music in chat. It’s a place where you can smooth away the wrinkles of the day as we say. While it’s a bit crazy that we’ve dedicated three nights a week to this since 2020, we’ve come to realise that we’re a staple for listeners around the world. Some are getting their kids ready for school, making dinner, or working out at the gym while listening, winding down with us after work. It means a lot, so we just keep showing up. I’m proud that we have built this amazing community on Twitch to almost 10k followers. I’m also very grateful to my husband too, who handles the tech side of our streams. He’s an amazing DJ and splits regular mixing time with me weekly so we’re able to keep up with our slots consistently without shouldering the full load of a 4-5 hour session each time. JUICE has hosted legendary figures like LTJ Bukem and was the only US night to host both the ’30 Years of Metalheadz’ and ’30 Years of Dread Recordings’ tours. What do these milestones mean to you, and how do you feel about JUICE’s influence within the broader drum & bass world? We’ve really had some amazing artists here over two decades. I’m actually still trying to archive old files and pull together a full list of everyone we’ve hosted. I don’t even think I’ll have this list complete by our anniversary! At this point, there are only a handful of drum & bass artists (on the soulful side) we’ve not yet had a chance to have here. Being the only night in North America to host last October’s show with a 30-Year showcases in the same night was pretty amazing. It was a tremendous amount of work and planning to make that happen, but I’m grateful to Goldie, AntTC1, Ray Keith and Nookie for coming from such great distances to our humble night and supporting the endeavour. I remember at one point during the evening sitting down on the stairs of the stage, heaving a big sigh of relief and thinking “we’ve arrived.” It took two decades, but we have really established ourselves as a destination event for attendees and have been told we’re a bucket list spot to play for artists. That means so much to me. I don’t ever really think about the influence we have in “the rest of the world.” I’m often surprised to hear people know about our night at ALL when I’m working on bookings with other promoters for BassRoutes artists. I’ve always got my head down and am working so incredibly hard at growing this brand and elevating the sounds, I really can’t believe sometimes what an impact we’ve already made on the scene. I just want people to know that there’s a sweet little night out here in Portland that pushes the soulful sounds of drum & bass, and a humble agency that works tirelessly to get artists here. The 20th-anniversary celebration is a huge achievement. What can people expect from the event, and why did you choose S.P.Y, Seba and BCee as headliners? What does this milestone represent for you personally and professionally? Expect great vibes, exceptional sound, ambiance, and headliners start to finish. Khariszma out of San Francisco is super talented. We’ve not yet had a chance to host S.P.Y or Seba, and I’m always trying to get people through who we’ve not had here before. This event soft launches BCee’s 20 Years of Spearhead Records tour, and with Seba’s new album Oni, and a bunch of S.P.Y’s tunes on Spearhead, the lineup developed into a wonderful synchronicity of artists. As BassRoutes handled both BCee and Seba’s visas (and their incoming spring tours), it’s just a pleasure to have them here as guests, rather than “clients” to show them how special our shows and community are. It’s like I finally get to say, “this is what I DO!” I’ve been so busy lately working on tours for BCee, Seba, Ray Keith and Nookie along with putting this event together, that honestly I haven’t really stopped to think about it. I suppose when it’s all over I’ll just be stoked that we did it! Personally, I’m just grateful for the support from my husband and our tight crew on event nights, and glad that I’m still somehow able to make events happen and get the music out there. Professionally it feels like a huge accomplishment to head up one of the longest running drum & bass nights in the US, growing a brand from a tiny spot in Bend to an internationally recognised vehicle (which sometimes drives faster than I can keep up with). What are some of the biggest challenges you’ve faced in promoting drum & bass in the US, and how have you overcome them? Truthfully? Being given the time of day as a woman-owned business in the scene. Suffice it to say I’ve been blown off by most everyone at some point or another. Some people circle back years later when they see I’m still at it. With others, I’m still trying to get emails answered from larger agencies, festival managers, etc. Despite JUICE’s amazing track record and international reputation, and BassRoutes’ roster of top-level artists in the industry, I still get ignored by people in the field. I’ll be polite here and not call anyone out, but yeah, we’ve not yet been able to host a few artists at our night still, due to this ridiculousness. Not being treated like an equal (despite having two degrees and a ton of professional experience), can be frustrating. I’ll say I’m still working on overcoming that, mostly just with continual effort. There’s a lot of ego out there around which to navigate. What advice would you give to others trying to build a scene or promote niche genres? This is where my phrase “perseverance, dedication, longevity, tenacity, growth” comes in. Never give up. If you believe in it, then do it! Network with other like-minded people. Take risks. Try new methods, new ideas. Keep your head down, chin up, and keep working at your goals regardless of who is telling you that you can’t do it. Looking back over the past 20 years, what are some of the most memorable moments or highlights of your time with JUICE? I suppose some of the highlights are when our shows do better than losses or just breaking even hahaha! Running events is rarely lucrative, especially when you pull out all the stops every time for excellence in production and hospitality. Seriously though, there have been some wonderful moments—like hosting Big Bud in 2006 (and then having him stay with us for a week) as well as hosting ASC, and Kubiks & Lomax early on. Those were big deals for our #biglittlenight. I was star-struck when Marky absolutely shred it on my personal Technics. We’ve had Lenzman through twice; Redeyes has played some amazing performances here too. We loved hosting Total Science and ASIDES and had the pleasure of having DRS & LSB through twice (most recently last summer), both incredible shows. Emma G and Tali smashed it here, and we were also blessed to host Dub Phizix and Strategy… wonderful (and hilarious) gents. And we’ve had some artists like Reid Speed and Spinscott who are just brilliant. Once an artist lost their wallet at the Portland airport as they were leaving (back in the day when we used to pay artists in cash!) and some amazing person turned it into security. TSA found our business card and called us, and we ended up collecting it on his behalf and shipping it to the artist at his next stop in Puerto Rico! We’ve had some memorable moments on Twitch as well. INJA was one of our guests during the pandemic, and he did an explosive live DJ/vocal set (longer than we expected) that absolutely blew us all away. It was the kind of energy and positive vibe we all needed at the time. We also had a special set from UK artist Magnum and his daughter TKD Gal, who was 13 at the time: our youngest guest ever to mix for us. She absolutely stole the show. JUICE DnB in 2022 (Photo by V.A. Davis Photography) Where do you see the drum & bass genre going in the future, and what role do you hope JUICE will play in shaping that future? Drum & bass will go wherever it needs to; and reach more people as time goes on. Despite the doubts of many, drum & bass is here to stay—especially soulful, liquid, atmospheric, and jungle sounds. It’s been 30+ years and it’s clear that the movement is growing. We already hear it on car commercials, cooking shows and through sports outlets. My sole motivation here is to get this more under-represented side of the genre introduced to more listeners. We literally have new people pop into the stream every week saying, “I’ve never heard drum & bass like this.” I love that! Will the type of drum & bass I promote ever be “mainstream”? I don’t know. I think in many ways it will always be underground music to some extent. As long as I have the energy to keep pushing the sounds, I will…and I hope that JUICE Drum and Bass will continue to be a major player in North American drum & bass culture. If you were talking to a young up and coming drum & bass producer and DJ, what advice would you give them to get on one of your line-ups? We don’t generally host events which are mixed genre, neuro, or heavy drum & bass, so don’t send us those sets. Nothing wrong with it, it’s just not what we play. If you’d like to play our night or be a guest on a feature livestream, send us a current soulful set. This means we want to hear what new soulful tunes you’re listening to, what moves you. If we haven’t met before, research our night a bit. Check out our socials or come hang out on our Twitch stream to see what we’re about. Also, please don’t email or message me to “talk to the main guy” or “the dudes in charge.” I AM the main guy. Chemynne’s story is an inspiration to anyone who has ever dared to dream big and pursue their passion against the odds. Her dedication to the soulful side of drum & bass has not only shaped the scene in the US but has also resonated with fans and artists worldwide. As JUICE Drum and Bass enters its third decade, we can only expect great things from Chemynne and her unwavering commitment to the music.

Winter Music Conference (WMC) has announced its second wave of programming for the highly anticipated 35th anniversary edition, taking place from Wednesday, March 26 – Friday, March 28, 2025, at Eden Roc Miami Beach. This latest update includes WMC-sanctioned events, official parties, industry-leading speakers, and a special Closing Keynote featuring Danny Tenaglia and Nicole Moudaber. WMC 2025 Sanctioned Events: A Celebration of Electronic Music Returning for another landmark edition, WMC Sanctioned Events provide WMC wristband holders free or discounted access to some of the most exclusive Miami Music Week showcases, club takeovers, and pool parties. Among this year’s highlights are: Armada Invites Pool Party Axtone & Friends Pool Party MK presents Area10 Pool Party Danny Tenaglia, Nicole Moudaber, Jonathan Cowan Anjunabeats Miami Pool Party Toolroom Pool Party Heartfeldt Pool Party WAKYIN & Major League DJz Glitterbox featuring DJ Jazzy Jeff & Moodymann Markus Schulz (Open to Close) And many more! Official WMC 2025 Events WMC 2025 will kick off with the Official WMC Opening Party at M2 Miami on Tuesday, March 25, 2025. This night promises a stellar lineup featuring Timmy Trumpet, Deorro, and Audien at the 35,000 sq. ft. megaclub in South Beach. The following day, Thursday, March 27, the Official WMC Pool Party at Eden Roc will be headlined by Brazilian superstar Alok, with special guest KSHMR. Other performers include Cheat Codes, Elephante, Frank Walker, HAYLA, Jonas Blue, and more. WMC delegates will have complimentary access to both flagship events with their wristbands. WMC 2025 Closing Keynote: Legends Unite One of the biggest highlights of WMC 2025 is the special Closing Keynote featuring Danny Tenaglia and Nicole Moudaber, moderated by Katie Knight. This conversation will reflect on WMC’s 35-year impact on the global dance music scene, the genre’s evolution, and what lies ahead. With Tenaglia celebrating 50 years behind the decks, this keynote will be an unmissable event. Second Wave of Speakers Announced WMC 2025 continues to build an impressive roster of industry leaders and artists. Newly announced speakers include: Afrojack Alok Sam Feldt Young Franco Mary Droppinz Juliet Fox Crystal Waters BT Industry representatives from Spotify, Ophelia Records, Night Bass Records, Toolroom Records, MusiCares, The Orchard, Thrive Music, Splice, Beatport, and more will also be present, offering insights on topics such as global music trends, getting signed to labels, and artist self-care on tour. They join previously announced speakers, including David Waxman (Ultra Records), Cristiana Votta (Manager, Black Coffee), Chris Johnson (SoundCloud), Andy Daniell (Defected Records), and Sam Mobarek (Warner Records). Limited WMC 2025 Tickets Still Available Due to high demand, the first tier of WMC 2025 tickets has sold out, but limited passes are still available at WinterMusicConference.com. What’s Included in a WMC 2025 Ticket? Access to Official WMC 2025 Events: Tuesday, March 25: WMC Opening Party @ M2 Miami – Featuring Timmy Trumpet, Deorro, and Audien. Thursday, March 27: The Official WMC Pool Party – Featuring Alok, KSHMR, Cheat Codes, Elephante, Frank Walker, HAYLA, Jonas Blue, and more. Friday, March 28: EDMA/IDMA Award Show Pool Party – Honoring electronic music’s brightest stars with live performances. Educational Panels Led by Industry Experts Free or Reduced Entry to WMC Sanctioned Events Networking Opportunities with Artists, Producers, and Industry Professionals For those looking to experience the best of Miami Music Week 2025, Winter Music Conference remains the ultimate industry event. Stay tuned for further announcements and lineup updates at WinterMusicConference.com. The post Winter Music Conference 2025 Unveils Second Wave of Programming for 35th Anniversary appeared first on EDMTunes.

Miami Music Week 2025 is set to sizzle as EDM.com announces the return of its highly anticipated event, EDM.com & Friends, on Wednesday, March 26, 2025. Hosted at the iconic C-Level Rooftop of The Clevelander in Miami Beach, this all-day affair promises a fusion of cutting-edge electronic music and unparalleled networking opportunities.​EDM.com Event Details: Date & Time: Wednesday, March 26, 2025, from 11:00 AM to 9:00 PM EDT​ Location: C-Level Rooftop at The Clevelander, Miami Beach​Official EDM.com Demo Drop: Kicking off the event, the Official EDM.com Demo Drop will take place from 11:00 AM to Noon. This session offers emerging artists a coveted platform to present their tracks directly to influential record labels, including:​ Confession Label​ Hood Politics Records Stereo Hype Global Peak Dial House Hats + More!Participants are encouraged to arrive early, as the demo drop starts promptly at 11:00 AM.​ Artist Lineup: Following the demo session, attendees can look forward to an exhilarating lineup of performances from renowned DJs and producers. Past editions have featured top-tier talent, and this year’s event continues that tradition with Henry Fong, Kaleena Zanders, Sunday Scaries, Myles O’Neal, PLS&TY and more! Embed: https://www.instagram.com/p/DG69IGSPBRA/?img_index=1 Tickets: Tickets for EDM.com & Friends are now available and can be purchased through Tixr. Given the event’s popularity and the exclusivity of the venue, early ticket acquisition is highly recommended.​ For more information and ticket purchases, visit: Tixr Event Page Don’t miss this opportunity to immerse yourself in the vibrant atmosphere of Miami Music Week, connect with industry leaders, and experience live performances from some of the most exciting names in electronic music.

The Tim Bergling Foundation, founded by Avicii's family in the wake of his tragic death by suicide in 2018, is calling on young people to share their stories for a new book. The initiative aims to collect over 1,000 messages from individuals under 25, which will be featured in the second edition of the organization's series, This Is What We Need – For A Better Day. Inspired by Avicii’s track "For A Better Day," the project was developed to amplify youth voices in conversations around mental health, where adults have traditionally dominated the dialogue. The new book aims to provide a platform for young people to express their ideas, needs and hopes for a brighter future, with the foundation pledging to use these stories to spark meaningful change. "We listen, we act, and we make sure decision-makers do too," the Tim Bergling Foundation said. Its previous collection of stories was presented directly to Sweden’s Prime Minister Ulf Kristersson, ensuring these voices are heard and advocated for at the highest levels. The Swedish organization has also built cuboid physical spaces at Sickla Köpcentrum, Forum Uppsala and Mobilia Malmö for people to record their stories. They will be open from March 10-23. View the original article to see embedded media. Beyond the book, the Tim Bergling Foundation continues to support youth mental health through various initiatives. The nonprofit has built several music studios across Sweden, offering safe spaces where young people can explore creative outlets and make music, and also partners with Ångestpodden to help students start their own mental-health focused podcasts. The foundation has also hosted "Together For A Better Day" tribute concerts at the Avicii Arena, using music as a means to inspire others and break the stigma surrounding mental health struggles. You can watch the first-ever concert in-full here. Fans can submit their stories and suggestions here for a chance to be included in the second edition of This Is What We Need – For A Better Day.

Martin Garrix is breaking new ground with his upcoming single, "Angels For Each Other," a collaboration with Indian singer-songwriter Arjit Singh. In a behind-the-scenes TikTok video, the superstar DJ and producer shared his excitement about lending his vocals to his own track for the very first time. "If you had told me a few years ago that I'd be singing on one of my own songs one day, I never would have believed you," Garrix said. "So, so stoked for the release this Thursday. So much love to everyone for the crazy support so far." The highly anticipated track marks a fresh chapter for Garrix. "Angels For Each Other" blends English and Hindi, melding diverse musical influences and offering a unique fusion of his signature sound with soulful Indian melodies. Watch the clip below. The buzz surrounding "Angels For Each Other" is growing, with many fans speculating it could be a key feature at Miami's Ultra Music Festival later this month. Garrix is also preparing for a major live performance at Mumbai's DY Patil Stadium on March 14th, the night after the song's release. You can pre-save "Angels For Each Other" here. Follow Martin Garrix:X: x.com/martingarrix Instagram: instagram.com/martingarrix TikTok: tiktok.com/@martingarrix Facebook: facebook.com/martin.garrix Spotify: spoti.fi/2YszVxQ

A shocking legal dispute has emerged in the electronic music world as former Tiësto lawyer Paul Grondahl, recently sentenced to three years in prison, argues that the Dutch DJ should be responsible for paying back millions in hidden taxes. The case, which revolves around an elaborate tax evasion scheme, has rocked the industry, implicating one of dance music’s biggest names in a financial scandal of staggering proportions. Tiësto in Vegas, Lawyer in Court On Thursday, DJ Tiësto, who earns millions a year spinning electronic dance music at venues worldwide, will be midway into a three-show swing through Las Vegas. That same day, his former tax attorney will be in a federal courtroom in White Plains, New York, fighting to avoid being left solely responsible for the Dutch DJ’s back taxes. The stark contrast between Tiësto’s high-flying lifestyle and Grondahl’s legal troubles underscores the high stakes of the case. The Tax Fraud Scandal According to court documents, Grondahl helped Tiësto, whose real name is Tijs Verwest, hide approximately $28 million through illegal offshore accounts, allowing the DJ to avoid substantial tax payments to the Dutch tax authorities and the IRS. The scheme, which spanned several years, ultimately led to an extensive investigation, resulting in Grondahl’s conviction and sentencing. While the court found Grondahl guilty of orchestrating the fraudulent financial maneuvers, he now claims that Tiësto was fully aware of the scheme and should share the responsibility for repaying the evaded taxes. His legal team argues that the DJ, who has an estimated net worth of over $170 million, should not be allowed to walk away unscathed while his lawyer bears the full burden of the scandal. “Mr. Butselaar was paid an hourly rate to help his clients,” the lawyer, Kerry Lawrence, told Business Insider. “If anyone is held liable to pay taxes on the millions of dollars in income it should be the artists who earned it, not Mr. Butselaar.” Lawyer’s Defense: Tiësto Knew Everything Grondahl’s defense maintains that Tiësto was not just a passive beneficiary but an active participant in the financial misconduct. According to the claims, the DJ approved the offshore account setups and knew that the funds were being strategically placed in tax havens to avoid government scrutiny. “He’s one of the biggest global DJs, and he knew exactly where his money was going,” an insider familiar with the case told The Independent. The defense’s argument raises a major question: Will Tiësto face legal consequences? As of now, no charges have been filed against him, but legal experts speculate that Dutch and U.S. authorities may revisit his involvement in light of Grondahl’s testimony. Implications for the Dance Music Scene The revelation of this tax fraud case has sent shockwaves through the EDM community. Tiësto, a Grammy-winning artist, has remained silent on the accusations, choosing not to comment publicly while the case unfolds. However, his reputation could take a significant hit if the claims gain traction. With high-profile DJs like Afrojack and Armin van Buuren also facing tax-related scrutiny in the Netherlands, some believe that the Dutch government is cracking down on electronic music stars who have exploited financial loopholes for years. This scandal might set a precedent for stricter financial oversight in the industry. What’s Next? Grondahl’s legal team has already indicated that they will appeal his sentence, and if they succeed in proving Tiësto’s involvement, the DJ could face financial penalties or legal action. For now, all eyes are on the Dutch authorities and whether they will take the next step in investigating Tiësto’s role in the massive tax evasion scheme. Stay tuned for more updates as this case develops. The post Tiësto’s Former Lawyer Points Finger at Him Over Millions in Back Taxes appeared first on EDMTunes.

In 2025, Sónar+D will once again convene a boundary-pushing gathering of artists, technologists, scientists, musicians, engineers, and radical thinkers from around the world. Under the banner of “new horizons of music, creativity, and the arts in an era of omnipresent AI”, the upcoming Sónar+D aims to examine the most provocative frontiers and latest breakthroughs at the intersection of human ingenuity and artificial intelligence. Sónar+D 2025 will be held on June 12, 13, and 14 at the Palau de Congressos de Fira Montjuïc, within Sónar by Day, offering attendees access to dozens of talks, debates, and performances from 10:00 AM, as well as more than 50 concerts and DJ sets. A Platform for Innovation From its inception, Sónar+D has fostered dialogue among diverse fields such as design, visual arts, digital culture, and emerging technologies. In 2025, this mission remains at the core: Artists and Musicians will debut AI-enabled performances, new experimental tools for composition, and immersive audio-visual experiences that seamlessly merge human creativity with advanced machine learning. Engineers and Technologists will present novel ideas in data-driven artistry, human-machine interface design, and generative visual systems that reshape how audiences experience live events. Scientists and Visionaries from quantum computing, biology, and neuroscience will reveal how we might tap into new computational paradigms and break creative barriers by applying discoveries from other disciplines to art and music. The Transformative Potential of AI Over the last decade, AI has rapidly evolved from an academic field of study into a ubiquitous companion—present in everything from personal devices to large-scale cultural production. At Sónar+D 2025, expect critical discussions and explorations around: Creative Co-Creation: Is AI now a collaborator rather than a tool? Artists will reflect on their experiences of partnering with algorithms—be it for composition, choreography, or conceptual design—and how these collaborations have expanded the scope of what is possible in music and the arts. Democratizing Creativity: With AI-driven tools becoming more accessible, a new generation of creators is emerging. Sessions will investigate how grassroots communities and independent artists harness open-source models, enabling them to produce professional-level works in music and beyond without major studio support. Ethics and Authenticity: Sónar+D will engage with the urgent ethical questions around AI’s creative capabilities. Specialists will grapple with issues of originality, copyright, and the role of human authorship when machines become co-creators. Spotlight on Quantum Computing and Interface Design Two major focal points at Sónar+D 2025 will be quantum computing and the evolution of interface design—both of which promise to reshape the creative process in profound ways. Quantum Soundscapes Researchers will demonstrate how quantum computing can be harnessed to generate unprecedented sonic textures. By leveraging quantum bits’ ability to exist in multiple states at once, artists can develop music that transcends classical composition approaches—leading to performances that feel as if they arise from an entirely new dimension of possibility. Beyond the Screen: The Next Interfaces From neurofeedback systems that allow wearers to manipulate live visuals via brainwaves, to advanced wearable instruments and immersive environments driven by motion capture, the horizon of interface design is expanding in ways that bridge virtual and physical realms. These new modalities will form the beating heart of immersive installations and performances on display at Sónar+D. Community and Collaboration Beyond the main stages, Sónar+D 2025 will be a hub for interactive workshops, hands-on labs, and collaborative sessions. It will offer: Labs & Hackathons: Rapid prototyping sessions where cross-disciplinary teams experiment with state-of-the-art technologies to spark new ideas in audiovisual performance, modular synthesis, and interactive art. Seminars & Roundtables: Forums for ethical debate, open discussion on societal impact, and brainstorming about how new technologies can serve human creativity (rather than eclipse it). Networking & Inspiration: A global gathering of music producers, software developers, and digital culture enthusiasts, all keen to learn from each other and forge networks that will shape the future of art. Sonar + D Highlights Among this year’s invited figures are Libby Heaney (UK) presented by SEIDOR, Tega Brain (AU), Rebecca Fiebrink (UK), Xin Liu (CN), yaboihanoi (TH), Albert.DATA (ES), Danielle Braithwaite-Shirley (UK), Forensis & Bill Kouligas (INT), YESSI PERSE & laSADCUM (ES), and the premiere of ‘Ama’, the new project by Maria Arnal (ES). The festival expands its collaborations at a local and global level with renowned cultural, academic, and scientific entities such as the New Museum, Serpentine Gallery, Tabakalera, the Onassis Foundation, Universitat Pompeu Fabra, Barcelona Supercomputing Centre, University of the Arts London, IRCAM, IASLab at La Salle-URL; companies like Stability AI and Google Magenta, and pioneering AI projects like AudioStellar. “IA + Creativity”: +RAIN Film Festival (INT) | AI Performance Playground (INT) | AudioStellar presents ‘Territorios sonoros emergentes’ (AR) | Introducing AI & Music (INT) | Joanne Armitage ‘Automating Bodies: Power, Music and AI’ (UK) | Jordi Pons ‘Artistic trends in Music AI’ (ES) | Maria Arnal presents ‘Ama’ (ES) | Marije Baalman (NL) | R-010 & Venerandi presents ‘Phenomena’ (ES) | Rebecca Fiebrink ‘Design your dream music AI tool’ (UK) | Ville Haimala presents ‘Hyporeal’ (FI/DE) | yaboihanoi ‘Lemongrass & Bass: A Thai Recipe for AI Music’ (TH) “Futuring the Creative Industries”:‘Aquelarre Futurista’ with Berta Segura & Francesca Tur (ES) | Chris Watson & Izabella Dłużyk presenta ‘Białowieża’ (UK/(PL) | ‘Hacking the world’ with Berta Segura & Francesca Tur (ES) | Heith, James K and Günseli Yalcinkaya present ‘The Talk’ live AV (EU) | How to future the creative industries (INT) | ‘Lux Mundi’ (ES) | ‘MAT(H)RASH: un nuevo manifesto del arte’ de Julieta Wibel y Mike Fernández con Samantha Hudson y YESSi PERSE (ES) | Music Tech Europe Academy: Startups Pitch Session (EU/ES) | Music Tech Dialogues: Creative Economy Data + DEMODAY (EU/ES) | Saint Abdullah, Eomac and Rebecca Salvadori present ‘A Forbidden Distance’ (INT) | Salome Asega ‘Architect or Gardener’ (US) “Worlds To Come”: Albert.DATA ‘SYNAPTICON’ (ES) | Animistic Beliefs and Jeisson Drenth present ‘Thức Tỉnh’ AV (NL) | Dania + Mau Morgó present ‘replica — relic’ (IQ-AU/ES) | Danielle Braithwaite-Shirley ‘WE CAN’T PRETEND ANYMORE’ (UK) | Forensis and Bill Kouligas present ‘The Drum and The Bird’ (INT) | Libby Heaney ‘Eat my Multiverse’ (UK) Presented by SEIDOR | Alice Sparkly Kat and Manuka Honey ‘Listen, the stars are talking’ (US/UK) | Safety Trance presents ‘DESTRUCCIÓN’ (VE) | Tega Brain ‘Questions of Automation’ (AU) | Vica Pacheco presents ‘ITA’ AV (MX) | Xin Liu ‘Cosmic Metabolism’ (CN) | YESSi PERSE & laSADCUM present ‘CYBERMEDIEVAL’ (ES) Rebecca Fiebrink and Accessibility in Musical AI: Professor of Creative Computing at University of the Arts London, a pioneer in AI and music, and the creator of the innovative AI platform Wekinator (2008). Professor Fiebrink will present ‘Design Your Dream Music AI Tool’, a talk guiding attendees in designing personalized AI tools for music creation, highlighting how machine learning can empower artists without prior technical knowledge. Groundbreaking Performances: Innovative Proposals Connecting Music, Visual Art, Dance, and Performance. Musician Dania and visual artist Mau Morgó will use instruments created with 3D scans of Mesopotamian artifacts from the British Museum to question our commitment to decolonization in the world premiere of their radical live collaboration ‘replica — relic’. The rave duo Animistic Beliefs and Jeisson Drenth explore mixed cultural identity in ‘Thức Tỉnh’, combining traditional sounds with contemporary perspectives. Luis Garbán (Cardopusher) debuts his audiovisual project Safety Trance with ‘DESTRUCCIÓN’, a show that fuses reggaeton, industrial, and breakcore. Vica Pacheco merges electroacoustic composition with her own 3D animations in ‘ITA’. Finally, Alice Sparkly Kat collaborates with local collective Akuyte on an audiovisual performance specially created for Sónar. Looking Ahead Sónar+D 2025 underscores a reality in which AI is no longer a distant novelty but a tangible, ever-present force that challenges the very notion of what it means to create. Through AI-driven music performance, immersive installations, and forward-thinking conversations, this edition of Sónar+D will illustrate how we stand on the cusp of a new era—one in which humans and intelligent machines collaborate seamlessly to expand the boundaries of artistic expression. Attendees can anticipate awe-inspiring spectacles of audiovisual alchemy, provocative debates on ethics and authorship, and a unique vantage point on technology’s power to reshape cultural landscapes. As Sónar+D 2025 boldly charts these new pathways, it invites creators, dreamers, and critical voices alike to explore, question, and celebrate the transformative potential of AI-driven innovation in the arts. The post Sónar+D 2025 Will Discuss New Pathways in Music, Creativity, And Arts And AI appeared first on EDMTunes.

Sometimes, the loudest voices don’t need to say a word. ESSE is a name currently enshrouded in mystery, but their sound is unmistakable—there’s little need for an introduction when the music already speaks volumes. At the center of the intrigue is ESSE's "Block Rockin Beats," a bold rework of The Chemical Brothers' seminal classic. With coiling analog synths, deep grooves and a throwback energy that feels both nostalgic and fresh, it’s an interpretation with a modern edge, honoring the track’s raw breakbeat energy while layering it with a deeper, more brooding intensity. Where the original exploded like a riot in the streets, ESSE's twist simmers with a controlled burn, tightening the groove and letting the synths stretch and coil with mesmerizing touch. While ESSE's next moves remain in secrecy, the project is emerging at a pivotal moment as Confession, the influential label helmed by Tchami, is celebrating 10 years of shaping the sound of modern house music. A decade of pushing boundaries, curating unforgettable parties and championing forward-thinking artists has cemented its legacy, making it the perfect home for the enigmatic ESSE. Listen to ESSE's "Block Rockin Beats" below.

Ibiza’s legendary nightlife scene is set to reach new heights as Calvin Harris becomes the first artist in history to secure a double residency at the same venue in a single season. This schedule underscores the unprecedented demand for his electrifying performances at Ushuaïa Ibiza. This summer, the Grammy-winning DJ, producer, and songwriter will dominate both Tuesdays and Fridays at Ushuaïa Ibiza, curating 25 exclusive shows in what promises to be a defining moment for the island’s party scene. There’s no artist quite like Calvin Harris. A global powerhouse, he has redefined dance music with chart-topping anthems featuring superstars such as Rihanna, Dua Lipa, and The Weeknd. With over 56 billion combined streams and a trophy case full of influential awards, his legacy extends far beyond the dancefloor. Now, with this historic residency, Harris continues to shape the future of electronic music in Ibiza. His Friday residency will continue to reign as one of the island’s most sought-after events, while his new Tuesday residency will introduce a fresh concept, pushing the boundaries of production, sound, and spectacle. This announcement follows his exclusive headline set at the grand opening of Ushuaïa Dubai Harbour Experience last October, proving his status as one of the most in-demand DJs in the world. Now, Harris returns to Ushuaïa Ibiza’s iconic open-air stage for a summer like no other. Calvin Harris on His Ushuaïa Ibiza Double Residency “This is something that’s never been done before, and I’m buzzing to be the first artist to hold a double residency at Ushuaïa Ibiza. None of this would be possible without the incredible fans who’ve been with me every step of the way. The energy of people from all over the world, all coming together at the epicentre of electronic music, is something I can’t wait to feel again. Two residencies, two completely different nights – this is going to be a season like no other.” An Unparalleled Experience at Ushuaïa Ibiza At Ushuaïa Ibiza, it’s never just about the music—it’s about creating moments that transcend the ordinary. The venue’s legendary atmosphere, cutting-edge production, immersive visuals, and world-class sound transform every night into an unforgettable spectacle. Fans can expect an elevated festival experience, set against the backdrop of Ibiza’s magical Balearic sky. Yann Pissenem, Owner, Founder & CEO of The Night League and Ushuaïa Entertainment, shares his excitement: “The joy that Calvin brings to his fans is truly exceptional. It’s not just about the music—it’s the unique connection he shares with people from all over the world. His ability to push creative boundaries has been a key part of Ushuaïa Ibiza’s legacy. With this unprecedented double residency, we are set to deliver something truly spectacular this summer.” Get Your Tickets Now Tickets for Calvin Harris’ double residency at Ushuaïa Ibiza are on sale now at theushuaiaexperience.com. With demand at an all-time high, securing tickets in advance is essential to be part of this historic season. The post Calvin Harris Announces Unprecedented Double Residency at Ushuaïa Ibiza appeared first on EDMTunes.

After closing out a headline tour selling out massive venues. Ray Volpe unleashes his track ‘GET SMACKED‘ in collaboration with Vastive. The debut single from his upcoming album FOREVER, VOLPETRON has the bass music community buzzing. Also, marking the end of one chapter and the beginning of the next in Volpe’s career. ‘GET SMACKED’ ‘GET SMACKED’, the next must-play for all riddim DJs, brings massive guitar riffs and bass that will make you feel like you are in the ring with the Volpetron himself. Influenced by metal, trap, and duh-dubstep, this new release amplifies Ray’s ability to create timeless tracks on repeat. The intro leads consists of an electric guitar, announcer-style vocals, and a full drum kit. Altogether, they carry into a fakeout riddim drop that has a heavy bass, signature to Ray’s style. Right after, a short energy-filled transition drops into the second and shorter drop to maximize energy consumption. It is all gas, no breaks when Ray is behind the decks. A massive build comes after the 2nd drop to introduce the 3rd consisting of a classic metal double kick riddemified. Finally, after maximum headbanger status, ‘GET SMACKED’ ends with a perfectly sculpted breakdown. “Get Smacked mutha-“ -‘GET SMACKED’ Ray Volpe’s Rise to Success Ray Volpe’s journey to the top of the electronic music scene has been nothing short of spectacular. From the viral success of his track ‘Laserbeam‘ to sold-out headline shows at venues like the Hollywood Palladium. Volpe’s 2024 was a breakthrough year. Tracks like ‘SEE YOU DROP‘ and ‘SONG REQUEST‘ garnered millions of streams, with the latter going viral on TikTok. Volpe’s music continues to dominate festivals worldwide, including his headline set at EDC Las Vegas and major collaborations, solidifying his place in the bass music scene. Looking Ahead: What’s Next for Ray Volpe in 2025? As Volpe gears up for the release of FOREVER, VOLPETRON, fans can expect even more high-energy tracks from this Laserbeam Legend. The upcoming year is shaping up to be monumental, with the ‘GET SMACKED‘ single already setting the tone for the album. Volpe is scheduled to perform at major events such as Rawhide Event Center and WAMU Theater, continuing to showcase his unmistakable sound to fans all over the world. The post Ray Volpe’s Unleashes ‘GET SMACKED’ with Vastive appeared first on EDMTunes.

John Summit’s self-admitted ‘first fully sober tour in the books’ is one that will indeed go down as a complete chapter in the Indian electronic music tour history books as well. 3 cities, 2 club shows, 1 festival and we are still reeling mid-week from last weekend. John’s exploration here spanned right across sampling a lot of local cuisine to a lot of local talent. Add to it a conclusion that his ‘body runs really well on Indian food’ unlike what he might have pre-assumed. first time in india 🇮🇳 trying to culture my white ass pic.twitter.com/f24yZdjT8B — John Summit (@johnsummit) March 7, 2025 The John Summit bandwagon rolled in BALLR in the city of Pune as its first halt. The excitement was evidently palpable as it was the biggest club gig the city must have witnessed after 8 whole years. Cirez D’s gig here in 2017 was the last time the city witnessed an act of such grandeur in a club. A local sight-seeing spree at the prominent historical spots was an attempt to soak in the culture of a country John is embracing the first time. The spree might have inspired a few mashups making their way in his already stellar set later in the night from a few of the country’s pool of talent. One such name, D-RAIN, summarises the feeling of witnessing his creation churned out by the legend right there first hand. Hearing John Summit drop my edit in Pune was pure madness—the energy, the crowd, the moment, everything just clicked. It was a surreal full-circle experience I’ll never forget D-RAIN John Summits drops D-RAIN’s edit in Pune Asia’s biggest club, Quake Arena, in the city of Hyderabad was the next halt. A glorious atmosphere was guaranteed given the magnitude of the both the name and performing space. John tried some biriyani, a local Indian favorite, the first time here. It did leave some lifelong impression on him for its spices! Lollapalooza India was next the next and final halt. The festival saw him meeting fellow house-music icon Alok as a first. Another stellar set to a packed capacity to close out the festival followed. A set laced with edits of prominent Indian acts again as an appreciation for their talent. ‘Always loving to unearth new talent.’ Sixth Ocean was one such act whose creation made it to John’s set for the tour. John Summit drops Sixth Ocean’s ‘Fanaa’ at Lollapalooza India ‘I am going to be back, definitely. It felt surreal in here’, John quips. ‘The madness in here and the vibe, there seems to be an immediate connect’, he signs off. We are waiting till then John, we are waiting! first fully sober tour in the books 💪 not here to brag i’m just extremely proud of myself that i can perform at my best with full confidence without relying on alcohol.. it’s taken a long road to get here — John Summit (@johnsummit) March 10, 2025 The post John Summit India Tour : ‘First Fully Sober Tour in The Books’ appeared first on EDMTunes.

The playlist comprises ‘mostly mellow’ music, including an original cut from AFX himself Continue reading...

Alright, get ready to dive headfirst into the madness that is Miami Music Week 2025! Wednesday marks the official kickoff for many, and the energy is already electric. Prepare for a barrage of top-tier talent taking over iconic venues like Space Miami, Factory Town, M2, and the sprawling pool decks of the beachfront hotels. From sunrise sets to late-night warehouse raves, Wednesday sets the tone for a week of non-stop beats. To help you navigate the chaos, we’ve got you covered with a daily breakdown. Check out our guides for Tuesday’s pre-parties, Thursday’s headliners, the peak of Friday’s festivities, the marathon of Saturday’s events, and the final stretch of Sunday’s closing parties. Now, let’s get into what Wednesday has in store… FISHER Presents Catch & Release Where: Space Miami When: 11PM-?? Lineup: Fisher, Paco Osuna, Sosa, Little Fritter, Hank, Brunello Tickets: $20+ Heartfeldt Pool Party Where: Nautilus Sonesta Pool When: 12pm Lineup: Sam Feldt, Cheat Codes, Fedde Le Grand, Niiko x Swae b2b Leondis, Rivas, Special Guests, and more! Tickets: $30+ Prodigy Artists Showcase Where: Mad Club Live When: 10PM-5AM Lineup: Celo, John Casey, Niiko x Swae, Okayval, Shima Tickets Experts Only Where: Toe Jam Backlot When: Lineup: John Summit, Layton Giordani b2b Max Styler, WESTEND, AYYBO, Cole Knight, Roddy Lima Tickets Interstellar Takeover Pool Party Where: The National Hotel Pool When: 1PM- Lineup: Mathame, Innellea, ???, Yotto, Layla Benitez, Sevenn Tickets:$67+ Resistance Miami Where: M2 Miami When: 10PM-5AM Lineup: I Hate Models, Patrick Mason, Schlomo, Zorza Tickets ARCANE Showcase Where: Factory Town – Park Stage When: 7PM-7AM Lineup: Eli Brown, Deborah De Luca, Space 92, Enrico Sangiuliano, Patrick Mason, Dara Del Castillo Also includes: 999999999 Invites w/ 999999999, Carv, Johannes Schuster, Rian Wood, Sister System, …and More! Tickets Cloonee’s Hellbent Where: Factory Town Infinity Room When: 7PM-7AM Lineup: Cloonee, Loco Dice, Hot Since 82, Prospa, Caleb Calloway, Milushka, Special Guest Also Includes: Deep House Bible & PIV Records Showcase Tickets Incorrect Showcase Where: La Otra Wynwood When: 5pm-5am Lineup: Anthony Attalla, Adapter, Carlo Lio, Freak On, Galo, Guz, Mat.Joe Tickets DJ Mag presents The Martinez Brothers Where: Sagamore Hotel Pool When: 1PM-11PM Lineup: The Martinez Brothers, Honeyluv, Marte, Mason Collective, Silvie Loto, Sosa b2b Max Dean Tickets Coldharbour x Black Hole Recordings Where: Mazuma When: 9PM-3AM Lineup: Markus Schulz + more TBA Tickets Luciano & Friends Where: Hyde Beach @ SLS South Beach When: 12PM-11PM Lineup: Luciano, Dennis Cruz, Alci, Stigmaz Tickets The post EDMTunes Miami Music Week 2025 Events Guide: Wednesday appeared first on EDMTunes.

Alfiya Glow continues to carve out a unique space in the Electronic Music scene, putting forward a signature style that sees her blending her distinct violin sound with organic and electronic elements. With a discography built out of original material and bold collaborations, her journey is sustaining momentum, continuing to give way to fresh sounds that capture attention and see her listenership grow with each release. Following the release of her latest single, ‘Cloudland,’ in which Alfiya Glow crafted yet another immersive soundscape for her listeners to immerse themselves in, the Producer and DJ now joins us for an exclusive interview. As she shares the inspiration that sparked its creation, the production techniques that shaped its sound, and how her independent label, CosmycGlo Records, is allowing her to take full control of her artistic vision, we gain an insight into Alfiya’s creative process and what’s next in her journey. Hi Alfiya, how are you? Congrats on the release of ‘Cloudland’! I’m doing great and thank you so much! ‘Cloudland’ delivers a stunning blend of Organic House and your signature violin sound. Can you take us behind the scenes, what was the initial spark that inspired this track? I spend a lot of time on planes, soaring above the clouds, and every time, I’m mesmerized by the mystery and beauty of what lies beyond the earthly plane. That sense of weightlessness, wonder, and infinite possibility was the spark behind ‘Cloudland.’ Your violin work always adds such a unique and emotional depth to your productions; how did you approach incorporating it into ‘Cloudland’? Was there a particular feeling or story you wanted to convey? Incorporating the violin into ‘Cloudland’ came very naturally, as always. The melodic and organic nature of the track created the perfect space for me to weave in beautiful violin layers. I wanted the violin to feel like a conversation with the other elements—fluid, expressive, and deeply emotional. My goal was to evoke a sense of wonder and freedom, like drifting through the clouds, where everything feels weightless and limitless. How did you balance the organic elements like violin and piano with the electronic layers to create the energy of the track? At this point, balancing organic and electronic elements is an intuitive process. The key is timing—making sure the organic instruments, like violin and piano, come in at the right moments, allowing the track to maintain its energy and evolve naturally. It’s all about creating space for each element to shine without overpowering the groove, so the music flows seamlessly between the organic and electronic worlds. Were there any specific synths, plugins, or production techniques that played a key role in shaping the sound of this song? Yes, I spent a lot of time experimenting with different reverbs and delays to capture the essence of the track. Creating a sense of depth and atmosphere was essential, so I carefully sculpted the space around the violin and other elements to make everything feel immersive and expansive. I also used some warm, analog-style synths to complement the organic textures, making sure everything blended seamlessly into the sonic landscape. Was there a particular moment in the production of ‘Cloudland’ that required you to rethink or push through something unexpected? Arrangement was definitely something I had to rethink a few times. I wanted ‘Cloudland’ to maintain its energy while still allowing the organic elements to breathe. There were moments when the track felt like it lost momentum, so I revisited the structure to make sure it was dynamic, with just the right balance of tension and release. It was all about finding the perfect rhythm to keep the energy flowing while honoring the emotional depth of the track. The breakdown in ‘Cloudland’ is especially powerful, bringing everything back to your violin before building into the drop. How did you craft that moment, and what emotions were you aiming to evoke? The breakdown in ‘Cloudland’ was a crucial moment, and I really wanted to bring everything back to the violin to create a sense of intimacy and reflection. It’s a space where the track slows down, allowing the emotion to settle before building up again. I aimed to evoke a feeling of vulnerability and openness—like a moment of stillness before the energy lifts again. By stripping everything back to the violin, I wanted to allow the listener to fully absorb the emotion of the track before the drop brings everything back to life with even more intensity. This release comes via your own label, CosmycGlo Records. How does having your own imprint influence the way you create and release music? Releasing music under my own label, CosmycGlo Records, is a conscious choice. As a female producer in a business where women make up less than 3% of the global production community, I believe it’s incredibly important to have full rights to your own music. While I may still collaborate with other labels in the future, it’s an honor to be able to release my original work through my own imprint. There are few women who get to do this, and I want to use this platform to pave the way for others and empower more women in the industry. Does ‘Cloudland’ represent a new creative direction for you and CosmycGlo Records? Or is it part of a larger vision you’re building with your label? I believe ‘Cloudland’ brings a new, unique flavor, but it’s still very much part of the bigger picture. I’m feeling that my style will continue to evolve in exciting ways this year—ways that I don’t even fully know yet. My creative journey is constantly shifting, and with CosmycGlo Records, I have the freedom to explore and experiment. This track is just one piece of a larger vision that’s unfolding, and I’m excited to see where it leads. Your music is deeply tied to your live performances; how do you see ‘Cloudland’ translating into your DJ sets and violin performances? Any special plans for performing it live? Yes, I’ve already performed ‘Cloudland’ live quite a few times at my bookings, and it’s always been positively received. I’m really excited to perform it at the upcoming Yearn festival in Playa del Carmen this May. I plan to incorporate my FX pedals and looper to bring an extra layer of creativity to the performance, allowing the track to evolve in real-time and give the audience a unique experience each time. It’s always a special moment when I can connect with the crowd through both the violin and electronic elements, and I’m looking forward to seeing how ‘Cloudland’ will translate in that live setting. With ‘Cloudland’ now out, what’s next for you? Can we expect more music in this style, or are there any surprises in the works? While Cloudland fits within my current sound, I’ve been feeling a bit confined by the “House music box” lately, and I’m definitely eager to explore my divine feminine creativity by incorporating new sounds into my music. I don’t want to give too much away just yet, but there are definitely some exciting surprises in the works. I’m looking forward to experimenting with new genres and textures, and I think fans will be pleasantly surprised by what’s coming next. Through this conversation, Alfiya Glow has offered a deeper look into the creative decisions and technical elements that brought ‘Cloudland’ to life. Her passion for innovation and artistic independence continues to drive her forward, allowing her to explore new sounds and expand her vision. With more projects in the works and an ever-evolving approach to music, her journey promises fresh moments of discovery and creativity, so be sure to stay tuned and keep an eye out for her upcoming releases and news by following Alfiya Glow across social media. Listen and Buy ‘Cloudland’ Now:  https://www.beatport.com/release/cloudland/4899828 Alfiya Glow Online      Spotify | Website | Beatport        CosmycGlo Records Online      Beatport        The post Inside ‘Cloudland’: Alfiya Glow on Inspiration, Production, and Pushing Boundaries appeared first on EDMTunes.

John Summit is having a huge 2025 already, and now, he’s gracing the cover of Billboard with a feature interview. John Summit is a 30-year-old Illinois native who has achieved massive success in the world of dance music in the last five years. Summit and his team have pulled off the rarest feat of them all: being a hard-ticket DJ who has his signature sound, massive worldwide hits, and has collected an intergenerational fanbase. Summit released his first track in 2017, and by 2020, he committed to moving to Miami to chase his DJ dream. He expressed that his life has been crazy, being able to travel the whole world, experiencing many adventures and late nights, and making good decisions while getting into some bad situations. But even though his DJ life is chaotic and ever-changing, when he goes home, everything is the same. He compares going to his hometown of Naperville, Illinois to the end of The Lord of the Rings, when Frodo Baggins returns to the Shire after giving up everything he knows and risking his life to destroy the Ring, just to find that while his homeland is the same as when he left it, only he was transformed by the quest. Becoming a superstar has impacted his personal life. His previous social media posts used to highlight only all his drunken shenanigans, but now, we see a new version of Summit—one that’s more enlightened and takes care of his body and personal growth. He posts about exercising, yoga, and getting regular sleep. Don’t miss out on John Summit’s performances this summer. He will be headlining at Movement Festival, Lightning in a Bottle, and Bonnaroo. You’ll also be able to find him performing in Ibiza, Europe, and Australia. If you want to dive into the entire interview with John Summit, click here to get all the John Summit details. The post John Summit Tells Billboard His Life is Like Lord of the Rings appeared first on EDMTunes.

Belgian producer Axel Haube has released his mesmerizing debut on Adam Beyer’s esteemed Truesoul label. The track combines Chicago house with the wide-open spaces of modern techno. “Rushing,” which features the legendary Robert Owens, is a gateway to the very core of dance music, paying tribute to its roots while taking fans to uncharted cosmic realms. The collaboration is a strong coming together of underground forces. Haube’s signature darkly driving grooves and seductive, trance-influenced synth work create the perfect atmosphere for Owens’ famous vocals, which helped start a movement and still resonate through decades of electronic music evolution. “Rushing” builds up like a ritualistic journey, with complex techno percussion and breakbeat parts weaving together to make a hypnotic base. On top of this rhythmic tapestry, Haube’s continuous melodic synths shimmer and pulse, building tension and releasing it perfectly in time with Owens’s powerful yet deeply sensual voice. During the transcendent breaks of the track, plucked string patterns create moments of ethereal suspension that let Owens’ controlled yet ecstatic vocals take center stage. “Tears” and “I’ll Be Your Friend” are just a few of the classic songs that use his voice. It adds a spiritual quality to the music, turning a dance track into something that sounds like holy ground. Haube’s career is on the rise, and this release is a big step forward. His appearance on Truesoul is a sign of respect from the top techno artists, having already wowed crowds at prestigious events like Tomorrowland’s Afterlife Stage and Circoloco Belgium while building his multidimensional We Are brand that includes fashion and events. “I’m super happy we found the right home for our track!” Haube shares with great excitement, saying that this valuable piece of sound history has been carefully kept in his personal collection for about three years. “Felt now is the right time to release it,” he adds. This was an intuitive choice that shows the producer’s artistic care and sense of what works best. The post Axel Haube and Robert Owens Forge ‘Rushing’ appeared first on The Groove Cartel.

UNTOLD Festival, set to celebrate its 10th anniversary from August 7-10, 2025, in Cluj-Napoca, Romania, promises an unforgettable experience with a stellar lineup of artists. Here are ten performers you absolutely shouldn’t miss: 1. Post Malone Making his debut at UNTOLD, Post Malone brings his unique blend of hip-hop, pop, and rock. Known for chart-toppers like “Circles” and “Rockstar,” his live performances are electrifying and emotionally charged. Follow him on Instagram: @postmalone 2. Martin Garrix A returning favorite, Martin Garrix is set to deliver another high-energy set. The Dutch DJ and producer, famous for hits like “Animals” and “Scared to Be Lonely,” consistently wows crowds with his dynamic performances. Check out his Instagram: @martingarrix 3. Armin van Buuren A trance music legend, Armin van Buuren’s sets are a journey through euphoric melodies and pulsating beats. His longstanding relationship with UNTOLD ensures a performance that resonates deeply with festival-goers. Connect with him on Instagram: @arminvanbuuren 4. Tiësto As one of the pioneers of electronic dance music, Tiësto’s influence is immeasurable. His sets blend classic tracks with contemporary hits, ensuring a dancefloor that’s alive from start to finish. Follow his Instagram: @tiesto 5. Anyma Co-founder of the Afterlife label and one-half of Tale Of Us, Anyma is renowned for immersive performances that blend melodic techno with captivating visuals. His presence at UNTOLD is highly anticipated by electronic music aficionados. Discover his work on Instagram: @anyma 6. Black Coffee Hailing from South Africa, Black Coffee’s deep house sets are soulful and hypnotic. His unique sound has garnered international acclaim, making him a must-see at this year’s festival. Connect with him on Instagram: @realblackcoffee 7. Becky Hill With her powerful vocals and a string of dance hits, Becky Hill’s performance is set to be a highlight. Known for tracks like “Gecko (Overdrive)” and “Wish You Well,” her energy is infectious. Follow her journey on Instagram: @beckyhill 8. FISHER Australian DJ and producer FISHER knows how to get a crowd moving. His breakout hit “Losing It” became an anthem, and his sets are filled with tech-house grooves that keep the energy high. Check out his Instagram: @followthefishtv 9. Steve Angello As a member of Swedish House Mafia and a solo artist, Steve Angello’s influence on the electronic music scene is significant. His performances are a blend of progressive and electro house, delivering both nostalgia and fresh beats. Connect with him on Instagram: @steveangello 10. Don Diablo A pioneer in the future house genre, Don Diablo’s sets are futuristic and energetic. His innovative approach to music production and performance makes him a standout act at UNTOLD 2025. Follow his Instagram: @dondiablo With such a diverse and talented lineup, UNTOLD Festival 2025 is set to be an extraordinary celebration of music and culture. Whether you’re a fan of mainstream hits or underground beats, there’s something for everyone at this year’s festival.

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Chicago’s biggest house and techno event, ARC Music Festival, has announced the artists who will play at its 2025 edition in a massive and packed lineup. The festival will return to Union Park over Labor Day Weekend, August 29–August 31. This year’s ARC lineup is the most ambitious and sonically diverse one yet. It includes pioneering legends, next-generation tastemakers, and groundbreaking B2B sets that reflect the festival’s spirit of celebration and innovation. Check out our experience at ARC Music Festival 2024. In the past five years, ARC has become an important place for electronic music’s most important people, up-and-coming stars, and underground trailblazers to meet. It is located in Chicago, which is where house music got its start. The festival’s name has been built on a lot of great musical moments in its first four years. Eric Prydz brought all three of his famous aliases to the first event, along with Pryda and Cirez D. Other memorable moments include Carl Cox and Green Velvet‘s electrifying B2B at the Expansions stage in 2024, and Hiroko Yamamura‘s journey into the global underground for the weekend closer at Area 909 in 2023. These successes across generations and genres are what make ARC more than just a festival; it’s a look into the past, present, and future of music and culture that has spread from the Midwest to the rest of the world. The ARC Music Festival lineup in 2025 includes Amelie Lens, Adam Beyer, Adriatique, Boys Noize B2B VTSS, Cajmere B2B Carl Craig, Honey Dijon B2B Derrick Carter, Green Velvet B2B Skepta Más Tiempo, Jamie xx, John Summit, Luciano, Skream B2B Hamdi (UKG Set) + Many More. The big names on ARC 2025 lineup ARC 2025 has a lineup with artists from althe l over the dance music range, from well-known artists to artists who are pushing the limits. In honor of ARC’s fifth anniversary, it only makes sense that Eric Prydz brings back his three alias event with performances by Eric Prydz, Pryda, and Cirez D for the second time. The line-up also includes the genre-bending superproducer Jamie xx, the global house star John Summit from Chicago, the techno giant Amelie Lens, the pioneering veteran Richie Hawtin, and the high-energy crowd favorite FISHER. The b2b One of the best things about ARC’s programming is that it shows amazing sets right after each other. This shows how the festival’s main goal is to bring together the different sounds of house music from around the world while still remembering its Chicago roots. This year, Cajmere B2B Carl Craig will meet in Chicago and Detroit to talk about ideas. Green Velvet B2B Skepta Más Tiempo will talk about heroes, and Felix da Housecat B2B Mike Dunn will do his first back-to-back. Chicago’s Honey Dijon B2B Derrick Carter, Boys Noize B2B VTSS, hard-hitting mainstays Adam Beyer B2B Layton Giordani, and a meeting of new and old school with HAAi B2B Hiroko Yamamura are some of the other highlights. ARC is still at the cutting edge of putting together electronic music in North America. It’s a sign of what’s to come this season and a place where new trends can shine. Fans can enjoy the US invasion of UK Garage with Skream B2B Hamdi (UKG Set), the festival’s first-ever drum & bass set with Sub Focus making his ARC debut, the unique high-bpm styles of Interplanetary Criminal B2B Malugi, and the underground sounds of Eris Drew B2B Octo Octa, who have been a big part of spreading Chicago’s rich sound philosophy to underground spaces all over the world. Some of the biggest names in modern house music will also be playing at ARC. These include A-Trak and Armand van Helden‘s project Duck Sauce, Luciano, the founder of Knee Deep In Sound, and music from Chile and Switzerland. Since 1982, the head of the Life and Death label DJ Tennis, the Canadian superstar band BLOND:ISH, the German DJ Loco Dice, the father of Dirtybird Claude VonStroke, the Swiss duo Adriatique, and the Amsterdam-based DJ Ki/Ki. Other standouts include KETTAMA from Ireland, DESIREE from South Africa, Chloe Caillet, founder of Smiile, Arielle Free from BBC Radio, TINZO + JOJO, a brother and sister pair on Book Club Radio, the catchy sounds of Shermanology, and the breakout hit it’s murph. There will be heavier techno music from Nicole Moudaber, head of MOOD Records, Eli Brown, who was born in Bristol, Alignment, who lives in Berlin, rising UK star Effy, and Supergloss, who is a high-octane DJ. Chicago and Detroit’s history is honored, and the next generation of artists shaping their futures is emphasized. ARC’s lineup also includes DJ Sneak B2B DJ Heather, the father-daughter duo Floorplan, and HiTech, whose electrifying mix of juke, footwork, and techno represents the city’s ever-changing underground sound. ARC will feature 4 different stages in 2025 House and techno fans from around the world can expect an immersive experience at ARC, where carefully chosen art and production elements will connect each of the four separate stage settings. The four stages at ARC are the industrial Grid stage, the interactive and psychedelic elrow stage with its famous performers, the Expansions stage with its deeper sounds, and Area 909, which pays respect to the roots of house and techno in a raw, high-energy setting. The afterparties ARC goes beyond the fair grounds with its famous ARC After Dark series. It is put together by Auris Presents, which is Chicago’s top company for experiential festivals and events. These afterparties happen five nights, from Thursday to Monday, and keep the party going with artist aliases, exclusive back-to-backs, label takeovers, and surprise sets from festival favorites and special guests. They start with an exclusive opening party with PRYDA on Thursday, August 28th. ARC After Dark had 13 locations, 30 parties, and 80 acts in 2024. ARC After Dark is only open to people who have an ARC event pass. Tickets will go on sale to everyone on Friday, March 14, 2025, at noon CT. People who have a Mastercard consumer credit card can get tickets to the ARC Music Festival before anyone else. Start of the Mastercard Presale is at 10 a.m. CT on March 12, 2025. The post ARC Music Festival Announces Starred Lineup for 2025 Edition appeared first on The Groove Cartel.

Labor Day weekend is about to get much more interesting. Dirtybird CampINN has announced its return for 2025, following a two-year hiatus, coinciding with the 20th anniversary of the Dirtybird label. The event, in collaboration with Home Bass, is scheduled to take place over the Labor Day weekend, from Friday, August 29, to Tuesday, September 2, at the DoubleTree by Hilton at the Entrance to Universal Orlando. The event will see tickets go on sale today, while early access was to Loyalty and Birdfeed members an hour prior to the general sale. The resort, situated near Universal Orlando Resort, will host the festival, offering attendees access to 742 rooms, multiple dining options, an outdoor pool, a fitness centre, and extensive event spaces. Deron Delgado, Label Manager and Talent Buyer for Dirtybird, states that the previous CampINN events have been a highlight for the label, and that, as they celebrate 20 years, bringing the event back for their East Coast audience was a priority. Meanwhile, Brian Thomas, Co-producer of Dirtybird CampINN and Founder of Home Bass, says this year presents an opportunity to elevate the initial vision of Dirtybird CampINN through collaborative efforts. He expresses his excitement for the evolution of the event and its potential to establish itself as an annual destination. The 2025 edition of Dirtybird CampINN will feature Electronic music across House, Techno, and Bass genres. The event will also see the return of the colour team competitions, with participants representing Flamingo Fam (Pink), Gator Gang (Green), and Scuba Squad (Blue). Secure your tickets for the festival by clicking here. The post Dirtybird’s CampINN Announces 2025 Return Following Two-Year Pause appeared first on EDMTunes.

In 2021 Daft Punk split up leaving behind an astronomical legacy that not many names in music could ever dream of matching. Across their 28-year career they were able to find success wherever they went and one of the highpoints came back in 2001 when they released their magnum opus ‘Discovery.’ Daft Punk had already grabbed the worlds attention with their debut album ‘Homework’ in 1997 which featured the smash hit ‘Around the World.’ For ‘Discovery’ they decided to go in a sonically different direction taking a lot of inspiration from disco along with aiming to explore musical structures. The result was a genre transcending masterpiece that was able to pull in a wide audience of people from various genre fanbases. ‘Discovery’ hit the charts in a big way reaching number 2 in the album charts in France, Canada, and the UK. Several of the singles made their way into the charts including ‘Harder Better Faster Stronger’ which made it to number 3 in the UK Dance Chart while the opening track to the album climbed all the way to number 1 in France. Of course, that song we all know to be the historic ‘One More Time.’ In total ‘Discovery’ has amassed over 2 billion streams on Spotify with the lowest streamed song still having over 26 million streams showing the strength across the album. ‘Discovery’ was not only a sonic success but a visual marvel as Daft Punk collaborated with Leiji Matsumoto to make the anime film ‘Interstella 5555: The 5tory of the 5ecret 5tar 5ystem.’ It featured the entirety of the album as a soundtrack accompanied by minimal sound effects and zero dialogue. The artistry put into the film is stunning to witness and has become almost as iconic as the album itself thanks to being so unique and meticulously put together. ‘Discovery’ has gone beyond the realms of just being a great electronic music album and has gone as far as becoming one of the most highly regarded albums of all time. The crowning jewel in Daft Punk’s catalogue, it was rightfully ranked in Rolling Stones 500 Greatest Albums of All Time. It will forever be an absolute gem of an album that has inspired many of todays big names to do what they do.

Those attending Miami Music Week in 2025 might want to include in their plans E11EVEN Miami, the downtown hotspot known for never closing its doors, who have announced five consecutive days of dance music mayhem. Running from March 26-30, the venue's lineup features Diplo, Marshmello and Gordo, among others taking command of the decks. Steve Aoki's Dim Mak label will close out the week with a showcase featuring electronic music vets Laidback Luke and Flosstradamus alongside rising stars like Nostalgix. What distinguishes E11EVEN in Miami's saturated club scene is its 24-hour operational schedule, allowing clubbers to transition seamlessly between daytime pool parties and nighttime events without ever experiencing that dreaded "closing time" announcement. The award-winning venue has positioned itself as the literal and figurative center that never sleeps during the electronic music industry's annual pilgrimage to South Florida. For those requiring sustenance—or perhaps a moment to contemplate their life choices after 12 straight hours of dancing—E11EVEN's rooftop restaurant Giselle offers a respite with its retractable roof and fusion cuisine blending Asian, Mediterranean and French influences. The establishment, revered as one Miami's best rooftop restaurants, will feature a slate of special music performances throughout the week. Read on to discover all of E11EVEN's can't-miss events in 2025 and head here for tickets and reservations. And for a full breakdown of this year's events during Miami Music Week, check out our comprehensive guide. Wednesday, March 26: AMÉMÉLocation: E11EVEN Miami - 29 NE 11th St, Miami, FL 33132 Time: 8pm Artists: AMÉMÉ Tickets Thursday, March 27: GordoLocation: E11EVEN Miami - 29 NE 11th St, Miami, FL 33132 Time: 8pm Artists: Gordo Tickets Thursday, March 27: Roger SanchezLocation: Giselle Miami - 15 NE 11th St, Miami, FL 33132 Time: 8pm Artists: Roger Sanchez Dinner reservations Friday, March 28: MarshmelloLocation: E11EVEN Miami - 29 NE 11th St, Miami, FL 33132 Time: 8pm Artists: Marshmello Tickets Friday, March 28: Nulu MovementLocation: Giselle Miami - 15 NE 11th St, Miami, FL 33132 Time: 8pm Artists: Anané, Christian Mantini Dinner reservations Saturday, March 29: DiploLocation: E11EVEN Miami - 29 NE 11th St, Miami, FL 33132 Time: 8pm Artists: Diplo Tickets Saturday, March 29: DJ RavidrumsLocation: Giselle Miami - 15 NE 11th St, Miami, FL 33132 Time: 8pm Artists: DJ Ravidrums, Ivano Bellini Dinner reservations Sunday, March 30: Dim Mak MiamiLocation: E11EVEN Miami - 29 NE 11th St, Miami, FL 33132 Time: 8pm Artists: Steve Aoki, Laidback Luke, Flosstradamus, Henry Fong b2b Ookay, NIIKO X SWAE, Nostalgix, PLS&TY, Linney Tickets Follow E11EVEN Miami:Instagram: instagram.com/11miami X: x.com/11miami TikTok: tiktok.com/@11miami Facebook: facebook.com/11miami

The ReturnAfter nearly a year and a half hiatus, Griz has teased his return to the music scene with a thrilling Instagram video. In the clip we can see Griz cruising around on a tractor vibing to a brand new ID with the main line clearly stating, ‘I’m Back‘. At the end of the video fans were given a brief glimpse of what appears to be dates for a potential event on October 10-12, 2025. The cryptic post has fans buzzing, though it’s unclear exactly what Griz has in store. Some specualtion suggests it could be a three-day festival or a major headlining show. Adding to the intrigue, there’s a link to sign up for future updates, which includes a hint towards a Virginia area code. The last time Griz graced the stage was in October 2023 for a sold-out headlining show at Fillmore + Mission Ballroom in Denver, which was initially meant as a farewell before his break from touring. Since then, fans have eagerly awaited the return of the groovy funk mastermind. With this new teaser, it seems Griz is gearing up for a spectacular comeback.

Chicago’s flagship house and techno festival, ARC Music Festival, has unveiled its 2025 lineup as it returns to Union Park this Labor Day Weekend, August 29–31. This year promises the most diverse and ambitious curation yet—melding pioneering legends, emerging innovators, and groundbreaking B2B sets that capture the festival’s spirit of innovation. Over its five-year history, ARC has become a vital hub for iconic figures, rising stars, and underground trailblazers in Chicago, the birthplace of house music. Past highlights include Eric Prydz’s multi-alias debut, Carl Cox and Green Velvet’s earthshaking B2B set in 2024, and Hiroko Yamamura’s global underground finale in 2023. The 2025 roster spans the entire dance music spectrum. Celebrating its milestone, Eric Prydz returns with his three-alias showcase, while headliners like superproducer Jamie xx, global sensation John Summit, techno powerhouse Amelie Lens, veteran Richie Hawtin, and crowd favorite FISHER drive the festival forward. Notable back-to-back collaborations include: Other standout sets feature Honey Dijon B2B Derrick Carter, Boys Noize B2B VTSS, Adam Beyer B2B Layton Giordani, and HAAi B2B Hiroko Yamamura. Additionally, ARC introduces fresh trends with Skream B2B Hamdi’s UK Garage set, Sub Focus making his drum & bass debut, Interplanetary Criminal B2B Malugi, and Eris Drew B2B Octo Octa. The festival also boasts modern house heavyweights such as Duck Sauce, Luciano, Hot Since 82, DJ Tennis, BLOND:ISH, Loco Dice, Claude VonStroke, Adriatique, and Ki/Ki, alongside a robust techno roster featuring Nicole Moudaber, Eli Brown, Alignment, Effy, and Supergloss. Local favorites like DJ Sneak B2B DJ Heather, Floorplan, and HiTech honor Chicago and Detroit’s storied roots. Set across four immersive stages—the industrial Grid, the interactive elrow, the deep-sounding Expansions, and the raw high-energy Area 909—ARC 2025 offers a comprehensive celebration of sound and lifestyle. Extending beyond the main event, the festival’s ARC After Dark series features exclusive afterparties over five nights, kicking off with a special PRYDA opening party on Thursday, August 28, available exclusively to festival pass holders. General tickets go on sale March 14, 2025, at 12pm CT, with Mastercard presale starting March 12 at 10am CT. For more details, visit priceless.com/arcmusicfestival. The post ARC Music Festival Drops Scorching 2025 Lineup appeared first on EDMTunes.

Following on from the massively successful 2024 edition of BEONIX with an attendance of 25000 people, the festival will be heading back to Cyprus looking to expand even further. Having consistently grown and improved over the last few years it’s looking like they’re going to continue their upward trajectory in 2025 with an amazing lineup. The announcement of all the headliners has seen fans going wild as Armin Van Buuren, Boris Brejcha, and Adriatique will be taking to the main stage to bring the noise in Limassol. Supporting them across the 4 diverse stages are a mixture of rising stars and established names the likes of Roger Sanchez, David Moreno, Anfisa Letyago and many more. The DJ’s that have been announced already make BEONIX Festival look like the place to be and there are still more names to be announced. This smorgasbord of talent will be playing across the Main Stage, Hangar Stage, Organic Stage, and the Garden Stage which all offer unique experiences both audibly and visually. These stages paired with the incredible artwork transform the abandoned winery that plays host to BEONIX into a haven of culture and breath-taking experiences. The monumental effort that goes into preparing the site makes for an entrancing atmosphere that whisks you away to another world. BEONIX Festival is only heading into its fourth edition and yet last year saw tickets sell out for the first time. Having grown a strong reputation combined with the insane lineup planned it’s looking like it’ll be another sold out year. Tickets are available now so if you want be part of one of the fastest growing festivals in the world then you better be quick to lock in the experience of a lifetime. Tickets for BEONIX Festival are available below: https://beonix.art/tickets: BEONIX Festival Returns To Cyprus With A Monster Lineup