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The release of Martin Garrix’s collaboration with Arijit Singh, ‘Angels For Each Other’ has seen the debut of Garrix providing vocals for one of his songs. He has already garnered a lot of praise for his impressive performance which seemingly came out of the blue, but he’s not the first EDM artist to also be a vocalist. Drew Taggart (The Chainsmokers) There are actually several tracks that Drew Taggart has provided vocals on and all of them have been huge. His vocal debut came on ‘Closer’ alongside renowned singer Halsey. Not only was it a big song, but it is in fact The Chainsmokers most streamed song of all time having over 3 billion streams on Spotify. Along with that it won Top Collaboration and Top Dance/Electronic Song at the 2017 Billboard Music Awards. He also provided vocals on another billion-stream breaker with ‘Paris’ as well as the excellent ‘All We Know’ where his vocals blend beautifully with Phoebe Ryan’s. Having had so much success in front of the mic it’s likely that we could yet hear more from him on future chart toppers. Avicii Avicii’s musical talents were vast and impressive, however he was never known for being a singer. There’s only one track that you can find his vocals on which is ‘True Believer’ where it’s quite hard to recognise his voice due to the editing done on the vocals. Avicii sings on the verses of the track where his vocals are pitched up, but if you take the song and pitch it down 2 semitones then you’ll hear him clear as day. The vocals in the chorus are provided by Coldplay frontman Chris Martin who was originally supposed to sing the whole track. When he read the lyrics though he said that he felt they were too personal, and suggested Avicii should do them himself leading to his only vocal credit in his entire career. Mau P Maurits Westveen has found great success since moving on from his Maurice West pseudonym to being Mau P. This shift has seen him majorly change his musical style as well as leading to him putting his vocals into a track for the first time in ‘On Again.’ His voice fits the track perfectly as his vocals take centre stage and the acapella has since been put into numerous mashups. The track quickly became a fan favourite and is a regular staple of his DJ sets having become one of his biggest records to date. Porter Robinson Porter Robinson made his first vocal appearance back in 2014 on the iconic ‘Sad Machines’ where he sang alongside the Vocaloid synthesized voice of Avanna. It wasn’t till 7 years later that his vocals really had their moment in the sun on his second studio album ‘Nurture’ where he was the sole vocalist. Across the album it sounds like a variety of vocalists are featured though it is in fact all Porter Robinson’s voice edited in different ways. His editing of the vocals is masterful along with his voice being genuinely amazing and being a highlight of ‘Nurture.’ He incorporates his singing into his live sets as well which is always a welcome addition as he has a real talent for it. Like Mike Featured alongside Ne-Yo, Like Mike provides vocals on the 2015 smash hit ‘Higher Place’ where his voice can be heard during the chorus’. His relaxed, laidback voice matches the energy of the song excellently while providing an interesting contrast to Ne-Yo’s sections. ‘Higher Place’ earned Dimitri Vegas & Like Mike their first ever number 1 in the United States as it reached the top of the Billboard Dance Club Songs chart. It also went to number in their home country of Belgium where it went platinum.

After a software bug caused a massive outage affecting several Chromecast device types, Google recognized the issue and informed users that they were working to resolve it. The outage has prevented many users from using their devices. Chromecast Outage Google advised that pressing reset on the device, could get you locked out of your devices. The company did not specify the exact cause of the problem. Nevertheless, it displays an “untrusted device error” notice on older Chromecast models, including the Chromecast 2015 model and Chromecast Audio. Sometime ago, Google stopped sales of its Chromecast with Google TV, following the launch of the Google TV Streamer last year. Moreover, the streamer sells for around a hundred bucks. Second Generation Chromecast devices stopped working March 9th. However, Google still hasn’t provided a timeframe for fixing the problem. Speculation surrounding the cause of the outage include an expired device authentication certificate authority, but Google has not confirmed any potential causes yet. Recently, Google emailed users to express their awareness of the situation but have not offered a solution yet. After all, fixing the outage could take weeks, according to former Meta software engineer Tom Hebb. Chromecast is a media device, similar to Roku or Firesticks, that provides access to different apps and streaming platforms into your TV. Expired Device Authentication Certificate Authority The affected devices’ intermediate authority’s 10-year validity expired on March 9, 2025. This means, they can’t be used by today’s apps to complete the cryptographic process. Softwares used to analyze the chain of trust will reject the whole device. Hence, folks are seeing error messages about their Chromecast being an “untrusted” device. It seems that the only ways to fix this for all users of second generation Chromecast devices are either hack the systems to fix the certificates, or replace all devices for updated ones. The post Google Addresses Chromecast Outage and Vows To Fix Issue appeared first on EDMTunes.

Terminal V returns to Edinburgh’s Royal Highland Centre on April 19-20, bringing an international lineup of techno’s biggest names. This year, the festival is making a major move to support homegrown talent by introducing The Secret Stage, a space dedicated to showcasing Scotland’s emerging DJs. Over 30 rising artists will perform across both days, putting them at the heart of one of the UK’s leading electronic music events. A Platform for Scotland’s Electronic Music Scene For the first time, Terminal V is giving a dedicated stage to local talent, reinforcing its commitment to developing Scotland’s underground scene. The 150-capacity Secret Stage will provide an intimate setting where festival goers can discover artists breaking through the ranks. Performers include Brad Herbert, Case, Chromatic, Eva, James McArthur, Jardine, Jenn Gunn, Ryan Untitled, and TLO, along with many more who have been making an impact in clubs across the country. While Scotland has produced internationally recognized DJs, opportunities to perform at large-scale events are often limited. By creating this platform, Terminal V ensures that rising artists share the spotlight alongside some of the biggest names in electronic music. The festival’s four main stages will feature an extensive lineup, including 999999999, Adrián Mills, ALT8, Azyr, Cloudy, Deborah De Luca, Funk Tribu, Kettama, Blawan x Helena Hauff, Charlie Sparks x Parfait Clouds, Dax J, Fish56Octagon, and Patrick Mason. A Festival Expanding Its Vision Terminal V continues to evolve with new additions that enhance the festival experience. The Hangar Stage has undergone a transformation, now operating as a 6,000-capacity, 360-degree setup where the crowd can surround the DJs for a closer connection between artists and fans. Another first for this year is the introduction of a stage hosted by FACE2FACE, a European techno brand known for its back-to-back sets that put artists directly in front of each other, pushing them to interact and challenge each other’s sound in real time. These new stage concepts will sit alongside The Terminal and The Greenhouse, maintaining Terminal V’s reputation as one of the most forward-thinking festivals in the UK’s electronic music landscape. Homegrown Artists Across Every Stage Beyond The Secret Stage, Scottish artists will also take on key slots across the festival’s main stages. Names like Jude Bradshaw, Celeste, Dominique, DV60, Lazlo, DJ Susie, and Gallo will be setting the tone before the international headliners take over. This mix of local and global talent reinforces the festival’s aim of celebrating both established icons and those making an impact closer to home.With just over a month to go, anticipation is growing for what is set to be another landmark edition of Terminal V. The introduction of The Secret Stage is a step toward creating more opportunities for Scottish artists within the festival circuit, ensuring that the country’s electronic music scene continues to thrive.

Ministry of Sound, a global leader in nightlife and entertainment, has forged a groundbreaking partnership with DICE. This collaboration signifies a transformative leap in digital ticketing for one of the UK’s most legendary music institutions, delivering an exceptional, data-driven, and fan-focused ticketing experience. Fan Experience Through this strategic alliance, Ministry of Sound will harness DICE’s state-of-the-art mobile technology to elevate fan engagement. This will optimize operations, and drive ticket sales to new heights. Dice has cutting edge analytics and marketing tools. With an impressive 88% of transactions conducted on mobile devices, DICE’s innovative platform will guarantee a seamless purchasing journey. Ministry of Sound will be equipped to make informed decisions with access to real-time insights into audience behavior, sales attribution, and event performance. The direct API connections with various platforms ensure seamless control over data and marketing automation. DICE’s exceptional fan-friendly features includes the innovative ‘Waiting List’ function, flexible ticket transfers, and engaging social media integrations. It will create a more personalized and immersive experience for club goers. With DICE’s transparent, all inclusive pricing on tickets, fans can trust that they know exactly what they are paying for at Ministry of Sound. No more surprises on hidden fees, what a relief eh?! The revolutionary mobile ticketing will ensure security of tickets locked to smartphones, activating only two hours before the event. Fans can breathe a sigh of relief with eliminating ticket touts and protecting the integrity of the primary market. The collaboration between these two organizations opens up doors to exciting opportunities such as exclusive guest area upgrades, enticing drink packages and unique fan elevated experiences. The nightlife experience just got better with these giants, making it more engaging, trustworthy, and unforgettable. Partnership between DICE and Ministry Of Sound The Group Managing Director of Ministry of Sound, Caitlin McAllister shares – This partnership with DICE represents a major leap forward for Ministry of Sound. We are committed to delivering the best possible experience for our fans, and DICE’s technology gives us the tools to do that in a more efficient, secure, and data-driven way. From frictionless mobile ticketing to powerful audience insights, this collaboration sets a new benchmark for the future of live events. The Head of Music, New Gen & Community at DICE adds: Ministry of Sound is an institution in global club culture, and we’re thrilled to be working with them to revolutionise their ticketing and fan experience. Our shared commitment to innovation, transparency, and putting fans first makes this the perfect match. As the onboarding process progresses, Ministry of Sound and DICE are poised for a seamless transition to the new ticketing system in the coming weeks. Fans can eagerly anticipate an enhanced purchasing experience, complete with exclusive perks from this iconic venue. Secure your tickets for the highly anticipated upcoming shows available through DICE: Free From Sleep Presents with Joseph Ray, Lauren Mia: Saturday, March 15 Joel Corry: Saturday, March 22 Disco Daddy with Derrick Carter and Greg Wilson: Thursday 17th April Backto95 – 24th Birthday: Saturday, April 19 Sober Day Rave with Driia: Sunday 11th May Stay tuned to EDMTunes for all your dance music updates. The post Ministry Of Sound Strike Exclusive Ticketing Deal With Dice appeared first on EDMTunes.

Italian Duo Pushes Boundaries with Their Latest Single Mathame, the influential Italian electronic duo, has once again delivered a groundbreaking release with ‘Humans’. More than just a track, Humans represents a fusion of music, technology, and raw emotion, igniting global discussions about AI’s evolving connection to human creativity. The duo took an unconventional approach to promoting the song, teasing it with mysterious billboards around the world and transforming their entire Spotify visual identity. Humans premiered exclusively on Spotify on March 12, with a full global release set for March 14th. In an unprecedented move, Mathame shared ‘Humans’ with ChatGPT—an AI designed for rational analysis—and the reaction was astonishing. The AI not only provided a technical breakdown but also described the track as “beautiful,” admitted to sensing longing, and even expressed a desire to move with it—wishing it had a body to truly experience the music. This moment has since gone viral, sparking discussions about AI’s potential to feel music. What if sound is what defines us as Humans? Even in the face of technological evolution? If so, we stand for a world that will set it free, untouched by imposition. Together in the unknown, you will never dance alone.” Mathame explains the deeper meaning behind the release. The track has already established legendary status, having first been played at Coachella 2023 before its final version was unveiled at the Las Vegas Sphere alongside Anyma. With a strategic marketing push, including editorial placements and playlist takeovers, Humans is set to dominate the electronic music scene. Mathame continues to push boundaries with their cutting-edge show NEO, which has already captivated audiences worldwide. Following a special edition at Ushuaïa Dubai on NYE, NEO heads to South America with major performances in Argentina and Chile. With Humans, Mathame isn’t just releasing a song—they’re sparking a revolution at the intersection of music and AI. Listen to Mathame – ‘Humans’ Below: The post Mathame’s ‘Humans’ Blurs the Line Between AI and Emotion appeared first on EDMTunes.

Only three more days before the 5th edition of Tomorrowland Winter kicks off. As always, the People of Tomorrow around the world won’t have to miss a single moment of this year’s festival, which will revolve around the ‘Paperworld’ theme. Music fans can follow the magic of Tomorrowland Winter 2025 via tomorrowland.com and the Tomorrowland App, broadcasting live worldwide from the stunning Alpe d’Huez ski resort. Expect an immersive experience that brings a spectacular new chapter in Tomorrowland’s history straight to your screen. Watch Live from the ‘Paperworld’ Mainstage From Tuesday, March 18, to Friday, March 21, Tomorrowland Winter will broadcast live performances from the ‘Paperworld’ Mainstage between 20:00 and 01:30 CET. Even if you can’t make it to the festival, you’ll still be able to enjoy unforgettable sets from some of the world’s best electronic artists, including: Agents Of Time Afrojack Axwell Bassjackers Dimitri Vegas Henri PFR Indira Paganotto Kölsch Lost Frequencies MANDY MATTN W&W And many more Exclusive Sets from the Mountains of Alpe d’Huez Beyond the Mainstage, Tomorrowland Winter will take viewers to breathtaking locations across Alpe d’Huez for unique sets and performances at iconic festival stages, including: CORE Amare by Sephora Reflection of Love Frozen Lotus One World Radio: Broadcasting Live from Tomorrowland Winter 2025 Continuing its tradition, One World Radio – Tomorrowland’s official radio station – will be broadcasting live from Alpe d’Huez all week, bringing fans a front-row experience from their studio in the heart of the festival. Live from Tuesday, March 18, at 18:00 CET, until Friday, March 21 Daily broadcasts from 14:00 to 22:00 CET Exclusive artist interviews and live sets And the magic doesn’t stop when the festival ends. On Saturday, Sunday, and Monday after Tomorrowland Winter, One World Radio will replay the best sets non-stop, keeping the festival energy alive wherever you are. Follow the Magic from March 18-21 Tune in via tomorrowland.com and the Tomorrowland App Listen live on One World Radio for the ultimate Tomorrowland Winter experience The post Tomorrowland Reveals Livestream Details for 2025 Winter Edition appeared first on EDMTunes.

4 years and 12 million streams later on Spotify, ‘Cheatcode’ by Black Tiger Sex Machine has now received a radical overhaul. Their latest VIP edit throws the original into a techno-charged vortex. Forget the bass-heavy swagger; this VIP is a relentless, four-to-the-floor assault, a fusion of hip-hop grit and techno drive. BTSM’s sonic dabbling with house and techno has always been there, but this VIP is a full-blown embrace. Hyro The Hero’s iconic vocals, still as potent as ever, now ride atop a thunderous techno landscape. This latest reimagination proves BTSM’s mastery across genres and demonstrates their consistent evolvement as artists. Released via Kannibalen Records, ‘Cheatcode (BTSM VIP)’ is the final jolt before their highly anticipated OMEN EP. This EP is more than just music; it’s the soundtrack to BTSM’s ambitious multimedia project, weaving into their original Manga and a groundbreaking new live show. The “OMEN” live experience debuts at the Tacoma Dome on April 4th & 5th, a culmination of their artistic vision. Expect a sensory overload, a blend of music, visuals, and narrative that redefines the live EDM experience. The post Black Tiger Sex Machine Gives Techno Overhaul to ‘Cheatcode’ VIP appeared first on EDMTunes.

Beats as crisp as Grand Rapids' famous craft beers will soon be shaking the city after the organizers of Breakaway Music Festival announced a massive lineup for its 2025 Michigan edition. Presented by CELSIUS in partnership with MiEntertainment, the nation's fastest-growing independent festival brand is returning to Grand Rapids' Belknap Park for two nights of open-air raving from August 15-16. Breakaway co-founder Zach Ruben said the city "has felt like a second home" for the festival for nearly a decade. "Our partnership with MiEntertainment has been invaluable and we’re excited to continue to build on the incredible support the city and the locals have shown us," he said. "Together over the years we’ve been proud to expand the local music scene at the beautiful Belknap Park by showcasing a diverse mix of EDM, pop and hip-hop. The talent we’re bringing to headline our Breakaway Michigan festival in the heart of Grand Rapids is nothing short of elite." That's nothing short of the truth. Breakaway Michigan's 2025 lineup boasts headlining performances by Zedd, REZZ, Gryffin and ISOxo along with an impressive undercard featuring Disco Lines, Wax Motif, VNSSA, OMNOM, Viperactive, INZO and EDM.com Class of 2025 star Tape B, among others. In other Breakaway news, the festival's proprietors recently announced the launch of Breakaway Projects, a new record label and management venture with distribution from Sony's The Orchard. Rising DJ and producer Klo, who is performing in Grand Rapids and earlier in the year at Breakaway Arizona, is one of the organization's first signees. You can check out the full lineup for Breakaway Michigan 2025 below. Tickets are on sale now, including two-day GA, VIP, Ultra VIP and Space Deck passes as well as Space Deck tables. c/o Breakaway Festival Follow Breakaway Music Festival:X: x.com/breakawayfest Instagram: instagram.com/breakaway TikTok: tiktok.com/@breakawayfest Facebook: facebook.com/breakawayfestival

Fast-rising talent Inox Traxx just released a second EP on Charlotte de Witte’s RPM by KNTXT label, a dynamic 5-tracker entitled ‘Free,’ out now, after last year’s gem, ‘In My Darkness.’ In just a few years, the Berlin-based producer has won tastemaker support releasing her propulsive, crystal-sharp techno and hypnotizing dancefloors at KNTXT’s London and Ghent shows, as well as renowned venues and events such as Berghain, Awakenings, Intercell Events, and HÖR sets. “Inox Traxx returns to KNTXT with another uncompromising release. Her pure raw energy, organic groove and hypnotic pulse are designed for the dance floor. This is the sound of forward motion. I’m a huge fan of Alisa and I’m proud to have her returning to the label for another stunning EP.” -Charlotte de Witte The EP opens with ‘Difference,’ driven by a pounding drum and fluttering, clattering industrial percussion with Doppler FX. A deep, dark vocal motif alternates with a high, abstract vocal melody in this positive, powerful production. ‘No Leaving’ has fast, resonant beats and hissing percussion, with assertive but soulful echoing vocal strands, compulsively danceable. Title track ‘Free’ combines breaksy beats with an upbeat feel, earthed by growling bass; more of a song, with breathy, high vocals, the whole composition flowing and bubbling like river water. ‘Artefacts’ has pulsing, rattling beats and melodic vocal FX, the wild momentum pierced by a moment of silence, while ‘Warp’ creates a compelling alien soundscape with complex bursts of jerky percussion with slicing, slamming SFX, all redolent of machinery, as chopped, blurred vocals call like radio waves across light years of space. “The tracks were recorded during 2024, a very bright year for me, full of wonderful and life changing moments. I was inspired by life, people and new experiences. This is how the ‘Free’ EP was made. I’m so grateful and happy to be able to express myself freely musically with the KNTXT family.” -Inox Traxx Inox Traxx ‘Free’ EP is out now on RPM by KNTXT. The post Inox Traxx Returns To Charlotte de Witte’s RPM By KNTXT Label With ‘Free’ EP appeared first on EDMTunes.

EDM.com Class of 2025 star Jessica Audiffred has announced a career-defining event: a six-hour 360° DJ set to celebrate her birthday and long-awaited debut album, Rave New World. The three-pronged celebration will take place at Verdeespina Studios in her hometown of Mexico City on April 12th. While an official release date has yet to be announced, Audiffred said the show will celebrate the impending release of her debut album, meaning attendees can expect to be among the first to hear many—if not all—of the music from Rave New World live. With an exciting mystery announcement teased for the end of the night, speculation is already running wild about what Audiffred has in store. Whether it's a new project, tour or something even bigger, one thing is certain: the homecoming event is one that fans will not want to miss. Tickets are now on sale and can be purchased here. View the original article to see embedded media. Follow Jessica Audiffred:X: x.com/jessicaaudifred Instagram: instagram.com/jessica_audiffred TikTok: tiktok.com/@imjessicaaudiffred Facebook: facebook.com/jessicaaudiffred Spotify: spoti.fi/3FEpy0B

Just one day before its 13th anniversary, Alesso and Ryan Tedder have come together to reveal a sequel to their iconic EDM track, "Calling (Lose My Mind)." Released in 2012 by Alesso, Tedder and Swedish House Mafia's Sebastian Ingrosso, "Calling (Lose My Mind)" is now widely considered a generational dance anthem. Coupled with Tedder's soaring vocals, the track’s euphoric progressive house melodies defined an era of festival anthems and became a staple during what many consider the "golden age" of electronic dance music. After topping Billboard's Hot Dance Club Songs chart at the time, the song solidified Alesso and Ingrosso's reputation as masters of emotive, high-energy dance music. It is still played at major festivals all over the world today. Alesso and Tedder took to Instagram this week to tease a follow-up, with the latter remarking that their reunion is "long overdue." They previously teased a sequel in the works back in February 2023, but fans have more reason to believe it's imminent this time around. The superstar Swedish DJ and OneRepublic frontman have also collaborated to release 2013's "If I Lose Myself (Alesso Remix)," another iconic EDM record; and "Scars," which dropped in 2015. With the demand for nostalgia-fueled revivals growing across the industry, fans are eager to see how Alesso and Tedder will reimagine their beloved classic. It's important to note, however, that they have not formally announced a track at the time of this writing. It's also unclear at this time whether or not Ingrosso is involved. You can watch the video from Alesso and Tedder below. View the original article to see embedded media. Follow Alesso:X: x.com/alesso Instagram: instagram.com/alesso TikTok: tiktok.com/@alesso Facebook: facebook.com/alessoofficial Spotify: spoti.fi/3kHFy5c Follow Ryan Tedder:X: x.com/ryantedder Instagram: instagram.com/ryantedder Spotify: spoti.fi/2RRInHO TikTok: tiktok.com/@realryantedder

Trance legend Armin van Buuren has finally unveiled one of his most sought-after tracks, ‘Angles’. This captivating collaboration with Punctual features the mesmerizing vocals of Evalina, adding an extraordinary depth to the sound. Now available on all streaming platforms through Armada Music, this record has been nothing short of legendary, with fans buzzing about it well before its official release. Don’t miss out on experiencing this electrifying addition to Armin’s illustrious discography! ‘Angles’ ‘Angles’ marks yet another remarkable collaboration between Dutch superstar Armin and the Grammy-nominated duo Punctual. This track brilliantly showcases the perfect synergy of their respective styles. It is building on the momentum of their previous hit, ‘On & On.’ With ‘Angles,’ listeners are treated to an exhilarating blend of progressive house that radiates pure euphoria. Right from the opening notes, the rich synthesizers and reverberating pads create an enchanting soundscape that captivates the senses. What truly elevates this track to potential classic status is the enchanting voice of EVALINA. Her vocals are both light and powerful, delivering a profound message of hope that makes this song a beacon of positivity—an uplifting ray of sunshine after a stormy day. EVALINA’s voice melds seamlessly with the music, amplifying the emotional resonance woven throughout the synths. The lyrics craft a vivid tapestry of hope, showcasing resilience and the promise of a brighter tomorrow. As the song unfolds, it masterfully intensifies the buildup through captivating arpeggios and rhythmic tension, culminating in an exhilarating drop. I can vividly imagine myself in the heart of a festival crowd, hands raised high in unison. We truly have a timeless festival anthem in ‘Angles.’ Its soaring energy, beautifully contrasted with gentle verses, creates an extraordinary and well-balanced tune. The production, expertly crafted by Punctual, features tight percussion programming that enhances its allure. This track is incredibly versatile, perfectly suited for both pulsating clubs and intimate gatherings. Undoubtedly, ‘Angles’ is a festival anthem that resonates with many, infusing the dancefloor with hope and unbridled energy. Hope you enjoy ‘Angles’ as we get ready for the pluthorah of music festivals coming our way. Stay tuned to EDMTunes. The post Armin van Buuren & Punctual feat. EVALINA – ‘Angles’ appeared first on EDMTunes.

Martin Garrix is breaking new ground with "Angels For Each Other," a collaboration with Indian singer-songwriter Arijit Singh in which he sings on his own track for the first time. Out now via his own STMPD RCRDS imprint, the track blends English and Hindi, melding diverse musical influences and offering a unique fusion of Garrix's signature sound and Singh's soulful Indian melodies. "Angels For Each Other" is also the first-ever English language showcase for Singh, the world's most followed artist on Spotify. In a behind-the-scenes TikTok video, the superstar Dutch DJ shared his excitement about lending his vocals to his own music. "If you had told me a few years ago that I'd be singing on one of my own songs one day, I never would have believed you," Garrix said. The buzz surrounding "Angels For Each Other" is growing, with many fans speculating it could be a key feature in Garrix's Mainstage set at Miami's Ultra Music Festival later this month. He is also preparing for a major live performance at Mumbai's DY Patil Stadium on March 14th, the night after the song's release. You can listen to "Angels For Each Other" below and find the new single on streaming platforms here. Follow Martin Garrix:X: x.com/martingarrix Instagram: instagram.com/martingarrix TikTok: tiktok.com/@martingarrix Facebook: facebook.com/martin.garrix Spotify: spoti.fi/2YszVxQ

The Brooklyn Mirage, New York City’s premier open-air music venue, is marking its 10th anniversary with a complete transformation that redefines the boundaries of live music experiences. Set to reopen on May 1, 2025, the venue has been reimagined from the ground up, merging cutting-edge technology with sustainable design to create what many are calling an “electronic opera house.” A New Era for New York Nightlife Since its inception, The Brooklyn Mirage has been at the forefront of New York’s nightlife scene, consistently pushing the envelope of what’s possible in a live music venue. True to its name, the venue typically disappears each winter, only to return in spring with new innovations. This year’s transformation, however, is unlike anything seen before. “The Brooklyn Mirage has always been a place to dance, to lose oneself in moments of pure, electrifying energy,” said Josh Wyatt, CEO of Avant Gardner. “When we decided to rebuild the venue from the ground up, we aimed to honor its legacy while expanding the dance floor, creating immersive side-quest spaces, and pushing the boundaries of music, art, and technology.” Groundbreaking Visual Technology The most striking feature of the redesigned venue is its revolutionary visual system. The new Brooklyn Mirage features the world’s first fully kinetic shutter system of this scale in a live music venue. When open, this system reveals a hyper-realistic 270-degree virtual environment created by LED screens with a combined 30K resolution, displaying an astonishing 100 million pixels across over 3,000 tiles. This visual spectacle exceeds the size, density, and scale of visual experiences found at some of the world’s largest music festivals. The dynamic system allows for unlimited configurations, ensuring that each show offers a unique visual experience. Unparalleled Sound Experience Complementing the revolutionary visual system is an all-new, custom-built L-Acoustics sound system – the industry leader in festival and nightclub audio. Over 100 precision-calibrated speakers and subwoofers are strategically placed throughout the venue, ensuring perfectly balanced sound regardless of where guests are positioned. This commitment to audio excellence ensures that The Brooklyn Mirage continues to offer one of the most immersive sonic experiences in the global nightlife scene. Architectural Innovation Meets Sustainability The redesigned venue showcases a monumental heavy timber structure, measuring 197 feet by 164 feet and soaring 65 feet high – making it among the largest timber builds of its kind in the USA. This sustainable approach stands in contrast to conventional large-scale event structures, which typically rely on steel or aluminum. The structure is fully pre-manufactured and CNC-cut with the latest addition technology, demonstrating how advanced prefabrication techniques can push the limits of contemporary event space design while prioritizing environmental responsibility. Reimagined Performance Spaces Artists will now have access to a 90-foot-wide performance area with an industry-leading 400,000-pound roof rigging capacity, empowering them to bring their most visionary performances to life. The venue has been engineered to accommodate performances of any type and genre, from world-class DJ sets to intimate live concerts featuring artists typically seen only in arenas and stadiums. For attendees seeking an elevated experience, the venue now features opera-style mezzanine loges above the dance floor, offering unobstructed sight lines, ample room to dance or relax, and bespoke hospitality amenities. This design choice not only enhances the premium experience but also frees up additional space on the main dance floor. Enhanced Guest Experience & Safety The Brooklyn Mirage has made significant infrastructure investments both inside and outside the venue to ensure a seamless experience from arrival to departure. New lighting, signage, rideshare drop-off zones, and cell service enhancements will improve guest navigation and connectivity. Additionally, the venue has enhanced its team of trained guest ambassadors, expanded private security patrols, and increased first responder-trained staff to enhance safety and overall guest experience. New Media Art Program Beyond its technological and architectural innovations, The Brooklyn Mirage is launching a New Media Art Program. This initiative will invite internationally renowned and emerging multidisciplinary artists, including local creative community members—to showcase their works on-site, further cementing the venue’s status as a cultural hub. Star-Studded 2025 Season With over 100 shows already confirmed for 2025, the season kicks off on May 1 with an impressive lineup featuring electronic music heavyweights such as Sara Landry, Alesso, The Martinez Brothers, Peggy Gou, Cloonee, Anjunadeep, Artbat, Cityfox, Elrow, Amelie Lens, Boiler Room, Rezz, Gryffin, Subtronics, Francis Mercier, Nora En Pure, Galantis, The Chainsmokers, A.G. Cook, James Hype, All Day I Dream, Underworld, and Empire of the Sun, with many more major announcements still to come. A Global Nightlife Destination Avant Gardner, the parent company of The Brooklyn Mirage, continues to solidify its position as New York City’s premier entertainment destination. Spanning an 80,000-square-foot complex that occupies an entire city block in East Williamsburg, Avant Gardner has been voted North America’s “Best Large Club” in 2022 and 2023 and ranked in the Top 10 globally by DJ Mag. The venue has hosted sold-out performances by top global acts, including Rüfüs Du Sol, Glass Animals, Afterlife, Keinemusik, John Summit, Black Coffee, Fisher, Drake, David Guetta, Reneé Rapp, Rina Sawayama, SOFI TUKKER, Tainy, and Tiësto. For tickets and the latest event updates, visit Avant-Gardner.com.

One of New York's most popular electronic music venues, Brooklyn Mirage, has reinvented itself multiple times over the past decade. Its latest transformation, revealed today, is its most ambitious redesign yet. "The Brooklyn Mirage has always been a place to dance, to lose oneself in moments of pure, electrifying energy,” said Josh Wyatt, who took over as CEO of Avant Gardner last fall. "When we decided to rebuild the venue from the ground up, we aimed to honor its legacy while expanding the dancefloor, creating immersive side-quest spaces, and pushing the boundaries of music, art and technology.” Brooklyn Mirage’s signature, sprawling LED wall is undergoing a major transformation. Its span has been extended to envelop even more of the venue's dancefloor, resulting in 270° of virtual immersion powered by 100 million pixels and over 3,000 tiles with a combined 30K resolution. Brooklyn Mirage Despite its extension, the LED wall won’t be a permanent fixture for shows at Brooklyn Mirage. A fully kinetic shutter system—the first of its kind at this scale in a live music venue—will control the wall’s visibility. With the shutters drawn, the venue harkens back to the early years of Brooklyn Mirage, a time when the venue had no screens at all. Shuttering the video wall isn’t just a nostalgic sentiment though. It’s an architectural innovation that means the venue can dynamically transform from show to show. With a 90-foot wide stage area and an industry-leading 400,000-pound roof rigging capacity, artists will have unparalleled creative control of the production elements and visual identity of their performances. The space can shift from an arena-style show to a stripped-down, intimate concert, offering a level of flexibility rarely seen in nightlife. "The New Mirage will be everything fans worldwide love about this space—while delivering a completely new, mind-blowing sensory experience," Wyatt says. "New York City deserves a venue that evolves with the culture, and that’s exactly what we’re creating." Accompanying the visual overhaul, Brooklyn Mirage has revamped its sound setup with a custom-built system from L-Acoustics, an industry-leading audio solutions company that powers the sound of some of the world’s biggest music festivals, like Tomorrowland and Ultra. Over 100 precision-calibrated speakers and subwoofers will be strategically placed throughout the venue, which means the sound should be crisp and balanced whether you’re raging on the rails or hanging at the back. Inspired by operatic grandeur, the dancefloor itself is undergoing a makeover as well. With an expansion of over 40 feet and removal of production elements and columns, the floor will have more space, improved crowd-flow and better sight-lines to the stage. New loges, balconies and mezzanines have also been constructed, morphing the Mirage into an electronic opera house. The second and third mezzanine levels will be open to all attendees but the elevated loges lining the sides of the dancefloor will be used for VIP and table service during some shows. In a pioneering effort of sustainability, the event space is built with heavy timber instead of steel or aluminum. Measuring 197 by 164 feet and soaring 65 feet high, the new Brooklyn Mirage is one of the largest timber builds of its kind in the US. An artist's rendering of the Brooklyn Mirage These visual, sound and architectural overhauls will be accompanied by an array of cultural, logistical and operational improvements as well. "This is not just an upgrade—it’s a rebirth," Wyatt says. With over 100 shows already on the calendar, Brooklyn Mirage kicks off its 2025 season on May 1st. Alesso, Peggy Gou, Underworld, Empire of the Sun and The Chainsmokers are set to perform this year, among others. You can find out more via the venue's website.

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The Penthouse Dubai at FIVE Palm Jumeirah, named the #1 Nightclub and Rooftop Lounge in the Middle East for 2024, continues to bring some of the best nights out in the region. Known for its stunning views, renowned hospitality, and a mix of international and local DJs, the venue has an exciting schedule lined up for the coming months. Situated on the 16th floor of FIVE Palm Jumeirah, The Penthouse offers a full nightlife experience, from early evening drinks and dining to late-night dancing. The venue has two distinct spaces: the Lounge and the Nightclub. The Lounge brings relaxed house sounds, while the Nightclub keeps things fresh with a mix of genres throughout the week. Regular events include Big Mood Monday for urban sounds, Toy Room Wednesdays for hip-hop, R&B, and reggaeton, and FIVE Music Sessions every Thursday, featuring live acts and entertainment. April and May LineupApril and May will bring a mix of well-known names and rising talent to The Penthouse. Robin Schulz, Eli & Fur, Jan Blomqvist, and East End Dubs are among the artists performing, along with Solardo, Hannah Wants, Mason Collective, and HoneyLuv. Other acts include Kitty Amor, Bontan, and Kilimanjaro, each adding their own sound to the venue’s diverse schedule. The Penthouse Presents (Saturdays)April 5: Robin Schulz, Sam Oui April 12: Jan Blomqvist, Yazzmin April 19: Eli & Fur, Sam Oui April 26: East End Dubs, Fabrice May 3: Solardo, Fabrice May 10: Hannah Wants, Jenn Getz & Alfie May 17: Mason Collective, Milica May 24: HoneyLuv, Jixo & DanzThe Penthouse Dubai (Sundays)April 6: DJ Bliss, ANREY April 13: ANREY & Friends April 20: Kitty Amor, Emir April 27: Masaka featuring Mickey Dastinz, Monta May 4: Bontan, Emir May 11: Kilimanjaro, ANREY May 18: ANREY & FriendsThe Penthouse Dubai is more than just a party place. It starts with cocktails and Japanese-inspired dining against one of the best views in the city before transitioning into a club setting where guests can dance into the early hours. The Lounge and Nightclub each have their own vibe, with the Lounge catering to house music fans and the club offering a variety of sounds throughout the week. Big Mood Monday kicks off with urban beats, B.O.T.A Tuesdays bring a ladies’ night twist, Toy Room Wednesdays are all about hip-hop and reggaeton, and FIVE Music Sessions on Thursdays mix live music with entertainment. Fridays lean into hip-hop, Saturdays highlight top house and tech artists, and Sundays wrap up the week with Afro and tribal rhythms. For those who want a more private experience, The Penthouse offers VIP sections with premium bottle service and booths located right behind the DJ, bringing fans closer to the action. The club is also a favorite afterparty spot, especially following Bohemia Presents and Bohemia Chill, keeping the energy going long after other venues wind down. FIVE Palm Jumeirah is more than just home to The Penthouse. It is one of Dubai’s top destinations for luxury, nightlife, and entertainment. With award-winning restaurants, a private beach, and a strong commitment to sustainability, the hotel attracts both visitors and residents looking for a premium experience. The Penthouse is a key part of its reputation, hosting some of the most talked-about nights in town. With this latest round of events, The Penthouse is set to keep its place as one of the most exciting and talked-about nightlife spots in the city.

After a decade of shaping New York’s nightlife, The Brooklyn Mirage returns on May 1 in a dramatically reimagined form. Inspired by operatic grandeur, the venue has been transformed to redefine live music, art, and immersive nightlife. Designed by Avant Gardner’s team alongside Hard Feelings and Studio Greenbank, the new Mirage features a monumental heavy timber structure— measuring 197 feet by 164 feet and soaring 65 feet high, this is among the largest timber builds of its kind in the USA. Unlike conventional large-scale event structures, which often rely on steel or aluminum, this build sets a new benchmark for sustainability. The structure is fully pre-manufactured and CNC-cut with the latest addition technology showcasing how advanced prefabrication techniques can push the limits of what is possible in contemporary event space design.Prefabricated with advanced CNC-cut technology, it sets a new standard for event space innovation, blending music, technology, and hospitality in an unprecedented way. Introducing Mirage Next Generation: A Fully Kinetic, Immersive Experience The Brooklyn Mirage 4.0 feature the world’s first fully kinetic shutter system of this scale in a live music venue. When closed, it nods to the venue’s early days without LED screens; when open, it transforms into a hyper-realistic 270-degree virtual environment with 30K resolution and over 100 million pixels, surpassing visuals seen at major music festivals. Paired with a custom-built L-Acoustics sound system featuring over 100 precision-calibrated speakers, Mirage 4.0 ensures an immersive audio-visual experience. With a 90-foot-wide stage and a 400,000-pound rigging capacity, it accommodates groundbreaking productions across all genres. Opera-style balconies enhance the dance experience, offering premium views and hospitality while maximizing dancefloor space. This next-generation venue delivers arena-level production, ensuring every guest feels like they’re in the front row. “The Brooklyn Mirage has always been a place to dance, to lose oneself in moments of pure, electrifying energy. It’s a space where people, community, and culture converge to create unforgettable memories” Josh Wyatt, CEO of Avant Gardner Enhancing Guest Experience & Safety To ensure a seamless experience from arrival to departure, The Brooklyn Mirage has made significant infrastructure investments inside and outside the venue. New lighting, signage, rideshare drop-off zones, and cell service enhancements will improve guest navigation and connectivity. Additionally, the venue has enhanced its team of trained guest ambassadors, expanded private security patrols, and increased first responder-trained staff to enhance safety and overall guest experience. New Media Art & A Star-Studded Season Ahead Beyond its state-of-the-art production and hospitality innovations, The Brooklyn Mirage is launching a New Media Art Program, inviting internationally renowned and emerging multidisciplinary artists — including members of the local creative community—to showcase their works on-site. With over 100 shows already confirmed for 2025, the season kicks off on May 1 with a powerhouse lineup featuring Sara Landry, Alesso, The Martinez Brothers, Peggy Gou, Cloonee, Anjunadeep, Artbat presenting Upperground, Cityfox, Elrow, Amelie Lens presenting Exhale, Boiler Room, Sammy Virji, TwoFriends, Excision, Rezz, Gryffin, Subtronics, Francis Mercier, Nora En Pure presenting Purified, Galantis, The Chainsmokers, A.G. Cook, James Hype, All Day I Dream, Underworld, and Empire of the Sun, withmany more major announcements still to come. For tickets and the latest event updates, visit Avant-Gardner.com. The post Brooklyn Mirage 4.0 Revealed as Venue Turns 10 appeared first on EDMTunes.

*Featured Cover Photo Credit: Hardwell PR Hardwell, born as Robbert van de Corput, is the March cover star of lifestyle magazine, Haute Living, and the Dutch electronic music icon recently participated in an exclusive interview with the magazine. In fact, in the interview with Haute Living (click on this link to check out more of the interview), Hardwell talked about various topics, including his four-year break from touring, the future of music production with the increasing involvement of AI, and why making mistakes is a good thing in one’s life. In this exclusive interview with Haute Living, Hardwell provides an in-depth opportunity for his millions of fans to understand and appreciate his inner innovative side, as well as his personal side outside the spotlight. Furthemore, the interview comes in time for the electronic music icon as he prepares to become the headliner who closes out the 25th Anniversary of Ultra Music Festival, set to happen on the weekend of March 28-30. This comes as another grand step in the illustrious career of Hardwell since he had first performed at the festival at the age of 21 back in 2012, which was also his first time performing in the United States. Haute Living Hardwell discusses in Haute Living how his four-year break enhanced his growth as an artist “I think the whole sabbatical was a step back, a way to rethink my career, be grateful for it, and take some more time for my private life. I’m 37 now; I’m literally at that age where my friends and family members are getting married and having kids. I was non-stop gigging around the world. I wanted some time to be there with the people I love and reflect on my career. It was never about not liking music anymore — I was always still making music — and it wasn’t about burnout; it was more about reflecting. To grow as an artist, sometimes you have to take two steps back to take one giant step forward.” AI getting invovled in music production “Snow Engine is making full music — singing, songwriting, everything you want. But the great thing about electronic music is that it’s always pushing boundaries, and AI is always trying to catch up. AI can’t come up with anything truly ‘new’; it’s always doing what’s already been done. I think that’s one of the most important things when it comes to dance music, being forward-thinking. AI can try to imitate that, but it’s always four steps behind. Right now, at least. I don’t know about the future, but at the moment it’s still behind, which is a good thing for us DJs; it makes us more relevant.” Making mistakes is good “As a DJ, I always try to come up with different transitions and different ideas. It doesn’t take a lot of time to be innovative. I strive to always be a better version of myself, both as a DJ and as a person. We, as human beings, have the capacity to learn every single day, and I think it’s really important to do that. It’s really important to make mistakes, too. If you don’t make mistakes, you’re definitely a boring person. Personally, I like mistakes, because you can learn something from them.” The post Hardwell Reflects on His Hiatus, AI in Music, and Making Mistakes appeared first on EDMTunes.

Get ready to dance! Miami Music Week 2025 is just around the corner, and the party keeps getting bigger. Miami Music Week Thursdays are notorious for being one of the most stacked days every year and boast one of the highest attendance rates for events across the board. We’ve curated some of Thursday’s hottest events! Find the other daily guides down below: Tuesday Event Guide Wednesday Event Guide Friday, Saturday, Sunday HILOMATIK MIAMI Event: HILOMATIK MIAMI Venue: Wynwood Marketplace Lineup: Hi-Lo, Enrico Sangiuliano, Fatima Hajji, KAS:ST, Sarah De Warren Time: 9 PM Tickets: Here Axtone & Friends Pool Party Event: Axtone & Friends Pool Party Venue: Nautilus Sonesta Miami Beach Lineup: Axwell, A-Trak, Biscuits b2b Martin Ikin, Dmtri, Luch, Korolova, Mark Knight, Moojo, Tiffy Vera Time: 12PM-11PM Tickets: Here RESISTANCE Miami Event: RESISTANCE Venue: M2 Nightclub Lineup: Charlotte de Witte, Enrico Sangiuliano, Juliet Fox, & Annicka Time: 10PM-5AM Tickets: Here STMPD RCRDS POOL PARTY Event: STMPD RCRDS Venue: SURFCOMBER HOTEL Lineup: Martin Garrix, Dubvision, Eleganto, Julian Jordan, Justin Mylo, KVSH, Lavern, Mesto, & more Time: 12 PM Tickets: Here Purified Miami: Nora En Pure Event: Purified Miami Venue: Jungle Island Lineup: Nora En Pure, Yotto, Innellea, Paradoks B2B Adam Sellouk, & Jono Stephenson Time: 7 PM Tickets: Here TAPE B MIAMI BLOCK PARTY Event: TAPE B Venue: Wynwood Marketplace Lineup: TAPE B, Cyclops, Phrva, & Ricky Remedy Time: 3 PM Tickets: Here Defected: Miami Music Week Event: Defected Venue: Sagamore Hotel South Beach Lineup: Armand Van Helden, Dennis Ferrer b2b TSHA, Sam Devine, & more Time: 1 PM Tickets: Here Sara Landry presents HEKATE Event: Sara Landry Venue: Factory Town Park Stage Lineup: Sara Landry, AK Sports, Charlie Sparks, Godtripper, Nico Moreno, Raven, Ultrathem Time: 7PM-7AM Tickets: Here Gorgon City Presents: Enter The Realm Event: Gorgon City Presents: Enter The Realm Venue: Toejam Backlot Lineup: Gorgon City, DJ Tennis, Interplanetary Criminal, Linska, & Clüb De Combat Time: 8 PM Tickets: Here Diplo X Hugel Event: Breakaway Beach | Diplo X Hugel Venue: Hyde Beach Lineup: Diplo, Hugel, and More Time: 12 PM Tickets: Here ACRAZE: Paradox Miami Event: ACRAZE Presents Paradox Venue: MANA 320 Lineup: ACRAZE, Danny Avila, Victor Lou Time: 10 PM Tickets: Here COS Recordings Event: COS Recordings Venue: La Otra Wynwood Lineup: Cristoph, Charles D, Estiva, Hana, Michael Anthony Time: 4 PM Tickets: Here Cosmic Gate at La Otra Event: Cosmic Gate at La Otra Venue: La Otra Wynwood Lineup: Cosmic Gate, Support TBD Time: 11 PM Tickets: Here Marco Carola presents Music On Event: Marco Carola presents Music On Venue: Factory Town Lineup: Marco Carola, Luciano, Chris Stussy, Franky Rizardo B2B East End Dubs, Mason Collective, Cole Knight Time: 7 PM Tickets: Here LMR presents Cloonee & The Martinez Brothers B2B Loco Dice Event: LMR presents Cloonee & The Martinez Brothers B2B Loco Dice Venue: Club Space Miami Lineup: Cloonee, The Martinez Brothers B2B Loco Dice, Prunk B2B Kellie Allen, Olive F, Thunderpony Time: 11 PM Tickets: Here Revealed: Legacy v Destiny Event: Revealed: Legacy v Destiny Venue: The Dirty Rabbit Lineup: Dannic, Domeno, Thomas Gold b2b Deniz Koyu, Lusso, Marie Vaunt, Nifra Time: 8 PM Tickets: Here The Official WMC Pool Party Event: The Official WMC Pool Party Venue: Eden Roc Hotel Lineup: Alok, Cheat Codes, KSHMR, Elephante, Frank Walker, Hayla, Jonas Blue, Lavern, Regard, Vinny Vibe, Z3lla Time: 3 PM Tickets: Here Essential Deep House Brunch Event: Essential Deep House Brunch Venue: Jungle Island Lineup: Richard Earnshaw, Steve Taylor, Ron Carroll, Jay-J, Scotty Boy, DJ Mark Brickman, Saliva Commandos Time: 3 PM Tickets: Here Maddix – ALL DAY RAVE Event: Maddix – ALL DAY RAVE Venue: MAD LIVE Lineup: Maddix, Special Guest B2Bs Time: 12 PM Tickets: Here AUDIEN PRESENTS: PROGRESSIVE. HOUSE NEVER DIED Event: AUDIEN PRESENTS: PROGRESSIVE. HOUSE NEVER DIED Venue: MAD LIVE Lineup: Audien, Dubvision, Third Party, Deerock, Leondis Time: 10 PM Tickets: Here DEADBEATS vs Cyclops Recordings Event: DEADBEATS vs Cyclops Recordings Venue: Mana Wynwood Lineup: Zeds Dead, Eazybaked, Distinct Motive, Friction, Gentlemens Club, Infekt, Level Up, Lumasi, Mary Droppinz, Okayjake, STVSH, Sire, Skellytn Time: 9 PM Tickets: Here The post EDMTunes Miami Music Week 2025 Event Guide: Thursday appeared first on EDMTunes.

Following last year’s smash hit “Feel My Needs” remake with James Hype, Weiss is back at Toolroom Records with an even more formidable new offering, and it’s sure to take over dancefloors all over the world. The arrival of “One More Time” demonstrates Weiss’s unmatched grasp of the fundamentals of dance music. This song is more than just a new release; it’s the pulse of house music as it has developed over the years, as seen through the unique perspective of a producer who has immersed themselves in the history of the genre. The composition unveils itself in stages; first, the raw, unfiltered drums build the groundwork, providing that distinctive rhythmic backbone that strikes a chord with the listener’s body even before their brain has a chance to process. These percussion parts do more than keep the beat; they compel bodily reaction, drawing even the most introverted listener in. With the help of irresistible disco loops, Weiss takes “One More Time” to a whole new level, making it more than just a nightclub staple. This is more than just a passing reference to disco’s impact on house music; it’s a collection of carefully selected and reworked pieces that connect the past and present of dance music. Both long-time house fans and those just getting into the genre will feel the familiar rush as the loops whirl and change throughout the song. The post Weiss Drops “One More Time” on Toolroom appeared first on The Groove Cartel.

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Swiss DJ and producer Wassay is stepping back into the spotlight and keeping that House music fire burning in 2025. Fresh off the success of his previous track ‘Embrace’, he returns with another club-ready anthem, ‘My Limit Is The Sky’. This time, Wassay teams up with South African singer-songwriter Nathan Blur, adding a fresh vocal touch to his signature sound. Known for his tried-and-true production formula, Wassay once again delivers a track that feels like an instant classic, designed for dance floors and airwaves alike. Beyond the studio, Wassay remains a dominant force in the club scene across Switzerland and beyond. With his latest release now hitting global platforms, it’s clear that ‘My Limit Is The Sky’ is set to make waves in the House music world.

Music From The Mothership is on a mission to make the scene more inclusive. They are here to change the landscape. With 11 residents and Tank Howls as their founder, they are currently well on their way to make this change happen. On Friday March 14 , they are taking over Room 2 in XOYO for Jungle Cakes, and this is yet another milestone in their journey. What started as a radio show three years ago grew out to be much, much more. From workshops and event takeovers, dedicated Mothership events and festival showcases to their monthly radio show at DataTransmisson: Music From The Mothership is everywhere. Get your tickets here. We had a chat with Tank Howls, their founder, to talk about the journey so far, what her thoughts are on the current scene, and what’s to come from Music From The Mothership in the future. This is such an inspiring collective you have! When did you decide to start Music From The Mothership? When I was younger, I used to DJ a lot on vinyl. After a while, I got out of that, but when I came back into the scene, I got into digital mixing, and got my first couple of gigs, I felt very isolated. I didn’t know any other female artists, and I didn’t really know anyone in the drum & bass scene at that time. I could see straight away that when I was going to be booked, I was gonna be the token woman on the lineup. I was thinking, why are there still no women in drum & bass? I started researching and found out that there are actually loads. I wanted to connect with them, and wanted to get to know them and give them opportunities, as well as get myself into this scene a bit more. That’s why I started a radio show, and through that the mothership grew. I met so many amazing people through this radio show, and we started collaborating and working together, giving opportunities to each other. When this had been going on for a while, I asked around: “Does anyone like the idea of starting a mothership collective? Would anyone be up for that?” It started from there. There are a lot of genres represented by the collective. Why is that? It started just as drum & bass, but I felt it wasn’t that inclusive, I really like all bass genres and other people in the collective could play those genres as well. This way, we’re all playing music that we enjoy, but it’s also opening up the opportunities for the collective. Rumble in the Jungle has booked us a couple of times to do a multi-genre takeover, for example. I think it makes you more versatile, which is good in the industry, and it gives the DJs who play those genres the chance to play all the things they like playing. And can you tell me more about who is in Music From The Mothership? First up we have Asset, a drum & bass DJ. She’s my wingman, she really supports me and does a lot of emailing, a lot of posting and editing of clips… She’s the second in command for all the admin stuff, she’s my rock. Next up we’ve got Klumzykhemist, she’s signed to Hot Cakes, andis a DJ and producer. She’s smashing it in her own right currently playing up and down the country, then we have DJ Nay. She’s a DJ and producer, and also the label manager for Dubshotta. Our youngest member is Sounds of Fia is a student in Bristol, and is a multi-genre DJ and producer and singer. She’s multi-talented, and she’s going to pop off for sure. We’ve also got Tashphrodisiac who is also a multi-genre DJ, mainly drum & bass rollers but also garage, 140, and bassline. Then there’s Anny, she runs Basscamp, and is a neuro DJ learning to be a producer. Then there’s myself, Tank Howls. Then there’s Devotron who is a multi-genre DJ who mainly plays footwork, jungle, bassline, she’s based in London. And finally we’ve got Synthra, she’s a neuro and more heavy DJ and a really sick producer, but yeah she’s taking a little break at the moment. We also have two MC’s and vocalists, Kmzi is our MC and we’ve got TJA who is more of a vocalist, both are super talents who really finish our collective, and help create a real show when we are all together. In what other way do you want to see the collective grow? It would be great if we all pushed the production a bit more. I would love it if there was a little Mothership label, that would be a great way to grow, but more work scares me a bit. Another thing that I would really like to do, would be to have enough shows coming in that I wouldn’t always offer the slots to residents. The Mothership has always been about wanting to help a wider group of people. If we were getting to the point where we were getting offered shows every weekend, then we could start inviting artists who are maybe not part of the actual collective but are part of the wider Mothership family. You’re doing really great things for the music scene, and you’re taking over room two at XOYO this Friday for Jungle Cakes as well. Are you looking forward to that? It’s such a great opportunity. It’s amazing to have the whole room, so we can get pretty much all of the residents on. There’s a couple that can’t make it, but most of them get to play. We get to have our MC come along as well, which is nice, and we’re also bringing some dancers. It’s going to be a real show which is really exciting. Is this the first time that you get to take over a room? We have done some takeovers but normally it’s more like an hour to two hours. We did some stuff with Gorilla Tactics at Boomtown and we also did Boomtown Bobbies. We have been working with Jungle Cakes and Rumble, doing two hours or something like that, but never a whole room yet, so this is great. Doing a room takeover for such a big brand like Jungle Cakes and such an amazing venue like XOYO, it feels like a milestone. It’s really exciting to hit those. It’s great for us, because it means they’re taking notice of what we’re doing and what we’re making noise about, what we’re all about. But it’s also nice for the wider scene, because it makes the lineups more diverse. That’s amazing, yeah! You started this collective three years ago, did you ever think you would come this far this fast? I’m quite a hard worker, and I always strive for more and more and more. It can be hard for me to fully recognize when I’ve gotten somewhere, because I’m always looking at the next thing. But I do realize that we’ve done a lot and everybody around me is always like, you’ve gotten so far, but I suppose my goals are always so big, I’m always thinking we can do more. How did you come up with the name? Before I started the radio show, I was trying to think, how can I connect with other women? My very initial idea was, how can I connect with other women who are a bit like me? What would my target audience be? What do I want my target audience to be? I’m a mum, I was 40 then. Is my target audience like a young 18-year-old guy? I wasn’t sure. I was thinking, I’ll just call it something that I feel would resonate with women, maybe more of my age as well, so I was thinking of mum and mummy and mothership, and I went with Music From The Mothership, as it just had a good sound to it We resonate with all sorts of people, but we do have a massive female following, which is quite unusual for Instagram. We get a lot of support from women, but we get a mix of comments and likes and support from everybody. We’ve been really lucky. I have hardly had any negative interactions. Everyone always seems to see the genuine passion and energy in the things that we’re trying to do. What other collectives do you look up to, or would you want to collaborate with in the future? I really look up to Full Spectrum from Bristol, I admire everything they do. I’d really love to collaborate with all of the female focus brands. There’s Sisterhood in Birmingham. HARMONIA in Bristol is another one, but there are loads of others. One of my ideas that I would love to work more on, is doing regular collaborations with all of these groups. There are loads of people doing stuff on a small scale. We’re starting to get some bigger bookings now, but a lot of the other collectives are still pushing themselves, running their own nights, or getting booked like on a lower level, so it would be really nice if we could work together more. If we were one massive huge collective of people, you could do so much more and you could reach such a bigger audience. I definitely would like to try and join forces with more collectives. That’s the power of collaboration! What has changed since you founded Music From The Mothership three years ago? There are more collectives around than I was aware of. I think people are starting to take notice of collectives more. I think that they’re starting to vibe with it and see that it’s nice to have a group of people behind the decks. You have other groups like Girls Don’t Sync, Girls Take Action or Girls Next Door who are bringing that collective feel at that top end, and it would be nice to see more collectives, and it’s growing very slowly. Our collective has definitely grown from just a few at the beginning to 11 artists now. Have you noticed a change in the scene? There’s still a long way to go. If you were to look on lineups, I know there’s a hierarchy to DJs, who’s the most famous or who’s going to pull the biggest crowd or whatever it is and that’s that’s totally validated, but there are enough artists out there who are female identifying or who are ethnically diverse or who are from the LGBTQ community. You should be seeing at least 50% of the lineup coming from those three communities. Promoters can do some research and find out who to book or reach out to collectives like ourselves and ask for ideas on artists to book, because I think it’s important. Bigger brands do have a choice to not just put someone on first and once and tick a box. They have the choice to shuffle things up a little bit and drop different people in different places to give them amazing opportunities for them to grow, for people to be seen in the scene. People are very set in their ways. I get it, it’s a business, so you don’t want to do something to risk people not coming to your show. But if most of your lineup is all of these huge artists then people are going to come for them, maybe take a couple of those bigger artists out and scatter a few smaller artists that fit on the lineup. You’d see a more equal lineup. I just don’t see equal lineups, it’s still lots of guys and one or two women. That doesn’t represent an equal fix. We had an artist on our show who said it really well. She said, “In the underground scene, women are smashing it. In the smaller clubs with smaller promoters, you will see a bigger mix, you will see a lot of women, and you will see a lot of female promoters and a lot of female collectives pushing.” It’s just that bigger step up the ladder which is difficult to reach. Let’s wrap up this conversation with something more positive. What are some of the best moments you’ve had with Music From The Mothership so far? Every time we’re in big groups with the collective is great, traveling to and from places. Boomtown was amazing, there were a lot of us there, and we had the Wrong Side of the Tracks take over, the Boomtown Bobbies, both of those were sick. We were all supporting each other, that was amazing. We had an amazing show at Shindig where we had a lot of the residents… Any time we’re all together is always really fun. It’s inspiring and we all give each other energy, we all back each other up. I think that’s really special about it. What do you still want to achieve with your collective? We’ve been working with Hospital Records this year because we’re their new business development mentee, which has been a real proud moment. I was really amazed to get that because I’d been trying to get that for three years. Doing a little bit more stuff with them would be great. I’d love to get a Mothership residency somewhere but I don’t know if that’s even possible, and maybe get signed by an agency. We’ve been considering that, but I’m still not sure whether that’s the right path to go. Other than that, we’ve still got our events coming up at Cosies, in Bristol, next one is the 18th April. We will keep them going and get them lively. If we keep continuing to work with some bigger promoters as well, that would be great. Any final thoughts? I want to give a big shout out to anyone who supported us over the years. There have been a lot of people in the background who have supported us, our families who look after our children for us when we go to gigs, and then a big shout out to Lez at Headroom in Bristol where we’ve recorded the show for the last few years. He’s always a rock and a big support. Also a big thanks to DataTransmission, who host the show at the moment, big shout out to all the collectives and all the artists that we’ve worked with. It’s been really great getting to meet everyone and growing the family and the community wider. and last but not least, a the biggest shout to all the Mothership girlies. They truly rock!

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