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Tomorrowland has been named one of Google's "Breakout Searches of the Year" in 2024. The storied Belgian festival, which celebrated its landmark 20th anniversary this year, remains a cultural phenomenon that transcends borders, annually uniting the global EDM fandom from over 150 unique countries. As Google's annual list spotlights cultural landmarks and emerging trends, Tomorrowland's presence best indicates why the brand continues to be synonymous with EDM's broader "magical" allure. Underscoring Tomorrowland's enduring relevance in the broader scope of pop culture, the festival appears in Google's "Year in Search" video recap alongside other viral standouts from 2024, like the beloved pygmy hippopotamus Moo Deng, the World Series Champion LA Dodgers and the hip-hop icon Kendrick Lamar. Tomorrowland’s 2024 theme, "Life," took attendees back to a prequel of its 2016 "Elixir of Life" storyline, inviting visitors to explore a lush, mythical universe rooted in connection. This year's festival once again spanned two jam-packed weekends in July and featured DJ sets by Swedish House Mafia, Anyma, Hardwell, Sara Landry and hundreds more as nearly 400,000 attendees hinged on every waking moment of the action. Watch Google's "Year in Search 2024" video below. Follow Tomorrowland:X: x.com/tomorrowland TikTok: tiktok.com/@tomorrowland Instagram: instagram.com/tomorrowland Facebook: facebook.com/tomorrowland

Netflix has released the trailer for Avicii – I’m Tim, an intimate documentary tracing the life and career of the late Tim Bergling. Directed by Henrik Burman, the film delves into Avicii's meteoric rise, offering viewers an unprecedented glimpse into his creative process and the whirlwind trajectory that followed the release of his 2011 breakout hit, "Levels." The trailer features his reflections on the moment his career skyrocketed, recounting how he went from playing small clubs to amphitheaters in a series of steps, each seemingly shorter than the last. The hits may have been prolific, but the story behind them was achingly human. Through never-before-seen footage and interviews with family, friends and collaborators, the heart-wrenching documentary illuminates the man behind the music, portraying not only his creative genius but also the personal cost of relentless touring and global stardom. Narrated in part by Bergling himself, Netflix is set to release the film in tandem with Avicii – My Last Show, which revisits the night he graced the stage of Ibiza's storied Ushuaïa club for what would be his final performance. Less than two years later, he tragically died by suicide. Both documentaries are scheduled to be released December 31st, 2024 on Netflix. Watch the trailer for Avicii – I’m Tim below.

On the latest episode of The Running Interview Show, Diplo joined Kate for a jog along the sunny Miami boardwalk during Art Basel. Between strides, Diplo shared fascinating insights into his life as a DJ, his love for running, and the origins of the Diplo Run Club. Here’s what we learned from this uniquely entertaining interview. From South Florida to Global Stages Diplo reminisced about his upbringing in South Florida, a region he credits for shaping his diverse perspective. Growing up in Broward County, a melting pot of cultures, he absorbed influences from Jewish, Haitian, and Jamaican communities. That cultural richness seeped into his music, giving him a signature sound that catapulted him to fame. Reflecting on his early days, Diplo recalled how he started DJing while working at a mall pizzeria, turning his passion into an international career. Running as a Reset Balancing over 300 shows a year can be chaotic, but running helps Diplo stay grounded. Whether it’s pounding out miles during a layover in Atlanta or exploring scenic routes in cities across the globe, he uses running to recharge and combat jet lag. The discipline he learned from his father—a Vietnam veteran—fuels his consistency. “No matter what, if you apply discipline, you’re going to succeed,” he shared. The Diplo Run Club: A Unique Fusion of Fitness and Fun The Diplo Run Club was born after Diplo ran the 2022 Miami Half Marathon and spontaneously ended up at a nightclub in his running gear. What started as a joke evolved into a movement, blending fitness and nightlife. With events in cities like San Francisco and Seattle, the Run Club brings together fans for morning runs followed by parties—a perfect mix of health and hedonism. Diplo’s journey—from hustling as a DJ in Daytona to running marathons on LSD (yes, you read that right)—showcases his adventurous spirit. Whether he’s producing chart-topping tracks or organizing community runs, Diplo proves he’s always up for a challenge. Check out the entire interview below, enjoy! The post Diplo Recalls Marathon On LSD On The Running Interview Show appeared first on EDMTunes.

Sherwøød, London’s rising multi-instrumentalist, artist, and producer, unveils his powerful debut single, “Pride”. A deep dive into the complexities of relationships, “Pride” combines raw emotion, striking production, and a sense of vulnerability that invites listeners into Sherwøød’s richly textured sonic world. “Pride” is a genre-defying track that showcases Sherwøød’s unique approach to music production. Fusing modern electronic elements with influences drawn from hip-hop, indie rock, and R&B, the song begins with a pulsating rhythm and driving percussion that set the stage for its hypnotic groove. “Pride” marks the first release from Sherwøød, the prequel to his forthcoming self-titled EP, a six-song project created in collaboration with renowned five-time gold record producer Joseph E-Shine. Each track weaves together immersive soundscapes and evocative narratives that resonate deeply. Sherwøød comments: At its core, Pride is a song representing duality; on the surface it speaks of a growing frustration and disenchantment with holding out for signals, answers and reciprocations that never come, while at the same time it is an internal monologue questioning the paths I take and the search for meaning and self worth.” Through his unique production style and poignant storytelling, Sherwøød is carving a space for himself in the music world, offering listeners a fresh perspective on emotional expression and musical innovation. To celebrate the upcoming release, he will be performing live at the Camden Assembly, 21 December 2024. ‘Pride’ will be available on all platforms from 21/12/24, promising to be a remarkable release for Sherwøød. Pre Save Link: https://distrokid.com/hyperfollow/sherwd/pride Find Out More & Follow Sherwøød | Instagram | Soundcloud | Facebook | Tiktok The post London’s Rising Star Sherwøød Makes Bold Statement with Debut Single “Pride” appeared first on Electric Mode.

The rapper stood trial at Oxford crown court on Monday, December 16 Continue reading...

His album, Pillars, came out this August and he’s now ready to bring his unique sound to the club scene. While you may know him as one half of the D&B duo The Outsiders, Sorza’s solo work takes a more experimental direction. In Pillars, he draws on Bulgarian folklore, revisits half-time rhythms, and finds inspiration from artists like Ivy Lab and Lorn. To fully experience this album, we recommend listening from start to finish rather than shuffling through the tracks. Sorza weaves together a cohesive ten-track journey, complete with build-ups, perfectly timed breaks, and a satisfying resolution; the perfect ingredients for an album. Following Pillars’ release, Sorza expanded his sound with a special release featuring an orchestral version of his track ‘Visions of what could be,’ adding a new layer of depth and emotion to his already evocative sound, as well as a full Audiovisual set which premiered earlier this month. Congratulations on your album, ‘Pillars’. How did you start? The Pillars project began in March 2023, with around 30 demos submitted. It was interesting because, after looking at all the tracks, I realised they could be grouped into distinct categories or “pillars”. That’s where the album title came from. With this release, I wanted to showcase these different facets of myself. The title also ties in perfectly with the artwork, where each isolated piece represents a pillar, symbolising the various sides of my sound. The first single, ‘Does it hurt me,’ and the B-side, ‘Sonyo’ (the first pillar), reflect my deep interest in non-Western music cultures. For ‘Does it hurt me’ I even created my own microtonal scale and incorporated the çifteli, a beautiful Albanian instrument that I’m currently learning to play. The B-side, ‘Sonyo,’ is a reimagining of a track previously released by the Bulgarian electronic band, The Science, and draws inspiration from a Bulgarian folklore poem. The second pillar explores the current bass music scene. With ‘Never,’ I wanted to create something that aligns with the modern production aesthetic and style that’s trending right now. On the other hand, tracks like ‘Take me’ and ‘Hiding in the sea’ are a nod to my roots and what initially inspired me as an artist. Which I think is the third pillar. ‘Take me’ is a bit of a throwback to older styles and was originally titled ‘Take me back to 17’. This refers to the year I really dove into bass music, discovered halftime, and got hooked on tracks from labels like Division, formerly run by Noisia. I was also 17 at that time. In total, there are three main pillars in the project, though some tracks blend elements from different pillars to create something new and hybrid. You just released your AV set for Pillars. Can you tell us a bit more about that? Alongside my work as Sorza, I also have an audiovisual collaboration called Arsyn with one of my friends, Aidan Mulcahy. Together, we’ve developed a series of visualisers specifically designed for the tracks that are featured in the AV set, which adds an exciting and immersive dimension to the project. The AV set showcases all of my music, including unreleased bootlegs, remixes, and tracks that haven’t been released yet. I think it’s a great way to wrap up the Pillars project. The set premiered last week and if you’re a fan of Pillars (and even if you’re not) then I definitely recommend you check it out on the Vision and Sorza YouTube channels. Why did you choose VISION as a label? Choosing VISION as the label for this project came as a very natural decision. I’ve known the Noisia team since 2016-2017 through my work with The Outsiders, and we had already collaborated with VISION. So, when the time came to release my solo project as Sorza, it made perfect sense to continue that partnership. Now that I have a clear vision for my solo sound, it feels right to share this new direction with a label I trust and have a history with. With Pillars, I want to introduce something fresh to the scene, and I believe VISION is the ideal place for this kind of music. It’s also the label that first inspired me when I entered the scene at 17, so releasing this with them feels like a full-circle moment. This album went through a lengthy and intense A&R process, and I’m thrilled with the final outcome; I believe we’ve crafted something beautiful. For now, though, I’m eager to translate the music I make into a club setting. On another front, I’m also working on a significant album that will focus entirely on the listener’s experience. You talked about how you’re also a part of The Outsiders. How does Sorza differ from that project? As a drum & bass artist, I’ve found that most people aren’t particularly interested when you experiment with different genres. A significant portion of what I create as Sorza focuses on half-time tempos, but I don’t limit myself to just one genre. I explore various BPMs, styles, and production aesthetics—something I felt I couldn’t fully embrace within drum & bass. Now I feel free to step outside those limitations. I want to develop this project in a way that allows me to produce tracks more freely, without being confined to a single formula or worrying about whether the audience will be receptive. That sense of artistic freedom is something I’m eager to cultivate. The Outsiders for drum & bass, Sorza for all the rest, then? Most likely, yes. I created a drum & bass flip of my ‘Creating an Oasis’ remix, which I only released on SoundCloud. However, it doesn’t make much sense for me to pursue drum & bass as Sorza. I want to keep my projects as separate entities. I started this one with a specific vision, and returning to drum & bass now would feel a bit odd, though I’m not ruling it out completely. I would love to do a Sorza drum & bass set because it would be very different from what I do as The Outsiders. You want to create more club music. Where did that feeling start? It feels like we’re experiencing a revival of club music right now in both the mainstream and the underground scenes. For example, Beyoncé’s album RENAISSANCE and, of course, Brat, from Charli XCX — club music is becoming increasingly popular. In the bass scene, I’ve noticed acts with such a music background pushing this style in ways that intrigue me. That’s why I want to explore this side of bass music further. I want to create more dynamic sets that transition between club music and half-time, allowing for better build-ups. When you play at the right clubs, the audience really gets what you’re trying to do, and those are the places where I want to perform and that’s the kind of music I want to make. Although The Outsiders released a half-time track, that trend was only a brief hype in the drum & bass scene back in 2017. We produced two half-time tunes for our 2222 EP, but quickly realised that people primarily see The Outsiders as a drum & bass duo. That’s when we decided to reserve our more multi-genre tracks for our solo projects. Where do you get your inspiration? I draw inspiration from artists like Ivy Lab, Nikki Nair, Thys, COIDO. Ivy Lab, especially, their label made a significant shift in their direction. Initially, they focused on half-time, but recently they’re leaning more towards club music. I find this transition both intriguing and inspiring. They are now in a position where they can experiment freely with their sound, which is something I aspire to achieve. The older half-time Ivy Lab-style influences several tracks on the Pillars album. I feel that sound is often overlooked today, which is a shame. A lot of the music I create has its roots in halftime beats and electronic hip-hop. Recently, I started a live collaborative performance with Dutch rapper Keenan Mundane. I essentially bootleg his instrumentals and mix the tracks while he raps. Keenan has a raw, primal energy when he performs, and in our live shows, I really feel that connection to the hip-hop genre that influences much of the other music I produce. ‘Does it hurt me’ and ‘Take me’ are two examples that incorporate this older style, yet they have been modernised with the production techniques and aesthetics. Ultimately, I don’t want to rely solely on older sounds. With larger projects, I can showcase all the aspects of my musical vision, which is a crucial part of how I want people to perceive Sorza. You really want people to see all sides of you, that’s beautiful! What other motivations did you have while making this album? I have a bit of an obsession with storytelling, and I love weaving narratives into my music, especially for larger projects like this. I frequently listen to albums because I appreciate how one song can build on the next. It was a key goal for me with Pillars to avoid making it feel like a mere compilation. This project took over a year to develop, and I aimed to create a clear, melodic opening that transitions into more eclectic sounds, culminating in a climax followed by an aftermath. The entire album revolves around this concept. Initially, there wasn’t an interlude between ‘Sonyo’ and ‘Never,’ but the transition felt too abrupt, so I composed an additional track, ‘At will,’ as an interlude to smooth it out. I put a lot of thought into the progression of Pillars. Ideally, I want listeners to experience it from start to finish without shuffling the tracks, as that allows them to appreciate the story as I intended. Having 10 songs was essential for crafting this narrative. I find that with a shorter project, it’s much more challenging to create a full-circle moment. However, I also recognise the value of smaller releases; I’m not someone who likes to hold onto a project for an entire year. Overall, I’m really pleased with how this project turned out, and I’m glad it aligns with VISION’s … well, vision (ha). Where does your interest in storytelling come from? I consider myself more of a composer than just a producer. For me, composition is all about progression and the direction a piece takes. When I write songs, I strive to create unique experiences each time. While some tracks may have similar first and second drops, I believe there should always be a significant difference between them. It’s essential for each moment to feel distinct and to take the listener on a journey. You can create a sense of progression within a single song, but I like to extend that narrative across an entire project, making the overall journey feel even more expansive. While some listeners might return to an album for one or two standout tracks, I aim for my audience to appreciate the album as a cohesive experience, drawn in by the flow and evolution of the music throughout. Any last thoughts? I want to thank everyone who supported and guided me through this entire process. The A&R journey was quite lengthy, and I learned so much from the whole process Big up to Jaap & Nik! I want to thank Aidan Mulcahy for creating all the visual content for the album and Matvey Murashko for capturing the images that brought those visuals to life. Additionally, I’m grateful to Jozef van der Veen, Jukaa—the other half from The Outsiders—who provided invaluable support behind the scenes and motivated me to put forth my best efforts for this project, as well as to my partner Sarah Smit, who helped me out with a bit of everything. I’ve received an enormous amount of help from various people, and I truly appreciate every single one of them.

VE/RA is an emerging talent from the Netherlands. She’s captivating audiences on the dance floor with her electrifying tracks like ‘Mind & Brain,’ ‘Love & Peace,’ and ‘Timeless’. In a remarkably short time, she has delivered unforgettable performances at prestigious events such as Tomorrowland, EDC Mexico, Free Your Mind, Bootshaus, Thuishaven, and WiSH Outdoor. She has shared the stage with acclaimed artists like Reinier Zonneveld, Nina Kraviz, Alignment, I Hate Models, 999999999, and T78. VE/RA has established herself as a force to be reckoned with in the electronic music scene. We’re thrilled to sit down with VE/RA to discuss her highly anticipated new release on Drumcode, ‘Can’t Get Enough’, and to explore her inspiring musical journey thus far. Listen to her new single and let us know what you think. Can you give us an introduction on how you got into dance music? Did you know from the start you were going to use your own name / did you toy with using an alias of sorts? The music industry has always been a source of inspiration for me. After graduating from my studies in Food Technology, the Covid pandemic hit. During this period, I had the time to invest in playing and producing music. To get myself into the market during this time, I performed at house parties and hosted livestreams. I experimented with various genres, including tech house (Vera Vera) and hard techno (Technovlinder), but my passion for techno stood out the most. From that moment on, playing and producing techno as VE/RA became my primary focus. Congratulations on your debut on Drumcode, ‘Can’t Get Enough’. Tell us more about your creative journey on this new single. Having my first release on Drumcode felt like a dream come true. With my track ‘Can’t Get Enough’, I aimed to define my sound and incorporate everything I love into one track. I combined a catchy vocal with trance-inspired melodies, acid elements, and powerful drums. Interestingly, I produced this track very quickly, everything fell perfectly into place. You have had a great career so far, and big successes since your 2023 release ‘Love & Peace’. How does this latest single work towards your signature sound? With ‘Love & Peace’ I believe we created something unique by blending a rap vocal with a techno foundation. I always try to stand out in my productions by experimenting with combinations of catchy vocals, trancey melodies, hard kicks, rolling basslines, and acid elements. At the same time, I aim to maintain my identity as a techno artist, which can be challenging but is also incredibly exciting! Who are artists on your radar that you’d like to collaborate with? Too many to mention, haha! But to mention some: Charlotte de Witte, Amelie Lens, Reinier Zonneveld, Adam Beyer, Space 92, Eli Brown, HI-LO, Kiki Solvej and Joyhauser. I know you have a new single ‘Fusion’ set to be released on Filth On Acid, tell us about it and what else can we expect in 2025? I’m super happy to be back on the Filth On Acid compilation, especially after contributing my track ‘Timeless’ last year. With ‘Fusion’, I aimed to create a high-energy techno track that combines acid drops with a dreamy break and tension-filled textures. I believe this track offers a truly unique listening experience. I hope listeners can feel its energy, particularly in the atmosphere of a dark techno club. Looking ahead to 2025, I already have a lot of new music lined up on incredible labels! Some major festivals are also on the horizon, but I can’t reveal anything just yet. Stay tuned on my socials to keep up to date! VE/RA will be ending the year in Rotterdam at the Grotesque Indoor Festival on the 28th of December. Keep up with her 2025 tour dates and more here. We had a great time chatting with VE/RA, stay tuned to EDMTunes as we wrap up the year with all our exciting Year In Tunes features. The post EDMTunes Exclusive With VE/RA About Her Musical Journey So Far appeared first on EDMTunes.

As Defected Records continues its 25th-anniversary celebrations in 2024, the iconic label is releasing a first-of-its-kind coffee table book and a limited edition vinyl boxset. 25 Years of Defected The coffee table book, priced at £50 RRP, delves deep into the label’s rich history, covering everything from its humble beginnings to its global dominance. With stunning visuals, including archival photography, event flyers, and release artwork, the book offers a comprehensive look at the label’s impact on the house music scene. Renowned visual artist and designer Trevor Jackson, who led the label’s 25th-anniversary rebrand, has curated the cover and creative direction. The 320+ page, 12″ x 12″ hardback, manufactured and printed in Italy, is a true collector’s item, limited to just 1500 copies. To further commemorate its 25th anniversary, Defected has released a limited edition vinyl boxset of the Together series. This series, which has been a cornerstone of the label’s celebrations, features a collection of collaborative releases and remixes from both legendary and emerging artists. The boxset includes thirteen double-sided 12″ singles, individually sleeved and housed in a sleek, silver outer case. This is a must-have for any vinyl enthusiast and a perfect addition to any music collection. Written by former Mixmag editor Nick Gordon Brown, who explains: “We let the interviewee’s words take center stage – an oral history if you will, the commentary is kept to a minimum, used primarily to set up the storytelling,” the book interviews Defected staff members past and present. Staff, DJs, artists, and members of the Defected community also give first-hand accounts of the ups and downs of the last quarter of a century of the label. Here is what Defected CEO Wez Saunders had to say about the concept: “The concept behind Together was to celebrate unity and collective creativity. In a time where the music industry often feels fragmented, we wanted to create a platform that brings artists, producers, and fans together—celebrating the past 25 years of Defected with the next 25 years. Together is about collaboration, breaking down barriers, and fostering a sense of shared purpose and passion. It’s a commitment to inclusivity and diversity, championing a wide range of voices and styles within the house music genre.” DEFECTED: 25 YEARS IN THE HOUSE and The Together Boxset is currently shipping via the DStore official website. Tracklist can be found below: Together Boxset tracklist A. Dennis Ferrer ‘Hey Hey’ (Da Capo & Kitty Amor Remix) B. Hannah Wants x Sam Divine x Jem Cooke ‘Cruel Intentions’ C. Fish Go Deep & Tracey K ‘The Cure & The Cause’ (Idris Elba Remix) D. Todd Edwards x Shermanology x Rudimental ‘Rain’ E. Cristoph x Sandy Rivera feat. Hayze ‘Changes’ F. Low Steppa & Crusy ‘Bullerengue’ G. Kings Of Tomorrow feat. Julie McKnight ‘Finally’ (Mochakk, Jay Mariani Cesar Nardini Remix) H. Zach Witness ‘Can’t Get It Outta My Head’ (MK Remix) I. Soulsearcher ‘Can’t Get Enough!’ (Prunk Remix) J. YOURS ‘DÓNDE ESTÁ’ (Masters At Work Rowdy Remix) K. DJ Gregory ‘Elle’ (Henrik Schwarz Remix) – vinyl exclusive L. MEDUZA X Ferreck Dawn X Clementine Douglas ‘I Got Nothing’ (Ferreck Dawn Mix) M. Intruder (A Murk Production) feat. Jei ‘Amame’ (Dunmore Brothers Remix) N. Hot Since 82 feat. Ron Carroll ‘Preach’ O. Jack Back & THEMBA (SA) ‘Give Me Something To Hold’ P. Johnny Corporate ‘Sunday Shoutin’’ (TSHA Remix) Q. Dennis Ferrer feat. Janelle Kroll ‘Mind Ur Step’ (Sam Divine Remix) R. David Penn x Vintage Culture x Raphaella ‘Just Stay The Night’ – vinyl exclusive S. Candi Staton ‘Hallelujah Anyway’ (Larse EVIP) T. Darius Syrossian & Olive F feat. Fountain Sound ‘Cereal Groover’ U. Kings Of Tomorrow feat. April Morgan ‘Fall For You’ (Hot Since 82 Remix) V. FCL ‘It’s You’ (Alex Wann Remix) W. Riva Starr X Hilit Kolet feat. NEZ ‘Twerq It’ X. Kid Fonque X Sio ‘Rekindled’ Y. Sandy Rivera ‘I Can’t Stop’ (Joseph Capriati Groove Mix) Z. Defected XXV – Etched vinyl The post Defected Celebrates 25 Years with Special Edition Collector’s Book and Limited Edition Vinyl appeared first on EDMTunes.

It’s been an exciting 2024 for Dublin-based producer, writer, and singer Jack Casey, better known by his moniker EMBRZ. He is a rising star who has captured the attention of both fans and critics with his ability to create music that feels both cinematic and deeply personal. As he continues to evolve and push the boundaries of electronic music, EMBRZ is quickly becoming an artist you won’t want to miss. With a growing fanbase, impressive releases, and a sound that transcends genres, he is redefining what it means to be an electronic artist this year. EMBRZ is an artist you would want to check out in 2025. 2024 New Music Amid the excitement of vibrant parties, Jack continues to delight audiences with his stunning singles, ‘Arrow’, ‘Calling’ and ‘Gather Together’. ‘Gather Together’ ‘Gather Together’ released in May 2024, is a remarkable addition to EMBRZ’s discography. As the first single of the year under the acclaimed label This Never Happened, it takes a refreshing and introspective approach that sets it apart from his earlier works. EMBRZ skillfully combines his signature melodic house elements with profound emotional layers. He crafts a soundscape that is both meditative and uplifting. This track beautifully captures themes of unity and reflection, favouring simplicity and subtle transitions over grandiose buildups—reflecting his artistic evolution and innovative spirit. ‘Calling’ Midst of this summer, Jack joined forces with Forester for their first joint release, ‘Calling’. This collaboration merges EMBRZ’s signature ambient and dreamy soundscapes with Forester’s organic production style, creating a harmonious blend that feels both expansive and intimate. Heather Janssen’s evocative vocals add an extra layer of emotional depth, making the song deeply relatable. With themes of connection and introspection conveyed through warm synths and soothing rhythms, ‘Calling’ has struck a chord with listeners, solidifying its position as a standout track in the melodic house genre this year. ‘Arrow’ His latest release on Halloween, ‘Arrow,’ showcases a remarkable emotional depth. Collaborating with Bailey for the second time—after their successful track ‘All The Lights’ two years ago. Jack has crafted a song that envelops listeners in a rich, ambient atmosphere, complete with sweeping synths and intricate beats. This track beautifully captures a sense of yearning and movement, aligning with the powerful metaphor of an arrow. The partnership with Bailey elevates the exploration of emotion and sound, merging Bailey’s layered textures with EMBRZ’s enchanting melodic hooks, culminating in a piece that is both sonically rich and profoundly engaging. A Massive North American Tour And A Groundbreaking Day Party Series 2024 has been a transformative year for EMBRZ fans, filled with unforgettable experiences. The journey began with a spectacular celebration at Proper NYE. Followed by his highly anticipated In Our Own Way Tour, which spanned across North America. From the frigid vibes of Montreal’s IglooFest to the electrifying atmosphere of Seattle’s renowned Q Nightclub. Continuing at the breathtaking Red Rocks, EMBRZ has consistently demonstrated his prowess as a leading force in electronic music. In March, Jack concluded his album tour. Next up he set the stage for his next venture: the Day Party Series. In a world where club performances often start at 1 a.m., he innovatively transformed these into vibrant sunset affairs. This groundbreaking approach has captivated fans and earned widespread acclaim for blending immersive live performances with dynamic community interaction during the summer months. Jack has taken this unique concept across North America. Hosting unforgettable events at distinctive locations, from a Hudson River boat party to the rooftop of Sacramento’s Darling Aviary, and the Kabana Rooftop in Richmond, VA. With limited capacity at each venue, fans enjoyed an intimate atmosphere. This allowed them to connect deeply with EMBRZ’s emotive soundscapes. Most shows were a sell-out, signalling the exciting potential for this series to grow and thrive within the TNH community. What to expect in 2025 from EMBRZ? EMBRZ is not just a musician; he is crafting unforgettable experiences that fans will hold dear long after the music ends. As he concludes 2024, he has electrified audiences alongside Elderbrook at various shows across Europe. In 2025, Australia will have the unique opportunity to experience the “This Never Happened” shows with EMBRZ and Massane. EMRBZ will then head to India with Rinzen for the This Never Happened series in India, in 3 different cities. Get your tickets here. Don’t miss out on Jack’s incredible journey—he’s an artist you won’t want to overlook in 2025! Stay tuned to EDMTunes for all your latest dance music updates. The post EMBRZ – The Breakout Electronic Artist You Need to Know in 2025 appeared first on EDMTunes.

Today, we present this exclusive interview in which we catch up with Freekbass, an artist whose name is becoming synonymous with groove-heavy basslines and his unique fusion of Funk and Electronic Music. Known for his ability to balance classic influences with modern experimentation, Freekbass shares insights into his creative process, his live performance philosophy, and what drives his signature sound. From crafting danceable rhythms to staying connected with audiences, Freekbass gives us an insider’s look at how he keeps to his signature approach all while continuing to find fresh ways to express his creativity. When laying down a bassline, do you prefer funky slaps or smooth fingerstyle grooves? For me, the song always dictates the technique, not the other way around. If I’m going for deep & heavy pocket grooves, I might thump & pluck the line, or if it’s something tight and syncopated, I might use the finger technique. Do you feel more at home experimenting in the studio or performing live on stage? Performing and entertaining live are in my DNA. I love studio deep dives too, but I love creating and performing music with a community, ultimately. When it comes to inspiration, are you more influenced by classic funk legends or modern bass innovators? I tend to lean towards the classic players because they always seemed to play for the song, no matter the complexity or simplicity of a bassline. I think studying and embracing the legends, is what has helped me develop my own style, while also remaining embedded in those same roots. Do you prioritize crafting a danceable groove or creating a complex, experimental bassline when working on a new track? Not to sound redundant, but it all goes to what the song needs. I always want to make you move with a bassline, whether it be physically or emotionally, but that song will give the instructions about how to accomplish that. The song has always been number 1 versus spotlighting a technique. In terms of collaboration, would you rather jam with another bassist or a drummer who can match your rhythm? I consider myself a drummer who plays notes, so a drummer collab is always best in my zone. If you had to choose, would you prefer your bass tone to be clean and precise or gritty and distorted? How about heavy and flanged? On stage, do you lean towards engaging with the audience through high-energy movement or focusing on locking in a tight groove? The audience and community are always my musical GPS. You often find some of the most epic performances recorded, live, and I think there is another source a player taps into when they are connected with their audience. I do sometimes get lost in a groove, but I want them to get lost with me. Do you gravitate towards live instruments in your tracks or rely more on electronic production to enhance your sound? My natural go-to is more live instruments because that’s where I started. But electronic production is where my heart seems to be connected the most. It’s like building your house with way more blocks. When faced with a creative block, do you prefer jamming it out on your bass until inspiration strikes, or stepping away completely to recharge and refocus? Just keep playing and writing. Sometimes I will feel stuck, but music always delivers and sometimes takes you in another direction. It’s always out there waiting for you to connect with it. When writing, do you start with the rhythm section to lock in the groove or focus on melody and harmony first? I think because I’m tracking live instruments, I tend to think beat & grove first, but I do still try to make sure those grooves have a strong melody. Just like a singing melody will have a hook that gets stuck in your head, I try to make the groove have the same melodic connection. Throughout our conversation, Freekbass has shown dedication towards his craft; whether through live instruments or electronic production, he ensures his artistry remains dynamic and fresh, aiming to bring unique sounds to his listeners in both his studio work and performances. As he continues to evolve, Freekbass surely remains a name worth watching within the Electronic Music space: keeping up with his journey by following him across social media and staying up-to-date with his latest news, projects, and performances. Freekbass Online Spotify | Website | Instagram

MITCH DB presents his latest track via Soave Records, offering a Hypertechno cover of ‘Lovefool,’ together with Producer/DJ Poylow and vocalist Raïko. As each Artist brings their own unique approach to the table, this latest release comes as a refreshing yet captivating production, highlighting the collaborative synergy between MITCH DB and his collaborators. Based in Amsterdam, MITCH DB has rapidly gained momentum on the Electronic Music scene, gathering career milestones whilst continuing to develop and refine his signature style. With notable highlights that include amassing over 70 million streams across platforms to date, with now over 1 million monthly listeners on Spotify, to taking to the decks worldwide at renowned spots in countries like Spain, Sweden, Germany, and Thailand, his trajectory has placed him firmly on the scene as a talent be keeping close watch of. Combining forces with Poylow, a Producer and DJ whose promise and potential appear just as high as MITCH DB himself, having had streaming success with tracks like ‘Hate You’ and ‘Friday,’ the pair blend their creative visions into a cohesive sound for ‘Lovefool,’ each leaning on the experience and skill set they have cultivated during their musical journeys. With Raïko complementing their abilities and sound with her own collaborative expertise, having already linked up with the likes of Darius & Finlay, Deep Chills, and Marcus Layton, this latest single emerges as an amalgamation of talent all while putting forward a bold sound surely primed to captivate listeners. With vibrant energy, the thumping beat and gritty bassline of ‘Lovefool’ act as the anchor of the track, driving it forward as lively leads layer in, weaving amongst the crisp vocal line and bouncy low-end. As the arrangement balances tension and release, the track moves through evolving verses where punchy beats, shuffled percussion, and dynamic details lead the way, guiding back into full-bodied choruses punctuated by stuttering synths. Keeping the party-starter vibes high throughout, building through breakdowns and powerful drops, ‘Lovefool’ develops into an engaging and stimulating sonic experience, one sure to make an impact on the dancefloor and beyond. A distinct addition to the discographies of MITCH DB, Poylow and Raïko, their cover of ‘Lovefool’ delivers a fresh, modern twist that is set to resonate with a wide range of listeners, making it onto the playlists of genre lovers worldwide with its dynamic sound. Dive into the soundscape of ‘Lovefool’, out now via Soave Records and available to stream and download across platforms, and make sure to keep up with MITCH DB, Poylow and Raïko by following each of them via social media. Listen and Buy ‘Lovefool’ Here: https://www.beatport.com/release/lovefool/4837865 MITCH DB Online   Spotify | Instagram | Website  Poylow Online   Spotify | Instagram Raïko Online   Spotify | Instagram Soave Records Online   Website | Instagram

Over the past number of years, Swedish DJ and producer Pierro has continued to show us time and time again that when he appears in our new music feed we are in for something special. Whether it’s an elegant progressive house track, a pulsating techno banger, or a rhythmic melodic tune, there’s no surprise that Pierro has been receiving support from the likes of Tiësto and Above & Beyond on his music. Now as he closes 2024, he offers up his final release of the year in the form of ‘Heartbeat’. Building on the success of his previous melodic techno single, ‘Cubicon’, released last year, ‘Heartbeat’ is a wonderful fusion of melodic techno’s emotional depth, progressive house’s uplifting energy, and the nostalgic tones of trance. It’s a sonic journey crafted to captivate listeners both on and off the dancefloor. At the heart of the track is a mesmerizing male vocal, infusing a soulful and haunting quality that perfectly complements the dynamic interplay of warm textures, gritty synths, and trance-inspired plucks. The layered vocals amplify the emotional resonance, pulling listeners deeper into the track’s pulsating energy. “Heartbeat is a track I poured my soul into. The vocals bring an extra layer of emotion and storytelling, adding depth to the soundscape. It’s meant to take listeners on a journey—both energetic and introspective. I can’t wait to see how people connect with it,” Pierro says. Listen to this single below and grab your copy here.

In an industry where Latin music and EDM often intersect as passing acquaintances, Vikina has turned them into inseparable dance partners. Fresh off the release of her genre-defying album ¿QUESTIONS?, the Miami-born artist is ushering in an era where Latin influence isn't a feature—it's the foundation. The album is a daring sonic experiment, threading emotional vulnerability through club-ready production and turning existential dilemmas into irresistible anthems. Tracks like "Candela" blend sultry Spanish vocals with thumping house basslines, while "Descontrol" merges moody soundscapes with unmistakable dembow rhythms. The result is an introspective yet electrifying fusion that speaks to two worlds at once. Released under Pitbull's venerable Mr. 305 Records banner, ¿QUESTIONS? also features the Latin-Grammy nominated "BAMBOLE," Vikina's recent collaboration with the renowned electronic music producer Deorro. The Latin Grammy nod is a testament to the growing impact of Vikina's sound, which resonates on sweaty dancefloors and global playlists alike. And as EDM evolves beyond its festival roots and Latin music continues its global ascent, she's proving that these worlds don’t just coexist—they thrive together. We caught up with Vikina to discuss her efforts to redefine Latin dance music. View the original article to see embedded media. EDM.com: What do you think is driving the current global appetite for Latin-infused dance music? Vikina: I think the world is finally catching on to what we’ve known forever: Latin music is alive. It’s vibrant, emotional and full of passion. There’s an energy to it—the rhythm, the stories, the way it makes you feel—that really connects people to their culture and lets them share it through music. When you blend those sounds with dance music, I’m able to show how dynamic and exciting the genre can be. It’s about pushing boundaries and creating something that feels fresh but still honors where it came from. EDM.com: How has your upbringing in Miami influenced your fusion of traditional Latin sounds with contemporary electronic beats? Are there specific cultural elements you want to highlight? Vikina: Growing up in Miami meant being surrounded by this incredible melting pot of Latin culture. With my Ecuadorian mom and Cuban dad, I was constantly exposed to a mix of sounds from every genre you can think of. Gloria Estefan was a huge inspiration for me—she showed that Latin music could have a massive impact in the United States. I want my music to capture that same energy and diversity, to reflect the city that raised me. EDM.com: Can you walk us through your creative process when working with Deorro on your Latin Grammy-nominated song "BAMBOLE?" Vikina: I had been wanting to collaborate with Deorro for a long time and sent him a bunch of ideas before, but this one finally caught his attention. I started the idea with some local producers in Miami, using a "75 Brazil" sample we knew would be tough to clear. I knew Deorro would take it somewhere bold and electric. I had a feeling he’d do something amazing with it, but what he created completely took me by surprise—in the best way possible. I wanted the vocals to feel like they were calling you straight to the dancefloor and we layered that with one of those iconic Deorro-style drops he crafts so well. It all came together so naturally. Deorro truly deserves the recognition he gets. He’s paved the way for Latinos in EDM, and collaborating with him was such an honor. Knowing it earned me my first Latin Grammy nomination makes it even more special. EDM.com: What’s your ultimate mission as an artist? Vikina: My mission is to continue the legacy of the Miami artists who paved the way before me and blend cultures in that special way only we know how. I want to create a soundtrack for freedom—for dancing, crying, wanting, celebrating and living fully in the moment. Beyond the awards (which, let’s be real, are incredible), I want to inspire people, especially women, to take up space, own their roots, be fearless and break boundaries. I hope my journey encourages the next generation to write their own rules, whether that’s in music, life, or even politics. Because the magic—and the truth—is always somewhere in the middle. EDM.com: How do you push the boundaries of physicality and sensuality in Latin dance music to tell diverse stories? Vikina: Sensuality is part of who we are as Latinas, but it's not our whole story. Early in my career, I wrote a lot about yearning and wanting someone who probably wasn't 100% into me. Those were fun and cathartic in a sense, sort of a sexual love letter—with class of course. However, in Spanish there tends to be a much more poetic way of describing certain things. These days, I’m more focused on telling meaningful stories through dance music. One track might be about dancing through heartbreak, and the next is about owning your power. My goal is to bring depth to the dancefloor—whether you're vibing to the beat or really listening to the lyrics, there’s always something there to connect with and to feel. EDM.com: What challenges have you faced as a woman reshaping the male-dominated Latin dance music narrative, and what progress do you see? Vikina: Oh, honey, the challenges are real but I've never been afraid of a challenge. People often underestimate us or think we're just the “pretty face” on the track—but little do they know I'm actually the songwriter, recording engineer and vocal producer of most of my tracks too. I’ve learned to let my skills speak louder than any stereotype and to get comfortable with my role as a leader in these rooms. Strong communication skills and being well-educated in your business and craft earn you real respect even if looks got you in the door. So I say, "Use it!" I’m seeing more women stepping into producer roles, headlining festivals and just owning their space. It feels like we’re not just breaking the mold—we’re shattering it. Vikina.c/o Mr. 305 Records EDM.com: What do you see as the next evolution in Latin dance music? Vikina: The future is all about blending genres even more. I feel like we’ve really ridden the tech house and Afro house wave hard this past year. With all these "Latin sample packs" out there, it feels like anyone can make Latin EDM now. I’d love to see things evolve—maybe more Latin techno or mainstream progressive Latin EDM. For example, Deorro is fusing Mexican music in a really cool way. Imagine a bachata guitar with futuristic synths or traditional Andean flutes on a drum & bass beat. The sound needs to evolve, and it’s time to make it happen EDM.com: What has been the most surprising lesson you’ve learned about yourself in these fast-moving genres? Vikina: That I’m way stronger than I thought. It’s a tough industry, but every challenge has taught me resilience. I’ve learned to trust my instincts and embrace my uniqueness—because what’s the point of following the crowd when you were born to lead the dance? EDM.com: What do you want your music to communicate to listeners unfamiliar with Latin culture or dance music? Vikina: I want them to be moved, whether it’s through the lyrics or the sazon of the music. It’s more than just sound—it’s about the emotions, the history and the community behind it. Dance music is all about release. Even if you don’t speak Spanish, I hope my music makes you feel something. That's why I write in Spanglish sometimes because I want there to be something for everyone to hold onto. Music is the universal language, and I’m here to make sure EDM en español becomes a part of everyone’s playlist. Follow Vikina:X: x.com/vikinamusic Instagram: instagram.com/vikinamusic TikTok: tiktok.com/@vikinamusic Facebook: facebook.com/vikinamusic Spotify: tinyurl.com/5absh84v

Each year, Google captures the essence of the past twelve months in its iconic Year in Search video, and 2024 is no exception. The latest installment spotlights the searches that shaped our lives, from unforgettable performances to groundbreaking achievements. Among these highlights, Tomorrowland — the legendary electronic music festival — makes a stunning appearance, underscoring its massive cultural impact. Tomorrowland: A Beacon of Unity and Music The Year in Search video features a brief yet powerful nod to Tomorrowland, with its reputation as the pinnacle of electronic music festivals shining brightly. Google’s narration includes a moment referencing the “biggest crowd in festival history,” a testament to Tomorrowland’s unmatched ability to unite people across cultures through music. This recognition cements Tomorrowland as more than just a festival — it’s a global phenomenon that defines a generation’s search for connection, escapism, and joy. A Year of Breakthroughs and Iconic Moments Google’s video blends Tomorrowland’s epic gathering with other standout cultural moments, from Kendrick Lamar’s much-anticipated album drop to the rise of athletes like Shohei Ohtani and Caitlin Clark. The montage reflects the spirit of resilience and creativity that defined 2024. Whether it’s Céline Dion’s triumphant return to music or history-making breakthroughs in technology and sports, the video encapsulates a world that persevered and thrived despite challenges. Hope and Inspiration Through Shared Moments The final sentiment of the video — “The world needed these emotions so much” — encapsulates why moments like Tomorrowland resonate globally. In a year marked by uncertainty and triumph, these shared experiences of music, culture, and community became sources of hope and inspiration. Tomorrowland’s inclusion in Google’s highlight reel is a reminder of music’s unifying power and its ability to bring people together, no matter the distance. For more on Google’s ‘Year In Search 2024’ check out their official website, here. Check out the full video below. The post Google’s Year in Search Video Features Tomorrowland appeared first on EDMTunes.

Feed Me is celebrating over a decade and a half of sonic innovation with a bold reimagining of his iconic track, ‘One Click Headshot.‘ Released in 2012, the original track has amassed over 35 million streams on Spotify, solidifying its status as a fan favorite. To commemorate this milestone, Feed Me has curated a dynamic 10-track remix collection that showcases the diverse and ever-evolving landscape of bass music. The remix package features a star-studded lineup of boundary-pushing producers, each bringing their unique perspective to the original track. Drum and bass titans like Grafix and NVADRZ & ALIAS deliver high-octane, breakneck remixes, while Lost in Orbit and AlienPark explore the darker, more experimental side of bass music. For fans of dubstep, Flozone and Arya x Alexis B offer gritty, bass-heavy interpretations, while Eater and Shadient delve into the more atmospheric and psychedelic realms of electronic music. EDDIE and JACKNIFE round out the collection with their signature styles, providing a perfect balance of technical prowess and dancefloor energy. I’ve brought together a group of insanely talented producers I truly admire to reimagine One Click Headshot on Sotto Voce. This track has a lot of history for me—I still remember the crazy two-day, no-sleep session when I first created it! Hearing it now through the lens of so many brilliant minds has been such a cool experience. Each rework brings something totally fresh and unique, and I couldn’t be more proud of the result. I can’t wait for you to hear these new versions and experience the journey all over again with me! – Feed Me The post Feed Me Reimagines ‘One Click Headshot’ with 10 Track Remix Collection appeared first on EDMTunes.

As the end of the year comes, Tomorrowland’s One World Radio is ready to kick off The Magical 500 – 2024 Wrapped. Counting down the list with the biggest musical highlights of the past year, Tomorrowland’s official radio station has counted the votes from People of Tomorrow around the world, who had the chance to express their love for their favorite track of 2024. Tune in to The Magical 500 – 2024 Wrapped as of today (December 16), counting down 100 tracks per day from Monday through Friday between 12:00 and 18:00 CET – good for 6 hours of the finest tracks a day – with the grand finale and the announcement of the ultimate number 1 on Friday December 20. Obviously, you can expect a high-energy and surprising musical journey with the biggest songs of the year, voted for by fans across the globe and curated by the festival’s radio station. Last year ‘Miracle’ by Calvin Harris and Ellie Goulding was voted as the number one track of 2023 by the People of Tomorrow, followed by Peggy Gou’s catchy anthem ‘(It Goes Like) Nanana’ at number two, while Tiësto and Tate McRae claimed the third spot with their dance hit ’10:35’. This year has no shortage of hits either, so it will be very interesting to see where your favourite songs falls. Tune in to The Magical 500 – 2024 Wrapped from Monday December 16 through Friday December 20 on One World Radio via tomorrowland.com and the Tomorrowland App and find out where your picks have landed. Stay tuned for more news! The post Tomorrowland’s One World Radio Kicks off The Magical 500 appeared first on EDMTunes.

This year’s ULTRA Europe Aftermovie takes Ultranauts on an unforgettable journey, transforming Split into a global epicenter of electronic music while keeping the true destination rooted in emotions, unity, energy, and the universal language of rhythm. Through intimate shots of smiling faces, ecstatic dances, and euphoric moments, the film captures the essence of the festival – from the vibrant streets of Split to the grandeur of its iconic main stage. With DJ Snake’s arrival in a car beast by Rimac Automobili symbolizing the electrifying energy ULTRA brings to Croatia, every frame celebrates the seamless fusion of individual experiences and the monumental power of the community. The message resonates powerfully: “It’s about love, it’s about energy, it’s about frequency, it’s about unity, it’s about respect.” As ULTRA enters a new decade, the Aftermovie leaves viewers with a profound sense of belonging and a yearning to return to Split, where music, people, and emotions create a boundless magic that endures. Watch here. Tickets are on sale now for ULTRA Europe 2025, which is set to take place July 11 – 13, 2025 at Park Mladežl in Split, Croatia. Marking a decade of unforgettable moments, Europe’s leading destination festival is kicking off a new chapter with its 11th edition. Following the incredible success of the 2024 event, which drew over 150,000 Ultranauts from more than 140 countries to witness the biggest names in dance music, the festival is ready to embrace the future. Tier 3 GA 3-day tickets can be purchased for €199, Tier 2 VIP 1–day tickets for €179, VIP 3–day tickets for €379 and FAN PIT 3-day tickets for €239. VIP PREMIUM 1-day tickets in Tier 2 are on sale for €249 and VIP PREMIUM 3-day tickets for €479. The post ULTRA Europe 2024 Aftermovie is Here appeared first on EDMTunes.

Asia's biggest EDM festival just got much bigger. The organizers of India's Sunburn Goa Festival have announced the additions of Skrillex and Peggy Gou to its lineup, ringing in 2025 bringing a pair of global electronic music superstars to the scenic shores of Goa. "We are absolutely thrilled to bring Skrillex and Peggy Gou to Sunburn Goa 2024," said Karan Singh, CEO of Sunburn Festival." These are artists who have consistently pushed the boundaries of electronic music and their addition to Alesso, KSHMR and ARGY who we announced recently, will deliver a truly next-level experience for our fans. This year’s lineup reflects the global diversity and electrifying energy that Sunburn is known for and we can’t wait for the world to witness these extraordinary performances." Skrillex and Gou join Alesso as headliners of Sunburn Goa, which returns to Dhargalim, North Goa from December 28-30 for its 18th year. This year's fest comes with the promise of immersive experiences and visuals, thanks to its theme, which organizers say will "transport attendees into a stunning underwater world." The festival's stellar lineup also features Argy, Yellow Claw, Cosmic Gate, Sam Feldt, Sam Gellaitry, Tale of Us' MRAK, Ahadadream b2b Manara and Hamdi b2b Siraria. KSHMR, who recently released Sunburn's official 2024 anthem, "Khoye Yahaan," a musical tribute to Diwali, will also DJ. More artists will be announced in the weeks ahead. Check out the lineup so far and purchase passes to Sunburn Goa 2024 here. c/o Sunburn Festival Follow Sunburn Festival:Facebook: facebook.com/sunburnfestival X: x.com/sunburnfestival Instagram: instagram.com/sunburnfestival

The venue will take over the former site of New York’s iconic Pyramid Club, opening in 2025 Continue reading...

As the year comes to an end, we are looking back on the tracks that defined 2024. With just a few short weeks before we say goodbye to 2024, we would love to revisit our EDMTunes top picks for the absolute best original tracks. Each track was nominated by our staff, and voted in a battle of the soundscapes. Now, let’s celebrate with this year’s Year in Tunes – Top 15 Original Tracks of 2024. 15. Danny Avila feat. Rome Fortune – ‘YES B!TCH’ The Spanish Techno tastemaker starts us strong on the list with this powerful and commanding track. The Mainstage Techno label head knows how to get the party started. With several outings on John Summit’s Experts Only label, he has had a big year. 14. Martin Garrix & Third Part feat. Oaks & Declan J Donovan – ‘Carry You’ With a track full of soul and nostalgia, the Dutch producer makes it into our list alongside Declan J Donovan, Third Party and Oaks. The euphoric feeling within this track resonated in our heads all year, opening up our hearts. 13. Rezz – ‘CAN YOU SEE ME?’ Space Mom left us speechless with the release of her album, CAN YOU SEE ME? and the title track is nothing short of disgustingly good — and creepy in the best way possible. Besides multiple B2B shows with Deadmau5 as REZZMAU5, Rezz brought back lots of her original influences to craft the new era. Is 2025 ready for her? 12. Adam Port, Stryv & Malachiii (Keinemusik) – ‘Move’ A song that does not need any introduction, ‘Move’ was our Afro House top pick of the year. We heard this track everywhere, including unofficial edits at Afterlife shows and an official remix with Keinemusik and Camilla Cabello. “Girl, I really like the way you…“ 11. Lane 8 & Kasablanca – ‘You’ A song that inspires lots of hope, the track was featured on Lane 8’s stellar album Childish. The year started with lots of emotion for the production Duo Kasablanca, as one of its members went through chemo to combat cancer in early 2024. Nevertheless, Micky remained victorious, and the group went on to conquer the remainder of the year. 10. Sharam, Adam Beyer, Layton Giordani, Green Velvet – ‘PATT (Party All The Time)’ A reimagining of the original track, Drumcode head recruited masterminds Layton Giordani and Green Velvet, to give us one of our fave Techno tracks of 2024. With a filthy drop, heavy basslines, and tasteful vocals, this track had us dancing from Ultra Miami to Tomorrowland Belgium. Technically you can call it a remix, but we’re assuming it as an original this time. 9. Disclosure – ‘She’s Gone, Dance On’ A very Disco-friendly and glorious return, the UK House producers and siblings took us all by surprise with their comeback to the worldwide stage. With incredible performances around the globe and multiple appearances at major festivals in the U.S., Disclosure’s got us latched onto them once again, including the delicious track ‘She’s Gone, Dance On’, taking its deserved single-digit spot at number 9. 8. Sultan + Shepard feat. The Kite String Tangle – ‘Memories’ The Melodic House producers brought joy and serenity with their ingenious album Endless, Dawn at the beginning of the year. What we didn’t expect after said milestone was yet another 6-track EP that reigned through the last couple of months. ‘Memories’ is that track that we will remember through thick and thin as we approach the end of 2024. 7. Eli Brown, Layton Giordani & OFFAIAH – ‘When I Push’ As we approach the best of the best, we encounter Eli Brown and Layton Giordani, yet again with a banger that blows the speakers up each time. The Techno friends were really happy with this one, as the kicks and rumbles accounted for hours and hours of dancing. If you don’t believe us, ask for our Spotify Wrapped. 6. RÜFÜS DU SOL – ‘Break my Love’ The Alt-Indie EDM trio came back, just like clockwork, to bless us with their newest album Inhale / Exhale. After their introductory track ‘Music is Better’ started the summer strong, ‘Break My Love’ made its way into our top 6 with its attitude and seriousness that set it apart from the rest of the album. We can’t wait until we catch them on their tour in 2025. 5. Max Styler, Gorgon City – ‘Touch’ The Realm label leaders Gorgon City impress us yet again with a distinguished collab from one of House’s most prominent new names, Max Styler. This Tech-House banger is an incredible showcase of mixed styles from the producers. Moreover, its sound design and engineering make for a fantastic journey, which kicks off our top five. 4. RÜFÜS DU SOL – ‘Lately’ And they’re back! The Australian trio swept us off our feet with ‘Lately’. Its lyrical prowess and deep melodies remind us why we keep supporting RÜFÜS years and years after ‘Innerbloom’. They got us learning… 3. Dom Dolla – ‘girl$’ If “girls” actually needed somebody, that would be Dom Dolla. The Aussie House star delivers a sassy and powerful groove with his hit song ‘girl$’, finessing its way into our top 3. 2. John Summit, HAYLA – ‘Shiver’ With the unstoppable momentum from ‘Where You Are’ which earned its top spot for original track in last year’s Year in Tunes, John Summit returned full-throttle to start the year with one of his most vulnerable works. ‘Shiver’, which delivers strong emotions perfectly expressed through HAYLA’s vocal range, opened up the soundscape for Summit’s debut album Comfort in Chaos. Honorable Mentions Before we reveal our top original track of the year we want to highlight those that were so close to making it into the list, but did not quite get there. Each of these tracks received an equal number of votes from our team. Max Styler, Oscar L – Addiction HUGEL – I Adore You Seven Lions – Not Even Love Tiësto – Thank You (Not So Bad) John Summit – Palm of My Hands 1. John Summit, Sub Focus & Julia Church – ‘Go Back’ Did we expect any less than Daddy Summit and Sub Focus? This Tech House and Drum & Bass hybrid track blew our minds away into the deep collective consciousness out of nowhere. This is one of those tracks that segments John Summit as one of the best in the scene. Alongside Drum & Bass giants Sub Focus and the impeccable vocals of Julia Church, this track stole our hearts all the way to number 1. And we’re not afraid to say, after exactly seven months since its release day, down to the day, we’re still singing it like it’s the first time. The post EDMTunes: Year In Tunes – The Top 15 Original Tracks of 2024 appeared first on EDMTunes.

Founder Liam O’Shea has chosen to step away from the 400-capacity venue, which first opened in 2012, to “achieve a greater sense of balance in his life” Continue reading...

Rich DietZ have always had a flair for making tech house feel downright scandalous, but they've outdone themselves this time. The red-hot duo is back with "Daddy," teaming up with Danth and Alex Martin to drop a tech house anthem dripping with desire. A steamy dive into club decadence, it's the kind of track that whispers in your ear and pulls you onto the dancefloor. Anchored by a signature DietZ bassline so thick you could spread it on toast, "Daddy" weaves elements of techno and future rave into a sultry, late-night anthem. Those touches give it a modern edge, but the heartbeat of this banger is its provocative vocal hook. Equal parts menace and allure, it's a come-hither challenge that dares us to surrender to the dancefloor's dark, sweaty promise. The seductive lyric, "Daddy, are you gonna come my way?" rides the groove with an irresistible swagger, teasing and taunting as the beat grows darker and more insistent. The release follows Rich DietZ's breakthrough remix of A$AP Ferg's "Work," produced alongside Proppa and Smith & Sorren. That track has become a sleeper hit, receiving consistent DJ support from Tiësto, Alesso and Swedish House Mafia, among others. "Daddy" is out now via IMPVLSE Records. Listen to the new collaboration below and find it on streaming platforms here. Follow Rich DietZ:X: x.com/richdietzmusic Instagram: instagram.com/richdietzofficial TikTok: tiktok.com/@richdietzofficial Facebook: facebook.com/richdietzofficial YouTube: youtube.com/richdietzofficial Spotify: spoti.fi/33e5f6v Follow Danth:Instagram: instagram.com/danth Facebook: facebook.com/itsdanth Spotify: tinyurl.com/5n8zd285 Follow Alex Martin:X: x.com/alexmartin_wav Instagram: instagram.com/alexmartinofficial TikTok: tiktok.com/@alexmartinofficial Facebook: facebook.com/alexmartinproducer Spotify: tinyurl.com/mt4htmmk

Get ready for an unforgettable experience on the idyllic Caribbean island of Saint Martin as SXM Festival returns from March 12-16th, 2025. This island party is set to showcase some of the most unique and exciting talents in the world of House music. The latest additions to the already stellar line-up promise a diverse mix of established stars, cutting-edge talents, and emerging acts that will captivate festival-goers. Among the headliners announced are legendary New York DJ Danny Tenaglia, renowned label head Mark Knight, Afro House innovators Paax from Tulum, and global Electronic music icon Sander Kleinenberg. Joining them are rising stars like SOSA, and Dutch duo Tinlicker. With such a diverse array of artists, SXM Festival 2025 is shaping up to be an unforgettable celebration of music and culture. Whether you’re a long-time fan of House music or looking to discover new sounds, SXM Festival promises an exclusive and immersive experience that will transport you to a musical paradise. Get ready to dance the night away under the stars and experience the magic of Saint Martin like never before. Line-Up Highlights Danny Tenaglia, a true legend in the world of House music, is known for his marathon DJ sets and unparalleled energy behind the decks. His performances are a journey through the history of Dance music, blending classic tracks with cutting-edge sounds to create an unforgettable experience for his audience. Mark Knight, the mastermind behind Toolroom Records, has been a driving force in the global House music scene for years. His innovative productions and dynamic DJ sets have earned him a reputation as one of the industry’s top talents, and his presence at SXM Festival is sure to be a highlight of the event. Paax, the Afro House innovators hailing from Tulum, bring a unique blend of tribal rhythms and electronic beats to the stage. Their infectious grooves and hypnotic melodies will transport you to a tropical paradise, where the music flows like a warm breeze and the energy is electric. With a lineup that includes both established stars and exciting new talent, SXM Festival 2025 promises to be a celebration of music, culture, and creativity. Don’t miss your chance to experience this unique event on the beautiful island of Saint Martin. Don’t miss your chance to experience this unique event on the beautiful island of Saint Martin. Secure your tickets HERE. The post SXM Festival Saint Martin Reveals 2025 Lineup appeared first on EDMTunes.

Goom Gum, the fast-rising DJ and producer duo, has just dropped an EP featuring two dialogue driven tracks ‘Everybody Do Clap‘ and ‘Nicotine‘. Their signature style that blends Melodic House and Techno has received widespread recognition in the Electronic Dance music community. Global icons like Solomun, Pete Tong, and Tale Of Us, have shown support for this duo in recent years. ‘Everybody Do Clap’ The EP kicks off with ‘Everybody Do Clap‘, that features a catchy hook that makes everybody not only want to dance but clap together. The infamous big kick pushes the track forward, while the dialogue creates a “group effort” type of feel. You can listen below. ‘Nicotine’ Next up, ‘Nicotine‘ brings a more hip feel with everyone sharing nicotine vapes in today’s world. This track has a humorous feel and shines a spotlight on a trend. It’s a perfect example of Goom Gum’s experience and knowledge in the dance industry. Check it out below. Goom Gum’s Impact on the Electronic Music Scene Since their formation in 2018, Goom Gum has become a name known for its high-quality electronic music. The duo’s ability to create hits has not gone unnoticed – releases like their collaboration with Argy on ‘Pantheon‘, which reached No. 1 on Beatport. Also, ‘It’s A Lot‘, which topped the UK club dance chart, have earned them a solid spot in festival line ups. Their tracks have become regulars at major dance events, especially Afterlife shows, where their tunes are known to captivate audiences. Goom Gum’s rapid rise is a testament to their exceptional production skills and keen sense of what resonates with listeners. Their music has found a home on some of the most respected labels in the electronic dance music world, including Afterlife, Armada, Mau5trap, and Tomorrowland Music. As they continue to dominate the dance charts, Goom Gum remains a puzzle piece in shaping the future of electronic music. The post Goom Gum Drops New EP Including ‘Everybody Do Clap’ and ‘Nicotine’ appeared first on EDMTunes.

In a groundbreaking moment for the entertainment industry, MDLBEAST flagship Soundstorm 2024 music festival in Riyadh, Saudi Arabia, made history by setting a Guinness World Record for the Largest Continuous Outdoor LED Screen. This momentous occasion took place on the 8th of December, with global music icons like Eminem, Muse, and Linkin Park gracing the stage to a sold-out crowd. The festival’s record-breaking LED screen, spanning a staggering 4808.84 square meters, surpassed the previous record held by Adele in Munich earlier in the year. The presence of a Guinness World Records adjudicator added an official stamp of approval to this remarkable achievement, solidifying Soundstorm’s reputation as a trailblazer in the world of music festivals. The combination of top-tier musical talent and cutting-edge visual technology has elevated Soundstorm to a league of its own, captivating audiences and setting a new standard for live entertainment experiences. Setting a Guinness World Record for the Largest Continuous Outdoor LED Screen was more than just a moment of glory for Soundstorm 2024—it was a testament to the festival’s commitment to innovation and creativity. By pushing the boundaries of what is possible in live entertainment, MDLBEAST has inspired a new wave of artistic expression and technological advancement within the industry. The record-breaking achievement has not only put Soundstorm on the map as a must-attend event but has also highlighted the potential for future collaborations between music and technology. Breaking the Guinness World Record again for the Largest Continuous Outdoor LED Screen is a testament to the vision and relentless innovation that defines MDLBEAST and Soundstorm. This is our fifth Guinness World Record achievement that underpins and embodies our commitment to pushing boundaries and creating transformative experiences for our audiences, not just in Saudi Arabia but on the global stage. We’re incredibly proud of this milestone and look forward to continuing to set new benchmarks for live entertainment. -Ramadan Alharatan, MDLBEAST CEO About SOUNDSTORM: Soundstorm Festival is one of the largest music festivals in the MENA region. Organised by MDLBEAST, the December festival draws hundreds of thousands of attendees annually, blending cutting-edge production with a diverse lineup of international and regional talent. Over the years, the pioneering festival has hosted some of the biggest names in music, including David Guetta, Metallica, Eminem, and Steve Aoki, along with providing a platform for emerging acts from the Arab world. Celebrated for its larger-than-life stages and immersive experiences, Soundstorm continues to redefine the region’s music and cultural landscape, making it a must-attend event for music fans worldwide. About MDLBEAST: MDLBEAST LLC is a music entertainment company committed to growing talent, building the regional scene, and advancing the creative economy. MDLBEAST was established following the success of its flagship festival, SOUNDSTORM, in 2019. Through its focus on artists and talent, MDLBEAST is building a talent infrastructure and providing them with opportunities which put them on global stages. Similarly, through owned events and experiences, content, conversation, fashion, and more, MDLBEAST is helping to build a thriving, and economically sustainable, music community in and for the region. MDLBEAST operates under its three corporate arms: XP Music Futures, MDLBEAST PRESENTS and MDLBEAST Record Label. CONNECT W/ MDLBEAST Instagram | Facebook | TikTok | Spotify | YouTube The post Soundstorm Festival Breaks World Record for Largest Continuous Outdoor LED Screen appeared first on EDMTunes.