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The legendary Time Warp is back, and it’s bigger than ever. On April 5th, 2025, Mannheim, Germany will once again become the epicenter of electronic music, as Time Warp delivers an unmatched 19-hour experience. Known as one of the most iconic festivals in the global techno and house scene, this year’s edition boasts an extraordinary lineup featuring 42 of the world’s top artists performing across five stages. An Unforgettable Experience Awaits Time Warp has built a reputation for pushing the limits of music, technology, and atmosphere. Attendees can expect cutting-edge sound systems, immersive stage designs, and a production that blurs the lines between reality and art. With a rich history spanning decades, Time Warp continues to set the gold standard for electronic music festivals. This year’s event brings together a carefully curated lineup of international stars, from techno titans to rising innovators. Fans will be treated to solo performances and rare b2b sets, ensuring an unparalleled sound journey from start to finish. Warp Mannheim 2025 Lineup Time Warp Mannheim 2025 features some of the biggest names in the scene, with artists delivering their signature high-energy performances. The full lineup includes Adam Beyer, Black Coffee, Charlotte de Witte, Nina Kraviz, Ricardo Villalobos, Sven Väth, and Richie Hawtin. From heavyweights like Marco Carola, Joseph Capriati, and Ben Klock to rising talents like Syreeta and HAAi, the lineup reflects Time Warp’s mission to blend established legends with new voices shaping the future of electronic music. The Atmosphere of Time Warp Time Warp is not just a music festival—it’s an experience. The combination of state-of-the-art visuals, mind-blowing light installations, and the energy of thousands of passionate fans creates an atmosphere unlike any other. The five uniquely designed stages are crafted to transport attendees into a different world, where music takes center stage and time feels suspended. From its industrial roots in Mannheim to its expansion across continents. Time Warp remains the ultimate destination for electronic music lovers. Tickets and Details Tickets are already in high demand, so fans are encouraged to secure their spots early. Date: April 5th, 2025 Location: Maimarkthalle, Mannheim, Germany Tickets: Available now via the Time Warp official website (link here) Don’t miss this chance to witness the world’s finest DJs and producers come together for an unforgettable celebration. The post Time Warp Mannheim Unveils Stellar 2025 Lineup appeared first on EDMTunes.

The crews will be led by Jyoty, Kenny Allstar, Spice and Teezee, which will take place at Drumsheds in March Continue reading...

Closing out a milestone year, breakthrough DJ and producer Ollie Mundy has firmly established himself as a rising force on the international scene. Hailed by media and industry figureheads as one to closely watch. The UK-based artist has continued to make meteoric waves with his innovative sound and dynamic presence. In 2025, Ollie Mundy is set to make his highly anticipated return to Ibiza, building on a series of standout winter events on the island. Renowned for his signature sound and electrifying vibe, Ollie has cultivated a loyal following and proudly announced his second consecutive year with the award-winning event series Back To Mine and Days Of Disco. The summer season holds even greater promise, with exciting collaborations already in the works and exclusive OVAVA label parties to be unveiled as the new year begins, cementing Ollie’s status as a key figure in Ibiza’s dynamic music scene. With a lineup of new releases already signed and slated for an early-season drop, Ollie Mundy’s sound is poised to dominate the island’s biggest parties once again with his unique sound, solidifying his status as a key player in Ibiza’s musical landscape. Ollie Mundy has had a landmark year, delivering standout performances at London’s legendary Fabric and New York City’s Hot Situations, alongside high-profile UK festival appearances and a triumphant return to Burning Man, his spiritual home. His tracks have garnered widespread support across Germany, France, Egypt, Australia, the UK, Ibiza, Colombia, and beyond, with releases on respected labels like My Other Side of the Moon and Sondela. Ollie comments: “I’m really excited about the future of the label, especially with the incredible amount of interest coming in so quickly. Recently performing for legends like Jo Mills and Soul Central in Ibiza has further motivated me to expand my presence on the island. As my production evolves, I can’t wait to share my forthcoming releases, really highlighting the energy and emotion my music sets to convey.” This year has also marked a pivotal moment in his evolution, highlighted by the launch of his own imprint, OVAVA Music. Riding the global wave of attention toward his genre, Ollie has achieved extensive streaming success, with recent playlists reaching over 300,000 listeners and cementing his growing influence on the international stage. Ollie Mundy’s recent releases, “Kimra” and “Nothing,” have solidified both his rising influence and OVAVA Music’s growing presence in the scene. Closing out the year, Ollie has unveiled an exclusive DJ promo featuring a collection of unreleased tracks, including “Uh Oooh,” “The Mountains,” and “Searching.” These tracks have already garnered high-profile support and been spotlighted in renowned publications such as DJ Mag, Mixmag, and Techno Mood, further amplifying his reputation in the industry. As Ollie Mundy prepares for his Ibiza residency, fans can expect an exciting mix of new music and major updates in 2025. With a packed schedule and rising influence, his momentum is only set to grow. Ollie Mundy – Unreleased Now Available on Exclusive DJ Promo ‘Uh Oooh’ Limited Edition Download Here: https://soundcloud.com/olliem/ollie-mundy-uh-oooh Find Out More & Follow Ollie Mundy: Linktree OVAVA Music: www.ovavamusic.com The post Ollie Mundy Celebrates a Milestone Year for OVAVA Music & 2025 Residency appeared first on Electric Mode.

New year, new artists to watch. Back by popular demand, Dancing Astronaut’s annual class of artists to watch underscores 25 of the dance/electronic genre’s most enticing future achievers. From unique underground wavemakers to soon-to-be festival big shots running the gamut from bass to techno, with so much in between, we’re proud to continue our Artists to Watch feature for the 12th year — enjoy. Artists appear in alphabetical order. Aaron Hibell When conceptualizing Dancing Astronaut’s 2025 class of Artists to Watch, it was clear that Aaron Hibell — one of dance music’s most promising aspiring acts — should and ultimately would grace our annual list. His brand of cinematic melodic techno has garnered millions upon millions of impressions on social media, thanks to his remixes of popular tracks, like Billie Ellish’s “‘CHIHIRO,” and “destroyer of worlds,” from the Oppenheimer soundtrack. Hibell’s collaboration with 2024 Artist to Watch Alex Wann, “set me free,” received support from artists like RÜFÜS DU SOL, Tiësto, and Adriatique, and even soundtracked Ultra Miami’s 2024 aftermovie. No coincidence, considering that Hibell scored the aftermovie, further strengthening the case for his recognition as an Artist to Watch. And if all of this wasn’t enough, he’s gearing up to release his debut album in 2025, with which he’ll further evolve his sound and expand his global reach. — Zach Salafia Featured image: CRUZOE Adam Sellouk Adam Sellouk closed out his 2024 with a bang: an official remix for Empire of the Sun’s “We Are The People.” The highly-anticipated remix made the rounds on the festival circuit this summer, garnering support from Mau P, Tale of Us, John Summit, and more. Other highlights of his discography from this past year include a collaboration with Anyma, as well as an EP released via Afterlife, The Antidote. The outlook for Sellouk in 2025 is unsurprisingly bright; the newly-minted Artist to Watch will kick things off with a date at Afterlife Tulum in January. — Zach Salafia Featured image: Adam Sellouk/Instagram ALLEYCVT ALLEYCVT had herself a massive year. A string of original releases like “F______LOVE YOU,” “STRATOSPHERE,” and a high-profile collaboration with high-octane bass trio Levity, “ONE FOR YOU,” helped to bolster her growing discography. In addition to putting out a steady stream of singles this year, the DJ/producer/singer triple threat embarked on her headline “FEEL IT” stateside tour this fall and just recently announced phase two of the tour, set to continue into 2025. ALLEYCVT also received support from the likes of Zeds Dead and ILLENIUM and played major festivals like Lost Lands, HARD Summer, and North Coast in 2024, leaving no doubt that she’s worthy of an Artist to Watch in 2025 nod. — Zach Salafia Featured image: Rukes Amy Wiles After starting her DJ career at just 16 years old, London’s Amy Wiles became a resident DJ for Above & Beyond’s Anjunabeats in 2018. However, she wouldn’t release her debut single (“Biding Time”) until 2021, and that was just the beginning of what the label standout had in store. 2024 proved to be Wiles’ biggest year yet, between consistent touring, which included her sold-out debut headline show to complement her debut EP, Here I Am, and an official remix for Oliver Heldens. She has even more original music waiting in the wings for 2025 and at least one place to play it — Dreamstate San Francisco — with more soon to come. — Zach Salafia Featured image: rage_festival/Instagram Anamé In 2022, the Anjuna-backed duo, comprised of Marcus Schössow and Thomas Sagstad, burst onto the scene with their Above & Beyond collaboration, “Gratitude.” That, coupled with the release of their debut album, 2023’s Beautiful World, helped to tee up a momentous 2024 that included a collaboration with Kasablanca, a double-single release, “Hero / It Can Be Better Now,” and an album tour. The production pair has already announced that it will hit the road in 2025 for its Hopes & Fears album tour—with the album scheduled for February—staging yet another year of mounting success. — Zach Salafia Featured image: Tyler Hill Arcando At the start of each year, we hear that the coming calendar will be a drum ‘n’ bass takeover. Well, in 2024, rising drum ‘n’ bass tastemaker Arcando did everything within his power to make that claim ring true, accurately calling 2024 his “best year yet” when sharing his Spotify Wrapped recap. Martin Garrix’s deployment of Arcando’s “Jungle” remix (alongside “Scared To Be Lonely”) at Ultra in March was a highlight of Miami Music Week that attracted just about everyone’s attention. What would follow is a campaign that saw the Dutchman further expand his touring agenda and add eight more releases to his track record, including an inevitable STMPD RCRDS signing, where he became the first-ever artist to release a drum ‘n’ bass track on the label, alongside Dancing Astronaut Artist to Watch alumni, Vluarr. As the door to the drum ‘n’ bass world continues to blow open, Arcando will be standing front and center in 2025. — Ross Goldenberg Featured image: _alexrue_/Instagram Beltran A no-doubt selection for this list, Beltran first gained notoriety with “Smack Yo” on Solid Grooves in 2022. 2024 was a breakout year for the Brazilian DJ, who made his presence known in the United States with gigs at Coachella, Hard Summer, and Space Miami, among others. Along the way, Beltran joined forces with Vintage Culture for one of the most in-demand IDs of the year, a remix of Kelis’ single, “Bossy.” These factors sealed the deal for Beltran’s inclusion among our list of the artists to watch in 2025. — Alex Lambeau Featured image: Guilherme Da Rocha Clüb De Combat Clüb De Combat are ready for their biggest year to date. After signing with Creative Artists Agency earlier this month, the Israeli duo is preparing to set out on its debut American club tour in 2025. But before they hit the road, Clüb De Combat just dropped off their eagerly anticipated collaboration with Max Styler on Experts Only, “On Repeat.” It follows the slamming project that the production pair delivered on Solomun’s Diynamic label in May, Time EP. If it wasn’t already apparent, Clüb De Combat have seen tremendous support from dance music’s most recognizable DJs, and their upcoming releases will be heard worldwide in the coming year. — Alex Lambeau Featured image: Hugo Lendinning GENESI Turn the clock back to the end of 2022, and you may remember an ID that had dance music in a white-knuckle grip. GENESI—who had remained anonymous previously—was revealed to be the name that was behind what would become one of the following year’s most talked-about releases, “Everything You Have Done” alongside MEDUZA. Fast forward to now, and GENESI has built up a more-than-impressive resume, with 14 releases already to his credit over the past two years. In 2024, it felt like GENESI had truly begun to come into his own, with 10 of that tally arriving within the last 12 months. These productions landed on a slate of esteemed labels, including MEDUZA’s Aeterna Records, a widely-supported linkup alongside Max Styler on Insomniac Records, REALM Records, Tomorrowland Music, and more. All of them invariably fell into the hands of just about every A-list DJ imaginable, from Steve Angello to Anyma, to Vintage Culture to Armin van Buuren. As GENESI warms up for 2025, he’s already responsible for an ID alongside MEDUZA that will become a part of Dancing Astronaut’s most-anticipated releases of 2025, presuming it doesn’t arrive within the next few weeks. — Ross Goldenberg Featured image: GENESI/Instagram Henri Bergmann Dancing Astronaut was originally introduced to Herni Bergmann when she appeared on an Afterlife (Dancing Astronaut’s 2022 Label of the Year) compilation at the end of 2023. After witnessing Henri Bergmann’s back-to-back alongside Magit Cacoon at Cityfox’s summer edition at The Brooklyn Mirage earlier this year, we were immediately sold on her artistic potential. In the time since June, our faith in Bergmann grew tenfold, leading to the Automatik Records label head’s spot on our record of Tomorrowland 2024’s must-see sets. But this affirming flash of promise this spring was just one part of a year in which the melodic techno talent repeatedly reinforced why she should be a part of Dancing Astronaut’s Artists to Watch in 2025. In 2024, Bergmann put up six releases, fashioned Automatik’s second 15-piece compilation, and appeared on several of Zamna’s lineups. Her year auspiciously — and fittingly — concluded with the news that she will join Afterlife’s annual trip to the jungles of Tulum, where she’ll open 2025 alongside the likes of Tale Of Us, Cassian, and fellow 2025 Artist to Watch Adam Sellouk. — Ross Goldenberg Featured image: Henri Bergmann/Instagram Jackie Hollander Jackie Hollander’s discography may be young, but it’s already making waves. Two years into her career, the “All My Friends Are Hot” producer boasts releases on Insomniac Records, REALM Records (alongside current Dancing Astronaut Artist to Watch, Ellis Moss), Nervous Records, and FEMME HOUSE. Following her first summer tour, featuring standout festival debuts at Outside Lands and EDC Orlando, Hollander is primed for a breakout 2025. Hailing from the Bay Area, she enters the new year backed by thousands of fans and industry heavyweights alike. As a rising house and techno tastemaker, Jackie Hollander is scratching the surface of what will be a long and fruitful career. — Cameron DeFaria Featured image: Jackie Hollander/Instagram John Alto During Alesso’s stop in Brooklyn this past September, right before he brought out a future Dancing Astronaut Artist to Watch, he grabbed the microphone to say that “it’s always important to lift up new producers and talents.” After making his debut on STMPD RCRDS at the beginning of the pandemic, John Alto catapulted into the limelight in 2024 after he paired up with one of our favorite Swedes for “Lonely Heart.” “You’re going to hear a lot about [Alto],” Alesso told the thousands standing before him at Brooklyn Storehouse. And we’re here to back that claim. Earlier in the year, Alto teased his next chapter, which ultimately led to his first shows in the U.S. — in Salt Lake City, Brooklyn, and Los Angeles — and hinted that there’s much more to come in the year ahead, leading to an inevitable inclusion in our list of Artists to Watch in 2025. — Ross Goldenberg Featured image: Cory Ann Roberts Josh Baker A master of the unreleased, Josh Baker is arguably the most-talked-about house music DJ in the UK. A seasoned producer who even teaches classes on music production, Baker heads the rapidly-growing record label and event series, “You & Me.” Rounding out his year with a 20-show headline tour, he’ll certainly be a high-priority target for many of the world’s biggest music festivals. His two latest singles on the Three Six Zero record label have seen tremendous success, and there is only more to be heard. — Alex Lambeau Featured image: Josh Baker/Instagram Linska To some, the name Linska may ring a bell. If it does, it’s because Linska is the new musical venture from London-born actress Ella Balinska, but it’s anything but a hobby for her. Linska became a full-time endeavor this year after Balinska introduced the project alongside Rebūke in January—with “Digital Dream”—and made her DJ debut at Splash House this past spring. When Dom Dolla unleashed a scorching, techno-laden ID in Forest Hills, New York, many — including us — were left staring at an empty Shazam result. That ID — “Bad Boy,” released this past Friday via Realm Records — was quickly attributed to Linska. It went on to make the rounds in ensuing sets from Dom Dolla, the Realm founders, Gorgon City, John Summit, Dancing Astronaut Artist to Watch alumni Volaris, and more. Linska’s debut solo release debut decisively sets the stage for her artistic journey to mature and expand in 2025 with what she forecasts as “more silly beats.” — Ross Goldenberg Featured image: Linska/Instagram LUSU LUSU, a joint project launched in 2022 by Wiwek and Mike Cervello, ignited the scene this year with their self-described brand of “cinematic techno.” Their style embodies a unique sense of euphoria complemented by driving techno basslines, perhaps best exemplified by their collaboration with HI-LO, “Dizzy.” Other highlights from this past year include a collaboration with Eli Brown and releases on record labels like Drumcode, Hilomatik, and Arcane. The duo is already primed to expand on this year with a mountain of yet-to-be released tracks, eight of which can be found in their Parookaville set from this past July. And one of those aforementioned IDs—known as “Brain”—has already made its way into Eli Brown’s tracklists to help bolster LUSU’s year to come. — Zach Salafia Featured image: Sebastian Wawrzyniak Luzi Tudor As one may expect, Dancing Astronaut has a soft spot for This Never Happened — our reigning Label of the Year — and its diverse cast of talent. Our streak of including its signees in our annual class of Artists to Watch will unsurprisingly continue into 2025 with Luzi Tudor, who joins fellow TNH affiliates Otherwish, Grigoré, and Natascha Polké. Since her blissful take on melodic house was welcomed via 2021’s “Pandemonium,” Tudor has continued to solidify her stature as one of the most refreshing names in the genre and beyond. Tudor fittingly opened the calendar year as part of TNH’s North American run, where she supported Ben Böhmer and Le Youth, appeared on the first-ever lineup for We Belong Here’s New York City edition, and stacked up a quartet of releases in 2024, including an official rework of Sia in September. Tudor has already announced that she’ll join Sultan + Shepard on select dates of their 2025 tour and even teased a handful of unreleased tracks in the pipeline, making her promise for the coming year that much more compelling. — Ross Goldenberg Featured image: Salvador Rios Maesic Even if you haven’t heard of Maesic by name yet, you’ve definitely listened to one of his tracks. A veteran producer for some of dance music’s biggest icons, Maesic has garnered hundreds of millions of streams, thanks in no small part to his staggering tally of production credits. In 2024, he collaborated with Hugel, released singles on Higher Ground and Nervous Records, and finally shared his long-awaited official remix of Tchami’s “Adieu.” Be prepared for more of Maesic, now that he’s regularly touring across every corner of the globe. — Alex Lambeau Featured image: wallicorne/Instagram MARTA In 2025, all eyes are on Toronto’s rising dance queen, MARTA. Finding her groove at the intersection of techno and house, the 28-year-old spent 2024 carving out her path and staking her claim in the electronic music scene. She could be found warming up dance floors for heavy hitters like Mau P, Azzecca, and Dom Dolla, shaking it during her slots at Electric Island and Escapade Festival, and selling out her debut headline show — no biggie, right? This year, she’s chartered her course into vocal-house territory, delivering three club-ready anthems and bringing Kyra Mastro along for the ride on their late-year collab, “Ritual.” With a growing discography and an electric fanbase behind her, MARTA is primed for a major breakthrough in 2025; and we’re here for the ride. — Natalie Pereira Featured image: Patricia Brochu Mary Droppinz Mary Droppinz brings a unique and refreshing blend of bass and house to the fray. Standout singles from this past year include “Bass B$tch” and “Yummy Gummy,” released via Deadbeats. She’s closing out 2024 strong with her newest original, “Fight,” and dates at festivals like Lights All Night and Fresh Start, to name just a few of her upcoming stops. Droppinz shows no signs of slowing down in 2025 — she already features on the Lightning In A Bottle lineup and has multiple dates lined up in support of Zeds Dead, including a stop at the famed Brooklyn Mirage. — Zach Salafia Featured image: hi.gunpowder Miss Dre MISS DRE is a bona fide triple-threat. The DJ, producer, and vocalist made a splash this year with her remix of Tinashe’s “Nasty,” which enjoyed play out from Dom Dolla, Mau P, and MEDUZA, who significantly bolstered its reach. Along the way, MISS DRE released on labels like Realm Records (Gorgon City) and Insomniac Records and played a series of festivals, including Project GLOW, EDC Las Vegas, and Day Trip, among others. Looking ahead to 2025, MISS DRE will bring her signature brand of house across the country, thanks to upcoming dates in San Francisco, Los Angeles, Austin, and Miami. — Zach Salafia Featured image: timeconsumingticktock PACS PACS made waves with his (technically unreleased) remix of RÜFÜS DU SOL’s “Innerbloom.” The proof is in the ever-growing list of support for PACS’ take, which currently includes Adam Beyer, Cassian, Kevin de Vries, and even RÜFÜS DU SOL themselves. His activity since (originals like his two track OMNIA EP and singles like “Epilogue”) has evinced that his modern club take on the all-time classic was only a precursor for what was yet to come. PACS is currently sitting on countless unreleased originals and remixes that are due for a release in the new year and will continue to increase his traction. Considering these factors and the support he’s won from Tale of Us and Anyma, all signs point to a potential Afterlife debut in the near future. — Zach Salafia Featured image: Gui Urban Prospa A powerful house duo hailing from the UK, Prospa have become one of the year’s fastest-growing acts, thanks to a profile-raising run of hits, not to mention their uplifting melodies and nifty disco beats, which have brought a sense of nostalgia to the always-evolving house space. In 2024, Prospa garnered millions of streams across their Circoloco Records releases, with “This Rhythm” and “If You Want My Loving” certifying their status as one of modern house music’s most promising new acts. The duo is poised for a breakout year in the Americas and just recently concluded its biggest North American tour thus far. — Alex Lambeau Featured image: Prospa/Instagram Riordan If you’ve scrolled through TikTok at any point in the past few years, it’s likely that you’ve come across one of Riordan’s at-home production clips. Like many artists we’ve come to know and love since 2020, the UK native learned the ins and outs of dance music production when the pandemic struck. And after Gorgon City signed “Needle On The Record” — the garage-influenced weapon that can only be described as his breakout single — near the end of 2023, Riordan’s stock skyrocketed. The coming year would see Riordan spend a bit more time outside of the UK, making festival debuts at EDC Las Vegas, Seismic Dance Event, and ARC Music Festival, appearing at label events for Realm Records and Experts Only, and performing at world-class venues like Brooklyn Mirage, Space Miami, SILO, and Amnesia Ibiza. A complementary collaboration with current Dancing Astronaut Artist to Watch Ellis Moss (“GETAWAY”) duly caps off Riordan’s 2024 release calendar and conveys that he’ll gladly take the baton from Moss and carry it into 2025. — Ross Goldenberg Featured image: Riordan/Instagram Rivo In the age of TikTok and the creator economy, virality and commercial success can be achieved with just the push of a button. Parisian producer Rivo is a paragon of what’s possible when up-and-coming creatives leverage digital platforms, and even if the 22-year-old’s name doesn’t ring a bell, you’ve almost certainly heard his remix of Disclosure’s “You & Me.” His Afro house interpretation of the generational number enjoyed a seismic debut in 2023, soundtracking thousands of creator-generated videos. While the profile-raising moves that Rivo made in 2023 set the stage for a momentous 2024, virality doesn’t equate to longevity. So he spent the past year powerfully evincing that his talents stretch far beyond social media ephemera, with yet another viral remix — this time, of Armin van Buuren’s “In And Out Of Love” — a stirring outing alongside Adriatique that plays like its name (“Like A Dream”), and the revelation of his first solo single, “Last Night,” via Capitol / Disorder Records. These feats, coupled with several sold-out headline shows this year, and last year’s Beatport No. 1 (for “You & Me”), make one thing clear: Rivo is no flash in the pan. In 2025, he’ll only further build on the rock-solid foundation he’s laid in recent years. We’ll be watching, and you should, too. — Rachel Narozniak Featured image: @alexxriche & @valentinhouee/Instagram Y do I Dancing Astronaut’s Artist to Watch classes have dipped into melodic techno more than just a few times in recent years, and next year’s is no exception. As we look toward 2025, there’s another name that we feel is guaranteed to not only become an Afterlife veteran, but also one of the genre’s sought-after names: Y do I. Since the delivery of their debut album I Know in late 2021, childhood friends turned Y do I constituents Amos Chalfon and David Semo have continuously ripened their forward-thinking approach to techno. But 2024 was the year in which the duo truly began to hit its stride, with Massano’s invitation for Y do I to contribute to a Simulate label compilation and Argy and Tale Of Us’ offer for Chalfon and Semo to be a part of their White Isle residency serving as compelling proof of their momentum. And of course, we’d be remiss if we didn’t mention Kevin de Vries as one of Y do I’s many sources of support this past year; the former Dancing Astronaut Artist to Watch stood beside Y do I when they made their Afterlife debut this past September. With several Y do I IDs currently making the rounds, not to mention an upcoming appearance at Afterlife Tulum in January, the Chalfon and Semo are fully equipped for a formal breakout in 2025. — Ross Goldenberg Featured image: by.monti Featured image: NASA The post Dancing Astronaut’s Artists to Watch in 2025 appeared first on Dancing Astronaut.

Tomorrowland has been named one of Google's "Breakout Searches of the Year" in 2024. The storied Belgian festival, which celebrated its landmark 20th anniversary this year, remains a cultural phenomenon that transcends borders, annually uniting the global EDM fandom from over 150 unique countries. As Google's annual list spotlights cultural landmarks and emerging trends, Tomorrowland's presence best indicates why the brand continues to be synonymous with EDM's broader "magical" allure. Underscoring Tomorrowland's enduring relevance in the broader scope of pop culture, the festival appears in Google's "Year in Search" video recap alongside other viral standouts from 2024, like the beloved pygmy hippopotamus Moo Deng, the World Series Champion LA Dodgers and the hip-hop icon Kendrick Lamar. Tomorrowland’s 2024 theme, "Life," took attendees back to a prequel of its 2016 "Elixir of Life" storyline, inviting visitors to explore a lush, mythical universe rooted in connection. This year's festival once again spanned two jam-packed weekends in July and featured DJ sets by Swedish House Mafia, Anyma, Hardwell, Sara Landry and hundreds more as nearly 400,000 attendees hinged on every waking moment of the action. Watch Google's "Year in Search 2024" video below. Follow Tomorrowland:X: x.com/tomorrowland TikTok: tiktok.com/@tomorrowland Instagram: instagram.com/tomorrowland Facebook: facebook.com/tomorrowland

Netflix has released the trailer for Avicii – I’m Tim, an intimate documentary tracing the life and career of the late Tim Bergling. Directed by Henrik Burman, the film delves into Avicii's meteoric rise, offering viewers an unprecedented glimpse into his creative process and the whirlwind trajectory that followed the release of his 2011 breakout hit, "Levels." The trailer features his reflections on the moment his career skyrocketed, recounting how he went from playing small clubs to amphitheaters in a series of steps, each seemingly shorter than the last. The hits may have been prolific, but the story behind them was achingly human. Through never-before-seen footage and interviews with family, friends and collaborators, the heart-wrenching documentary illuminates the man behind the music, portraying not only his creative genius but also the personal cost of relentless touring and global stardom. Narrated in part by Bergling himself, Netflix is set to release the film in tandem with Avicii – My Last Show, which revisits the night he graced the stage of Ibiza's storied Ushuaïa club for what would be his final performance. Less than two years later, he tragically died by suicide. Both documentaries are scheduled to be released December 31st, 2024 on Netflix. Watch the trailer for Avicii – I’m Tim below.

On the latest episode of The Running Interview Show, Diplo joined Kate for a jog along the sunny Miami boardwalk during Art Basel. Between strides, Diplo shared fascinating insights into his life as a DJ, his love for running, and the origins of the Diplo Run Club. Here’s what we learned from this uniquely entertaining interview. From South Florida to Global Stages Diplo reminisced about his upbringing in South Florida, a region he credits for shaping his diverse perspective. Growing up in Broward County, a melting pot of cultures, he absorbed influences from Jewish, Haitian, and Jamaican communities. That cultural richness seeped into his music, giving him a signature sound that catapulted him to fame. Reflecting on his early days, Diplo recalled how he started DJing while working at a mall pizzeria, turning his passion into an international career. Running as a Reset Balancing over 300 shows a year can be chaotic, but running helps Diplo stay grounded. Whether it’s pounding out miles during a layover in Atlanta or exploring scenic routes in cities across the globe, he uses running to recharge and combat jet lag. The discipline he learned from his father—a Vietnam veteran—fuels his consistency. “No matter what, if you apply discipline, you’re going to succeed,” he shared. The Diplo Run Club: A Unique Fusion of Fitness and Fun The Diplo Run Club was born after Diplo ran the 2022 Miami Half Marathon and spontaneously ended up at a nightclub in his running gear. What started as a joke evolved into a movement, blending fitness and nightlife. With events in cities like San Francisco and Seattle, the Run Club brings together fans for morning runs followed by parties—a perfect mix of health and hedonism. Diplo’s journey—from hustling as a DJ in Daytona to running marathons on LSD (yes, you read that right)—showcases his adventurous spirit. Whether he’s producing chart-topping tracks or organizing community runs, Diplo proves he’s always up for a challenge. Check out the entire interview below, enjoy! The post Diplo Recalls Marathon On LSD On The Running Interview Show appeared first on EDMTunes.

Sherwøød, London’s rising multi-instrumentalist, artist, and producer, unveils his powerful debut single, “Pride”. A deep dive into the complexities of relationships, “Pride” combines raw emotion, striking production, and a sense of vulnerability that invites listeners into Sherwøød’s richly textured sonic world. “Pride” is a genre-defying track that showcases Sherwøød’s unique approach to music production. Fusing modern electronic elements with influences drawn from hip-hop, indie rock, and R&B, the song begins with a pulsating rhythm and driving percussion that set the stage for its hypnotic groove. “Pride” marks the first release from Sherwøød, the prequel to his forthcoming self-titled EP, a six-song project created in collaboration with renowned five-time gold record producer Joseph E-Shine. Each track weaves together immersive soundscapes and evocative narratives that resonate deeply. Sherwøød comments: At its core, Pride is a song representing duality; on the surface it speaks of a growing frustration and disenchantment with holding out for signals, answers and reciprocations that never come, while at the same time it is an internal monologue questioning the paths I take and the search for meaning and self worth.” Through his unique production style and poignant storytelling, Sherwøød is carving a space for himself in the music world, offering listeners a fresh perspective on emotional expression and musical innovation. To celebrate the upcoming release, he will be performing live at the Camden Assembly, 21 December 2024. ‘Pride’ will be available on all platforms from 21/12/24, promising to be a remarkable release for Sherwøød. Pre Save Link: https://distrokid.com/hyperfollow/sherwd/pride Find Out More & Follow Sherwøød | Instagram | Soundcloud | Facebook | Tiktok The post London’s Rising Star Sherwøød Makes Bold Statement with Debut Single “Pride” appeared first on Electric Mode.

The rapper stood trial at Oxford crown court on Monday, December 16 Continue reading...

His album, Pillars, came out this August and he’s now ready to bring his unique sound to the club scene. While you may know him as one half of the D&B duo The Outsiders, Sorza’s solo work takes a more experimental direction. In Pillars, he draws on Bulgarian folklore, revisits half-time rhythms, and finds inspiration from artists like Ivy Lab and Lorn. To fully experience this album, we recommend listening from start to finish rather than shuffling through the tracks. Sorza weaves together a cohesive ten-track journey, complete with build-ups, perfectly timed breaks, and a satisfying resolution; the perfect ingredients for an album. Following Pillars’ release, Sorza expanded his sound with a special release featuring an orchestral version of his track ‘Visions of what could be,’ adding a new layer of depth and emotion to his already evocative sound, as well as a full Audiovisual set which premiered earlier this month. Congratulations on your album, ‘Pillars’. How did you start? The Pillars project began in March 2023, with around 30 demos submitted. It was interesting because, after looking at all the tracks, I realised they could be grouped into distinct categories or “pillars”. That’s where the album title came from. With this release, I wanted to showcase these different facets of myself. The title also ties in perfectly with the artwork, where each isolated piece represents a pillar, symbolising the various sides of my sound. The first single, ‘Does it hurt me,’ and the B-side, ‘Sonyo’ (the first pillar), reflect my deep interest in non-Western music cultures. For ‘Does it hurt me’ I even created my own microtonal scale and incorporated the çifteli, a beautiful Albanian instrument that I’m currently learning to play. The B-side, ‘Sonyo,’ is a reimagining of a track previously released by the Bulgarian electronic band, The Science, and draws inspiration from a Bulgarian folklore poem. The second pillar explores the current bass music scene. With ‘Never,’ I wanted to create something that aligns with the modern production aesthetic and style that’s trending right now. On the other hand, tracks like ‘Take me’ and ‘Hiding in the sea’ are a nod to my roots and what initially inspired me as an artist. Which I think is the third pillar. ‘Take me’ is a bit of a throwback to older styles and was originally titled ‘Take me back to 17’. This refers to the year I really dove into bass music, discovered halftime, and got hooked on tracks from labels like Division, formerly run by Noisia. I was also 17 at that time. In total, there are three main pillars in the project, though some tracks blend elements from different pillars to create something new and hybrid. You just released your AV set for Pillars. Can you tell us a bit more about that? Alongside my work as Sorza, I also have an audiovisual collaboration called Arsyn with one of my friends, Aidan Mulcahy. Together, we’ve developed a series of visualisers specifically designed for the tracks that are featured in the AV set, which adds an exciting and immersive dimension to the project. The AV set showcases all of my music, including unreleased bootlegs, remixes, and tracks that haven’t been released yet. I think it’s a great way to wrap up the Pillars project. The set premiered last week and if you’re a fan of Pillars (and even if you’re not) then I definitely recommend you check it out on the Vision and Sorza YouTube channels. Why did you choose VISION as a label? Choosing VISION as the label for this project came as a very natural decision. I’ve known the Noisia team since 2016-2017 through my work with The Outsiders, and we had already collaborated with VISION. So, when the time came to release my solo project as Sorza, it made perfect sense to continue that partnership. Now that I have a clear vision for my solo sound, it feels right to share this new direction with a label I trust and have a history with. With Pillars, I want to introduce something fresh to the scene, and I believe VISION is the ideal place for this kind of music. It’s also the label that first inspired me when I entered the scene at 17, so releasing this with them feels like a full-circle moment. This album went through a lengthy and intense A&R process, and I’m thrilled with the final outcome; I believe we’ve crafted something beautiful. For now, though, I’m eager to translate the music I make into a club setting. On another front, I’m also working on a significant album that will focus entirely on the listener’s experience. You talked about how you’re also a part of The Outsiders. How does Sorza differ from that project? As a drum & bass artist, I’ve found that most people aren’t particularly interested when you experiment with different genres. A significant portion of what I create as Sorza focuses on half-time tempos, but I don’t limit myself to just one genre. I explore various BPMs, styles, and production aesthetics—something I felt I couldn’t fully embrace within drum & bass. Now I feel free to step outside those limitations. I want to develop this project in a way that allows me to produce tracks more freely, without being confined to a single formula or worrying about whether the audience will be receptive. That sense of artistic freedom is something I’m eager to cultivate. The Outsiders for drum & bass, Sorza for all the rest, then? Most likely, yes. I created a drum & bass flip of my ‘Creating an Oasis’ remix, which I only released on SoundCloud. However, it doesn’t make much sense for me to pursue drum & bass as Sorza. I want to keep my projects as separate entities. I started this one with a specific vision, and returning to drum & bass now would feel a bit odd, though I’m not ruling it out completely. I would love to do a Sorza drum & bass set because it would be very different from what I do as The Outsiders. You want to create more club music. Where did that feeling start? It feels like we’re experiencing a revival of club music right now in both the mainstream and the underground scenes. For example, Beyoncé’s album RENAISSANCE and, of course, Brat, from Charli XCX — club music is becoming increasingly popular. In the bass scene, I’ve noticed acts with such a music background pushing this style in ways that intrigue me. That’s why I want to explore this side of bass music further. I want to create more dynamic sets that transition between club music and half-time, allowing for better build-ups. When you play at the right clubs, the audience really gets what you’re trying to do, and those are the places where I want to perform and that’s the kind of music I want to make. Although The Outsiders released a half-time track, that trend was only a brief hype in the drum & bass scene back in 2017. We produced two half-time tunes for our 2222 EP, but quickly realised that people primarily see The Outsiders as a drum & bass duo. That’s when we decided to reserve our more multi-genre tracks for our solo projects. Where do you get your inspiration? I draw inspiration from artists like Ivy Lab, Nikki Nair, Thys, COIDO. Ivy Lab, especially, their label made a significant shift in their direction. Initially, they focused on half-time, but recently they’re leaning more towards club music. I find this transition both intriguing and inspiring. They are now in a position where they can experiment freely with their sound, which is something I aspire to achieve. The older half-time Ivy Lab-style influences several tracks on the Pillars album. I feel that sound is often overlooked today, which is a shame. A lot of the music I create has its roots in halftime beats and electronic hip-hop. Recently, I started a live collaborative performance with Dutch rapper Keenan Mundane. I essentially bootleg his instrumentals and mix the tracks while he raps. Keenan has a raw, primal energy when he performs, and in our live shows, I really feel that connection to the hip-hop genre that influences much of the other music I produce. ‘Does it hurt me’ and ‘Take me’ are two examples that incorporate this older style, yet they have been modernised with the production techniques and aesthetics. Ultimately, I don’t want to rely solely on older sounds. With larger projects, I can showcase all the aspects of my musical vision, which is a crucial part of how I want people to perceive Sorza. You really want people to see all sides of you, that’s beautiful! What other motivations did you have while making this album? I have a bit of an obsession with storytelling, and I love weaving narratives into my music, especially for larger projects like this. I frequently listen to albums because I appreciate how one song can build on the next. It was a key goal for me with Pillars to avoid making it feel like a mere compilation. This project took over a year to develop, and I aimed to create a clear, melodic opening that transitions into more eclectic sounds, culminating in a climax followed by an aftermath. The entire album revolves around this concept. Initially, there wasn’t an interlude between ‘Sonyo’ and ‘Never,’ but the transition felt too abrupt, so I composed an additional track, ‘At will,’ as an interlude to smooth it out. I put a lot of thought into the progression of Pillars. Ideally, I want listeners to experience it from start to finish without shuffling the tracks, as that allows them to appreciate the story as I intended. Having 10 songs was essential for crafting this narrative. I find that with a shorter project, it’s much more challenging to create a full-circle moment. However, I also recognise the value of smaller releases; I’m not someone who likes to hold onto a project for an entire year. Overall, I’m really pleased with how this project turned out, and I’m glad it aligns with VISION’s … well, vision (ha). Where does your interest in storytelling come from? I consider myself more of a composer than just a producer. For me, composition is all about progression and the direction a piece takes. When I write songs, I strive to create unique experiences each time. While some tracks may have similar first and second drops, I believe there should always be a significant difference between them. It’s essential for each moment to feel distinct and to take the listener on a journey. You can create a sense of progression within a single song, but I like to extend that narrative across an entire project, making the overall journey feel even more expansive. While some listeners might return to an album for one or two standout tracks, I aim for my audience to appreciate the album as a cohesive experience, drawn in by the flow and evolution of the music throughout. Any last thoughts? I want to thank everyone who supported and guided me through this entire process. The A&R journey was quite lengthy, and I learned so much from the whole process Big up to Jaap & Nik! I want to thank Aidan Mulcahy for creating all the visual content for the album and Matvey Murashko for capturing the images that brought those visuals to life. Additionally, I’m grateful to Jozef van der Veen, Jukaa—the other half from The Outsiders—who provided invaluable support behind the scenes and motivated me to put forth my best efforts for this project, as well as to my partner Sarah Smit, who helped me out with a bit of everything. I’ve received an enormous amount of help from various people, and I truly appreciate every single one of them.

VE/RA is an emerging talent from the Netherlands. She’s captivating audiences on the dance floor with her electrifying tracks like ‘Mind & Brain,’ ‘Love & Peace,’ and ‘Timeless’. In a remarkably short time, she has delivered unforgettable performances at prestigious events such as Tomorrowland, EDC Mexico, Free Your Mind, Bootshaus, Thuishaven, and WiSH Outdoor. She has shared the stage with acclaimed artists like Reinier Zonneveld, Nina Kraviz, Alignment, I Hate Models, 999999999, and T78. VE/RA has established herself as a force to be reckoned with in the electronic music scene. We’re thrilled to sit down with VE/RA to discuss her highly anticipated new release on Drumcode, ‘Can’t Get Enough’, and to explore her inspiring musical journey thus far. Listen to her new single and let us know what you think. Can you give us an introduction on how you got into dance music? Did you know from the start you were going to use your own name / did you toy with using an alias of sorts? The music industry has always been a source of inspiration for me. After graduating from my studies in Food Technology, the Covid pandemic hit. During this period, I had the time to invest in playing and producing music. To get myself into the market during this time, I performed at house parties and hosted livestreams. I experimented with various genres, including tech house (Vera Vera) and hard techno (Technovlinder), but my passion for techno stood out the most. From that moment on, playing and producing techno as VE/RA became my primary focus. Congratulations on your debut on Drumcode, ‘Can’t Get Enough’. Tell us more about your creative journey on this new single. Having my first release on Drumcode felt like a dream come true. With my track ‘Can’t Get Enough’, I aimed to define my sound and incorporate everything I love into one track. I combined a catchy vocal with trance-inspired melodies, acid elements, and powerful drums. Interestingly, I produced this track very quickly, everything fell perfectly into place. You have had a great career so far, and big successes since your 2023 release ‘Love & Peace’. How does this latest single work towards your signature sound? With ‘Love & Peace’ I believe we created something unique by blending a rap vocal with a techno foundation. I always try to stand out in my productions by experimenting with combinations of catchy vocals, trancey melodies, hard kicks, rolling basslines, and acid elements. At the same time, I aim to maintain my identity as a techno artist, which can be challenging but is also incredibly exciting! Who are artists on your radar that you’d like to collaborate with? Too many to mention, haha! But to mention some: Charlotte de Witte, Amelie Lens, Reinier Zonneveld, Adam Beyer, Space 92, Eli Brown, HI-LO, Kiki Solvej and Joyhauser. I know you have a new single ‘Fusion’ set to be released on Filth On Acid, tell us about it and what else can we expect in 2025? I’m super happy to be back on the Filth On Acid compilation, especially after contributing my track ‘Timeless’ last year. With ‘Fusion’, I aimed to create a high-energy techno track that combines acid drops with a dreamy break and tension-filled textures. I believe this track offers a truly unique listening experience. I hope listeners can feel its energy, particularly in the atmosphere of a dark techno club. Looking ahead to 2025, I already have a lot of new music lined up on incredible labels! Some major festivals are also on the horizon, but I can’t reveal anything just yet. Stay tuned on my socials to keep up to date! VE/RA will be ending the year in Rotterdam at the Grotesque Indoor Festival on the 28th of December. Keep up with her 2025 tour dates and more here. We had a great time chatting with VE/RA, stay tuned to EDMTunes as we wrap up the year with all our exciting Year In Tunes features. The post EDMTunes Exclusive With VE/RA About Her Musical Journey So Far appeared first on EDMTunes.

As Defected Records continues its 25th-anniversary celebrations in 2024, the iconic label is releasing a first-of-its-kind coffee table book and a limited edition vinyl boxset. 25 Years of Defected The coffee table book, priced at £50 RRP, delves deep into the label’s rich history, covering everything from its humble beginnings to its global dominance. With stunning visuals, including archival photography, event flyers, and release artwork, the book offers a comprehensive look at the label’s impact on the house music scene. Renowned visual artist and designer Trevor Jackson, who led the label’s 25th-anniversary rebrand, has curated the cover and creative direction. The 320+ page, 12″ x 12″ hardback, manufactured and printed in Italy, is a true collector’s item, limited to just 1500 copies. To further commemorate its 25th anniversary, Defected has released a limited edition vinyl boxset of the Together series. This series, which has been a cornerstone of the label’s celebrations, features a collection of collaborative releases and remixes from both legendary and emerging artists. The boxset includes thirteen double-sided 12″ singles, individually sleeved and housed in a sleek, silver outer case. This is a must-have for any vinyl enthusiast and a perfect addition to any music collection. Written by former Mixmag editor Nick Gordon Brown, who explains: “We let the interviewee’s words take center stage – an oral history if you will, the commentary is kept to a minimum, used primarily to set up the storytelling,” the book interviews Defected staff members past and present. Staff, DJs, artists, and members of the Defected community also give first-hand accounts of the ups and downs of the last quarter of a century of the label. Here is what Defected CEO Wez Saunders had to say about the concept: “The concept behind Together was to celebrate unity and collective creativity. In a time where the music industry often feels fragmented, we wanted to create a platform that brings artists, producers, and fans together—celebrating the past 25 years of Defected with the next 25 years. Together is about collaboration, breaking down barriers, and fostering a sense of shared purpose and passion. It’s a commitment to inclusivity and diversity, championing a wide range of voices and styles within the house music genre.” DEFECTED: 25 YEARS IN THE HOUSE and The Together Boxset is currently shipping via the DStore official website. Tracklist can be found below: Together Boxset tracklist A. Dennis Ferrer ‘Hey Hey’ (Da Capo & Kitty Amor Remix) B. Hannah Wants x Sam Divine x Jem Cooke ‘Cruel Intentions’ C. Fish Go Deep & Tracey K ‘The Cure & The Cause’ (Idris Elba Remix) D. Todd Edwards x Shermanology x Rudimental ‘Rain’ E. Cristoph x Sandy Rivera feat. Hayze ‘Changes’ F. Low Steppa & Crusy ‘Bullerengue’ G. Kings Of Tomorrow feat. Julie McKnight ‘Finally’ (Mochakk, Jay Mariani Cesar Nardini Remix) H. Zach Witness ‘Can’t Get It Outta My Head’ (MK Remix) I. Soulsearcher ‘Can’t Get Enough!’ (Prunk Remix) J. YOURS ‘DÓNDE ESTÁ’ (Masters At Work Rowdy Remix) K. DJ Gregory ‘Elle’ (Henrik Schwarz Remix) – vinyl exclusive L. MEDUZA X Ferreck Dawn X Clementine Douglas ‘I Got Nothing’ (Ferreck Dawn Mix) M. Intruder (A Murk Production) feat. Jei ‘Amame’ (Dunmore Brothers Remix) N. Hot Since 82 feat. Ron Carroll ‘Preach’ O. Jack Back & THEMBA (SA) ‘Give Me Something To Hold’ P. Johnny Corporate ‘Sunday Shoutin’’ (TSHA Remix) Q. Dennis Ferrer feat. Janelle Kroll ‘Mind Ur Step’ (Sam Divine Remix) R. David Penn x Vintage Culture x Raphaella ‘Just Stay The Night’ – vinyl exclusive S. Candi Staton ‘Hallelujah Anyway’ (Larse EVIP) T. Darius Syrossian & Olive F feat. Fountain Sound ‘Cereal Groover’ U. Kings Of Tomorrow feat. April Morgan ‘Fall For You’ (Hot Since 82 Remix) V. FCL ‘It’s You’ (Alex Wann Remix) W. Riva Starr X Hilit Kolet feat. NEZ ‘Twerq It’ X. Kid Fonque X Sio ‘Rekindled’ Y. Sandy Rivera ‘I Can’t Stop’ (Joseph Capriati Groove Mix) Z. Defected XXV – Etched vinyl The post Defected Celebrates 25 Years with Special Edition Collector’s Book and Limited Edition Vinyl appeared first on EDMTunes.

It’s been an exciting 2024 for Dublin-based producer, writer, and singer Jack Casey, better known by his moniker EMBRZ. He is a rising star who has captured the attention of both fans and critics with his ability to create music that feels both cinematic and deeply personal. As he continues to evolve and push the boundaries of electronic music, EMBRZ is quickly becoming an artist you won’t want to miss. With a growing fanbase, impressive releases, and a sound that transcends genres, he is redefining what it means to be an electronic artist this year. EMBRZ is an artist you would want to check out in 2025. 2024 New Music Amid the excitement of vibrant parties, Jack continues to delight audiences with his stunning singles, ‘Arrow’, ‘Calling’ and ‘Gather Together’. ‘Gather Together’ ‘Gather Together’ released in May 2024, is a remarkable addition to EMBRZ’s discography. As the first single of the year under the acclaimed label This Never Happened, it takes a refreshing and introspective approach that sets it apart from his earlier works. EMBRZ skillfully combines his signature melodic house elements with profound emotional layers. He crafts a soundscape that is both meditative and uplifting. This track beautifully captures themes of unity and reflection, favouring simplicity and subtle transitions over grandiose buildups—reflecting his artistic evolution and innovative spirit. ‘Calling’ Midst of this summer, Jack joined forces with Forester for their first joint release, ‘Calling’. This collaboration merges EMBRZ’s signature ambient and dreamy soundscapes with Forester’s organic production style, creating a harmonious blend that feels both expansive and intimate. Heather Janssen’s evocative vocals add an extra layer of emotional depth, making the song deeply relatable. With themes of connection and introspection conveyed through warm synths and soothing rhythms, ‘Calling’ has struck a chord with listeners, solidifying its position as a standout track in the melodic house genre this year. ‘Arrow’ His latest release on Halloween, ‘Arrow,’ showcases a remarkable emotional depth. Collaborating with Bailey for the second time—after their successful track ‘All The Lights’ two years ago. Jack has crafted a song that envelops listeners in a rich, ambient atmosphere, complete with sweeping synths and intricate beats. This track beautifully captures a sense of yearning and movement, aligning with the powerful metaphor of an arrow. The partnership with Bailey elevates the exploration of emotion and sound, merging Bailey’s layered textures with EMBRZ’s enchanting melodic hooks, culminating in a piece that is both sonically rich and profoundly engaging. A Massive North American Tour And A Groundbreaking Day Party Series 2024 has been a transformative year for EMBRZ fans, filled with unforgettable experiences. The journey began with a spectacular celebration at Proper NYE. Followed by his highly anticipated In Our Own Way Tour, which spanned across North America. From the frigid vibes of Montreal’s IglooFest to the electrifying atmosphere of Seattle’s renowned Q Nightclub. Continuing at the breathtaking Red Rocks, EMBRZ has consistently demonstrated his prowess as a leading force in electronic music. In March, Jack concluded his album tour. Next up he set the stage for his next venture: the Day Party Series. In a world where club performances often start at 1 a.m., he innovatively transformed these into vibrant sunset affairs. This groundbreaking approach has captivated fans and earned widespread acclaim for blending immersive live performances with dynamic community interaction during the summer months. Jack has taken this unique concept across North America. Hosting unforgettable events at distinctive locations, from a Hudson River boat party to the rooftop of Sacramento’s Darling Aviary, and the Kabana Rooftop in Richmond, VA. With limited capacity at each venue, fans enjoyed an intimate atmosphere. This allowed them to connect deeply with EMBRZ’s emotive soundscapes. Most shows were a sell-out, signalling the exciting potential for this series to grow and thrive within the TNH community. What to expect in 2025 from EMBRZ? EMBRZ is not just a musician; he is crafting unforgettable experiences that fans will hold dear long after the music ends. As he concludes 2024, he has electrified audiences alongside Elderbrook at various shows across Europe. In 2025, Australia will have the unique opportunity to experience the “This Never Happened” shows with EMBRZ and Massane. EMRBZ will then head to India with Rinzen for the This Never Happened series in India, in 3 different cities. Get your tickets here. Don’t miss out on Jack’s incredible journey—he’s an artist you won’t want to overlook in 2025! Stay tuned to EDMTunes for all your latest dance music updates. The post EMBRZ – The Breakout Electronic Artist You Need to Know in 2025 appeared first on EDMTunes.

Today, we present this exclusive interview in which we catch up with Freekbass, an artist whose name is becoming synonymous with groove-heavy basslines and his unique fusion of Funk and Electronic Music. Known for his ability to balance classic influences with modern experimentation, Freekbass shares insights into his creative process, his live performance philosophy, and what drives his signature sound. From crafting danceable rhythms to staying connected with audiences, Freekbass gives us an insider’s look at how he keeps to his signature approach all while continuing to find fresh ways to express his creativity. When laying down a bassline, do you prefer funky slaps or smooth fingerstyle grooves? For me, the song always dictates the technique, not the other way around. If I’m going for deep & heavy pocket grooves, I might thump & pluck the line, or if it’s something tight and syncopated, I might use the finger technique. Do you feel more at home experimenting in the studio or performing live on stage? Performing and entertaining live are in my DNA. I love studio deep dives too, but I love creating and performing music with a community, ultimately. When it comes to inspiration, are you more influenced by classic funk legends or modern bass innovators? I tend to lean towards the classic players because they always seemed to play for the song, no matter the complexity or simplicity of a bassline. I think studying and embracing the legends, is what has helped me develop my own style, while also remaining embedded in those same roots. Do you prioritize crafting a danceable groove or creating a complex, experimental bassline when working on a new track? Not to sound redundant, but it all goes to what the song needs. I always want to make you move with a bassline, whether it be physically or emotionally, but that song will give the instructions about how to accomplish that. The song has always been number 1 versus spotlighting a technique. In terms of collaboration, would you rather jam with another bassist or a drummer who can match your rhythm? I consider myself a drummer who plays notes, so a drummer collab is always best in my zone. If you had to choose, would you prefer your bass tone to be clean and precise or gritty and distorted? How about heavy and flanged? On stage, do you lean towards engaging with the audience through high-energy movement or focusing on locking in a tight groove? The audience and community are always my musical GPS. You often find some of the most epic performances recorded, live, and I think there is another source a player taps into when they are connected with their audience. I do sometimes get lost in a groove, but I want them to get lost with me. Do you gravitate towards live instruments in your tracks or rely more on electronic production to enhance your sound? My natural go-to is more live instruments because that’s where I started. But electronic production is where my heart seems to be connected the most. It’s like building your house with way more blocks. When faced with a creative block, do you prefer jamming it out on your bass until inspiration strikes, or stepping away completely to recharge and refocus? Just keep playing and writing. Sometimes I will feel stuck, but music always delivers and sometimes takes you in another direction. It’s always out there waiting for you to connect with it. When writing, do you start with the rhythm section to lock in the groove or focus on melody and harmony first? I think because I’m tracking live instruments, I tend to think beat & grove first, but I do still try to make sure those grooves have a strong melody. Just like a singing melody will have a hook that gets stuck in your head, I try to make the groove have the same melodic connection. Throughout our conversation, Freekbass has shown dedication towards his craft; whether through live instruments or electronic production, he ensures his artistry remains dynamic and fresh, aiming to bring unique sounds to his listeners in both his studio work and performances. As he continues to evolve, Freekbass surely remains a name worth watching within the Electronic Music space: keeping up with his journey by following him across social media and staying up-to-date with his latest news, projects, and performances. Freekbass Online Spotify | Website | Instagram

MITCH DB presents his latest track via Soave Records, offering a Hypertechno cover of ‘Lovefool,’ together with Producer/DJ Poylow and vocalist Raïko. As each Artist brings their own unique approach to the table, this latest release comes as a refreshing yet captivating production, highlighting the collaborative synergy between MITCH DB and his collaborators. Based in Amsterdam, MITCH DB has rapidly gained momentum on the Electronic Music scene, gathering career milestones whilst continuing to develop and refine his signature style. With notable highlights that include amassing over 70 million streams across platforms to date, with now over 1 million monthly listeners on Spotify, to taking to the decks worldwide at renowned spots in countries like Spain, Sweden, Germany, and Thailand, his trajectory has placed him firmly on the scene as a talent be keeping close watch of. Combining forces with Poylow, a Producer and DJ whose promise and potential appear just as high as MITCH DB himself, having had streaming success with tracks like ‘Hate You’ and ‘Friday,’ the pair blend their creative visions into a cohesive sound for ‘Lovefool,’ each leaning on the experience and skill set they have cultivated during their musical journeys. With Raïko complementing their abilities and sound with her own collaborative expertise, having already linked up with the likes of Darius & Finlay, Deep Chills, and Marcus Layton, this latest single emerges as an amalgamation of talent all while putting forward a bold sound surely primed to captivate listeners. With vibrant energy, the thumping beat and gritty bassline of ‘Lovefool’ act as the anchor of the track, driving it forward as lively leads layer in, weaving amongst the crisp vocal line and bouncy low-end. As the arrangement balances tension and release, the track moves through evolving verses where punchy beats, shuffled percussion, and dynamic details lead the way, guiding back into full-bodied choruses punctuated by stuttering synths. Keeping the party-starter vibes high throughout, building through breakdowns and powerful drops, ‘Lovefool’ develops into an engaging and stimulating sonic experience, one sure to make an impact on the dancefloor and beyond. A distinct addition to the discographies of MITCH DB, Poylow and Raïko, their cover of ‘Lovefool’ delivers a fresh, modern twist that is set to resonate with a wide range of listeners, making it onto the playlists of genre lovers worldwide with its dynamic sound. Dive into the soundscape of ‘Lovefool’, out now via Soave Records and available to stream and download across platforms, and make sure to keep up with MITCH DB, Poylow and Raïko by following each of them via social media. Listen and Buy ‘Lovefool’ Here: https://www.beatport.com/release/lovefool/4837865 MITCH DB Online   Spotify | Instagram | Website  Poylow Online   Spotify | Instagram Raïko Online   Spotify | Instagram Soave Records Online   Website | Instagram

Over the past number of years, Swedish DJ and producer Pierro has continued to show us time and time again that when he appears in our new music feed we are in for something special. Whether it’s an elegant progressive house track, a pulsating techno banger, or a rhythmic melodic tune, there’s no surprise that Pierro has been receiving support from the likes of Tiësto and Above & Beyond on his music. Now as he closes 2024, he offers up his final release of the year in the form of ‘Heartbeat’. Building on the success of his previous melodic techno single, ‘Cubicon’, released last year, ‘Heartbeat’ is a wonderful fusion of melodic techno’s emotional depth, progressive house’s uplifting energy, and the nostalgic tones of trance. It’s a sonic journey crafted to captivate listeners both on and off the dancefloor. At the heart of the track is a mesmerizing male vocal, infusing a soulful and haunting quality that perfectly complements the dynamic interplay of warm textures, gritty synths, and trance-inspired plucks. The layered vocals amplify the emotional resonance, pulling listeners deeper into the track’s pulsating energy. “Heartbeat is a track I poured my soul into. The vocals bring an extra layer of emotion and storytelling, adding depth to the soundscape. It’s meant to take listeners on a journey—both energetic and introspective. I can’t wait to see how people connect with it,” Pierro says. Listen to this single below and grab your copy here.

In an industry where Latin music and EDM often intersect as passing acquaintances, Vikina has turned them into inseparable dance partners. Fresh off the release of her genre-defying album ¿QUESTIONS?, the Miami-born artist is ushering in an era where Latin influence isn't a feature—it's the foundation. The album is a daring sonic experiment, threading emotional vulnerability through club-ready production and turning existential dilemmas into irresistible anthems. Tracks like "Candela" blend sultry Spanish vocals with thumping house basslines, while "Descontrol" merges moody soundscapes with unmistakable dembow rhythms. The result is an introspective yet electrifying fusion that speaks to two worlds at once. Released under Pitbull's venerable Mr. 305 Records banner, ¿QUESTIONS? also features the Latin-Grammy nominated "BAMBOLE," Vikina's recent collaboration with the renowned electronic music producer Deorro. The Latin Grammy nod is a testament to the growing impact of Vikina's sound, which resonates on sweaty dancefloors and global playlists alike. And as EDM evolves beyond its festival roots and Latin music continues its global ascent, she's proving that these worlds don’t just coexist—they thrive together. We caught up with Vikina to discuss her efforts to redefine Latin dance music. View the original article to see embedded media. EDM.com: What do you think is driving the current global appetite for Latin-infused dance music? Vikina: I think the world is finally catching on to what we’ve known forever: Latin music is alive. It’s vibrant, emotional and full of passion. There’s an energy to it—the rhythm, the stories, the way it makes you feel—that really connects people to their culture and lets them share it through music. When you blend those sounds with dance music, I’m able to show how dynamic and exciting the genre can be. It’s about pushing boundaries and creating something that feels fresh but still honors where it came from. EDM.com: How has your upbringing in Miami influenced your fusion of traditional Latin sounds with contemporary electronic beats? Are there specific cultural elements you want to highlight? Vikina: Growing up in Miami meant being surrounded by this incredible melting pot of Latin culture. With my Ecuadorian mom and Cuban dad, I was constantly exposed to a mix of sounds from every genre you can think of. Gloria Estefan was a huge inspiration for me—she showed that Latin music could have a massive impact in the United States. I want my music to capture that same energy and diversity, to reflect the city that raised me. EDM.com: Can you walk us through your creative process when working with Deorro on your Latin Grammy-nominated song "BAMBOLE?" Vikina: I had been wanting to collaborate with Deorro for a long time and sent him a bunch of ideas before, but this one finally caught his attention. I started the idea with some local producers in Miami, using a "75 Brazil" sample we knew would be tough to clear. I knew Deorro would take it somewhere bold and electric. I had a feeling he’d do something amazing with it, but what he created completely took me by surprise—in the best way possible. I wanted the vocals to feel like they were calling you straight to the dancefloor and we layered that with one of those iconic Deorro-style drops he crafts so well. It all came together so naturally. Deorro truly deserves the recognition he gets. He’s paved the way for Latinos in EDM, and collaborating with him was such an honor. Knowing it earned me my first Latin Grammy nomination makes it even more special. EDM.com: What’s your ultimate mission as an artist? Vikina: My mission is to continue the legacy of the Miami artists who paved the way before me and blend cultures in that special way only we know how. I want to create a soundtrack for freedom—for dancing, crying, wanting, celebrating and living fully in the moment. Beyond the awards (which, let’s be real, are incredible), I want to inspire people, especially women, to take up space, own their roots, be fearless and break boundaries. I hope my journey encourages the next generation to write their own rules, whether that’s in music, life, or even politics. Because the magic—and the truth—is always somewhere in the middle. EDM.com: How do you push the boundaries of physicality and sensuality in Latin dance music to tell diverse stories? Vikina: Sensuality is part of who we are as Latinas, but it's not our whole story. Early in my career, I wrote a lot about yearning and wanting someone who probably wasn't 100% into me. Those were fun and cathartic in a sense, sort of a sexual love letter—with class of course. However, in Spanish there tends to be a much more poetic way of describing certain things. These days, I’m more focused on telling meaningful stories through dance music. One track might be about dancing through heartbreak, and the next is about owning your power. My goal is to bring depth to the dancefloor—whether you're vibing to the beat or really listening to the lyrics, there’s always something there to connect with and to feel. EDM.com: What challenges have you faced as a woman reshaping the male-dominated Latin dance music narrative, and what progress do you see? Vikina: Oh, honey, the challenges are real but I've never been afraid of a challenge. People often underestimate us or think we're just the “pretty face” on the track—but little do they know I'm actually the songwriter, recording engineer and vocal producer of most of my tracks too. I’ve learned to let my skills speak louder than any stereotype and to get comfortable with my role as a leader in these rooms. Strong communication skills and being well-educated in your business and craft earn you real respect even if looks got you in the door. So I say, "Use it!" I’m seeing more women stepping into producer roles, headlining festivals and just owning their space. It feels like we’re not just breaking the mold—we’re shattering it. Vikina.c/o Mr. 305 Records EDM.com: What do you see as the next evolution in Latin dance music? Vikina: The future is all about blending genres even more. I feel like we’ve really ridden the tech house and Afro house wave hard this past year. With all these "Latin sample packs" out there, it feels like anyone can make Latin EDM now. I’d love to see things evolve—maybe more Latin techno or mainstream progressive Latin EDM. For example, Deorro is fusing Mexican music in a really cool way. Imagine a bachata guitar with futuristic synths or traditional Andean flutes on a drum & bass beat. The sound needs to evolve, and it’s time to make it happen EDM.com: What has been the most surprising lesson you’ve learned about yourself in these fast-moving genres? Vikina: That I’m way stronger than I thought. It’s a tough industry, but every challenge has taught me resilience. I’ve learned to trust my instincts and embrace my uniqueness—because what’s the point of following the crowd when you were born to lead the dance? EDM.com: What do you want your music to communicate to listeners unfamiliar with Latin culture or dance music? Vikina: I want them to be moved, whether it’s through the lyrics or the sazon of the music. It’s more than just sound—it’s about the emotions, the history and the community behind it. Dance music is all about release. Even if you don’t speak Spanish, I hope my music makes you feel something. That's why I write in Spanglish sometimes because I want there to be something for everyone to hold onto. Music is the universal language, and I’m here to make sure EDM en español becomes a part of everyone’s playlist. Follow Vikina:X: x.com/vikinamusic Instagram: instagram.com/vikinamusic TikTok: tiktok.com/@vikinamusic Facebook: facebook.com/vikinamusic Spotify: tinyurl.com/5absh84v

Each year, Google captures the essence of the past twelve months in its iconic Year in Search video, and 2024 is no exception. The latest installment spotlights the searches that shaped our lives, from unforgettable performances to groundbreaking achievements. Among these highlights, Tomorrowland — the legendary electronic music festival — makes a stunning appearance, underscoring its massive cultural impact. Tomorrowland: A Beacon of Unity and Music The Year in Search video features a brief yet powerful nod to Tomorrowland, with its reputation as the pinnacle of electronic music festivals shining brightly. Google’s narration includes a moment referencing the “biggest crowd in festival history,” a testament to Tomorrowland’s unmatched ability to unite people across cultures through music. This recognition cements Tomorrowland as more than just a festival — it’s a global phenomenon that defines a generation’s search for connection, escapism, and joy. A Year of Breakthroughs and Iconic Moments Google’s video blends Tomorrowland’s epic gathering with other standout cultural moments, from Kendrick Lamar’s much-anticipated album drop to the rise of athletes like Shohei Ohtani and Caitlin Clark. The montage reflects the spirit of resilience and creativity that defined 2024. Whether it’s Céline Dion’s triumphant return to music or history-making breakthroughs in technology and sports, the video encapsulates a world that persevered and thrived despite challenges. Hope and Inspiration Through Shared Moments The final sentiment of the video — “The world needed these emotions so much” — encapsulates why moments like Tomorrowland resonate globally. In a year marked by uncertainty and triumph, these shared experiences of music, culture, and community became sources of hope and inspiration. Tomorrowland’s inclusion in Google’s highlight reel is a reminder of music’s unifying power and its ability to bring people together, no matter the distance. For more on Google’s ‘Year In Search 2024’ check out their official website, here. Check out the full video below. The post Google’s Year in Search Video Features Tomorrowland appeared first on EDMTunes.

Feed Me is celebrating over a decade and a half of sonic innovation with a bold reimagining of his iconic track, ‘One Click Headshot.‘ Released in 2012, the original track has amassed over 35 million streams on Spotify, solidifying its status as a fan favorite. To commemorate this milestone, Feed Me has curated a dynamic 10-track remix collection that showcases the diverse and ever-evolving landscape of bass music. The remix package features a star-studded lineup of boundary-pushing producers, each bringing their unique perspective to the original track. Drum and bass titans like Grafix and NVADRZ & ALIAS deliver high-octane, breakneck remixes, while Lost in Orbit and AlienPark explore the darker, more experimental side of bass music. For fans of dubstep, Flozone and Arya x Alexis B offer gritty, bass-heavy interpretations, while Eater and Shadient delve into the more atmospheric and psychedelic realms of electronic music. EDDIE and JACKNIFE round out the collection with their signature styles, providing a perfect balance of technical prowess and dancefloor energy. I’ve brought together a group of insanely talented producers I truly admire to reimagine One Click Headshot on Sotto Voce. This track has a lot of history for me—I still remember the crazy two-day, no-sleep session when I first created it! Hearing it now through the lens of so many brilliant minds has been such a cool experience. Each rework brings something totally fresh and unique, and I couldn’t be more proud of the result. I can’t wait for you to hear these new versions and experience the journey all over again with me! – Feed Me The post Feed Me Reimagines ‘One Click Headshot’ with 10 Track Remix Collection appeared first on EDMTunes.

As the end of the year comes, Tomorrowland’s One World Radio is ready to kick off The Magical 500 – 2024 Wrapped. Counting down the list with the biggest musical highlights of the past year, Tomorrowland’s official radio station has counted the votes from People of Tomorrow around the world, who had the chance to express their love for their favorite track of 2024. Tune in to The Magical 500 – 2024 Wrapped as of today (December 16), counting down 100 tracks per day from Monday through Friday between 12:00 and 18:00 CET – good for 6 hours of the finest tracks a day – with the grand finale and the announcement of the ultimate number 1 on Friday December 20. Obviously, you can expect a high-energy and surprising musical journey with the biggest songs of the year, voted for by fans across the globe and curated by the festival’s radio station. Last year ‘Miracle’ by Calvin Harris and Ellie Goulding was voted as the number one track of 2023 by the People of Tomorrow, followed by Peggy Gou’s catchy anthem ‘(It Goes Like) Nanana’ at number two, while Tiësto and Tate McRae claimed the third spot with their dance hit ’10:35’. This year has no shortage of hits either, so it will be very interesting to see where your favourite songs falls. Tune in to The Magical 500 – 2024 Wrapped from Monday December 16 through Friday December 20 on One World Radio via tomorrowland.com and the Tomorrowland App and find out where your picks have landed. Stay tuned for more news! The post Tomorrowland’s One World Radio Kicks off The Magical 500 appeared first on EDMTunes.

This year’s ULTRA Europe Aftermovie takes Ultranauts on an unforgettable journey, transforming Split into a global epicenter of electronic music while keeping the true destination rooted in emotions, unity, energy, and the universal language of rhythm. Through intimate shots of smiling faces, ecstatic dances, and euphoric moments, the film captures the essence of the festival – from the vibrant streets of Split to the grandeur of its iconic main stage. With DJ Snake’s arrival in a car beast by Rimac Automobili symbolizing the electrifying energy ULTRA brings to Croatia, every frame celebrates the seamless fusion of individual experiences and the monumental power of the community. The message resonates powerfully: “It’s about love, it’s about energy, it’s about frequency, it’s about unity, it’s about respect.” As ULTRA enters a new decade, the Aftermovie leaves viewers with a profound sense of belonging and a yearning to return to Split, where music, people, and emotions create a boundless magic that endures. Watch here. Tickets are on sale now for ULTRA Europe 2025, which is set to take place July 11 – 13, 2025 at Park Mladežl in Split, Croatia. Marking a decade of unforgettable moments, Europe’s leading destination festival is kicking off a new chapter with its 11th edition. Following the incredible success of the 2024 event, which drew over 150,000 Ultranauts from more than 140 countries to witness the biggest names in dance music, the festival is ready to embrace the future. Tier 3 GA 3-day tickets can be purchased for €199, Tier 2 VIP 1–day tickets for €179, VIP 3–day tickets for €379 and FAN PIT 3-day tickets for €239. VIP PREMIUM 1-day tickets in Tier 2 are on sale for €249 and VIP PREMIUM 3-day tickets for €479. The post ULTRA Europe 2024 Aftermovie is Here appeared first on EDMTunes.

Asia's biggest EDM festival just got much bigger. The organizers of India's Sunburn Goa Festival have announced the additions of Skrillex and Peggy Gou to its lineup, ringing in 2025 bringing a pair of global electronic music superstars to the scenic shores of Goa. "We are absolutely thrilled to bring Skrillex and Peggy Gou to Sunburn Goa 2024," said Karan Singh, CEO of Sunburn Festival." These are artists who have consistently pushed the boundaries of electronic music and their addition to Alesso, KSHMR and ARGY who we announced recently, will deliver a truly next-level experience for our fans. This year’s lineup reflects the global diversity and electrifying energy that Sunburn is known for and we can’t wait for the world to witness these extraordinary performances." Skrillex and Gou join Alesso as headliners of Sunburn Goa, which returns to Dhargalim, North Goa from December 28-30 for its 18th year. This year's fest comes with the promise of immersive experiences and visuals, thanks to its theme, which organizers say will "transport attendees into a stunning underwater world." The festival's stellar lineup also features Argy, Yellow Claw, Cosmic Gate, Sam Feldt, Sam Gellaitry, Tale of Us' MRAK, Ahadadream b2b Manara and Hamdi b2b Siraria. KSHMR, who recently released Sunburn's official 2024 anthem, "Khoye Yahaan," a musical tribute to Diwali, will also DJ. More artists will be announced in the weeks ahead. Check out the lineup so far and purchase passes to Sunburn Goa 2024 here. c/o Sunburn Festival Follow Sunburn Festival:Facebook: facebook.com/sunburnfestival X: x.com/sunburnfestival Instagram: instagram.com/sunburnfestival

The venue will take over the former site of New York’s iconic Pyramid Club, opening in 2025 Continue reading...

As the year comes to an end, we are looking back on the tracks that defined 2024. With just a few short weeks before we say goodbye to 2024, we would love to revisit our EDMTunes top picks for the absolute best original tracks. Each track was nominated by our staff, and voted in a battle of the soundscapes. Now, let’s celebrate with this year’s Year in Tunes – Top 15 Original Tracks of 2024. 15. Danny Avila feat. Rome Fortune – ‘YES B!TCH’ The Spanish Techno tastemaker starts us strong on the list with this powerful and commanding track. The Mainstage Techno label head knows how to get the party started. With several outings on John Summit’s Experts Only label, he has had a big year. 14. Martin Garrix & Third Part feat. Oaks & Declan J Donovan – ‘Carry You’ With a track full of soul and nostalgia, the Dutch producer makes it into our list alongside Declan J Donovan, Third Party and Oaks. The euphoric feeling within this track resonated in our heads all year, opening up our hearts. 13. Rezz – ‘CAN YOU SEE ME?’ Space Mom left us speechless with the release of her album, CAN YOU SEE ME? and the title track is nothing short of disgustingly good — and creepy in the best way possible. Besides multiple B2B shows with Deadmau5 as REZZMAU5, Rezz brought back lots of her original influences to craft the new era. Is 2025 ready for her? 12. Adam Port, Stryv & Malachiii (Keinemusik) – ‘Move’ A song that does not need any introduction, ‘Move’ was our Afro House top pick of the year. We heard this track everywhere, including unofficial edits at Afterlife shows and an official remix with Keinemusik and Camilla Cabello. “Girl, I really like the way you…“ 11. Lane 8 & Kasablanca – ‘You’ A song that inspires lots of hope, the track was featured on Lane 8’s stellar album Childish. The year started with lots of emotion for the production Duo Kasablanca, as one of its members went through chemo to combat cancer in early 2024. Nevertheless, Micky remained victorious, and the group went on to conquer the remainder of the year. 10. Sharam, Adam Beyer, Layton Giordani, Green Velvet – ‘PATT (Party All The Time)’ A reimagining of the original track, Drumcode head recruited masterminds Layton Giordani and Green Velvet, to give us one of our fave Techno tracks of 2024. With a filthy drop, heavy basslines, and tasteful vocals, this track had us dancing from Ultra Miami to Tomorrowland Belgium. Technically you can call it a remix, but we’re assuming it as an original this time. 9. Disclosure – ‘She’s Gone, Dance On’ A very Disco-friendly and glorious return, the UK House producers and siblings took us all by surprise with their comeback to the worldwide stage. With incredible performances around the globe and multiple appearances at major festivals in the U.S., Disclosure’s got us latched onto them once again, including the delicious track ‘She’s Gone, Dance On’, taking its deserved single-digit spot at number 9. 8. Sultan + Shepard feat. The Kite String Tangle – ‘Memories’ The Melodic House producers brought joy and serenity with their ingenious album Endless, Dawn at the beginning of the year. What we didn’t expect after said milestone was yet another 6-track EP that reigned through the last couple of months. ‘Memories’ is that track that we will remember through thick and thin as we approach the end of 2024. 7. Eli Brown, Layton Giordani & OFFAIAH – ‘When I Push’ As we approach the best of the best, we encounter Eli Brown and Layton Giordani, yet again with a banger that blows the speakers up each time. The Techno friends were really happy with this one, as the kicks and rumbles accounted for hours and hours of dancing. If you don’t believe us, ask for our Spotify Wrapped. 6. RÜFÜS DU SOL – ‘Break my Love’ The Alt-Indie EDM trio came back, just like clockwork, to bless us with their newest album Inhale / Exhale. After their introductory track ‘Music is Better’ started the summer strong, ‘Break My Love’ made its way into our top 6 with its attitude and seriousness that set it apart from the rest of the album. We can’t wait until we catch them on their tour in 2025. 5. Max Styler, Gorgon City – ‘Touch’ The Realm label leaders Gorgon City impress us yet again with a distinguished collab from one of House’s most prominent new names, Max Styler. This Tech-House banger is an incredible showcase of mixed styles from the producers. Moreover, its sound design and engineering make for a fantastic journey, which kicks off our top five. 4. RÜFÜS DU SOL – ‘Lately’ And they’re back! The Australian trio swept us off our feet with ‘Lately’. Its lyrical prowess and deep melodies remind us why we keep supporting RÜFÜS years and years after ‘Innerbloom’. They got us learning… 3. Dom Dolla – ‘girl$’ If “girls” actually needed somebody, that would be Dom Dolla. The Aussie House star delivers a sassy and powerful groove with his hit song ‘girl$’, finessing its way into our top 3. 2. John Summit, HAYLA – ‘Shiver’ With the unstoppable momentum from ‘Where You Are’ which earned its top spot for original track in last year’s Year in Tunes, John Summit returned full-throttle to start the year with one of his most vulnerable works. ‘Shiver’, which delivers strong emotions perfectly expressed through HAYLA’s vocal range, opened up the soundscape for Summit’s debut album Comfort in Chaos. Honorable Mentions Before we reveal our top original track of the year we want to highlight those that were so close to making it into the list, but did not quite get there. Each of these tracks received an equal number of votes from our team. Max Styler, Oscar L – Addiction HUGEL – I Adore You Seven Lions – Not Even Love Tiësto – Thank You (Not So Bad) John Summit – Palm of My Hands 1. John Summit, Sub Focus & Julia Church – ‘Go Back’ Did we expect any less than Daddy Summit and Sub Focus? This Tech House and Drum & Bass hybrid track blew our minds away into the deep collective consciousness out of nowhere. This is one of those tracks that segments John Summit as one of the best in the scene. Alongside Drum & Bass giants Sub Focus and the impeccable vocals of Julia Church, this track stole our hearts all the way to number 1. And we’re not afraid to say, after exactly seven months since its release day, down to the day, we’re still singing it like it’s the first time. The post EDMTunes: Year In Tunes – The Top 15 Original Tracks of 2024 appeared first on EDMTunes.

Founder Liam O’Shea has chosen to step away from the 400-capacity venue, which first opened in 2012, to “achieve a greater sense of balance in his life” Continue reading...