Ravebot

From learning the ropes as a teenager to performing on some of the biggest stages globally, MITCH DB’s journey is one of passion, persistence, and creativity. Known for his signature high-energy sound and engaging live performances, the Amsterdam-based DJ and Producer has steadily built a name for himself on the Electronic Music scene, remaining motivated and committed to sharing his music with listeners worldwide, whether through unique studio productions or immersive live DJing sets. Today, he joins us for this exclusive interview to reveal more about his career within Electronic Music; diving into his musical beginnings, pivotal moments in his story, and his vision for the future, we gain insight into his journey, evolution and the path that lies ahead for MITCH DB. Hi MITCH DB, how are you? I am doing great, thank you! Thanks for having me on this interview! To start, can you share what initially drew you to music? Can you recall your earliest musical memory? That’s a great question! My love for music began when I was very young. Around the age of 7/8, I received my first DJ lessons from my sister’s boyfriend. He introduced me to the process, and I found it fascinating. However, I didn’t pursue it further until I was about 16/17. At that point, I often went out with friends who were DJs and performed at their shows. By the time we were 18/19, I had become their tour manager, travelling across the country with them for gigs. This experience deepened my passion for music. One day, while talking with one of my closest friends, one of the DJs, he decided to teach me how to play. He showed me the basics, and I borrowed his small DJ controller, a CDJ 350. It had no waveforms, so I had to listen carefully to the music to learn. After countless hours of practising in my bedroom, I decided to enter a DJ contest at a local club. Out of eight participants, I placed fourth. Even though I didn’t win, the owner of the venue recognized potential in my sets. He offered me the chance to play at his bar on weekends, from 9 PM (when the bar staff arrived) until 11 PM (when the first DJ started). He allowed me to use the professional equipment there, giving me valuable practice time. After a year of playing every Friday and Saturday night, I started getting invitations to perform at other shows. That period marked the true beginning of my journey in music, and I still remember those early experiences as if they happened yesterday. How did your breakthrough year in 2018 shape your path as an Artist? 2018 was a pivotal year for me, and it didn’t come easy. It was all about hard work, constant hustling, and having the right support from the people around me. That year, I entered another contest, this time for a chance to perform at Dance Tour, a major festival. I ended up winning first place, which was a game-changer for my career. It gave me the opportunity to perform at the festival in front of 10,000 people, alongside some of the biggest artists in the Netherlands. I also decided to invest in a photographer, which turned out to be a smart move. I walked away from the festival with over 300 photos that I used to market myself on Instagram. This boosted my visibility and opened up new opportunities. Soon after, more clubs started reaching out to book me for performances. By the end of the year, I landed two international gigs: a pool party in Thailand and a month-long residency in Bulgaria for 2019. Winning that contest in 2018 and performing on such a big stage truly set the foundation for my growth as an artist. Was there a specific turning point that led you to transition from DJing to producing, and how did it shape your journey? Absolutely, there was a turning point! Early in my career, I primarily focused on creating mixtapes, which I shared on SoundCloud. I was also experimenting with FL Studio, learning how it worked, but the music I made during that time was mostly for personal use and never released publicly. The real shift happened during the COVID pandemic when everything shut down, and live shows were no longer an option. With more time on my hands, I started focusing heavily on producing. I created remixes, edits, and mashups for myself and began sharing them on SoundCloud. This turned out to be a great move, as these creations helped me grow my name in the industry. To this day, those releases have collectively garnered tens of millions of streams. While the pandemic was a difficult time, it gave me the opportunity to explore and define the direction I wanted to take with my music. Coming out of the COVID period, I felt stronger and more focused. By 2022/2023, I began collaborating with Soave Records, marking a new chapter in my journey as an artist. How would you describe your signature style? Which artists have been most influential in shaping your sound? My signature style during a show is super energetic, with a strong focus on engaging the crowd. I love creating an atmosphere where people feel connected to the music and each other. This energy also carries into the music I release. I always aim to create tracks that make people sing, feel happy and let them move. This combination of my DJing style and production approach gives every release and live performance a unique and personal touch. It’s all about bringing positive energy and creating moments people won’t forget. Can you tell us about your live performances? What’s been the most unforgettable moment you’ve had on stage so far? Live performances are my absolute favorite part of being an artist. There’s nothing like meeting the people and fans who listen to my music in real life. Online numbers don’t really capture the feeling, but seeing their faces and energy in person makes it so much more meaningful. I’ve had many unforgettable moments on stage, but my favorite one of 2024 has to be my first performance at Space Plus in Bangkok, ranked the number 46 club in the world by DJ Mag. The Thai people always give me such a warm and welcoming feeling, it’s like being at home, even though I’m on the other side of the world from Amsterdam, where I’m from. What made this night truly special was the energy of the crowd. From the moment I started my set, people were in front of the stage, fully engaged, and they kept that energy going throughout the entire performance. It was unreal! Add to that the iconic status of the venue, with its incredible atmosphere and a capacity of 2,000 people, it’s easily one of my favorite places to perform in Asia. What impact has working with Soave Records had on your career and sound? Soave Records has had, and continues to have, a huge impact on my career. They were the first to truly believe in me and recognize my potential. After spending two years during the COVID period developing my skills, and releasing countless unofficial remixes and edits on my SoundCloud, we decided to collaborate and focus on releasing mostly covers. Working with Soave has opened so many opportunities for me. They’ve connected me with other talented Soave artists, which has helped me grow both as a producer and as an artist. Their support has played a major role in shaping my sound and taking my career to the next level. How do you see the landscape of Electronic Music evolving, and how do you envision your role in its future? I see a lot of movement in the Electronic Music scene, and I’m definitely evolving with it. I believe it’s crucial to keep developing myself in line with the industry while staying true to my own style. This doesn’t mean I need to change who I am, but it’s important to adapt and incorporate trends that align with the vision of MITCH DB. It’s all about staying aware of what’s happening in the scene, shaping my unique sound for the future of Electronic Music, and at the same time, keeping in touch with what my fans want to hear from me. What role do collaborations play in shaping your creative process and pushing your artistic boundaries? Working with other artists inspires me a lot. I often collaborate with the same artists, which works really well because we share the same passion and support each other whenever one of us gets stuck. It’s a dynamic that keeps the creativity flowing. At the same time, working with artists I’ve never collaborated with before is always a unique and exciting experience. Building something together allows for fresh ideas and new perspectives. I’m often surprised by the final result, it’s completely different from a solo release. Having two or three additional creative minds involved can take the music in a direction I wouldn’t have imagined on my own. Finally, what are your ultimate goals as a DJ and Producer, and how do you plan to achieve them? My goal is to make people all over the world happy with my music. My ultimate goal is to convert this into worldwide shows, giving every fan the opportunity to experience a unique MITCH DB live performance. I want to go the extra mile for every show, delivering a full experience with stunning visuals, light shows, and SFX to create magical moments and unforgettable memories for everyone who attends. How do I plan to achieve this? My team and I are fully committed to reaching this goal. We’ll bring maximum energy to every new release and live performance in the coming year, ensuring we deliver on this vision and continue to connect with fans around the globe. As we wrap up our conversation with MITCH DB, it is clear that his drive and dedication continue to fuel his pursuit of success. With a strong foundation and an ever-evolving sound, he remains focused on delivering music that resonates both from the studio and on stage, promising more exciting plans next. As he remains passionate about connecting fresh audiences with his signature sound and unique energy, MITCH DB’s story is surely one to watch, following him across social media to keep up with his latest news, releases and performances. MITCH DB Online    Spotify | Instagram | Website   The post MITCH DB’s Musical Journey: High-Energy Sets, Breakthrough Moments, and Future Plans appeared first on EDMTunes.

TikTok, the popular media platform known for its short-form videos, is facing a potential ban in the United States. In a bold move, TikTok has taken its case to the highest court in the land, appealing to the U.S. Supreme Court for a temporary pause on a law that could see the app banned if it is not separated from its parent company, ByteDance. This legal battle raises important questions about free speech, the power of the government to regulate technology, and the future of social media. On December 16, TikTok filed an emergency motion with the Supreme Court, arguing that the law in question, the Protecting Americans from Foreign Adversary Controlled Applications Act, infringes on the First Amendment rights of its users. By invoking the First Amendment, TikTok is challenging the government’s authority to regulate the app based on national security concerns. This legal maneuver sets the stage for a high-stakes showdown between a tech giant and the U.S. government. With over 170 million monthly active users in the U.S., TikTok has become a cultural phenomenon, especially among young people. The potential ban of the app would have far-reaching consequences for its users, content creators, and the broader social media landscape. The outcome of this legal battle could shape the future of online expression and the relationship between technology companies and government regulators. The First Amendment Argument One of the key arguments put forth by TikTok in its appeal to the Supreme Court is the protection of free speech guaranteed by the First Amendment. By framing the ban as a restriction on speech, TikTok is challenging the government’s rationale for targeting the app. The company’s lawyers argue that Congress has overstepped its authority by singling out TikTok for punitive measures based on its Chinese ownership. The First Amendment has long been a cornerstone of American democracy, enshrining the right to free expression and the freedom of the press. By invoking this constitutional principle, TikTok is positioning itself as a defender of free speech rights in the face of government censorship. The outcome of this legal battle could have significant implications for the future of online speech and the ability of tech companies to operate without government interference. At the heart of the First Amendment argument is the question of whether the government has the authority to regulate social media platforms based on national security concerns. TikTok’s appeal to the Supreme Court raises important questions about the balance between security and free speech in the digital age. The outcome of this case could set a precedent for how the government interacts with technology companies and regulates online content. The Impact on Users and Content Creators Charli D’Amelio – One of the most-followed accounts on TikTok Beyond the legal arguments, the potential ban of TikTok has significant implications for its millions of users and content creators. For many young people, TikTok has become a primary source of entertainment, creativity, and social connection. The loss of the app could disrupt their online communities and limit their ability to express themselves through video content. Content creators, who have built careers and followings on TikTok, could also face financial and professional setbacks if the app is banned. Many influencers rely on TikTok as a platform to reach audiences, collaborate with brands, and generate income. The uncertainty surrounding the app’s future could have a chilling effect on the creative economy and the livelihoods of those who depend on social media for their work. The potential ban of TikTok also raises questions about the diversity of voices and perspectives on social media. As a platform that has attracted a wide range of content creators from different backgrounds, TikTok has been celebrated for its inclusivity and accessibility. The loss of the app could narrow the online landscape and limit opportunities for underrepresented voices to be heard. The outcome of this legal battle could shape the future of online content creation and the ability of diverse voices to thrive in the digital space. The Future of Social Media Regulation The legal battle between TikTok and the U.S. government underscores the challenges of regulating social media in the digital age. As technology companies become increasingly influential in shaping public discourse and culture, governments around the world are grappling with how to balance the benefits of social media with the risks of misinformation, privacy violations, and foreign influence. The outcome of the TikTok case could set a precedent for how governments regulate technology companies and protect national security interests. The debate over the balance between security and free speech is likely to continue as new technologies emerge and online platforms evolve. The legal battle between TikTok and the U.S. government is just one example of the complex relationship between technology companies, governments, and users in the digital age. As the case makes its way through the legal system, the future of TikTok hangs in the balance. The outcome of this legal battle could have far-reaching implications for the future of social media, free speech rights, and the relationship between technology companies and government regulators. The stakes are high, and the decision of the Supreme Court could shape the future of online expression for years to come. The post TikTok Asks Supreme Court to Block U.S. Ban appeared first on EDMTunes.

With the forthcoming release of The Element‘s latest EP, “Flames of Emotions,” UNSEEN Records once more shown its dedication to stretching aural limitations. This two-track wonder is a deep investigation of sound, emotion, and the careful balance between light and dark as much as a musical release. The EP starts with the title song, “Flames of Emotions,” which instantly carries listeners into a world of ethereal complexity. From the opening seconds, the song creates a complex atmosphere with both lovely and disturbing quality. Haunting vocals create a musical experience that is both exhilarating and somewhat frightening as they thread through sharp, energizing rhythms. The work has amazing technical mastery with practically living energy in dynamic progressions that seem to pulse and breathe. Every layer of sound is painstakingly created to guarantee the tune stays in the listener’s awareness long after the last notes fade. The whole 2-track EP Flames of Emotions Maintaining the EP’s central atmospheric intensity, the second track, “From Within,” adopts a quite different approach. The music is set to be an instant favorite in underground techno venues with a powerful, percussive rhythm and fluttering beats. Its dark, edgy undertones lead dancers into a spiraling trip into a trance-like condition. This song distinguishes itself by skillful balancing of simple intensity with complex emotional depth. The Element has expertly combined their signature approach with a strong, almost spectral intensity to turn the tune from a simple dance number into a very immersive experience. “Flames of Emotions” is a statement about the possibilities of techno as an art medium rather than only a musical release. The Element asks listeners to experience music as an emotional landscape rather than only sound by combining ghostly vocals, intricate atmospheric layers, and exact rhythmic rhythms. UNSEEN Records keeps proving why electronic music world considers it as a cutting-edge label to be innovative. This record highlights their dedication to musicians who are ready to blur boundaries, experiment, and produce songs that really, almost psychologically speak to you. “Flames of Emotions” is a must listen for anybody looking for a techno experience outside conventional dance music. Inviting listeners to lose themselves in its complex, eerie soundworld, it promises to be among the most mysterious and captivating releases of the year. The post The Element drops ‘Flames Of Emotions EP’ on UNSEEN appeared first on The Groove Cartel.

The Belfast trio made it onto a shortlist of 15 for their self-titled, 2024 film Continue reading...

Among the influential artists responsible for pushing neurofunk, Agressor Bunx truly is a household name, if not for years already. It’s even safe to say the forward-thinking Ukrainian duo has played a pivotal role in shaping the sound of the subgenre throughout roughly 12 years of involvement – their releases so far, after all, total to a staggering amount of more than 40 EPs and four albums. A recent migration to Poland, followed by a mandatory visit to a drum and bass event in Kraków, called Neurodydaktyka, meant being reintroduced to their highly energetic sound and stellar deck-craft. This called for a round of questions about their current situation and mindset. There’s plenty to discuss as well. Agressor Bunx’ most recent EP, Chasing the Horizon, was recently released on Eatbrain, marking their tenth EP on the renowned label founded by Jade. Besides, the last interview on UKF with the duo dates back more than eight years, and a lot has happened since then. What’s more- the current situation for the scene in Ukraine, and how they have been dealing with the challenges involved, deserves attention. So without further ado, read on to hear their take on these matters. It’s been eight years, since the last time you spoke with UKF – what would be the proudest achievement for you both during those years? Both: We were able to do a ton of work during these years in terms of producing and the DJing part, too. Meanwhile, we have had an opportunity to release on almost all the famous Neurofunk labels, like Ram Records, Eatbrain, Blackout, Bad Taste and others. On top of that, we made remixes for, and did collaborations with, many respected producers, like The Upbeats, Audio, Black Sun Empire. We also got the chance to play on the biggest European Festivals like Let It Roll and Rampage. The tenth EP release on Eatbrain – Chasing The Horizon – arrived in November. Congratulations on that milestone. Can you tell us more about the creative process behind it. What really stands out in terms of the approach to make this one? Nick: Our Last EP was difficult for us to make, because we were spending a lot of time on travelling to gigs. These trips often took something like 30 to 40 hours in just one direction. So we decided to spend this time on making music. It was far from comfortable, but it gave us huge inspiration to do so, while being on the road. This EP still is only a small part of the dozens of releases you’ve done as Agressor Bunx. How do you manage to keep evolving and pushing creatively after all these years? Alex: We try to analyse everything that’s going on in drum and bass culture, especially Neurofunk scene, because it develops every day, and you must be informed about new trends and what people recognise. Working together as a duo – how does it help in terms of coming up with new things? Nick: Actually, it is really simple. Because, music for us is not only a job or hobby; it is our life and passion. We both try to make our own idea of a track, which gives us the opportunity to make totally different content simultaneously. And we also start to work on new tracks separately, but always end up finishing them together. It helps us to maintain our ‘AB approach’. What’s the best advice you can give based on your experience as a producer duo to other aspiring duo producers in the scene. Both: In our opinion, the most important thing is creativity. It’s about trying to put some unique things inside your project together. Also, really focusing on the quality of the mix down is key – it gives you better quality production. Staying active on social media is also essential. It’s been a while since the last album, Ensuing Cataclysm, was released. Can we expect another one anytime soon? What can you tell us about the plans to release another one? Alex: It would be a great idea for 2025. But let’s see… So what’s next for Agressor Bunx in terms of upcoming releases? Both: We already planned some new releases on couple of labels, but it will remain a secret for now! A subject that deserves to be addressed: the war in your country has been ongoing for more than 1000 days. Political matters aside – how has the ongoing war in Ukraine impacted the drum and bass scene in the country. Alex: The war has affected the scene really hard, due to different reasons. A lot of people can’t afford to have fun, go to the parties, or even eat. And then there are moral reasons not to be partying, because a lot of people are dying in another part of the country. There are also missile attacks on power plants. There is a curfew in Ukraine and promoters are forced to hold daytime parties. It’s a big risk to host and not to lose money while doing so. But still, some promoters keep doing it to support the drum and bass culture in Ukraine. Can you describe how the party scene has responded to these ongoing challenges. Nick: People are positive, stay strong and just waiting for the end of war. Have there been any significant changes in the way music is produced and distributed during wartime? Alex: Not really, just some small things like no electricity sometimes, air alarms etc. How have the challenges of the war influenced the creativity and output of Ukrainian drum and bass artists? Nick: In the first year of war, it was almost impossible to make music, but life continues and people eventually learn to adapt. How has the war personally affected you as artists and individuals? Both: On a personal level, we began to value our lives more and started to pay more attention to our family and friends. As for the artist part – we try to spend all of our free time for music creation, and spread awareness about the Ukrainian situation. How does the war influence the way you travel abroad to play events? Nick: At first it was difficult, because we could not go abroad. Once we started to travel, it was hard to grasp the massive difference between Ukrainian situation inside the country and the one in peaceful Europe. But eventually you accept it and continue to do your job. Has the experience of living through war influenced your music and creative processes? Nick: Totally, the emotional changes and stress actually give you more inspiration to create some ideas. What are your hopes for the future of the Ukrainian drum and bass scene? Alex: We hope that after the war in Ukraine, people will start living a normal life again, and be able to listen to their favourite music and go to parties. It will help the drum and bass scene to develop and grow. There will also be an opportunity to invite more international artists and host some festivals. Are there any specific initiatives or projects you want to highlight that support the scene’s recovery and growth in Ukraine and deserve support? Alex: For now, in Ukraine we have promo groups, like: Funkmasters, Hovanka, Sounds of Ukraine (based in London, UK). Big respect to them for their work in these hard times. We would like to see more activity from other promo-groups, though. Lastly, what message do you want to convey to your international audience through your music and performances? Nick: Just have fun, appreciate every moment of your life, value the creativity and enjoy it to the fullest. Follow Agressor Bunx: Soundcloud/Facebook

In the electrifying world of electronic dance music, Axwell stands out as a luminary, his journey marked by Grammy nominations and a unique sound that resonates across dance floors. A pivotal member of the legendary Swedish House Mafia, Axwell has been instrumental in defining the progressive house scene, particularly in the early 2010s, with the group’s albums ‘Until One’ and ‘Until Now’ achieving platinum status. As a solo artist, Axwell‘s creative prowess shines through in hits like ‘What a Wonderful World’ and the iconic remix of ‘In My Mind’. On his 47th birthday, we delve into a musical odyssey, exploring Axwell‘s top 10 tracks, each a testament to his enduring influence in the music world. 10. Leave The World Behind with Steve Angello, Laidback Luke, Sebastian Ingrosso – 75m Spotify streams 9. On My Way with Sebastian Ingrosso – 78m Spotify streams 8. Dancing Alone with Sebastian Ingrosso & ROMANS – 78m Spotify streams 7. Something New with Sebastian Ingrosso – 119m Spotify streams 6. I Love You with Sebastian Ingrosso & Kid Ink – 137m Spotify streams 5. In My Mind (Mix) with Ivan Gough and Feenixpawl – 149m Spotify streams 4. Tell Me Why with Steve Angello – 157m Spotify streams 3. Dreamer with Sebastian Ingrosso – 272m Spotify streams 2. Sun Is Shining with Sebastian Ingrosso – 389m Spotify streams 1. More Than You Know with Sebastian Ingrosso – 1.4b Spotify streams ‘

Renowned DJ and tastemaker Eli Brown is back with 92 Thing Capsule 2, the latest drop in his innovative streetwear collection. Rooted in Bristol’s underground sonic scene of 1992, Eli’s line captures the rebellious spirit and audacious style of the era that shaped both his artistry and the UK’s electronic revolution catering to fans who crave authenticity and style. The 92 Thing Capsule 2 collection builds on the momentum of the first drop, showcasing elevated designs that marry functionality with statement-making appeal. Rooted in streetwear’s raw energy, the pieces include oversized hoodies, graphic tees, and versatile outerwear, each adorned with distinct, minimalistic branding and dynamic graphics. Brown’s vision reflects a nod to ‘90s subculture influences while incorporating a contemporary twist that aligns perfectly with today’s urban fashion trends. More than just apparel, Eli Brown’s 92 Thing is an extension of his creative persona, seamlessly merging music and street style. It resonates with a generation that values self-expression and individuality, providing wearable art that feels effortless yet impactful. With limited drops adding to the collection’s exclusivity, Capsule 2 is already creating waves among streetwear aficionados and Eli’s loyal following. From underground music venues to city streets, the collection is poised to become a staple in the wardrobes of those seeking authenticity and edge. Eli Brown’s 92 Thing Capsule 2 isn’t just fashion—it’s a movement. Don’t miss the drop and head over to 92 Thing Official Website. The post Eli Brown’s 92 Thing Capsule 2: A Fresh Drop appeared first on EDMTunes.

Armin van Buuren has released this year's "A State of Trance Year Mix 2024," reinforcing his standing as one of the genre's most influential flag-bearers. Now in its 21st iteration, the mix show continues to serve as a sweeping narrative of trance's evolution. Featuring 113 meticulously curated songs, the 2024 mix opens with a stirring introduction narrated by Moby, whose words encourage listeners to embrace the transformative power of the genre. Armin van Buuren's own productions shine throughout, including the "Club Mix" of his collaboration with Goodboys, "Forever (Stay Like This)," which reimagines the radio-friendly original hit with soaring synths to fit seamlessly within the mold. Other standout cuts include Ben Gold’s "Diving Faces," a stomping, euphoric track brimming with uplifting energy, contrasted with the weightier Kolonie remix of Paul van Dyk’s classic “For An Angel,” which breathes new life into a timeless anthem. The versatile track selection appropriately captures the true qualities of trance: timeless, dynamic and ever-evolving. Beyond showcasing his own versatility, van Buuren uses the mix to celebrate the genre's diversity with contributions from trance icons like Above & Beyond, Aly & Fila and Ferry Corsten alongside newcomers who seek to write the genre's next chapter. Listen to the full "A State of Trance Year Mix 2024" below.

We sit down with trance DJ and producer Blastoyz to celebrate his new collaboration with Moby ‘Lift Me Up’. We talk musical heritage, inspiration, his WELRAVE label and more… Buy link – https://www.beatport.com/release/lift-me-up/484583 Thanks so much for taking the time to speak with us. How are you? How has your 2024 been? What have been the highlights? Any resolutions or goals for the New Year? I’m doing great, thank you! Always busy, always energized, and always looking forward to what’s next. 2024 has been amazing so far. Highlights for me include playing massive shows all around the world, such as EDC Vegas, EDC Mexico, Electric Forest, Transmission Australia, Tomorrowland Brazil, and many incredible venues in the United States and Europe. I’ve also loved connecting with fans through music. Between touring, I’ve been experimenting in the studio, producing and collaborating on tracks with Moby and other exciting projects that I’ll release soon. My goal for the New Year is to keep performing globally, push boundaries with my sound, and bring fresh, powerful experiences to my fans through cross-genre productions. Tell us about your musical heritage. What drove you toward electronic music, specifically your end of the dance music spectrum? I grew up with a deep love for psytrance and trance music. I first discovered psytrance at around age 8, thanks to my older brother, who was a producer and DJ at the time. Something clicked instantly. I loved the energy, the storytelling, and the way it could transport people to another dimension. From that moment, I knew this was what I wanted to create and share with the world. Who were your biggest influences and inspirations growing up and even now? Growing up, artists like Infected Mushroom, Yahel, and Tiësto were huge inspirations for me. They showed me what was possible in electronic music. Today, I draw inspiration from all over—pioneers like Moby and innovative new-generation producers who are pushing limits in creative ways. You head up your own WELVRAVE label. What is the story behind it, and what are you trying to portray through the label? What’s the ethos? WELVRAVE is all about freedom of expression. The idea came from wanting a platform to represent both my vision and the incredible talent within the psytrance and electronic music community. It’s about pushing boundaries, blending styles, and uniting rave culture in a way that feels authentic and fresh. How did the collaboration with Moby come about? What impact has he had on your career? Collaborating with Moby was a dream come true. He’s such a legend, and his work has shaped electronic music for decades. I had the honor, together with Berg, of reimagining one of his classics, Lift Me Up. It’s a track we’ve both loved for years, and this collaboration sparked a creative synergy between us. We aimed to bring a fresh touch with melodic and progressive elements while maintaining the high-intensity energy that psytrance is known for. Striking a balance between staying true to Moby’s emotive essence and injecting our sound design was key. What advice would you give to a young, up-and-coming producer wanting to start their own label? Start with a clear vision. Know what your label stands for and the kind of talent you want to represent. Building a strong network and understanding the business side of music is crucial. Above all, stay consistent and passionate—it will shine through in your work. What are your three favorite trance tracks? That’s tough! If I had to choose: Infected Mushroom – Deeply Disturbed Yahel – Voyage Faithless – Insomnia (still gives me goosebumps every time).What has been your favorite gig to play so far in your career? There are so many memorable ones, but Red Rocks Amphitheatre in Colorado, with Seven Lions, stands out. The venue is breathtaking—a natural amphitheater carved into towering red sandstone cliffs. The acoustics and atmosphere are unmatched. The stage is nestled between massive rock formations, and the audience is seated on tiers following the natural slope of the landscape. It was an unforgettable mix of nature, energy, and sound. What would be your dream gig? After touring for over 10 years, I’ve been lucky to play at some of the world’s most incredible venues, in every size and format imaginable. For me, the ultimate goal isn’t one specific gig—it’s about sharing psytrance music with wider, more diverse audiences and spreading positive energy wherever I go. As long as I’m doing what I love, every gig feels like a dream. What do you do to relax outside of DJing and producing? I love spending time with family and friends. I’m lucky to live just five minutes from the ocean, where I often go to unwind. I also enjoy hiking, exploring nature, and discovering new cuisines—I’m definitely a bit of a foodie! What music do you listen to outside of the dance music spectrum? I enjoy music from the past, especially alternative rock classics from my childhood, like Linkin Park and Red Hot Chili Peppers. I also love old-school hip-hop and R&B. Beyond that, I explore world music and chillout ambient sounds—they’re perfect for resetting my mind and finding balance. What was the last record that blew you away? John Summit & Sub Focus – Go Back (ft. Julia Church). The blend of genres in one track is mind-blowing. It reminds me why I love electronic music so much. This approach, blending styles, is something I’ve believed in and done for years, especially in collaboration with Seven Lions and the Ophelia Records artists.

Imagine never having to deal with dropped calls or spotty reception again. T-Mobile and Starlink are teaming up to make this a reality through direct-to-cell satellite technology. With over 300 satellites already in orbit, T-Mobile is now inviting its customers to register for a beta test of this groundbreaking service set to launch early next year. This partnership marks a significant step forward in the quest to eliminate mobile dead zones and provide seamless connectivity for all T-Mobile users. For festivals, it’s hard to overstate just how huge this could be. While some festivals have figured out connectivity, there are still many festivals where texts, DMs, stories, or any data use don’t work at all. This nightmare situation creates chaos for everybody who can’t find each other and makes the festival much more of a chore than it should be. By harnessing the power of direct-to-cell satellites, T-Mobile and Starlink are revolutionizing the way we stay connected. Whether you’re a business owner, a first responder, or simply someone who relies on their phone for everyday tasks, this beta test offers an exciting opportunity to experience the future of mobile communication firsthand. “T-Mobile Starlink is the first major low-earth orbit constellation in the world paired with terrestrial cellular spectrum, making the phone in your pocket work in areas of the U.S. that have never, and probably never will, have ground based coverage,” said Mike Katz, President of Marketing, Strategy and Products, T-Mobile. How Does It Work? The direct-to-cell satellite service operates by beaming signals from satellites directly to users’ mobile devices, bypassing the need for traditional cell towers. This approach eliminates the limitations of terrestrial infrastructure and enables seamless coverage across vast areas, including rural and underserved regions. By leveraging Starlink’s cutting-edge satellite technology, T-Mobile can provide a robust and reliable connection to its customers, regardless of their location. This means fewer dropped calls, faster data speeds, and a more consistent user experience overall. The beta test will allow T-Mobile to gather feedback from users and fine-tune the service to meet the needs of a diverse range of customers. As direct-to-cell satellite technology continues to evolve, the possibilities for mobile connectivity are endless. From enabling seamless video calls in remote areas to supporting IoT devices in smart cities, this technology has the potential to transform the way we communicate and connect with the world around us. Who Can Participate? All T-Mobile customers, including businesses and first responders, are eligible to register for the beta launch of the direct-to-cell satellite service. This inclusive approach ensures that a wide range of users can experience the benefits of improved connectivity and seamless communication. For businesses, the direct-to-cell satellite service offers the potential for enhanced productivity and efficiency. With reliable coverage in even the most remote locations, employees can stay connected no matter where they are. This is especially crucial for industries that rely on real-time communication, such as construction, transportation, and emergency services. First responders also stand to benefit significantly from this innovative technology. In emergency situations where every second counts, having reliable communication can make all the difference. By participating in the beta test, first responders can help shape the future of mobile connectivity and ensure that they have the tools they need to save lives. Register HERE! The post T-Mobile & Starlink Could Bring An End To Dead Zones appeared first on EDMTunes.

The People of Tomorrow can start preparing for an awe-inspiring journey as Tomorrowland Brazil 2025 introduces its spectacular new chapter. From October 10-12, 2025, Parque Maeda in Itu, São Paulo will transform into the enchanting mythical realm of Silvyra, where nature thrives, stories are born, and harmony reigns. Pre-registration for ticket sales opens tomorrow, December 18, 2024, at 14:00 CET | 10:00 BRT. This year’s edition will revolve around ‘LIFE’, a mesmerizing theme that tells the prequel to Tomorrowland’s iconic 2016 ‘Elixir of Life’. The story explores the creation of the fabled potion, known to heal ailments of both body and mind. Fueled by the ancient forces of the cosmos, the ‘LIFE’ chapter takes festivalgoers back to a vibrant era in Silvyra, where the conjunction of two moons is about to occur. This promises to be yet another unforgettable milestone in the ever-evolving world of Tomorrowland. A Mainstage Like No Other The centerpiece of Tomorrowland Brasil 2025 will undoubtedly be the breathtaking ‘LIFE’ Mainstage, a testament to Tomorrowland’s unmatched creativity and production prowess. First unveiled at Tomorrowland Belgium’s special 20th anniversary in 2024, the stage now finds a new home at Parque Maeda. Inspired by Silvyra’s lush landscapes, it celebrates the origin of Mother Tree, her protector the Maze, the first brewing of the Elixir of Life, and the beginnings of the stunning Rose Garden—all of which have become iconic symbols of Tomorrowland lore. Here are the astonishing numbers behind the ‘LIFE’ Mainstage: Height: 36 meters Width: 160 meters Video Tiles: 3,136 total, covering 1,600 square meters Lights: 1,100 custom LED lights, 1,054 lamps Sound: 230 speakers and subwoofers Water Features: 43 fountains, 4 waterfalls powered by 12 pumps Performers: 40 artists bring the stage to life DreamVille: A 5-Day Magical Escape For those seeking a full Tomorrowland experience, DreamVille is the place to be. Located next to the festival grounds at Parque Maeda, this vibrant 5-day camping city welcomes festivalgoers from Thursday to Monday, offering a unique escape with endless opportunities to relax, connect, and celebrate life. DreamVille is more than just a campsite—it’s a community with: A Marketplace featuring shops, food trucks, bakeries, tattoo parlors, a beauty salon, and even a barber shop. A Yoga Dome offering daily morning yoga classes to start the day with balance and energy. Sporting opportunities, including volleyball and footvolley courts. Exclusive Daybreak Sessions (Friday to Sunday), featuring intimate performances from select artists. To set the tone for the weekend, all DreamVille residents are invited to ‘The Gathering’—Tomorrowland Brasil’s official open-air opening party on Thursday, where surprise artists will ignite the atmosphere in true Tomorrowland style. Ticket Information Pre-registration for Tomorrowland Brasil 2025 opens tomorrow, December 18, via the Tomorrowland Account at my.tomorrowland.com. Festivalgoers must pre-register for the chance to secure tickets during the various sale phases. Ticket details (day passes, weekend passes, and Global Journey Travel Packages) will be unveiled on February 25, 2025. DreamVille accommodations, offering both standard and premium camping options, will also be part of the ticket options. A Magical Return to Silvyra After the success of Tomorrowland Brasil’s ‘Adscendo’ theme last October, which brought together thousands of People of Tomorrow, the 2025 edition promises to surpass expectations. ‘LIFE’ theme will immerse attendees in an otherworldly journey, blending unparalleled stage designs, cutting-edge production, and the legendary energy that only Tomorrowland can deliver. Pre-register now and join the People of Tomorrow for a chapter that will live forever. The post Tomorrowland Brazil Announces LIFE Theme Coming in 2025 appeared first on EDMTunes.

According to the streaming platform Chase & Status, Rudimental and Bou are among the genre's most streamed artists Continue reading...

Editor's Note: EDM.com proudly publishes four installments of annual year-end coverage: Industry Leaders, Performances & DJ Sets, Music Producers and Songs. More often than not, year-end coverage published by the music industry's vast pool of media outlets is limited to its artists and performers. To honor the extraordinary work of the industry's unsung people and brands, EDM.com annually recognizes a group of leaders whose contributions redefined dancefloors and helped shape the future of electronic dance music. Record Label: Experts OnlyForged in the crucible of a late-2023 rebrand, John Summit's Experts Only imprint emerged with a clarity of vision that few could match this year. From releases like Max Styler's "Lights Out" and Chris Avantgarde and Kevin de Vries' "Killa," the label was a primary driver of the conversation about the ever-evolving boundaries of tech house music. Summit's own debut album, Comfort In Chaos, arrived mid-year as a tour de force of emotion and experimentation, bolstered by standout remixes like Cassian's stunning take on "Shiver" and YDG's transformative remix of "Go Back." The label's ambitions also extended far beyond its music, with the Experts Only Ski Weekender in Vail curating a groundbreaking fusion of slope-side adventures and dancefloors. Inspired by Summit's own passion for skiing, the event brought the label’s ethos to life: bold, unflinching and deeply connected to its audience. In one short year, Experts Only emerged as a creative force that respects the roots of house music while fearlessly carving out its own future, setting a high bar for what it means to lead with vision and purpose. Words by Cameron Sunkel. Honorable Mentions: Memory Palace | HypnoVizion | Defected Records Experts Only Club: Club SpaceA cornerstone of global club culture, Miami's Club Space isn't an ordinary venue—it's a rite of passage. In 2024, the venue's ethos of "the party never ends" was tested and proven when it closed for three months of structural renovations. Even in its absence, the Space legacy loomed large as Factory Town held down the scene while fans restlessly waited. When the fall finally arrived, Space's reopening party, headlined by Peggy Gou, reminded us why this 2,000-capacity spot holds an outsized influence in the dance music community. From a marathon 36-hour Miami Music Week closing party featuring Carlita, Marco Carola and more to a 24-hour Art Basel closing party with 23 DJs from 13 countries, Space was a seedbed of club culture. The venue isn't just about major festival weekends—it snaps into action for cultural events like Formula One Race Week, when Black Coffee and MEDUZA dazzled behind the decks. Now, Tiësto is primed for a rare "Sunrise" set in January 2025. Club Space's significance transcends its size, earning its place as a destination where DJs from around the globe gather to create something extraordinary. And in 2024, its organizers continued to live up to their prevailing tenet: whether it's 3am, sunrise or mid-morning, they've got your back. Words by Cameron Sunkel. Honorable Mentions: Cloud 9 Fiji | Ushuaïa Ibiza | Drumsheds Club Space.Adi Adinayev Music Company: Vita MotusFor the idealistic minds behind the producers of music festivals, one question often gnaws like a spider in the brain: can a stage be more than just a platform? For Vita Motus, the design studio behind Coachella's groundbreaking Quasar stage, it's a resounding "yes." Led by its ambitious founder and CEO, Heather Shaw, Vita Motus has executed phantasmagoric stages for EDC, Electric Forest and Lightning in a Bottle, among other major festivals. But she found herself in a three-month pressure cooker ahead of Coachella, where the studio was tasked with building a universe unto itself. The stage's monolithic LED walls, Shaw told EDM.com back in April, were designed "to push the boundaries of what's possible at music festivals." Her team ultimately delivered, establishing a bastion of iconoclastic festival design within Coachella's hallowed desert metropolis. The stage became the epicenter of EDM at the nation's most iconic music festival, which in 2024 teemed with unforgettable rave moments. Fans willingly plunged into the rabbit holes of innovative three-hour DJ sets by RÜFÜS DU SOL and a cancer-free Michael Bibi, among other influential electronic acts. Eric Prydz and Anyma, two of the industry's most subversive creators of visual displays, also performed together for the first time as the sun set. To that end, Quasar dissolved the boundaries between electronic music and performative spectacle, reimagining the inert concert stage as a living, breathing organism. Words by Jason Heffler. Honorable Mentions: End Overdose | Playtime Engineering | WavMaker The Quasar stage at the 2024 Coachella Valley Music and Arts Festival. Julian Bajsel Music Executive: Cindy CharlesCindy Charles didn’t just change how we hear electronic dance music this year. She changed how we feel it—both together and apart. Charles tragically died in October following a traffic accident during the Amsterdam Dance Event, the world's leading electronic music summit. But before we lost Twitch's trailblazing Head of Music, she led the development of the platform's pioneering DJ category, a breakthrough that established it as the first to provide a long-term home for DJs to legally livestream. Charles, a visionary agent of change in the intersection of music and technology, redefined how artists and creators engage with audiences online. She remains revered for leading Twitch's label relations and music licensing operations, fostering an ecosystem that enables DJs to build fanbases and achieve financial freedom on the platform. In addition to fiercely championing rave culture, Charles was also an unshakeable advocate for women in the music industry. She co-founded the San Francisco chapter of She Is The Music as well as Women In Digital, a community of over 1,500 members with a mission "to help women define a limitless future for all by shining a light on careers in digital and technology." Words by Jason Heffler. Honorable Mentions: Christine Thomas (Dolby) | Adam Russakoff (Ultra Worldwide) | Jeff Abel (Excision Presents) Cindy Charles.Twitch Event Organizer: Breakaway Music FestivalBreakaway didn't just host music festivals in 2024—it created destinations at scale. Breakaway lived up to its name in 2024, leaving competitors in its dust as it became the nation's preeminent traveling EDM festival. The event's organizers are now poised to expand to a bevy of new markets in 2025, swelling to a staggering 12 cities. That kind of growth was a white whale for independent festivals in 2024, a time when inflationary pressures hiked operating costs to prohibitive levels. Nevertheless, Breakaway managed to become the fastest-growing music festival brand in the country, due in part to their knack for blending high-profile headliners with undiscovered talent in lineups that felt both elite and accessible, a rare feat in a crowded market. Breakaway's influence, however, is greater than the sum of its dozen parts. The brand supercharged its sustainability efforts by partnering with Zero Waste Event Productions, a leading provider of recycling, composting and waste management services, to divert from landfills over 25,000 pounds of recyclable materials, including harmful plastics. Breakaway's proprietors also recently announced that all of their 2025 festivals will accept cryptocurrency as payment, mirroring its ethos of progress and inclusivity to foster a new kind of freedom on and off the dancefloor. "As the music industry continues to evolve, we’re committed to adapting to the needs of our fans and staying ahead of the curve," said co-founder and CEO Adam Lynn. Words by Jason Heffler. Honorable Mentions: DEF | House Calls | FIVE Music Breakaway Music Festival.KURSZA Visual Artist: Tobias GremmlerTobias Gremmler's larger-than-life artistry was impossible to ignore in 2024, imbued with an almost intangible quality that connected deeply with Afterlife's broadening global audience. His work with Anyma on the superstar DJ's tour and sophomore album, Genesys II, transformed towering LED screens into portals, immersing fans in haunting spaces where the boundaries between performer and participant disintegrated. Blending Afterlife’s iconic dual themes of robotics and nature, Gremmler's awe-inspiring visual concepts captivated audiences in high-profile venues from Los Angeles to Miami to Amsterdam, threading an ineffable emotional connection amidst the grandeur of stadium-scale productions. Anticipation is now building for Anyma's historic Las Vegas Sphere New Year's Eve show and residency, "The End of Genesys," which will see Gremmler's transhumanist visual designs envelop the record-breaking venue for its first-ever electronic music shows. His creative direction is ambitious by all accounts, and it's reshaping how we experience and engage with EDM's most transcendent performances. Words by Cameron Sunkel. Honorable Mentions: DR01D VISUALS | Wesley So | Neurite " frameborder="0" allowfullscreen>YouTube Channel: Book Club RadioWhat do butterfly houses, Y2K vampires, frat parties, robot uprisings, Florida men, murder mysteries and 2010s EDM all have in common? They’re all themes for Book Club Radio’s epic parties—err, "meetings"—in 2024. Each theme is truly immersive: the DJs curate mixes to fit each, the crowds dress up for the part and the backdrops are filled with madcap props often hand-built by the Book Club Radio crew. The feverish fandom around their YouTube channel is a testament to the fresh perspective that the Brooklyn-based collective, founded by the inimitable Jojo Lorenzo, is bringing to dancefloors. Words by Saad Masood. Honorable Mentions: Flavour Trip | Tracklib | putyouon. by Steve Cardigan Audio Engineer: A. G. CookWhen Charli xcx recorded her global hit "360" and said, "You gon' jump if A. G. made it," she was sending a message. One of hyperpop's most influential producers, A. G. Cook has made a name for himself crafting music for international superstars like Beyoncé, Hikaru Utada and Caroline Polachek. While that pedigree is impressive in its own right, his brilliant work on Charli's viral sensation, Brat, may go down as his finest. Serving as an executive producer of Brat and vocal engineer of most of its tracks, Cook propelled his longtime collaborator's latest album not only to the top of the charts, but also to the lime green-colored pinnacle of pop culture. There would be no "brat summer" without him. Cook's work on Brat led the album to a staggering seven Grammy nominations, including Album Of The Year, Best Dance/Electronic Album, Record Of The Year ("360") and Best Pop Solo Performance ("Apple"). Words by Nick Yopko. Honorable Mentions: Cassian Stewart-Kasimba | Emily Lazar | Sonny Moore A. G. Cook.c/o Press Artist Management: MetatoneIn an impressive seven-year period, Metatone founders Holt Harmon and Parker Cohen have built an independent management powerhouse. And in 2024, the firm set new standards for driving success in the house music world. Their secret? A results-driven, holistic approach and wealth of resources that help DJs reach new audiences. Since bringing John Summit aboard during the company's formative years, Metatone has cultivated a formidable roster of producers that includes Max Styler, Ranger Trucco, Deeper Purpose and Layton Giordani. Its commitment to fostering both the wellness and creative freedom of its roster remains at the heart of its philosophy. Through the expansion of Metatone Media, the company provided its artists with tailored support in branding, touring logistics and content creation, empowering them to focus on crafting groundbreaking house music. And that they did. From Summit's stratospheric debut album Comfort in Chaos to Giordani's rare official remix of deadmau5's "Strobe" to Max Styler's prolific run of tech house hits, Metatone broke out this year. Its proprietors also worked diligently to position their artists at the cutting-edge, like when Summit sold out Madison Square Garden. Words by Mikala Lugen and Rachel Freeman. Honorable Mentions: 2+2 Management | Club Class | Kompass Music Group John Summit, who is represented by Metatone, performing at Madison Square Garden.Alive Coverage Music PR: Falcon PublicityIn just five years, Falcon Publicity has managed to become one of the leading forces in media relations within the mercurial world of electronic dance music. It's the brainchild of PR vet Alexandra Greenberg, whose decades of expertise have led her to acquire a remarkable roster of artists, brands and events in that short time. Deeply influential electronic artists like deadmau5, Kraftwerk, Richie Hawtin and Kaskade all call Falcon home. The firm had its talons on the pulse of dance music in 2024, executing a slew of innovative, high-profile campaigns that propelled it to the industry's corps d'elite. One was HAYLA, whose stentorian vocals dominated playlists and music festivals all year. After collaborating with John Summit, Kx5, Kygo and MEDUZA, the surging singer-songwriter broke out as a solo artist with the help of Greenberg, who ran press for her scintillating debut album, DUSK. And then there's techno superstar Anyma, who in 2024 announced he'd be the first electronic music artist to perform inside the record-breaking Las Vegas Sphere. What started out as a single New Year's Eve performance quickly snowballed into a historic DJ residency with enough audiovisual specs to change the fabric of Sin City raving—and Falcon is shaping the narrative. Words by Ulises Vargas. Honorable Mentions: Bampire | MP3 PR | JSloane Creative Falcon Publicity founder and CEO Alex Greenberg.Lindsey Byrnes

A petition has been launched demanding that the 15,000-capacity venue refund those affected Continue reading...

In a surprising move, Aphex Twin actually made it easier for fans to find his music. The most mysterious man in electronic music has made it extremely difficult to collect his entire discography, with an abundance of music floating around the internet but no way for fans to trace it back to him or verify its authenticity. For many years he'd release special tracks exclusively on vinyl, which could only be purchased at a singular tour date or festival appearance. Aphex Twin has now gathered 38 recordings—previously released only on wax from 2016-2023—and uploaded them to streaming services. The new compilation, Music From The Merch Desk (2016-2023), is out now on Warp Records. The first two tracks were released as part of his Day For Night Festival performance while the final five were sold at London's Field Day Festival. Included in the new album is a remix from his alter ego, AFX, amongst other masterfully produced offerings from the artist who leaves more questions than answers. It marks the second re-release of the year from Aphex Twin following October's reprint of Selected Ambient Works Volume II. Listen to Music From The Merch Desk (2016-2023) below. View the original article to see embedded media. Follow Aphex Twin:X: x.com/aphextwin Facebook: facebook.com/aphextwinafx Spotify: spoti.fi/34xoFmQ

The rise comes against a backdrop of country-wide budget cuts, including to welfare and social spending Continue reading...

Released via Warp, the compilation combines the one-off vinyl releases sold at the IDM legend’s recent live shows Continue reading...

For HAYLA, the journey to center stage began as so many great stories do—quietly, in the wings. Until suddenly, the world was listening. A voice that first captured the ears of electronic music fans with "Escape," a collaboration with deadmau5 and Kaskade's Kx5, HAYLA has now become impossible to miss. The British singer-songwriter has now announced her first solo U.S. tour, offering fans in four major U.S. cities a front-row seat to one of today's most defining voices of the genre. Having released her scintillating debut album DUSK last month, HAYLA is decisively spearheading her own path. Recorded over three years, the 10-track collection is both expansive and deeply personal, traversing themes of loss, renewal and self-discovery. Her sold-out headlining debut at LA's Roxy Theatre earlier this month was a promise kept—proof that her voice is now, unequivocally, the main event. In February 2025, she will bring that momentum to four cities across the United States: New York City's Webster Hall, Denver's Bluebird, San Francisco's Great American Music Hall and Seattle's Neumos. Tickets to HAYLA's February 2025 tour go on sale December 19th at 9am local time. c/o Press Follow HAYLA:X: x.com/haylasings TikTok: tiktok.com/@haylasings Instagram: instagram.com/haylasings Facebook: facebook.com/haylasings Spotify: https://spoti.fi/41MXBgq

As 2024 approaches, the world’s partygoers are gearing up to ring in the New Year in spectacular style. From immersive musical experiences to electrifying countdowns, we have teamed up with FestGPS to bring you the top New Year’s Eve festivals you should consider attending this year: 1. Afterlife Presents: Anyma ‘The End of Genesys’Where: Sphere, Las Vegas, USA When: December 27, 28, 29, 30, 31 & January 1, 10, 11 Las Vegas’ cutting-edge Sphere venue sets the stage for Anyma’s “The End of Genesys” showcase. With breathtaking visuals and immersive soundscapes, this Afterlife production is a must for electronic music lovers looking for a futuristic and unforgettable NYE experience. 2. Neon CountdownWhere: Bangkok, Thailand When: December 30, 31 Asia’s premier electronic dance music festival is back, bigger and brighter than ever. Held in the vibrant city of Bangkok, Neon Countdown promises an epic lineup of international DJs, stunning pyrotechnics, and a buzzing atmosphere to welcome 2024. 3. Proper NYEWhere: San Diego, USA When: December 31 & January 1 Proper NYE combines coastal vibes with world-class talent in sunny San Diego. Dance into the New Year with an incredible lineup spanning house, techno, and everything in between. 4. DecadenceWhere: Arizona, USA When: December 30, 31 Known as the “City of Decadence,” this festival transforms Arizona into a dazzling paradise for music lovers. Featuring an impressive roster of top-tier artists, Decadence delivers an unforgettable two-day celebration. 5. Awakenings NYWhere: Amsterdam, Netherlands When: December 28, 29, 31 Renowned for its pulsating techno beats, Awakenings NY is a favorite among European festivalgoers. This year’s edition offers multiple dates to experience Amsterdam’s legendary electronic music scene. 6. Countdown NYEWhere: San Bernardino, California, USA When: December 31 Prepare for a space-themed celebration at Countdown NYE in San Bernardino. With an interstellar lineup of artists and larger-than-life stage production, this one-night-only festival is perfect for a galactic end to 2023. 7. Fresh Start FestivalWhere: San Francisco, California, USA When: December 31 & January 1 Kick off the New Year with the Fresh Start Festival in San Francisco. With a mix of music genres and a vibrant crowd, this two-day event guarantees an energetic start to 2024. 8. Forever MidnightWhere: Los Angeles, California, USA When: December 31 Los Angeles’ “Forever Midnight” promises an enchanting night of music, dance, and celebration. As the clock strikes twelve, revelers can expect an unforgettable countdown in the City of Angels. Whether you’re into pulsating beats, immersive experiences, or vibrant cultural settings, these NYE festivals are your ticket to starting 2024 on a high note. Secure your tickets now and get ready to celebrate in style!

Following a year of critical acclaim, WhoMadeWho is back with a remix package that reimagines their latest album, Kiss & Forget. The Danish electronic trio has tapped into a diverse pool of talent, from established veterans to emerging artists, to create a collection of fresh interpretations of their original tracks. The collection includes seven exclusive new remixes, led by rising Belgian talent MAXI MERAKI’s take on “Saturday”, alongside contributions from a supergroup collaboration of Selim Sivade, BARON, Meloko, and Konvex plus remixes from Dennis Cruz, Rockin Moroccin, Tripolism, Xinobi & AWEN, and Massimiliano Pagliara. These join previously released remixes from electronic music luminaries RÜFÜS DU SOL, CamelPhat, Mind Against & Dyzen, and more. The remix collection emerges at the peak of an extraordinary chapter for WhoMadeWho. Throughout 2024, the Danish trio has evolved far beyond their origins, amassing several awards and accolades for their revolutionary live experience. Their groundbreaking stage production, conceived with architectural powerhouse Bjarke Ingels Group (BIG) and brought to life through visuals by flora&faunavisions, EyeMix Studio, and Christopher Mulligan, has transformed venues into immersive wonderlands from New York to Santiago de Chile. Kiss & Forget, their eighth studio album, stands as a testament to the power of artistic collaboration, uniting diverse creative forces to craft both a sonic and visual masterpiece. The album transcends typical genre constraints through masterful collaborations with Kölsch, RY X, Adriatique, Blue Hawaii, and nour, while its visual counterpart, now streaming on YouTube, sees Berlin-based director Thomas Kuhn and creative director and photographer Polina Vinogradova weave a mesmerizing narrative that explores the transient nature of human connection, youth, and memory – themes that echo throughout both the original album and the remixes. Looking ahead to 2025, WhoMadeWho prepares to push their artistic boundaries even further with their ‘Kiss & Forget’ live album tour, including confirmed stops at Paris’s Olympia and London’s iconic Roundhouse. ‘Kiss & Forget (Remixes)’ Tracklist: 1. WhoMadeWho – Saturday (Maxi Meraki Remix) 2. WhoMadeWho – Children (Mind Against & Dyzen Remix) 3. WhoMadeWho & Kölsch – Heartless (Alex Wann Remix) 4. WhoMadeWho – Sweet Cuddles (Selim Sivade, Baron (FR), Meloko, Konvex__ Remix) 5. Adriatique & WhoMadeWho – Miracle (RÜFÜS DU SOL Remix) 6. WhoMadeWho & RY X – Love Will Save Me (Camelphat Remix) 7. WhoMadeWho – A3LA (Rockin Moroccin Remix) 8. WhoMadeWho – You Belong To No-One (Tripolism Remix) 9. WhoMadeWho – Sweet Cuddles (Dennis Cruz Remix) 10. WhoMadeWho & Blue Hawaii – Kiss Me Hard (Adam Ten Remix) 11. WhoMadeWho & Xinobi – Bedside (Xinobi & Awen Remix) 12. WhoMadeWho – You Belong To No-One (Massimiliano Pagliara Remix) The post WhoMadeWho Releases Remix Package for ‘Kiss & Forget’ appeared first on EDMTunes.

Purified Records, the powerhouse in melodic and deep house, has released their latest compilation album, Chronicles 24. This soothing and relaxing compilation combines some of Purified Records’ most prominent releases throughout the whole year of 2024. Chronicles 24 contains a diverse array of wonderful, outstanding tracks that range from ambient melodic jams to ethereal deep house tracks that flow beautiful through the air. All 23 tracks coming from phenomenal artists such as Nightlapse, Jack Emery, Sintra, Alex Breitling, Ovadia, ENØS, and so on bring out all the positive feelings of warmth that fans strongly associate the genres of melodic and deep house with. This tranquil compilation album that one should hear to ease in their day (and week, especially with the ongoing holiday season), is a perfect listen and the artwork on the Chronicles 24 album cover definitely does resonate with its vibrant, atmospheric theme. The artwork is a very beautiful, deep water shot of a jellyfish pair from professional underwater photographer, Daniel Nicholson, who took pictures of the beautiful types of jellyfish, including the large Lion’s Mane jellyfish with 100-foot long tentacles and the barely visible Irukandji which can adapt any environment they see fit. Click ‘Play’ on the Spotify link to stream Purified Records’ beautiful Chronicles 24 album, which allows oneself to feel all the peaceful vibes all around with. The post Purified Records Bring Out Soothing ‘Chronicles 24’ Compilation appeared first on EDMTunes.

The legendary Time Warp is back, and it’s bigger than ever. On April 5th, 2025, Mannheim, Germany will once again become the epicenter of electronic music, as Time Warp delivers an unmatched 19-hour experience. Known as one of the most iconic festivals in the global techno and house scene, this year’s edition boasts an extraordinary lineup featuring 42 of the world’s top artists performing across five stages. An Unforgettable Experience Awaits Time Warp has built a reputation for pushing the limits of music, technology, and atmosphere. Attendees can expect cutting-edge sound systems, immersive stage designs, and a production that blurs the lines between reality and art. With a rich history spanning decades, Time Warp continues to set the gold standard for electronic music festivals. This year’s event brings together a carefully curated lineup of international stars, from techno titans to rising innovators. Fans will be treated to solo performances and rare b2b sets, ensuring an unparalleled sound journey from start to finish. Warp Mannheim 2025 Lineup Time Warp Mannheim 2025 features some of the biggest names in the scene, with artists delivering their signature high-energy performances. The full lineup includes Adam Beyer, Black Coffee, Charlotte de Witte, Nina Kraviz, Ricardo Villalobos, Sven Väth, and Richie Hawtin. From heavyweights like Marco Carola, Joseph Capriati, and Ben Klock to rising talents like Syreeta and HAAi, the lineup reflects Time Warp’s mission to blend established legends with new voices shaping the future of electronic music. The Atmosphere of Time Warp Time Warp is not just a music festival—it’s an experience. The combination of state-of-the-art visuals, mind-blowing light installations, and the energy of thousands of passionate fans creates an atmosphere unlike any other. The five uniquely designed stages are crafted to transport attendees into a different world, where music takes center stage and time feels suspended. From its industrial roots in Mannheim to its expansion across continents. Time Warp remains the ultimate destination for electronic music lovers. Tickets and Details Tickets are already in high demand, so fans are encouraged to secure their spots early. Date: April 5th, 2025 Location: Maimarkthalle, Mannheim, Germany Tickets: Available now via the Time Warp official website (link here) Don’t miss this chance to witness the world’s finest DJs and producers come together for an unforgettable celebration. The post Time Warp Mannheim Unveils Stellar 2025 Lineup appeared first on EDMTunes.

The crews will be led by Jyoty, Kenny Allstar, Spice and Teezee, which will take place at Drumsheds in March Continue reading...

Closing out a milestone year, breakthrough DJ and producer Ollie Mundy has firmly established himself as a rising force on the international scene. Hailed by media and industry figureheads as one to closely watch. The UK-based artist has continued to make meteoric waves with his innovative sound and dynamic presence. In 2025, Ollie Mundy is set to make his highly anticipated return to Ibiza, building on a series of standout winter events on the island. Renowned for his signature sound and electrifying vibe, Ollie has cultivated a loyal following and proudly announced his second consecutive year with the award-winning event series Back To Mine and Days Of Disco. The summer season holds even greater promise, with exciting collaborations already in the works and exclusive OVAVA label parties to be unveiled as the new year begins, cementing Ollie’s status as a key figure in Ibiza’s dynamic music scene. With a lineup of new releases already signed and slated for an early-season drop, Ollie Mundy’s sound is poised to dominate the island’s biggest parties once again with his unique sound, solidifying his status as a key player in Ibiza’s musical landscape. Ollie Mundy has had a landmark year, delivering standout performances at London’s legendary Fabric and New York City’s Hot Situations, alongside high-profile UK festival appearances and a triumphant return to Burning Man, his spiritual home. His tracks have garnered widespread support across Germany, France, Egypt, Australia, the UK, Ibiza, Colombia, and beyond, with releases on respected labels like My Other Side of the Moon and Sondela. Ollie comments: “I’m really excited about the future of the label, especially with the incredible amount of interest coming in so quickly. Recently performing for legends like Jo Mills and Soul Central in Ibiza has further motivated me to expand my presence on the island. As my production evolves, I can’t wait to share my forthcoming releases, really highlighting the energy and emotion my music sets to convey.” This year has also marked a pivotal moment in his evolution, highlighted by the launch of his own imprint, OVAVA Music. Riding the global wave of attention toward his genre, Ollie has achieved extensive streaming success, with recent playlists reaching over 300,000 listeners and cementing his growing influence on the international stage. Ollie Mundy’s recent releases, “Kimra” and “Nothing,” have solidified both his rising influence and OVAVA Music’s growing presence in the scene. Closing out the year, Ollie has unveiled an exclusive DJ promo featuring a collection of unreleased tracks, including “Uh Oooh,” “The Mountains,” and “Searching.” These tracks have already garnered high-profile support and been spotlighted in renowned publications such as DJ Mag, Mixmag, and Techno Mood, further amplifying his reputation in the industry. As Ollie Mundy prepares for his Ibiza residency, fans can expect an exciting mix of new music and major updates in 2025. With a packed schedule and rising influence, his momentum is only set to grow. Ollie Mundy – Unreleased Now Available on Exclusive DJ Promo ‘Uh Oooh’ Limited Edition Download Here: https://soundcloud.com/olliem/ollie-mundy-uh-oooh Find Out More & Follow Ollie Mundy: Linktree OVAVA Music: www.ovavamusic.com The post Ollie Mundy Celebrates a Milestone Year for OVAVA Music & 2025 Residency appeared first on Electric Mode.

New year, new artists to watch. Back by popular demand, Dancing Astronaut’s annual class of artists to watch underscores 25 of the dance/electronic genre’s most enticing future achievers. From unique underground wavemakers to soon-to-be festival big shots running the gamut from bass to techno, with so much in between, we’re proud to continue our Artists to Watch feature for the 12th year — enjoy. Artists appear in alphabetical order. Aaron Hibell When conceptualizing Dancing Astronaut’s 2025 class of Artists to Watch, it was clear that Aaron Hibell — one of dance music’s most promising aspiring acts — should and ultimately would grace our annual list. His brand of cinematic melodic techno has garnered millions upon millions of impressions on social media, thanks to his remixes of popular tracks, like Billie Ellish’s “‘CHIHIRO,” and “destroyer of worlds,” from the Oppenheimer soundtrack. Hibell’s collaboration with 2024 Artist to Watch Alex Wann, “set me free,” received support from artists like RÜFÜS DU SOL, Tiësto, and Adriatique, and even soundtracked Ultra Miami’s 2024 aftermovie. No coincidence, considering that Hibell scored the aftermovie, further strengthening the case for his recognition as an Artist to Watch. And if all of this wasn’t enough, he’s gearing up to release his debut album in 2025, with which he’ll further evolve his sound and expand his global reach. — Zach Salafia Featured image: CRUZOE Adam Sellouk Adam Sellouk closed out his 2024 with a bang: an official remix for Empire of the Sun’s “We Are The People.” The highly-anticipated remix made the rounds on the festival circuit this summer, garnering support from Mau P, Tale of Us, John Summit, and more. Other highlights of his discography from this past year include a collaboration with Anyma, as well as an EP released via Afterlife, The Antidote. The outlook for Sellouk in 2025 is unsurprisingly bright; the newly-minted Artist to Watch will kick things off with a date at Afterlife Tulum in January. — Zach Salafia Featured image: Adam Sellouk/Instagram ALLEYCVT ALLEYCVT had herself a massive year. A string of original releases like “F______LOVE YOU,” “STRATOSPHERE,” and a high-profile collaboration with high-octane bass trio Levity, “ONE FOR YOU,” helped to bolster her growing discography. In addition to putting out a steady stream of singles this year, the DJ/producer/singer triple threat embarked on her headline “FEEL IT” stateside tour this fall and just recently announced phase two of the tour, set to continue into 2025. ALLEYCVT also received support from the likes of Zeds Dead and ILLENIUM and played major festivals like Lost Lands, HARD Summer, and North Coast in 2024, leaving no doubt that she’s worthy of an Artist to Watch in 2025 nod. — Zach Salafia Featured image: Rukes Amy Wiles After starting her DJ career at just 16 years old, London’s Amy Wiles became a resident DJ for Above & Beyond’s Anjunabeats in 2018. However, she wouldn’t release her debut single (“Biding Time”) until 2021, and that was just the beginning of what the label standout had in store. 2024 proved to be Wiles’ biggest year yet, between consistent touring, which included her sold-out debut headline show to complement her debut EP, Here I Am, and an official remix for Oliver Heldens. She has even more original music waiting in the wings for 2025 and at least one place to play it — Dreamstate San Francisco — with more soon to come. — Zach Salafia Featured image: rage_festival/Instagram Anamé In 2022, the Anjuna-backed duo, comprised of Marcus Schössow and Thomas Sagstad, burst onto the scene with their Above & Beyond collaboration, “Gratitude.” That, coupled with the release of their debut album, 2023’s Beautiful World, helped to tee up a momentous 2024 that included a collaboration with Kasablanca, a double-single release, “Hero / It Can Be Better Now,” and an album tour. The production pair has already announced that it will hit the road in 2025 for its Hopes & Fears album tour—with the album scheduled for February—staging yet another year of mounting success. — Zach Salafia Featured image: Tyler Hill Arcando At the start of each year, we hear that the coming calendar will be a drum ‘n’ bass takeover. Well, in 2024, rising drum ‘n’ bass tastemaker Arcando did everything within his power to make that claim ring true, accurately calling 2024 his “best year yet” when sharing his Spotify Wrapped recap. Martin Garrix’s deployment of Arcando’s “Jungle” remix (alongside “Scared To Be Lonely”) at Ultra in March was a highlight of Miami Music Week that attracted just about everyone’s attention. What would follow is a campaign that saw the Dutchman further expand his touring agenda and add eight more releases to his track record, including an inevitable STMPD RCRDS signing, where he became the first-ever artist to release a drum ‘n’ bass track on the label, alongside Dancing Astronaut Artist to Watch alumni, Vluarr. As the door to the drum ‘n’ bass world continues to blow open, Arcando will be standing front and center in 2025. — Ross Goldenberg Featured image: _alexrue_/Instagram Beltran A no-doubt selection for this list, Beltran first gained notoriety with “Smack Yo” on Solid Grooves in 2022. 2024 was a breakout year for the Brazilian DJ, who made his presence known in the United States with gigs at Coachella, Hard Summer, and Space Miami, among others. Along the way, Beltran joined forces with Vintage Culture for one of the most in-demand IDs of the year, a remix of Kelis’ single, “Bossy.” These factors sealed the deal for Beltran’s inclusion among our list of the artists to watch in 2025. — Alex Lambeau Featured image: Guilherme Da Rocha Clüb De Combat Clüb De Combat are ready for their biggest year to date. After signing with Creative Artists Agency earlier this month, the Israeli duo is preparing to set out on its debut American club tour in 2025. But before they hit the road, Clüb De Combat just dropped off their eagerly anticipated collaboration with Max Styler on Experts Only, “On Repeat.” It follows the slamming project that the production pair delivered on Solomun’s Diynamic label in May, Time EP. If it wasn’t already apparent, Clüb De Combat have seen tremendous support from dance music’s most recognizable DJs, and their upcoming releases will be heard worldwide in the coming year. — Alex Lambeau Featured image: Hugo Lendinning GENESI Turn the clock back to the end of 2022, and you may remember an ID that had dance music in a white-knuckle grip. GENESI—who had remained anonymous previously—was revealed to be the name that was behind what would become one of the following year’s most talked-about releases, “Everything You Have Done” alongside MEDUZA. Fast forward to now, and GENESI has built up a more-than-impressive resume, with 14 releases already to his credit over the past two years. In 2024, it felt like GENESI had truly begun to come into his own, with 10 of that tally arriving within the last 12 months. These productions landed on a slate of esteemed labels, including MEDUZA’s Aeterna Records, a widely-supported linkup alongside Max Styler on Insomniac Records, REALM Records, Tomorrowland Music, and more. All of them invariably fell into the hands of just about every A-list DJ imaginable, from Steve Angello to Anyma, to Vintage Culture to Armin van Buuren. As GENESI warms up for 2025, he’s already responsible for an ID alongside MEDUZA that will become a part of Dancing Astronaut’s most-anticipated releases of 2025, presuming it doesn’t arrive within the next few weeks. — Ross Goldenberg Featured image: GENESI/Instagram Henri Bergmann Dancing Astronaut was originally introduced to Herni Bergmann when she appeared on an Afterlife (Dancing Astronaut’s 2022 Label of the Year) compilation at the end of 2023. After witnessing Henri Bergmann’s back-to-back alongside Magit Cacoon at Cityfox’s summer edition at The Brooklyn Mirage earlier this year, we were immediately sold on her artistic potential. In the time since June, our faith in Bergmann grew tenfold, leading to the Automatik Records label head’s spot on our record of Tomorrowland 2024’s must-see sets. But this affirming flash of promise this spring was just one part of a year in which the melodic techno talent repeatedly reinforced why she should be a part of Dancing Astronaut’s Artists to Watch in 2025. In 2024, Bergmann put up six releases, fashioned Automatik’s second 15-piece compilation, and appeared on several of Zamna’s lineups. Her year auspiciously — and fittingly — concluded with the news that she will join Afterlife’s annual trip to the jungles of Tulum, where she’ll open 2025 alongside the likes of Tale Of Us, Cassian, and fellow 2025 Artist to Watch Adam Sellouk. — Ross Goldenberg Featured image: Henri Bergmann/Instagram Jackie Hollander Jackie Hollander’s discography may be young, but it’s already making waves. Two years into her career, the “All My Friends Are Hot” producer boasts releases on Insomniac Records, REALM Records (alongside current Dancing Astronaut Artist to Watch, Ellis Moss), Nervous Records, and FEMME HOUSE. Following her first summer tour, featuring standout festival debuts at Outside Lands and EDC Orlando, Hollander is primed for a breakout 2025. Hailing from the Bay Area, she enters the new year backed by thousands of fans and industry heavyweights alike. As a rising house and techno tastemaker, Jackie Hollander is scratching the surface of what will be a long and fruitful career. — Cameron DeFaria Featured image: Jackie Hollander/Instagram John Alto During Alesso’s stop in Brooklyn this past September, right before he brought out a future Dancing Astronaut Artist to Watch, he grabbed the microphone to say that “it’s always important to lift up new producers and talents.” After making his debut on STMPD RCRDS at the beginning of the pandemic, John Alto catapulted into the limelight in 2024 after he paired up with one of our favorite Swedes for “Lonely Heart.” “You’re going to hear a lot about [Alto],” Alesso told the thousands standing before him at Brooklyn Storehouse. And we’re here to back that claim. Earlier in the year, Alto teased his next chapter, which ultimately led to his first shows in the U.S. — in Salt Lake City, Brooklyn, and Los Angeles — and hinted that there’s much more to come in the year ahead, leading to an inevitable inclusion in our list of Artists to Watch in 2025. — Ross Goldenberg Featured image: Cory Ann Roberts Josh Baker A master of the unreleased, Josh Baker is arguably the most-talked-about house music DJ in the UK. A seasoned producer who even teaches classes on music production, Baker heads the rapidly-growing record label and event series, “You & Me.” Rounding out his year with a 20-show headline tour, he’ll certainly be a high-priority target for many of the world’s biggest music festivals. His two latest singles on the Three Six Zero record label have seen tremendous success, and there is only more to be heard. — Alex Lambeau Featured image: Josh Baker/Instagram Linska To some, the name Linska may ring a bell. If it does, it’s because Linska is the new musical venture from London-born actress Ella Balinska, but it’s anything but a hobby for her. Linska became a full-time endeavor this year after Balinska introduced the project alongside Rebūke in January—with “Digital Dream”—and made her DJ debut at Splash House this past spring. When Dom Dolla unleashed a scorching, techno-laden ID in Forest Hills, New York, many — including us — were left staring at an empty Shazam result. That ID — “Bad Boy,” released this past Friday via Realm Records — was quickly attributed to Linska. It went on to make the rounds in ensuing sets from Dom Dolla, the Realm founders, Gorgon City, John Summit, Dancing Astronaut Artist to Watch alumni Volaris, and more. Linska’s debut solo release debut decisively sets the stage for her artistic journey to mature and expand in 2025 with what she forecasts as “more silly beats.” — Ross Goldenberg Featured image: Linska/Instagram LUSU LUSU, a joint project launched in 2022 by Wiwek and Mike Cervello, ignited the scene this year with their self-described brand of “cinematic techno.” Their style embodies a unique sense of euphoria complemented by driving techno basslines, perhaps best exemplified by their collaboration with HI-LO, “Dizzy.” Other highlights from this past year include a collaboration with Eli Brown and releases on record labels like Drumcode, Hilomatik, and Arcane. The duo is already primed to expand on this year with a mountain of yet-to-be released tracks, eight of which can be found in their Parookaville set from this past July. And one of those aforementioned IDs—known as “Brain”—has already made its way into Eli Brown’s tracklists to help bolster LUSU’s year to come. — Zach Salafia Featured image: Sebastian Wawrzyniak Luzi Tudor As one may expect, Dancing Astronaut has a soft spot for This Never Happened — our reigning Label of the Year — and its diverse cast of talent. Our streak of including its signees in our annual class of Artists to Watch will unsurprisingly continue into 2025 with Luzi Tudor, who joins fellow TNH affiliates Otherwish, Grigoré, and Natascha Polké. Since her blissful take on melodic house was welcomed via 2021’s “Pandemonium,” Tudor has continued to solidify her stature as one of the most refreshing names in the genre and beyond. Tudor fittingly opened the calendar year as part of TNH’s North American run, where she supported Ben Böhmer and Le Youth, appeared on the first-ever lineup for We Belong Here’s New York City edition, and stacked up a quartet of releases in 2024, including an official rework of Sia in September. Tudor has already announced that she’ll join Sultan + Shepard on select dates of their 2025 tour and even teased a handful of unreleased tracks in the pipeline, making her promise for the coming year that much more compelling. — Ross Goldenberg Featured image: Salvador Rios Maesic Even if you haven’t heard of Maesic by name yet, you’ve definitely listened to one of his tracks. A veteran producer for some of dance music’s biggest icons, Maesic has garnered hundreds of millions of streams, thanks in no small part to his staggering tally of production credits. In 2024, he collaborated with Hugel, released singles on Higher Ground and Nervous Records, and finally shared his long-awaited official remix of Tchami’s “Adieu.” Be prepared for more of Maesic, now that he’s regularly touring across every corner of the globe. — Alex Lambeau Featured image: wallicorne/Instagram MARTA In 2025, all eyes are on Toronto’s rising dance queen, MARTA. Finding her groove at the intersection of techno and house, the 28-year-old spent 2024 carving out her path and staking her claim in the electronic music scene. She could be found warming up dance floors for heavy hitters like Mau P, Azzecca, and Dom Dolla, shaking it during her slots at Electric Island and Escapade Festival, and selling out her debut headline show — no biggie, right? This year, she’s chartered her course into vocal-house territory, delivering three club-ready anthems and bringing Kyra Mastro along for the ride on their late-year collab, “Ritual.” With a growing discography and an electric fanbase behind her, MARTA is primed for a major breakthrough in 2025; and we’re here for the ride. — Natalie Pereira Featured image: Patricia Brochu Mary Droppinz Mary Droppinz brings a unique and refreshing blend of bass and house to the fray. Standout singles from this past year include “Bass B$tch” and “Yummy Gummy,” released via Deadbeats. She’s closing out 2024 strong with her newest original, “Fight,” and dates at festivals like Lights All Night and Fresh Start, to name just a few of her upcoming stops. Droppinz shows no signs of slowing down in 2025 — she already features on the Lightning In A Bottle lineup and has multiple dates lined up in support of Zeds Dead, including a stop at the famed Brooklyn Mirage. — Zach Salafia Featured image: hi.gunpowder Miss Dre MISS DRE is a bona fide triple-threat. The DJ, producer, and vocalist made a splash this year with her remix of Tinashe’s “Nasty,” which enjoyed play out from Dom Dolla, Mau P, and MEDUZA, who significantly bolstered its reach. Along the way, MISS DRE released on labels like Realm Records (Gorgon City) and Insomniac Records and played a series of festivals, including Project GLOW, EDC Las Vegas, and Day Trip, among others. Looking ahead to 2025, MISS DRE will bring her signature brand of house across the country, thanks to upcoming dates in San Francisco, Los Angeles, Austin, and Miami. — Zach Salafia Featured image: timeconsumingticktock PACS PACS made waves with his (technically unreleased) remix of RÜFÜS DU SOL’s “Innerbloom.” The proof is in the ever-growing list of support for PACS’ take, which currently includes Adam Beyer, Cassian, Kevin de Vries, and even RÜFÜS DU SOL themselves. His activity since (originals like his two track OMNIA EP and singles like “Epilogue”) has evinced that his modern club take on the all-time classic was only a precursor for what was yet to come. PACS is currently sitting on countless unreleased originals and remixes that are due for a release in the new year and will continue to increase his traction. Considering these factors and the support he’s won from Tale of Us and Anyma, all signs point to a potential Afterlife debut in the near future. — Zach Salafia Featured image: Gui Urban Prospa A powerful house duo hailing from the UK, Prospa have become one of the year’s fastest-growing acts, thanks to a profile-raising run of hits, not to mention their uplifting melodies and nifty disco beats, which have brought a sense of nostalgia to the always-evolving house space. In 2024, Prospa garnered millions of streams across their Circoloco Records releases, with “This Rhythm” and “If You Want My Loving” certifying their status as one of modern house music’s most promising new acts. The duo is poised for a breakout year in the Americas and just recently concluded its biggest North American tour thus far. — Alex Lambeau Featured image: Prospa/Instagram Riordan If you’ve scrolled through TikTok at any point in the past few years, it’s likely that you’ve come across one of Riordan’s at-home production clips. Like many artists we’ve come to know and love since 2020, the UK native learned the ins and outs of dance music production when the pandemic struck. And after Gorgon City signed “Needle On The Record” — the garage-influenced weapon that can only be described as his breakout single — near the end of 2023, Riordan’s stock skyrocketed. The coming year would see Riordan spend a bit more time outside of the UK, making festival debuts at EDC Las Vegas, Seismic Dance Event, and ARC Music Festival, appearing at label events for Realm Records and Experts Only, and performing at world-class venues like Brooklyn Mirage, Space Miami, SILO, and Amnesia Ibiza. A complementary collaboration with current Dancing Astronaut Artist to Watch Ellis Moss (“GETAWAY”) duly caps off Riordan’s 2024 release calendar and conveys that he’ll gladly take the baton from Moss and carry it into 2025. — Ross Goldenberg Featured image: Riordan/Instagram Rivo In the age of TikTok and the creator economy, virality and commercial success can be achieved with just the push of a button. Parisian producer Rivo is a paragon of what’s possible when up-and-coming creatives leverage digital platforms, and even if the 22-year-old’s name doesn’t ring a bell, you’ve almost certainly heard his remix of Disclosure’s “You & Me.” His Afro house interpretation of the generational number enjoyed a seismic debut in 2023, soundtracking thousands of creator-generated videos. While the profile-raising moves that Rivo made in 2023 set the stage for a momentous 2024, virality doesn’t equate to longevity. So he spent the past year powerfully evincing that his talents stretch far beyond social media ephemera, with yet another viral remix — this time, of Armin van Buuren’s “In And Out Of Love” — a stirring outing alongside Adriatique that plays like its name (“Like A Dream”), and the revelation of his first solo single, “Last Night,” via Capitol / Disorder Records. These feats, coupled with several sold-out headline shows this year, and last year’s Beatport No. 1 (for “You & Me”), make one thing clear: Rivo is no flash in the pan. In 2025, he’ll only further build on the rock-solid foundation he’s laid in recent years. We’ll be watching, and you should, too. — Rachel Narozniak Featured image: @alexxriche & @valentinhouee/Instagram Y do I Dancing Astronaut’s Artist to Watch classes have dipped into melodic techno more than just a few times in recent years, and next year’s is no exception. As we look toward 2025, there’s another name that we feel is guaranteed to not only become an Afterlife veteran, but also one of the genre’s sought-after names: Y do I. Since the delivery of their debut album I Know in late 2021, childhood friends turned Y do I constituents Amos Chalfon and David Semo have continuously ripened their forward-thinking approach to techno. But 2024 was the year in which the duo truly began to hit its stride, with Massano’s invitation for Y do I to contribute to a Simulate label compilation and Argy and Tale Of Us’ offer for Chalfon and Semo to be a part of their White Isle residency serving as compelling proof of their momentum. And of course, we’d be remiss if we didn’t mention Kevin de Vries as one of Y do I’s many sources of support this past year; the former Dancing Astronaut Artist to Watch stood beside Y do I when they made their Afterlife debut this past September. With several Y do I IDs currently making the rounds, not to mention an upcoming appearance at Afterlife Tulum in January, the Chalfon and Semo are fully equipped for a formal breakout in 2025. — Ross Goldenberg Featured image: by.monti Featured image: NASA The post Dancing Astronaut’s Artists to Watch in 2025 appeared first on Dancing Astronaut.