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Sometimes, amongst the rising stars, you find a gem. Mix raw talent with passionate flair, innate musicality and a positively charged kilowatt aura – enter, Klueless. Quickly cementing herself as an enigmatic force to be reckoned with in the bass music world, the mesmerising selecta is on a mission to spread love and high-impact basslines, across every BPM in the book. With performances spanning a range of bass genres, styles and events, her sets pack armfuls of grit and glittering attitude, along with an irresistible energy that compels audiences to their toes. Part of the new inclusive wave, she’s breaking into the industry and its heart, with a steady determination to platform talent that needs it most, whilst encouraging us to do better, be better and love ourselves more. Klueless is the name but she’s everything but. All heads will know the PLUR message but for this promising artist, it’s the very essence of her work. Gradually, more of the community are starting to tune their ears to Klueless’ gospel. Fresh off of a series of sizzling summer sets, events season has seen her debut on the Free From Sleep mix series and join the mighty Kool FM in their new roster of shows. We wanted to know; what drives the musically ambidextrous DJ, how she envisions the scene’s future and where the journey has taken her so far. Read on for all things music, mental health in rave culture and the glimmers in between. Kamila! Why are you Klueless? Because you’re clearly very switched on… I was at uni, a DJ friend of mine and I went for a walk and a smoke and thought up ‘Klueless’. A lot of people assume that, because I’m a confident, good-looking woman, that I don’t know what I’m doing. That I don’t know what’s happening back here, what those buttons do. I wanted to take back that power by turning it on its head and saying, yeah, I may be clueless in certain things, but not music, and you’re going to be left clueless by the time my set is finished! There’s a feminist perspective to it, similar to us queer people taking back the word ‘queer’. Plus, my full name is Kamila with a K. Would you call yourself a feminist? 100%. I think a lot of people don’t understand what that word really means. The best way that I’ve learned that word is from a Beyonce track, Flawless. She quotes Chimamanda Ngozi Adichie, an influential black woman activist, speaker and author; the word ‘feminist’ means a person who believes in the social, political and economic equality of the sexes. Anyone can be a feminist if you genuinely believe that men and women can be equal. That just made complete sense to me. We know the scene needs inclusivity and things that bring us together, now more than ever. How do you think things have changed for the better? I think we are getting better. It’s been amazing to see a lot more black women DJing and on lineups. Drum and bass music originated from black culture and I think it’s important to support anybody from that background to be more involved in the scene. Don’t get me wrong, we are doing that, but I think a lot of promoters are still booking the same all cis-white-male lineups which isn’t genuinely inclusive and supportive of so much diverse talent. I do think a lot of brands and labels are doing great at being adamant on making sure that we stay inclusive and diverse, which is amazing, but I think it’s just going to take time for more women, more black women, more trans women and more ethnic people to feel more comfortable in representing themselves in a scene where they might feel like a minority. Promoters do better! I consider myself a minority as I’m mixed Kazakh and English, and was born in Kazakhstan. I’d love to preach and represent a bit more which I’m starting to do. I do know another Kazakh producer; lucidbeatz who makes amazing music. When he released a jungle track ‘with u’ I posted it on my Instagram account straight away. I’ve never heard someone Kazakh make something like that. When I heard this I thought ‘this needs to be reposted!’ Afterwards, I noticed that some people from the scene had started following him. So just goes to show it’s good to branch out and support. Agree, always show some love to an artist you enjoy, every little bit of support counts. Let’s talk shows. You’ve been everywhere this year! Ah yes! First of all, I’m really grateful to everybody for including me on a lineup. I’m so humbled to know that people are seeing what I’m doing and want to support me. I am genuinely so blessed! I would say I have a top three favourite nights from this year so far. I was quite proud that I was asked to do Shogun Sessions back in August. Personally, that wasn’t my greatest technical set, but the selection was spot on for the show. The amount of appreciation and love that I got from the community was just unbelievable. That – is exactly what I love about bass music and rave culture, everybody being so supportive and sharing the love and appreciation for your work, your curation and your ability to perform. That was something I was incredibly grateful for and a big milestone moment for me. The second one has to be Jungyals and Gays, which is a female and queer based collective that host women and queer centred events. They’ve been killing it this year and booked me for their 360 Bday bash at Loki. I went there without any expectations; it was fucking packed, it was sweaty, and everyone was in such a hype mood. Nobody felt like they had to act a certain type of way. Everyone was in their element, doing their thing. And of course, Unorthodox. That summer day rave was absolutely crazy and the best Unorthodox so far! It’s been amazing to see more queer events grow recently and in turn grow the scene. Yes! Everyone is half naked and free; being who they are, just being human. Personally that’s how I resonate with being queer, or my queer identity. I feel human, like a human being, in touch with myself and with my body. I don’t feel like I’m in the matrix. I’m not a robot! I also love how a lot of queer events are multi genre too. At Jungyals and Gays, I heard people spinning garage, then a bit of breaks, then I came on to play dubstep; the BPM just kept creeping up towards the end of the night. It’s had an effect on me by making me start to consider building more variety into my sets, instead of just one genre each time. I love how you align your identity and values to music. Though first, we know you’re a multi genre queen, but what genre was your first love? I loved drum and bass before I even realised what drum and bass was. When I first started making music, at 14, 15 for GCSE Music, I based my first ever track on Andy C, ‘Heartbeat Loud’ before I knew that it was drum and bass. The first track I ever made was drum and bass but I didn’t know it! Then I started experimenting with different genres like hip hop and got some vinyl decks at one point, to teach myself how to mix on vinyl and learn how to scratch. I bought loads of old school hip hop vinyls; Nas’ N.Y. State of Mind, Earl Sweatshirt. Then that died very quickly because I got used to fast paced digital DJing with other genres. Dubstep and the garage came in when I was at uni, I got fully immersed in drum and bass, but also explored the bassy speed garage. After uni, I explored a little further and I fell in love with 140 and its super grimy yet deep and smooth and heavy sound. I ended up getting a bunch of tracks which I played around with and realised that mixing them all is completely different. But, you can double garage and dubstep, which I now do religiously. You’ve got to have a favourite child… UKG and speed garage are very bouncy and wobbly, round and warm. It fills your chest but you can still bounce to it. But then dubstep makes you feel like a gangster in the sense of giving you a confidence boost. I love it. Dubstep or grime is a genre that’s been misunderstood for some time, but it has some insane history. Jungle has a very unique groove to it, which I really adore, especially the fast scatty drums. Nia Archives is killing it right now and she’s a black woman representing jungle! If I had to pick, it would be drum and bass for the amount of versatility within it. There’s so much more to the bass genre than at first meets the eye. It’s a limitless sound, I think bass music is genuinely so limitless because the way that we produce it is through a computer and through that there are infinite ways of creating. We can create anything in sound design, even a new sub genre. Like skatimal. Like skatimal. I’ve been saying more often these days thanks to Gabs, or Gifta. There are some tracks that I don’t know how to describe genre wise, apart from being skatimal. Who are your favourite artists right now? Hamdi all the way. Taiki Nulight, borne is making some really cool music. Effin, he makes heavier dubstep using a lot of samples from 1950s music. Flava D probably has been my biggest inspiration, because she is the epitome of everything that I’m trying to do, I very much look up to her. She’s also queer, she’s a woman, and she’s been making music for ages, but she started making grime first, then garage with Royal-T and DJ Q and eventually drum and bass. She’s my biggest inspo for bass music overall, she can make literally anything. Satl also did the LA Fling EP this year with Brandy Haze, an R&B vocalist, which I adored. When I make drum and bass, I love to include jazz instruments or R&B vocals, hooks, to create a groove. You’ve mentioned production and projects in the past. Is there a Klueless release on the horizon? Yes! I’m getting closer and closer to releasing something. I have a lot of fun making bootlegs and edits, as well as making my own original stuff. I don’t want to give away too much yet, but I would say I’m still a little way off being ready to finally get that music out there. I’ve had a lot of help from a lot of really good friends, in terms of feedback and advice. I’m really confident in the direction it’s going in, it’s probably the best it’s been ever since I started. I was very on and off for a long time because of my confidence and because of this huge fear of failure. The shift in my mindset has massively allowed me to improve my production abilities. When you use your environment and play to your strengths, you can accomplish amazing things. I want to stay as dedicated and focused on the process rather than the end result. If I can get myself excited for what I am doing and not what I haven’t done yet, that massively helps with my confidence. I want to start reaching out to my audience and make more encouraging content on social media to get other people out of that rotten, negative mental space. Because no one can grow in that environment and in that headspace. Is there a specific habit that you’re trying to pin down as part of your process? The need to be more aware of creating healthy habits, prioritising real self care, especially when you’re playing out a lot and having late nights. We’re all surrounded by a lot of temptation, and if we’re able to balance the fun nights with the working nights, then that can make things easier. Personally, I make sure that production is part of my routine, if it’s not daily, then it’s at least weekly. I think the biggest creativity killers are comparison and envy. I’m generally not a jealous person, I’m very comfortable and confident in myself. But when it comes to music, that’s the only time I’ve ever started to feel negatively and compare myself to others. There have been so many times where I’ve had huge insecurity after playing a set – where I didn’t feel I did that well and the thoughts that I had on myself are just absolutely terrible. I know so many artists who have the same problem. That’s another reason why I want to advocate for mental health. My mom is a therapist and she’s massively helped me with a lot of my mental issues, but also my self esteem. Self esteem for a music artist is one of the most important things we need! We cannot openly share ourselves and our deep work with the rest of the world without it. Thank you for sharing that. Mental health is important for everyone but the music industry does bring unique challenges. Practising gratitude, self affirming, doing things you enjoy, getting active, laughter – all these things can help. We all want to be successful. But at the end of the day, just being happy is the make or break in your life, it’s absolutely key. If I was depressed or had difficult mental health problems, I wouldn’t be able to do anything. That’s why your happiness and your mental health is number fucking one. It changes your life completely. We’re all familiar with substances, we’ve all had fun with it. But there is a point where if you want to take this industry seriously, you have to find a balance or get rid of it completely. You have to prioritise what you want. I know artists who are sober, clean, but even then sometimes their self esteem isn’t great, which is why they’ve laid off in the first place. I think we’re getting there with awareness of all this and there’s a lot of wellbeing content online, which I love. Looking forward, how do you think bass music can help and shape the world? The sense of collectiveness and the feeling of freedom and care for others can do a lot for people and the world. Standard clubbing environments can feel quite toxic. If you look at bass music, if you go to a rave, everyone is so cuddly and considerate; you say sorry if you bump into someone, you check if someone’s okay if they’re on the floor, if you see somebody upset in the toilet, you ask them if they’re okay. That wouldn’t really happen in other places. Younger generations go raving because they feel safer, that they’re surrounded by good people, they’re free, not being judged. I’ve noticed people are becoming less judgmental, becoming a lot more understanding of mental health and more open-minded and appreciative of culture. So drum and bass is going to save the world? Haha yes! But really I think raving does bring a different perspective to the human race, it’s made a big impact so far and we’ll see where it goes. 10000% agree. What do you love most about the community? The fact that there’s little judgement. Growing up, my mum raised me to be a very self assured person. She’s always complimented me and given me lots of words of affirmation. At school, I was always picked on because of that, people thought that I was too confident for my own good, or that I drew too much attention to myself. I like to have a positive vibe and a positive outlook on life and people and the others didn’t like it. When I went raving, I could truly be myself and not be judged, which is what I mean by freedom. I can be hyper, I can be silly. I’m just happy and love showing my emotions. When I go into a rave, everyone enjoys seeing other people just have fun. It’s very carefree, very relaxed and judgement free. My heart! I love this. I think we can all feel proud to be part of this community. Quick fire round now; if you had to do a B2B with a non drum and bass artist who would it be? Hamdi for sure. One because the music is fucking hype and two because its so hype then everyone else is so hype. I haven’t sweated so much in my life than at a Hamdi event. What elevates a set from good to great? Energy. It’s all about the way that you show people that you love what you’re doing. I’ve played sets before where I feel like I haven’t done as well technically as I could have. But because of my energy and how much I enjoy what I do, regardless of how well I’m doing it, these nights have been some of the best sets I’ve ever played. Your energy, your persona and personality matter. Huge! We’re so excited to see what you’ve cooked up! Finally, do you have a message to the heads? Focus on the process and your systems, rather than the end results. Believe in yourself and fuck what anyone else thinks!

Italian DJ and producer Gabry Ponte has been a defining force in electronic dance music for over two decades. From the global phenomenon ‘Blue (Da Ba Dee)’ to his upcoming historic show at San Siro Stadium, Ponte continues to push boundaries in the dance music scene. In this exclusive interview, the former Eiffel 65 member discusses his Grammy-nominated track’s enduring legacy, his milestone-packed 2024, and his vision for the future of electronic music. From launching his new label PENTAPHONIA to collaborating with industry titans like Steve Aoki and Sean Paul, Ponte shares insights into his creative process and the evolution of dance music. Before jumping into your 2024 highlights. Let’s start things off with a bit of nostalgia. ‘Blue (Da Ba Dee)’ is undoubtedly one of the biggest dance tracks of all time and has become a global cultural phenomenon. How do you feel about the track’s enduring legacy, and did you ever imagine it would still be so popular decades later? It’s hard to explain the phenomenon of Blue (Da Ba Dee), also because it takes on forms and dimensions of such magnitude that even I am amazed! Blue has been at the center of a movement and the evolution of dance music worldwide, and just thinking that after 25 years it received a second Grammy nomination thanks to the rework by David Guetta and Bebe Rexha speaks volumes about its longevity and relevance. I am, and always will be, grateful for this track. It’s evergreen…actually, everblue! Concerning the impact of ‘Blue’, we’ve all heard numerous remixes of the track but which remix or interpretation of ‘Blue’ has impressed you the most? As mentioned before, David’s remake is one of a kind! It gave the track a second life without distorting it, while making it contemporary. There have been many reworks and remixes of the song, but this one stands out above all, without a doubt. Your ’25 Anni di Dance’ tour celebrated 25 years of your music career and kicked off 2024 in style. What were some of the most memorable moments from the arena tour? The celebratory tour for my 25-year career will leave so many beautiful memories in my mind, but if I have to choose one, I’d say stepping onto the stage in Milan for the first show, with a venue of over 12,000 people completely sold out, was a fantastic moment. When, at the end of the show, a group of fans started chanting “San Siro, San Siro” over and over, I became convinced that we could put on a great show at the “Scala del Calcio”, as the Meazza Stadium in Milan is often called. You launched your boutique label PENTAPHONIA earlier this year, exclusively on Beatport. What inspired you to create the label, and what’s your vision for discovering and promoting new electronic music talent? Pentaphonia was created to be a space dedicated to club releases, as free and experimental as possible. We’re just at the beginning of this journey, yet we’ve already achieved results that have exceeded expectations, with numerous tracks charting in the most relevant genres. This makes me realize we’re on the right path. For next year, we already have an exciting release schedule, featuring both top-tier names and emerging artists whom I can’t wait for you to discover. This past year saw some incredible cross-genre collaborations from Tiesto and Dimitri Vegas & Like Mike’s remix of ‘Mockingbird’ to your track with Steve Aoki’Save Me’ and the dancehall-inspired ‘Born To Love Ya’ with Sean Paul and NATTI NATASHA. What has been the most rewarding part of collaborating and what has been the most challenging part? Collaborating with artists of this caliber and such immense talent is a constant source of inspiration and pushes you to raise the bar of what you demand from yourself. The artistic encounter with any artist is enriching in itself, and having the opportunity to work with talents of this level is truly an honour. Speaking of recent music, your single ‘Ghost’ closed out this year, can you tell us about the creation of this track? ‘Ghost’ was a fun project because it let me tap into my nerdy-nostalgic side. Reworking such a well-known theme is no small challenge. Everyone recognizes that melody, and in my opinion, when you approach these iconic musical pieces, your task is to give them a fresh, contemporary feel without altering their essence. I had a lot of fun creating this track, and the audience’s excitement when I play it live is truly incredible. You’re set to headline Milan’s San Siro Stadium – a massive milestone for any electronic artist. What does this event mean to you, especially as an Italian DJ who’s been pioneering the dance music scene? It’s a dream come true to be honest. San Siro is a legendary venue, and to be the first DJ to perform there feels like a huge win not just for me but for the entire dance music community too. When I started djing back in the days there was not such a thing as “superstar djs” the dj was supposed to be playing in clubs and today I have the opportunity to perform in front of more than 50k people I still can’t believe it. It’s a chance to showcase how far our scene has come. You’ve taken to some epic stages this year including Tomorrowland Brasil, Arabax Music Festival, Moon & Stars Festival. Are there any moments behind the decks from 2024 that stand out? The thrill of performing in front of thousands of people is truly indescribable. You never get used to it—it gives you a unique adrenaline rush and creates a connection with the audience that is unforgettable. Thousands of hands and hearts beating in unison amplify the emotions conveyed through the music to the highest degree. It’s a collective ritual of immense power. Electronic music is constantly evolving with technologies like AI and immersive experiences. How do you see these emerging technologies potentially transforming music production and live performances in the next few years? Music is an extraordinary testing ground for technological advancements and has the unique characteristic of always being at the forefront, embracing and being influenced by innovation earlier than many other forms of artistic expression. I see AI as a tool that can assist artistic intuition and speed up certain processes. However, without the awareness and the ability to control the machines, it will never reach its full potential. Therefore, studying music and production remains essential for everyone—to be the drivers of this change rather than being overwhelmed by it. As someone who’s been at the forefront of electronic music for 25 years, looking ahead to the future, what emerging trends or new sounds in the global dance music scene are you most excited about, and how do you see yourself potentially incorporating these into your future work? A notable trend is the revival of sounds that were huge around the period I started making music. I’m thinking about iconic synthesizers like the Korg M1 or sampler like the 909 or the 303 which shaped electronic music in the 90s. These elements are being reinterpreted and the results are pretty cool to me. Catch Gabry Ponte live in 2025! Gabry Ponte, Electric Brixton, London on 1st March 2025. More info here. Gabry Ponte, SAN SIRO DANCE, San Siro Stadium, Italy, 28th June 2025. More info here.

Techno enthusiasts all over the world just gasped a little bit. Beatport’s Nr. 1 Techno DJ Mother Charlotte de Witte just released her final mix of the year called One Mix for Apple Music. The set takes us on a transcendental and atmospheric journey on spatial audio to celebrate an incredible year for Techno. The Belgian DJ and tastemaker explained on social media that the mix was couple months in the making, including studio sessions at the atmos studio in Los Angeles alongside the Apple Music Team. One Mix with Charlotte de Witte Usually when we get a de Witte set, you can expect brand new music, with lots of underground hypnotic and atmospheric sounds. The One Mix did not disappoint, starting of with some really unexpected electro and breakbeat vibes. As the Techno begins, we dive deep into dark and acidic undertones. The track selection continues with the likes of Inox Traxx and Nicolas Boudaieff. Moreover, we bounce the energy higher with one of Charlotte’s original tracks from her latest EP. The Marion Di Napoli collaboration ‘Fourth Dimension’, flips the script into more energized soundscapes. Then, we finish up strong with more talented producers such as Peppe Amore, and KnTxT label newcomers Alpha Tracks and Gaston Fiore. This mix takes you on an adventure that dwelves in the darkness and ethereal. Its power comes from the outstanding blend of Dark Techno with Trance, dabbing into different emotions and sounds that are limitless. Charlotte does it yet again with an inspiring set that represents her prowess in her reign. What’s Next? Charlotte had an incredible year. To sum things up, she completed a major world tour with KnTxT. Then, she launched her archive label Epoque. In addition, she had massive success with the KnTxT Turbo at Amsterdamn Dance Event. Lastly, Charlotte is prepping for three sold out nights for her B2B Event with Exhale Label owner Amelie Lens, in Ghent, Belgium, in late January. The post One Mix With Charlotte de Witte For Apple Music appeared first on EDMTunes.

Tanner Petulla, known professionally as Getter, is an American DJ, producer, and rapper who has significantly influenced the electronic music scene. Emerging in the early 2010s, Getter gained recognition for his dynamic dubstep tracks and collaborations with prominent labels like Firepower Records and OWSLA, the latter founded by Skrillex. Getter became a beloved name in bass music. However, his career took a major turn with the release of his 2018 album ‘Visceral‘. Visceral marked a departure from Getter’s signature sound, showcasing a more introspective and experimental side of his artistry. While the album was praised by critics for its emotional depth and production quality, it received harsh backlash from many fans who expected the aggressive bass drops he was known for. The negative reception took a toll on Getter, and he ultimately canceled his Visceral tour, stating that the experience had left him feeling unsupported and disheartened. Getting booed, and having things thrown at you during your show by your fans is truly saddening. In a 2022 interview with This Song Is Sick, Getter revealed that this period significantly impacted his passion for releasing music. He explained, “There’s no point in putting out music if it’s going to drain me mentally. I just don’t care about being the biggest anymore.” This sentiment, combined with the lasting disappointment from Visceral, led him to step away from consistently releasing music under the “Getter” moniker. Earlier this year, Getter through his Terror Reid rapper alias officially announced the end of his project, signaling a desire to pursue creativity without the pressure and expectations that come with his established persona. While his future remains uncertain, his journey serves as a testament to the challenges artists face when evolving their sound. The post The End Of Getter, No New Music appeared first on EDMTunes.

The Bloody Beetroots' new tour will celebrate 20 years of punk rock-infused electronic music. Since 2005, the influential producer has brought edgy, hybrid performances to fans all over the world. With plenty of guitars, screams and intense electro production, he has united listeners of many genres with a sound that's equally appealing to those who prefer their music made with strings and those who prefer it from a computer. Now, in honor of the 20th anniversary of his project, The Bloody Beetroots will embark on a world tour celebrating this seminal sound. Sir Bob Cornelius Rifo says his setlists will include a bevy of his most beloved collaborations, like "Warp 1.9" (with Steve Aoki), "Zoning" (with ZHU) and "Out of Sight" with Paul McCartney of The Beatles). The man behind the mask shared a lengthy statement reflecting on what propelled him for two decades and the importance of punk rock in his creative process. "Looking back on the past 20 years of my career, one word encapsulates it all: Chaos," he said. "It’s the force that has shaped The Bloody Beetroots, driving every reinvention and defining its evolution. At its core lies a single root—punk—woven into the fabric of electronic music. This fusion wasn’t just a creative choice; it was a way to fully articulate my identity, my influences and my philosophy in sound." "When I started The Bloody Beetroots, it was more than a project—it was a vision," he continues. "A bold attempt to reconcile two seemingly opposite worlds: the raw rebellion of punk and the boundless energy of electronic music. Growing up immersed in both, I wanted to create something that bridged the gap, something that allowed these influences to coexist naturally. It wasn’t just about innovation—it was about finding harmony in the chaos." The tour is set to kick off February 8th, 2025 in London. Tickets are on sale now and can be purchased here. Follow The Bloody Beetroots:X: x.com/bloodybeetroots TikTok: tiktok.com/@bloodybeetroots Instagram: instagram.com/thebloodybeetrootsofficial Facebook: facebook.com/thebloodybeetroots Spotify: spoti.fi/3sromlx

Get ready to embrace the magic of the holiday season! Lane 8 has just dropped his much-anticipated Winter 2024 Mixtape, signaling the official start of winter. This year, his mixtapes brought us the charm of fall late and now deliver the warmth of winter early. Don’t miss out on Daniel’s Winter 2024 Mixtape, available today on this cozy Wednesday through This Never Happened on your favorite streaming platform. Tune in and let the music elevate your winter vibes! Winter Mixtape 2024 For the next two hours and 42 mins be immersed in the sounds of incredible artists like Ashibah, Sultan + Shepard, Rinzen, Ocula, and Massane, all featuring in the This Never Happened compilation. Joining this prestigious lineup for the first time are mOat, Pambouk, and Tenvin, making this a must-listen event. You’ll also hear from familiar favorites like deadmau5, Disclosure, and Jeremy Olander. Plus, we have the thrill of 10 mysterious IDs labeled ‘ID-ID’ to keep you intrigued until their official releases. Don’t miss out—check out the full tracklist here! here. As we approach the end of the year, we can’t help but express our gratitude for the incredible experiences Lane 8 fans have enjoyed in 2024. This year has been truly remarkable, especially with the release of his much-anticipated album, Childish. Our team at EDMTunes has been captivated by Daniel’s work, and it comes as no surprise that Childish has secured a spot on our Top 10 albums of the year. Among the standout tracks, ‘You’,a collaboration with Kasablanca, shines brightly, ranking as one of our Top 15 tracks of 2024. Furthermore, Daniel’s collaboration with Kasablanca on their debut album, highlighted by the emotional track ‘Remission’ adds to the excitement. Get ready for an unforgettable 2025, as Lane 8 is gearing up for the Childish Tour. The first leg of his North American Tour has been announced, so be sure to check out the dates here. If you’ve never experienced a This Never Happened show, you owe it to yourself to attend. Leave your worries behind, let go of your fears, and fully immerse yourself in the present moment on the dancefloor—absolutely no phones allowed. This Never Happened. Stay connected with EDMTunes for all the latest in dance music! The post Lane 8 Declares Winter Early With The Last Mixtape Of 2024 appeared first on EDMTunes.

An alliance is set to reshape nightlife and entertainment in Ibiza this summer: elrow has officially unveiled its Saturday residency at the revolutionary new [UNVRS], the world’s first ‘hyperclub’, set to open in 2025. Combining next-generation technology, immersive design, and elrow’s unparalleled creativity. This partnership will run every Saturday from June 7th to October 4th, 2025. Redefining Clubbing Culture [UNVRS] is promised to be a groundbreaking venue designed to push the boundaries of nightlife with cutting-edge technology, advanced architecture, and transformative experiences. For elrow—a brand with over 150 years of entertainment experience—this new residency is a game-changing opportunity to evolve its experiential productions into unparalleled levels of spectacle. The 2025 season will feature four reimagined elrow themes: Hallucinarium – A psychedelic cosmic journey exploring consciousness through kaleidoscopic visuals and mind-bending projections. Kaos Garden – Inspired by Okuda San Miguel, a vibrant reinterpretation of Bosch’s Garden of Earthly Delights, blending urban art with interactive installations. Nowmads – A celebration of cultural diversity and intergalactic exploration, where tribes, animatronics, and surreal narratives merge. Sambowdromo – A carnival-inspired Amazonian wonderland with samba rhythms, immersive visuals, and vibrant Brazilian energy. Each Saturday, elrow promises an immersive multi-sensory experience where music, art, and technology collide. Thus creating larger-than-life productions for a global audience. A fifth theme, for the Closing Party, will make its debut this summer. A Cinematic Announcement The residency was announced in style with a cinematic ‘2025: A Space Rowdissey’ trailer, which premiered in Barcelona to 500 key figures in music, art, and media at Barcelona’s Phenomena Experience Cinema. Starring elrow’s founders Juan Arnau Jr. and Cruz Arnau, along with their father Juan Arnau Sr., and featuring Yann Pissenem, CEO of The Night League, the trailer teased an interstellar adventure leading to this monumental partnership. A Historic Partnership and Immersive Evolution During the premiere, a fireside chat featuring Juan and Cruz Arnau, Yann Pissenem, and Romain Pissenem—CEO of High Scream LTD—highlighted the significance of the elrow-[UNVRS] alliance. Cruz Arnau, co-founder of elrow, shared: “This marks the culmination of our journey in Ibiza, taking us back to our roots but with a vision for the future. [UNVRS] offers a space to redefine creativity and elevate our shows to levels never before imagined.” Yann Pissenem, founder of The Night League, added: “elrow’s legacy and [UNVRS]’s innovation will set a new global standard for nightlife—clubbers are in for an unforgettable experience.” Juan Arnau Jr., Creative Director of elrow, emphasized: “With this new space, we can integrate aerial acrobatics, animatronics, and cutting-edge tech into our themes. It’s a turning point for elrow.” Elrow’s technical director Ferran Pascual explained how [UNVRS] enhances their vision. “We’re moving from a stage-centric setup to an interactive narrative where every corner of the club is alive. It’s a playground for creativity.” Additionally, music remains central to the experience, with global electronic acts set to feature throughout the season, promising world-class lineups every Saturday. With tickets on sale now, elrow and [UNVRS] are poised to write a new chapter in Ibiza’s legendary clubbing history. The post Elrow Announces Residency at New [UNVRS] Ibiza ‘Hyperclub’ appeared first on EDMTunes.

At this point in the age of electronic dance music festivals, it’s not often that a festival lineup completely nails it with a lineup that hits all the right notes. We Belong Here just accomplished this major feat with its 2025 lineup and our jaws are on the floor. This boutique beach festival on Miami’s Virginia Key is now in its 4th year, and it has completely figured out the vibe that it is trying to cultivate. This festival, returning on March 1-2, 2025, is all about nature and golden hour vibes, featuring emotional deep and progressive house that you could listen to at the beach, on the ocean, or anywhere in nature. This year’s lineup shows that the festival is going all in on that vibe. Screenshot This lineup is nearly perfect with headliners Eric Prydz, Kaskade, Lane 8, and Steve Angello. They are supported by Cristoph, LP Giobbi, Massane, and Yotto. Each of these artists will play 2 hour sets and there is still more to be announced, including a special guest headliner who has never played before at the festival. A presale is available by signing up here for early ticket access. Tickets go on sale Thursday, December 26, with early access available starting Monday, December 23, for those who register for the presale in advance on the festival website: www.webelonghere.world/miami. For those traveling from afar or looking for a staycation, We Belong Here has partnered with Moxy South Beach, AC Hotel, and Element Hotel in Brickell to set up travel accommodation packages. In addition to discounted rates, guests can expect a curated experience with festival-adjacent amenities. For more details, head to https://www.webelonghere.world/miami-travel/ The post We Belong Here Goes All in on Golden Hour Vibes with Insane 2025 Lineup appeared first on EDMTunes.

Italy’s globally acclaimed KappaFuturFestival has unveiled its first wave of artists that will perform at its 12th edition returning to Parco Dora, Torino on July 4-6, 2025. The event remains one of the world’s most celebrated electronic music events, connecting the many facets of Italian culture to the past, present, and future of the genre’s foremost flag bearers. Let’s take a look at some of the names we know so far. The lineup is spearheaded by the legendary Carl Cox, a Kappa FuturFestival stalwart who returns for his 9th appearance with his Live set in tow alongside fellow Futur favorite Seth Troxler who makes his 8th appearance. The lineup also boasts Belgian techno powerhouse and KNTXT label head Charlotte de Witte, techno titans Adam Beyer B2B Maceo Plex, Anyma who returns following last year’s Voyager stage triumph, and the visionary Nina Kraviz who set the Solar stage ablaze last year. Kappa FuturFestival also welcomes several acts making their debut at the festival in 2025, including Italian powerhouse Alignment, Ukrainian duo Artbat, Detroit’s DJ Stingray 313 going B2B with Helena Hauff, the eclectic Caribou Live, and Germany’s Binh, celebrating 10 years of his Time Passages label. Additional highlights include the influential scene veteran DJ Hell, industrial techno riser Fantasm, and back to backs from Francesco Del Garda B2B Ben UFO, Cloudy B2B Novah, Airod B2B Anxhela, and Ogazòn B2B Ryan Elliott – a worldwide exclusive for the festival. The phase one lineup is rounded out by Adiel B2B Quest, Azyr, Dixon, Donato Dozzy, Fleur Shore, Joe Claussell B2B Ron Trent, Kevin de Vries, Miss Monique, Nico Moreno, Paco Osuna, Reinier Zonneveld, Shlømo, Skream B2B Prospa, Tini Gessler, Vintage Culture B2B Beltran, and YOUniverse, with many more names forthcoming. For tickets and more information on Kappa FuturFestival, visit the official website here. The post Kappa FuturFestival Announces First Wave of 2025 Lineup appeared first on EDMTunes.

Arugbably deadmau5’s most iconic track ‘Strobe’ is seeing 3 new remixes. The return of the classic track will take you on 3 unique journeys from Victor Ruiz, OddKidOut, and Layton Giordani. Lisbon-based techno producer Victor Ruiz executes an elevating techno take on the legendary ‘Strobe.’ It might be the favorite out of the bunch. He has this to say: “deadmau5 has been one of the biggest influences in my career. . . remixing [Strobe] was a true honor and a massive personal milestone.” Building up the all-star package, the Layton Giordani remix–which previously was released earlier this fall, became one of the 100 most-played tracks at the global music industry gathering ADE. OddKidOut takes a different approach going a more bass-heavy route filled with break-beat drums. The release of the Strobe EP follows other stellar remixes from deadmau5’ illustrious repertoire including the Jaded EP package, including J’aded’ remix by Volaris, Jauz’ ‘Ghosts ‘n’ Stuff,‘ John Summit’s ‘I Remember,‘ and Rebuke’s ‘Not Exactly,‘. Upcoming deadmau5 shows: DEC 18 – El Paso, TX – 11:11 DEC 19 – El Paso, TX – 11:11* DEC 20 – Houston, TX – Stereo Live DEC 21 – Dallas, TX – Silo DEC 28 – Vancouver, BC – Contact Winter Music Festival DEC 30 – Avondale, AZ – Decadence DEC 31 – San Diego, CA – Nova SD JAN 10 – Puerto Rico – El Patio JAN 24 – Aspen, CO – X Games Aspen JAN 24 – Aspen, CO – Belly Up FEB 16 – Cordoba, Argentina – Cosquin Rock Festival The post deadmau5 Drops Remix Package of Iconic Track ‘Strobe’ appeared first on EDMTunes.

Terry Golden’s Art of Rave has continued to grow over the past year, reaching the milestone of 150 episodes and captivating audiences across more than 70 stations worldwide. With its commitment to showcasing the full spectrum of Electronic Music, Art of Rave has become a go-to destination for fans seeking both familiar sounds and fresh discoveries: an emblem of the passion and dedication behind Terry Golden’s creativity. Each episode not only reflects his deep understanding of the genre but also highlights Terry Golden’s unwavering commitment to connecting with his audience through music, captivating fans with his unique approach. This year, Art of Rave reached new heights, not only in its listenership but also in its ability to attract world-class talent. Standout episodes featured guest mixes from Electronic Music heavyweights like Martin Jensen, Hardwell, and Nicky Romero, bringing refreshing vibes to the show whilst further enhancing the show’s ever-growing reputation. With mixes spanning across the landscape of Electronic Music, Terry Golden’s Art of Rave has remained nothing short of diverse in both energy and sound throughout 2024, giving way to captivating vibes with each instalment. From featuring popular tracks from well-known Artists to diving deep into the genre to find hidden talents to showcasing music from Terry Golden’s own catalogue, the Art of Rave episodes continue to appear as a celebration of Electronic Music, all the while highlighting the signature approach, sound, and tastes of its host, Terry Golden. As the new year approaches, Terry Golden shows no signs of slowing down. With exciting guest line-ups and a developing reach, Art of Rave is no doubt poised to make an even bigger impact on Electronic Music enthusiasts, continuing to forge ahead with more high-energy episodes and immersive sets. Make sure to tune in and stay updated with the latest Art of Rave news by following Terry Golden across social media. Listen Now to Art of Rave Now: https://music.amazon.co.uk/podcasts/9a4e4865-911d-4ba1-8c65-a7ff911a3114/art-of-rave Terry Golden Online Soundcloud | Instagram | Spotify The post Terry Golden’s ‘Art of Rave’: A Milestone Year of Talent, Energy, and Fresh Sounds appeared first on EDMTunes.

The first details of elrow’s upcoming residency at the groundbreaking [UNVRS] are revealed today. This new space, scheduled to open in 2025, sets a new standard of excellence in global nightlife and entertainment, positioning itself as the world’s first ‘hyperclub’, where advanced technology, art, design, large-scale architecture and transformative immersive experiences come together to redefine clubbing. The announcement was made via the premiere of a cinematic trailer, to 500 guests including key figures from the music industry, art, film and media from around the world at Barcelona’s Phenomena Experience Cinema. Produced by creative studio Codea, the high-impact trailer stars elrow founders Juan Arnau and Cruz Arnau, along with their father Juan Arnau Sr., and features a special appearance by Yann Pissenem, CEO of The Night League. Together they star in an extraordinary and fun interstellar journey that leads them to this new joint adventure in Ibiza. The screening was followed by a fireside-chat session with elrow co-founders Juan and Cruz Arnau. The brother and sister team, who come from a family with over 150 years history working in entertainment, have grown elrow into a global powerhouse, captivating more than 6 million people across 50 cities, 40 countries and 5 continents. They were joined on stage by Yann Pissenem, founder, owner and CEO of The Night League and Ushuaïa Entertainment, the creative and driving force behind [UNVRS] and the multi-award winning Ushuaïa Ibiza and Hï Ibiza – the latter officially recognised as the world’s number 1 club by DJ Mag in 2022, 2023 and 2024. Also on the panel was Romain Pissenem, founder, CEO and show director of High Scream LTD, renowned for his innovative immersive productions in the music industry and other major events such as the Closing Ceremony of the Paris 2024 Olympic and Paralympic Games. The panel, moderated by journalist Katie Knight, allowed the guests to expand on the details of this historic partnership between two giants of global entertainment. Elrow and [UNVRS]: a historic alliance in Ibiza that marks the beginning of a new era. Cruz Arnau, co-founder of elrow, explains: “With this historic alliance we close the circle that began in 2012 with our arrival in Ibiza at Privilege’s Vista Club. Since then, we have felt at home in different clubs on the island, living magical moments at Space Club, in our residency at Amnesia, at our amazing parties at Ushuaïa Ibiza and now we are back in the big time, where it all started. This new era together at [UNVRS] is an incredible way to celebrate more than a decade of commitment to the past, present and future of clubbing culture”. Yann Pissenem, founder, owner and CEO of The Night League and Ushuaïa Entertainment rejoins “The story of elrow is truly unique and long-standing. The Arnau family has been a reference in the entertainment world for over three generations now, and together, I am confident that we will write a new chapter for the books. [UNVRS] and elrow joining forces will provide the most creative and innovative productions ever seen in a nightclub environment. There is no doubt that the results will blow clubbers away next summer.“ For Juan Arnau Jr, Founder and Creative Director of elrow, this new collaboration represents a turning point in the brand’s evolution: “At the end of last season, we had reached the limit of what we could do creatively on the island. This new concept allows us to integrate cutting-edge technology into our themes, from aerial acrobat engines to animatronic characters, creating dream worlds that blur the line between the physical and the digital, allowing us to take our shows to a level never before possible.” This evolution also extends to the programming, with “Some of the world’s biggest names in electronic music set to make us dance every Saturday.” Romain Pissenem, CEO, Founder & Show Director High Scream LTD shares the sentiment: “At [UNVRS], we’re creating something special—a production that blends cutting-edge tech with the immersive and playful spirit of Elrow. From stunning visuals to groundbreaking stage design, every single element has been meticulously designed to elevate the party and take the Elrow experience to a whole new dimension.” elrow: technology, creativity and unique immersive experiences In its weekly residency during the 2025 season, elrow will take its creativity and spectacle to new heights every Saturday next summer with four rotating themes designed to take full advantage of the technological and immersive capabilities of [UNVRS]. Attention to detail has always been a hallmark of elrow, and in this new phase, the brand is fusing its legacy of craftsmanship with technological innovation. Ferran Pascual, elrow’s technical director, explains how the new space enhances the experience: “‘It’s a change of mentality. From a theatre-inspired ‘stage-centric’ experience, to a dynamic environment where every space in the club becomes part of the narrative. With more actors, interactive elements and surprises, every show will be bigger and better than ever.” The evolution is not just technological, with Juan Arnau Jr. pointing out that “Music has always been at the heart of every elrow event. 2025 is no different with some very big surprises planned for the residencies” He concludes: “Roweros (as our partygoers are known) will experience our dreamlike and creative worlds like never before, thanks to these new elements that blur the line between the physical and the digital. This ground-breaking new space will allow us to break down all the creative barriers that have been set up to date”. Each themed party promises to deliver unique experiences, fusing music, technology, art and immersive entertainment in a format that will redefine nightlife. Hallucinarium: Inspired by visionaries Alex and Allyson Grey, this cosmic journey transports attendees into a psychedelic universe that explores the peaks and valleys of human consciousness. With kaleidoscopic projections, dynamic sets and three-dimensional visual effects, attendees will experience a world where the boundaries between reality and perception dissolve. The synergy between art and technology creates an immersive environment that awakens all the senses. Kaos Garden: Okuda San Miguel’s work comes to life in this modern reinterpretation of Bosch’s The Garden of Earthly Delights. Okuda’s signature vibrant colours and geometric shapes merge with animated murals, interactive sculptures and a spatial design that envelops visitors in unique creative chaos. It is a place where classic art meets contemporary urban culture, transforming the space into a visual and conceptual explosion that challenges the imagination. Nowmads: A celebration of cultural diversity and intergalactic exploration, Nowmads combines tribes from different eras, cultures and worlds in an environment of constant transformation. This theme creates a hybrid universe full of surprises, from interactive scenarios to animatronic characters that invite attendees to embark on a journey where the only limit is their imagination. A display of lights, sounds and technology takes this theme to a whole new level. Sambowdromo: The heart of the Brazilian Amazon is brought to the club with this theme that celebrates the energy and rhythms of samba. Shamanic rituals, wild animals and the vibrant essence of Brazilian carnival combine with a production that includes immersive projections, infectious rhythms and kinetic sculptures. From legendary footballers to mythical jungle figures, every detail comes together to create an unforgettable party full of life, colour and tribal energy. Finally, for the as yet unannounced Closing Party, there will be a fifth theme, which, as is tradition, will be celebrated through a very special partnership to be unveiled in the coming months.

Justice are inviting fans worldwide today to celebrate their homecoming. The legendary electronic duo headed back to their hometown of Paris today to headline the storied Accor Arena for a sold-out performance inspired by Hyperdrama, their first album in nearly a decade. It's one of Justice's final Hyperdrama shows of the year following sets at Coachella and Glastonbury, among many other high-profile events and venues. Justice livestreamed the concert, in which they also launched their first-ever AR music experience, according to a media alert shared with EDM.com. Developed in collaboration with Forward and W-RLDS using Google's Geospatial Creator, the project offers fans two experiences in augmented reality on Google Maps. The "Accor Arena Experience" pays tribute to the venue and lets viewers explore larger-than-life blimps, immersive lighting effects and exclusive audio content. The "Paris Music Heritage Tour" is an AR-guided romp through various French landmarks that helped shape Justice's rise to preeminence, including La Cigale, Motorbass Studio and Ed Banger Records. “Collaborating on this innovative AR experience has allowed us to push the boundaries of digital storytelling, creating a unique fusion of music and technology that enhances cultural engagement," said Kevin McMahon, Forward's Chief Business Officer. The Accor Arena show is one of Justice's final Hyperdrama shows of the year following performances at Coachella and Glastonbury, among many other major events and venues. You can watch Justice's performance on Twitch. Follow Justice:Instagram: instagram.com/etjusticepourtous TikTok: tiktok.com/@etjusticepourtous Facebook: facebook.com/etjusticepourtous Spotify: spoti.fi/2SEFlXM

The anticipation for Jessica Audiffred’s upcoming album has reached new heights as the Mexico City producer excites fans with a three-track sampler. With the album set to release in February 2025, the sampler offers a thrilling preview of what’s to come, featuring the tracks ‘Rave On’ (ft. Chae), ‘Run Away’ (with Softest Chyl), and ‘Goes Like’. For newcomers to her music, this sampler serves as an excellent introduction—not only to the album’s vibe but also to the dynamic energy and creativity that define Jessica Audiffred’s sound. With a diverse mix of bass-heavy, festival-ready sounds, the sampler showcases Jessica’s versatile production style and unique energy. ‘Goes Like’ kicks things off with high-energy bass house vibes, built to get any crowd moving. ‘Rave On’, an electrifying collaboration with vocalist chae, blends electro and vocal elements for an anthemic track that’s bound to resonate with fans. Rounding out the sampler, ‘Run Away’ teams Jessica with Softest Chyl for a fast-paced, bass-driven banger designed for the festival mainstage. This sampler highlights Jessica’s range as a producer as well as her ability to mix multiple genres into a style that is uniquely her own. With this sampler, Jessica Audiffred not only reaffirms her position as one of bass music’s most formidable talents but also as a trailblazer for women in electronic music. Known for her electrifying live sets and signature festival bass sound, Jessica has earned a reputation as a female figurehead and visionary in the industry, shattering expectations with each new release.

Introduction Deep within the heart of the Yucatán jungle, where mysticism meets music, Day Zero Tulum has solidified itself as one of the most iconic and transformative festivals in the world. A flagship event curated by Damian Lazarus, Day Zero returns for its 2025 edition on Saturday, January 11th, once again promising an unforgettable experience filled with music, art, and nature. As festival-goers descend on Tulum for this annual gathering, the allure of ancient Mayan energy merges with the future-forward sounds of global electronic music. A Tradition of Excellence in Tulum Since its inception in 2012, Day Zero has become more than just a party—it is a ritualistic celebration. Rooted in honoring the end of the Mayan calendar and rebirth of new beginnings, the festival draws inspiration from Tulum’s rich cultural heritage and its connection to natural forces. What sets Day Zero apart is its dedication to curating an experience that respects the beauty of the land while providing a hedonistic escape for music lovers. Nestled in Tulum’s lush jungles, the festival transforms its surroundings into an otherworldly playground. From ancient trees to cenotes glowing under the moonlight, the setting serves as both a mystical backdrop and an immersive experience. Attendees are encouraged to disconnect from daily life, embrace the magic of the moment, and embark on a journey that transcends the conventional. The Music: A Stellar Lineup Day Zero is renowned for its expertly curated lineup, and the 2025 edition is no exception. This year, the festival features an impressive roster of global heavyweights and rising stars. Leading the charge are Fatboy Slim, Major League DJz, Patrick Mason, Lee Burridge, Dubfire, Victor Calderone, Carlita, and Adam Ten, alongside many more trailblazing artists. As always, Damian Lazarus will deliver his signature alchemical blend of beats, serving as both curator and performer. From Afro-house to techno, deep house to experimental sounds, this year’s lineup promises an eclectic sonic journey that will keep attendees dancing from dusk until dawn. Previous editions have hosted legendary names like Black Coffee, Maceo Plex, and Peggy Gou, and the 2025 edition carries forward this tradition of excellence. With both established legends and cutting-edge innovators, Day Zero Tulum 2025 is poised to be one of the most musically diverse editions yet. Immersive Production and Design One of Day Zero’s most captivating elements is its cutting-edge production and stage design. Each year, the team outdoes itself with intricate, nature-inspired structures, glowing installations, and art that pays homage to Mayan mythology. Attendees can expect a multi-sensory journey: Stages adorned with sacred symbols and immersive visuals. Interactive art installations blending technology and organic materials. Performers, from fire dancers to aerialists, bringing the jungle to life.The festival also embraces eco-conscious design, incorporating sustainable practices like biodegradable materials and waste reduction initiatives, ensuring the event gives back to the land it occupies. The Spiritual and Cultural Connection Day Zero transcends the traditional festival format by integrating elements of ritual and ceremony. Expect moments of reflection through: Temazcal Ceremonies: Traditional Mayan sweat lodges offering a purification experience. Meditation Spaces: Areas for connection, introspection, and spiritual grounding. Energy Work: Guided experiences led by local shamans and healers.The merging of art, music, and spirituality taps into Tulum’s essence, creating a deep connection between attendees and the environment. It’s this balance of celebration and cultural reverence that makes Day Zero so unique. Sustainability: Respecting the Jungle With growing attention on environmental sustainability, Day Zero has taken steps to ensure it aligns with Tulum’s fragile ecosystem. Past initiatives include: Partnerships with local conservation groups. Reusable cups and eco-friendly decor. Encouraging festival-goers to embrace a “leave no trace” mindset.This commitment ensures Day Zero not only provides a transcendent experience but also works to protect the land that makes it possible. The Experience Beyond the Festival Tulum, itself a bohemian paradise, offers countless experiences beyond the music. For those attending Day Zero 2025, the days surrounding the festival can be filled with exploration: Visiting cenotes, the sacred natural sinkholes. Exploring the Mayan ruins overlooking the Caribbean Sea. Indulging in Tulum’s world-class food scene, with mezcal bars and farm-to-table restaurants. Discovering the region’s hidden beaches and vibrant art markets.Day Zero provides a perfect anchor to a week-long journey of culture, nature, and self-discovery. Final Notes As the calendar turns to 2025, Day Zero Tulum stands ready to once again captivate its audience with a night that blurs the lines between ancient and modern, music and ritual, celebration and introspection. For those seeking an experience that transcends the ordinary, Day Zero is more than a festival—it’s a pilgrimage into the heart of the jungle and the soul of electronic music. Pack your bags, open your heart, and prepare for the magic of Day Zero Tulum 2025. photo credit: Alive Coverage

After a long-awaited return, San Holo is back in Thailand, ready to captivate audiences at the iconic 808 Festival. Known for blending heartfelt melodies with electronic beats, San Holo brings his unique artistry and passion for connection to the stage. In a candid conversation with Preetika, he opens up about his culinary adventures in Bangkok, the creative evolution of his music, and the magic of live performances. From introducing his guitar into sets to redefining genres with innovations like “Wholesome Riddim,” San Holo continues to push boundaries while staying true to his core message: it’s all about love. So, San Holo welcome back to Thailand after a long time. Thank you very much. I see that you’ve been very happy to be here. I’ve been seeing your stories that you’ve been going on a semi-food tour. How’s that been? Great. I just love walking around and taking in the energy of the city. We’re staying at a hotel in the middle of the city. It’s really great. The food here is also really great, super amazing. Today’s set basically marks your first appearance at 808. What are your expectations and how do you think the night is going to go? It’s been 5 years since I’ve been here in Bangkok and I’m very happy to be back. I’ve got my guitar with me and I’m going to play a whole new set. I’m just very excited to connect to Thailand again. So without revealing too much because you know we want the element of surprise, can fans anticipate any exclusive tracks or unique elements besides the mention of the guitar to your set? So I’ve just released a new EP, it’s called ‘What is Life’ and I’ll be playing a lot of new songs from that EP. I’m going to try and speak a little bit of Thai “Phom Ruk Khun”. If anything, I’m just going to feel it out and see what the crowd needs and I’m just going to kind of feel the energy and play the best set that I possibly can. So you were talking about going with the rhythm and the flow, that brings me to my next question. At Lost Lands, you sort of introduced the concept of ‘Wholesome Riddim’, could you tell us a bit more about that? So you know Lost Lands is a very heavy dubstep festival and I wanted to bring something more wholesome and beautiful to the festival so I kind of tried to invent something new and I actually made a lot of new songs for that festival and called it ‘Wholesome Riddim’. People really liked it. Even though dubstep is known to be very heavy and dark, I wanted to make it more vibrant. I tried to introduce my own little sounds and sauce into the genre. I think that’s what’s great about being a music producer in 2024 is that there is genre fluidity going on where you can cross between genres without the restriction of being tied to one particular genre compared to 10-12 years ago. Yep. I mean I’ve always said that San Holo is a feeling, it’s not a genre. Throughout my career I’ve made house songs, trap songs, guitar-based songs, ambiance songs, at the end of the day it’s all just love. That’s what I want to do with San Holo, I want to show people how I experience the world with my sounds and my songs. I’ve always just been doing all kinds of experiments. I’ve also always been a music geek, so I was always in my room making the beats and the music. I never really went to the clubs until I started doing the San Holo thing. Just besides the music thing, it also introduced me to a whole new lifestyle. I got to travel because of this and it’s been a beautiful experience. I wanted to go onto how you mentioned you integrate your guitar into your sets. How do you balance spontaneity with structure during your performances? I think the crowd offers spontaneity. I can plan everything but when I see that the crowd is not vibing or is extremely vibing with something, I’ll end up going more in that direction. It’s really dependent on the crowd. It’s beautiful. It’s always a surprise. Speaking of structure, this brings me to my next question..So outside the realm of electronic dance music, are there any artists you’d like to collaborate with in the near future? Yeah I want to do some crazy collaborations that no one expects. Like I want to collaborate with a crazy heavy dubstep producer and a trance artist. I just want to do stuff that you normally think wouldn’t go together and basically make it work. I also want to show people something new. The whole San Holo thing for me has always been about doing something new or introducing people to a new feeling. Back in 2014 trap music was really big and I wanted to make it more melodic and colorful and initially people thought it was weird, sounds different. Even when I showed my friends, they said it’s a little too exotic but it worked. My last question is that as you take the stage at 808 festival, what’s the core message you hope to convey to the audience besides “Thailand Phom Ruk Khun”? The message is that it’s all love. Whatever genre you’re playing or whatever style you’re playing, it all comes down to love. It sounds very cliche to say oh it’s all love but truly it is all love. We’re all connected through love. Thank you so much again for sitting down with me on behalf of EDM House Network, 808 and all your fans. I look forward to your set tonight. Thank you very much. Thailand, let’s go!

As 2024 comes to a close, Insomniac Records is gifting us with the release of its ‘Best of Insomniac Records 2024’ compilation this Friday, after a milestone year. The compilation is made up of 25 tracks, showcasing standout releases from its catalog this past year. Brimming with phenomenal talent and some of the most memorable tracks to surface at Insomniac’s world-renowned festivals, the track list is a star-studded affair, including massive dancefloor moments such as the house anthem ‘Forever‘ by HUGEL and Diplo, BLOND:ISH’s indie dance number ‘Never Walk Alone’ featuring Stevie Appleton, afro house single ‘Sauti‘ by Francis Mercier, the disco-powered ‘Joy‘ from LF System, and many more. The stats on some of these releases are highly impressive; BLOND:ISH’s ‘Never Walk Alone’ garnered 17,120,150+ total Spotify streams, was the cover of Spotify’s ‘mint’ playlist, and received support from BC R1, Arielle Free’s Rave-Up, KISS FM UK, Sirius XM. It was also the debut single leading to Insomniac Records’ first-ever album release. HUGEL and Diplo’s ‘Forever’ ft. Malou & Yuna amassed 23,548,941+ total Spotify streams, was the cover of Spotify’s ‘Mint Japan’ playlist, hit #1 on Beatport’s Afro House chart, and was covered in Billboard, Mixmag Caribbean, Mixmag LATAM, DDC, and more. Mau P’s ‘On Again’ official music video has 1.1M+ views, got the cover of Spotify’s ‘Mint’ playlist, and was supported in key radio and press, including Sirius XM, Capital Dance, Pete Tong Essential Mix, Rolling Stone, DJ Mag Germany, Fox 5 Las Vegas (Interview at EDC), The Zane Lowe Show, and more. A Standout Year for Insomniac The Insomniac Music Group’s successes aren’t limited to the main imprint – while Insomniac Records was home to 449 releases this year, the powerhouse label had 721 total tracks across all their imprints, with 620 artists released. Some of those highlights include Boys Noize’s ‘FVKVRVND’ on HARD Records, INFEKT’s Back To Back EP on Bassrush Records, Miss Monique’s ‘Look at You’ on Interstellar Recordings, Eli Brown and Lily Palmer’s ‘Gasoline‘ on Factory93, and more. In addition to music releases, IMG also launched Insomniac Publishing, its internal publishing vertical, which was revealed alongside the opening of its brand-new Insomniac Studios at the company’s headquarters. Insomniac Records hosted festival stages at its flagship events, including EDC Las Vegas, Beyond Wonderland (SoCal, Chicago, PNW), EDC Orlando, EDC Mexico, EDSea, Escape Halloween, Countdown, and Project Glow. Additionally, it produced branded shows: Noizu in NYC, Noizu x Max Styler in Hawaii, the Miami Music Week showcase at Nautilus, ADE at W Hotel, Night Trip, and Odd Mob at the Hollywood Palladium. Additional noteworthy milestones include launching new branded labels: Interstellar Recordings and Break Room Records. Their new talent-finding initiative, Discovery Project, hosted 16 contests with 15 special guest judges: Illenium, LP Giobbi, Oliver Heldens, NGHTMRE, Jessica Audiffred, San Holo, Seven Lions, and more. Insomniac Records’ Best Of compilation is out Friday, December 20. You can pre-save the album here. The post Insomniac Set To Release ‘Best Of Insomniac Records 2024’ Compilation appeared first on EDMTunes.

Kygo takes his tropical vibes to the next level and is set to open up the Palm Tree Club Miami hotel on December 21st. This 150-room hotel has a 20-ship marina (for boat access to dinner), dining experiences, a 24-hour fitness center, and more. All together, they will immerse guests in Kygo’s relaxed, beach club vibes. Back in 2022, Kygo and his manager mentioned this spectacular build and the exact goal of it. “That’s what we’re trying to create: something that’s bigger than the music. A community, a movement.” – Kygo More details on the Palm Tree Club The Palm Tree Club is exactly that, a place where music fans, especially tropical house lovers can come together. Kygo and his manager, Myles Shear are turning the former Shuckers Waterfront Bar & Grill hotel into a Miami must-stay. The building features Miami Modern (MiMo) style architecture with influences of Art Deco. The creation of Palm Tree Club draws inspiration from the Margaritaville empire of the late Jimmy Buffett, which encompasses music, resorts, restaurants, and other lifestyle offerings. “WE ARE BUILDING A NEXT GENERATION PLATFORM AT THE NEXUS OF LIVE ENTERTAINMENT, TROPICAL LIFESTYLE, AND FLEXIBLE CAPITAL SOLUTIONS.” – Palm Tree Crew The Palm Tree Crew & Palm Tree Festival Kygo and Shear have expanded their brand, the Palm Tree Crew into a multifaceted brand, including an artist management division, a record label, a festival organizer (the Palm Tree Festival), and food & beverage projects. They have had great success bringing the tropical lifestyle to life through music, events, and now a whole hotel. The post Check Out Kygo’s Brand New Palm Tree Club in Miami appeared first on EDMTunes.

Editor's Note: EDM.com proudly publishes four installments of annual year-end coverage: Industry Leaders, Performances & DJ Sets, Music Producers and Songs. Each year, EDM.com highlights the most daring and innovative sets, amplifying the artists whose boundary-breaking work is reshaping electronic music on a global scale. From intimate underground showcases to massive festival spectacles, these performances are celebrated not only for their technical mastery, but also for their ability to influence cultural movements. This isn't about popularity or ticket sales—it's a recognition of artistry that cultivates moments fans will remember for decades. In no particular order, discover the best DJ sets and performances of 2024 below. ODESZA — "The Last Goodbye" Finale, Gorge AmphitheatreODESZA's swan song for their "The Last Goodbye" era was a triple-header at Washington's breathtaking Gorge Amphitheatre. The duo built a universe unto itself in the Pacific Northwest, the perfect setting for their farewell performance before an indefinite hiatus. An immense amount of planning and coordination goes into bringing any ODESZA experience to life, but they took it to another level in the cradle of the Gorge's grandeur. Soul-stirring string renditions, powerful live vocalists and exhilarating mashups took the crowd on a journey that somehow felt both cathartic and deeply intimate. Meanwhile, fans turned into puddles of emotion as they walked through "Echoes," a surrealist, tech-driven art installation moonlighting as a monument to their unparalleled connection with ODESZA's Clayton Knight and Harrison Mills. The duo had shared an anonymous phone number and asked fans to leave voicemails containing their favorite ODESZA memories, which were played in 4D audio around the installation's gleaming towers and transcribed on their LED panels. Transforming the concerts into hubs for immersive storytelling, ODESZA proved that technology can facilitate the emotional release of their music when wielded with intention and purpose. Words by Saad Masood and Jason Heffler. View the original article to see embedded media. Skrillex — Lollapalooza, ChicagoWhen Lollapalooza announced that one of its most iconic stages would be renamed after Skrillex for one night only, you knew something special was coming. Fans attending the storied Chicago festival in 2024 were treated to two performances from Skrillex at Perry's Stage, which officially transformed into "Sonny's Stage" on Saturday. He opened Saturday with an early performance under the Windy City sun before closing the night with a spectacular headlining set. As you might expect from an artist of this caliber, the performance was not only one of the festival's best, but one of the year's best. Skrillex used his stage takeover to offer fans a career retrospective that celebrated all his groundbreaking chapters as well as the enduring legacy of Perry's Stage and its namesake, Lollapalooza co-founder Perry Farrell. From his ageless remix of Avicii’s "Levels" to his collaborations with Justin Bieber, Damian Marley and Boys Noize, Skrillex reminded us why he remains one of the industry's most prolific artists. Words by Nick Yopko. Arca — Boiler Room: CaracasFrom the shadows of systemic erasure in her native Caracas, Arca took on the pressure cooker of Boiler Room and threw down a homecoming DJ set for the ages. "This set should be studied by at least 20 anthropologists," one awestruck fan commented on YouTube. Amid the ongoing, catastrophic Venezuelan refugee crisis, Arca returned home and rebuilt in sound what had been fractured in spirit. Her larger-than-life Boiler Room headline in March reunited a group of DJs who hadn't performed in the country for over a decade, according to local photographer Augusto Silva Alliegro, who called the show "a historic moment for Venezuelan music and the country." Arca vogued and vibed as she threaded a latticework of distorted bass and ambient textures, curating a set that was simultaneously disruptive and deeply intimate. Highlights included spins of "Rain (I Want a Divorce)" by the late electronic music legend Ryuichi Sakamoto and Arca's woozy remix of Frank Ocean's "Little Demon." Flexing her thrashing beats and signature unpredictability behind the decks, it was a form of radical storytelling—a transgender artist reclaiming space in a challenging cultural terrain. Words by Jason Heffler. Keinemusik — Pyramids of Giza, EgyptThere's no doubt that Keinemusik started a cultural movement in 2024. You were bound to spot someone sporting the collective's "uniform"—hat, silk scarf and glasses—at any house music show this year. However, their set at the legendary Giza Pyramids in Egypt hit different. Bringing along their signature "kloud," Keinemusik's Adam Port, &ME and Rampa delivered a rave experience for the ages on April 19th. Perfectly matching the mystique of the pyramids, the oldest of the Seven Wonders of the Ancient World, the rare performance helped further propel Afro-house music globally. Words by Brooke Bierman and Jarett Lopez. RÜFÜS DU SOL (DJ Set) — Mayan Warrior, Burning ManThe Burning Man community was devastated by last year's heart-wrenching loss of the beloved Mayan Warrior art car, a symbol of unity and magic that set the stage for unforgettable musical moments on the playa. But it rose from the ashes in 2024 and—reborn as Galaxyer—ushered in a new era with RÜFÜS DU SOL leading the way. After a five-year hiatus, the group returned to Burning Man for an instant-classic DJ set. The way they captured the alluring energy of the playa was magnetic and their curation impeccable, stacking beloved RÜFÜS acapellas (like "Treat You Better" and "Underwater") atop modern melodic house jams (like "Nothing On Me" by Maz, APACHE and Maxi Meraki). The hotly anticipated performance also featured aching remixes of "Lately," "Music is Better" and the timeless "Innerbloom." Add Galaxyer's outer space-themed production and a striking sunset on the playa to the mix, and you've got an audiovisual feast. Black Rock City came alive. "The energy we felt during the Mayan Warrior set was unlike anything we have ever experienced," RÜFÜS DU SOL said at the time. Words by Rachel Freeman, Saad Masood and Jarett Lopez. Justice — CoachellaSeven years after their last performance at Coachella, Justice returned to the desert in breathtaking fashion in 2024. Closing out the Outdoor Theatre, the iconic French duo unraveled a set comprising almost entirely unreleased music. It was dazzling showcase of Hyperdrama, their first album in nearly a decade, which released just a few short weeks later. Bold, glitzy and undeniably dynamic, Justice's Coachella set was a masterclass in live electronic music performance that bubbled over with the retrofuturistic electro that made them icons. It was one of those rare sets where you couldn't decide whether to stand in awe or lose yourself on the dancefloor. Words by Andrea Nguyen. TSHA — "In The House" Defected Ibiza Summer Sunset BoatSun, soul, summer, saltwater and TSHA: the perfect storm for an instant-classic DJ set. TSHA in 2024 released her long-awaited sophomore album, Sad Girl, but first she cruised the Mediterranean Sea on a yacht and threw down one of the year's best DJ sets. Back in April, the influential house music producer became the first artist to perform for Defected Records' revamped "In The House" mix series, which relaunched this year as part of the label's 25th anniversary celebrations. TSHA's touch was fresh yet reverent, a perfect tribute to the iconic series. She dropped a handful of her own hits, like "Sweet Devotion," as well as sun-kissed dance records by Amine Edge & DANCE, Monki and Todd Terry, among others. Each track felt like a conversation, where soulful vocals and dynamic production spoke to your emotions while brisk percussion propelled your body—and the boat—forward. To that end, the radiant DJ set is a microcosm of TSHA's artistry. It invites you to move, but compels you to listen—and in that balance lies her magic. Words by Jason Heffler. Michael Bibi — One Life LondonIt's tough to identify an artist who had a more impactful year than Michael Bibi, the house music icon who triumphed over a rare form of cancer and made DJing history. His journey from survival to celebration reached its pinnacle at One Life London, a totemic and dramatic performance that marked Bibi's return to the stage after becoming cancer-free. He played for over 45,000 fans in his hometown, setting a new record by headlining the largest electronic show in London's history. The show was an emotional whirlwind, with poignant visuals showing clips of his time in the hospital and scenes from his childhood. Bibi bangers like "Got The Fire," "Different Side" and his remix of "Eyes on Fire" heated up the crowd for over three hours, and his father even joined him onstage for a mesmerizing guitar solo. Bibi's historic performance wasn't just a concert—it was a testament to the power of dance music to heal, ultimately bringing to life a vision that he said kept him inspired during his time in the hospital. Words by Rachel Freeman. LSZEE — Red Rocks AmphitheatreLSDREAM and CloZee make up the genetic code of their brainchild, LSZEE, but the project is distinctly its own. The renowned Red Rocks Amphitheatre was a picture-perfect venue to unleash the full creative force of their self-titled LSZEE album, a record about curiosity, spirituality, nature and the exploration of a vibrant world. The duo's two-night spectacular was an immaculate example of frequencies in perfect harmony, LSDREAM's contagious enthusiasm bringing CloZee out of her shell and CloZee's culturally rich music adding fascinating layers to LSDREAM's wubs. Maybe it was the organic surrounding nature of Red Rocks, sending LSDREAM and CloZee back to Joshua Tree where the LSZEE project was conceived. Maybe it was the palpable vibrancy of the crowd. Whatever the case, LSZEE's remarkable doubleheader is etched in the memories of their fans forever. Words by Shakiel Mahjouri and Madison Berg. G Jones b2b EPROM — DEF DetroitWhile the techno world flocked to Detroit for the storied Movement Festival over Memorial Day weekend, the DEF team cooked up one of the most intimate and incredible DJ sets of the year. Sweat and hot breath filled the air like a fog machine gone haywire as fans took up every centimeter of Big Pink, a tiny venue that used to be a hot water tank manufacturing warehouse, for a chance to witness G Jones share the stage with EPROM. Together, the virtuosic producers threw down hours of experimental bass, live acid originals, unreleased tracks and incomprehensible sounds that left everyone stunned after the house lights came on. Words by Nick Yopko. Honorable MentionsISOKNOCK | North Coast Music Festival Porter Robinson | Hollywood Bowl Sara Landry | III Points Music Festival Of The Trees | Red Rocks Amphitheatre Martin Garrix | Ultra Music Festival ALLEYCVT | Lost Lands Kenya Grace | Coachella Maddy O'Neal | Shambhala Music Festival John Summit b2b Green Velvet | EDC Las Vegas Swedish House Mafia | Tomorrowland

Exploring the fragile line between the genius and vulnerability of Avicii, director Henrik Burman has opened up about the emotional weight of his upcoming documentary, Avicii - I'm Tim. Due out December 31st on Netflix, the film is set to release in tandem with Avicii – My Last Show, which revisits the night he graced the stage of Ibiza's storied Ushuaïa club for what would be his final performance. Less than two years later, the DJ, whose real name was Tim Bergling, tragically died by suicide. Burman says the project began in 2019 as a concept for a TV documentary about Avicii's final album, Tim. It came with its own unique set of challenges, like trying to unearth fresh footage of the late EDM icon while taking on a "huge amount" of research. "Everyone around Tim had gone through an extremely difficult time, and of course, everyone deals with it in different ways—there were many long conversations. We in the team were determined to give this the time it needed and move forward slowly and carefully," Burman explained in a Netflix Q&A, which the streaming service shared with EDM.com. "Then there is always the challenge of the edit itself. To allow yourself to make mistakes and redo and to seek the essence of the story in a large amount of material. To find the right tone. Making the right choices." Avicii DJing at Ushuaïa Ibiza on August 28th, 2016, in what was ultimately his final performance.Netflix The acclaimed Swedish director's journey into Bergling's world was driven by a profound curiosity—not just about the universal appeal of his music, but about the man behind it. What began as a quest to demystify the seemingly untouchable "Avicii universe" evolved into an intimate search for the human truths that shaped his artistry. As the threads of Bergling's life, creative ambitions and public persona intertwined, the filmmaker found both clarity and complexity. "When I started working on the film, my biggest driving force was trying to find the opposite—a closeness to Tim as a person, to search for something I heard in his music and understand where it really came from. Quite early on, I felt sparks between who he was as a person, what he was striving for artistically, and how he was perceived as an artist. That was the basis for my story... Weaving that narrative with his life story and at the same time taking a holistic approach to his entire career was a huge challenge but was also what constantly drove me forward." A striking warmth and humor emerged, particularly in Bergling's early years, surrounded by friends, family and the untainted joy of creation. This balance of light and darkness set the tone for a nuanced portrayal, unflinchingly capturing both the struggles and the brilliance that defined his career. "The first thing I noticed when I saw all the archive material was how much warmth and humor there was in and around Tim with his team, friends and family," Burman recalls. "In particular, this was a dominant feeling in the early years before everything became more complicated and big." "But also towards the end of his life. I just saw a lot of passion. It was a side I hadn't seen so clearly before and it became a good foundation to stand on to set the tone for the work; without shying away from the difficult parts and issues in Tim's life. It was also important for me to carefully try to portray the complexity that came to dominate Tim's life. Because even though it was extremely dark in the darkest parts, there was also a lot of light." Tim Bergling, the late EDM icon known as Avicii.Netflix Burman says he ingested thousands of hours of private archives, recordings, interviews and Avicii's music to viscerally understand his plight. The film features never-before-seen archival footage from every chapter of his journey, including childhood moments captured on family VHS tapes and candid snapshots from friends' phones. Through these fragments, he hopes "to give the viewers a greater understanding of who [Bergling] was, both as a person and an artist." He paints a picture of a documentary that's both an intimate portrait of Bergling and a reflection of something universal—the beautiful, messy complexity of life, where nothing is simple and every story is layered. It invites fans to look beyond the icon of Avicii and uncover the tender, human heart beneath the beats. "A viewer said to me that 'the film is so specifically about Tim—but at the same time is so universal.' And I thought that was beautiful. Life is not simple, there are no easy answers, everything is complex and multi-layered. That's what I aim to contribute to Tim's story. I also hope that the dedicated fans will gain a fresh perspective on both Tim as a person and Avicii as an artist. It's a documentary film that captures a life!" Watch the official trailer for Avicii - I'm Tim below.

Ahead of Italy’s 12th edition returning to Parco Dora, Torino on July 4–6, 2025, Italy’s highly praised Kappa FuturFestival has revealed its phase one lineup. Connecting the numerous dimensions of Italian culture to the past, present, and future of the most flag-bearers of the genre, Kappa Futur Festival remains among the most recognized electronic music events worldwide. The full phase one lineup for Kappa FuturFestival includes Adam Beyer B2B Maceo Plex, Adiel B2B Quest, Airod B2B Anxhela, Alignment, Anyma, Artbat, Azyr, Binh, Caribou Live, Carl Cox Live, Charlotte De Witte, Cloudy B2B Novah, Dixon, DJ Hell, DJ Stingray 313 B2B Helena Hauff, Donato Dozzy, Fantasma, Fleur Shore, Francesco del Garda B2B Ben UFO, Joe Claussell B2B Ron Trent, Miss Monique, Kevin de Vries, Nico Moreno, Nina Kraviz, Ogazòn B2B Ryan Elliott, Paco Osuna, Reinier Zonneveld, Seth Troxler, Shlømo, Skream B2B Prospa, Tini Gessler, Vintage Culture B2B Beltran, YOUniverse. With the first round of acts comprising exclusive back-to-back sets, global headliners, next-generation risers, and an overall wide-ranging diversity of selectors, Kappa FuturFestival’s initial lineup continues to showcase the festival as a melting pot of leading international world-class talent. Kappa FuturFestival lineup 2025 The venerable Carl Cox, a Kappa Futur Festival staple returning for his ninth visit with Live set in tow alongside another Futur favorite Seth Troxler making his eighth appearance, leads the roster. Along with Belgian dance powerhouse KNTXT label head Charlotte de Witte, techno heavyweights Adam Beyer B2B Maceo Plex, Anyma returning following last year’s Voyager stage triumph, and visionary Nina Kraviz setting the Solar stage ablaze last year. Along with several acts debuting at the festival in 2025, including Italian powerhouse Alignment, Ukrainian duo Artbat, Detroit’s DJ Stingray 313 going B2B with Helena Hauff, the diverse Caribou Live, and Germany’s Binh, celebrating 10 years of his Time Passages label. Further highlights include industrial techno raiser Fantasm, back to backs from Francesco Del Garda B2B Ben UFO, Cloudy B2B Novah, and Ogazòn B2B Ryan Elliott, a worldwide exclusive for the festival. Scene veteran DJ Hell is also highlighted. Adiel B2B Quest, Azyr, Dixon, Donato Dozzy, Fleur Shore, Joe Claussell B2V Ron Trent, Kevin de Vries, Miss Monique, Nico Moreno, Paco Osuna, Reinier Zonneveld, Shlømo, Skream B2B Prospa, Tini Gessler, Vintage Culture B2B Beltran, and YOUniverse round out the phase one lineup with many more names yet to come. Kappa FuturFestival lineup 2025 The festival: Kappa FuturFestival 2025 Leading name in the European summer festival calendar, Kappa FuturFestival still rules as the largest electronic music event in Italy. Attracting audiences from 157 different countries and selling 115,000 tickets, the event was one of the most successful years ever. Over 36 hours of music, 13 after parties, and 125 different musicians over its five stages helped to create over 25 million Euros for Torino’s economy. Stay tuned for updates on the praised Art & Techno experience as well as further lineup names set for 2025. Over 14 exclusive DJ mixes recorded live during the festival accessible now on Apple Music including performances from The Blessed Madonna, Tiësto, Adam Beyer, Seth Troxler, WhoMadeWho and more allowing fans to catch up on some of the festival’s past hits. Currently on YouTube are 2024 live sets from Tiësto, LP Giobbi, and Nina Kraviz; more are due to be posted. Additionally viewable here is the 2024 aftermovie for the festival. Although all early bird tickets for Kappa FuturFestival 2025 have already sold out, 3-Day General Admission tickets are currently on sale right now. The post Kappa FuturFestival Announces 2025 Phase One Lineup appeared first on The Groove Cartel.

The record, made from biogenic waste, aims to promote a “circular economy” Continue reading...

Today, Italy’s globally acclaimed Kappa FuturFestival has unveiled its phase one artist lineup ahead of its 12th edition returning to Parco Dora, Torino on July 4-6, 2025. Kappa FuturFestival remains one of the world’s most celebrated electronic music events, connecting the many facets of Italian culture to the past, present, and future of the genre’s foremost flag bearers. Phase One Featuring Adam Beyer B2B Maceo Plex, Alignment, Anyma, Artbat, Caribou Live, Carl Cox Live, Charlotte De Witte, Dixon, DJ Stingray 313 B2B Helena Hauff, Francesco del Garda B2B Ben UFO, Joe Claussell B2B Ron Trent, Miss Monique, Nico Moreno, Nina Kraviz, Ogazòn B2B Ryan Elliott, Paco Osuna, Reinier Zonneveld, Seth Troxler, Shlømo, Skream B2B Prospa, Vintage Culture B2B Beltran + More Kappa FuturFestival’s initial lineup continues to shine a light on the festival as a melting pot of leading international world class talent, with the first round of acts consisting of exclusive back to back sets, global headliners, next generation risers, and an overall wide ranging diversity of selectors. The lineup is spearheaded by the legendary Carl Cox, a Kappa FuturFestival stalwart who returns for his 9th appearance with his Live set in tow alongside fellow Futur favorite Seth Troxler who makes his 8th appearance. The lineup also boasts Belgian techno powerhouse and KNTXT label head Charlotte de Witte, techno titans Adam Beyer B2B Maceo Plex, Anyma who returns following last year’s Voyager stage triumph, and the visionary Nina Kraviz who set the Solar stage ablaze last year. Kappa FuturFestival also welcomes several acts making their debut at the festival in 2025, including Italian powerhouse Alignment, Ukrainian duo Artbat, Detroit’s DJ Stingray 313 going B2B with Helena Hauff, the eclectic Caribou Live, and Germany’s Binh, celebrating 10 years of his Time Passages label. Additional highlights include the influential scene veteran DJ Hell, industrial techno riser Fantasm, and back to backs from Francesco Del Garda B2B Ben UFO, Cloudy B2B Novah, Airod B2B Anxhela, and Ogazòn B2B Ryan Elliott – a worldwide exclusive for the festival. Kappa FuturFestival continues to reign as the biggest electronic music festival in Italy and has cemented its standing as a leading name in the European summer festival calendar. For its 2024 edition, the event sold 115,000 tickets and attracted audiences from 157 different nations, contributing to one of the most successful years in the festival’s history. Across its five stages, the festival boasted over 36 hours of music, 13 after parties, and 125 different artists – all helping to generate over 25 million Euros for Torino’s economy. The phase one lineup is rounded out by Adiel B2B Quest, Azyr, Dixon, Donato Dozzy, Fleur Shore, Joe Claussell B2B Ron Trent, Kevin de Vries, Miss Monique, Nico Moreno, Paco Osuna, Reinier Zonneveld, Shlømo, Skream B2B Prospa, Tini Gessler, Vintage Culture B2B Beltran, and YOUniverse, with many more names forthcoming. Stay tuned for more lineup names to be announced in 2025, plus details on the acclaimed Art & Techno experience. Fans can catch up on some of the festival’s past highlights with over 14 exclusive DJ mixes recorded live at the festival available now on Apple Music including sets from The Blessed Madonna, Tiësto, Adam Beyer, Seth Troxler, WhoMadeWho and more. 2024 live sets from Tiësto, LP Giobbi, and Nina Kraviz are also available now on YouTube with more coming soon. All early bird tickets for Kappa FuturFestival 2025 have already sold out, however 3-Day General Admission tickets are currently on sale now at the link here. For more information on Kappa FuturFestival, visit the official website here. Kappa FuturFestival 2025 – Phase One Lineup Adam Beyer B2B Maceo Plex Adiel B2B Quest Airod B2B Anxhela Alignment Anyma Artbat Azyr Binh Caribou Live Carl Cox Live Charlotte De Witte Cloudy B2B Novah Dixon DJ Hell DJ Stingray 313 B2B Helena Hauff Donato Dozzy Fantasm Fleur Shore Francesco del Garda B2B Ben UFO Joe Claussell B2B Ron TrentMiss Monique Kevin de Vries Nico Moreno Nina Kraviz Ogazòn B2B Ryan Elliott Paco Osuna Reinier Zonneveld Seth Troxler Shlømo Skream B2B Prospa Tini Gessler Vintage Culture B2B Beltran YOUniverse Parco Dora in Torino, Italy | July 4-6, 2025 Tickets On Sale Now https://www.kappafuturfestival.it/tickets The post Kappa FuturFestival Announces 2025 Phase One Lineup appeared first on Electric Mode.

DLDK (Don’t Let Daddy Know) is set to make its grand return to Madrid on February 8, 2025, bringing with it a night that promises to be nothing short of spectacular. The event will feature an electrifying line-up of globally renowned artists. Headlining the night are Dimitri Vegas, Matisse & Sadko b2b Third Party, Morten, Nervo, Oliver Heldens, and Robin Schulz. Each artist is known for their dynamic performances and chart-topping hits, ensuring an unforgettable experience for attendees. In addition to the stellar line-up, the event will showcase state-of-the-art production that DLDK is famous for. Attendees can expect stunning visuals, explosive beats, and a high-energy atmosphere that will transform the heart of Madrid into a pulsating dance floor. This epic gathering of world-class talent is one of the most anticipated events on the electronic music calendar, and tickets are already on sale here. With demand expected to be high, fans are encouraged to secure their spots early.

1/ST is bringing electronic dance music(EDM) to Thoroughbred horse racing in 2025 with Black Coffee and Diplo. The 2025 Pegasus World Cup will take place on Saturday, January 25, 2025, at Gulfstream Park, Hallandale Beach, FL. The event will include luxury and lifestyle experiences, celebrity attendees, top-tier hospitality, wagering, and some of the best Thoroughbred racehorses and jockeys. 1/ST has partnered with David Grutman’s Groot Hospitality and Kygo‘s Palm Tree Crew for this event. The 3 main events will be: $3 million Pegasus World Cup Championship Invitational (GI) $1 million Pegasus World Cup Championship Turf Invitational (GI) $500,000 Pegasus World Cup Filly & Mare Turf Invitational (GII) The 2025 Pegasus Experience In detail, the experiences involved will consist of a reimagined trackside experience at Gulfstream Park’s Carousel Club. They will offer VIP access, live entertainment, post-race performances, and more. Belinda Stronach, Chairman and CEO of 1/ST, emphasized the event as one of South Florida’s leading luxury and lifestyle events. Especially, with the collaboration with Groot Hospitality and Palm Tree Crew to bring unique experiences and performances. The Palm Tree Crew with LIV VIP experience will feature complimentary drinks, bites, and access to a new trackside viewing area. These guests will be able to enjoy Whispering Angel, the official rosé of the 2025 Pegasus World Cup. Also, the exclusive Flamingo Room will offer a premium dining experience. PWC 2024 – Eclipse Sportswire To top things off, this year the horse races will feature EDM sets from multiple world-famous artists like Black Coffee, Diplo, and more. In the past, the Pegasus World Cup has had performances from artist such as Calvin Harris (2024); Joe Jonas, OneRepublic and Kygo (2023); Lil’ Kim, Ja Rule, Mase, El Debarge and DJ Cassidy (2022); Nelly and T-Pain (2020); Snoop Dogg and Mark Ronson (2019); Post Malone (2018); and Thomas Rhett (2017). TV Broadcast The 2025 Pegasus World Cup will be broadcast live on NBC/Peacock on Saturday, January 25, from 4:30 – 6:30 P.M. EST. Full-day coverage is available on FanDuel TV and in Spanish on HIPICA TV. The Pegasus World Cup will also be distributed globally in partnership with HBA Media. So, wherever you are, there is a way to listen to Black Coffee and Diplo’s sets. Tickets Tickets for the 2025 Pegasus World Cup range in price from $125 to $1,619, with unparalleled entertainment and incredible views of the action throughout the venue at every ticket level. Individual VIP ticket offerings include the Carousel Club VIP (starting at $550), Ten Palms (starting at $600), Flamingo Room (starting at $1,000), and the Garden at Carousel Club (starting at $900). Purchase tickets before they sell out at www.pegasusworldcup.com. Not satisfied? For the ultimate experience, a limited number of VIP Tables in the Garden at Carousel Club and Private Suites (featuring private terraces overlooking the track) are available by contacting [email protected]. The post Pegasus World Cup Combines Horse Racing with Black Coffee & Diplo appeared first on EDMTunes.