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Recognizing the champions of tech house, this award highlights artists who masterfully fuse house grooves with minimal and tech-driven elements, creating irresistible rhythms for the underground scene. Pawsa – Pawsa’s infectious tech-house grooves have made him a standout figure in the dance music scene. As a DJ, producer, and co-founder of the Solid Grooves label, Pawsa is known for delivering stripped-back, bass-driven tracks that ignite dancefloors worldwide. With a keen ear for detail and a dedication to the underground, Pawsa continues to shape the sound of modern tech-house. Josh Baker A Manchester-based DJ known for his groove-driven house and minimal productions. Sweely A French house producer fusing intricate rhythms with jazzy, soulful melodies. Enzo Siragusa A master of minimal house and the founder of London’s Fuse events and label. Syreeta A soulful DJ mixing feel-good house, disco, and techno beats. VNSSA A California-based DJ blending funky house with energetic basslines and techno elements. Sidney Charles A versatile house and techno producer crafting groovy, floor-filling tracks. Kyle Watson A South African producer bringing deep, bass-heavy house with playful energy. Camila Jun An up-and-coming DJ fusing melodic house with driving techno sounds. Walker & Royce A house duo known for their quirky, fun, and bass-heavy productions. The post Best Tech House Artist appeared first on Electric Mode.

Drumcode is closing out the year in style as Konstantin Sibold returns to the label with a powerful remix of Bart Skils‘ adored hit ‘Roll The Dice’. This release is a natural progression following Sibold‘s brilliant 2024 debut on Drumcode with the acclaimed ‘Lost In Space’ EP, which solidified his place as one of the year’s standout techno artists. Bart Skils, a Drumcode mainstay, has enjoyed a monumental year of his own. His ‘Bart Skils Remixed’ package dropped earlier in the year to widespread praise, featuring remixes of ‘Something More’ by Joris Voorn and ‘Shadowprint’ by Dok & Martin. Sibold’s interpretation of ‘Roll The Dice’ now joins this lineage, injecting the track with fresh energy while honoring the melodic essence that made it a fan favorite. This remix marks a significant milestone—Bart Skils’ 25th release on Drumcode—a testament to his consistent influence on the global techno scene and his unmatched ability to deliver anthems for the dancefloor. Konstantin Sibold, known for his pristine production and ability to blend euphoric, melodic textures with driving beats, delivers exactly that here: a remix built to captivate festival crowds and clubbers alike. Having had this absolute anthem on repeat, it’s clear Sibold’s remix will be a standout in sets worldwide as we head into 2025. Bart Skils – Roll The Dice (Konstantin Sibold Remix) The post Bart Skils – Roll The Dice (Konstantin Sibold Remix) on Drumcode appeared first on EDMTunes.

The COVID-19 pandemic severely impacted many industries worldwide, particularly the music industry, which faced unprecedented challenges. Musicians, who depend heavily on live performances for their income, struggled to make ends meet as concerts and tours were canceled. However, not all musicians faced dire situations during this time. Some, such as Marshmello and Steve Aoki, were fortunate enough to receive millions of dollars in COVID relief funds. This led to controversy and raised questions about the allocation and use of these funds. Marshmello, whose real name is Christopher Comstock, and Steve Aoki are both well-known DJs and producers in the electronic dance music (EDM) scene. While many artists were facing financial hardships, these two were not among them. The Small Business Administration (SBA) provided guidance that allowed artists to use grants paid to their loan-out company to pay themselves, as long as the amount was not greater than what they received in 2019. Steve Aoki’s KAWS Art – Photo by Brian Guido for Artsy. Marshmello reportedly received a staggering $9.9 million grant during the pandemic and Steve Aoki reportedly received a staggering $2.4 million in grant money on payroll costs, of which $1.9 million was officer pay. Aoki is the company’s only officer. Aoki’s publicists didn’t respond to requests for comment. However, more than a year later, the SBA requested proof of where the funds had been allocated. In response, Marshmello’s business manager, Steven Macauley of NKSFB, stated that all the money had gone directly into Comstock’s pocket. This raised eyebrows and led to questions about the legitimacy of how the funds were used. Controversy and Backlash Marshmallo’s Lamborghini by Mph Club The controversy surrounding Marshmello and Steve Aoki’s receipt of millions of dollars in COVID relief funds had a significant impact on the music industry as a whole. It brought to light the disparities in how relief funds were distributed and the challenges faced by smaller artists and businesses in accessing much-needed financial support during the pandemic. Many artists and industry professionals called for greater transparency and accountability in how relief funds were allocated to ensure that those who truly needed assistance were able to access it. The controversy also led to discussions about the ethics of wealthy individuals and businesses taking advantage of government aid intended for those in need. Ultimately, the controversy surrounding Marshmello and Steve Aoki’s receipt of COVID relief funds served as a wake-up call for the music industry and highlighted the need for greater scrutiny and oversight in the distribution of government assistance. It underscored the importance of ensuring that relief funds are allocated equitably and used for their intended purpose of supporting those most in need during times of crisis. The post Marshmello and Steve Aoki Received Millions in COVID Grant $ appeared first on EDMTunes.

Moojo is back with his latest Afro House single, ‘Mockingbird’ via his label, Calamar Records; a track primed to bring sonic heat to the dancefloors of his performances and beyond, this latest Moojo production shines a light on his signature sound, seamlessly blending rhythmic grooves with uplifting melodic energy. With an approach that leans on his rich musical background, Moojo continues to put forward music reflecting his unique journey, carving out a sonic identity that demonstrates his wide palette of inspirations; from traditional African and Latin sounds to the contemporary beats of Electronic music, his ability to merge across genres has resulted in a production style that consistently draws acclaim from listeners worldwide and industry VIPs. With his name already well-established in the scene, and with ‘Mockingbird’ earning early support by top names like Diplo, HUGEL, Rampa, and Black Coffee, Moojo continues to solidify his reputation as a highly regarded Producer and DJ, and this latest release builds on his impressive trajectory, further cementing his status as one of the standout talents within Electronic Music today. The track introduces a steady kick, Latin-flavoured percussion and textural synth work from the start, weaving a detailed tapestry of polished sound as filtered vocal lines, bassline hook, and underlying pads lead the track into its full-bodied groove. As it continues to push forward, listeners are drawn deeper into its rhythmically complex soundscape, where tension and release are manipulated with precision, and fresh details continue to join, further enriching the unique sonic flavour of the track. From soaring details to melodic piano lines, the layered arrangement of ‘Mockingbird’ further emphasises the skill and abilities that Moojo has cultivated during his time on the scene, making for a dynamic and engaging journey that will surely captivate his listeners. As his discography grows with remixes, original tracks, and collaborations, Moojo continues to ensure that through each release, he offers fans something that feels fresh yet authentic, consistently putting forth his signature sound with skill and expertise. Arriving just in time to ring in the New Year, ‘Mockingbird’ not only marks another milestone in this talented Producer and DJ’s journey but also sets the tone for what’s to come in the year ahead, capturing the essence of Moojo’s artistic growth and future potential. ‘Mockingbird’ is out now via Calamar Records and available to stream and download across platforms. Make sure to stay connected with Moojo and his journey by following him via social media today. Listen and Buy ‘Mockingbird’ Now: https://www.beatport.com/release/mockingbird/4838161 Moojo Online      Beatport | Instagram | Spotify      Calamar Records Online      Beatport | Instagram The post Moojo Returns with Afro House Gem ‘Mockingbird’ via Calamar Records appeared first on EDMTunes.

This category honours artists who blur the lines between genres, crafting intricate, experimental, and emotive sounds that push the boundaries of modern electronic music. Ross From Friends A lo-fi house innovator blending emotive melodies with nostalgic beats. Haai A fearless DJ and producer fusing experimental electronica with pulsating club sounds. DJ Koze A German producer and DJ crafting whimsical, genre-defying tracks with a soulful edge. Jon Hopkins A visionary artist merging emotive ambient music with hypnotic, club-ready sounds. Cameo Blush An experimental artist exploring unique textures and emotive soundscapes in electronic music. Craig Richards A cornerstone of UK electronic music, known for his eclectic sets and residency at Fabric. Yune Pinku A young artist delivering ethereal, genre-defying tracks that merge electronica with pop influences. Wallace A DJ and producer creating uplifting, groove-heavy house with soulful influences. Bobby Pleasure A versatile artist delivering warm, feel-good house and eclectic electronic sounds. Tom Trago A Dutch DJ and producer whose music spans deep house, funk, and disco-inspired grooves. The post Best Electronica Artists 2024 appeared first on Electric Mode.

This category celebrates artists who have defined the essence of house music with their groovy beats, soulful melodies, and impeccable production, keeping dancefloors alive with timeless energy. #1 Barry Can’t Swim A genre-blending electronic artist known for his soulful melodies and jazz-infused house music. It’s not surprise he has been voted #1 with his innovative approach to electronic music and his growing prominence in the industry. #2 Peach A vibrant DJ and producer delivering high-energy sets that span house, techno, and breakbeat. #3 Keinemusik A Berlin-based collective renowned for their emotive deep house and Afro-influenced electronic productions. #4 Chloe Caillet A multifaceted DJ and producer creating chic, groove-heavy tracks with global influences. #5 East End Dubs A house and tech aficionado celebrated for his refined productions and deep underground sound. #6 Gabrielle Kwarteng A genre-fluid DJ weaving eclectic mixes of house, disco, and Afrobeat with global inspiration #7 LP Giobbi A powerhouse DJ, producer, and feminist advocate blending house music with infectious piano riffs. #8 Call Super A boundary-pushing producer and DJ delivering abstract, experimental sounds across electronic genres. #9 DJ Holographic A Detroit-based artist mixing soulful house, techno, and funk with a high-energy stage presence. #10 TSHA A rising star in electronic music, known for her emotive productions and uplifting, melodic beats. The post Best House Music Artists 2024 appeared first on Electric Mode.

This category honors the visionaries in techno who push boundaries with their driving beats, industrial soundscapes, and innovative approaches to one of electronic music’s most iconic genres. VTSS VTSS, a leading force in the global techno scene, combines raw, industrial beats with experimental touches, pushing the boundaries of electronic music. With her roots in Poland, she’s become a favorite at iconic festivals and clubs worldwide, delivering high-energy performances that seamlessly merge techno, hardcore, and bass-heavy elements. Known for her fearless approach and dynamic sound design, VTSS has solidified her place as one of the most innovative artists in electronic music today. Ki/Ki A fast-rising artist delivering euphoric and trance-heavy sets with a nostalgic edge. Amelie Lens A Belgian techno sensation renowned for her relentless sets and chart-topping productions. Sara Landry A heavy-hitting techno DJ and producer blending dark, industrial sounds with modern innovation. Laurent Garnier A pioneer of electronic music and a trailblazer in the global techno scene for over three decades. Funk Assault A groove-focused DJ duo delivering funky, bass-heavy house and disco cuts. Tarkno An eclectic DJ blending deep, minimal techno with atmospheric textures. Anetha A Parisian techno artist celebrated for her driving, experimental soundscapes and live energy. Blasha & Allatt A dynamic duo bringing uncompromising techno energy to dancefloors worldwide. Quelza A French producer crafting cinematic, atmospheric techno with intricate detail. The post Best Techno Artists 2024 appeared first on Electric Mode.

Out on December 20th via Armada, Ukrainian techno singer Korolova and UK group Eynka team forces on the massive trance-inspired tune, “Coming On Strong.” Considered by many as an underground trance anthem, Signum and Scott Mac’s Armada-released 1999 original of “Coming On Strong” was a standard in dance music through the “90s and early 2000s.” Rising artists Korolova and Eynka reworked the track as a potent cinematic melodic techno classic twenty-25 years after it first came out. The pair improve the original with their legendary, floating vocals, modern production methods, and a threatening, jagged center synth that twists, bulges, and darts wildly. It is already showing to be a head-turning dancefloor essential, picked up so far by Adam Bayer, Agents of Time, Miss Monique, Paradoks, Ilario Alicante & Enai. Who are the artists? Korolova and Egynka Ukrainian producer/DJ Korolova has become well-known over just three years as one of the main melodic techno performers to see. Her interesting DJ sets are in demand worldwide; this year alone, she will be playing over 100 shows over 50 countries. She ranked #60 in this year’s DJ Mag Top 100 DJs list and enjoys a whopping 170 million YouTube views and 70 million streams including the single “Be Strong” (32M streaming). If that’s not enough, she performed Tomorrowland’s much sought-after main stage in July, sold out her Captive Soul show—which included Eynka—at KOKO in London in October, and has shared the stage with David Guetta, Vintage Culture, Armin Van Buuren, Above & Beyond, and many more. London-based group Eynka produces rich, dramatic soundscapes spanning the domains of melodic techno and expressive electronica. Comprising brothers Chris and Dave Hall as well as lifetime buddy Joshua Field, they produce very moving and cinematic electronic music. Renowned for their intricately layered sound, they have recorded on Diynamic, Cercle, and Stress Records and toured legendary venues including Hï Ibiza and Ministry of Sound. Egynka’s music has had a big influence in the melodic techno movement with tunes backed by BBC Radio 1 and partnerships with CamelPhat and Anyma. They initially performed their new hybrid live presentation on the road this year at famous locations including Ibiza’s Ushuaïa (listen to the set here). Out on December 20th on Armada, “Coming On Strong” is a late ’90s trance smash deftly translated for a modern techno audience. The post Korolova & Eynka revive 90’s trance classic ‘Coming On Strong’ appeared first on The Groove Cartel.

We chat to JAEL about what he can’t live without in the studio. Barefoot SoundType: Footprint03 These are my favourite monitors I have ever bought ! They look so cool, are compact and are built for serious audio pros for a great price. I came across these when my friend went to visit NAMM and told me about a 3 way speaker with MEME technology. I mix all of my own productions and these monitors are the best to my liking. Why? MEME Tech. The MEME Technology in these monitors is like having four monitors in one. You can switch between: “Flat Response” for accuracy, “Oldschool” for vintage NS10 vibes, “Hi-Fi” to mimic home speakers, “Cube” for mono and midrange clarity This makes it so convenient to check how your mix sounds on different sound systems without having to buy more gear. The monitors are like small powerhouses of sound. Don’t let their size fool you—they hit hard with tight, punchy bass, super-clean mids, and highs so crisp they’ll make you rethink every mix. They’re basically the secret weapon for anyone who wants pro-grade sound without taking up half the studio. After getting these monitors, I immediately re-mixed all of my recent mixes and productions and they gave me a brighter spectrum of the mixes. JAEL’s latest single D33P is out now.

As the Electronic music calendar turns towards 2025, it’s a fitting time to reflect on the future through the eyes of the creators shaping its pulse. With innovation at the heart of the genre, artists from across the spectrum have their sights set on new goals, fresh soundscapes, and ideas that may define the scene in the months to come. From chart-topping producers to underground pioneers, each offers a unique perspective on the trends, challenges, and creative possibilities that lie ahead. In this special feature, we asked a diverse lineup—Wilza, Jacob Colon, Silva Hound, Synthesis, Nonduality, Lady Decibel, Freekbass, Andrew Canlon, Alphones, and Hotboxx—to share their personal goals for 2025, deliver a heartfelt message to their fans, and weigh in on what trends they think will shape the Electronic music landscape. The results are as varied and exciting as their music, offering insights into the minds driving Electronic music forward. Alphones Goal for 2025: In 2025, I’m focused on continuing to refine my sound and push the boundaries of house and tech house music. I want to keep experimenting and find new ways to connect with my audience. I also plan to collaborate with more artists in different genres and work towards releasing some really exciting new tracks. Message to Fans for the New Year: Thank you to everyone who has supported me this year. Your energy and feedback keep me going. I’m looking forward to sharing more music with you in 2025, and I promise to keep working hard to bring you the best of what I’ve got. Here’s to another great year together! Musical Prediction for 2025: I believe 2025 will see a continued evolution of house and tech house, with more focus on blending traditional sounds with new, experimental elements. I think there will also be a growing interest in live instruments being incorporated into electronic music, which will bring a fresh vibe to the scene. Alphones Online Beatport | Instagram | Spotify | Soundcloud Andrew Canlon Goal for 2025: Touring! Message to fans for the new year: You make everything possible. Thank you from the bottom of my heart. Musical prediction for 2025: I’m very focused on the Akai MPC Key 37 as an upgrade to my live rig. I’m dying to play that thing!!! I’m also very invested in the Progressive House genre and I’m always digging around, finding artists who are putting so much expression into their tracks. It’s absolutely mindblowing. Andrew Canlon Online Instagram | Website Freekbass Goal for 2025: To be cast as The Joker in James Gunn’s DCU. Message to fans for the new year: Always believe in yourself and all of your dreams. They are all real and attainable. 
Musical prediction for 2025: Instrumental hit songs with great melodies. Freekbass Online Spotify | Website | Instagram Hotboxx Goal for 2025: Keep Building on the momentum, play more international shows and release a ton of music! Message to fans for the new year: All I can say is get ready for some of the best music I’ve ever put out with some huge collabs, the release schedule will be jam packed this year, so I look forward to bringing that to my fans as well as unique show experiences not only through my sets which I can promise will be special this year, but also through the curation of my party “Vice City” in collaboration with some amazing venues like Night we Met Nashville and with amazing talent. Musical prediction for 2025: Honestly, I see a shift to some of the more groovy Disco sounds, Tech House will still be big but I can see soulful House and some of the groovy Minimal stuff really making a big leap this year and becoming a sound that many people will begin to identify with and love. Hotboxx Online Soundcloud | Instagram | Spotify Jacob Colon Goal for 2025:
 Expand my music catalog and explore new sounds not commonly heard with Dance music. Message to fans for the new year: I’ve been spending more time crafting my sound this year and I’m happy to say I’ve learned a lot. Next year I’ll be putting out a new sonic tone that I hope will resonant with my fans. Musical prediction for 2025: (what trends, sounds or genres you think will be on the spotlight next year) For me, I’m looking to set my own trend. There aren’t a lot of artists blended and merging sounds the way I do, with credit due to my knowledge as a piano player. There’s a lot copy and paste but when you’re able to craft something new it becomes the trend setter. I create vibes which I enjoy myself, like Hip Hop, Latin music, Trap and others. 2025 will be a big year. Jacob Colon Online       Soundcloud | Instagram | Spotify     Lady Decibel Goal for 2025: Play our first festival as Lady Decibel Message to fans for the new year: Happy New Year ahead! We can’t believe it’s already 2025—our second year as Lady Decibel, and we’re just getting started. Last year was an incredible journey of finding our sound, connecting with our earliest fans, and discovering what makes us us. Now, we’re ready to dive even deeper. We’ve officially locked in our style and sound, and it feels so right. This year, we’re all about pushing Rave culture forward—celebrating the music, the energy, and the community that makes it so special. You can expect a ton of new music coming your way, from original tracks to remixes we can’t wait for you to hear. We’ll also be super active on social media this upcoming year, sharing behind-the-scenes moments, exciting updates, and performances that bring the rave straight to you. Thank you for being part of this journey with us. Your love and energy mean everything, and we can’t wait to see where 2025 takes us—together. Let’s make this year unforgettable. Musical prediction for 2025: We believe Techno, particularly Hard Techno, will continue to gain momentum. Another high-BPM genre poised for a full resurgence is Drum & Bass. The younger generation craves high-energy, fast-paced music, and we anticipate genres with tempos of 140 BPM and above will see significant growth. These styles are emerging from the underground and becoming increasingly mainstream. What excites us the most, however, is the potential for a broader spotlight on new artists exploring the “Euro” style sound. Marlon Hoffstadt, aka DJ Daddy Trance, has been leading the way, inspiring a wave of fresh talent over the past few years. The amount of incredible music being released in this style is astonishing. So many new labels, especially those based in Germany are championing this sound, and we’re thrilled about the opportunity to introduce it to audiences in the U.S.! Lady Decibel Online    Beatport | Instagram | Spotify    Nonduality Goal for 2025: I’ve wanted to put out a vinyl record for a long time. I’ve also been thinking about starting a record label. In 2025, I’d like to get everything in place to finally put out some music on wax. Message to fans for the new year: Stay healthy, drink water, and get plenty of sleep! Musical prediction for 2025: I’ve been obsessed with 90’s/00’s Garage House recently, and people seem to be getting down to it at my sets. I could see that becoming more popular. Nonduality Online  Spotify | Instagram | Website  Silva Hound Goal for 2025: Release my album & lots more! Message to fans for the new year: Thank you for your ongoing support! Musical prediction for 2025: I see lots of creative spins on nostalgic trends on the rise, and I can’t wait to participate in the surrounding culture where it all takes place! Silva Hound Online    Soundcloud | Instagram | Spotify    Synthesis Goal for 2025: To keep on recording some worthwhile music and to see what opportunities open up for me moving forward. Message to fans for the new year: When something is important enough, still do it, even if the odds are not in your favour. Musical prediction for 2025: The use of AI in music will explode in 2025. I have actually used it on one track already. Anyone for a mid-80s New Romantic revival in 2025? All that Human League and Gary Numan stuff still sounds great even today. Synthesis Online Instagram   Wilza Goal for 2025: To launch my Afro house alias Will B (UK) To release New Jack House Vol. 2 in first half of 2025 To be at ADE 2025! Message to fans for the new year: Thanks for all the support and belief in my vision. I promise to continue to build on the platform I have created in 2024 to deliver even more musical treats for 2025 Musical prediction for 2025: Afro house and Afro Tech is currently going through a huge growth spurt and will continue to grow exponentially in 2025. Wilza Online  Instagram | Spotify | Soundcloud   The post The Year Ahead: 10 Electronic Music Artists Share Their 2025 Vision appeared first on EDMTunes.

Oh it feels so good to have him back! Enigmatic French DJ and producer I Hate Models breaks his hiatus just for us, and returns with a 5-track EP called Forever Melancholia. The Techno producer returns to his melodic and dark, industrial sounds, driven by complex emotions and intensity. The Disco Inferno label boss sure know hows to get us in our feels to some really fast bpms. Forever Melancholia EP The first singles of the release made their impact earlier in October this year, gradually resonating on dancefloors all over the world. ‘For My People‘ is a beautiful beginning to the EP, with ethereal vocals that sounds like your speaking to a past lover over the phone, with a emotional string arrangement break that unleashes into an filthy drop that accompanies gear-like structures and textures. The title track ‘Forever Melancholia’ continues the sad and profound undertones with dynamic Hardstyle and Psytrance elements that result in a song that gives you goosebumps. Then, ‘Twin Souls’ has a more dystopian and futuristic approach to its soundscapes. You feel the emotions of the producer evolve as the album progresses. Lastly, the next two tracks released, which complete the album, are ‘Forgotten Future’ and ‘Nostalgica’. The both bring a shocking repertoir of sounds and vocals that add even more energy and dissonance to the rest of the EP. Each track is surprisingly different but highly detailed, and charged with feelings that inspire. The depth of this EP is remarkable, as it conveys a wider range of sound that people think Hard Techno can achieve. “Each track is an open window to a story, a feeling, an emotion, melancholy that is at once profound, moving, sometimes dark, sometimes luminous…” “…Remember: music can accompany us in every moment of life; it is there to bring us together, soothe our wounds, transport us elsewhere, and sometimes, quite simply, make us happy.” I Hate Models What’s Next The star allowed us to heal on the dancefloor several times across the world this year. Alongside this release, I Hate Models started his new Tour Face || Face. The tour extended multiple dates for next year in Los Angeles, Bogota, Milan, and Vienna.Moreover, New Years Eve will be busy for the artist as he embarks on two shows between Belgium and Amsterdam. Let the darkness become light, here is Forever Melancholia EP: The post I Hate Models Returns From 3-Year Hiatus With New EP appeared first on EDMTunes.

Live Nation has recently welcomed the Federal Trade Commission’s (FTC) decision to ban “junk fees” in the ticketing and hospitality industries. This new rule requires businesses to disclose total prices, including all fees, upfront to consumers. In a move to increase transparency and prevent deceptive pricing practices, ticket sellers, hotels, and vacation rental sites are now mandated to display the total price prominently whenever offering or advertising their services. This significant development has sparked discussions about the future of ticket pricing and whether all-inclusive ticket prices could become the norm. “People deserve to know upfront what they’re being asked to pay — without worrying that they’ll later be saddled with mysterious fees they haven’t budgeted for and can’t avoid,” said FTC Chair Lina M. Khan. “The FTC’s rule will put an end to junk fees around live event tickets, hotels, and vacation rentals, saving Americans billions of dollars and millions of hours of wasted time. I urge enforcers to continue cracking down on these unlawful fees and encourage state and federal policymakers to build on this success with legislation that bans unfair and deceptive junk fees across the economy.” As consumers, we’ve all experienced the frustration of being lured in by an attractive ticket price only to be hit with a barrage of hidden fees during the checkout process. These “add-on” charges can significantly inflate the total cost of attending an event or staying at a hotel, leaving us feeling misled and dissatisfied. The FTC’s new rule aims to put an end to this deceptive pricing strategy and empower consumers to make informed decisions when purchasing tickets or booking accommodations. Live Nation, a major player in the live entertainment industry, has expressed its support for the FTC’s ban on junk fees. The company recognizes the importance of transparent pricing and believes that consumers deserve to know the full cost of their purchases upfront. By applauding this regulatory change, Live Nation is signaling its commitment to providing fair and honest pricing to its customers. Implications for Consumers For consumers, the FTC’s ban on junk fees represents a significant victory in the ongoing battle for transparency and fairness in the ticketing and hospitality industries. No longer will we have to navigate through a maze of hidden fees and surcharges to determine the true cost of attending a concert or booking a hotel room. With total prices now required to be prominently displayed upfront, we can make more informed decisions about our entertainment and travel expenses. One of the key implications of this regulatory change is the potential shift towards all-inclusive ticket pricing. In the past, ticket sellers often advertised low base prices to attract customers, only to tack on additional fees later in the purchasing process. This pricing strategy not only misled consumers but also made it difficult to compare prices across different platforms. With the new rule in place, businesses will have to include all mandatory fees in their advertised prices, leading to greater transparency and consistency in pricing. Furthermore, the FTC’s ban on junk fees is likely to improve consumer trust and confidence in the ticketing and hospitality industries. By requiring businesses to provide accurate, upfront pricing information, the rule aims to prevent deceptive advertising practices and promote fair competition. As a result, consumers can feel more confident in their purchasing decisions and trust that they are getting a fair deal when buying tickets or booking accommodations. In conclusion, the FTC’s ban on junk fees is a significant step towards improving transparency and fairness in the ticketing and hospitality industries. By requiring businesses to disclose total prices upfront and prohibiting deceptive pricing practices, the rule empowers consumers to make informed decisions and promotes a more level playing field for businesses. While the transition towards all-inclusive ticket pricing may pose challenges for some companies, it ultimately benefits consumers by providing them with clear and honest pricing information. As the industry continues to adapt to these regulatory changes, consumers can look forward to a more transparent and consumer-friendly ticketing and hospitality experience. The post Live Nation & Ticketmaster Applauds FTC Rule Banning Junk Fees appeared first on EDMTunes.

Since the year before, there was an assumption that Apple would implement an iPhone subscription program very soon. Well, according to an article from Phandroid, the global tech supergiant has put aside plans to put plans for this unique program. This iPhone subscription program, if implementation plans were to happen, would have allowed iPhone users to upgrade their phones every year, as long as they paid the monthly subscription fees. Paying these fees would be like the same goes for any subscribers paying their subscriptions for a gym membership, streaming platforms, educational courses, and so on. Since Apple has cast away these plans, it is now uncertain what the subscriptions fees would have been. A lot of iPhone users still pay plenty of subscription fees nonetheless due to subscribing monthly (or weekly or however they would pay varying on time) on various apps they use. If these plans came into fruition, it would not come as a surprise since it does seem like the monthly iPhone subscription program could have bore plenty of revenue gradually. No one knows for sure when will Apple decide to once more think about implementing an iPhone subscription program. The post Apple Has Put Aside iPhone Monthly Subscription Program Plans appeared first on EDMTunes.

Marshmello, Steve Aoki, and other artists were accused of pocketing millions of dollars that were awarded to them in the form of pandemic relief grant money, according to an investigation published earlier this week by Business Insider. The pandemic relief program—called the Shuttered Venue Operators Grant—was intended to allocate funds to struggling independent venues and arts group throughout the pandemic. The investigation reports that Marshmello—lesser known as Christopher Comstock—received a $9.9 million grant. When the SBA (Small Business Administration) asked Marshmello’s business manager for proof of how the money was spent, his business manager stated that Comstock had pocketed it all. Business Inside also stated that Steve Aoki’s loan-out company was awarded millions in grant money but when reporting its allocation, DJ Kid Millionaire Touring claimed it spent payroll and $1.9 million was used for officer pay. Steve Aoki is the company’s lone officer. Neither artists has responded to the allegations at the time of writing. Via: Business Insider Featured image: Marshmello/Facebook The post Marshmello, Steve Aoki, and other artists reportedly misused pandemic relief grant money appeared first on Dancing Astronaut.

Skrillex has set the speculation wheels rolling, again! The Los Angeles-based Grammy-winning producer has cleared out his entire Instagram, save one photo. Yes, you heard it right! All these years of content & posts wiped out clean for his whopping 12.5 million followers. This dastardly act has left his fans concerned about the future. Early December witnessed something unusual to start the jitters. An accompanying statement post his latest track, “Heavy Heart,” featuring Loco Dice and Fireboy DML has started raising the eyebrows. Reflecting on this new phase, Skrillex wrote, “I’m feeling every cell in my body, feeling so alive and connected as I move into this new phase.” He also revealed that his 15-year record deal with Atlantic Records is coming to an end—a milestone that he described as “surreal.” It is still unclear if ‘Heavy Heart’ is his final project with Atlantic Records, or if there is one final album in the pipeline for 2025. Fans have been speculating the permutations behind this sudden move. From predicting a new album to bearing the brunt of a mental breakdown, rumour mills across the internet have been chugging like never before. Some barber experts also claimed that Sonny John Moore (Skrillex’s real name) might have removed at least 6-10 inches and kept it clean cut on the top. A recurring theme in fan discussions is whether Skrillex might be retiring the Skrillex alias entirely, or simply pausing new releases until larger projects are complete. Skrillex is next scheduled to perform at the Sunburn Festival in Goa, India on the 28th of December. The post Skrillex Wipes His Instagram Except One Curious New Post appeared first on EDMTunes.

Here’s an extensive body of work, with an extensive love for the golden decade of music. It’s perhaps the most meaningful bracket of time for music. Arguably (do argue with me, I’m ready) the best tracks in modern-day history were born in the 80s. Also, the rise of Dance music as a whole has a strong link to the decade. And so, it’s always nice to see — or rather, hear — someone paying homage to it. Cue Ian Storm. Ian Storm is a successful producer with over 400 million streams. Hits of his, such as ‘Run Away’ and ‘Losing My Religion’ have garnered support from top artists. He’s founded Storm Music Group and has released music on major labels. Do you know what he’s also done? He’s put out an album. In a recent interview, Ian discussed his new album, Born In The 80’s, a two-disc body of work that features twelve original tracks on The Creation disc, showcasing his personal evolution, while bringing back reinterpretations of influential tracks on The Inspiration disc. Ian Storm. Talking about the LPs as a deeply personal reflection of his artistic journey, Storm emphasizes the profound impact of his 80s childhood, particularly his father’s restaurant, where he was exposed to music from artists like Enya. Moments like that, he recalls, were the seed that eventually turned into him being the creator behind the music. Far from only touching upon the album, he highlighted the importance of authenticity, advising aspiring artists to prioritise their own vision over chasing trends. “Do what you feel you should do“, he stressed, “don’t try too much to follow trends or run after hypes“. While the album is, of course, a huge milestone for Storm himself, the entire concept portrays something even greater for all of us listening: there’s an art to the craft of remembering and reimagining the past. I’m going to break character here and speak from my corner as an artist myself: I’m often worried about my influences slipping through the cracks and being planted too heavily in my original songs. I’m constantly asking myself if this melody I’ve created, I may have heard it somewhere else, and so on. And I end up sort of trying to mask those influences out of fear. That’s why I’m loving this concept of Ian, because it allowed him to not only create more new stuff, but also go back and revisit those songs that marked who he is today. Listen to Ian Storm’s latest LP, Born In The 80’s, below, along with the tracklist to both halves. Ian Storm — Born In The 80’s Tracklist Part One: The Creation Dance It All Away Je Veux with George Dala and DNVX Back In My Life with Michael Ford Surf Song with Polina Vita Highs & Lows with Ron van den Beuken and John Laurant featuring Menno Compasso Brasileiro with Michael Ford featuring Denise Krammer Darkest Before Dawn with SilkandStones We Are Young with SilkandStones featuring Vanessa Campagna Flames Nightmare with Bertie Scott She Don’t Dance Barely Alive with Ron van den Beuken & Menno Part Two: The Inspiration Losing My Religion with John Laurant and Carl Clarks featuring Polina Vita Run Away with Ron van den Beuken featuring Menno Clocks with Ron van den Beuken Every Breath You Take with Ron van den Beuken featuring Menno Somewhere Only We Know with Menno and Mark Cole This Is The Night with Michael Ford Who Needs A Heart with Lotus Mad World with SilkandStones California Dreamin’ with Carl Clarks and John Laurant Missing with SilkandStones featuring Menno Kayleigh with Ron van den Beuken featuring Menno Dust In The Wind with Ron van den Beuken featuring Menno Jungle with Ron van den Beuken featuring JordinLaine Somebody Told Me The post Ian Storm Explores And Transforms Nostalgia Through Latest Two-Part Album, Born In The 80’s appeared first on EDMTunes.

There’s a general consensus that festival season formally kicks off in March. And before the chaos of Miami Music Week ensues later in the month, there’s a multi-day event happening in Miami that is also a must-attend: We Belong Here. After hosting its New York City debut this past fall, We Belong Here is now headed back to Virginia Key Beach Park for a fourth time on March 1 – 2. We Belong Here secured an all-star lineup for the ages for its weekender in Miami, announcing that Eric Prydz, Kaskade, Lane 8, and Steve Angello will be its crew of headliners, with an undeniably stacked undercard of Cristoph, LP Giobbi, Massane, and Yotto joining the initial lineup reveal. If the aforementioned names were not enough, the festival teased that there’s a special guest that will be added to the poster at a later point as well as the remainder of its 2025 lineup. Pre-sale signup for We Belong Here’s return to Miami is available here, with the pre-sale set to happen on December 23 at 12PM ET. Featured image: The post We Belong Here secures all-star lineup for 2025 return to Miami: Eric Prydz, Kaskade, Lane 8, Steve Angello, and more appeared first on Dancing Astronaut.

The FTC (Federal Trade Commission) just announced its final ‘Junk Fees Rule’ that aims to crack down on hidden fees that appear at checkout. These hidden fees usually appear for consumers who are purchasing tickets for live events, hotels, AirBNBs, and other entertainment and leisure amenities. The FTC chairwoman Lina Khan stated, ““People deserve to know up-front what they’re being asked to pay—without worrying that they’ll later be saddled with mysterious fees that they haven’t budgeted for and can’t avoid”. She later added, “The FTC’s rule will put an end to junk fees around live event tickets, hotels, and vacation rentals. This will save Americans billions of dollars and millions of hours in wasted time”. The FTC will help consumers save tons of time and money through the ‘Junk Fees Rule’ According to an article from Digital Music News, the ‘Junk Fees Rule’ supports consumers and genuine, supportive companies and business who have encountered dishonest practices that ticket sales corporations such as Ticketmaster and Stubhub have conducted over the years. The FTC also studied live event marketing and short-term lodging industries’ check-out process, which led to the implementation of this rule. Additionally, the rule aims at various junk fees such as ‘resort fees’ and ‘convenience fees’ that can result in triple-digit final price amounts at checkout. The new ‘Junk Fees Rule’ will also require businesses to truthfully show the real total price inclusive of all mandatory fees when they present any price of live-event tickets or short-term lodging in various manners. The vote that approved this new rule was 4-1, with Commissioner Andrew Ferguson the only individual who dissented. Last but not least, the ‘Junk Fees Rule’ will also help consumers save a lot of time and money from looking for honest, total prices for live-event tickets and short-term lodging. Click on this link from the official webpage of the FTC to read more about the bipartisan ‘Junk Fees Rule’ that will change the way ticket sales corporations will sell tickets moving forward. Image Courtesy: FTC (Federal Trade Commission)The post The FTC Announces Final Rule to Ban Hidden Ticket/Travel Fees appeared first on EDMTunes.

Editor's Note: EDM.com proudly publishes four installments of annual year-end coverage: Industry Leaders, Performances & DJ Sets, Music Producers and Songs. DJing and music production are different. But the difference between the two is like a wallflower—it hides in plain sight, and it's vastly misunderstood. Publishing a "Top DJ" list would undermine the originality, creativity and unbridled imagination of the artists who dedicate their lives to music production. To honor their profound commitment to the art, the EDM.com staff annually recognizes 10 of the year's best. In no particular order, discover the best electronic music producers of 2024 below. PAWSAThere's a running joke in the house music scene that PAWSA's USB is like a genie's lamp—every track feels like a wish granted. The UK producer is notorious for teasing fans with unreleased music in his live sets for years before officially releasing it. In 2024, however, a number of PAWSA's hotly anticipated tracks hit the airwaves. The common thread between his releases—like "DIRTY CASH (MONEY TALKS)" and "TOO COOL TO BE CARELESS"—is a hedonistic mix of old-school dance music and modern tech house. He effortlessly blends timeless '90s vocals with thumping drums and basslines. Less is more for the minimal house virtuoso, and that's the best part. His stripped-back style eschews intricate melodies and busy, over-produced beats in favor of raw grooves. It's not just music you hear, but music your body feels—a direct line to the pulse of the dancefloor. Words by Saad Masood. PAWSA.Izzy Hassan ISOKNOCKArmed with generational production skills and an unapologetic disregard for convention, ISOxo and Knock2 proved in 2024 that some artistic combinations are simply written in the stars. Through reconstruction by deconstruction, their deliberately provocative artistry cut through the formulaic noise of today's EDM with both industrial precision and visceral intimacy. In a year marred by TikTok-fueled predictability, they smashed the playbook with nail-spiked baseball bats and brought anarchy to the algorithm, proving that unfiltered creativity still has a place in today's fractured streaming sector. The duo, collectively known as ISOKNOCK, shocked fans back in August when they surprise-released their debut album, 4EVR. Equal parts beautiful and belligerent, the project is a song-cycle of raw dance bangers that lock horns with punk's snarling spirit. One of the year's best albums, it's an experience that left us feeling like we'd been through some kind of metaphysical car wash—battered and soaked in sound, but somehow cleaner for the experience. ISOKNOCK's music also translated like clockwork to their 2024 live shows, which transformed dancefloors into middle-fingers-in-the-air battlegrounds that demanded physical and emotional surrender. The duo debuted at Coachella, demolishing the festival's legendary Sahara Tent before daring gravity at Chicago's North Coast Music Festival by performing in a shipping container suspended by a crane. Words by Jason Heffler. Knock2 (L) and ISOxo (R) of ISOKNOCK.Miranda Nicusanti/EDM.com Martin GarrixIn a banner year for electronic dance music, Martin Garrix reminded us that the future of the genre belongs to those bold enough to reimagine it. As it rapidly evolved throughout 2024, he remained a lighthouse—brilliant, influential and perpetually in motion. Garrix's music has always managed to engineer ageless memories in the minds of his fans, but this year, he returned to his progressive house roots and fired up the nostalgia machine more than ever. He was a force of nature, proving that sometimes the most groundbreaking moments come from rekindling the spark that first lit the fire. Every week it seemed like fans had a vintage Garrix banger to look forward to, born from his ability to weave his roots into a new and electrifying vision. He started with the unforgettable "Carry You," an anthem of hope released in February alongside Third Party, Oaks and Declan J Donovan. Then came three consecutive singles in as many weeks, a succession that culminated in the release of IDEM, a rapturous EP featuring larger-than-life collaborations with DubVision, Mesto and more. The euphoria then bubbled over this summer when Garrix released "Wherever You Are," a soaring festival favorite showcasing both his technical mastery and lyrical depth. But it might not end there—after Coldplay featured his song "Breakaway" in their viral Glastonbury set, he hinted that an original collaboration with the iconic band could come in 2025. Words by Jason Heffler. Martin Garrix.Louis van Baar Jamie xx2024 brought the revival of the inimitable Jamie xx, whose release of In Waves—his first studio album in nearly a decade—led to one of the year's most compelling electronic music projects. It was worth the wait. In a year where songs were churned out faster than a ChatGPT prompt, In Waves stands as a testament to taking your time in the pursuit of a bold creative vision. It's sometimes joyful and sometimes hauntingly introspective. A project covering such a range risks feeling cluttered or disjointed, but not in the skilled hands of this English beatsmith. A raw love letter to club culture, In Waves told an exhilarating narrative through unforgettable tracks like "Baddy on the Floor" (with Honey Dijon), "All You Children" (with The Avalanches) and "Waited All Night," the lattermost of which Jamie produced alongside his former bandmates from The xx, Oliver and Romy. By design, it's difficult to box these diverse tracks into a single genre classification. Jamie's music also left quite a cultural footprint in 2024. Before he even released In Waves, he returned to his home of London to host a curated event, "The Floor," and manifested his dream of opening his very own club. It was a snapshot not only of his boundless creativity, but also his deep-rooted appreciation of the UK underground. Words by Rachel Freeman and Shakiel Mahjouri. Jamie xx.Krists Luhaers LP GiobbiLP Giobbi has built her career on a foundation of innovation and empowerment, but she took them to new heights in 2024. Her infectious energy and genre-defying sound crept into the bedrock of Dotr, her hotly anticipated sophomore album. The record stands as a tour de force, blending her signature piano-driven house beats with soulful contributions from a compelling roster of collaborators, including Alabama Shakes, Portugal. The Man, Panama, Jacob Banks and Holly Bowling. Tracks like "Feel" and "Bittersweet" became instant hits, encapsulating Giobbi's unparalleled ability to bridge the gap between classical musicianship and modern dance music. She also remained steadfast in her commitment to fostering inclusivity in the electronic dance music community through her beloved FEMME HOUSE community, organizing workshops, mentorship and resources to combat industry disparities. The organization in March teamed up with Insomniac Records to release a massive compilation featuring music by Mary Droppinz, Lisbona Sisters, ZOF, Bexxie and other promising women in dance music. Words by Mikala Lugen. LP Giobbi.Christopher Polk/Penske Media Pretty LightsPretty Lights' comeback demonstrated that true innovation takes time, introspection and a fearless leap into the unknown. Dual Fusion Unity, his first new original music in seven years, humbly reminded fans why he remains one of a kind. The radiant EP is vintage Pretty Lights, a kaleidoscopic journey through glitchy electronic textures, soulful vocal samples, funky brass flourishes and moments of pure analog warmth. On its opening track, "Road to the Stars," Pretty Lights' reflective monologue serves as a poignant emblem of his extraordinary journey, crystallizing the return of a beloved artist seemingly at peace with creating art for its own sake. "I'll fly a starship across the universe… and I'll be back again," he crooned. Touring once again with a live band, Pretty Lights picked up where he left off, elevating his live compositions into something even more dynamic by fusing raw instrumentation into his performances. In a genre often seen as saturated with pre-programmed sets, his music once again stood out as deeply human. Words by Cameron Sunkel. Pretty Lights.Brittany Teuber John SummitJust when you think John Summit can’t outdo himself, he does. If 2023 was his crescendo, 2024 was his symphony. He sold out massive arenas, like New York City's Madison Square Garden and LA's Kia Forum; performed at the world's biggest festivals, like Tomorrowland and Coachella; and curated bespoke events for his Experts Only imprint, including a ski trip in Colorado and a luminous Lake Tahoe mountain party. 2024 was the year Summit unveiled his debut album, Comfort In Chaos, an anthemic yet intimate masterstroke in which he took his songwriting to new heights. His HAYLA-assisted festival anthems "Where You Are" and "Shiver" remained staples, but he also took risks, wading into the waters of drum & bass ("palm of my hands" with venbee), breakbeat ("Stay With Me" with Of The Trees) and techno ("Resonate" with Kaskade and Julia Church). However, he didn't stop at Comfort In Chaos. He emerged as a Renaissance man, one day remixing The Temper Trap, the next Green Velvet. He even dropped one of the year's best dubstep tracks alongside Subtronics and Tape B. 2024 wasn't just another chapter for John Summit—it was the year he rewrote the rulebook on what an electronic music artist can achieve. Words by Saad Masood. John Summit.c/o AEG Presents Sara LandryThere are many, many reasons why Sara Landry holds the nickname "High Priestess of Hard Techno." But the most convincing one—even in a year that saw her etch her name in Tomorrowland's history book as the first hard techno DJ to play its storied Mainstage—was Spiritual Driveby. Posing life's greatest questions at blistering BPMs, Landry's remarkable debut album effectively crystallized one of the most explosive electronic music breakouts in recent memory. Just like her ferocious DJ sets, the EDM.com Class of 2024 superstar dragged us into a vortex of brutal euphoria with her uncompromising approach to techno production. Teetering on the edge of avant-garde and vocal-driven techno, the 12-track opus saw her team up with a compelling group of collaborators, like Nico Moreno, Shlømo and the illustrious Mike Dean. The album even features a haunting soliloquy from her personal hypnotist. Landry soared to new heights and emerged as one of the most in-demand names in music, incinerating dancefloors and cementing herself as the undeniable "It Girl" of techno in 2024. And as she weaponizes her arsenal for her Coachella debut next year, all we can do is hold on for dear life. Words by Mikala Lugen and Jason Heffler. Sara Landry.c/o Press JusticeFrom the opening bars of Hyperdrama, Justice's first new album in eight years, the duo reminded us why we fell in love with their timeless electro in the first place. While it's still anchored in the gritty analog tones that made them icons, the album found Xavier de Rosnay and Gaspard Augé exploring uncharted territory with a renewed sense of adventure and emotional depth. They transcended the simple pleasures of body music to speak to the tragedies, triumphs and bittersweet complexities that loom over the dancefloor's euphoric release. Eschewing the aloof electronic stoicism that defined Justice's earlier works, Hyperdrama bleeds candor and restless yearning without abandoning their roots. Tracks like "Generator" and "Neverender" (with Tame Impala) have already earned their place as modern dance classics, reinforcing Augé and de Rosnay's ageless knack for crafting generational music. But it’s not just the music that made Hyperdrama stand out. They are said to have spent months working with a team of computer scientists to produce the album's accompanying live show, ultimately elevating it into a groundbreaking, multi-sensory experience that captivated crowds at Coachella and the Hollywood Bowl, among many others. Words by Jason Heffler and Rachel Freeman. Justice.Michael Buckner/Penske Media LSZEEGood luck finding a more unique, yet refined, electronic album this year than LSZEE's self-titled debut. Fusing CloZee's globe-spanning sound with LSDREAM's spiritual funk and bass, the album is a transformative experience. There exists no collaborative partnership in the electronic music scene quite like this one; LSZEE sounds distinctly like LSZEE. The album's songs cover a lot of ground sonically, but flow seamlessly together with an overarching sense of wonder. Pay special attention to "NIGHTHAWK," an absolute showstopper at the duo's live sets throughout the year. LSZEE are now embarking on what they claim to be their only tour in 2025. Do yourself a favor and see them before it's too late. Words by Shakiel Mahjouri. CloZee (L) and LSDREAM (R) of LSZEE.Harold England/ShutterKlick Honorable Mentions:Rezz Peggy Gou Odd Mob Coco & Breezy Syzy Jon Casey Eptic TSHA longstoryshort Sammy Virji

Lady Gaga has always had a love affair with electronic music, and it seems her upcoming LG7 album will push that passion into bold new territory. Gaga today revealed that her long-awaited seventh studio album will heavily feature collaborations with DJs and dance music producers, including the French electro icon Gesaffelstein. "I loved collaborating with all the DJs and Gesaffelstein on my new album," Gaga told the Los Angeles Times. "I loved learning about industrial music and about all the different crevices of electronic music." Revered for her ability to reinvent herself, Gaga's dive into industrial electronic sounds could mark her most daring evolution yet, even after 2020's cyberpunkian Chromatica album. A neon-soaked odyssey through heartbreak and healing, that record featured production from Skrillex, Madeon, Axwell, Boys Noize and Tchami. She twisted the knife in the album's hyperactive remix package, recruiting Arca, Mura Masa, A. G. Cook and more. Gesaffelstein stands as an ideal Gaga collaborator after releasing his first album in five years, GAMMA, back in March. Embracing a similar approach to Chromatica, his virtuosic command of texture and timbre felt both alien and intimately familiar. Speaking with Vogue in September, Gaga revealed that LG7 is set to release in February 2025, just a few months before her hotly anticipated headlining set at Coachella. She has since released the album's lead single, "Disease," a dark midtempo track; and "Die With a Smile," a ballad with Bruno Mars that became the fastest song to reach a billion streams on Spotify.

Rhetorical question: Are there more stars in the universe or Max Styler hits? We’re fully aware that Max Styler isn’t a new artist. But in 2024, it felt like Styler experienced the surge he’d been working towards for the past decade or so — an ascension that prompted him to become one of the most-talked-about artists in all of dance music this year, and an ascension that would eventually provide the basis for this article. Styler’s deservingness of Dancing Astronaut’s Breakout Artist of 2024 title has been well-demonstrated, but if we needed to justify our auspicious sense of how Styler’s year would unfold, let’s remember that he had not one, but two then-unreleased weapons in Dancing Astronaut’s most-anticipated IDs of 2024 list: “Rhythm Machine” with Westend and “Lights Out.” The former landed within the first few weeks of 2024 — and it set off an avalanche. Before anyone could even finish streaming the latest Styler release this year, it seemed as if three more of his IDs would quickly follow. And even when the identity of the given ID’s creator wasn’t public information, many — including us — blindly assumed it belonged to him. The odds of that high-grade, tech-house production coming from Max Styler’s computer seemed that much more likely, given the rate at which he was releasing music. 12 months later, 13 Styler releases have hit the streaming board since January, where they join a pair of cuts from Habitatt, his and Spencer Howard’s new alias. This release total is one that not many of Styler’s peers could measure up to — and few ultimately did. But it wasn’t just about quantity. This year, Styler balanced quantity and quality across 15 tracks, with each ensuing record even more fine-tuned than the one that came before it. “On Repeat,” alongside Dancing Astronaut Artist to Watch in 2025, Clüb De Combat, doubles as an example and a victory lap that formally concludes Styler’s year of releases. Ultimately, all 15 of these tracks were undeniably unavoidable in dance music’s live circuit and beyond; it didn’t matter if you were seeing Dom Dolla or Kevin de Vries or Solomun. We could just end our case there, but — of course — we won’t. While his releases simultaneously traveled the globe aboard other DJs’ USBs, Styler coordinated his own packed-out touring schedule. And as we moved later and later into the year, so did the timing of his sets at events and festivals. The capacities of the venues where Styler would appear (and routinely sell out) grew in size as well, leading to the inevitable announcement of a 2025 tour. It didn’t just feel like Max Styler’s name was inescapable in 2024, it simply was. Whether it was his latest and greatest ID that people were salivating over or one of his sets that prompted fans’ immediate demands for an upload, it was all Max Styler, all year long. We’ve had somewhat of a hunch about his candidacy for a while, but we are now formally putting it in writing: Congratulations to Max Styler, Dancing Astronaut’s Breakout Artist of 2024. Featured image: Mason Rippel The post Dancing Astronaut’s Breakout Artist of 2024: Max Styler appeared first on Dancing Astronaut.

Finland’s Weekend Festival has become a late-summer pilgrimage for electronic music enthusiasts in recent years and its forthcoming 2025 edition is shaping up to be equally unforgettable. The Espoo-based event recently announced its lineup, charting course for a high-energy mix of established superstars and pioneers of the craft alike. House music superstar FISHER is among the DJs slated to headline the festivities, along with mainstage vets Blasterjaxx and Showtek. Hardstyle and hardcore fans are sure to revel in the intensity of Angerfist and Sub Zero Project, while MEDUZA's sleek club grooves are set to bring a touch of stylistic sophistication. The established event of nearly a dozen years wouldn't be complete without dance music titan Armin van Buuren, who will also be joining the lineup. This year's edition of Weekend Festival drew approximately 20,000 attendees from around the world to Vermo Arena, putting forth a dynamic lineup and production experience that left attendees with lasting impressions. Themed "Disco Nation," the festival featured three uniquely curated stages: the WKND Stage for mainstage music, the Future Stage home to pulse-pounding hardstyle and drum & bass, and the CNNCT Stage offering a haven for techno and house enthusiasts alike. Join the opening weekend August 1-2, 2025 at Vermo Arena. Tickets are on sale now. View the original article to see embedded media. Follow Weekend Festival:X: x.com/weekendfestival Instagram: instagram.com/weekendfestival TikTok: tiktok.com/@weekendfestival Facebook: facebook.com/weekendfestival

Returning to work with Charlotte de Witte, Brazilian techno artist Acid Asian, sometimes known as Fábio Seiki, shows his much-awaited Deep Soul EP on her esteemed KNTXT label. Reflecting his varied musical experience and creative approach, this dynamic selection of tracks shows his original mix of hard techno, acid, rap/trap, and psytrance. The title track is one of my favorites because it represents me 100%. Focusing on the acid line with this mantra vocal, I wanted to express something deeper in this track. ‘Space Colors’ is a track with which I wanted to express this new hard techno era using the hardstyle’s kick but keeping my style. ‘Ain’t Nobody Like Us’ is my background from rap/trap and ‘Humans’ is my psytrance background, it’s an off-beat track. – Acid Asian Beginning the Acid Asian project during the 2020 epidemic, Fábio has quickly gained popularity in the techno scene and became the first Brazilian musician to put out on Charlotte’s sub-label RPM. Acid Asian keeps leaving a lasting impression on the worldwide electronic scene with exceptional performances at Tomorrowland Brasil, DGTL São Paulo, and other events across Japan, India, and Europe. Charlotte de Witte, who has supported Acid Asian since 2021, praised the release: Acid Asian is back! From his first release with us in 2022, it’s been such a pleasure to see him grow and gain respect in the techno scene. We’ve played many shows together and he’s one of the most talented, most instinctive producers out there. Playing Space Colors as the closing track at the main stage of Tomorrowland Brazil where Fábio was dancing in the crowd, was a very wholesome moment. These four tracks are absolute bombs and also show the variety he has to offer as a producer. I’m very excited about this release and I hope you are too! Another evidence of his skill and unwavering inventiveness is the Deep Soul EP, which provides a rich and thrilling experience destined to enthrall techno listeners all around. The post KNTXT Welcomes Acid Asian’s ‘Visionary Deep Soul EP’ appeared first on The Groove Cartel.

Said to be the “world's first hyperclub", [UNVRS] will open on the former Privilege site in 2025 Continue reading...

Bangkok’s newest nightlife destination, Void Club, has already opened its doors, but the real celebration is just around the corner. With its Grand Opening Party on December 25th, Void is set to solidify its place as RCA’s most exciting new venue. Combining cutting-edge visuals, a world-class sound system, and an unbeatable lineup of international DJs, Void has quickly become a must-visit for anyone who loves music, dance, and unforgettable nights. Where Technology and Music MeetVoid isn’t just a nightclub—it’s an experience. From the moment you step inside, you’re greeted by towering LED screens that light up the entire venue, immersing you in visuals that shift and evolve with the music. The sound is precise, the lighting is reactive, and the atmosphere feels alive. It’s not just a party; it’s a fully immersive escape into music and visuals designed to keep you in the moment. What truly sets Void apart is its ability to replicate the energy of a massive festival within an intimate space. Whether you’re on the dancefloor, enjoying the High Table Zone, or watching from the comfort of the VVIP Balcony, the production values are unmatched, creating a space that feels both exclusive and electric. The Countdown to December 25th: Grand Opening PartyVoid has already made waves since its soft opening, but the Grand Opening Party on Christmas Day will take things to the next level. Headlining the night are none other than NERVO, the Australian DJ duo ranked #50 in DJ Mag’s Top 100 DJs. Known for their chart-topping hits and energetic sets, NERVO will deliver a performance that promises to make this Christmas one for the books. The celebrations don’t stop there. Void is also hosting Neon Countdown pre-parties, bringing even more big names to the stage. On December 27th, Mike Williams, known for his melodic house hits, will take over the decks. The following night, Blasterjaxx, the powerhouse duo famous for their high-energy big-room sound, will keep the party going. These events are a taste of Void’s commitment to bringing world-class talent to Bangkok. Setting the Standard for Bangkok NightlifeVoid Club is more than just another addition to RCA—it’s changing the game for nightlife in Bangkok. With its festival-level production, carefully curated DJ lineups, and unique spaces for every type of partygoer, Void has everything needed to become the city’s go-to spot for electronic music and more. Located on Rama 9 – RCA Road, Void is easy to find and even easier to enjoy. Its four seating zones—from the energetic High Table Zone to the exclusive VVIP Attic—offer something for everyone, whether you’re looking to dance all night or lounge with friends in style. Join the PartyVoid is already creating a buzz, and with the Grand Opening Party and December’s packed lineup, it’s clear this venue is just getting started. If you’re ready for a nightlife experience that combines incredible music, next-level visuals, and an atmosphere that stays with you long after the night ends, Void Club is where you need to be this holiday season. Book your spot now and get ready to step into something unforgettable. To stay updated about events, check out their Facebook and Instagram pages!