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This category honours artists who elevate live performances to an art form, blending technical brilliance, crowd engagement, and innovative production. These acts transform the stage into a dynamic playground, creating unforgettable experiences that push the boundaries of live electronic music. Barry Can’t Swim Barry Can’t Swim’s live performances are a joyous celebration of electronic and organic sounds. With lush instrumentation, soulful melodies, and an infectious energy, he crafts immersive sets that leave audiences exhilarated and deeply moved. KiNK KiNK is a true pioneer of live electronic music, seamlessly blending analog and digital elements to create spontaneous, genre-defying performances. His sets are as unpredictable as they are electrifying, making every show a unique experience. Maribou State Maribou State brings their richly textured soundscapes to life in stunning live performances, merging electronic beats with live instrumentation. Their ability to evoke emotion and connect with audiences makes them one of the most compelling acts in electronic music. Sault Sault’s enigmatic live shows are a powerful exploration of sound and identity. Blending soulful vocals, genre-spanning influences, and an undeniable stage presence, they deliver performances that are both musically profound and culturally impactful. Brighter Days Family Brighter Days Family’s live sets are a vibrant celebration of community and music. Combining uplifting rhythms, soulful vocals, and an infectious stage presence, they create an atmosphere of unity and pure joy that resonates with audiences worldwide. Marie Davidson Marie Davidson’s live performances are a compelling fusion of raw energy and emotional depth. Her innovative use of hardware and commanding stage presence create a hypnotic experience that keeps audiences captivated from start to finish. Octave One Legendary duo Octave One redefine live techno with their electrifying performances. Using an array of analog gear, they craft deep, driving grooves that showcase their unparalleled mastery of live electronic production. Slam Slam’s live sets are a testament to their enduring legacy in techno. With their hard-hitting beats, atmospheric builds, and commanding stage presence, they deliver high-octane performances that ignite dance floors across the globe. Jako Jako Jako Jako’s live shows are a mesmerising journey through intricate soundscapes and pulsating rhythms. Her mastery of modular synthesis and ability to create immersive atmospheres make her performances an unforgettable experience. Red Axes Red Axes’ live performances are a thrilling blend of eclectic influences and infectious energy. With their distinctive sound and dynamic stage presence, they create a musical journey that blurs the line between performance and party. The post Best Live Act appeared first on Electric Mode.

This category celebrates the most unforgettable DJ sets of the year, showcasing the creativity, technical brilliance, and unique energy that define exceptional live performances. These sets transcend mere music, creating immersive experiences that stay etched in the memories of audiences long after the last beat drops. Marlon Hoffstadt, Malugi – Boiler Room London: Club Heart Broken, August 2024 Marlon Hoffstadt and Malugi delivered a mesmerizing performance at Boiler Room London’s Club Heart Broken, blending high-energy tracks with heartfelt selections. Their seamless transitions and emotional resonance created a captivating atmosphere, making it one of the standout sets of the year. Four Tet – Finsbury Park, August 2024 Four Tet’s set at Finsbury Park was a masterclass in sonic storytelling. Combining hypnotic rhythms with unexpected twists, he brought the crowd into a euphoric state, demonstrating why he remains one of the most innovative forces in electronic music. Disclosure – Kindred Radio, September 2024 Disclosure showcased their versatility and deep musical knowledge in an electrifying set for Kindred Radio. Effortlessly weaving through genres, their signature sound paired with intimate energy created a truly unforgettable listening experience. DJ Heartstring – In the Lab LDN, Teenage Dreams, June 2024 DJ Heartstring’s Teenage Dreams set at In the Lab LDN was a nostalgic yet forward-thinking journey through euphoric beats and uplifting melodies. Their infectious energy and impeccable track selection left the audience spellbound. Job Jobse – Dekmantel Ten, August 2024 Job Jobse’s set at Dekmantel Ten was a vibrant celebration of electronic music. His ability to create emotional peaks and infectious grooves kept the crowd enthralled, earning him accolades for one of the festival’s most talked-about performances. DJ Gigola – Boiler Room x Glitch Festival, August 2024 DJ Gigola’s Boiler Room x Glitch Festival set was a bold exploration of high-energy beats and experimental sounds. Her charismatic presence and genre-blurring selections created an unforgettable experience that captured the essence of the festival. Jayda G – In the Lab LDN, September 2024 Jayda G brought her signature warmth and charisma to her set at In the Lab LDN. With soulful grooves and a vibrant connection to the crowd, she turned the session into an electrifying celebration of joy and rhythm. Yaeji – Boiler Room New York, August 2024 Yaeji’s Boiler Room set in New York was a masterful blend of introspection and intensity. Seamlessly merging her unique sound with dynamic mixing, she created an intimate yet electrifying atmosphere that resonated deeply with the audience. Charlotte de Witte – Tomorrowland Brasil, October 2024 Charlotte de Witte’s Tomorrowland Brasil set was a relentless showcase of her techno mastery. With pounding beats and hypnotic energy, she commanded the stage, delivering a performance that solidified her status as one of the genre’s leading figures. Salome, SPFDJ – Dekmantel Ten, August 2024 Salome and SPFDJ’s joint set at Dekmantel Ten was a high-octane journey through cutting-edge sounds and boundary-pushing beats. Their chemistry behind the decks and fearless track selection created an electrifying atmosphere that became a festival highlight. The post Best Set appeared first on Electric Mode.

This category honours individuals and organisations whose passion, activism, and innovation are reshaping and nurturing the cultural fabric of the music scene. Whether it’s fighting for inclusivity, amplifying underrepresented voices, or protecting the community’s values, these culture warriors are at the forefront of positive change. Michael Bibi Michael Bibi’s relentless commitment to the underground scene and the culture of dance music has made him a leading figure in the industry. Beyond his boundary-pushing productions and performances, Bibi is a passionate advocate for preserving the spirit of the community, supporting artists, and encouraging unity in the rave culture. Save Our Scene Save Our Scene is an organisation dedicated to protecting and revitalising the electronic music community, particularly in response to the challenges posed by the pandemic. With a focus on grassroots activism, they campaign for the preservation of venues, support artists, and unite communities to ensure the scene continues to thrive. Lab54 Lab54 is a champion of artistic expression and sustainability in the music scene. By prioritising the growth of inclusive and diverse talent, Lab54 works to create space for innovation while supporting underground artists and pushing for lasting change in the electronic music ecosystem. Jaguar Jaguar is a tireless advocate for diversity in dance music, using her platform to amplify the voices of women and underrepresented groups. Her commitment to changing the culture of the scene through positive action, education, and outreach positions her as a true culture warrior in electronic music. Elijah Elijah is a key figure in the evolution of electronic music culture with his signature yellow squares, pushing for greater inclusivity, representation, and creative freedom. By fostering collaborative environments and supporting emerging talent, Elijah works to make the electronic music scene more accessible, progressive, and impactful for all. Sunil Sharp Sunil Sharp is a cultural pioneer within the global dance music scene. Through his advocacy for equality, sustainability, and the preservation of the underground, Sharp remains a steadfast force in supporting the community’s growth and ensuring a brighter future for the culture. SeeDJ SeeDJ is redefining the role of visual arts in electronic music, blending creativity with activism. Through immersive experiences and a dedication to challenging the status quo, SeeDJ highlights the intersection of art, culture, and community, creating spaces where marginalised voices are amplified. BMC Radio BMC Radio stands as a beacon for community engagement, offering a platform for voices often overlooked in mainstream media. By focusing on diverse musical talent and providing a space for open conversation, BMC Radio plays a crucial role in fostering cultural exchange and inclusivity within the music scene. MDL Beast MDLBeast has redefined the music festival landscape in the Middle East, combining world-class performances with a commitment to community-building and cultural exchange. As a pioneer in the region’s music scene, MDLBeast’s mission to elevate local talent while celebrating global connections cements their role as cultural warriors. Vibelab Vibelab is a community-driven platform dedicated to supporting and promoting the creators who drive the electronic music scene. Through its focus on education, networking, and opportunities for underrepresented talent, Vibelab has become a key force in shaping a more inclusive and dynamic future for dance music culture The post Culture Warrior appeared first on Electric Mode.

London’s renowned superclub, Drumsheds, is currently grappling with the potential loss of its operating license. This follows a series of serious incidents within recent months, including two fatalities linked to drug use and a stabbing attack. In response to these events, the Metropolitan Police and Enfield Council have initiated a licensing review scheduled for January. This crucial meeting will determine the future of the venue — one of the most important ones in the entire country. The most recent incident involved the passing of a 29-year-old woman on December 7th, suspected to be drug-related. This followed the earlier death of a 27-year-old man on October 12th under similar circumstances. Furthermore, a violent stabbing occurred on November 16th. While an emergency council meeting on December 12th permitted the venue to continue operations under heightened restrictions, the upcoming January 7th meeting will ultimately decide Drumsheds’ fate. Drumsheds, a prominent entertainment hub, occupies a former IKEA building and boasts an impressive capacity of 15,000, solidifying its position as the largest club in the United Kingdom. Managed by Broadwick Live, the venue features three distinct dancefloors, a variety of bars, and a substantial outdoor area, catering to a diverse range of events. *Cover image: Jake Davis [H/T] The Standard The post Drumsheds Could Lose Its License Following Drug Deaths And Stabbing appeared first on EDMTunes.

This category honours those at the forefront of sustainable innovation in the music and events industry. From festivals and organisations to foundations and initiatives, these trailblazers are leading the way in creating eco-conscious practices, reducing waste, and promoting a greener future for the global music community. Secret Garden Party (SGP) Secret Garden Party combines creativity with a commitment to sustainability, setting a benchmark for eco-conscious festivals. Through initiatives like solar-powered stages, waste-reduction programs, and community-led green campaigns, SGP proves that world-class events and environmental responsibility can go hand in hand. Shambala Festival A pioneer in sustainable festivals, Shambala has implemented groundbreaking initiatives such as being entirely meat- and fish-free, achieving 100% renewable energy, and championing reusable cups and bottles. Shambala’s dedication to environmental consciousness inspires both attendees and the wider festival industry. False Idols False Idols is committed to creating a more inclusive and diverse electronic music landscape. By championing underrepresented voices and providing a platform for marginalised artists, False Idols fosters sustainable representation within the scene. DGTL DGTL is a leader in sustainable festival innovation, utilising circular design principles to minimise waste and energy use. From plant-based food offerings to energy-efficient stages, DGTL is setting the standard for eco-friendly festivals worldwide. Zero Plastic Club Zero Plastic Club is dedicated to eliminating plastic waste in the music industry and beyond. Through innovative solutions, community engagement, and education, they champion a future where music events are free from single-use plastics, promoting long-term environmental sustainability. The Jaguar Foundation Founded by Jaguar, the foundation merges music and activism, addressing climate change and social equity. By empowering underrepresented voices and pushing for sustainability in the industry, it fosters a culture of accountability and positive impact. The Green Gathering Festival The Green Gathering Festival is a shining example of eco-conscious event planning. Powered by renewable energy and featuring workshops on sustainability, it promotes environmental awareness while delivering a vibrant and creative festival experience. We Love Green Paris We Love Green Paris is a festival with sustainability at its core, featuring eco-designed stages, zero-waste policies, and plant-based food options. It’s a celebration of music and environmental consciousness, proving that large-scale events can have a positive ecological impact. Fluctuations Fluctuations blends music and environmental advocacy, creating events that prioritize ecological mindfulness. By incorporating innovative sustainability measures into its operations, Fluctuations sets an inspiring example for the intersection of culture and environmental stewardship The post Sustainability appeared first on Electric Mode.

This category celebrates the voices that define the airwaves, bringing listeners closer to the music they love. Whether championing emerging talent, curating groundbreaking sets, or connecting communities through sound, these radio hosts shape the musical landscape and keep the spirit of discovery alive. Talina, Rinse FM As a prominent voice on Rinse FM, Talina showcases her eclectic taste and deep expertise in electronic music through every broadcast. Her expertly curated sets captivate both seasoned ravers and new listeners, while her engaging interviews spotlight electronic music’s rising stars. With her infectious energy and vibrant presence, Talina is a passionate champion of the underground scene, bringing joy and authenticity to the airwaves. Sarah Story, BBC Radio 1 Sarah Story’s effervescent personality and sharp musical ear make her a standout voice in broadcasting. Known for championing emerging artists and spotlighting forward-thinking tracks, her shows are an essential listen for anyone passionate about the future of electronic music. Arielle Free, BBC Radio 1 Arielle Free’s dynamic and engaging style has made her one of the UK’s most beloved radio hosts. With her infectious enthusiasm and genre-spanning selections, she creates an inclusive and uplifting atmosphere that keeps listeners coming back for more. Danny Howard, BBC Radio 1 Dance Danny Howard’s ability to blend commercial hits with underground gems has made him a trusted tastemaker in the dance music world. His dedication to spotlighting new talent and cutting-edge sounds ensures his shows are a vital hub for music discovery. Jaguar, BBC Radio 1 Dance Jaguar is a relentless advocate for diversity and innovation in electronic music. Her vibrant personality and passion for unearthing fresh talent shine through in every show, making her an influential voice on the airwaves and beyond. Circoloco Radio, Ibiza Radio Circoloco Radio brings the electrifying spirit of Ibiza to listeners worldwide. Featuring cutting-edge mixes from the scene’s biggest names, it captures the essence of the global clubbing community, delivering an immersive and transportive listening experience. Giles Peterson, BBC 6 Music Giles Peterson’s legendary career in broadcasting is defined by his encyclopaedic knowledge and boundless passion for music. A true pioneer, his shows traverse genres and cultures, offering listeners a deeply enriching journey through sound. Austin Kramer, Tomorrowland One World Radio Austin Kramer’s knack for discovering global hits and hidden gems has earned him a reputation as a tastemaker. His expertly curated shows feature a mix of boundary-pushing electronic tracks, connecting audiences with the music shaping the future. Mark Knight, Kiss FM Mark Knight’s hosting reflects his status as a house music icon. With a perfect blend of timeless classics and fresh releases, his shows are a masterclass in dance music curation, inspiring both fans and aspiring DJs alike. Jochem Hamerlin, Slam! Jochem Hamerlin’s deep love for techno and electronic music is evident in every set he curates. With a focus on underground sounds and forward-thinking artists, his hosting creates an intimate and authentic connection with listeners. The post Best Radio Show appeared first on Electric Mode.

This category celebrates the tracks that defined the year, capturing moments, setting dance floors alight, and resonating deeply with listeners. These songs are anthems of the present, showcasing the artistry and creativity that make music unforgettable. Effy, Mall Grab – “iluv” Effy and Mall Grab join forces on “iluv”, delivering a high-energy blend of punchy beats and euphoric melodies. A track that seamlessly merges rave nostalgia with modern production, it has become a staple in DJ sets, lighting up dance floors around the world. Joy Orbison – “Flight FM” Joy Orbison’s “Flight FM” is a masterclass in understated groove and emotive sound design. With its lush textures, skittering beats, and a hypnotic melody, it’s a track that feels equally at home in a club or on headphones, embodying the producer’s unique sonic signature. Confidence Man, Sweely – “All My People” All My People by Confidence Man and Sweely is an irresistible, high-energy anthem that radiates joy. Its infectious bassline, uplifting vocals, and funky rhythm have made it a crowd favorite, embodying a sense of celebration and unity. Diffrent – “A Little Closer” Diffrent’s “A Little Closer” is a soulful and intricate house track that builds layers of emotion and rhythm. With its warm grooves and subtle progression, the song creates an intimate yet danceable atmosphere, making it a standout release of the year. DJ Gigola – “La Betteria” DJ Gigola’s “La Betteria” is a percussive masterpiece that blends hypnotic rhythms with infectious energy. Its bold sound design and tribal influences create an electrifying track that commands attention on the dance floor. Shanti Celeste – “Ice Cream Dream Boy” Shanti Celeste’s “Ice Cream Dream Boy” is a dreamy, sun-soaked house track that radiates warmth and nostalgia. With its breezy melodies and gentle groove, it’s a feel-good anthem perfect for both intimate moments and open-air sets. Pretty Girl, Prozak – “Higher” Pretty Girl and Prozak collaborate on “Higher”, an uplifting track that pairs soaring vocals with a driving beat. Its euphoric energy and heartfelt lyrics create a transcendent listening experience, making it an anthem for late-night revelry. Ben Klock, Fadi Mohem, Flowdan – “Our Sector” Ben Klock, Fadi Mohem, and Flowdan team up on “Our Sector”, a dark, gritty techno track infused with dubstep influences. Flowdan’s commanding vocals paired with the thunderous production make this a powerful anthem that bridges genres and captivates audiences. ANNĒ – “Virgin” ANNĒ’s “Virgin” is a pulsating techno gem, characterized by its driving bassline and ethereal melodies. Balancing raw energy with a touch of elegance, the track has solidified ANNĒ as a standout voice in contemporary electronic music. Musclecars – “Tonight (Louie Vega Remix)” Louie Vega’s remix of “Tonight” by Musclecars is a soulful house masterpiece. Combining lush instrumentals, heartfelt vocals, and Vega’s signature touch, the track delivers warmth and groove, making it a timeless addition to the year’s best releases. The post Best Single appeared first on Electric Mode.

The EDM community has proven, time and time again, that truth doesn't just rival fiction—it remixes it into something much wilder. Redefining weird in the best possible way, we danced our way through a year of improbable moments that seemed too outlandish to be true—but somehow were. Though at times tough to believe, they remind us that the line between performance art and unintentional comedy in the EDM world remains delightfully blurry. From robot sex music videos to mosh pit diapers to Rebecca Black's Boiler Room DJ set, the scene once again proved it thrives on the unexpected. As we turn the page on another year, read on to discover 24 of the most absurd stories that actually happened in 2024. A Swedish festival built an "IVF stage" to play headliners' music for unfertilized embryosProspective attendees of August's Way Out West Festival, in the form of sperm and eggs, were incubated to the sounds of the event's headliners, including Fred again.. and Peggy Gou. In collaboration with the renowned designer Love Hultén, the festival developed a miniature "Future Fan Stage" at an IVF clinic in Stockholm. This year, we've added an additional stage to help create future fans of great music by 'injecting' live recordings by the headlining artists into their DNA at the earliest stage possible—before they even develop into fetuses," Way Out West's organizers said at the time. View the original article to see embedded media. Balenciaga sold a €3,500 "Raver Bracelet"Gone are the days, apparently, of earning your festival stripes through actual experiences. In 2024, you could buy the look of a seasoned raver without ever having to endure fan-clackers or "woo-woo" chants, thanks to Balenciaga. The glitterati reared its ugly head back in July, when the brand released a "Raver Bracelet" at the astounding price of €3,500 (roughly $3,789 USD). Where haute couture meets dumpster dive, this overpriced piece of wrist candy is distressed "to imbue it with a worn and aged look" as if you've been marinating in sweat, glitter and questionable life choices at EDC. For the price of a trip to Europe, you too can sport this scrap of fabric, which featured in Balenciaga's Autumn/Winter 2024 catalog and also came in a virtually indistinguishable version with metallic threading for €4,500. View the original article to see embedded media. Nicole Kidman said she's a raverProving that even the most influential Hollywood's icons crave the release of the dancefloor, Nicole Kidman revealed her secret passion for raving and techno music. Who knew the Moulin Rouge star, who usually keeps us all eyes wide shut with her elegant demeanor, could trade her corsets for a brat jumpsuit? "I'm a small party person, but I do like a rave," she said in a recent red carpet interview, adding that she enjoys listening to techno. View the original article to see embedded media. Liquid Death launched a leather diaper to relieve yourself in mosh pitsLiquid Death recently took "staying hydrated" to a wild new level. Teaming up with a manufacturer of adult incontinence products, the water brand launched a $75 adult diaper for diehard concertgoers who refuse to leave the mosh pit—even for nature’s call. Dubbed the "Pit Diaper," it sold out within 24 hours. Deorro threw a rave in a Chuck E. CheeseDeorro took the phrase "kids at heart" to a whole new level by turning Chuck E. Cheese into the rave venue we never knew we needed. The family-friendly experience tapped into the early aughts nostalgia with which longtime fans of the DJ grew up. He performed live from inside a custom car DJ booth, turning the venue into a club dancefloor where attendees could grab a slice of classic Chuck E. Cheese pizza, play retro arcade games and meet the mouse mascot himself. c/o The Exclusive Agency Boban Marjanović, the NBA's tallest player, DJed a Berlin rave paradeWhat is it about playing center in the NBA that turns you into a DJ? Most by now are familiar with the electronic music career of Hall of Fame NBA center Shaquille O'Neal, fans of whom affectionately call DJ Diesel. This year we saw 7' 4" Houston Rockets star Boban Marjanović, who stands tied with two others as the NBA's tallest player, follow in his gigantic footsteps. After releasing a techno track, "I Just Wanna," this summer, Marjanović performed a supersized DJ set during this year's "Rave The Planet" parade, a massive celebration of techno culture doubling as a spiritual successor to Berlin's iconic Love Parade. View the original article to see embedded media. Rebecca Black DJed for Boiler RoomAnd not even on a Friday. An artist used a squijeeblion to make a bizarre cover of Skrillex's "Scary Monsters and Nice Sprites"Have you ever heard of an instrument called a squijeeblion? Neither had we—until we discovered this bizarre cover of Skrillex's "Scary Monsters and Nice Sprites." The eccentric instrument was invented by Leonard Solomon, who performs the cover himself and recreates Skrillex's dubstep classic with a zany, whimsical touch. The air-powered squijeeblion sounds like a mixture of wind instruments, an organ and a foghorn, but the "bass drop" was the most surprising sound of all. Knock2 and ISOxo headlined a festival DJing in a shipping container suspended by a craneIn a daring spectacle, ISOKNOCK—the collaborative powerhouse of ISOxo and Knock2—turned heads at North Coast Music Festival over Labor Day Weekend when they performed from a DJ booth suspended in a shipping container by a crane. The high-flying setup was a perfect metaphor for their meteoric trajectory thus far: elevated, risky and absolutely thrilling. View the original article to see embedded media. A photographer was fined after his drone nearly crashed into Fatboy SlimBack in January, a UK court ordered a photographer to pay over $1,100 in fines after he nearly crashed a drone into Fatboy Slim. The incident took place on July 22nd, 2022 as the legendary electronic music producer was DJing for a crowd of 8,500 at Brighton Beach. Roughly 15 minutes before Slim's performance ended, an amateur drone pilot flew his DJI Mavic Mini onto the stage and narrowly missed both the DJ and members of the crowd. Electronic music legend Jean-Michel Jarre went airborne in a revolutionary flying carJean-Michel Jarre became the first-ever passenger to ride in a groundbreaking flying car, which its developers called "a new era of transportation with a touch of magic." That's according to Stefan Klein, an inventor, pilot and the Founder and CEO of KleinVision. The company's AirCar, which transforms from a sports car into a plane in minutes, was certified to fly in 2022 and its proprietors reportedly hope to bring it to market next year. Justice released a music video with a robot sex scene2024 was the year of Justice. Their comeback album, Hyperdrama, was one of the year's best. Back in February the iconic duo released an astonishing music video for "Generator," which comes with a disclaimer on YouTube: "This video may be inappropriate for some users." Depicting a sexual "dalliance" between two humanoid robots, the video explores sexuality through a transhumanist lens as they tear one another's skin with their teeth to reveal the circuitry within. Miami got hit by the most rain in the history of the city on the first day of Ultra Music FestivalAlthough it was clear and sunny for Ultra's remaining two days, Miami on Friday received 2.34 inches of rain, a daily record for the city. White shoes turned into mud bricks as Ultra's free-spirited ravers frolicked through the flooding, partying and bellyflopping in the streets. View the original article to see embedded media. Someone bought Avicii's guitar for over $25,000Back in October, an extremely rare auction of Avicii's personal belongings raised over $700,000 in support of his family's efforts to advocate for suicide prevention. 267 of the late EDM icon's personal items hit the auction block and all proceeds benefitted the Tim Bergling Foundation, a philanthropic organization launched in the wake of his death. The most expensive item? Avicii's custom Martin X Series acoustic guitar, which fetched over $25,000. Sean Eriksson A man climbed to the top of the Las Vegas Sphere, the world's biggest spherical structureTurns out, scaling massive structures without permission isn't as glamorous as it looks on Instagram. A content-creating activist was arrested back in February after climbing to the top of the $2.3 billion Las Vegas Sphere, the world's largest spherical structure, which stands 366 feet tall and 516 feet wide. The Las Vegas Metropolitan Police Department called the man's actions a "publicity stunt" ahead of Super Bowl LVIII. After reportedly causing $100,000 in damage, he got a different kind of "high" to enjoy: the view from a jail cell at the Clark County Detention Center. deadmau5 caught a drone with a butterfly net onstage at EDC Las VegasIn a bizarre mid-set maneuver at EDC, deadmau5 went full entomologist and used a butterfly net to ensnare a wayward drone. Ironic since he wasn't performing under his TESTPILOT alias, but we digress. View the original article to see embedded media. Spotify execs cashed out the same amount of money it would take an artist 314 billion streams to makeSpotify executives reportedly cashed out over $1.1 billion in company stock in 2024, a figure that would take artists an astronomical 314 billion streams to match through royalties. That's according to Music Business Worldwide founder Tim Ingham, who bemoaned the disparity after the outlet reported Spotify CEO Daniel Ek sold 875,000 shares of Spotify for a total of $283 million this year. That figure pales in comparison to the cash amassed by Ek's co-founder, Spotify ex-Chairman Martin Lorentzon, who sold 1,488,364 shares for a staggering $556.77 million. The numbers underscored the ongoing tension between Spotify and musicians, who have long argued that the streaming giant's compensation structure is fundamentally broken as they struggle to earn a living wage from the royalties generated by their music. Spotify co-founder and CEO Daniel Ek.Stuart Isett/Fortune Brainstorm TECH Tesla's Optimus Bot said Daft Punk is its favorite artistWhen a robot says it loves Daft Punk, you know the future has arrived. Back in October, we discovered a video in which Tesla's Optimus bot surprised a group of inquisitive attendees at the company's "We Robot" event with its top music pick: Daft Punk. Speaking with the group, the bot also said electronic dance music is its favorite genre before referring to the legendary duo by name. View the original article to see embedded media. A 9-year-old DJ became the youngest to ever perform at TomorrowlandDJ Archie, 9, once again proved that age is just a number after becoming the youngest to ever DJ at Tomorrowland, taking the world's leading EDM festival by storm in July. The impressive milestone followed his record-breaking achievement at Glastonbury, where he became the youngest DJ to grace the legendary UK fest the summer prior. Archie's journey into the world of music started almost as soon as he could walk, guided by his father, DJ Essex. By the age of four, he had already set a Guinness World Record as the world’s youngest club DJ. View the original article to see embedded media. Someone developed technology that lets plants play music with bionic armsThe far-fetched concept of plants performing live music became a reality in April, thanks to the Manchester-based duo Bionic and the Wires. Their inventive apparatus equips plants with bionic arms, enabling them to produce music from a traditional steel handpan drum and even a violin. At the core of their performance, the duo uses sensors attached to the plant's leaves to detect bio-signals generated during photosynthesis. The signals are then converted into electrical inputs that power the robotic limbs, enabling the plant to interact with musical instruments. Those iPhone ringtones? They were created by Flying LotusThis was certainly better than the time Apple forced a U2 album on everyone's iPhones. An August episode of the podcast Twenty Thousand Hertz revealed that two iPhone ringtones were secretly written by Flying Lotus. Released in 2019 as a part of Apple's iOS 13, "Daybreak" and "Chalet" have been available to all iPhone users. Flying Lotus reveals he wrote two of iPhone’s ringtones: “Daybreak” and “Chalet” pic.twitter.com/McUO7FxZMn — Modern Notoriety (@ModernNotoriety) August 21, 2024 Will Ferrell became the 4th member of Swedish House Mafia for a nightWho knew Ricky Bobby was into house music? Saturday Night Live icon Will Ferrell hosted Chicago's "Ultimate DJ House Party," a charity event to support Cancer For College. Described as a "unique and wild celebration of house music," the philanthropic show in October saw Ferrell take the stage with the legendary Swedish House Mafia trio. Self-driving cars stalled and blocked traffic out of Portola FestivalThe future of transportation hit a speed bump in late-September, when a handful of Google's self-driving Waymo vehicles malfunctioned and blocked traffic outside San Francisco's Portola Music Festival. The company, which is considered among the world's preeminent autonomous vehicle companies, uses a combination of AI, lidar and machine learning to navigate city streets. One irate attendee couldn't care less, urging Portola's organizers, Goldenvoice, to ban Waymo from the festival's grounds in a contentious Reddit thread. On our way out of @PortolaFestival we got mega stuck behind two confused @Waymo cars. Thanks guys, great work letting them loose when there’s a major music festival going on in the city ❤️ pic.twitter.com/39TBSQuVh5 — Nima (@heythereitsnima) September 29, 2024 A GoFundMe campaign raised over $500 to replace DJ decks drenched in urineAfter a DJ's decks were "soaked in pee" during a party, he launched a GoFundMe to replace the damaged equipment. The electronic music community rallied, proving once again that nothing brings people together like a good cause—and a bit of, well, unexpected bodily fluid. Donations flooded in, and by January 2024, he'd raised over $500.

This category celebrates the venues that define nightlife, where music, atmosphere, and community come together to create unparalleled experiences. From legendary institutions to underground havens, these clubs are the beating heart of dance music culture, offering spaces where memories are made and the music never stops. The Warehouse Project The Warehouse Project in Manchester is a powerhouse of the UK clubbing scene. Known for its awe-inspiring production, diverse lineups, and cavernous spaces, it transforms its industrial setting into a temple of sound. With its seasonal approach, The Warehouse Project delivers unforgettable nights, redefining the boundaries of club culture. FOLD A 24-hour license and a no-camera policy make FOLD a sanctuary for true music lovers. Situated in East London, it’s an industrial hub for cutting-edge electronic sounds. With its commitment to underground culture, FOLD has become a go-to destination for those seeking an authentic and unfiltered clubbing experience. Hï Ibiza Hï Ibiza epitomises the island’s world-renowned clubbing scene. With state-of-the-art sound systems, jaw-dropping visuals, and superstar DJs, Hï Ibiza offers an unmatched sensory experience. Its futuristic design and high-energy atmosphere make it a must-visit for anyone seeking the ultimate night out in Ibiza. Pikes Nestled in the hills of Ibiza, Pikes is a boutique club that embodies the island’s bohemian spirit. With its intimate setting, quirky décor, and storied history, it offers a unique blend of glamour and hedonism. From poolside sets to late-night dance floors, Pikes is an iconic space for unforgettable parties. The Drumsheds Housed in a sprawling industrial complex in London, The Drumsheds is a clubbing experience on a grand scale. Known for its epic sound systems and massive events, it brings together world-class lineups in an expansive and electrifying environment. The Drumsheds is a testament to the power of music in transforming spaces. The White Hotel The White Hotel in Salford is an underground gem, blending experimental art and cutting-edge music. This raw and intimate space is revered for its left-field programming and unorthodox vibe. A haven for the avant-garde, The White Hotel offers an otherworldly experience for those seeking something truly different. Tresor A cornerstone of Berlin’s clubbing legacy, Tresor is synonymous with techno. Located in a former power plant, it exudes industrial charm and raw energy. With its commitment to the underground scene and groundbreaking lineups, Tresor continues to be a pilgrimage site for electronic music lovers worldwide. Razzmatazz Razzmatazz in Barcelona is a multi-room paradise for music enthusiasts. Offering a mix of live performances and DJ sets, it caters to a wide range of tastes, from indie to techno. With its vibrant energy and eclectic programming, Razzmatazz stands as one of Europe’s most iconic clubbing destinations. Space Miami Space Miami is a global institution known for its marathon parties and stellar lineups. With its open-air terrace and high-energy atmosphere, it bridges the gap between night and day. Space Miami remains a beacon for electronic music lovers seeking an unparalleled clubbing experience. Garage Noord Garage Noord in Amsterdam is a haven for the adventurous and the experimental. Known for its intimate setting and bold, genre-defying lineups, it’s a space where underground culture thrives. With its eclectic programming and dedicated community, Garage Noord is a standout in the city’s vibrant nightlife scene. The post Best Club appeared first on Electric Mode.

This category honours the albums that define moments, push sonic boundaries, and resonate deeply with listeners. These exceptional bodies of work reflect the artistry, vision, and creativity that elevate music into an immersive and transformative experience. Jamie xx – In Waves Jamie xx’s In Waves is a much anticipated, masterful exploration of rhythm, emotion, and texture. Seamlessly blending house, UK garage, and experimental elements, the album takes listeners on an introspective yet euphoric journey. A deeply personal yet universally resonant work, In Waves reaffirms Jamie xx’s reputation as a pioneering producer. Nia Archives – Silence is Loud Silence is Loud by Nia Archives is a bold and vibrant celebration of jungle, UK bass, and soulful melodies. Packed with heartfelt lyricism and intricate production, the album captures a fresh, youthful energy while paying homage to the roots of the genre. Nia Archives cements herself as a trailblazer in modern electronic music. Taahliah – Gramayre Taahliah’s Gramayre is an avant-garde triumph, blending hyper-pop, experimental beats, and poignant storytelling. With its fearless production and emotional depth, the album is a bold statement of identity and artistry. Gramayre is as much a sonic journey as it is a celebration of personal expression. Ezra Collective – Dance, No one’s Watching A joyous fusion of jazz, Afrobeat, and soul, Ezra Collective’s Dance, No one’s Watching radiates warmth and vitality. The album’s dynamic grooves and uplifting energy showcase the band’s exceptional musicianship and their commitment to redefining contemporary jazz. FJAAK – Fjaak the System Fjaak the System is an unapologetically raw and powerful techno record from FJAAK. Packed with relentless beats, gritty textures, and undeniable energy, the album embodies the duo’s DIY ethos and their commitment to pushing the boundaries of electronic music. Floorplan – The Master’s Plan Floorplan’s The Master’s Plan is a soulful exploration of house and techno with gospel undertones. This father-daughter duo delivers uplifting rhythms and infectious energy, creating a deeply spiritual yet universally danceable album that uplifts the spirit and moves the body. Midland – Fragments Of Us Midland’s Fragments Of Us is a deeply reflective album that intertwines delicate melodies with intricate sound design. Blurring the lines between ambient, electronic, and dance music, it’s a meditative work that evokes introspection and connection in equal measure. David Morales – Sunday Mass Vol. 1 David Morales’ Sunday Mass Vol. 1 is a celebration of house music’s timeless appeal. Brimming with soulful vocals, lush instrumentals, and Morales’ signature groove, the album is a testament to his enduring influence and passion for the genre. Kelly Lee Owens – Dreamstate Kelly Lee Owens’ Dreamstate is an ethereal journey through ambient soundscapes and pulsing beats. Blending organic textures with electronic precision, the album is a transcendent experience that invites listeners to dream, reflect, and connect. I. Jordan – I AM JORDAN I AM JORDAN is an exuberant celebration of individuality and freedom. I. Jordan’s genre-defying approach fuses high-energy beats, euphoric melodies, and bold production to create a record that is as empowering as it is innovative. The post appeared first on Electric Mode.

Celebrating the pinnacle of music, art, and community, this category recognises festivals that push boundaries, create unforgettable experiences, and provide platforms for diverse and innovative musical talents. From intimate gatherings to grand productions, these festivals embody the heart and soul of live music culture. Secret Garden Party A festival like no other, Secret Garden Party combines music, art, and creativity to deliver a truly magical experience. Known for its vibrant atmosphere and surprise-filled programming, it offers a kaleidoscope of genres and immersive activities. With its ethos rooted in celebration and individuality, Secret Garden Party transforms its stunning lakeside setting into a playground of music and wonder. Houghton Festival Curated with precision and passion, Houghton Festival is a haven for electronic music enthusiasts. Founded by Craig Richards, it’s renowned for its 24-hour programming, impeccable sound quality, and idyllic Norfolk countryside setting. Houghton brings together a carefully selected lineup of DJs and live acts, making it a sanctuary for music purists seeking an intimate and immersive festival experience. Awakenings A cornerstone of the global techno scene, Awakenings is synonymous with high-energy performances and groundbreaking productions. Hosting world-class artists in iconic venues across Europe, it delivers an unparalleled celebration of electronic music. With its dazzling visuals and state-of-the-art sound systems, Awakenings stands as a beacon for techno fans worldwide. Dekmantel Dekmantel is a festival where cutting-edge music meets a meticulously curated vibe. Held in Amsterdam’s lush surroundings, it offers an eclectic lineup that bridges the underground and the avant-garde. With its emphasis on innovation and artistry, Dekmantel fosters an atmosphere of exploration, making it a favourite for those who seek a deeper connection with music. We Out Here Born from the creative vision of Gilles Peterson, We Out Here is a celebration of the UK’s rich musical tapestry. Blending jazz, soul, electronic, and more, the festival highlights emerging talents alongside established legends. Set in the serene Cambridgeshire countryside, We Out Here champions inclusivity, community, and the transformative power of music Melt Set against the industrial backdrop of the Ferropolis open-air museum in Germany, Melt is a fusion of music and awe-inspiring visuals. Known for its eclectic lineup spanning electronic, indie, and experimental genres, Melt offers a raw and energetic experience. With its iconic stages and electrifying atmosphere, it’s a standout destination for music lovers seeking something unique. Love International Love International encapsulates the spirit of a coastal escape combined with a musical journey. Hosted in Tisno, Croatia, this boutique festival blends sun-drenched days with starry nights, offering a lineup of house, disco, and eclectic grooves. With intimate boat parties and serene seaside stages, Love International is a paradise for those who seek music in a stunning setting. Movement Detroit A pilgrimage for techno enthusiasts, Movement Detroit celebrates the roots and evolution of the genre in its birthplace. Held in Hart Plaza, the festival boasts a cutting-edge lineup and an electric urban energy. Paying homage to Detroit’s legendary musical legacy, Movement is a must-attend event for fans of electronic music’s past, present, and future. Dimensions Dimensions is an exploration of sound in one of the world’s most picturesque locations. Set within an ancient fort on the Adriatic coast, the festival is revered for its world-class sound systems and diverse lineup of underground electronic music. Dimensions combines breathtaking scenery with unparalleled music programming, creating an unforgettable sensory experience. MOGA Rooted in the bohemian spirit of Essaouira, Morocco, MOGA is a festival where music, culture, and art converge. Known for its deep and soulful electronic sounds, it also incorporates the local culture, offering attendees a unique fusion of global and Moroccan influences. MOGA’s immersive atmosphere and stunning coastal backdrop make it a festival like no other. The post Best Festival appeared first on Electric Mode.

Massimo Logli‘s rise has been nothing short of meteoric, with recent gigs and festival appearances putting him on the radar of techno purists and mainstream audiences alike. This year he has rocked crowds at some of Italy’s biggest events, including Resonance, Sonar Festival and Decibel Open Air, and has played iconic clubs like Cocoricò and Bolgia. His forthcoming album ‘Origins’ promises to cement his status as one of the most exciting talents emerging from Italy. If you had to describe Origins with a single emotion or state of mind, what would it be and why? The greatest emotion is the happiness of playing a track I created and seeing it appreciated by the people on the dance floor. How does your creative process differ when working on an album compared to producing single tracks? A single track is a moment. An album is a journey, a process that takes months. Have non-musical elements—like films, books, or personal experiences—influenced Origins? I don’t know where the sounds in my head come from when I create a track. Certainly from years and years of listening. Hans Zimmer has definitely influenced me. You’ve shared the stage with some of the biggest names in techno including Rainer Zonneveld, Charlotte De Witte to name but a few. Have any of those experiences directly inspired moments in Origins? Honestly, every artist I’ve opened for has influenced me. One more than others? Sam Paganini. If someone listens to Origins in 10 years, what do you hope they take away from it? It’s not a pop album that will go down in music history, but I hope it can inspire future generations to experiment. Was there a particular track on the album that was especially difficult to complete? What made it so challenging? All of them were difficult, but Open Wide, which is basically Wide Open by DJ Hyperactive from 1998 completely reworked, was truly tough. What role does nostalgia play in your music, and how do you balance it with innovation? It’s very simple, at least for me. At my age, memories blend with current sounds, and that’s how new tracks are born, deeply connected to my musical history. What advice would you give to someone listening to Origins for the first time? Absorb the sounds of the past in these tracks. The past always comes back.

After more than 11 years of anticipation, fans of Avicii are finally able to experience the full versions of ‘Enough Is Enough’ and ‘Black And Blue’ in high-quality audio. These iconic tracks, which have just been leaked, mark a significant moment in the preservation of the late artist’s legacy. While Avicii’s unreleased music occasionally finds its way to fans through leaks, the arrival of these particular songs stands out. They are more than just unreleased tracks—they’re cherished pieces of his catalog that could have easily been official releases. Their availability now ensures that these gems can be appreciated in their full glory by fans old and new. This moment is bittersweet. It’s disheartening that these masterpieces have been overlooked by Avicii’s estate for so long, and that fans have had to rely on leaks to keep his legacy alive. However, the most important thing is that these tracks weren’t lost to time or forgotten on a hard drive. For fans, this isn’t just about new music—it’s a celebration of the enduring impact of Avicii’s artistry. These songs are now part of his timeless contribution to music, and their release, even unofficially, is a reminder of the joy and inspiration he continues to bring to the world.

On the 13th of December, TRIBBS, the mastermind who had his global breakthrough with ‘Let’s Get FKD Up’, a collaboration with Alok that generated over 200 million streams, returned to the airwaves with a reimagination of the legendary French anthem ‘Femme Like U’ by K.Maro, through the independent record label Play Two. While he might seem like a fresh name to some, TRIBBS is a Polish powerhouse whose fingerprints are already all over the music industry. Behind the scenes, he’s been crafting hits for legends such as R3HAB and Oliver Heldens, and his rise toward fame began when he in 2022, turned the Polish music scene upside down with his modern rework of ‘Ostatni raz zatańczysz ze mną’ (translated: You Will Dance With Me A Last Time), Polish 80’s classic. A track that didn’t just resonate with the audience but exploded – racking up over 95 million views on YouTube, propelling TRIBBS to 50 sold-out concerts across Poland, and landing him a global deal with Sony Music. By the end of the year, TRIBBS was crowned Poland’s #1 DJ, and has since then gained a wildly loyal TikTok following, and shared stages with heavyweights such as Tiësto, Acraze and Mike Williams. K.Maro, the man behind the original ‘Femme Like U’ , has also left an incredible mark on the international music scene. His career took off in the mid-1990s as a part of LMDS (Les Messagers du Son), a French-language hip-hop duo. When LMDS disbanded, K.Maro pursued a solo career and ‘Femme Like U’ which was his major breakthrough, topped charts in countries and sold oved two million copies. The accompanying album ‘La Good Life‘, further secured his global stardom. 2024 has been a landmark year for K.Maro as he celebrated the 20th anniversary of ‘Femme Like U‘ with a range of projects and performances. To honor the legacy of the track, K.Maro released an EP titled Femme Like U (Femme Like U 20th Anniversary Tribute) that features fresh mixes by contemprorary artists such as W.A.N.O, Mƥnuella, Ingrid Bawab, Aleph, and Shy’m. During the year of 2024, K.Maro also published Renaissances, an autobiography, toured across continents and performed at locations such as Théâtre de Verdure in France, Dream Fest 2024 in Azerbadjan and MTELUS in Canada. TRIBBS, whose reimagination of Femme Like U also is featured on K.Maro’s EP Femme Like U (20th Anniversary Tribute), delivers a standout track that breathes new life into the timeless hit. A true masterpiece that TRIBBS elevates it to the next level with his signature techno flair, crafting a fresh, club-ready version that’s destined to dominate dancefloors worldwide. This mix brings a bold, adrenaline charging energy to the original, transforming it into an epic club item that bridges nostalgia with innovation. Whether you’re a fan of the original or a techno enthusiast looking for a new obsession, TRIBBS ‘Femme Like U 2024 Tribute Remix’, is guaranteed to move your body to the beat.

Can you believe it’s been 13 years since Skrillex dropped his iconic ‘Bangarang’ EP?! Yes, thirteen years! Although Skrillex had already won three Grammys prior to the release of ‘Bangarang’ would solidify his place as a household name and cement his status as a music icon. Before ‘Bangarang’, Skrillex had already taken home Grammys for Best Dance Recording with ‘Scary Monsters and Nice Sprites’, Best Dance/Electronica Album for the Scary Monsters and Nice Sprites EP, and Best Remixed Recording, Non-Classical for ‘Cinema’ (Skrillex Remix), all in 2012. With ‘Bangarang’, Skrillex proved he wasn’t just a dubstep sensation—he was, indeed, a genre-defining artist. The EP achieved #1 on charts worldwide, including the Australian Dance Albums, US Billboard Top Dance/Electronic Albums, and UK Dance Albums. It went on to achieve platinum certification in Australia, Austria, Canada, Mexico, New Zealand, Switzerland, and the United States, while being certified gold in the UK. The success of ‘Bangarang’ didn’t stop at the charts. In 2013, Skrillex earned two more Grammys for Best Dance/Electronica Album for the ‘Bangarang’ EP and Best Dance Recording for the title track, ‘Bangarang’ (featuring Sirah). These wins made him the most Grammy-awarded electronic music artist in history, a testament to his innovative sound and global influence. With ‘Bangarang’, Skrillex’s career reached stratospheric heights. He became a headliner at major music festivals like Coachella, Ultra Music Festival, and Tomorrowland. The music video for ‘Bangarang’ became a viral sensation, gaining 1 million views within days of release. To date, it has racked up an astonishing 957 million views on YouTube. Skrillex’s collaborations during this time further showcased his versatility. In 2011, he teamed up with Ellie Goulding for the melodic track ‘Summit’ which was featured on the ‘Bangarang’ EP. In 2015, he joined forces with Justin Bieber and Diplo for the global hit ‘Where Are Ü Now’, released under the duo’s Jack Ü project. With these tracks bridging the gap between electronic music and mainstream pop, Skrillex earned even more acclaim. To mark the anniversary, let’s honor this legendary milestone by streaming ‘Bangarang’ on Spotify today. Help the music video go viral once more and push it toward 1 billion views on YouTube. Rewatch, share, and show the world why this EP remains one of the most iconic releases in electronic music history!

In the ever-evolving landscape of electronic music, few artists embody the spirit of sonic exploration quite like Launchpad Infinity. Blending cutting-edge technology with a deep philosophical approach to music, this Bay Area-based artist is redefining the boundaries of musical experience. From his roots in jazz and rock to his current experiments in psychedelic bass music and virtual reality, Launchpad Infinity represents a unique fusion of creativity, innovation, and spiritual expression. In this intimate interview, we dive deep into the artist’s creative process, his collaboration with PulseJet Studios, and his vision for music that transcends traditional genres. Discussing everything from AI and VR to the mystical influences behind his upcoming EP “Being of Unity,” Launchpad Infinity offers a profound glimpse into a musical journey that aims to launch listeners into new dimensions of consciousness. Let’s start first with your name, Launchpad Infinity, your artist name suggests boundless sonic exploration. What’s the origin story behind your DJ name? The name came to me one day while I was working and thinking about life and the universe. I like to leave the name up to people’s interpretation but essentially, the goal is to try and launch people into an experience of oneness with the universe by emulating different emotions with sound to take people on a journey into themselves. As a San Francisco native, how has the city’s rich technological and musical heritage influenced your approach to creating electronic music? The Bay Area is known for both technological innovation and musical creativity – how do you blend these two worlds in your art? I am not actually native to San Francisco, but Boston originally. Growing up in the Boston area and playing as the lead singer and guiarest in bands and studying Jazz Gutar in school and privately and playing in jazz bands, rooted my musical foundation in music theory and songwriting. I had been playing in bands and writing songs for 5 years before shifting over to electronic music production when I was 18, a good 15 years ago. I felt a magnetic pull to the Bay Area for a long time due to its rich musical and cultural history. Now calling it my home for the past 6 years I can sense my music taking on a more experimental tone. I swing back and forth between experimenting with sounds and writing songs that follow a more common formula or rhythmic pattern. I try and do my best to bridge the world between the familiar and unfamiliar. I generally try to do things differently with each track to bend the rules while still sounding pleasant. The music of the 60s coming from the Haight is a lifelong inspiration. I wrote a portion of the Depths of Perception album in an apartment on Haight two blocks from Ashbury, the first time I lived in the bay 11 years ago. My music is created mostly with a computer and a blend of recorded sounds from the real world, instruments or synthesizers, and sometimes vocals. I use a lot of different software for creating and processing the sounds you hear in my music. When I first opened Ableton 15 years ago I realized all the doors were open as far as being able to create any sound and write songs with no limitations. I’ve learned how to use the major DAW’s and majored in audio production in college to learn how to use professional studios. I now have a studio in Oakland where I am always writing new songs and working on different projects with other people. I would not be able to make the kind of music I do without the new technology that exists today and I am thankful for it. I come from the background of playing in rock and jazz bands so if you listen long enough you may find hints of my early acoustic influence. You recently created a music video using AI – can you walk us through that creative process? How does artificial intelligence interact with your artistic vision, and do you see it as a collaborative tool or a potential disruptor in music production? I personally love that I get to live in the time of AI and see it as a tool like any other that can be used to create awesome works of art. Unfortunatly AI also has the potential to be used to cause harm to people such as taking away work from established and up and coming visual artists. Just like with any tool it’s about the intention of the person using it. I’ve been making my album covers for a while now and like having AI as an option in my workflow, but at the same time I am excited to be working with other visual artists like Visual Drip. I find it important to not only use the technology of today to expand my creative potential, but to work with other people, especially visual artists who have spent the same time honing their craft as I have mine with music. I’ve always considered myself a musical artist first so the fact that AI can make things move faster in content development or create full animations, makes my life easier and expands what I am able to make and get out to people. As far as in the music production world I see it as a tool like any other. From full blown AI written music to splicing any track into its individual instruments, AI is going to continue to be used. Just like when electronic music was new people will say it lacks emotion and humanity and its not real music but music is music. I dont intend to use AI with my production but I got nothing against those who do. The intersection of technology and music seems central to your work, including your recent projects with PulseJet. How did you get involved with PulseJet and what sparked your interest in virtual reality? Ian (Visual Drip) and I were working on the album cover and animations for my brand-new EP “Being of Unity” and talked about how cool it would be to make a VR space you could go to where you could be inside the animations. I’ve always loved the cutting-edge technology. My dad worked on computers when I was a child in the 90’s so I grew up playing games on the early computers. I always wanted the newest tech for holidays as a kid. As I grew up, I found myself using technology in most aspects of my life. People often say that electronic music lacks emotion, but I challenge that sentiment. There’s songs I’ve written entirely on a computer that I’ve poured my heart and soul into, that have helped me express complex emotions, the same way I used to write songs on the guitar and sing every day after school. I’ve also heard electronic music that made me cry. I got involved with PulseJet when Ian reached out to me about an opportunity for us to turn our content into an AI music video. I like to think that thoughts become things and we made our intentions by talking about it, but Ian made it happen. It’s been a lot of fun working with the PulseJet team on this video and I’m excited to create more for future releases. How do you see virtual reality and your work with PulseJet transforming the landscape of electronic music, especially in the Bass Music scene? Are there dimensions of musical experience that VR can unlock that traditional performances cannot? My hope is that as more and more people are tuning into the VR landscape, we are able to provide quality content that really pulls people out of their time and place and transports them into this new world we create for them. Music and art already has the ability to take us to different feelings and emotions. When that is combined with VR and people can become immersed in the space too, then we, as artists, have the potential to really take people out of their bodies. That is exactly what I’m trying to do with my artist name, Launchpad Infinity, so finding Ian and John and the other guys at PulseJet has allowed me to take that vision to the next level. With PulseJet Studios pushing the boundaries of musical experience through VR, how do you see the future of live and recorded music evolving? Are we moving towards more immersive, technology-driven musical encounters? In my experience, technology is inherently creative. You wouldn’t have half the inventions we have today without experimentation. When you then use new technology with a creative lens you are able to push the boundaries of what is possible and do things no one has done or thought of before. My favorite artists are typically people that have pushed a boundary musically and made a sound or style that no one has before, or used technology in a new way that hasn’t been done before. There will always be people doing cutting edge things and there will always be people that are happy to fit inside of a specific genre box or musical style and there’s nothing wrong with that, but I personally like trying to push myself with each new song to make something new. I usually listen to boundary-pushing music, so I do see that wide range of things people are doing stylistically and sonically. I find that popularity is a bell curve with out of date and cutting-edge being on either side of what’s typically the most popular. What’s cutting-edge now will be popular later just as what’s popular now was cutting-edge when the last thing was popular. We are creating the content that doesn’t fit into any box of current musical and artistic standard, but may be the future musical and artistic standard. If you could design the ultimate VR musical experience that represents the essence of Launchpad Infinity, what would it look like? Take us on a hypothetical journey through sound, technology, and imagination. There is an infinite number of possible places we can take this. This video is the first project I am releasing with PulseJet and I hope we can continue to make even more experiences for people. The music is always meant to tell a story so the ideal experience would be one of transformation through the environments, maybe including interdimensional travel type visuals or alien worlds. I’ve heard my music called “space bass” before and it fits, because traveling the universe has always been a fantasy of mine. It would be cool to have a wide range of videos for my songs that tells a story, or different stories. Trying to expand people’s minds with visuals that match the music well, focusing on enlightenment and other aspects of the human experience. This could include the origins of life on the planet, traveling the cosmos, psychedelic visuals and ceremony music. Your Facebook page description mentions “sonic supernovas of omni-genre” and “expanding horizons and minds”. How does your upcoming EP on December 6th represent this philosophical approach to music? What can listeners expect in terms of sonic journey and emotional landscape? It has taken many years to be able to really push my musical boundaries to the place it is today. Writing music with little to no lyrics these past 15 years, I’ve had to change the way to continue to keep the music interesting and intentional. When I write new songs I try to find as many ways to break as many rules as I can while still sounding good. Freedom of expression comes when you remove the limitations we put on ourselves. This album is an ode to Sufi mysticism. The EP is called “Being of Unity,” which is a spin-off the ancient Sufi mystical text “Unity of Being.” The album cover art is of a Djinn so the title track became Djinn’s Wish, which I link to the genie from Aladdin, whose wish was for freedom. The songs I picked for this EP are ones that break down typical melodies and basslines into a psychedelic fusion of sounds, freeform self expression, which represents freedom for me. You’re planning to release around 30 tracks soon – that’s an incredible volume of music. What drives this productive creative period? Are there specific technological or artistic breakthroughs that are fueling this burst of creativity? I like to take my time with writing songs. Sometimes the ideas come quickly but then I work tirelessly on the mix-down and on the more intricate sound design. Sometimes I put a song down for a year and come back and have new ideas. I have to listen to a song so many times before I am satisfied with the outcome. For that reason, I always have a bunch of music I’m working on at once and typically slowly over months and years, groups of them get finished around the same time. Since moving to the Bay I haven’t been trying to play a bunch of shows like I used to in SoCal, so I could focus my energy in the studio. I’ve spent a few years in the studio and I am excited to start releasing all the music I’ve been fine-tuning. Psychedelic bass music is often described as a genre that aims to create transformative experiences. How do you use technology – whether it’s VR, AI, or other innovations – to enhance the transcendent potential of your music? I use technology in every step of my creative process, whether it’s recording instruments in the studio and then using audio manipulation to turn the sound into something unrecognizable, turning nobs on a synth, or using AI with After Effects for visuals, I love the potential the technology unlocks. While I will always have my roots in acoustic music, I believe using the technology of today will help me create the best music and experience I can for people. I strive to show people something new by creating a sound unique to my music to blow people’s minds and allow them a brief moment of freedom from the mundane, and remind them they are capable of the extraordinary. Check out PulseJet on VisionPro PulseJet on the App Store: https://apps.apple.com/us/app/pulsejet/id6504533651 PulseJet on Meta Quest: https://www.meta.com/en-gb/experiences/pulsejet/8962379510498367/

Amongst a sea of worthy contenders for the title of Dancing Astronaut’s 2024 Album of the Year, one album stood tall above the rest: Tinlicker’s Cold Enough For Snow. The album, released February 16 via [PIAS] Électronique, embodies the high-caliber production for which the duo, comprised of Micah Heyboer and Jordi van Achthoven, have become known for. The LP’s sublime toplines, stylistic diversity, and international supporting tour — which was about “performing as a musician, not as a DJ,” they say — helped solidify the project’s Album of the Year candidacy. But Tinlicker’s bold decision to honor their creative instincts and embrace the risks of artistic evolution, culminating in an album that authentically expands their sound, ultimately cemented the nod. Indeed, “It has our soul, our DNA in it,” Micha Heyboer told Dancing Astronaut earlier this year. Over the course of more than a decade, Tinlicker have consistently pushed boundaries in the world of house and techno, cultivating a sound that is both unique and distinct to them. Their use of real instruments, ranging from strings to keys to horns, has long been a staple of the project that helps to separate their sound from other, more traditional dance acts. Beyond the instrumentation, their music also has an unusual and powerful propensity to evoke an array of feelings, from euphoria to sadness, and everything in between. It’s music one can dance to, no doubt, but it’s also music that tells a compelling story. Ahead of the album’s February 16 release, Tinlicker faced quite a bit of change; they left their long-time label, Anjunabeats, for [PIAS] Électronique and transitioned from exclusively performing DJ sets to a format that included live performances. These moves were risky but well-calculated, particularly for a duo that’s not only comfortable taking the road less traveled, but also saw these strategic choices as necessary next steps to realize the creative direction of their next album. The result is a masterclass of an album that balances innovation with quality. What stands out most about Cold Enough For Snow is its sonic diversity. The album engages a variety of styles, from melodic (like “Slipstream” and “Staring Down Sunset”) to indie-electronic (“This Life” and “Nothing To Lose”), to clubbier, more techno-leaning instrumentals, such as “Blowfish” and “Revolution.” It even includes a track without their customary four-on-the-floor beats, “Strawberry.” Tinlicker produced the collaboration alongside Metropole Orkest, Netherlands-based jazz and pop orchestra with whom they performed to open Amsterdam Dance Event in 2023. The vocalists on the album both complement Tinlinker’s production across the album and breathe further life into it. Frequent collaborator Nathan Nicholson graces three tracks, and esteemed singer-songwriters like Tom Smith, Brian Molko, and British band Circa Waves bring a refreshing, indie-rock flavor to the table not previously heard on Tinlicker’s prior LPs. Notably, Julia Church is featured twice on the album, and on two of its standout tracks (“Glasshouse” and “Slipstream”) nonetheless. And yet despite the album’s general — and welcome — stylistic diversity, Cold Enough For Snow still feels cohesive from start to finish. In the months that followed the LP’s release, the Dutch duo hit the road for a headline tour across Europe and North America that featured a stop at CRSSD in San Diego. Tinlicker’s live show did the album justice, validating their decision to embrace the live format in a way they hadn’t before. It also helped to bring further life to its tracklist. The production pair ended the year by releasing a remix album with highlights that included an UNKLE reconstruction of “Glasshouse” and a club mix of “Slipstream.” Above all else, Cold Enough For Snow demonstrated unparalleled ingenuity and ultimately serves as a testament to Tinlicker’s decade-plus commitment to push boundaries for the sake of art, and chase what they’re passionate about rather than choosing to blend in and play it safe. “We don’t like living safe,” Heyboer also said. When it comes to making music, “there’s only one rule: we have to like it.” With Cold Enough For Snow, there’s a whole lot to like. Featured images: Jen Roman The post Dancing Astronaut’s 2024 Album of the Year: Tinlicker – ‘Cold Enough For Snow’ appeared first on Dancing Astronaut.

Tiësto, the renowned Dutch DJ and producer, has always been at the forefront of pushing musical boundaries and exploring new sounds. His latest project, “Una Velita”, a heartfelt single that pays homage to the vibrant culture of Puerto Rico and the groundbreaking artistry of Bad Bunny. Drawing inspiration from the rhythms, melodies, and energy of Puerto Rican music, this track is more than just a song—it’s a celebration of cultural heritage and a beacon of hope for artistic development. ‘Una Velita’ is not just another track for Tiësto; it’s a deeply personal project that holds a special place in his heart. The song serves as a tribute to the victims of Hurricane Maria, a devastating natural disaster that rocked Puerto Rico to its core. Through this collaboration with the Institute of Puerto Rican Culture (ICP), Tiësto is not only honoring the resilience of the Puerto Rican people but also taking concrete steps to support the island’s music community. By donating all proceeds from the release of “Una Velita” to initiatives that support Puerto Rican music and artists, Tiësto is demonstrating his commitment to giving back to the communities that inspire his music. These funds will be used to subsidize recording proposals submitted to the ICP, providing a platform for local talent to showcase their creativity and preserve the island’s rich musical traditions. “Puerto Rico’s music and culture have always been a source of inspiration for me. With Una Velita, I wanted to honor that legacy while giving back to the community that has given the world so much incredible art. I’m thrilled to partner with Bad Bunny and the Institute of Puerto Rican Culture to make a lasting impact.” – Tiësto As fans around the world rally behind ‘Una Velita’ and its message of hope and resilience, Tiësto’s commitment to supporting Puerto Rican music and artists serves as a shining example of the transformative power of music to unite, inspire, and uplift communities in times of need. About Tiësto www.tiesto.com Tiësto is a pillar in electronic music and an artist that transcends beyond that – Tiësto is an experience. Throughout his unparalleled career, the GRAMMY® Award-winning, platinum-certified, international icon has brought electronic music to the masses, first rising out of the underground scene to become one of the biggest and most influential DJ/producers of all time; fast-forward to now, where he is at peak creativity and still evolving the sound of electronic music. Tiësto continues to headline and play the mainstage of every major international dance music festival while maintaining his Las Vegas legacy, where he created the template for DJ residencies. Meanwhile, he’s sold more than 40M+ albums, clocked eight Billboard “Hot 100” hits and aggregated an incredible 25B worldwide streams. His album Drive was the first to achieve gold status in 2023, and among the litany of hits on the album are chart-topping singles ‘The Business’ (2.2+ billion streams), ‘Don’t Be Shy’ with Karol G (1.5+ billion streams), and his new single ‘Hot Honey’ with Alana Springsteen (26.5 million streams). Tiësto’s landmark Prismatic set (Forest Hills Stadium, Red Rocks Amphitheatre) marks the beginning of a new milestone in his career – giving fans a taste of what’s to come and a chance to re-experience where it all started. He is taking fans on a sonic journey from the nostalgic trance, deep melodic house, all the way to the current hits we all know and love, as well as some new music. Tiësto dominated 2024 with his exclusive residencies that saw him headlining a variety of spectacular properties and venues across Las Vegas, marking the first time hospitality industry titans on the strip have come together to present a shared artist residency. Tickets here. Stay tuned for more new music and live dates from Tiësto. The post Tiesto – ‘Una Velita’ appeared first on EDMTunes.

A night intended to showcase Argy’s highly anticipated "New World" show took an unexpected turn due to a "potential bomb threat" at the venue, he revealed in a statement over the weekend. The episode led to the renowned DJ and his team canceling his performance at Budapest's Hungarian Railway Museum to prioritize fan safety and production integrity. Known for his meticulous approach to live performances, Argy shared details of the December 20th incident in an Instagram Story, explaining that after spending the day conducting production checks to ensure a high-quality experience, he arrived at the venue 30 minutes before his set. However, shortly after entering the backstage area with fellow artist OMIKI, security abruptly evacuated them. "As we were leaving the backstage area with OMIKI to head to the stage, security abruptly escorted us to a car, which then drove us to our hotel because of security concerns regarding a potential bomb threat at the venue," Argy said. The venue was deemed safe after a few hours, Argy said, but it continued on despite his objections and ultimately took place without his consent. The Greek electronic music superstar had been billed as the event's headliner. "Hours later, I was informed that it was apparently safe to return to the venue. However, our team decided against continuing with the event," he explained. "If it were up to me, I would not have wanted the show to proceed at all after the police evacuated so many people and conducted bomb searches. However, the show, which was my own headline event, continued without my consent." Argy emphasized the collaborative nature of his ambitious "New World" production, which he said requires extremely meticulous planning. In order to deliver the experience his audience deserves, he explained that a short set under compromised circumstances was not an option. "Most importantly, I wasn't willing to put anyone at further risk," he added. Argy expressed frustration and regret over the situation but promised to make it up to fans. In his statement, he said his team is working on rescheduling the event "under the better circumstances we both deserve" but the timing is unclear at the time of this article's publication. Fans of Argy can purchase tickets to the rest of his tour here.

While many musicians avoid their weaknesses, French producer Teho plunges headfirst into his own depths with two amazing new recordings that deviate from your usual electronic fare. Felix Raphael‘s remix of “Day Off,” a song previously written by Teho and Romain Garcia, offers the first highlight. Raphael’s rendition of the work turns it into a multifarious trip with his deftly altered vocal fragments dancing over the mix and complex guitar notes. While brilliantly keeping the emotional heart of the original, the insertion of breakbeat rhythms signals a dramatic shift from its framework. Raphael’s ability to strike a unique viewpoint that boldly stands on its own by juggling invention with reverence for source material is highlighted in this remix. Possibly even more important is the release of Teho‘s “Shifting (Deluxe Edition),” which builds on his third studio album with an outstanding slate of remixes and two fresh original pieces. With “Fracture” and “Never Look Back” added to remixes by industry heavyweights such Oxia, Fejka, and Lauren Mia, the already strong album thoroughly investigates modern electronic music. “Shifting” distinguishes itself with its very intimate story. Teho’s musical journal reveals the chronicles of his path through inner conflicts and the contradiction of feeling unhappy in the middle of outward achievement. Compositions that deftly mix introspective periods with club-ready intensity create a sound environment that is both therapeutically cathartic and danceable from this emotional depth. With special regard for melodic progression and atmospheric detail, the production quality across both releases is outstanding. Whether recorded on a strong club system or via headphones, these tunes expose fresh depths with every listen, therefore confirming Teho’s status as a top voice in emotional, intelligent electronic music. These releases not only show Teho’s artistic development but also show the vivid state of modern melodic techno, where dancefloor functionality and personal expression live in perfect harmony. The post Teho presents new music as ‘Fracture’ and a Felix Raphael remix appeared first on The Groove Cartel.

On December 19, Armin van Buuren hosted the final A State of Trance radio show of the year. The live broadcast featured a countdown of the top 50 trance tracks of 2024, as voted by listeners. The four-hour marathon included appearances from Ferry Corsten, Aly & Fila, Christian Burns, W&W, Jennifer Rene, Craig Connelly, Kyau & Albert and many others. Artists joined in the studio or sent messages of gratitude and support. Fans lucky enough to attend the broadcast celebrated the festive holiday atmosphere alongside Armin and his guests. When it was time to announce the number one trance track of 2024, Armin made the reveal with a sheepish smile. His track with Gryffin, ‘What Took You So Long,’ had taken the top spot. “Honestly, I wouldn’t have made myself number one,” said Armin on the show. “That’s not what you hope for—you just want to support trance music in general. But it happened, and it all started in Los Angeles during a writing session with Jake Torrey, Madison Love, Gryffin, and the amazing Toby Gad, who’s written songs like John Legend’s ‘All of Me.’ They wanted to create a trance track, and I thought, ‘Hmm, let’s give it a try.’ We wrote this song, which is actually about how I met my wife. It’s called ‘What Took You So Long’ because that’s exactly what she said when we first met. It’s a true story, and now you know it!” Debuting live at Ultra Music Festival in Miami, Armin van Buuren and Gryffin’s first collaboration, ‘What Took You So Long’, immediately captured the spotlight. With heartfelt lyrics about waiting for your soulmate to recognize an unbreakable bond, paired with a driving rhythm and striking synth melodies, this track delivered an unforgettable listening experience that fans won’t soon forget. Gryffin joined the broadcast via video feed and said, “I just heard that ‘What Took You So Long’ got voted as A State of Trance Track of the Year, which is incredible. Thank you so much for all the support on this record. Working with Armin has been a dream come true. This song is really special and means a lot to us personally. We wrote and produced the record in one huge mega session in LA, so to hear that it got voted Tune of the Year means the world to me. I’m so thankful and grateful for all the fans. I appreciate you all so much!” The countdown, the celebration, and this standout track captured the magic of trance in 2024. As the year closes, fans eagerly anticipate what’s next. Top 10 ASOT Tracks of 2024 10. Armin van Buuren & Ben Hemsley ft. Lucy Pullin – Is It Beautiful (ASOT 2025 Anthem) [A State of Trance] 9. Ferry Corsten & SUPERSTRINGS – Remember [Flashover Recordings] 8. John O’Callaghan & Paul Skelton feat. Ren Faye – May The Road Rise [Subculture] 7. Aly & Fila & Richard Durand – Nebula [Future Sound of Egypt] 6. Ben Gold & Bo Bruce – Half Light [Armada Music] 5. Above & Beyond feat. Zoë Johnston – Crazy Love [Anjunabeats] 4. Armin van Buuren & Hardwell – Follow The Light [Revealed] 3. Aly & Fila & Philippe El Sisi & Omar Sherif with Jaren – Count On Me [Future Sound of Egypt] 2. Factor B – The Girl With Her Head In The Clouds (Ellie’s Song) [Theatre of the Mind] 1. Armin van Buuren & Gryffin – What Took You So Long [Armada] Watch the full episode below! The post The Top 50 Tracks on ‘A State of Trance’ 2024 appeared first on EDMTunes.

This week was busy for Tomorrowland’s One World Radio. The team spent everyday presenting The Magical 500 2024 Wrapped counting for best songs of the year. This is a fan voting list, and this year’s number one song of the year is ‘Move’ by Adam Port and Stryv. The Afrohouse song made it into our Year in Tunes List for original tracks as well in number 12. The song made its way into global popularity, including an official remix with Keinemusik and Camila Cabello. Magical 500 – 2024 Wrapped The list moves in with the French DJ David Guetta in number two with ‘I Don’t Wanna Wait’ with OneRepublic, then Lost Frequencies’ ‘Black Friday(pretty like the sun)‘ alongside Tom Odell. Other major tracks that made it into the top 10 include Zerb’s ‘Mwaki’ feat. Sofiya Nzau and Chase & Status’ ‘Baddadan’. Tomorrowland also mentioned that Tiësto is the artist with the most tracks on the list with 17 tracks. Adam Port, credit Daniella Abudarham The top 100 list is available here, and you can relieve the Magical 500 on Spotify. Tomorrowland The festival continues to be a global cultural phenomenon. Located in Boom, Belgium, the two weekend festival celebrates all genres of electronic music on 16 different stages. Moreover, it welcomes over 400,000 attendees within those two weeks. Next year, Tomorrowland will take place in the last two weekends of July, inviting goers from over 200 different countries. The post Tomorrowland Announced ‘Move’ as Nr.1 Track In The Magical 500 appeared first on EDMTunes.

Spotify has long presented itself as a champion of artists and democratized music, a platform where artists and listeners connect within a frictionless, meritocratic ecosystem. But behind the polished image lies a troubling reality: the Perfect Fit Content (PFC) program, a secretive initiative revealed in Liz Pelly's forthcoming book, Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist, which suggests profit is the utmost priority in the platform's playlisting ecosystem. The program, according to Pelly's reporting in Harper's Magazine, is designed to embed low-cost, royalty-free tracks into Spotify's most popular mood- and activity-based playlists. Produced by a network of "ghost artists" operating under pseudonyms, the tracks are commissioned with the intent to reduce the company's royalty payouts to artists, per Pelly. Piloted in the 2010s, the PFC initiative has since infiltrated hundreds of Spotify playlists, according to Pelly's investigation. The deals are said to typically pay the program's artists modest upfront fees while Spotify and its partners retain all rights to the music, thereby recognizing substantially more profit by promoting the reach of ghost tracks on its platform. The program's effects extend beyond the individual musicians who relinquish ownership of their intellectual property. Once celebrated as avenues for artistic discovery, playlists have become tools for cost-cutting while musicians who are attempting to make a livable wage off their craft are pushed aside in favor of disposable, low-cost content. The revelations about PFC echo similar controversies surrounding Spotify's "Discovery Mode" program, in which artists trade royalty cuts for a boost in algorithmic promotion. Both initiatives seemingly exemplify the platform’s willingness to engineer its ecosystem in ways that benefit the company's bottom line at the expense of musicians. "Spotify had long marketed itself as the ultimate platform for discovery—and who was going to get excited about 'discovering' a bunch of stock music?" Pelly explained. "Artists had been sold the idea that streaming was the ultimate meritocracy—that the best would rise to the top because users voted by listening. But the PFC program undermined all this." You can read Pelly's full report here.

The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene. You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here. EDM.com Fresh PicksNGHTMRE - In Your Eyes (Nikita, the Wicked Remix)Fred again.., John Martyn - little mysteryIdobangers - BlessingsAndrew Long, Paige Duché - The FallSatorro, DCVCV - Runnin (FLIP)Bay Ledges - Setting Freemaxime. - something ! anything !Cospe, Wal Soo - Golden Brush (Remix)Glimji, AMARA ctk100, Soak XP - One & OnlyShrimpnose - River Still Runs

In the early days of December, Mt. Eden, a name etched into the foundational bedrock of dubstep, wiped his Instagram clean. Then came the announcement of a new EP, Venom, his first long-form project in years. For those who have followed the trajectory of the New Zealander behind Mt. Eden, the move felt like both a symbolic and thrilling sign of renewal. The mind behind the timeless "Sierra Leone" helped define an era when dubstep broke free from its subterranean roots and erupted into mainstream consciousness. Mt. Eden's music was a perfect storm of haunting vocal samples and tectonic basslines—hallmarks that remain characteristic of the late 2000s and early 2010s dubstep renaissance. Their 2009 single "Still Alive" remains a cornerstone of the genre and was recently revisited by Skeler in a high-profile remix that re-contextualized its raw beauty for a new generation. But with Venom, Mt. Eden doesn’t just revisit his past—he reassembles it into something that meets the present moment. For fans of bass music, it's a timely reminder of why his legacy looms large. In a genre often criticized for its ephemerality, his work has endured, and he proves that he’s not content to simply rest on the laurels of his past. The EP opens with its ferocious titular track, a drum & bass onslaught that marks a surprising departure from the producer’s more familiar tempos. The opening salvo seethes with energy as rapid-fire drums and hypnotic basslines conjure images of racing pulse and adrenaline-fueled pursuit. On "Double Up," he flexes his mastery over hybrid trap, crafting a track with otherworldly basslines that twist and mutate unpredictably. The latter half of Venom sees Mt. Eden returning to more familiar terrain, but with a polish and confidence that reflect his growth. Tracks like "Geezer" and “Faded” stand as love letters to his roots. Warm, slow-stepping synths light the way for blistering drums and deep basslines that rumble like a distant storm. The approach is pure Mt. Eden: cinematic and unapologetically visceral. Listen to Venom below and find the EP on streaming services here. Follow Mt. Eden:Facebook: facebook.com/mtedenofficial X: x.com/MtEdenOfficial Instagram: instagram.com/mtedenofficial/ Spotify: bit.ly/3Dp4oF3