Ravebot

The very first DJ show at the acclaimed Sphere Las Vegas is tomorrow night! Given the cultural significance of this mini-residency and the fact that the Sphere may represent the future of live entertainment, it’s not surprising that Anyma is planning much more than a typical DJ set for this show. We knew the show was called The End of Genesys, but that’s all we knew. We expected some crazy visuals, but now we’re getting a sense for how expansive the show will be. Anyma took to social media to hype up the show as “A Cybernetic Opera”, whatever that means. The post made clear that this show is going to be something more akin to the Swedish House Mafia world tour, Eric Prydz HOLO, or The Weeknd. We’re expecting bespoke stage designs, choreographic visuals to go with the music, and it would appear that the Anyma shows will convey some sort of narrative through the course of the show. One of the photos in the post says that the “cybernetic opera” will have 4 acts, with blurred out descriptions beneath. First there is Genesys, then Humana, then End of Genesys, and finally Quantum. If you’re able to read it please let us know! The last interesting tidbit is that the show will include the world’s first robot cello duet, referring to it as a cybernetic performance. Will this be a physical robot or something purely in the digital realm? Only time will tell. We would not be surprised if we hear a ton of new music and an announcement of another album (Quantum?) during the show. It’s worth reflecting on the themes that the Anyma project has explored to get an idea of where this is going. Anyma has consistently explored themes around nature and technology, specifically around human and artificial intelligence. The very first Anyma EP was titled Sentient EP. The first Anyma visuals revolved around the creation of humanoid robots, and there is a bit of a narrative over time as the robots become more advanced and then interact or merge with real human figures. Then other humanoid robots were introduced at various times. After a while it was hard to tell if there was still a cohesive narrative being told, but perhaps this show will bring it all into focus. We have a cast of characters (several even have names), both human and robot, and scenes that show the beginning of life, the singularity, love, war, the fusion of nature with technology, suffering, and even death. So I guess you could say we’re about to see a melodic techno DJ show version of Westworld. We cannot wait! The post Anyma Hypes Sphere Show as a “Cybernetic Opera” appeared first on EDMTunes.

Anyma’s much-awaited event series “The End of Genesys” at Las Vegas’s Sphere has been announced (lineup) as a four-act cybernetic opera, stretching the boundaries of live electronic music performance into hitherto unexplored terrain in an unparalleled mix of robots, electronic music, and philosophical investigation. The news, which has rocked the electronic music scene, exposes an ambitious production including the first robotic cello duet, where Universal robots will accompany Anyma’s electronic soundscapes. This innovative way that robotics are incorporated into a live electronic music performance marks a new phase in the interaction of technology and artistic expression. A Journey Through Four Acts of Evolution The opera’s structure presents a meticulously planned narrative arc that investigates humanity’s connection with technology, consciousness, and existence itself. Each act acts as a chapter in this evolutionary saga, building upon Anyma’s recurring themes while pushing them into creative new terrain. The opening act, “GENESYS: The Birth,” sets the foundation by examining the delicate intersection of humanity, technology, and nature. It promises to be an exploration of consciousness and digital existence, marking what Anyma describes as “the awakening of a new existence” where biological and artificial boundaries begin to blur. In striking contrast, the second act, “HUMANA,” grounds the performance in raw human experience. This segment focuses on vulnerability and the tactile nature of human existence, offering what might be seen as a meditation on what we stand to preserve or lose in our technological evolution. The third act, “END OF GENESYS,” represents the culmination of Anyma’s long-running narrative about artificial general intelligence and accelerationism. This segment poses perhaps the production’s most crucial question: can humanity find equilibrium with advancing AI, or are we witnessing the inevitable march of evolution beyond human control? The final act, “QUANTUM,” projects us into a post-human future where consciousness exists in the cloud and artificial general intelligence has evolved to potentially divine proportions. Drawing inspiration from quantum theory, this closing chapter explores the possibility of a new form of existence where the digital and organic become indistinguishable. The End of Genesys Anyma Cybernetic Opera The Anyma Manifesto: A Declaration of Artistic Intent By means of this performance, Anyma seems to be boldly expressing her creative message regarding the direction of human awareness and our interaction with technology. Robotic musicians accompanying electronic music blur the boundaries between human creativity and machine execution, therefore physically expressing the themes of the show. One may consider the creation as Anyma’s statement on human development and the direction of electronic music. Anyma pushes electronic music beyond simple enjoyment by organizing the event as a cybernetic opera, therefore turning it into a vehicle for investigating important issues concerning consciousness, technology, and the future of human life. I’ll share the full transcript based on the information provided for each act, formatted as quotations: ACT I – GENESYS: “GENESYS The birth. An exploration of the interconnection between humanity, technology, and nature, focusing on themes of evolution, consciousness, and the digital realm. This act marks the awakening of a new existence, where the organic and the artificial begin to [unreadable].” ACT II – HUMANA: “HUMANA The essence of humanity, a poignant portrayal of vulnerability, intimacy, and the tactical nature of skin. This act delivers into the emotional and physical connections that define the human experience, revealing the raw beauty and fragility at the heart of existence.” ACT III – END OF GENESYS: “END OF GENESYS The culminations. A transformation of the ‘Genesys’ narrative, [unreadable] themes of artificial general intelligence, accelerationism, and singularity. As the relationship between humanity and technology reaches its zenith, the question arises: can humanity strike a balance and forge a pact with the nearest AGI pieces or will the inexorable march of evolution take its course?” ACT IV – QUANTUM: “QUANTUM The new down. In a distant future, where humanity exists only as a memory, will uploaded cloud consciousness and AGI, through quantum calculus give rise to a new god? And if so, will this new god resemble the first human? Inspired by quantum theory, this act explores interconnections, duality, and the boundless possibilities of fusion. It envisions a reality where the boundaries between organic and the digital dissolve, creating a unified existence. again, can humanity strike a balance and forge a pact with the newest AGI pieces, or will the inexorable march of evolution take its course?” The Sphere The decision to stage this enormous show in The Sphere is not random. The venue offers the ideal canvas for Anyma’s concept with its modern LED display and sophisticated Sphere Immersive Sound system run by HOLOPLOT. Robotic musicians combined with The Sphere’s technical skills offer a sensory experience pushing the edge of live performance. Working with digital artists and directors Alessio De Vecchi, Tobias Gremmler, and Alexander Wessely, the visual components of the presentation will be as innovative as its conceptual framework promises. Their participation promises a visual story that would accentuate the intellectual ideas of the performance. With 100,000 tickets already sold across six shows, the anticipation for this cybernetic opera demonstrates the electronic music community’s appetite for productions that push beyond traditional boundaries. Whether humanity can indeed strike a balance with artificial intelligence remains to be seen, but through this ambitious production, Anyma is ensuring that electronic music plays a vital role in exploring these crucial questions about our collective future. The post Anyma’s The End of Genesys will be a 4 acts Cybernetic Opera appeared first on The Groove Cartel.

Drumcode Records has long been a pillar of excellence for independent record labels in the dance/electronic scene. Adam Beyer‘s imprint has been bringing techno to the masses since it was established in 1996, and now, 28 years later, it’s still going stronger than ever. Between the caliber of its releases and the rigorousness of its touring schedule this year, Drumcode further affirmed its status as one of the dance/electronic genre’s preeminent record labels, prompting its recognition as Dancing Astronaut‘s 2024 Label of the Year. Drumcode’s 2024 release calendar reflects a balance of both quantity and quality. This is true not only of the productions, but also of the artists behind them; over the past year, Drumcode welcomed outputs from an accomplished cast of underground A-listers, including Eli Brown, HI-LO, Massano, Layton Giordani, Vintage Culture, Odd Mob, and of course, the label boss himself. Eight of the Beatport’s 10 top-selling Techno Peak artists released with the label this year, which, with its 130,000 sales on the Beatport store, led Drumcode to become the best-selling Techno Peak label on Beatport this year. Drumcode’s music was streamed for more than 155 hours across digital streaming platforms (DSPs) in 2024, a statistic that comes as no surprise, considering that releases like “When I Push” (Eli Brown, Layton Giordani, OFFAIAH), “PATT (Party All The Time) [Adam Beyer, Layton Giordani & Green Velvet Remix],” and “Simulator (Odd Mob Remix)” (Adam Beyer, Green Velvet), commanded both DSPs and the live circuit. But no ironclad case for Label of the Year merely comes down to music, and naturally, for Drumcode, that’s just where the story begins. In dance/electronic’s live space, there are few — if any — labels that can match Drumcode’s robust international presence. Beyer’s stronghold featured in festivals across five continents, hosted a global, branded tour that included its first-ever stops across Asia, and held its biggest UK show to date (at The Drumsheds in March). In total, Drumcode sold more than 91,000 tickets to its branded events in 2024. While Drumcode’s inexhaustive list of quality releases helps solidify its candidacy as one of the year’s top labels, its vigorous touring schedule and overall prominence in the live sector ultimately cements its status as such. However, it’s impossible to crown Drumcode as Dancing Astronaut‘s Label of the Year without acknowledging its equally impressive longevity. It’s remarkable that a label that has been around for nearly three decades years can still feel so fresh and so innovative, particularly in the dance/electronic scene, where this type of tenure is a true rarity. Yet even after all these years, Drumcode is still at the forefront of techno — a space that is as robust now as it ever has been — and as an independent label, no less, which is a true testament to Beyer and his team. The label’s mission statement opens with, “Drumcode is more than a label, it’s a movement.” Although that sentiment rang true this year, Dancing Astronaut doesn’t give out a Movement of the Year award, so Drumcode will have to settle for the next best thing. Dancing Astronaut is proud to name Drumcode its 2024 Label of the Year. Featured image: Drumcode, The Drumsheds The post Dancing Astronaut’s 2024 Label of the Year: Drumcode Records appeared first on Dancing Astronaut.

A 3-day event meant to unwind and be free gone sour! One of South East Asia’s largest electronic dance music festivals, Djakarta Warehouse Project, is facing the heat due to excessive policing. This comes amid reports of intense safety and security measures amid its recent event. Patrons of the festival in Indonesia had taken to social media earlier sharing alleged aggressive rendezvous with local law enforcement authorities. The allegations range from extortion to intense security checks, and verbal threats to the usage of excessive force. Even VIP attendees were not spared and were forced to abide by the implementation of rough measures. Several attendees expressed alarm and displeasure subject to the actions of certain officials. These actions seem to have eclipsed the actual purpose of the festive event, which was intended to be a memorial. The organizers have circulated a public apology with a promise to address these concerns. It commits to investigating these allegations involving the local police. The organizers also assured us they would address the broader concerns about the overall festival security. Attendees are advised to report any incidents directly to festival organizers or the local authorities. They have in turn pledged to declare the findings of the investigation to the general public. These updates would also include any additional measures to be implemented for future festivals. For now, attendees are still reeling under the nightmare of the dictatorial atmosphere created by the presence of an alleged count of 450 personnel. The post Djakarta Warehouse Project Issues Apology & Investigation Amid Claims of Excessive Policing appeared first on EDMTunes.

Going into 2012 both Avicii and Nicky Romero were coming off the back of releasing possibly their most iconic tracks as in 2011 Avicii had dropped the iconic ‘Levels’ and Nicky Romero had released the legendary ‘Toulouse.’ When it came to this date 12 years ago they unveiled what is easily one of the best progressive house anthems ever. The timeless classic ‘I Could Be The One.’ The track was first unveiled in November of 2011 as an instrumental and would go under the working title of ‘NickTim’ which was a combination of both artists names. A year later the vocal version would see the light of day with uncredited vocals from Noonie Bao who would continue to collaborate with Avicii as she featured in ‘Always On The Run’ on the album ‘True.’ She would also give a very emotional performance on ‘Fades Away’ featured on Avicii’s posthumous album ‘Tim.’ Upon the release of ‘I Could Be The One’ it would achieve a great deal of commercial success as it hit number 1 in the charts in the UK and Hungary along with reaching the top 40 around most of the globe. The song has gone on to receive nearly half a billion streams on Spotify and Nicky Romero still plays it in his DJ sets accompanied by a tribute to Avicii. It would be an understatement to say that ‘I Could Be The One’ is just a great song. It’s a historic track that will always bring the summer party energy.

Lady Gaga, the iconic pop star known for her boundary-pushing music and avant-garde fashion, has recently announced that her upcoming album, dubbed ‘LG7’, will be heavily influenced by industrial dance music. In an interview with the Los Angeles Times, Gaga expressed her excitement about collaborating with DJs and Gesaffelstein on this new project. Set to be released in February, ‘LG7’ promises to be a diverse and genre-defying album that explores the chaotic nature of life and ultimately finds solace in love. With her previous album, ‘Chromatica’, Gaga delved deep into dance music styles, working with acclaimed producers like Skrillex, Axwell, and Boys Noize. The remix album for ‘Chromatica’ also featured cutting-edge artists such as Arca, A. G. Cook, and Shygirl. Now, as she gears up for the release of ‘LG7’, fans are eagerly anticipating how she will continue to push the boundaries of pop music and deliver a sonic experience like no other. Furthermore, Gaga’s recent announcement that she will headline Coachella in 2025 for the second time has only added to the excitement surrounding her new album. With her electrifying stage presence and infectious energy, Gaga is sure to deliver a show-stopping performance that will solidify her status as a music icon. Exploring Industrial Dance Music Industrial dance music is a genre that fuses elements of industrial music with electronic dance beats, creating a dark and gritty sound that is both intense and captivating. Known for its pulsating rhythms, distorted vocals, and experimental production techniques, industrial dance music has been embraced by artists seeking to push the boundaries of conventional pop music. “I loved learning about industrial music and about all the different crevices of electronic music,” she continued. “One of the things I’ve probably been judged for in my career was not sticking to one thing. But not sticking to one thing is my life force.” By incorporating industrial dance music into ‘LG7’, Lady Gaga is tapping into a bold and edgy sound that aligns perfectly with her avant-garde aesthetic. This genre allows her to explore themes of chaos, love, and self-discovery in a way that is raw and unfiltered, adding a new dimension to her already eclectic discography. With influences ranging from classic industrial bands like Nine Inch Nails to contemporary electronic artists like Gesaffelstein, Gaga’s foray into industrial dance music promises to be a thrilling sonic journey that will captivate listeners and push the boundaries of mainstream pop music. The Evolution of Lady Gaga Throughout her career, Lady Gaga has never been afraid to experiment with different musical styles and genres. From her early pop hits like ‘Just Dance’ and ‘Poker Face’ to her more recent ventures into jazz with Tony Bennett, Gaga has always kept her audience on their toes with unexpected collaborations and bold artistic choices. With each album, Gaga has continued to reinvent herself and push the boundaries of pop music, earning critical acclaim and a dedicated fan base in the process. Her ability to seamlessly blend different genres and styles while maintaining her distinctive voice and vision is what sets her apart as a true musical innovator. As she gears up for the release of ‘LG7’, fans can expect Lady Gaga to once again defy expectations and deliver an album that is both daring and deeply personal. With industrial dance music as her muse, Gaga is poised to take listeners on a wild and exhilarating ride that will leave a lasting impact on the music industry. The post Lady Gaga Album Influenced By “Industrial” Dance Music appeared first on EDMTunes.

When you think of iconic Boiler Room sets, you picture dimly lit warehouses, neon lights, and crowds packed tightly around the DJ booth. But DJ and producer Hugel, the French maestro of Afro House, decided to rewrite the playbook by bringing the Boiler Room energy to an unexpected venue—a McDonald’s restaurant. The event, aptly dubbed “Big Beats and Big Macs,” took place in a fully operational McDonald’s in Berlin, complete with the golden arches glowing above the decks. The collaboration blurred the lines between nightlife culture and everyday fast-food experiences. The idea was bold, yet brilliantly executed, blending Hugel’s signature sound and deep beats with the familiar scent of fries and burgers. The Make The Girls Dance Records event featured neon visuals, custom lighting rigs, and a sound system that ensured the McDonald’s-turned-club was pumping for hours. As mentioned in the video post on Instagram, Hugel’s first job after he dropped out of school at 18 years old was at a McDonald’s. However, this time the man was cooking beats instead of burgers, which made it an incredible time for the attendees. This is not the first time we see a rave inside a location of the popular restaurant chain. As a matter of fact, fellow Frenchman DJ Snake did throw a party of the same kind last year in Paris. The year of 2024 continues to be filled with success in and out the DJ booth for Hugel. As promised in the comments, there will be more of these Boiler Room type events at some of McDonald’s locations around the world in the future, so keep an eye out. Stay tuned for more news! The post Hugel Held a Boiler Room Style Event Inside a McDonald’s appeared first on EDMTunes.

Elrow (or better known as ‘elrow’ in its lower-caps form), will bring its wonderful summer spectacle back to New York City on July 19, 2025. The upcoming event in the Big Apple was one of Elrow’s can’t-miss events that the prestigious EDM event management company had showcased in a worldwide promotional campaign recently called “2025: A Space Rowdissey“. According to the event’s official presale registry site, its official title is ‘elrow Goes Back To New York’ and it will take place at the historic Brooklyn Mirage. However, the presale date for elrow NYC will be this Friday, December 27. To make things very exciting, elrow NYC will be an “XXL Edition”, which means that it plans to be an event that start at sunrise and will end at sunset. In fact, elrow NYC expects to open at 06:00 p.m. local time and the music plans to stop at 06:30 a.m., making this a 12-hour extravaganza of phenomenal electronic music for all the attendees to remember. Check out this superb set from AYYBO from last year’s event by clicking ‘Play’ on the YouTube video below so that anyone who is expressing interest in attending the event can check out what it is all about. The post elrow NYC Plans to Returns This Coming Summer appeared first on EDMTunes.

It’s hard to believe we’ve nearly breezed through a whole decade since 2015—an era that sparked an uproarious debate over the color of a viral dress, reignited the box office force with Star Wars: The Force Awakens and turned Drake's "Hotline Bling" into an inescapable meme. But through it all, one thing remains constant: the power of a great electronic track to capture a moment in time. In the spirit of nostalgia—and perhaps a mild existential crisis, if we're being honest—we're revisiting the most iconic dance music anthems that are turning 10 in 2025. Some fueled major festival rushes and topped global charts, others quietly reshaped the future by establishing the blueprint for breakout stars to come. All, however, set hearts and minds ablaze in their own way, making 2015 a year that bridged pop, dance, hip-hop and everything in-between. The Chainsmokers — Roses (feat. ROZES)Jack Ü (Skrillex & Diplo) — Where Are Ü Now (feat. Justin Bieber)Galantis — Peanut Butter JellyZedd — Beautiful Now (feat. Jon Bellion)Avicii — Waiting For LoveMajor Lazer & DJ Snake — Lean On (feat MØ)Martin Garrix — Don’t Look Down (feat. Usher)Calvin Harris & Disciples — How Deep Is Your LoveAlesso — Cool (feat. Roy English)Tiësto & KSHMR — Secrets (feat. VASSY)Alan Walker — FadedGood Times Ahead — Red Lips (feat. Sam Bruno) [Skrillex Remix]Kaskade — Disarm You (feat. Ilsey)DJ Snake — Middle (feat. Bipolar Sunshine)NGHTMRE — Street Eric Prydz — OpusLouis The Child — It’s Strange (feat. K.Flay)Disclosure & Lorde — MagnetsNERO — The ThrillAlison Wonderland — Run

The Argentinian DJ, full name Alfredo Fiorito, is regarded among the most influential in dance music history Continue reading...

Words by Ross Goldenberg and Zach Salafia. If we’ve said it once, we’ve said it a million times: ISOxo and Knock2’s joint explosion over the past few years gives us a feeling parallel to that of a proud parent, and in 2024, our admiration grew tenfold. After closing the door on a momentous 2023 — capped off by the release of ISOxo’s debut album on top of their multi-night run at The Shrine — ISOxo and Knock2’s shared Dancing Astronaut 2024 Artist of the Year campaign was in motion just 16 days into the year. ISOKNOCK4 — the newest iteration of their back-to-back performances that originated in 2019 — was not only scheduled, it was happening at arguably the grandest setting in the live music space: Coachella. We could sit here and reminisce about every last detail from Polo Grounds for the next several hours, but we’ll just say that we had the pleasure of becoming a first-hand witness to the absolute bedlam that ensued under the Sahara Tent. Before the two would even travel out to the desert, though, ISOxo would add a debut album tour to his 2024 record. And although they had more than a few collective feats this year, both artists also held their own, individually topping festivals like Ultra, Electric Forest, and Lightning in a Bottle while bringing their ISOKNOCK branding to North Coast Music Festival and Ultra Japan. Shortly after his kidsgonemad (which would be later followed by a deluxe edition) tour, ISOxo would reunite with his San Diego counterpart to give those who couldn’t be at Coachella the opportunity to experience ISOKNOCK in Seattle, Brooklyn, San Francisco, Japan—their first-ever international date under the duo name—or ultimately during a homecoming weekend that requires its own section of this article. But that’s enough rambling about their live show conquests for the time being. A month after their ISOKNOCK excursion beneath a bridge in Brooklyn, ISOxo and Knock2 etched a chapter in trap’s history books with the deployment of “SMACK TALK.” Little did anyone know, ISOxo, Knock2, and RL Grime’s Ultra ID-turned-trap-anthem would be the first peek at 4EVR, an eight-part ISOKNOCK album that they would unsuspectingly set loose on streaming platforms in August, and a project that would earn a place among Dancing Astronaut’s Top Albums of 2024. Yet both ISOxo and Knock2’s comment sections — and even a few billboards around the city — were littered with one prevailing question: When were they coming home? They didn’t just answer it in early December — they wrote a love letter to the city of San Diego. ISOxo and Knock2 reimagined the outskirts of Snapdragon Stadium, hosting a weekend equipped with festival-grade production, an A-list undercard featuring RL Grime and Madeon, two rowdy ISOKNOCK showings, and a concluding reveal of their new event, Niteharts Fest, for 2025. The full-circle weekend felt like a definitive victory lap that further closed their case for Dancing Astronaut’s 2024 Artist of the Year crown. One would think that’s where their overarching argument comes to a finish, but it was not. Not long after their SD 4EVR blowout, Knock2 formally scheduled nolimit, his long-awaited, 17-track debut album, for the top of the new year. Of course, we have to take a brief moment to reflect on Dancing Astronaut‘s personal ride alongside ISOxo and Knock2. Watching the duo climb from Dancing Astronaut’s Artists to Watch in 2021 class to Breakout Artist of 2022, and now, to Artist of the Year, is what every music fan dreams of when discovering what they believe to be a soon-to-be superstar—or superstars in this case. Simply put, their chokehold on the scene deserves a standing ovation in and of itself. It’s what has truly set them apart from other acts in the dance scene, from their rockstar-like showmanship to the ceaseless energy of every crowd at every show, to their genre-blurring outputs to receiving the ultimate stamp of approval from their idols, like Skrillex, RL Grime, and Zedd. At every turn, they’ve managed to somehow one-up themselves, from their performance inside of a suspended shipping crane to their curation of a mini-festival for and within their hometown. This year, ISOxo and Knock2 elevated themselves even further, into a no-man’s-land-esque level of dominance that feels incomparable to anything we’ve seen in recent memory, and we’re recognizing their impact by bestowing upon them our highest honor. Congratulations to ISOxo and Knock2, Dancing Astronaut’s 2024 Artist of the Year. Featured image: Eric Dew The post Dancing Astronaut’s 2024 Artist of the Year: ISOxo and Knock2 appeared first on Dancing Astronaut.

AREA15, the nation's most immersive entertainment hub, is ringing in 2025 with a masquerade experience like no other. This New Year's Eve, the sprawling venue just off the Las Vegas Strip will be transformed into a maze of interconnected, themed ballrooms, each offering a unique blend of music and mystery. For those who haven't peered into the looking glass to experience the whimsy of AREA15—it's a must. Thanks to the venue's unrivaled experiences at the intersection of music and art, the immersive complex is changing the fabric of Vegas nightlife in real-time. From the thumping Galactic Ball featuring genre-bending electronic music to the intimate vibes of the Nature Ball within AREA15's serene Sanctuary room, there's something for everyone on NYE. Guests can dance their way through hidden lounges, meet roaming performers and uncover one-of-a-kind cocktail bars, all while cloaked in the secrecy of their masquerade attire. A particular highlight is a can't-miss performance by the renowned Eli & Fur duo, whose hypnotic music is an ideal fit. Their mesmerizing blend of ethereal vocals, atmospheric melodies and pulsing beats somehow feels both intimate and expansive. AREA15 The evening culminates in a grand unmasking at midnight, symbolizing a fresh start to the new year. General admission offers access to five diverse ballrooms, while VIP tickets elevate the experience with exclusive areas like the Mirror Ball in Museum Fiasco and a midnight champagne toast. For those seeking the ultimate indulgence, VVIP ticket-holders unlock the ultra-exclusive Mystery Ball and access to Superplastic’s Dopeameme. With costumes encouraged and masquerade masks available onsite, the night promises an unforgettable experience where art, glamour electronic music collide in true Sin City style. AREA15 is urging attendees to bring their A-game with "fashion-forward attire, Venetian costumes, rave wear, cocktail party, black-tie creative and more." Doors open Tuesday, December 31st at 9pm and the celebration will culminate Wednesday, January 1st at 2am. You can purchase tickets here. Follow AREA15:Instagram: instagram.com/area15official TikTok: tiktok.com/@area15official X: x.com/area15official Facebook: facebook.com/area15lasvegas YouTube: tinyurl.com/2p9h3t22

Apple has once again proven its dominance in the tech industry with the staggering success of its AirPods. According to Bloomberg estimates, Apple generated a whopping $18 billion in revenue from AirPods sales in 2023. This figure surpasses the total revenue of popular companies like Spotify ($14B), Nintendo ($12B), eBay ($10B), and Intuit ($12B). The popularity of AirPods is undeniable, with the wireless earbuds holding a significant market share both in the US and globally. As we delve deeper into the world of AirPods, it becomes clear why Apple’s innovative product has captured the hearts of consumers worldwide. When you think of wireless earbuds, the first product that comes to mind for many people is Apple’s AirPods. These sleek, white earbuds have become a symbol of status and style, favored by celebrities, influencers, and everyday consumers alike. The convenience of the AirPods, with their seamless connectivity to Apple devices and impressive sound quality, has elevated them to the top of the wireless earbud market. As we explore the numbers behind AirPods sales and market share, it’s evident that Apple has created a product that resonates with a wide range of consumers. Looking ahead, analysts predict an even brighter future for Apple’s AirPods, with projections suggesting that they could generate a staggering $45 billion in annual revenue for the company by 2030. This growth trajectory is nothing short of impressive and solidifies AirPods as a key revenue driver for Apple. As we uncover the reasons behind the success of AirPods and their impact on the market, it becomes clear that Apple’s wireless earbuds are more than just a product—they’re a cultural phenomenon that has reshaped the way we listen to music and interact with our devices. Competition and Market Share While Apple’s AirPods dominate the wireless earbud market, they are not without competition. Brands like Sony, Samsung, BOSE, Sennheiser, LG, and Jabra have all entered the true wireless sound (TWS) segment, offering their own take on wireless earbuds with unique features and designs. Despite this, Apple’s AirPods continue to lead the pack, capturing a significant share of the market both in the US and globally. One of the key factors contributing to AirPods’ success is Apple’s brand strength and loyal customer base. The company’s reputation for quality products and exceptional customer service has helped solidify AirPods as a top choice for consumers seeking wireless audio solutions. Additionally, Apple’s marketing prowess and retail presence have played a significant role in driving sales of AirPods, with the earbuds becoming a status symbol for tech-savvy individuals around the world. As Apple looks towards the future, the continued success of AirPods is poised to drive significant revenue growth for the company, surpassing even the sales of iPads by 2030. With new innovations on the horizon and an ever-expanding market for wireless audio products, Apple’s AirPods are well-positioned to maintain their dominance in the industry for years to come. The post Apple Made More Selling AirPods Than All Of Spotify In 2023 appeared first on EDMTunes.

After making their debut in 2023 with ‘Organic Machines’, 2024 was the breakout year for razil artists Flamma and they are ending it on a high with their brand new single ‘Wish You Were Here’. Paying homage to the Pink Floyd classic, ‘Wish You Were Here’ see’s Flamma deliver a melodic and driving take on the record, whilst retaining the original’s unmistakable vocal hook. Loaded with the trademark Flamma sound, ‘Wish You Were Here’ marks the next chapter for the Brazilian duo & has all the hallmarks of a future sure-fire player. As this single hits our new music feeds, Flamma closes out the year in an epic way but they will certainly not be slowing down as they have a lot of new music planned to come in 2025. Stream this single below

"I didn't like having to be Avicii, and then having to be Tim." That heartbreaking line from Avicii captures the gnawing duality of the legendary DJ, who posthumously narrates his own tragic journey in the upcoming Netflix documentary Avicii – I’m Tim. Due out December 31st on Netflix, the film is set to release in tandem with Avicii – My Last Show, which revisits the night he graced the stage of Ibiza's storied Ushuaïa club for what would be his final performance. The prolific songwriter and dance music producer, whose real name was Tim Bergling, died by suicide less than two years later in 2018. "I was a lot happier before I was famous than after I was famous," Bergling says in the documentary, of which EDM.com viewed an advance screening. "I started feeling kind of very empty and unhappy. So I was just on autopilot mode. I started really f***ing wondering why I was feeling like this. I hadn't been honest to myself, what I was feeling... And my tempo also didn't really give me much time to explore it either." Many have spun the last vestiges of Avicii into multimedia experiences in the wake of his death, but none have achieved the level of intimacy as Avicii – I'm Tim. Director Henrik Burman said he absorbed "thousands of hours" of private archival footage, audio recordings and even ultrasound scans and babyhood memories captured on family VHS tapes, many of which appear in the film. Avicii making music on the go in a still image from the production of Netflix's upcoming documentary, "Avicii - I'm Tim."Netflix It's a poignant retrospective examining the gradual deterioration of a generational artist grappling with the unrelenting weight of the music industry's demands, and in desperate need of an escape. When Bergling's inner demons finally became too loud to ignore, his father Klas arranged an hours-long intervention attended by the DJ's siblings, friends and management team, he reveals in the film. His son was "furious" and refused to give in at first, but ultimately agreed it was time to change. "It was excruciatingly painful to see the look in his eyes," Klas recalled with a wince. Avicii's musical collaborators shared similar concerns at the time. It was agonizingly clear the haunting lyrics that now define his discography were a window into his soul as his struggles took a turn for the worse. Speaking in the documentary, Aloe Blacc ponders Avicii's state of mind when writing the first lines of their collaborative song "SOS," which ultimately appeared in 2019's posthumous album Tim. Exploring themes of persistent hope against despair, the lyrics ("Can you hear me? SOS / Help me put my mind to rest") left breadcrumbs of his inner turmoil that now reverberate with devastating clarity. "It seemed as though we had this call for help, and I'm receiving this letter from Tim way too late," said Blacc, who is also the featured voice in Avicii's most-streamed song, the timeless "Wake Me Up." The film also features interviews with David Guetta and Coldplay's Chris Martin, among various other Avicii collaborators, as well as his former manager Arash Pournouri, who played a pivotal role in his rise to fame. Avicii – I’m Tim will release on Netflix December 31st, 2024. You can watch the trailer below.

John Summit delivered one of his famous performances at Miami’s exclusive Art Basel 2024 with direct support from his record label, Experts Only. Known for his high-energy style and genre-blending tracks, Summit captivated the crowd of art lovers and fans alike with his fusion of tech house and euphoric lyrics. “This is what Miami is all about—art, music, and energy, Art Basel brings together creativity in all forms, and I’m thrilled to be part of this.” – John SUmmit Art Basel 2024 Art Basel Miami is an art festival held annually in Miami, Florida. It showcases contemporary art from renowned international galleries, artists, and curators. It attracts art enthusiasts, collectors, and celebrities from around the globe. The event highlights visual art with cultural experiences, often incorporating live music, performances, and immersive installations, making it a dynamic celebration of creativity and innovation in the heart of Miami. It attracts over 75,000 visitors during its five-day run and recently featured 286 galleries from 38 countries. A Perfect Setup for Summit’s Unique Sound Experts Only, renowned for hosting innovative music events, was the ideal backdrop for Summit’s performance. The packed Miami ToeJam Backlot, featuring a cutting-edge sound system vibrated with excitement as Summit mixed both new and classic tracks. His tracklist captivated everyone with an infectious energy throughout the night. His set included crowd favorites, club bangers, and unreleased tracks, taking the audience on an unforgettable ride. All together, the lineup before John featured Damian Lazarus, founder of Day Zero festival; a b2b set from Azzecca and Max Styler; and performances by Benjamin Lloyd and Airrica. Summit’s Rise in the Electronic Music Scene From headlining top festivals like Tomorrowland to intimate club shows, John Summit has quickly gained global recognition. His performance at Art Basel proved once again why he’s one of the most sought-after DJs in the industry. Summit continues to break new ground, earning him a dedicated fan base worldwide. As 2024 ends, the buzz around John Summit’s performance at Art Basel will linger through his recording of the set. You can catch this one on SoundCloud with the link below. The post [Listen] John Summit’s Experts Only at Art Basel 2024 appeared first on EDMTunes.

Back in October, powerhouse music management company Prodigy Artists announced Eric Bindman as their new Director of Operations. Bindman, a seasoned industry veteran, has been an integral part of the Prodigy Artists team for over two years, serving as a Senior Manager for artists such as Audien, Elephante, Niiko x Swae, and Mattilo. With a 15-year career spanning talent buying, touring, publishing, marketing, and logistics, Eric is multi-faceted in all aspects of the industry. Prior to his tenure at Prodigy Artists, he tour managed renowned artists including Deorro, Two Friends, Gareth Emery, 3LAU, Vicetone, Yung Bae, and Haywyre. EDMTunes had the opportunity to speak to Eric and gather his insights on the industry, learn about his new role at Prodigy, and hear about what’s going on with some of the artists he manages. Congratulations on your promotion to Director of Operations! Can you tell us a bit about your journey at Prodigy Artists and what led to this promotion? Thank you! Absolutely; since I can remember I’ve always been very detail oriented. Originally I joined Prodigy Artists as a Senior Manager and I’m grateful for the founding partners’ trust in me to help run and scale the business. What got you into Electronic Dance Music in the first place? I got into Electronic Dance Music in University. I originally wanted to be a photographer growing up and I started touring with some friends who were musicians and covering events. That’s how I fell in love with the energy at the shows. There’s always this great collective energy and passion from the crowds that you can feel. In your new role as Director of Operations, what are your primary responsibilities and how do you plan to contribute to the agency’s continued growth? As I continue entering my new role as Director of Operations; I’m focused on supporting the future growth and expansion plans for the company as well as continuing to ensure that the resources we require are instilled. This means making sure Prodigy Artists’ artists and teams have the resources they need to operate and scale their own respective businesses. My focus is also the continued focus on scaling up operations and expanding the company’s reach. We have some really exciting signings that will be announced soon 🙂 What are the biggest challenges and opportunities facing talent management agencies today? How is Prodigy Artists positioned to navigate these challenges and capitalize on these opportunities? As the nightclub landscape changes and moves away from built-in club nights and protected evenings, artists have to evolve. Soft tickets are becoming harder by the quarter; so it’s that much more important to double down and develop your core fan base. The clubbing circuit is drastically changing, it’s important to build your hard ticket history. And here at Prodigy, we have been championing building hard ticket tours and helping acts build themselves in this new landscape. What is Prodigy Artists’ approach to artist development and how do you help your artists build their careers and achieve long-term success? At Prodigy we have a great team with the expertise to be nimble and resourceful to tackle any challenges that may arise. To ensure the long-term success of our artists, we support our clients through artist management, touring and event planning, publishing, social media marketing, accounting and financial management, and more. What are some wins you’re proud of that you’ve achieved with the prodigy artists that you manage? Some recent wins that I’m extremely excited about are our continued work on Audien, Elephante and NIIKO X SWAE. Audien is continuing to be the torch bearer with Progressive House Never Died and is working on some huge collaborations and some major headline touring wins in 2025. Elephante is also doing some amazing work and had his new album COPE just released to much fanfare and editorial support. What is your favorite moment so far from your time at Prodigy Artists? One of my favorite moments was the Prodigy Artists Miami Music Party from last year. It was a huge celebration of some of the great things our clients were doing at the time with many of the artists from our roster playing and industry friends gathering. That was also a special evening for me on the personal side – so all in all, it was a culmination of a ton of awesome things! What are some of your goals for 2025? (Can be both personally or professionally at Prodigy Artists) I would say my main goals are to continue the successes and momentum from this past year. I look forward to honing in on building my business and of course continuing to support the future growth and expansion plans for Prodigy Artists, especially in this new role. What exciting plans do your artists have coming up in 2025 that you can share? There are a lot of exciting plans with our artists! As I mentioned, Audien has so many big shows coming up for his 2025. Elephante looks to continue his vision and mission of providing a platform for the AAPI community through his music as well as the debut of his live tour in Q1. There’s a ton of exciting things in the works that I also can’t divulge! The post [Interview] Eric Bindman, Director of Operations at Prodigy Artists Talks Agency Strategy, New Role, and Artist Updates appeared first on EDMTunes.

On Saturday, December 21st, the legendary Deadmau5 born Joel Zimmerman debuted at Silo Dallas in grand fashion with a sold-out show. The event was a testament to the venue’s commitment to delivering top-tier electronic dance music experiences. Let me tell you, Deadmau5 took Dallas by storm with his impressive production and music – from 18-year-olds experiencing the journey of his performance for the first time to longtime fans who have been following his evolution since the 2000s. The Opening Act: Building the Energy From the moment I arrived, the energy was palpable. Fans of all kinds—from die-hard Deadmau5 enthusiasts to casual EDM listeners—were buzzing with excitement. The opening set by SILO’s resident DJs set the perfect tone, with a mix of deep house and melodic beats that got the crowd moving early. It was the kind of warm-up that makes you glance at the time, counting down the minutes until the headliner. Deadmau5 Takes the Stage When the lights dimmed and the opening notes of Deadmau5’s set began, the crowd’s roar was deafening. Seeing Deadmau5 himself was iconic, as always. Deadmau5 came and conquered! He delivered a performance that captivated the audience from start to finish. His performance was incredibly impressive and spanned from a variety of different genres! From melodic to techno, Drum & bass, Electro house, to dubstep. Definitely had some flashbacks to those early 2000s days of UKF dubstep. And let’s talk about the visuals. Deadmau5’s signature LED mau5head and mesmerizing light show elevated the experience to something almost otherworldly. The projections and color schemes seemed to sync perfectly with the music, pulling us deeper into his world with every track. Who Is Deadmau5? For those unfamiliar, Deadmau5—born Joel Zimmerman—is a Canadian electronic music producer and DJ who has been a driving force in the genre for over two decades. Known for his innovative productions and Grammy-nominated tracks, he’s not just an artist; he’s an icon. Whether it’s through tracks like ‘Raise Your Weapon’ or his unforgettable live performances, Deadmau5 continues to push boundaries and redefine what electronic music can be. The Magic Of Silo Dallas This venue has already built a reputation for hosting top-tier acts like Tiësto, Kaskade, Camelphat, Lilly Palmer, Chris Lake, Seven Lions, and many more plus the list keeps growing! Silo came out swinging with an elite roster of artists and this show cemented its status as a premier destination for electronic music. The combination of top-tier sound, stunning visuals, and a lineup that rivals major events makes SILO a game-changer for the Dallas electronic scene. SILO Dallas has quickly become a cornerstone of the Texas electronic music scene since its grand opening in September 2024. Final Thoughts Deadmau5’s performance at SILO Dallas was a testament to why he remains one of the most iconic figures in electronic music. From the breathtaking visuals to the meticulously crafted setlist, every element came together to create a truly unforgettable night. For fans like me, it was a chance to see an artist we love in an intimate yet larger-than-life setting. SILO Dallas has set the bar really high! List of upcoming Silo shows: The post [Event Review] Deadmau5 Debuts At Silo Dallas With Sold-Out Show appeared first on EDMTunes.

This category celebrates event series that set the standard for unforgettable dance music experiences. Whether through groundbreaking production, diverse lineups, or community-driven atmospheres, these events capture the essence of electronic music culture and continue to redefine it with each edition. TELETECH TELETECH has established itself as a powerhouse in the electronic music scene, known for its high-energy events featuring cutting-edge techno and bass-heavy sounds. With electrifying lineups and immersive production, the series creates a raw and visceral clubbing experience. Rinse 30th Anniversary Celebrating three decades of boundary-pushing sounds, pirate radio and community spirit, Rinse FM’s 30th Anniversary series was a masterclass in curation and variety. Featuring iconic artists and next-generation talent such as Giggs and The Streets, the events at venues across the world honoured the station’s legacy while showcasing its enduring influence on global electronic music. HE.SHE.THEY HE.SHE.THEY champions inclusivity and diversity in electronic music, creating safe spaces for self-expression and celebration. Their events combine forward-thinking lineups with a commitment to equality, fostering an atmosphere where music and identity intersect beautifully. Trip Ibiza Trip Ibiza captures the hedonistic spirit of the island with its adventurous and eclectic programming. Showcasing world-class DJs and unique venues, the series brings together a global community of music lovers for unforgettable nights under the Balearic stars. Slapfunk Slapfunk is synonymous with raw energy and underground vibes. Known for its stripped-back aesthetics and vinyl-heavy lineups, the series delivers unfiltered house and techno experiences that resonate deeply with the purists of the scene. You&Me You&Me stands out for its intimate atmosphere and finely curated lineups that blend established acts with rising stars. The series thrives on its sense of connection and community, creating events where every detail feels personal and intentional. Tech Couture Tech Couture merges cutting-edge fashion with underground electronic music, offering a multi-sensory experience that transcends the dance floor. With its bold aesthetics and innovative approach, the series has become a unique and standout presence in the scene. Back to Mine Inspired by the after-party ethos, Back to Mine brings a cozy and curated vibe to its events. Blurring the line between public and private, the series focuses on creating a welcoming atmosphere where music and connection take center stage. VBX VBX has become a beacon for minimal and deep house aficionados, delivering flawlessly curated events that spotlight the best in the genre. With its focus on quality and artistry, the series has gained a loyal following and international acclaim. Meat Free Meat Free champions the ethos of no-compromise raving, offering events that are fiercely independent and unapologetically high-energy. With a dedication to forward-thinking techno and inclusivity, the series continues to make waves in the underground. The post Best Event Series appeared first on Electric Mode.

As the year comes to a close, it’s time to reflect on the music that has shaped our experiences in 2024. For EDM lovers, remixes play a significant role in keeping the party going and adding new dimensions to familiar tunes. At EDMTunes, we’ve curated a list of the top 15 remixes of the year, each carefully selected and voted on by our dedicated staff. Join us as we dive into the world of EDM and celebrate the tracks that have defined 2024. From pulsating beats to euphoric melodies, each remix on our list brings something unique to the table. Whether you’re a seasoned raver or a casual listener, there’s something for everyone in this year’s lineup. So, grab your headphones, turn up the volume, and let’s take a journey through the best remixes of 2024. Get ready to dance, sing along, and lose yourself in the music as we countdown the top 15 remixes that have captured our hearts and minds this year. So, without further ado, let’s get into the beats that have defined 2024! 15. WhoMadeWho – Children (Mind Against & Dyzen Remix) The legendary Danish trio WhoMadeWho enlists Mind Against and Dyzen for the official remix of their hit single, “Children.” In this reimagined version, the renowned Italian duo and the rising melodic techno talent bring their signature touch with shimmering synths, thundering basslines, and a euphoric breakdown—perfectly crafted for late-night vibes and sunrise sets. 14. Pleasurekraft – Tarantula (Max Styler Remix) Pleasurekraft’s iconic track ‘Tarantula’ gets a fresh and electrifying rework with the Max Styler Remix. Infusing the dark, driving energy of the original with his distinctive touch, Max Styler delivers a pulsating remix that’s equal parts atmospheric and high-energy. With its hypnotic rhythms, intricate synth layers, and a relentless groove, the remix breathes new life into the classic, making it a perfect fit for modern dancefloors. This reimagining captures the essence of the original while adding a bold, innovative edge that’s unmistakably Max Styler. 13. Green Velvet, Walter Phillips – Shake & Pop (John Summit Remix) John Summit puts his signature spin on Green Velvet and Walter Phillips’ classic Shake & Pop, delivering a remix that’s bursting with energy and undeniable groove. With driving basslines, crisp percussion, and a fresh, modern take on the iconic vocals, Summit transforms the track into a peak-time anthem ready to ignite dancefloors. This remix masterfully bridges the gap between the timeless original and today’s vibrant house scene. 12. Sean Paul – Get Busy (Odd Mob Extended Club Mix) Odd Mob’s extended club mix of Sean Paul’s ‘Get Busy’ brings a fresh, high-energy twist to the iconic dancehall hit. With deep, pulsating basslines, dynamic drops, and infectious rhythms, this remix transforms the original into a floor-filling anthem. Odd Mob’s signature style elevates the track, creating a perfect blend of tropical vibes and club-ready intensity, making it an essential addition to any DJ set. 11. Anyma & Chris Avantgarde – Eternity – Massano Remix Massano takes Anyma and Chris Avantgarde’s Eternity to new heights with his breathtaking remix, adding a deeper, melodic edge to the original’s emotive foundation. With its hypnotic build-ups, soaring synths, and a driving bassline, the remix strikes a perfect balance between atmospheric introspection and dancefloor euphoria. Massano’s touch brings a fresh intensity, making this rework an unforgettable journey through melodic techno. 10. Chris Lorenzo – Pump (AC Slater Remix) The ‘Pump (AC Slater Remix)’ by Chris Lorenzo is a high-energy reimagining of the original track, packed with electrifying beats and signature basslines. AC Slater adds his distinct Night Bass flavor, blending deep grooves with a pulsating rhythm that keeps the energy soaring. This remix is a perfect fusion of house and bass music, making it a must-listen for fans of both artists and a guaranteed crowd-pleaser on the dance floor. 9. Marlon Hoffstadt – It’s That Time (FISHER Remix) FISHER’s remix of ‘It’s That Time’ by Marlon Hoffstadt, is a dynamic rework that amps up the original’s groove. Known for his high-energy style, FISHER infuses the track with driving basslines, crisp percussion, and an infectious build-up that keeps the vibe alive. This remix brings a playful yet intense edge to Hoffstadt’s original, making it a perfect pick for peak-time dance floor moments. A fresh take that seamlessly blends underground house vibes with FISHER’s signature flair. 8. Dom Dolla – girl$ (Layton Giordani Remix) ‘Girl$ (Layton Giordani Remix)’ by Dom Dolla gets a mesmerizing twist with Layton Giordani’s techno-driven touch. This remix layers hypnotic rhythms and deep, pulsating basslines, transforming the track into a late-night dance floor anthem. Giordani’s signature sound brings a darker, more atmospheric vibe, perfectly complementing Dom Dolla’s infectious energy. A must-hear for fans of cutting-edge house and techno. 7. Adam Beyer & Green Velvet – Simulator (Odd Mob Remix) Odd Mob’s remix of “Simulator” by Adam Beyer & Green Velvet takes the techno classic to bold new heights. Infused with Odd Mob’s inventive production style, the remix delivers a fresh energy, blending hypnotic grooves with dynamic drops and layered textures. This rework retains the essence of the original while injecting a modern twist, making it a standout track for underground and mainstage sets alike. 6. Loofy – Last Night (Anyma x Layton Giordani Remix) The Anyma x Layton Giordani remix of Loofy’s ‘Last Night’ is a stunning fusion of melodic techno and driving rhythms. Anyma brings his ethereal, atmospheric touch, while Layton Giordani injects deep, pulsating energy, creating a remix that’s both hypnotic and energizing. The track flows with seamless transitions, emotional melodies, and a powerful bassline, making it a must-listen for fans of boundary-pushing electronic music. 4. John Summit, venbee – palm of my hands (Odd Mob Remix) Odd Mob’s remix of ‘Palm of My Hand’ by John Summit and venbee injects the track with a fresh, high-energy vibe. With groovy basslines, crisp percussion, and Odd Mob’s signature dynamic drops, the remix amplifies the original’s emotional core while adding a playful, dance-ready edge. Perfect for late-night sets, this rework is a captivating blend of heartfelt vocals and infectious beats. 3. John Summit & Hayla – Shiver (Cassian Remix) Cassian’s remix of ‘Shiver’ by John Summit & Hayla delivers a mesmerizing blend of emotion and energy. Known for his melodic mastery, Cassian amplifies the track’s haunting vocals with lush synth layers and a driving bassline, creating a perfect balance of depth and dance floor appeal. This remix transforms the original into an ethereal yet dynamic journey, making it a standout for both intimate and festival settings. 2. The Temper Trap – Sweet Disposition – John Summit & Silver Panda Remix John Summit & Silver Panda‘s remix of ‘Sweet Disposition’ breathes new life into the classic track with a deep, driving house vibe. The remix blends the original’s uplifting, emotive vocals with a smooth, groovy bassline and pulsating beats, creating a perfect balance of energy and emotion. This rework transforms the track into an infectious dance anthem, ideal for both introspective moments and high-energy sets on the dance floor. 1. deadmau5- Strobe Remix Victor Ruiz Remix Victor Ruiz’s remix of Deadmau5’s iconic track ‘Strobe’ offers a darker, more driving take on the beloved classic. Infused with Ruiz’s signature techno flair, the remix builds on the emotional depth of the original, layering it with pulsating basslines, atmospheric textures, and a relentless energy. This rework transforms “Strobe” into a peak-time anthem, perfect for late-night sets while paying homage to the timeless essence of Deadmau5’s masterpiece. The post EDMTunes: Year In Tunes – The Top 15 Remixes of 2024 appeared first on EDMTunes.

This category celebrates record labels that have shaped the sound of electronic music, pushing boundaries and championing both established and emerging talent. These labels are the tastemakers of the scene, releasing groundbreaking tracks that inspire dance floors and define genres. Defected Defected stands as a cornerstone of house music, known for consistently delivering timeless tracks that unite club-goers worldwide. With a keen eye for talent and an unwavering commitment to quality, the label continues to set the standard for excellence in dance music. Club Heart Broken Club Heart Broken has redefined the emotional side of electronic music, curating releases that blend vulnerability with dance floor energy. By championing raw, heartfelt sounds, the label has created a niche that resonates deeply with a devoted global audience. Ministry of Sound A legendary name in dance music, Ministry of Sound has been at the forefront of electronic music culture for decades. Known for iconic compilations and chart-topping releases, the label continues to influence and innovate on an international scale. unknown – untitled unknown – untitled embodies the experimental spirit of electronic music, pushing the boundaries of sound and genre. With a roster of forward-thinking releases, the label consistently delivers bold and cutting-edge tunes that challenge conventions by having releases without revealing the artist or title. ATW Records ATW Records is a rising force in electronic music, known for its fresh approach and genre-blurring releases. With a focus on fostering emerging talent, the label has quickly become a platform for innovative sounds and new creative directions. Watergate Records Watergate Records is synonymous with the Berlin club scene, delivering high-quality releases that capture the essence of late-night dance floors. From melodic house to driving techno, the label’s catalog is a testament to its impeccable curation and global influence. Toy Tonics Toy Tonics has carved out a space for itself with its funky, feel-good releases that bring disco, house, and electronic music together. With a knack for unearthing infectious grooves, the label has become a favorite among DJs and dancers alike. Mutual Rytm Mutual Rytm is a powerhouse for hard-hitting, percussive techno. With its focus on rhythm and raw energy, the label has quickly gained a reputation for delivering tracks that dominate underground dance floors. Rekids Rekids is a staple of the electronic music scene, consistently releasing cutting-edge tracks across a wide spectrum of genres. With its diverse artist roster and commitment to quality, the label remains a driving force in shaping the sound of electronic music. Nitron Nitron has made a name for itself with its bold approach to bass-heavy electronic music. By championing innovative production and genre fusion, the label continues to deliver fresh, impactful releases that stand out in the scene. The post Best Record Label appeared first on Electric Mode.

This category honours artists who elevate live performances to an art form, blending technical brilliance, crowd engagement, and innovative production. These acts transform the stage into a dynamic playground, creating unforgettable experiences that push the boundaries of live electronic music. Barry Can’t Swim Barry Can’t Swim’s live performances are a joyous celebration of electronic and organic sounds. With lush instrumentation, soulful melodies, and an infectious energy, he crafts immersive sets that leave audiences exhilarated and deeply moved. KiNK KiNK is a true pioneer of live electronic music, seamlessly blending analog and digital elements to create spontaneous, genre-defying performances. His sets are as unpredictable as they are electrifying, making every show a unique experience. Maribou State Maribou State brings their richly textured soundscapes to life in stunning live performances, merging electronic beats with live instrumentation. Their ability to evoke emotion and connect with audiences makes them one of the most compelling acts in electronic music. Sault Sault’s enigmatic live shows are a powerful exploration of sound and identity. Blending soulful vocals, genre-spanning influences, and an undeniable stage presence, they deliver performances that are both musically profound and culturally impactful. Brighter Days Family Brighter Days Family’s live sets are a vibrant celebration of community and music. Combining uplifting rhythms, soulful vocals, and an infectious stage presence, they create an atmosphere of unity and pure joy that resonates with audiences worldwide. Marie Davidson Marie Davidson’s live performances are a compelling fusion of raw energy and emotional depth. Her innovative use of hardware and commanding stage presence create a hypnotic experience that keeps audiences captivated from start to finish. Octave One Legendary duo Octave One redefine live techno with their electrifying performances. Using an array of analog gear, they craft deep, driving grooves that showcase their unparalleled mastery of live electronic production. Slam Slam’s live sets are a testament to their enduring legacy in techno. With their hard-hitting beats, atmospheric builds, and commanding stage presence, they deliver high-octane performances that ignite dance floors across the globe. Jako Jako Jako Jako’s live shows are a mesmerising journey through intricate soundscapes and pulsating rhythms. Her mastery of modular synthesis and ability to create immersive atmospheres make her performances an unforgettable experience. Red Axes Red Axes’ live performances are a thrilling blend of eclectic influences and infectious energy. With their distinctive sound and dynamic stage presence, they create a musical journey that blurs the line between performance and party. The post Best Live Act appeared first on Electric Mode.

This category celebrates the most unforgettable DJ sets of the year, showcasing the creativity, technical brilliance, and unique energy that define exceptional live performances. These sets transcend mere music, creating immersive experiences that stay etched in the memories of audiences long after the last beat drops. Marlon Hoffstadt, Malugi – Boiler Room London: Club Heart Broken, August 2024 Marlon Hoffstadt and Malugi delivered a mesmerizing performance at Boiler Room London’s Club Heart Broken, blending high-energy tracks with heartfelt selections. Their seamless transitions and emotional resonance created a captivating atmosphere, making it one of the standout sets of the year. Four Tet – Finsbury Park, August 2024 Four Tet’s set at Finsbury Park was a masterclass in sonic storytelling. Combining hypnotic rhythms with unexpected twists, he brought the crowd into a euphoric state, demonstrating why he remains one of the most innovative forces in electronic music. Disclosure – Kindred Radio, September 2024 Disclosure showcased their versatility and deep musical knowledge in an electrifying set for Kindred Radio. Effortlessly weaving through genres, their signature sound paired with intimate energy created a truly unforgettable listening experience. DJ Heartstring – In the Lab LDN, Teenage Dreams, June 2024 DJ Heartstring’s Teenage Dreams set at In the Lab LDN was a nostalgic yet forward-thinking journey through euphoric beats and uplifting melodies. Their infectious energy and impeccable track selection left the audience spellbound. Job Jobse – Dekmantel Ten, August 2024 Job Jobse’s set at Dekmantel Ten was a vibrant celebration of electronic music. His ability to create emotional peaks and infectious grooves kept the crowd enthralled, earning him accolades for one of the festival’s most talked-about performances. DJ Gigola – Boiler Room x Glitch Festival, August 2024 DJ Gigola’s Boiler Room x Glitch Festival set was a bold exploration of high-energy beats and experimental sounds. Her charismatic presence and genre-blurring selections created an unforgettable experience that captured the essence of the festival. Jayda G – In the Lab LDN, September 2024 Jayda G brought her signature warmth and charisma to her set at In the Lab LDN. With soulful grooves and a vibrant connection to the crowd, she turned the session into an electrifying celebration of joy and rhythm. Yaeji – Boiler Room New York, August 2024 Yaeji’s Boiler Room set in New York was a masterful blend of introspection and intensity. Seamlessly merging her unique sound with dynamic mixing, she created an intimate yet electrifying atmosphere that resonated deeply with the audience. Charlotte de Witte – Tomorrowland Brasil, October 2024 Charlotte de Witte’s Tomorrowland Brasil set was a relentless showcase of her techno mastery. With pounding beats and hypnotic energy, she commanded the stage, delivering a performance that solidified her status as one of the genre’s leading figures. Salome, SPFDJ – Dekmantel Ten, August 2024 Salome and SPFDJ’s joint set at Dekmantel Ten was a high-octane journey through cutting-edge sounds and boundary-pushing beats. Their chemistry behind the decks and fearless track selection created an electrifying atmosphere that became a festival highlight. The post Best Set appeared first on Electric Mode.

This category honours individuals and organisations whose passion, activism, and innovation are reshaping and nurturing the cultural fabric of the music scene. Whether it’s fighting for inclusivity, amplifying underrepresented voices, or protecting the community’s values, these culture warriors are at the forefront of positive change. Michael Bibi Michael Bibi’s relentless commitment to the underground scene and the culture of dance music has made him a leading figure in the industry. Beyond his boundary-pushing productions and performances, Bibi is a passionate advocate for preserving the spirit of the community, supporting artists, and encouraging unity in the rave culture. Save Our Scene Save Our Scene is an organisation dedicated to protecting and revitalising the electronic music community, particularly in response to the challenges posed by the pandemic. With a focus on grassroots activism, they campaign for the preservation of venues, support artists, and unite communities to ensure the scene continues to thrive. Lab54 Lab54 is a champion of artistic expression and sustainability in the music scene. By prioritising the growth of inclusive and diverse talent, Lab54 works to create space for innovation while supporting underground artists and pushing for lasting change in the electronic music ecosystem. Jaguar Jaguar is a tireless advocate for diversity in dance music, using her platform to amplify the voices of women and underrepresented groups. Her commitment to changing the culture of the scene through positive action, education, and outreach positions her as a true culture warrior in electronic music. Elijah Elijah is a key figure in the evolution of electronic music culture with his signature yellow squares, pushing for greater inclusivity, representation, and creative freedom. By fostering collaborative environments and supporting emerging talent, Elijah works to make the electronic music scene more accessible, progressive, and impactful for all. Sunil Sharp Sunil Sharp is a cultural pioneer within the global dance music scene. Through his advocacy for equality, sustainability, and the preservation of the underground, Sharp remains a steadfast force in supporting the community’s growth and ensuring a brighter future for the culture. SeeDJ SeeDJ is redefining the role of visual arts in electronic music, blending creativity with activism. Through immersive experiences and a dedication to challenging the status quo, SeeDJ highlights the intersection of art, culture, and community, creating spaces where marginalised voices are amplified. BMC Radio BMC Radio stands as a beacon for community engagement, offering a platform for voices often overlooked in mainstream media. By focusing on diverse musical talent and providing a space for open conversation, BMC Radio plays a crucial role in fostering cultural exchange and inclusivity within the music scene. MDL Beast MDLBeast has redefined the music festival landscape in the Middle East, combining world-class performances with a commitment to community-building and cultural exchange. As a pioneer in the region’s music scene, MDLBeast’s mission to elevate local talent while celebrating global connections cements their role as cultural warriors. Vibelab Vibelab is a community-driven platform dedicated to supporting and promoting the creators who drive the electronic music scene. Through its focus on education, networking, and opportunities for underrepresented talent, Vibelab has become a key force in shaping a more inclusive and dynamic future for dance music culture The post Culture Warrior appeared first on Electric Mode.

London’s renowned superclub, Drumsheds, is currently grappling with the potential loss of its operating license. This follows a series of serious incidents within recent months, including two fatalities linked to drug use and a stabbing attack. In response to these events, the Metropolitan Police and Enfield Council have initiated a licensing review scheduled for January. This crucial meeting will determine the future of the venue — one of the most important ones in the entire country. The most recent incident involved the passing of a 29-year-old woman on December 7th, suspected to be drug-related. This followed the earlier death of a 27-year-old man on October 12th under similar circumstances. Furthermore, a violent stabbing occurred on November 16th. While an emergency council meeting on December 12th permitted the venue to continue operations under heightened restrictions, the upcoming January 7th meeting will ultimately decide Drumsheds’ fate. Drumsheds, a prominent entertainment hub, occupies a former IKEA building and boasts an impressive capacity of 15,000, solidifying its position as the largest club in the United Kingdom. Managed by Broadwick Live, the venue features three distinct dancefloors, a variety of bars, and a substantial outdoor area, catering to a diverse range of events. *Cover image: Jake Davis [H/T] The Standard The post Drumsheds Could Lose Its License Following Drug Deaths And Stabbing appeared first on EDMTunes.