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We couldn’t start off the New Year without the releasing our annual Ones To Watch list. The up and comers our editorial team think you need to know about in 2025. Enjoy! ONHELL Logan Sasser ONHELL is a rare breed. He’s a creative whose musical output also coincides with several other endeavours, including his wacky, off-the-wall “ONHELLParties” which often include all-gender strippers, nail techs, and… homemade salsa? That’s right, ONHELL has his own salsa brand. And it’s just as spicy as his late night/early morning warehouse parties. Of course, his music is great too. His most recent EP, juntos, which was released with Deadbeats in September, captures a perfect synchronicity of hard-hitting, bass-forward bangers (“Grime On Steroids” with Chef Boyarbeatz), and goofy, lighthearted party tracks (“Dubstep For Kids”). Because the cow does indeed go moo, and the bass does indeed go WOMP. Considering ONHELL has supported several legendary dubstep icons like Eprom, and sold out shows at iconic venues like New York’s House of Yes, the momentum ONHELL has going into 2025 is undeniable. Whatever insane, over-the-top antics he has planned for next year, we’re here for it. Just Jane Ant Mullholland The multi-genre selector Just Jane has been making waves in the electronic dance scene, parading an abundance of dubstep, grime, bass, uk garage, and electro sounds that have allured a plethora of new fans with her slick mixing and heavy chopping – becoming one of the most accomplished technicians behind the decks. In 2024, the London-based artist has performed at iconic venues such as Village Underground, Phonox, Outernet, supporting the likes of Oblig, Conducta, Tim Reaper, and Interplanetary Criminal. Making a Boomtown debut, as well as playing sets on Rinse FM (with the eclectic Riz La Teef and G33), Balamii, and BBC Radio 1, it’s safe to say that Just Jane is only just getting started. With her own productions being teased in some of these radio sets we can be sure to expect even more from the skillful DJ in 2025. Salo Lurie Charlesworth Salo is an artist everyone should be keeping an eye on at the minute! This Manchester based Georgian singer, pianist, producer and DJ is making her mark on the scene with her gorgeous and distinctively raspy voice. We’ve seen her collaborate many times with Manchester’s finest Chimpo, along with artists like Sustance, L-Side and Sully, but it’s her pending solo projects that excite me the most. A queen on the mic and a versatile artist that I have no doubt has an incredible career on the horizon. Watch this space. Nikita The Wicked Logan Sasser Nikita The Wicked busted into the spotlight in 2024 thanks to a fun, dance-oriented approach to bass music that serves a simple purpose: to light up the dancefloor with easily digestible song structures and fantastic sound design. The narrative that ties it all together, led by the statement “Dance music has many heroes. Now it needs a villain,” adds a certain cinematic flair to his brand that earned him a remix for NGHTMRE’s “In Your Eyes”, several viral tracks (“YA BODY” and “Like Me”), and even a spot on the acclaimed UTA artist roster. This represents the new generation of rising dance music stars with authenticity, passion, and a forward-thinking approach to dancefloor bangers, which is what makes Nikita The Wicked such a fun project to root for. He can easily be classified in bass music’s new generation next to Levity and Tape B, and there’s endless potential to build out his villain persona as the project continues to expand. Next year, Nikita The Wicked will complete his world domination. No dancefloor is safe. Origin8a & Propa Ant Mullholland The jungle and hardcore duo Origin8a & Propa have individually been in the scene for a long time. Eventually coming together five years ago for their first ever release on their label Hardcore Energy. However, their standing as a pairing has been on the rise for the last few years involving standout tracks like ‘Shine On’ and ‘Harmony’. This year has been monumental, with an iconic stack of releases in 2024, including the ‘90’s Baby’ EP & ‘For The Sake Of E’s’ EP which have both been standout projects within the underground community, we can assume that 2025 will be a year where we are treated to even more hardcore anthems from the pair. Throughout the scene, they are considered as one of the most authentic artists to grace the dance – consistently capturing the epitome of British rave culture during their wide range of sets. The Hardcore Energy label they run alongside Hypershe has been a shining light for the jungle and hardcore community and have had arguably their most influential impact yet this year. Xeonz Sam Yates With his first drum & bass releases dating back to 2020, Xeonz has slowly but surely found his form within the scene. With releases across Blackout, Overview, Pilot, MODUS, and now The North Quarter, he’s certainly shown a range of production ability. But whether it’s a big, dramatic neurofunk banger like he’s done with ‘Apollo’ on Blackout’s Evolutions 10 V/A, or a something much more mellow and musical like his ‘Echo’ single on Pilot – there’s a consistent quality and style emerging. He uses big synths and atmospheres to get this dreamy effect throughout his productions; case and point being his brand new North Quarter Single ‘Without You’ that’s getting plenty of play among the liquid crowd as we close out 2024. Expect more variety from Xeonz next year, early and often. Lokal Sagar Deshmukh The way this Manchester-based trio has been steadily making waves over the past couple of years, it feels like 2025 will be the year they do the inevitable and explode on to the bass music fraternity as one of their favourites. It’s crucial to emphasise the phrase ‘bass music fraternity’s favourite trio’ because Lokal’s versatility truly sets them apart in the scene. Over the years, they’ve managed to carve out a sound that resonates across a broad spectrum of bass music, producing tracks that span some of the most prominent genres of the spectrum. Lokal’s style of production is a dynamic blend of fun, intensity, and rowdiness, with moments of introspection thrown in. No matter the mood they choose to explore, they deliver with full force and authenticity, capturing every vibe with precision. It all started with the ‘Open 4 Business’ EP in 2023, which showcased the trio’s ability to traverse genres like drum & bass, jungle, UK Garage, and dubstep, offering fans a peek into their unique creative vision. Fast forward to this year, and they’ve taken it up a notch, seamlessly blending these styles and more. Some of their standout releases include the raucous remix of DJ Gaw’s ‘Scatter,’ the high-energy collaboration with Freddy B on ‘Nah Man’ for Delta9 Recordings, and their latest ‘Illicit Trade’ EP on Incurzion Audio. They wrapped up the year with a grimey remix of Qwirk’s ‘K.O.,’ further cementing their ability to effortlessly hop between genres and deliver fresh, dynamic sounds. The prospect of more Lokal music is definitely an exciting one, and 2025 feels like the year they’ll fully bring it to life. But for now, it’s well-earned break time. Once they return, expect them to unleash everything they’ve been working on and make 2025 arguably their biggest year yet.

The turn of a year —a time to reflect, celebrate, and look back on an explosive year for bass music. 2024 has been nothing short of monumental, with our favourite genres breaking new ground, dominating festival stages, and even cracking mainstream charts. From mind-blowing sets at global events to underground anthems redefining the sound, bass music has proven once again why it’s a powerhouse in electronic music. As we step into 2025, the UKF editorial team has compiled a list of the artists who truly owned 2024. These are the innovators, hitmakers, and scene-shapers who kept us moving and inspired all year long. So, whether you’re reminiscing or gearing up for one last dance, here are the artists who made 2024 unforgettable. Hamdi Ant Mullholland Hailing from Oxford, Hamdi has had a 2024 that has catapulted him to the very top of the electronic dance music world.The eclectic producer has successfully executed a range of bass-heavy projects including groundbreaking ‘Push’ in collaboration with Skrillex, TAICHU, and OFFAIAH, becoming the sound of the world renowned Apple for their iPhone 16 advert. Furthermore, the likes of Sammy Virji, Simula, and Taiki Nulight put their spin on one of Hamdi’s biggest tracks to date in ‘Counting’, showcasing the strong influence he possesses across the board in the underground community. Playing an array of sets around the world, it’s been a real joy watching his bass and dubstep fused sound reach a multitude of fans from different scenes, bringing a refreshing flavour of electronic prowess to a more global audience. The winding synths and heavy drops synonymous with his profiling has helped evolve the sound design behind many new artists, paving the way for an exciting future in bass-influenced dance music. It’s important to mention that with a new craze around dubstep reigniting, Hamdi has been a key component in reintroducing this sound to a new audience. Other accolades this year have included iconic sets with Boiler Room and many headline shows around the globe, whilst also being nominated for DJ Mag producer of the year. It’s safe to say 2024 has been a standout period for this truly multi-talented artist. Freddy B Sagar Deshmukh Bursting onto the scene in 2022, finding his groove in 2023, and absolutely smashing it in 2024, Freddy B has been quietly setting the drum and bass world alight. He’s been working under the radar, yet his impact has been undeniable, positioning him as the voice to watch out for in 2025. Taking his recipe of profound and razor-sharp lyricism, the Manchester-based MC and producer has weaved his way through some of the most respected labels in the game—Overview Music, Sofa Sound Bristol, Critical Music, Yamatai Records, and Love For Low Frequencies, just to name a few. Freddy B kicked off the year teaming up with Tweakz for a rumbling dose of low-end madness on Love For Low Frequencies. From that moment on, it was clear that those deep, resonant basslines were the perfect playground for his commanding, electrifying voice. But what really sets Freddy B apart is the sheer variety in his bars—switching effortlessly between intense, hard-hitting flows and more atmospheric, nuanced deliveries. This versatility shone through in standout collaborations with Thread and Emperor, leading up to a powerful finale with QZB on Critical Music, delivering yet another razor-sharp minimal banger. It’s tempting to call this just the beginning, but at the pace Freddy B is setting, it won’t be long before he cements himself as one of the most distinctive and respected voices in drum and bass. Tape B Logan Sasser In 2023, the Tape B domination had already begun. But 2024 proved that his momentum is continuing to materialize into what can only be categorised as dubstep superstardom. This year, Tape B embarked on a headline tour with over 30 consecutive sold-out shows across North America, including a 2-night run at Denver’s acclaimed Mission Ballroom. He also released the highly-celebrated “Trippy Land” with Mersiv and Juicy J, and “Gas Pedal” remix with Subtronics and John Summit. The secret to his success? A light-hearted, slightly nostalgic take on the classic dubstep genre, combined with hard-hitting flips from hip-hop’s “mixtape era.” Considering Tape B’s recent Brooklyn Mirage headline announcement, it’s safe to say next year is shaping up to be even bigger for the young producer. Tim Reaper Ant Mullholland Jungle legend Tim Reaper has consistently been spoken about as one of the leading pioneers of this new jungle sound. This one-of-a-kind producer, amongst a select few, has led the way in pushing the boundaries sonically within the scene as a whole. With another relentless year of releases, working with a wide range of labels and producers, as well as a monumental year of releases with his own renowned label Future Retro London, it’s safe to say that Tim Reaper has had a year that has once again put him in the conversation as one of the UKs leading underground artist – not only within jungle music but also in the wider electronic sphere. His year has included standout collaborations with the likes of Dwarde, DJ Sofa, and Coco Bryce on exciting projects releasing projects with Hardcore Energy and Globex Corp. His slick mixing ability on the decks, as well as a killer break infused production has created an artist that very few can compete with on the circuit. Underground music fans everywhere know they’re in for a colossal show when Tim Reaper steps up to play a set, illustrated through his nomination for DJ Mag’s best DJ of the year. With a stellar album out this year to show for, in collaboration with Australian-born Kloke, ‘In Full Effect’ was released on the notorious Hyperdub – of which was their first ever jungle project. We were treated to a hardcore breakbeat flavour that is consistent throughout the album, paying homage to a 90’s sound that he himself has been key in reintroducing to the modern day rave scene. More recently, he’s linked up with Critical’s Kasra to form experimental music label ‘Best Intentions’ showcasing how much respect he’s gained from the likes of Kasra who’s head of established powerhouses Critical Music. In what is undoubtedly Tim Reaper’s most prolific year to date, what will 2025 hold in store for the jungle king from London? [IVY] Whisky Kicks A princes of positivity and good intention [IVY] has firmly established herself as a standout artist in 2024. She doesn’t care where the box is and she definitely doesn’t care to squeeze herself inside it, seamlessly blending 4×4 rhythms with drum and bass to create a distinctive and electrifying sound. Her performances at this years biggest shows, have captivated audiences and showcased her innovative approach to the genre. It’s not only UKF who’ve had our eyes on her, this year, [IVY] received a nomination for ‘Best Breakthrough DJ’ DJ Mag’s Best of British Awards, reflecting her significant impact on the UK’s electronic music scene. Beyond her musical endeavours, she is also the owner of the fashion brand Jazzy Garms (iridescent mushroom dress anyone?), demonstrating her multifaceted creativity and entrepreneurial spirit. Levity Logan Sasser Levity is an act that’s impossible not to route for. In addition to their come-up being one of the most heartwarming stories of the year (they quickly skyrocketed to stardom after filling in for an artist who canceled last minute at Electric Forest in 2023), they also routinely host free community events and pop-ups, as well as charity shows and merchandise drops. Oh ya, and they’re making some of the catchiest dubstep around. Their fun, sparkling take on radio classics like Britney Spears’ “Toxic” and Tame Impala’s “The Less I Know The Better” scratches that nostalgic itch perfectly while providing some classic high-energy dubstep sounds that get the crowd amped up every time they step on stage. If nothing else, their come-up will go down in dubstep history and be studied by aspiring artists for years to come.

Today marks the release of the highly anticipated ‘I’m Tim’ documentary which follows the life of Avicii and provides an in depth look behind the scenes with lots of private footage from his early years to his final days. The documentary provides a very personal look into Avicii’s career and upbringing showing both the highest of highs and the lowest of lows told through the words of those closest to him including friends, family and collaborators. It’s an emotional rollercoaster that makes you smile while bringing a tear to your eye with stories of how the timid kid from Stockholm Sweden who would skip school to work on music in his room, became a music sensation revered by everyone in the music industry. Along with the release of this documentary, Netflix have released Avicii’s final live performance from Ushuaia in 2016. This also includes clips from the studio and some wonderful words from Coldplay’s Chris Martin that tell of the incredible talent Avicii had, and the wonderful spirit he was. ‘I’m Tim’ is a must watch for any Avicii fan and is a great celebration of his life that serves as another reminder of how unbelievably gifted he was and how much of a loss he is to the world. A forever humble legend of music who even at his peak, when asked who he was simply answered ‘I’m Tim.’

The year 2025 is approaching and many Dance/Electronic fans worldwide are eager to see what tracks will come out in this coming year, especially tracks that are from rising artists in the industry. Of course, at the same time, looking forward to 2025 allows one to reminisce about how far EDM has come and think about the legends that had left their mark in past years. One cherished name that always appears in music history books and records is Avicii, whose music continues to resonate worldwide even after his passing in 2017. In fact, recent online leaks just showed that Avicii had two long-lost tracks that had not come to light until now. The long-lost tracks of Avicii are titled ‘Black And Blue’ with ‘Wake Me Up’ singer Aloe Blacc and Mac Davis, and ‘Let Me Show You Love’, which features vocal and music production support from Nervo. The first track would’ve followed up shortly after the now-unforgettable smash hit, ‘Wake Me Up’, and this track has an amazing acoustic guitar riff that perfectly complements Blacc’s memorable vocals. The second track incorporates more synth and leads, especially with the added firepower coming from Nervo, and this track feels like an early 2010s house banger that many fans have come to love and appreciate. These two tracks have shown that even though the iconic Swedish producer is no longer here physically in this world, his music will always stay strong and beloved for many generations to come. Both long-lost tracks are available for all to download on the ‘Avicii Unreleased Library’ YouTube channel. The post Two New Unreleased Avicii Songs Have Been Leaked Online appeared first on EDMTunes.

We’ve made it! This is the final and perhaps the most exciting poll thus far. EDMTunes proudly brings you our top 10 Breakout Artists of 2024. This list showcases the absolute monsters of the industry that have ravaged the dancefloors and have sent their respective charts into mayhem. This list represents our favorite acts that are establishing their long-term brand and have had an incredible year. Some of these names have been in the scene for a really long time, but made 2024 entirely theirs. Let’s get to it! Top 10 Breakout Artists 10. ALLEYCVT The North Virginia native blew our minds this year and begins our breakout artists list. A rising star in Bass music, the DJ released bangers such as ‘ONE FOR YOU’ alongside Levity, and ‘Stratosphere’. Her fresh sounds and flow took her on a journey for her Feel It Tour all around the US. Besides, the success of the tour opened up the door for the spring portion, starting in February 2025. We will headbang alongside ALLEYCVT every step of the way! 9. Levity The iconic Bass Trio from the Midwest jumped into the spotlight with their surprise performance in Electric Forest 2023, when they subbed for an artist who couldn’t make it to their performance. Since then, they have influenced the industry with their take on Dubstep, Trap, and Future Bass. Their debut EP ‘Escapism Vol I’ truly encapsulates their brand and what’s yet to come. Moreover, they were able to headline Electric Forest but this time officially, for a set that took us above and beyond. They say three is a crowd but we feel it’s the right number for Levity. 8. ANOTR Relax my eyeeees, I see flashing lights, but we’re not aloooneee (insert string arrangement riff). After a two-year hiatus from producing, the Dutch duo came full throttle for 2024. Sold-out shows, and the reintroduction of No Art events brought ANOTR back into the spotlight. The duo who blends Disco, Jazz, and Soul into their tracks breaks all rules to provide us with euphoric experiences each time. No Art took it upon making the no-phone statement a relevant option for events, bringing connection and music back to the forefront of this social media era. 7. Goom Gum Turking Melodic Techno Duo Goom Gum had a major year. Their hypnotizing sounds grew exponentially with releases such as Their Raffa Guido’s ‘Famax’ Acid-filled remix, and their ‘Staccato’ and ‘Devotion’ double release. The AVTOOK label leads also enjoyed support from Anyma, Zamna Records, Cassian, and more. Furthermore, they ranked amongstthe top producers on the Future of Dance list. The future is Techno. 6. HUGEL French DJ and Latin House producer HUGEL gave us so much flavor this year. He gave us some of the nastiest beats including ‘Stay High’ with Diplo and Julia Child and Andalucia with GROSSOMODO. Standout performances include his own Boiler Room inside a McDonald’s, and playing alongside Ludacris during Art Basel. Moreover, HUGEL dove into the fashion world alongside TAFARI and KAMALI for the debut of TAFARI WORLD. The apparel brand is a forward-thinking and innovative take on modern streetwear. Similar to ZHU or Anyma, the artist has been able to showcase his creativity through different outlets, besides music. 5. Alex Wann One of the newest names on our list. Afro/Deep-House DJ Alex Wann comes all the way from Paris to deliver the sweetest grooves. This year picked up the pace after his remix release of Kelis’ ‘Milkshake’. Since then, Wann released tracks with Aaron Hibell and Liva K, and has remixed the likes of Jess Glynne, WhoMadeWho and Adriatique. His tour this year took him from Ibiza, all the way to EDC Las Vegas. We hope his melodies and beats take us further and further next year. 4. Keinemusik The German Afro-House trio Keinemusik is its own category. Adam Port, Rampa, and &ME managed to bring their A-Game into this year. The cloud made its rounds on our favorite dancefloors around the world this year. 2024 consisted of sold-out shows, extremely viral moments, and lots of fundraising. Keinemusik ought to have an incredible 2025. Of course, we need to highlight ‘Move’, by Adam Port and Stryv, chosen as the number 1 song on One World Radio for 2024. Besides, with a remix including Camila Cabello, and another one by Anyma, segments this track as a legendary song for years to come. 3. Layton Giordani The NYC-based artist, also known as “Slayton” or “babygurl” if you’re chronically online as we are, made it all the way to our Breakout Top 3 this year. Yes, Layton has been on our radar for ages, but he finally makes it into our breakout artist selection this time around. The ‘New Generation’ producer went through a major rebranding this year, which swayed his style from an all-Techno note to a masterful mashup with House. Giordani had major highlights this year including the releases of Sharam’s ‘PATT (Adam Beyer, Layton Giordani & Green Velvet Remix)’, and Loofy’s ‘Last Night (Anyma x Layton Giordani Remix)’. The DJ also showcased his newfound sound with tracks like ‘Paranoid’ and ‘Freaks at Night’. We will always be supporting Slayton in years and years to come. i like house and sexy techno, i’m just a chill guy pic.twitter.com/TdDDKkP8WK — Layton Giordani (@LaytonGiordani) December 3, 2024 2. Odd Mob Australian DJ Harry Hope’s solo project made it to our top 2 breakout stars. It had originally started as a duo back in the day. However, Odd Mob truly rose in popularity while joining OMNOM for the release of ‘Losing Control’. This year, the producer has continuously released banger after, banger, including his remixes Andruss’ ‘Frikitona’ and John Summit & venbee’s ‘palm of my hands’. His dark textures carry the groove into sunrise, and had us dancing all year. Moreover, his Hyperbeam collab set with OMNOM for EDC LAs Vegas blew our minds away. Honorable mentions We love every artist on this list, even though they were short a couple of votes to make it into the official list, their debut albums, tours, and releases left us in awe this year: Sammy Virji Rinzen Sara Landry PAWSA And now, our top Breakout DJ of the year, and it should be no surprise to anybody, goes to… 1. Max Styler The man of the moment, our top breakout artist of 2024, Californian producer Max Styler had an incredible year. From continuous support from Gorgon City, John Summit, and plenty others, the producer had us dancing nonstop. Styler had over 10 major releases this year, including ‘Touch’ with Gorgon City, and his remixes for John Summit & Paige Cavell’s ‘Tears’ and the classic ‘Tarantula’ by Pleasurekraft. His dark-driven sounds send us into the stratosphere on each set, and take Tech-House to a different realm. His journey includes his Progressive House alter ego HABITATT, letting us levitate into the night. This was truly his year and his year only. The post Year In Tunes – Top 10 Breakout Artists Of 2024 appeared first on EDMTunes.

2024 has been another unforgettable year for bass music, with albums taking center stage in showcasing the genre’s depth and creativity. This year, standout albums have pushed the boundaries of what drum and bass can be. From iconic artists delivering career-defining statements to fresh talent redefining the sound, the year has given us plenty to celebrate. And it’s not just drum and bass thriving—dubstep and UK garage have also delivered albums that prove their continued relevance on a global scale. With such a wealth of incredible music to choose from, narrowing down our favourite bass music albums of 2024 has been no easy task. The UKF editorial team has locked in their top picks. These are the albums that have defined the year, elevated the scene, and kept us inspired. Let’s dive into the records that made 2024 truly special. Entanglements – Alix Perez Laurie Charlesworth Entanglements is a gorgeous array of sounds from start to finish and hands down, my favourite album of 2025. It has all of those beautiful, deep, signature sounding Alix tracks with the likes of ‘In Your Eyes’ and ‘Dark Pulse’ with the addition, this time, of a much more summery – almost High Contrast-esque – sounding track with ‘Elastic Soul’. I’m obsessed! Alix Perez is undeniably one of the best when it comes to soul and Entanglements is a solid example of that statement. Anima – Zar Sam Yates This guy was my UKF One To Watch pick at the start of 2024, and man, did he deliver. Zar’s innings was highlighted by his debut LP on Space Cadet – an incredibly soulful project themed around his Italian heritage and his current home in Manchester. He enlists a wide spread of local vocals from aya dia to DRS (and plenty more), all of whom hop on to complete the wholesome, community feel pulsing through this album. A big statement from Zar on this one; that he’s among liquid drum & bass’ elite producers. Silence Is Loud – Nia Archives Ant Mullholland The debut solo album from jungle superstar Nia Archives has definitely been one for the history books. Released in April, her innovative breakbeat influenced track with pop-indie style vocals provides the electronic dance world with a revolutionary take on jungle sound design. The Britpop inspired project has been a huge hit in the British music spectrum creating a catchy feel throughout the body of work. Tracks like ‘Cards On The Table’, ‘F.A.M.I.L.Y’ and ‘Unfinished Business’ truly epitomises this indie style fusion with a rolling jungle break that both tie together innovatively. As a result, creating a multifaceted resemblance to 90’s style sounds forming into a more modern style of dance music. As one of Nia’s best singles on her discography to date, the distinctive ‘Forbidden Feelingz’ also made the cut on the album. Displaying a soulful and dynamic approach to drum’&’bass sounds. The ‘Silence Is Loud’ track itself has a futuristic feel to it, despite drawing inspiration from 90s breakbeat. Its infectious hook and 4-line lyrics has fabricated a number that’ll live long in the memory. Her voice is individual and distinctive, setting her aside from many vocalists in and around the community – enabling her to pierce the production with haunting yet enticing flare. The ‘Silence Is Loud’ album as a whole has undeniably displayed new ideas unto a scene that has been on the rise for many years now, providing listeners with a dynamism that will only leave you wanting more. Slow – Redeyes Sam Yates Redeyes’ aptly titled album is a hazy summer gem. Opening at gentle cruise, Milansanger urges us to “take things slow” in his feature, before DRS and Fox tag-team on a bubbly, but leisurely production. This ebb and flow of beats at various paces continues throughout the 11 tracks, glued effortlessly together by Redeyes’ veteran style and technique. Each instrument choice is real-sounding and deliberate, giving it that throwback, rose-tinted feel. Atmospherics and spoken word from the likes of 2b.frank or aya dia wrap this up so wonderfully – you can’t really tell when one track moves into the next, even though they’re distinct. This is an end-to-end listen, bucking the streaming and social media trends that expect one-track attention spans. Incognito Rhythm – 4am Kru Jungle duo 4am Kru have spearheaded a cutting-edge blueprint that have seen them become one of the most popular collectives in underground dance music. The culmination of this body of work, which came out in September, sees some of the jungle scenes’ most captivating rhythms stretching back over the last few years. Their explosive identity is pressed upon these singles creating a euphoria around them. Watching them perform songs from the album, they gain an extra dimension in their live renditions. Tracks including ‘Just Saw Johnny’ and ‘Ooh Boy’ place a hardcore inspired bite to proceedings. Whilst tunes such as ‘Real Lo Remix’ and ‘Ribena’ showcase an old school jungle nuance that has compelled a broad range of listeners, acquiring a strong and loyal following over the last few years. The single itself ‘Incognito Rhythm’ samples the iconic Little Simz vocals on her track ‘Gorilla’ and transpires in really capturing the essence of this new formula of jungle that embraces rigorous bass lines, complimenting the eloquent drum patterns. It’s important to mention that ‘Horns For 2024’ also achieves this wicked concept merged together by the London-based act. 4am Kru’s album has accurately depicted their intentions as a forward-thinking production machine who possess a truly addictive sound design. Teasing at so many more ideas for future projects that fans everywhere will, unquestionably, be keeping an eye out for.

2024 has been an absolutely monumental year for bass music. From sold-out shows and viral hits to a wave of fresh talent reshaping the sound. Drum and bass continues to dominate the conversation, evolving beyond its underground roots and cementing its place in the mainstream spotlight. This isn’t just a passing trend—it’s proof of the genre’s enduring relevance and its unmatched ability to innovate while staying authentic to its core. Meanwhile, UK garage and dubstep have made serious waves, drawing in younger audiences and proving that their influence is far from fading. UKG, now 30 years deep, remains a vital force, while dubstep has found new energy in both its classic and experimental forms. As the year comes to a close, we’ve had the impossible task of narrowing down our favourite tracks from such a vibrant, diverse 12 months. After plenty of debates and rewinds, the UKF editorial team is proud to present our definitive picks of 2024. These are the tracks that have defined the year, pushed boundaries, and kept us moving on the dancefloor. Let’s celebrate the music that made 2024 unforgettable. Lens & Sarah Ikumu – Jungle Diva (ft. Pola & Bryson & goddard.) Laurie Charlesworth ‘Jungle Diva’ is a certified banger and without a shadow of a doubt, my favourite track of 2024! It has all of those gorgeous, jungly elements that we love and adore, with a little slither of naughtiness chucked in there too. It’s dark and rolling, but fun. The rise of Lens continues, Sarah Ikumu sounds exceptional and Pola & Bryson and goddard. sprinkling some magic on it is just the icing on the cake. A beautiful combo. Big tune! Nectax – Body Talk Ant Mullholland The soulful yet energetic ‘Body Talk’ by Nectax is without doubt one of the most impactful jungle rhythms of 2024. Released on DJ Flight’s Play:Musik label over the summer, this was their first release in 14 years and what a thrilling way it was to come back. Forming part of the ‘Body Talk’ EP, the single first came to people’s attention in Nia Archives’ Boiler Room set two years ago, absolutely everyone wanted to find out where the tune came from. The rolling style jungle sound woven in and out of some well crafted vocal synths has made this particular track incredibly popular among jungle selectors. Its expressive nature has made it a huge hit in the dance, appeasing many a type of jungle fan. From the very first drum pattern, the journey it takes you on is euphoric. The Newcastle-based artist finds himself being one of the most exciting talents to come out of the jungle scene. Over the course of the last few years he’s built an armoury of high calibre production under his belt. Being one of the key components behind the up-and-coming label Stereo45, we can expect even more influence on the scene from this talented geordie beatmaker. Koherent, Klinical & Operate – Classics Sagar Deshmukh Since its inception in 2018, Overview Music has consistently demonstrated a remarkable ability to unite distinctive collaborative pairings that frequently develop into legendary partnerships, and etching their name in the label’s quintessential releases. 2024 was no exception, with standout collaborations from Kyrist & InsideInfo, Killa P & Klinical, and Rueben & Grey Code, among others, delivering the unmistakable Overview style of drum & bass brilliance. The winner of these collaborations however, is undoubtedly this impressive assembly set up by Overview, featuring Koherent, Klinical, and Operate. Their track kicks off with a striking sample that declares, “for my next number, I’d like to return to the Classics.” True to its word, the tune masterfully bridges the gap between the old-school foundations and modern innovations of drum & bass. Raw, rugged, and perfectly paced to ignite the dancefloor, ‘Classics’ embodies Koherent’s razor-sharp production, Klinical’s emotive depth, and Operate’s signature sound design. Gritty, raw, and unapologetically grimy, this tune packs an explosive punch, guaranteed to shake up the dancefloor no matter the venue—be it an intimate club setting or a massive festival stage. If you’re a DJ reading this, consider this one of your go-to dancefloor weapons. Halogenix – No More Sam Yates An outrageously uplifting track from one of our scenes’ most treasured producers. Whenever ‘No More’ gets teased or dropped in the mix, it’s often the most exciting, positive moment of the set. It sounds like summer festivals or the middle of a club night with its effortless energy – no vocals needed, just an infectious melody and all the right interplay of building and breathing. Halogenix once again delivers. Adam F – Circles Revisited Laurie Charlesworth ‘Circles Revisited’ is a culturally significant moment in drum & bass! The original is undeniably one of the most influential tracks in the history of UK dance music – and yet, the waves it caused back in the 90s were only the very start of its journey. Fast Forward to nearly 30 years later, we have seen the track be sampled and bootlegged countless times, most famously by the likes of PinkPantheress, Pola & Bryson. ‘Circles’ continues to make a mark on the scene in such a beautiful way, and Adam F jumping back into the studio – using the exact same equipment he used to make the original track – is the chapter of the story we’ve all been waiting for. Colours Revisited in 2025 is greatly anticipated too. I can’t wait. Big love to Adam for delivering us some real magic via his revamps, reworks, reboots and revisits! Fake Two Piece & Lokal – Bad Mouth Sagar Deshmukh Shenzhen/Hong Kong based experimental bass music label released ‘Bad Mouth’ just in time to be in consideration for the wonkiest dubstep releases of 2024. Over the past five years, Unchained Asia has cemented its reputation as one of the top purveyors of hyper-innovative bass music, with bold experimentation serving as both its defining identity and greatest strength. Keeping their yearly ritual going ever since they started putting out music in 2018, Unchained assembled the 12-track ‘The Year of The Dragon’ which runs in parallel with the Chinese Lunar calendar featuring artists that delivered a tightly curated showcase that reflect their addiction to variety – ranging from raw, experimental sounds to unapologetic club bangers. Leading the charge on ‘The Year of The Dragon’ is a fiery collaboration between Lisbon’s boundary-pushing duo Fake Two Piece and Manchester’s fast-rising trio Lokal, who’ve been turning heads and shaking speakers since bursting onto the scene last year. Together, they’ve crafted ‘Bad Mouth,’ a track that seamlessly blends dark, gritty textures with infectious rhythms and sharp, dynamic sound design. It strikes the perfect balance between raw, weird, and an infectious groove that is primed to captivate the dancefloor. With its visceral energy and undeniable club appeal, ‘Bad Mouth’ doesn’t just demand attention—it commands it. Marshmello x Svdden Death – Vortexblade Logan Sasser Getting a banger from Marshmello and SVDDEN DEATH was not on our 2025 bingo card, but the MELLODEATH Tapes Vol. I was a welcomed surprise — especially their ‘Vortexblade’ track. It’s a tune that isn’t exactly riddim, but it rides the line with grace and style. From start to finish, ‘Vortexblade’ is pure energy. The sound design is grimy, and definitely heavy, but there’s a subtle undertone of experimental bass vibes that carry the track to through both high-octane bass drops with SVDDEN DEATH’s classic, spooky sound design. Joy Orbison – flight fm Rewinding back right to the start of the year, we were introduced to Joy Orbison’s heavyweight track ‘Flight Fm’ on XL Recordings. Having been teased in the clubs for some time during 2023, electronic dance fans were elated when this heater got its much-anticipated release in January. Throughout the last 12 months, it’s safe to say that this song has virtually been played out in every type of rave imaginable around the world, showing no signs of letting up any time soon. With a multitude of different artists from an array of different backgrounds remixing the track, it only further demonstrates how this exciting number has influenced the whole spectrum of underground music. We’ve witnessed a range of your favourite DJ’s playing at around 140 bpm attempt to double a fresh vocal on top of this unmistakable hefty beat. With the likes of Fred Again, Four Tet, and Skrillex all showing appreciation to the song. As a result, this has seen Orbison’s track reach a wider audience. Sonically, this tune has fused the compelling weight of bass music with the forward thinking style of electro. A track that definitely can’t be shoehorned into one category, its winding build-up followed by a dance floor crushing drop has created a legacy in electronic dance music that’ll live long past 2024. Channell, Motiv, Luke Truth – Substance Sam Yates In his debut EP with The North Quarter, Channell hits a big six. But one particular stand-out was ‘Substance’ – produced with fellow friend Motiv, the two create magic by tossing in equal doses of energy and soul, finding a unique pulsing style that feels like it’s kicked off a trail-blaze of others who want to emulate it. Luke Truth joins for a breakout vocal performance, giving it that extra few strokes of passion, and making a name for himself in the process. Expect more fire from these three in the future. Tape B x Mersiv – Trippy Land ft. Juicy J Logan Sasser Hearing Juicy J introduce Mersiv and Tape B on their track ‘Trippy Land’ never gets old. Southern hip hop and dubstep isn’t exactly a new sensation (Juicy J actually made a song with Boregore back in 2016), but ‘Trippy Land’ is a reminder that some trends never die; nor should they. Of course, Tape B and Mersiv continue to be some of the hottest acts in bass music, and the energy they captured together on “Trippy Land” proves they both deserve the respect and hype they’ve created for themselves throughout the past few years. Plus, we get a fantastic, high-energy verse AND hook from a hip hop legend. What more could you ask for?

REZZ went to social media over the weekend to announce new visuals she and her team have been working on after seeing the new ANYMA show at the trending Las Vegas 360 Sphere. In the Instagram story, she says: “The new visuals I’m investing will blow everyone’s minds. Everything is evolving. everything.” The Rezz Project The REZZ project is a well-defined concept of a techno-house blend and dubstep. Altogether, it highlights a darker hypnotic style in the colors red, white, and black. Ukrainian-born Isabelle Rezazadeh started her journey as REZZ in 2013 on Soundcloud. Shortly after, in 2015 she released ‘Insurrection‘ on OWSLA. Later that year she continued her way into the big leagues by joining the Mau5trap label with ‘Serenity‘. Since then, Isabelle has surpassed millions of streams on countless tracks and played at the world’s top festivals like EDC, Electric Forest, ACL, Coachella, and more. ANYMA’s Residency @ The Sphere, Las Vegas The comments from REZZ and her new visuals in the works came directly after her experience with ANYMA’s first show as the first resident DJ at The Sphere, Las Vegas. This show is a milestone in ANYMA’s career and a sight to see. Why? ANYMA is known across the world for its live-show visuals. They have evolved from regular 2D to ground-breaking 3D visuals that illustrate a visual trick of the object coming off the screen. The Sphere is a wraparound 16K x 16K resolution LED screen that covers the entire interior and is considered to be the world’s largest high-resolution LED display, covering 160,000 square feet. The combination of ANYMA’s visuals and this venue is next level. You can learn more here. The post REZZ Sparks New Visual Ideas After ANYMA Sphere Show appeared first on EDMTunes.

Words by Ross Goldenberg. “Carry You” can only be defined as an abnormality. Typically, Dancing Astronaut‘s Track of the Year selection is a release that originates within the same calendar year. For more reasons that one, “Carry You” is unlike many that have come before it. Immediately after Martin Garrix acquainted us with “Flashlights” — the track’s original, fan-dubbed alias following Ultra 2023 — pleas for the ID’s release hadn’t even begun to scratch the surface. But as the one-year anniversary of its debut began to inch closer, the questioned still remained: Would it ever see a release? Martin Garrix and Third Party disclosed that the wait wasn’t without reason. They were simply opting to hold off on its conversion from live exclusive to streaming upload until they were able to place what they believed needed to be a flawless vocal over what many — including us — believed to be a flawless instrumental. They did. In many prior instances, an instrumental’s vocal mix is — unfortunately — unable to live up to the potential of its lyric-less form. “Carry You” is a rare case that confirms the opposite can be possible. On one late-January evening, we began to receive Instagram direct messages with videos from fans that were in attendance at Third Party’s show at Opium Barcelona. That first listen of “Carry You” was one of those moments where you start envisioning the future Dancing Astronaut social media posts about its release anniversary in one, five, or even ten years down the road. Martin Garrix and Third Party had called in Winona Oak — who went under her alias of Oaks for this release — as well as Declan J Donovan. They did the impossible: they perfected an already perfect piece of music with a male-female duet for the ages. Less than a month later, Garrix would open the doors to IDEM — a STMPD RCRDS EP that would later comprise of four coveted Garrix IDs — with what would eventually create the basis for our 2024 Track of the Year title. We didn’t want to get ahead of ourselves earlier this year, but 10 months removed from February 16 and we are now comfortable doubling down on the following claim: “Carry You” evokes the same feeling that “Calling (Lose My Mind)” — better known as “ID – ID” in the Dancing Astronaut universe — did 12 years prior. And while it may still be too soon to formally rank “Carry You” beside tracks like the one Alesso, Sebastian Ingrosso, and Ryan Tedder were behind in 2012, we have minimal doubts that it has the ability to reach that status in due time. While we’ve decided to only name a singular Dancing Astronaut Track of the Year in 2024 — despite opting to co-name three in recent years — we still wanted to recognize two other tracks that — in our eyes — closely trail behind “Carry You.” The first of our two honorable mentions for 2024 Track of the Year fittingly arrives via Dancing Astronaut‘s 2024 Artist of the Year. ISOxo and Knock2’s Ultra ID-turned-trap-anthem with RL Grime unmistakable reconfirmed that the genre of trap is alive and well with the making of “SMACK TALK.” Similarly to “SMACK TALK,” our second honorable mention for 2024 Track of the Year also derives from one of our end-of-year awards: Dancing Astronaut‘s Top Albums of 2024. Justice and Tame Impala’s first linked up at the top of 2024 for “One Night / All Night.” And while that initial HYPERDRAMA pairing was memorable on its own, they one-upped themselves with a second go-around on Justice’s fourth LP: “Neverender.” Of course, the past 12 months in dance music cannot solely be boiled down to the above three releases, which is why our annual series of Dancing Astronaut’s Top 100 Tracks of the Year — in alphabetical order — has returned once again. Enjoy and Happy New Year! Featured image: Louis van Baar The post Dancing Astronaut’s 2024 Track of the Year + Top 100 Tracks of 2024 appeared first on Dancing Astronaut.

The Chinese outlet My Drivers just leaked images that, if accurate, would reveal major changes to the iPhone 17 Pro design — the first since the 14 Pro in 2022. The images show a new front look, including a horizontal island where the lenses are. However, it may seem as if the new design is pretty similar to the Pixel phone’s front camera, Let’s take a look! iPhone 17 Pro Leak The report went back to analyst Jeff Pu‘s claims in May. According to Pu, this new design will use metalens for the Face ID system to make the cutout narrower, instead of the bigger Dynamic Island from the past few models. Metalens, or metasurface lens, is an optical lens that uses nanostructured materials. Unlike traditional smartphones, these lenses do not rely on the curvature of their surface to manipulate light. As a result, the lenses are flat and lightweight, this way companies can manufacture simpler designs without bulky lenses. The report provides a sample image of that the new flat Dynamic Island will look like.Moreover, the report shows smaller bezels on the new Iphone Pro. Of course, we are not getting an all-glass Iphone anytime soon, but this seems to be a good start towards that future. Meanwhile, there are contrasting leaks, which showcase a horizontally stacked camera array. In the hopes that Apple does indeed provide new designs for the new Pro series, we can at least wish that one of these leaks comes to fruition. What do you think, are we upgrading or not really? The post iPhone 17 Pro Leaked Images Reveal Major Design Overhaul appeared first on EDMTunes.

In a city packed with NYE options, Eye Heart SF is bringing Gryffin to Fort Mason for a takeover that is shaping up to be the one event you don’t want to miss. The producer/multi-instrumentalist has built his reputation on being more than just another guy behind the decks, and he’s bringing that full live setup to San Francisco’s waterfront on December 31st. What sets Gryffin apart is how he actually plays his music – moving between guitars, synths, and drum pads while building those massive drops that made tracks like “Feel Good” and “Gravity” festival favorites. It’s the kind of show that hits different live, especially when you’re counting down to midnight. Fort Mason’s raw industrial space is the perfect spot for this kind of night. Eye Heart SF knows how to transform a venue, and they’re going all out with production that’ll match Gryffin’s energy. For an artist who started in intimate clubs before headlining major festivals, this feels like the sweet spot – big enough to go hard, small enough to feel real. If you’re trying to decide where to ring in 2025, this is your move. To make this night even more special, Dancing Astronaut is giving away two free VIP tickets to one lucky winner! Entry is easy. Follow @DancingAstro and @EyeHeartSF on X. Then tweet at both accounts with why you NEED to see Gryffin this New Year’s Eve. Don’t miss your chance to experience Gryffin like a true VIP. The post Win 2 VIP tickets to Gryffin for New Year’s Eve in San Francisco appeared first on Dancing Astronaut.

Anyma is one of the world’s most innovative electronic music producers and he just teamed up with breakout star Massano and vocalist Nathan Nicholson in dropping ‘Angel In The Dark’. Anyma and Massano released ‘Angel In The Dark’ via the rising Afterlife/Interscope Records label and the track contains a baseline that draws in listeners in an addicting manner and layered textures that are very immersive in an unforgettable way. Additionally, for anyone who is planning to attend the highly-anticipated ‘The End of Genesys’ residency at The Sphere in Las Vegas, Anyma will feature ‘Angel In The Dark’ in his set. When he plays the track, it will for sure be a fascinating, and beautiful, sight to witness for the fans inside The Sphere. ‘Angel In The Dark’ will shine vibrant rays of light for all to witness at The Sphere December 27th was the first night of “The End of Genesys’ residency at The Sphere and the 28th and 29th are the other days of this weekend that Anyma will perform ‘Angel In The Dark’ on. Afterwards, New Year’s Day, as well as January 10th and 11th, will be the next dates of this residency and fans will get to experience various artistic, audiovisual wonders that will live in their minds for a long time. The residency will also mark the conclusion of the ‘Genesys‘ era with a three-part visual narrative. The shows at The Sphere will provide a world-class LED display and a highly-advanced audio system, Sphere Immersive Sound. Click on this link of Afterlife Las Vegas to purchase tickets to see Anyma’s ‘The End of Genesys’ residency. Aside from Massano, a diverse list of superstars such as Charlotte de Witte, Amelie Lens, Adriatique, Sebastian Ingrosso, and Tiësto will ring in the year of 2025 with outstanding vibrancy and aims to inspire the fans present to look forward to many bright hopes to come in the new year. The post Anyma Teams Up With Massano on Emotional ‘Angel In The Dark’ appeared first on EDMTunes.

Moojo is back with his latest Afro House single, ‘Mockingbird’ via his label, Calamar Records; a track primed to bring sonic heat to the dancefloors of his performances and beyond, this latest Moojo production shines a light on his signature sound, seamlessly blending rhythmic grooves with uplifting melodic energy. With an approach that leans on his rich musical background, Moojo continues to put forward music reflecting his unique journey, carving out a sonic identity that demonstrates his wide palette of inspirations; from traditional African and Latin sounds to the contemporary beats of Electronic music, his ability to merge across genres has resulted in a production style that consistently draws acclaim from listeners worldwide and industry VIPs. With his name already well-established in the scene, and with ‘Mockingbird’ earning early support by top names like Diplo, HUGEL, Rampa, and Black Coffee, Moojo continues to solidify his reputation as a highly regarded Producer and DJ, and this latest release builds on his impressive trajectory, further cementing his status as one of the standout talents within Electronic Music today. The track introduces a steady kick, Latin-flavoured percussion and textural synth work from the start, weaving a detailed tapestry of polished sound as filtered vocal lines, bassline hook, and underlying pads lead the track into its full-bodied groove. As it continues to push forward, listeners are drawn deeper into its rhythmically complex soundscape, where tension and release are manipulated with precision, and fresh details continue to join, further enriching the unique sonic flavour of the track. From soaring details to melodic piano lines, the layered arrangement of ‘Mockingbird’ further emphasises the skill and abilities that Moojo has cultivated during his time on the scene, making for a dynamic and engaging journey that will surely captivate his listeners. As his discography grows with remixes, original tracks, and collaborations, Moojo continues to ensure that through each release, he offers fans something that feels fresh yet authentic, consistently putting forth his signature sound with skill and expertise. Arriving just in time to ring in the New Year, ‘Mockingbird’ not only marks another milestone in this talented Producer and DJ’s journey but also sets the tone for what’s to come in the year ahead, capturing the essence of Moojo’s artistic growth and future potential. ‘Mockingbird’ is out now via Calamar Records and available to stream and download across platforms. Make sure to stay connected with Moojo and his journey by following him via social media today. Listen and Buy ‘Mockingbird’ Now: Beatport Moojo Online     Beatport | Instagram | Spotify     Calamar Records Online     Beatport | Instagram

Jody Vukas releases his latest Melodic House single, ‘Fade,’ featuring vocalist Ariana Celaeno: displaying his signature sound once more, offering a track punctuated by his bold energy and refreshing style, Jody Vukas aims to continue connecting with genre lovers around the globe, building on his momentum with this brand-new release via Future House Cloud. With a wide array of influences, drawing from the Electronic Music substyles of Melodic, Tech, and Progressive House, Jody Vukas has carved a sonic identity that reflects his musical journey, shaping a sound that displays his inspirations whilst bringing something fresh to the scene. As he creates music that resonates with both his fans and top names within the genre, turning the heads of VIPs like Dowden, Dj Chus, Steve Lawler, and others, Jody Vukas maintains a dedication towards his artistic evolution, pushing to develop his craft, whether in the studio or behind the decks. Now, with this next release, he again shows his musicality and skillset, carving an immersive sonic journey for his listeners and inviting them to experience the originality and passion behind his creativity. A dynamic and detailed soundscape, ‘Fade’ weaves an intricate tapestry of sound from the get-go: with Ariana Celaeno’s expressive vocals guiding its progression, the track layers in bubbling arpeggiators, a smooth bassline, and underlying pads, pushing ahead to incorporate a pounding groove punctuated by steady kicks and shuffled percussive details. As it maintains an engaging flow, the track moves through introspective moments of atmospheric textures, returning with energy as thumping beats, melodic synth work, and lush elements carve out a full-sounding arrangement. This considered combination of melodies and driving rhythms offers a distinctive listening experience, seamlessly balancing emotional depth with dynamic energy to showcase Jody Vukas’ signature style and approach. A track that feels as immersive as it is energising, ‘Fade’ is surely set to stand out within Jody Vukas’ discography, capturing the essence of his sound while delivering refreshing vibes. As he keeps building on his promising trajectory, Jody Vukas continues to cement himself high on the list of talents to watch within Electronic Music, forging ahead with motivation and commitment. Out now via Future House Cloud and available to stream and download across platforms, embark on a journey through Jody Vukas’ creative world with ‘Fade’ and be sure to keep him on your radar by following him across social media today. Listen and Buy ‘Fade feat. Ariana Celaeno’ here. Beatport Jody Vukas Online Website | Instagram | Spotify Ariana Celaeno Online Instagram | Spotify Future House Cloud Online Website | Beatport

Lady Decibel continues to showcase their signature sound with their newest Dance remix, adding their touch to Doja Cat and Nicky Minaj’s track, ‘Say So.’ A production duo based in Orlando, Florida, the pair continue to work towards developing their sound, combining influences to cultivate a style that reflects their background and artistic vision moving forward. With this newest production, they highlight their approach once more, showcasing the Lady Decibel sound as they add another inventive yet considered rework to their release repertoire. Having embarked on their journey early this year, Lady Decibel has already made strides towards developing their discography, bringing original releases alongside creative remixes: just recently dropping their take on ‘BED’ by Joel Corry, RAYE, and David Guetta. With this latest offering, Lady Decibel once again ensures listeners are presented with the high-energy and vibrant sound they are becoming known for, incorporating lively vibes into the track to offer a remix ready for the dancefloor. Opening with an energetic kick and shuffled beats, the panned synth, heavy low-end, and vocal lines that punctuate the mix have the listener immediately propelled into a pounding soundscape, establishing the bold energy of Lady Decibel’s rework of ‘Say So’ from the get-go. Throughout, layered synth leads weave amongst the familiar vocals of the original, giving way to melodic detail that hints back to the iconic Dance music sounds of the 90s and early 2000s, a signature characteristic of the Lady Decibel sound. From its bouncy bass to its vibrant hook lines, Lady Decibel’s interpretation of ‘Say So’ evolves into an up-tempo arrangement, delivering a fresh twist on the original. Bringing their distinct approach to their remix of ‘Say So,’ Lady Decibel ensures their track resonates with the originality and dynamic energy of their sound, continuing to invite listeners into their creative world with each release. So, available to stream and download, experience the unique vibes of Lady Decibel’s take on ‘Say So’ now and make sure to keep this duo on your radar by following them across social media. Listen and Download ‘Say So (Lady Decibel RMX)’ Now: Free Download Lady Decibel Online     Website | Beatport | Instagram | Spotify    

For Maxi Meraki 2024 has been a spectacular year. Maxi Meraki has teamed up with GLEEID to record their newest song, “People,” which is currently available on Ultra Records, adding still another mark to an already remarkable year. Maxi Meraki’s explosive climb in 2024 is really amazing. Supported by industry heavyweights such as Keinemusik, Adriatique, Jamie Jones, and Blond:ish, Maxi has confirmed his status as a force to be reckoned with in electronic music. On Pete Tong’s venerable BBC Radio 1 broadcast, his remix of Mahmut Orhan’s “Pangea” won the much sought-after title of “Essential New Tune.” This appreciation not only brought Maxi’s work to a larger worldwide audience but also showed his skill. Maxi Meraki’s performance on the live music scene has been just as remarkable outside of his studio success. From stunning the throngs at Burning Man to providing amazing sets at EXIT Festival, Maxi has shown his ability to enthrall audiences at some of the most famous events and venues worldwide. His performances are evidence of his dynamic artistry in which he combines enticing grooves with emotional depth. Dynamic Cooperation for “People’s” Maxi Meraki and GLEEID first worked together, and the outcome is a song that wonderfully captures their distinct abilities. ‘People’ is evidence of the pair’s common aim for producing music that really connects with listeners since it combines melodic refinement with rhythmic urgency. The song deftly combines GLEEID’s inventive touch with Maxi’s trademark sound to create a dancing hit with great force and uplifting quality. Under Ultra Records, one of the most esteemed labels in electronic music, “People’s” is poised to create waves in the dance music world all around. The song seems to become a mainstay in DJ sets and playlists both with its contagious enthusiasm and convincing beat. The post Maxi Meraki Teams Up with GLEEID for Latest 2025 Release ‘People’ appeared first on The Groove Cartel.

In the fast-evolving world of music production, aspiring EDM producers need tools that are both accessible and powerful. Amped Studio, a browser-based digital audio workstation (DAW), is an excellent choice for anyone starting their journey into EDM production. Let’s explore the unique advantages of Amped Studio and how it caters specifically to the needs of electronic music creators. 1. Accessibility and AffordabilityOne of the standout features of Amped Studio is its accessibility. As a browser-based DAW, it eliminates the need for costly hardware or software installations. All you need is a computer with an internet connection, making it an ideal starting point for producers on a budget. Amped Studio offers both free and premium versions, ensuring that beginners can start creating without financial barriers. The free version includes a robust set of features, allowing users to experiment and learn before committing to a paid plan. 2. Ease of Use for BeginnersEDM production often involves layering multiple tracks, creating complex patterns, and experimenting with various sound effects. Amped Studio’s intuitive interface simplifies these processes, making it easy for beginners to understand and navigate. The drag-and-drop functionality, clean layout, and responsive controls help users focus on their creativity rather than technical hurdles. 3. Collaboration Made EasyCollaboration is at the heart of the EDM scene. Amped Studio’s cloud-based nature enables seamless collaboration with other producers, no matter where they are in the world. Producers can share projects in real-time, exchange ideas, and even co-produce tracks without the need for additional plugins or software. This feature is invaluable for networking and working with other musicians, vocalists, or beatmakers to create unique tracks. 4. Extensive Library of Sounds and PluginsAmped Studio boasts an impressive library of sounds, loops, and virtual instruments that are perfect for EDM production. From pounding basslines to euphoric synths, the platform provides a diverse array of tools to bring your musical ideas to life. Additionally, the DAW supports VST plugins, allowing users to expand their sonic palette by integrating third-party tools. This flexibility ensures that Amped Studio can grow alongside your skills and creative needs. 5. Built-In MIDI EditorMIDI programming is a cornerstone of EDM production, and Amped Studio excels in this area. Its built-in MIDI editor is user-friendly and powerful, enabling producers to compose intricate melodies, design unique rhythms, and tweak automation with precision. With Amped Studio’s MIDI capabilities, producers can experiment with chord progressions, arpeggios, and lead lines to craft tracks that stand out. 6. Cross-Platform CompatibilityBeing a browser-based DAW, Amped Studio is inherently cross-platform. Whether you use Windows, macOS, or even a Chromebook, you can access your projects without compatibility issues. This flexibility ensures that your workflow remains uninterrupted, regardless of your device. 7. Perfect for Learning and ExperimentationAmped Studio provides a perfect sandbox for learning the fundamentals of music production. Its non-destructive editing, unlimited undo/redo options, and autosave feature make it a stress-free environment for experimentation. New producers can try out different techniques, explore sound design, and develop their unique style without fear of losing progress. 8. Community and ResourcesAmped Studio also supports its users with a growing community and educational resources. Tutorials and guides help beginners get up to speed quickly while offering advanced tips for more experienced producers. This ecosystem fosters growth and encourages producers to push their creative boundaries. ConclusionAmped Studio is a game-changer for aspiring EDM producers. Its combination of accessibility, user-friendly features, and powerful tools makes it an ideal platform for beginners and seasoned creators alike. Whether you’re experimenting with your first track or collaborating with fellow artists on a breakthrough project, Amped Studio empowers you to turn your musical ideas into reality. If you’re ready to dive into the exciting world of EDM production, give Amped Studio a try. Your next big hit could be just a few clicks away! Go and create a FREE account now at ampedstudio.com

An unprecedented mix of electronic music and visual talent pushing the envelope of live entertainment is shown in the freshly unearthed footage of Anyma’s “The End of Genesys” concert at The Sphere. The one-hour and forty-five-minute performance explains why this event among electronic music’s most discussed ones has grown to be so popular. Starting with the title song “The End of Genesys,” which features Grimes‘ ethereal acapella from “Welcome to the Opera,” the play opens abruptly. With the robotic cello duet making their initial appearance, the huge LED canvas of The Sphere instantly creates an otherworldly environment. Precisely timed with the music, the universal robots produce an eerie visual and aural experience that defines the tone of the whole concert. The visual narrative starts to manifest when the program moves from Chris Avantgarde‘s “Consciousness” into “Explore Your Future.” From abstract geometric patterns to fully formed cybernetic settings, the 16K resolution display of The Sphere changes the room into many digital landscapes. The flawless mix of images with the music reveals the cooperation with visual artists De Vecchi, Gremmler, and Wessely. With “Anyma & Grimes pres. The Last Artists – Taratata,” which stars Grimes and makes best use of the Sphere’s immersive qualities, the performance reaches an early climax. One especially highlights the cooperation with RÜFÜS DU SOL on “You Make Me,” since the Sphere’s HOLOPLOT sound system provides crystal-clear sounds filling the large area without overpowering it. Particularly clear are the technical prowess of the act on songs like “Simulation” (SCRIPT Remix) and “From Japan,” where the robotic musicians mingle naturally with the electronic components. Particularly helpful during the more reflective times in tracks like “Pictures of You” and “Samsara” starring Sevdaliza, the Sphere’s wrap-around display generates a sensation of endless space. Anyma Sphere Las Vegas The four acts Each act’s visual theme is distinct yet connected. There are 4 acts: Act I (Opening segments): Focuses on the birth of consciousness with organic, flowing visuals Act II (Mid-section): Emphasizes human connection through intimate, skin-like textures Act III (Climax): Features accelerating technological patterns Act IV (Closing): Incorporates quantum-inspired visualizations The Fred remix once more and Swedish House Mafia’s “Turn On The Lights Again..” marks a turning moment in the show as the production completely embraces its dance music roots while nevertheless keeping its creative vision. The Anyma remix of The Weeknd’s “Blinding Lights” is a potent penultimate moment before the emotionally intense “Eternity” finishes the event. Featuring works with musicians spanning the electronic music spectrum, the well-chosen tracklist highlights Anyma’s cooperative attitude. From the experimental sounds of Y do I to the popular appeal of Empire Of The Sun, every partnership adds a different element to the story. Technical Achievement: The Las Vegas Sphere The technical capacity of the Sphere is stretched to its utmost over the performance. The 16K resolution wrap-around LED screen of the theater produces an unparalleled degree of immersion; the HOLOPLOT sound system provides perfect audio that keeps clarity even in the most intricate configurations. Robotic musicians provide the show’s investigation of human-machine interaction as a physical component. What’s next for Anyma? “Eternity,” a fitting farewell to a performance that stretches the possibilities in electronic music performance, closes the concert. Modern technology, creative musical arrangements, and careful artistic direction taken together produce an experience that satisfies its ambitious idea. Beyond only its technological prowess, “The End of Genesys” excels in telling its story about the development of consciousness and the interaction between people and technology. The program marks a turning point in the history of electronic music and establishes a new benchmark for live performance expectations. Anyma’s performance at The Sphere will probably be regarded as a turning point when the lines separating concert, art installation, and technology showcase vanish completely as the electronic music community looks to the future. The post The End of Genesys: Inside Anyma’s Revolutionary Performance at The Sphere appeared first on The Groove Cartel.

Parra for Cuva‘s “A Life” remix by Christian Löffler is a magnificent reinterpretation highlighting the transforming potential of teamwork in electronic music. Löffler’s original music is rich in ambient beauty, but Parra for Cuva gives the work a fresh perspective and creates a more muted yet richly textured rendition that takes listeners on an introspective aural trip. One may compare Parra for Cuva’s method of the remix to the delicate craft of augmentation. In his own words, the approach—a beautiful description that captures the core of this rereading—involved “uncovering a hidden forest amid a familiar landscape.” Respecting the emotional core, he weaves in further layers of rhythm and texture, therefore preserving the ethereal nature of Löffler’s work. This approach emphasizes his great awareness of Löffler’s artistic aptitude and his own capacity to accentuate it without taking front stage. Starting with an inviting subtlety, the remix builds its elements to immerse the listener in a calm environment over time. Parra for Cuva’s trademark use of organic sounds and soft beats meld perfectly with the sorrowful overtones of the original to create a magical atmosphere. The gentle whisper of the song invites the listener to stop, consider, and let herself go in its calm flow. The introspective quality of the remix is among its most arresting elements. Although the original “A Life” has cinematic grandeur, the remix turns the emphasis inside. This more subdued approach emphasizes the subtle interaction of melody and rhythm, producing a work that seems quite personal yet generally reasonable. This is music that speaks to the soul as much as the ears, evidence of the talent and vision of Löffler and Parra for Cuva. “A Life (Parra for Cuva Remix) is ultimately a calm masterwork. It is a shining example of reinterpretation, in which two different artistic views combine to produce something both known and shockingly original. This remix is a must-listener for supporters of either artist or those looking for a contemplative audio escape since it provides a gentle but strong reminder of the ability of music to inspire and change. The post Parra for Cuva remixes “A Life” by Christian Löffler appeared first on The Groove Cartel.

Sasson, has put out his first solo single, “Energy,” adding a fresh jewel to honor in the realm of electronic music. Featuring the captivating vocals of Drea, this tune is an appealing mix of Afro-house rhythms and rich melodic pads that promise to enthrall the dancefloor and the airways. For Sasson, “Energy” is a statement rather than only another release. Comprising months of painstaking production and artistic inquiry, the tune captures the artist’s development and his deft merging of several musical influences. Afro house functions as the driving heartbeat with its hypnotic rhythms and groove-rich basis. Rising melodic elements give an ethereal quality, therefore producing a soundscape as vivid as it is expressive. Drea’s vocal delivery gives “Energy” still another degree of excellence. Her voice, strong and soulful at the same time, dances across the beats with a magnetic attraction that balances the complex production. It’s a natural combination, as though the vocals and music were always supposed to cohabit in this forceful work. Early listeners praising “Energy” as a unique song bridging the gap between club culture and general appeal have already started ripples. While radio stations are grabbing it for its accessible but polished sound, DJs have complimented its capacity to excite a crowd. This duality is evidence of Sasson’s ability to create songs that fit several environments and listeners. Regarding the project, Sasson expressed his enthusiasm: “For me, this track has been a tremendous trip. My musical career is opening a new chapter, and I wanted it to convey my love of combining several inspirations. Working with Drea was an amazing experience; her vocals gave the tune a certain enchantment.” Now stream “Energy” and experience the pulse of Sasson’s explosive debut, a song as dynamic and forceful as its title would suggest. The post Sasson Ignites the Scene with Debut Solo Single “Energy” appeared first on The Groove Cartel.

The wildly popular collaboration between HUGEL, Topic, Arash, and Daecolm in the track ‘I Adore You‘ already set a high bar for blending diverse musical influences. Now, with ARTBAT‘s remix, the song transforms into an ethereal experience, perfect for both dance floors and introspective listening. ARTBAT, the Ukrainian DJ and production duo known for their atmospheric and emotive remixes, takes ‘I Adore You‘ to another level. Their remix emphasizes deep, rolling basslines and transcendent synth patterns, maintaining the emotional core of the original while amplifying its club appeal. ARTBAT’s ability to balance intensity with melody shines brightly in this remix. The ARTBAT remix of ‘I Adore You‘ has quickly found a home in DJ sets worldwide. Its combination of melodic depth and rhythmic energy makes it versatile for festivals, club nights, and even chill-out playlists. The remix demonstrates ARTBAT’s ability to reinterpret a song while preserving its soul. ARTBAT continues to dominate the global EDM scene with an exciting lineup of performances and festival appearances. Known for their electrifying live sets, they are scheduled to headline major festivals in 2025 like CRSSD Festival Spring, Ultra Music Festival, and KappaFutur Festival. To follow the duo on all their platforms, click here. You can listen to ARTBAT’s new remix below. Stay tuned for more news! The post ARTBAT Remix ‘I Adore You’ By HUGEL, Topic, Arash & Daecolm appeared first on EDMTunes.

Saudi Prince Turki bin Muqrin Al Saud just built a magnificent sound system worth $1.5M in his $70M superyacht. The superyacht’s name is ‘The Special One’ and the prince himself docks it in the Mediterranean Sea. The $1.5M sound system that one can enjoy blissfully in his superyacht and feel one with the environment and other beautiful surroundings of the sea. According to an article from Headphonesty, the sound system contains 150 custom Focal speakers, and each of them cost around $1,000. Captain Parker-Lavin of ‘The Special One’ said, “It’s one of the densest sound envelopes on any boat that Focal has done. The sound is crystal clear and perfect with no distortion“. The $1.5M Sound System That Makes ‘The Special One’ Feel Like A One-Of-A-Kind Superyacht When entering ‘The Special One’ for an unforgettable kick-back to enjoy the sound system, there are various unique spots where one can enjoy the vibes when partying on this superyacht. The fore-deck, the tuna tower if one were to enjoy the high life in a literal sense, and even custom DJ decks near the outdoor cinema for anyone who loves to enjoy watching movies and making music altogether. Additionally, each cabin has its own personal sound zone and furthermore, the main deck is where the world-class entertainment truly enhances the vibe. The main deck of the superyacht has rearward sofas where visitors can chill out and groove to the music that the DJs are playing below. Also the fly deck of ‘The Special One’ allows all to feel the breezy air while kicking back to the music. Photo Credit: Boat International The post Saudi Prince Adds Superb Sound System in His $70M Superyacht appeared first on EDMTunes.

Looking for spectacular music from an expert roster this weekend? We’ve got you. Great news for everyone in Miami this weekend. Resident DJ and producer Malóne, alongside his esteemed label WHYNOTUS, will be curating a special stage at Factory Town‘s highly anticipated New Year’s Eve Weekend celebration. Hialeah, Factory Town’s venue where the parties will be hosted, has rapidly grown to become a nightlife hotspot, attracting some of the world’s best. While the event will have a plethora of large artists such as Lilly Palmer, Claptone, Noizu, Matroda, and Walker & Royce, Malóne’s imprint will host a stage of its own. The WHYNOTUS stage will boast a diverse lineup, including a B2B set from legendary Miami DJ Edgar V — the first-ever Club Space resident — and rising star Miguel Gallardo. Also joining the bill is Slugg, known for his unique blend of 90s Hip-Hop and House, and Colombian Harvy Valencia, the latest jaw-dropper on WHYNOTUS’ emerging talent department. A Gig Following Release Day Coinciding with this takeover, Malóne has just released his debut EP on WHYNOTUS, The B Sides. This five-track collection features a diverse range of sounds, from the Latin-infused ‘Real Love‘ to the high-energy ‘That’s Perfect‘. So even if you’re not around to enjoy the label showcase, you can still blast your speakers with the EP wherever you are in the world. Listen to Malóne‘s latest EP ‘The B Sides’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to grab tickets for tonight’s showcase! Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post Malóne And WHYNOTUS To Headline Factory Town’s New Year’s Eve Weekend appeared first on EDMTunes.

The two turned to the W Santiago hotel to present a special set on its rooftop. What happens when two prolific producers collide for a good time together? Incredible things, dare I say. Not long ago, two of the best exponents of Progressive House in Chile, Abaze and Paul Arcane, joined forces to present a masterfully executed hourlong set on top of one of the highest-rated hotels in the Chilean capital, W Santiago. Located in the heart of the city, the rooftop allows for stunning views of the skyline, looking down on apartments, houses, a golf course, and the imponent San Cristóbal Hill, located just a few hundred metres away. The boys’ performance served as the closing act of Sunday Funday, a series of day parties carried out bimonthly. Sunday Funday parties. What’s interesting about the set and how it’s arranged, is that it is 100% their music, either Paul’s, Abaze’s, or collaborations. “After years of perfecting our projects and leaving a bold mark in the international scene, Paul and I decided to take our music to another level“, Abaze recalls. Meanwhile, Paul adds, “When speaking of music, Abaze and I have a very special synergy. A large chunk of that comes both from our passion and devotion to produce, as well as our experience and ears which we’ve refined through the years“. If Progressive House is your jam, listen to Abaze & Paul Arcane, live from the rooftop of W Santiago, by clicking below on the YouTube embed, or by clicking here and travelling to YouTube yourself. The post [WATCH] Paul Arcane And Abaze Deliver Masterful Performance Over The Skyline Of Santiago appeared first on EDMTunes.

Relive the most magical moments of 2024 and embark on a cinematic journey like no other with Tomorrowland presents ‘One Year’. It is a captivating 45-minute film that immerses viewers in the heart and soul of Tomorrowland’s festivals and events throughout 2024 and reminisces on a magical 20th anniversary year. Celebrating 20 years of unparalleled influence on global culture, ‘One Year’ goes beyond the music, diving deep into the dreams, energy, and connections that make Tomorrowland a phenomenon. ‘One Year’ is now available to watch on YouTube. It promises to be an unforgettable spectacle for the People of Tomorrow around the globe, capturing a world where music, imagination, experience, and unity collide. Millions of souls connected through their unconditional love for music. Rather than release aftermovies for Tomorrowland Winter, Belgium, Brazil, Terra Solid, and ADE, the festival is releasing this mega-aftermovie that shows us everything that happened in 2024. About ‘One Year’ Produced by the talented in-house video team behind Tomorrowland, every frame of ‘One Year’ pulses with the wonders that define Tomorrowland and aims to capture the essence of Tomorrowland’s diverse and inclusive atmosphere. Drawing on the essence of the festival’s spirit, the film features extended sequences from all festivals and events held throughout the past year, including Tomorrowland Belgium, Tomorrowland Winter, Tomorrowland Brasil, CORE Tulum, CORE Medellín, Tomorrowland presents Atmosphere, Tomorrowland presents Our Story, Terra Solis Dubai, the Tomorrowland Immersive Experience, Ushuaïa Ibiza, as well as never seen before footage from the Tomorrowland Atelier. The amount of work and time, thought process and the teams. The village of people that put this thing together. Everywhere I feel, touch, see… is Tomorrowland. It doesn’t matter if I’m in Brazil or France. And definitely – obviously – in Belgium STEVE AOKI Through powerful and intimate stories from artists (including AFROJACK, Alesso, Alok, Amber Broos, Armin van Buuren, Brina Knauss, Dino Lenny, Hardwell, Indira Paganotto, James Hype, John Newman, Joris Voorn, Kevin de Vries, Kölsch, Konstantin Sibold, Krystal Klear, Laidback Luke, Marlon Hoffstadt, Netsky, Sebastian Ingrosso, Seth Troxler, Steve Aoki, Swedish House Mafia and Tiësto) and the People of Tomorrow, viewers can witness the festival’s magic, from the pulsating energy of the iconic Mainstage to the hidden gems nestled within the festival grounds, while gaining a deeper understanding of the festival’s impact and significance. Tomorrowland presents ‘One Year’ Tracklist INTRO Simao – The Haze (fryhide) ANNA – Future Hearts (feat. Ravid) (Tomorrowland Music) Kölsch – Khenpo (Kompakt) Swedish House Mafia, Niki & The Dove – Lioness (Argy Remix) (SSA Recording) Disfreq – U and I (Diynamic Music) Enrico Sangiuliano – Can U Feel It (NINETOZERO) Upercent feat. Paul Brenning – As It May Seem (microCastle) Dimitri Vangelis & Wyman X Steve Angello – Payback (SIZE) Samm – Does It Matter (Ajna Remix) (Magnifik) Dorian Craft and Baron – Stellar (Rose Avenue Records) Mind Against & Sideral – Colossal (Afterlife) Âme – Asa (Innervisions) Konstantin Sibold x KAF3R – Lost In Space (Drumcode) sevenum six – No One Is Illegal (sevenum six) Sisters Cap – Save My Life (Revealed Records) Macky Gee – Destiny Part II (Tomorrowland Music) VIDO – Calling You (Tomorrowland Music) Kölsch feat. Troels Abrahamsen – All That Matters (Symphony Of Unity Rework) Alesso ft. Matthew Koma – Years (Symphony Of Unity Rework) (Refune) Joris Voorn – Ringo (Symphony Of Unity Rework) (Rejected) Alesso & John Newman – Call Your Name (Symphony Of Unity Rework) (Tomorrowland Music) Anyma, Cassian, Poppy Baskcomb – Save Me (Kölsch Remix) 33 Below & Daniel Allan – CONTEXT (TH3RD BRAIN) Pretty Output, AN21 – Skogen (SIZE) Antdot, Maz, Leticia Fialho – Corpo e Canção (Club Mix) (Dawn Patrol Records) Raffa Guido – Famax (MoBlack Records) Dimitri Vegas, Vin, Zion – Don’t Stop The Music (Smash The House) PARISI – High For This (Parlophone Records) Proxy – Raven (Mathame Remix) (Turbo Recordings) Swedish House Mafia, Alicia Keys – Finally (SSA Recording) ANNA – Future Hearts (feat. Ravid) (Ambient Mix) (Tomorrowland Music) The post Tomorrowland Releases ‘One Year’ Film as an All-Encompassing Aftermovie appeared first on EDMTunes.