Jump to content

News

Stay in the loop with the latest updates, event announcements, and everything happening in the world of dance music — brought to you by RaveLink. 🤖💜
Show all categories

[EDMTunes] Skrillex Leaks & Then Formally Releases New Album

Skrillex takes to Dropbox to drop his whole new album, FUS with over 30 new bangers nicely mixed for a lovely 46-minute playtime. Now, after 14 hours, the whole album is ready for your ears. Sunny is notorious for sending fans mixed signals in odd ways like emails and even has fans figure things out through cryptic messages. In these messages, he closes the gap between artists and fans that is usually filled with marketing and labels. This is one of the many reasons why Skrillex is so loved by his fan base. Now, let’s dive into FUS. 🙂
FUS (F*CK U SKRILLEX YOU THINK UR ANDY WARHOL) Tracklist
FUS brings a vintage Skrillex and dubstep energy consisting of 33 IDs with features from artists like Virtual Riot, Wuki, Space Laces, B-Girl, Swedm, and more. The multi-genre dance music legend has spent 20 years refining his sound of heavy electronic instruments over hard-hitting organic drums. FUS gives the genre of dubstep a whole new meaning. Hear it for yourself below.
SKRILLEX IS DEAD into SPITFIRE (Skrillex, Hawaii Slim) WHILE YOU WERE SLEEPING VIP (Skrillex, Virtual Riot, Nakeesha) SLICKMAN (Skrillex) TEARS LOST DROP (Skrillex, Sleepnet, Joker (UK) THINGS I PROMISED (Joker) RECOVERY (Skrillex, Space Laces) ANDY (Skrillex) SQUISHY CLIP (Skrillex) LOOK AT YOU (Skrillex, Jonsi) GULAB XX (Skrillex, Naisha) MOMENTUM (Skrillex, Zacari, Starrah, ilykimchi) ANIMALS BEAT (Skrillex, Team EZY) MIRCHI TEST (Skrillex, Virtual Riot, Nakeesha) HOLD ON (Skrillex) SEE YOU AGAIN VIP (Skrillex, Swedm, LOAM) MORJA KAIJU VIP (Skrillex) KORABU (Skrillex, B-Girl, PARISI)(Euorhead, Jamesjamesjames, Varg, & Whitearmor) REDLINE DASH (Skrillex) ZEET NOIZE (Skrillex, Boys Noize, Dylan Brady) BOOSTER (Skrillex & Dylan Brady) FRICKY VIP (Skrillex) JUNGUNDRA (Skrillex) DRUIDS (Skrillex & G Jones) BIGGY BAP (Skrillex & Wuki) SAY GOODBYE (Skrillex, NJOMZA, & Swedm) MOSQUITOTOUILLE (Skrillex) BABY ROYAL (Skrillex & Swedm) G2G (Skrillex, Swedm, & Badriia) DNB TING (Skrillex, Majestic) SAN DIEGO VIP (Skrillex) VOLTAGE (Skrillex) AZASU (Skrillex & Swedm) Skrillex’s Recent Headliner Ultra Miami Set
FUS comes the day after Skrillex makes major headlines with his 10-year return set to Ultra Miami’s main stage. The set brought out Skrillex discography icons like Damian Marley, Flow Dan, and more. Also, he dropped many unreleased IDs including his opening track which is a collab between him and the rising artist, Nitepunk.
Skrillex Leaving his label
Recently, in the past 6 months, Skrillex spoke out against the mainstream agenda of this music industry and announced his departure from his label, Atlantic Records. He means no ill will and gives massive credit to his teams that have helped get him where he is today. His main push behind the departure is his inspiration and clear vision of how he wants to go about releasing music to his fans for the foreseeable future. FUS is his final project with Atlantic Records and marks the end of a chapter and the start of another.
The post Skrillex Leaks & Then Formally Releases New Album appeared first on EDMTunes.
Ravebot
Ravebot

[EDM.com] EDM.com Fresh Picks: Know Good, Shallou, LUPO.THEBOY, & More

The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene.
You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here.
EDM.com Fresh Picks
Know Good & Aaron Page - Bag
Shallou - Gone
LUPO.THEBOY
draytone - Turn Around
OSPHOR & Boy Apocalypse - Days Go By (.breezy Remix)
Hidden Face - I wanna tell U
Theobuntu - Our Aside
Janus - Reapers
XOXO - feel my love (feat. Zige)
Ravebot
Ravebot

[EDMTunes] Armin van Buuren Releases 22nd Mix Album: A State of Trance 2025

For well over two decades now, Armin van Buuren’s A State of Trance mix album series has been a staple in dance music land. And much like his globally esteemed radio show itself, the sound of the mix albums evolves with each passing year, reflecting the Dutchman’s explorative nature and the ever-changing scene itself. This year, the mix series walks further down that path to deliver a trifecta of sound, guiding listeners through trance’s full spectrum—from sunlit melodies to peak-time intensity: A State of Trance 2025.
Across its three parts and 43 tracks, the new mix album offers the very best of modern trance, from the sea-side grooves of On The Beach—with tracks from Claptone x Chicane, OTTAGON (Giuseppe Ottaviani) and AVIRA—to the club-driven energy of In The Club at the hands of Andrew Bayer, Ferry Corsten, Richard Durand and Gabry Ponte x Jerome Isma-Ae. With Armin van Buuren and Rob Swire’s show-stopping new collaboration and the official anthem for A State of Trance 2025, the energy reaches full throttle with Who’s Afraid of 138?!, the third mix—a no-holds-barred adrenaline rush spearheaded by Sander van Doorn, Orjan Nilsen x Mark Sixma, Oliver Heldens & Armin van Buuren and Mauro Picotto.
As fans have come to expect and cherish, this year’s mix album is, once again, packed with exclusive tracks, sought-after IDs and brand-new collaborations. It’s the ultimate soundtrack for dance music fans, carrying them from sunrise bliss to afterhours madness, with the sonic signature of Armin van Buuren himself and his celebrated A State of Trance brand.
You can take a listen here below and on alla available streaming platforms.
Stay tuned for more news!
The post Armin van Buuren Releases 22nd Mix Album: A State of Trance 2025 appeared first on EDMTunes.
Ravebot
Ravebot

[EDM.com] Ultra Offered a $425,000 Bottle Service Package at 2025 Festival in Miami

For those who find regular VIP experiences insufficiently exclusive, Miami's Ultra Music Festival offered the opportunity to spend the equivalent of four years at an Ivy League university on beverages consumed in three days.
In what can only be described as the champagne equivalent of a nuclear arsenal, Ultra and TAO Group Hospitality's $425,000 bottle service experience—the aptly named "Fuck You Money" package—proves that some festival-goers prefer their bass drops served with financial devastation.
What does nearly half a million dollars buy at a festival where most attendees are content with $15 beers and good vibes? A champagne armory that would make a crypto bro blush: 200 bottles of Moet & Chandon Nectar Imperial Rosé (the Pharrell Williams Edition, naturally), 100 bottles of Dom Perignon Brut Luminous and 100 Dom Perignon Rosé Luminous. That's 400 bottles of premium champagne—enough to ensure that even the festival's portable toilets will somehow smell vaguely of bergamot and French vineyards.
Ultra returned over the weekend from March 28-30 with sets by Skrillex, Martin Garrix, Zedd, Tiësto, Hardwell and many more of electronic music's biggest names. You can watch their performances here.
Follow Ultra Music Festival:
X: x.com/ultra
Instagram: instagram.com/ultra
TikTok: tiktok.com/@ultra
Facebook: facebook.com/ultra
Ravebot
Ravebot

Skrillex Drops Fourth Studio Album: ‘FUS’

Skrillex has dropped his latest album, F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3.
With a lengthy tracklist to match its lengthy title, the 34-track album arrives today via joint release on Atlantic Records and Skrillex’s recently revived OWSLA label, marking the electronic icon’s fourth studio LP after a two-year wait.
Though each of the tracks on F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3 clocks in at less than three minutes, the album plays out as a cohesive mix, with each of its tunes seamlessly blended over its 46-minute runtime.
Major inclusions on the album include buzzed-about IDs like “SPITFIRE” and “VOLTAGE,” which date back well over a decade, and high-profile link-ups with electronic titans like Joker, Virtual Riot, Space Laces, Boy Noize, G Jones, and more.
After dipping into an array of club-centric styles on his last two albums, Don’t Get Too Close and Quest For Fire, Skrillex’s latest offering sees the world-beating producer return to the aggressive, glitchy styles of brostep and trap he revolutionized 15 years ago. With a title that feels like an FU to the haters, Skrillex again stakes his claim as one of electronic music’s foremost visionaries.
The album release follows a series of audio teasers Skrillex has shared with fans in recent weeks, and will mark his final release with Atlantic before going independent.
Listen to Skrillex’s new album,  F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3, below.

Featured image courtesy: Skrillex.
The post Skrillex Drops Fourth Studio Album: ‘FUS’ appeared first on EDM Maniac.
View the full article
Ravebot
Ravebot

[UKF] Label Spotlight: Feed the Dragon

Hi! Who are you? 
Feed the Dragon! The founding crew is Mengzy, DJ Fu, Hocknell, and Justin Lim but we have a wider family that make up FTD, like our resident photographer Jake Aaron Morton and resident DJs, like MMEE, the producer who made ‘Headtop’, the first release on the label.
What’s your ethos? 
Building community and infrastructure. The bass scene here took off during Covid because the borders were basically shut but we had minimal lockdowns internally. A whole new generation got involved. Feed the Dragon came out from that really exciting period. Post-Covid, we want to harness that momentum – help protect it and build an infrastructure that inspires people to get involved in the culture: DJ, make tunes, art…
Also, we want to rep Asia in a way that feels authentic to people from or with a connection to this part of the world, which is why our visuals nod to the Asian video game culture that we grew up with. That’s also one of the reasons why we’ve got a mascot for our logo. Mascots, especially cute ones, are deeply embedded in Asian visual culture and branding.
Tell us your origin story?
We launched Feed the Dragon in January 2023 and about a year in we floated the idea of starting a label after being inspired by tunes we’d heard from producers in Hong Kong and around the region. Back to the idea of building infrastructure, starting a label felt like a really powerful way for us to walk the walk of our ethos and vision.
Tell us about your local scene… 
We’re based in Hong Kong. Although the scene is small compared to a city like London, there’s a lot of diversity here when it comes to the dance music scene and a lot of amazing, really motivated crews. Just bass-wise, there’s nights like Magnetic Soul, Dark Metaz, Slimefest, Sticky Fried Vibes, S2, Umami, 0159, Yee, and more! 
Another great thing about being based here is being able to connect with bass crews in other Asian cities, like our first international collab which was with Planet Turbo in Seoul. There’s a kind of community vibe on a regional scale when it comes to collaboration and exchange which is sick.
Do you have a specific sound or vibe? 
Our nights span the full bass spectrum from UKG to breaks, 140, dubstep, jungle, drum & bass… and we usually programme things to kick off at around 130 bpm and work their way up throughout the night. With the label, we’re gonna have the same approach with covering a wide range of styles that we vibe with.
Do you have a regular artist roster – who can we see releasing with you?
Since we’re a new label, we don’t have a regular roster yet but we’re really excited about developing MMEE, who produced our first single ‘Headtop’ featuring Killa P. 
With FTD002 we’re bringing in Azumai and Vecsille who are two up and coming Japanese producers. Azumai previously released with Critical and RAM’s sister label ProgRAM, and we’re also buzzing to be working with Vecsille as this is his first official release. 
We’ve had our eye on Vecsille for a while because he’s been making waves in the Tokyo underground where his sets have been smashing it. So, being a part of his journey as his first label means a lot to us!
Tell us about your A&R process…
So far it’s been really organic; working with people we know and who are in our network. We’re keen to work with people in Asia and also the Asian diaspora – so if you’re reading this and that’s you, get in touch!
What makes you different from other labels? 
Ultimately, the genres that we’re passionate about are UK in origin and the music on the label will resonate to bass heads regardless of where they’re listening in the world. What makes us different boils down to our mission and POV of being based in Hong Kong and having a multicultural crew (Chinese, British, Singaporean, Dutch, Malaysian…) that guides our decisions on a DNA-basis.
What does it take to run a bass music label in 2025?
Caffeine, blood, sweat, and tears.
What have you got coming up we should look out for? 
In April, we’re doing the official Hong Kong launch party for Outlook Festival for the third year in a row. And, of course, FTD002 and FTD003 which we’ll be rolling out over the rest of this year!

Ravebot
Ravebot

[Electric-Mode] Ministry of Sound & Lab54 team up on April Fools Stunt paying homage to UK Rave Culture

Club Culture x Pop Up Culture: The legendary nightclub and anti-club party specialists unite, championing the evolution of club culture.
 
On March 19th, London’s legendary Ministry of Sound joined forces with pop-up specialists Lab54 to host a first-of-its-kind secret party—in the women’s toilets. Now, revealing the secret collaboration, Ministry of Sound and Lab54 are announcing the start of an on-going partnership with more pop-ups to come. Kicking off on May 4th, Lab54 will return to the site of the ‘break-in’, minus the bolt cutters, to host the first in a series of Toilet Takeovers.

Late on a mid-week evening, Lab54 and 100 accompanying ravers ‘broke’ into the venue, armed with balaclavas, sound systems, and a trolley load of alcohol, with footage from the event spreading virally across social media and reaching 15 million views so far. Experts in the unconventional, Lab54’s ‘anywhere but a club’ ethos has led founder, Joe Gordon, and the lab-community, to party all around the world, from castles to arcades to bagel shops, hotel rooms to yachts and beyond.
 
Inspired by the enduring spirit of club culture, the inaugural party witnessed the unlikely marriage between the ‘Anywhere but a club’ specialists with one of the UK’s most iconic venues to spark conversations around the ever-evolving nightlife landscape. United in their combined reverence for community, the event paid homage to where Ministry, and rave culture itself, started some 35 years ago.
 
Says Lab54 founder Joe Gordon, “I think the paradigm shift we’re seeing in nightlife at the moment makes it important for clubs like Ministry to work with communities like ours to help reflect this in their offerings to ravers and what better way to do that than going back to their roots and pranking the online rave community!”
 
Since its inception in a disused bus garage in Elephant & Castle, Ministry of Sound has continued to evolve and shape the capital’s nightlife industry, maintaining its revolutionary attitude. Today, the iconic venue continues to pave the way for superclubs to support the modern raver, with accessible £5 tickets, sober raves, and 3 brand-new in-house club nights launched: Smoove, URGE, and Disco Daddy.

Says Ministry Group’s Managing Director Caitlin McAllister, “Club culture has always been about pushing boundaries, and the intersection of pop-up culture with establishments like Ministry of Sound is a reflection of how the industry is evolving. There’s an irony in a pop-up ‘breaking in’ to a club but that’s exactly the point – we need to bring new ideas to our spaces.”
 
Landing on the bank holiday weekend, the first official Ministry x Lab54 Toilet Takeover party will see the club’s loos transformed once more on Sunday 4 May. More details, dates and events to be announced – keep your eyes peeled at; @ministryofsound @lab54_uk
The post Ministry of Sound & Lab54 team up on April Fools Stunt paying homage to UK Rave Culture appeared first on Electric Mode.
Ravebot
Ravebot

[EDM.com] Skrillex Unchained: The Ghost of Dubstep's Past Returns to Rewrite Its Future in New Album

A package arrived on my doorstep one random Monday. Inside was a handwritten note from Skrillex: "Hope you find some time in your busy life to listen to this album from start to finish. ᥫ᭡ Sonny"
Spoiler alert: I made time. And within just a few minutes of listening, it became clear that this was the sound of an artist who has nothing left to prove—but so much more to say.
Born Sonny Moore, the prodigy who erupted from the MySpace ether has spent over a decade shapeshifting—punk screamer, dubstep deity, pop architect—only to return now with the elusive album his ride-or-die fans could only dream of since the seminal Recess back in 2014. His disciplined Quest for Fire and Don't Get Too Close albums of 2023 were drops of water on a desert tongue, and those fans never stopped aching for the return of that vintage, feral Skrillex growl.
But here it is now—reimagined, reborn and roaring back into our cerebellums. Featuring 34 tracks, the album is his Interstellar, a sprawling, cyclical epic that loops back to his roots while spiraling into the stratosphere. It's Skrillex unchained, a cathartic eruption that finally fulfills his Atlantic Records contract after 15 years and opens the floodgates to a future where his music answers to no one but his own restless genius.
Skrillex in late-2024 revealed his plans to go independent after completing his Atlantic deal by virtue of his next body of work, today's release of F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3. "I've never felt more inspired and in lockstep with my intentions as an artist," he said at the time.
The stakes have never been higher. Few artists wield the kind of influence Skrillex does, and fewer still exit major label deals on their own terms. Going independent means full creative control, and if history has taught us anything, it's that Moore thrives when the rules don't apply.
As he cuts the corporate cord, one truth rings even louder than his ageless dubstep: Skrillex hasn't just come home, but redefined what home can be.
Kelly Knisel&sol;EDM&period;com
A time capsule finally cracked open, the album features many long-lost tracks that once lived only in online forums and grainy SoundCloud rips, shaping the instincts of today's biggest DJs when they were still kids, wide-eyed and wired to his sound. These unearthed gems now carry with them a sense of both nostalgia and evolution, proving that the music we wait for doesn't just belong to the past, but also to the future it unknowingly built.
But FUS isn't just a trip down memory lane. If it's a museum tour of past glories at times, it's a mad scientist's lab at others, where Skrillex brews up boundary-pushing bangers with reckless creativity.
He tosses convention into a shredder with Virtual Riot on the anarchic "WHILE YOU WERE SLEEPING VIP," producing snarling synths that gnash through a rabid rhythm. Then comes the stunning "RECOVERY," his long-awaited collaboration with fellow music production savant Space Laces, with whom he takes dubstep to the bleeding edge.
That subversive spirit runs roughshod through the album, like in "GULAB XX." Equal parts seduction and destruction, the track finds Naisha's come-hither vocals mutating into a ferocious drop. Skrillex goes even further with his contrarian approach in the sublime "LOOK AT YOU," a haunting cut with Jónsi where distorted textures envelop you like a sensory deprivation tank—claustrophobic yet transcendent.
Skrillex performing at Miami's Ultra Music Festival on March 29th, 2025.Kelly Knisel&sol;EDM&period;com
Amid the pandemonium, we find moments of tortured beauty. "SAY GOODBYE" features a spellbinding lyrical performance from NJOMZA, whose vaporous voice drifts like mist over Skrillex's hypnotic production before fracturing under the weight of a guttural dubstep drop. It's a duality that defines the album—serenity and savagery, woven together with a virtuosic hand.
That duality blooms fully in "VOLTAGE," a mythic beast of a track that fans have chased like a white whale since its early teases back in 2011. Now officially unleashed, it's a reminder that even in his most tender moments, Skrillex is still electronic music's architect of the collision course between clarity and chaos.
It all points to a legacy somehow still in its infancy for Skrillex, who seems to be just warming up, despite already reshaping the sound of a generation. As he severs ties with the label machine, his next chapter feels less like a leap into the unknown and more like a seasoned producer betting on himself after years of navigating the industry's ups and downs in lockstep with a fan base that's stuck with him through every pivot.
To that end, the album isn't some ethereal farewell, but a loud, practical flex of what Skrillex can do when he's calling the shots. Expect more collabs, more risks and a lot more noise, all straight from the source.
You can listen to F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3 below and find the album on streaming platforms here.
Follow Skrillex:
X: x.com/skrillex
Instagram: instagram.com/skrillex
TikTok: tiktok.com/@skrillex
Facebook: facebook.com/skrillex
Spotify: tinyurl.com/naka2dyv
Ravebot
Ravebot

[EDM.com] Watch Kaskade Keep a Secretive Boat Party Afloat Amid Torrential Miami Downpour

While thunderclouds cracked open above Miami and Ultra Music Festival fell silent due to a flash flooding warning, Kaskade found himself DJing beneath a plastic tarp on the deck of a swaying boat—and made it one of the most unforgettable moments of Miami Music Week.
The multi-Platinum DJ and producer teamed up with Mary Lou's to host a private pop-up party at sea attended by just 150, including members of EDM.com's staff. The intimate event was already one of the week's more sought-after, but it was the ensuing storm that that elevated the affair from exclusive to unforgettable.
As the rain intensified and wind whipped across the deck, crew members and fans quickly threw a tarp over the DJ booth, erecting an impromptu shelter. An unfazed Kaskade leaned into the moment, dropping his 2008 deep house classic "Raining" in a lighthearted nod to the chaos. At one point, he found himself DJing on just one functional CDJ.
The tarp seemingly sagged under the weight of rainwater as fans held it up themselves, transforming the pop-up into a shared memory of what happens when Mother Nature collides with dance music's collective boundless spirit. Somewhere between the thunder and the bassline, the scene turned into folklore.
Watch footage from Kaskade's Sunday boat set below.
View the original article to see embedded media.
View the original article to see embedded media.
View the original article to see embedded media.
Follow Kaskade:
X: x.com/kaskade
Instagram: instagram.com/kaskade
TikTok: tiktok.com/@kaskade
Facebook: facebook.com/kaskade
Spotify: spoti.fi/3fHaUGk
Ravebot
Ravebot

[EDMTunes] Tomorrowland x Insomniac UNITY Adds 6 More Dates

A week ago, the world received a major announcement from Tomorrowland and Insomniac. These two festival titans teased that they have collaborated on a project. Not too long after, we obtained the big news everyone was dying to know.
Tomorrowland and Insomniac are combining their magic to bring a breathtaking show called UNITY to the Las Vegas Sphere. This show will be incorporating music, visuals, and storytelling to take you on a journey through the Tomorrowland worlds of Planaxis, Adscendo, and Orbyz, blending in the vibrant excitement from Insomniac’s universes.
UNITY tickets start at $99 for reserved seating and general admission floor tickets for $279. March 31st, they had their presale for the initial weekend dates, and by no surprise, they sold out immediately. So to give the people what they want, UNITY just announced 6 more dates to attend. You now have an opportunity to attend September 19th, 20th, 26th, and 27th. As well as October 17th and 18th.
The pre-sale for these dates goes live today, April 1st, at 10 pm PT. Get ready to buy your tickets to an immersive EDM experience live never before!

The post Tomorrowland x Insomniac UNITY Adds 6 More Dates appeared first on EDMTunes.
Ravebot
Ravebot

[EDM House Network] Boxing Match Announced Between deadmau5 And James Hype To Settle Feud

This years Ultra Music Festival in Miami gave us a lot of joyful moments, however it wasn’t all smooth sailing as a longstanding feud finally came to a head.
At the end of deadmau5’s set he took a bit of a jab at James Hype saying, “How do I James Hype my way out of this one?” and then randomly scratching the decks followed by him sarcastically saying “real DJing, I’m just saying.” This seemed to be mocking James Hype’s war against pre recorded sets. After that jab James Hype has decided he wants to throw a right hook in return and has challenged deadmau5 to a boxing match.
In an interview after Ultra, Hype said, “I’m going to make sure he lives up to the name of deadmau5 because I’m going to kill him in the ring. Who does this? Only me.” Deadmau5 has accepted the challenge already getting together a team for his training camp so that he can end this feud once and for all. He had his own fighting words saying, “after this fight he’ll just be James because there will be no more hype around him after I knock him out.”
The two legends of DJing haven’t set a date yet, but soon we’ll be seeing them switch from making people sing, to stepping into the ring.
Ravebot
Ravebot

[EDM.com] Tomorrowland and Insomniac Add Six New "UNITY" Shows to Meet Demand at Vegas Sphere

Even in Las Vegas—a city built on spectacle—the demand for Tomorrowland and Insomniac's "UNITY" has exceeded capacity, transforming the event's original three-night debut into the beginning of something bigger.
After a rapid sell-out of its debut dates over Labor Day Weekend, the EDM powerhouses are expanding their collaborative Vegas Sphere event series with six newly announced shows. The immersive "UNITY" experience will now return for encore performances September 19-20, September 26-27 and October 17-18.
"UNITY" marks the first-ever collaboration between Insomniac and Tomorrowland, two of the most influential forces in electronic dance music. The announcement alone sparked a frenzy, with pre-sale tickets evaporating in mere minutes. That momentum has now materialized into three more weekends of shows at the world’s most advanced entertainment venue, which recently hosted its first-ever electronic music residency, Anyma's historic "The End of Genesys."
At its core, "UNITY" is a narrative-driven audiovisual experience. The production fuses iconic visual motifs from Tomorrowland’s dreamlike stages, Planaxis, Adscendo and Orbyz, with Insomniac's whimsical festival properties, including Beyond Wonderland, Escape Halloween and Electric Daisy Carnival. These thematic universes are set to collide by virtue of a cinematic experience inside Sphere, powered by the venue's record-breaking 16K resolution wraparound LED screen. The experience is anchored by an original orchestral-meets-electronic soundtrack that pays tribute to dance music's history.
Presale access for the six new dates opens here on Tuesday, April 1st at 10am PT. The general on-sale begins April 7th.
View the original article to see embedded media.
Follow Tomorrowland:
X: x.com/tomorrowland
TikTok: tiktok.com/@tomorrowland
Instagram: instagram.com/tomorrowland
Facebook: facebook.com/tomorrowland
Follow Insomniac Events:
X: x.com/insomniacevents
TikTok: tiktok.com/@insomniacevents
Instagram: instagram.com/insomniacevents
Facebook: facebook.com/insomniacevents
Ravebot
Ravebot

[EDM.com] Subtronics Announces Release Date of New Album With Cinematic Reveal at Ultra Music Festival

In a moment engineered for maximum impact, Subtronics ended his set on Ultra's iconic Mainstage over the weekend by announcing a new album.
Beneath a canopy of lasers and bone-rattling bass, the dubstep superstar unveiled his next project: Fibonacci Part 1: Oblivion, an eight-track EP that marks the first half of an expansive, two-part concept album.
Slated to release April 4th via his own label, Cyclops Recordings, the EP sees Subtronics returning to his signature high-concept world-building. The project leans into the Fibonacci sequence—a naturally occurring mathematical pattern found in everything from seashells to supernovae—as both a blueprint and thematic anchor. 
The first installment leans heavily into his roots and spans eight tracks, a symbolic nod to the number since it appears in the Fibonacci sequence.
"Part 1 of the EP conveys that all of reality, in its complexity and grandeur, originates from nature and the fundamental laws of the universe," Subtronics said in a press release shared with EDM.com. "It emphasizes the Fibonacci sequence and golden ratio as intrinsic patterns that govern nature... not through divine intervention, but through physics."
Fans can now pre-save Fibonacci Part 1: Oblivion here.
View the original article to see embedded media.
Follow Subtronics:
X: x.com/subtronics
Instagram: instagram.com/subtronics
TikTok: tiktok.com/@subtronics
Facebook: facebook.com/subtronicsofficial
Spotify: tinyurl.com/yupr7jmk
Ravebot
Ravebot

[EDMTunes] Audien & ARTY Team Up on Uplifting Progressive House Anthem ‘One More Thing’

The dance music world is once again celebrating the powerful synergy of Audien and ARTY, as their latest track, ‘One More Thing’ featuring Sara Davis is out now. Long-awaited since the success of 2018’s ‘Never Letting Go’ and 2020’s ‘Craving’, the collaboration serves a reminder that progressive house will last forever. The track is out now via Armada Music.
‘One More Thing’ delivers the signature sounds that fans have come to expect from Audien and ARTY: soaring melodies, meticulously crafted soundscapes, and an undeniable sense of euphoria. Sara Davis’s vocals add a poignant layer to the track, exploring themes of longing and human connection. This emotional depth resonates strongly with listeners, as the lyrics bear the emotional weight of what ifs and moments between lovers slipping away.
The post Audien & ARTY Team Up on Uplifting Progressive House Anthem ‘One More Thing’ appeared first on EDMTunes.
Ravebot
Ravebot

[EDM House Network] WooMooN Reveals Dates And Headliners For 2025 Cova Santa Season

The Ibiza born party WooMooN is returning to the iconic Cova Santa for another season of escapism through sound, art, and immersion in music. Heading into their ninth year they’re looking to raise the bar once again with their new enticing ‘Kinetic’ theme.
WooMooN is a beautiful blend of circus, theatre, and music making it one of the most creative parties in the world. This year it’s back every Friday from May 16th to October 3rd with a whole assortment of amazing new features to create a 360-degree sensory experience. These fantastical additions include a giant 3D spinning lamp, a floating air and mesh fabric installation, a new moving toroidal stage, and immersive mirror art and projections throughout.
To match this incredible theme, they’ve put together a lineup of vibrant and diverse artists such as: Satori, Bora Uzer, Laolu, Viken Arman, Jan Blomqvist, Rampue (Live), Ry X (DJ Set), Oliver Koletzki, Sven Väth, Parallelle, Henrik Schwarz (Live), Deer Jade and more all lined-up. WooMooN is keeping up their great devotion to diversity with a wide range of female artists featured in the lineup who are killing it in the dance scene.
Ibiza is a haven of beautiful settings for the best parties in the world and Cova Santa is no exception. Set near the scenic city of San José and built around an ancient cave it’s a venue which is at one with the nature around it adding to the sense of escapism. The open-air area allows you to dance with a view of the stunning sunset while WooMooN’s ingenious theme lets you see Cova Santa at its best.
Diverse, friendly, immersive, historic. Every element of WooMooN’s residency at Cova Santa is perfectly crafted to create an unforgettable experience for everyone to get lost in.
To get your tickets click the link below:
https://www.covasanta.com/en/events.html: WooMooN Reveals Dates And Headliners For 2025 Cova Santa SeasonYou can follow Cova Santa Ibiza on their Instagram below:
https://www.instagram.com/covasantaibiza/?hl=en: WooMooN Reveals Dates And Headliners For 2025 Cova Santa Season
Ravebot
Ravebot

[EDM House Network] BARKER Unveils New Tech House Heater ‘Space’ Via S&S Sound House

DJ and Producer BARKER continues his sonic evolution with the release of ‘Space,’ a Tech House cut that blends driving basslines, hypnotic rhythms, and compelling textures. Out now via S&S Sound House, this latest release sees BARKER pushing boundaries, delivering a track as expansive as it is high in energy.
BARKER continues to build a reputation for crafting bold, groove-driven productions, aiming to stand out within the Bass House and Tech House scenes with his unique approach and refined production skillset. Based in Chicago, he has gained experience both DJing and in the studio, building his catalogue of work with high-powered music that reflects his journey, background, and creative vision moving forward. With ‘Space,’ he further highlights his evolving signature sound; leaning into pulsing synth work, rolling percussion, and impactful low-end frequencies, he crafts a musical experience that is engaging for listeners whilst once again showcasing his trademark approach and style.
At its core, ‘Space’ is a sonic journey – layered with deep, resonant basslines, dynamic synths, and tension-building breakdowns that lead into powerful drops. The evolving structure keeps listeners locked into the track, balancing high-impact rhythmic details, from heavy beats and crisp percussion, with melodic details where hypnotic leads and punchy synth hits coverage with spoken vocal layers, energetic hooks, and gritty motifs. 
BARKER’s ability to weave together immersive soundscapes with groove-driven momentum is on full display in ‘Space,’ making this track a standout addition to his growing catalogue, one sure to keep his name steadily climbing the list of those to watch out for within Electronic Music.
As BARKER continues to pursue forward-thinking sounds, he keeps bringing fresh music to his listeners, aiming to expand his listenership with each display of creativity, innovation, and skilled artistry. As his journey unfolds with more releases and performances, he remains a force within the genre, so be sure to keep up with him via social media to stay in the know about his upcoming projects.
‘Space’ is out now via S&S Sound House and available to stream and download across all major platforms. 
Listen and Buy ‘Space’ now:  
BARKER Online
Instagram | Spotify    
S&S Sound House Online
Instagram | Beatport
Ravebot
Ravebot

[EDM House Network] Jody Vukas Releases Progressive House Gem ‘Horizon,’ Via Batuque Music

Jody Vukas drops his newest single, ‘Horizon,’ via Batuque Music. Stepping further into the realm of Progressive House, this latest production sees him blending his signature grooves with fresh sonic elements, continuing his exploration of dynamic and immersive soundscapes with a track primed for peak dancefloor moments. 
With a steadily growing presence on the Electronic Music scene, Jody Vukas continues to carve out his own path, building on his momentum as he seeks to make himself known for his creativity, passion, and innovation. His ability to fuse melodic depth with driving energy has earned his music support from genre heavyweights like Dowden and Steve Lawler, and more, seeing him connect with an expanding audience of fans as he continues to grow his catalogue and deliver engaging DJ sets. As he remains committed to evolving his artistry, Jody Vukas upholds consistency in his output, showcasing development and originality each time. Now, striking back with yet more unique music, he offers his listeners ‘Horizon,’ inviting them into the groove as he carves a powerful soundscape, balancing rhythmic energy with melodic nuance.
Driven by a steady pulse and evolving progressions, ‘Horizon’ builds momentum with crisp percussion, atmospheric textures, and a dynamic low-end presence. As the track unfolds, groovy details, a pounding kick, and Latin-inspired rhythms weave together, enhancing the soundscape as intricate synths bring a refreshing edge to the arrangement. With pulsing leads, ambient pads, pulsating basslines, filtered layers and punchy melodic hooks, the track crafts a hypnotising tapestry of sound, resulting in an enthralling sonic experience that captures the essence of Jody Vukas’ creativity and highlights his refined approach towards production and innovation.
As he remains dedicated to pushing the boundaries of his sound, Jody Vukas continues to make an impact, aiming to set himself apart as a unique and influential voice and garner further attention from both genre fans and top industry names alike. So, with an exciting journey still ahead of him, be sure to follow Jody Vukas across social media and stay tuned for what he brings next.
‘Horizon’ is out now via Batuque Music and available to stream and download across platforms.
Listen and Buy ‘Horizon’ Now:   
Jody Vukas Online  
Website | Instagram | Spotify 
Batuque Music Online
Beatport | Instagram | Website
Ravebot
Ravebot

[EDM House Network] MITCH DB Drops Hypertechno Banger ‘One More Time’ With Level 8 & Zora Foxx

MITCH DB returns with ‘One More Time,’ his latest Hypertechno release, alongside Level 8 and Zora Foxx. Out now via Soave Records, this new track reinforces his reputation on the Electronic Music scene for crafting dancefloor-driven anthems, blending energy with sharp production and infectious melodic hooks. Continuing to evolve his sound, MITCH DB captures the sonic intensity that defines his signature style in ‘One More Time,’ offering listeners a track that is both powerful and immersive. 
As he teams up once more with Level 8, having had an array of previous collaborations together, such as their recent single ‘Weight of Your Love,’ alongside James Jay, MITCH DB once again taps into their creative chemistry, crafting a track that showcases their shared musical passion, blending their signature sounds to put forward a cohesive and fresh-sounding release.  
With its atmospheric opening, ‘One More Time’ immediately draws in the listener, setting the stage with emotive vocal melodies and rolling low-end details. As the production builds, crisp synths and pounding rhythms take hold, pushing the track forward with relentless momentum. The high-powered chorus sections pack a powerful punch; crafted with precision, the stuttering leads and pulsating groove are designed to energise, guiding listeners through the mighty soundscape as Zora Foxx’s vocals continue to take the lead, guiding the sonic journey with catchy hooks and motifs. As the track keeps unfolding, layered textures and dynamic transitions add depth to the arrangement, upholding the flow of ‘One More Time’ to ensure its impact across dancefloors and streaming platforms alike.
Now available via Soave Records, ‘One More Time’ is set to make waves across the global Electronic Music community, placing MITCH DB’s creativity and distinct approach front and centre once more. So, be sure to discover its dynamic soundscape today and stay tuned to MITCH DB’s evolving journey via social media. 
Listen and Buy ‘One More Time’ Here:   
MITCH DB Online 
Spotify | Instagram | Website  
Level 8 Online 
Spotify | Instagram | Beatport  
Zora Foxx Online
Beatport | Spotify 
Soave Records Online
Website | Instagram | Beatport
Ravebot
Ravebot

[EDM House Network] Felix Raphael Reveals New Remix Of Mondingo’s ‘Underwater’

Mondingo continues to expand his sonic journey with an exciting Deep House remix of ‘Underwater,’ reimagined by the Producer and Live Artist Felix Raphael. With the original infused with his distinct sound and evocative vocals, Mondingo’s ‘Underwater’ showcases his unique approach ahead of the release of his debut album, ‘Island,’ continuing to build anticipation as he puts forward this next offering. Now, with Felix Raphael’s unique touch, the track evolves into a deeper interpretation, maintaining its emotive essence while introducing new energy and movement.
Releasing his music, including this latest remix, via his newly founded electronic label, MOODSHINE Records, Mondingo has already captivated listeners with his distinctive fusion of organic and electronic sounds. With ‘Underwater’ gaining attention for its intricate production and rich depth, this remix brings a fresh perspective, reinforcing Mondingo’s commitment to creating music that resonates both emotionally and sonically, remaining fresh and forward-thinking in the sounds he puts forward.
An exciting figure in the Melodic House space, Felix Raphael has built a reputation with a sound that blends electronic elements with organic and classical details, earning him collaborations with names like Oliver Koletzki, Ben Boehmer and Tinlicker. Known for his dynamic performances and distinctive productions, his rework of ‘Underwater’ seamlessly extends his artistry, infusing the track with compelling energy while preserving its heartfelt essence.
Felix Raphael reimagines ‘Underwater’ with a masterful balance of depth and energy, blending deep, organic grooves with his signature sound. While preserving the soul of the original, he reshapes it into a hypnotic journey, where warm textures, rolling percussion, melodic synth work, and a driving pulse create a captivating sense of movement. Ethereal yet club-ready, the remix flows effortlessly between melody and rhythm, making it suited for a variety of listening environments; from introspective listening to DJ sets globally, Felix Raphael’s take on ‘Underwater’ will surely hit listeners with its dynamic energy, rich textures, and seamless groove, drawing them deeper into its immersive soundscape. 
A carefully crafted reinterpretation, Felix Raphael’s remix of ‘Underwater’ captures the spirit of the original while pushing it into new sonic territory. As Mondingo continues to lay the sonic groundwork ahead of his forthcoming album ‘Island,’ this latest release adds another dimension to his artistic vision, hinting at the mesmerising sounds listeners can expect next.
Be sure to follow both Felix Raphael and Mondingo across social media to stay updated on upcoming releases, remixes and projects.
‘Underwater (Felix Raphael Remix)’ is out now via MOODSHINE Records and available to stream and download across platforms.
Listen and Buy ‘Underwater (Felix Raphael Remix)’ Here:    
Mondingo Online
Spotify | Instagram | TikTok 
Felix Raphael Online 
Beatport | Instagram | | Spotify
MOODSHINE Records Online 
Beatport | Instagram
Ravebot
Ravebot

[EDM House Network] Alden Song Unleases Tech Anthem ‘Gonna Say Goodbye’

Alden Song returns with his latest Tech House single, ‘Gonna Say Goodbye,’ highlighting his continued evolution as both a Producer and DJ with a high-powered track primed for peak time moments. With a focus on groove-driven rhythms and infectious melodies, this new production showcases Alden Song’s ability to craft immersive dancefloor experiences while incorporating fresh influences into his ever-evolving sound.
Having carved his journey through exciting DJ performances across the USA and notable studio work, Alden Song now channels his experiences into ‘Gonna Say Goodbye.’ Blending polished production techniques with his signature energy, he pushes his creative boundaries with a track that layers precise sound design, rhythmic drive, and catchy vocal textures. Known for his ability to merge modern Tech House with classic House influences, Alden Song continues to hone his sound, capturing both energy and emotion to craft engaging sonic journeys for his listeners and showcase a sonic identity that will draw a global crowd.
Opening with an electrifying synth line, quickly building its pulsating groove with energetic basslines, pounding kicks, and shuffled percussion, ‘Gonna Say Goodbye’ steadily evolves as punchy leads and an infectious vocal hook join the mix. Then, maintaining a dynamic balance between intense rhythms and melodic depth, rolling beats and hypnotic textures weave together, creating the evolving soundscape that defines ‘Gonna Say Goodbye.’ Designed to ignite dancefloors while resonating beyond the club setting, with its upbeat synths, immersive vocal lines, and elevating sonic layers, the track reflects Alden Song’s growing artistic vision and refined production approach, underscoring his talent for balancing forward-thinking sounds with his captivating signature style.
With ‘Gonna Say Goodbye,’ Alden Song continues to push forward, demonstrating his ability to innovate while staying true to the essence of his sound. As he embraces fresh creative opportunities, having recently relocated from NYC to LA, he sets his sights on the next chapter of his career, bringing this new release to expand his reach and reinforce himself as a talent to be watching. 
Out now and available to stream and download across platforms, dive into Alden Song’s ‘Gonna Say Goodbye’ today and be sure to stay up to date with his latest projects and performances by following him on social media.
Listen and Buy ‘Gonna Say Goodbye’ here:   
Follow Alden Song:
Instagram | Spotify | Soundcloud
Ravebot
Ravebot

[EDM House Network] AIGEL Releases New Tatar Album ‘Killer Qız’

The electronic duo AIGEL reveals the release of their sixth studio album, ‘Killer Qız’, marking a key milestone in their creative journey. The album’s focus track will be ‘Barsı Da Bezdä’.
This is the second album by the group recorded entirely in Tatar, exploring themes of loss and rediscovery, death and rebirth, the complexity of human nature, and trust in faith.
At the heart of ‘Killer Qız’ is a bold narrative: a DJ killer dances until the death of a high-ranking official, then escapes the country with her boyfriend. Figures from Russian society—ranging from “couch troops” to “Rospotrebnadzor employees”—watch their departure, while the “major, the doorman, and the war correspondent” desperately try to cling to the wing of their departing plane. But, as the lyrics declare, “no matter what they do, no one will take them along.” With the speed increasing, the pilot at the controls “plays hardcore.”
Despite the audacious and vibrant energy of some tracks, the album remains deeply personal and introspective. One particularly haunting moment comes in a track where vocalist Aigel Gaisina’s voice is absent; instead, a child’s voice slowly transitions from speaking Tatar to German in real time, capturing the poignant experience of linguistic assimilation. The album concludes with Aigel herself reciting in German, reflecting on the meaning of home—whether it is where one is born or where one is laid to rest.
A surprise addition to the album is a dance track in English, originally written for a short film by renowned clown Vyacheslav Polunin. This nearly wordless song carries the refrain that “life is a comedy,” offering a moment of lightness amidst the album’s weighty themes.
“Since February 2022, we faced a long creative pause—nothing was written, and all words seemed to lose their meaning,” says Aigel. “For three years, we slowly finished pre-war demos and pieced ourselves back together. Emigration intensified the metaphor of searching for new words. Now, Ilya and I live in different countries—Berlin, with its harsh, stylish, and free atmosphere, and rural Montenegro, with its sunny and gentle calm. This contrast has seeped into our music. After a long stagnation, the first language that emerged for me was Tatar—it was like a system reset, returning to my default language.”
One of the last-minute additions to the album, ‘Assimilation’, is a near-documentary-style track in which children gradually shift from resisting emigration to fully integrating into a new culture, replacing their native Tatar words with German. The track opens with sounds from the Berlin subway, and only after completion did Aigel realize that the announcer’s voice declares, “the train is heading towards Ruhleben”—a district in Berlin that translates to “peaceful life.” This unintended coincidence perfectly encapsulates the song’s theme.
Ilya Baramiya shares his perspective on the album’s production: “I liked how Baauer described his album Planet’s Mad—drawing from ’90s dance music, inspired by Fatboy Slim, Daft Punk, and The Chemical Brothers. These artists didn’t stick to strict genres but focused on creating a unique atmosphere. We’ve taken a similar approach here, incorporating a broader range of influences—from K-pop to hard bass. There’s almost no hip-hop in this album.”
AIGEL, the duo of Tatar poetess and vocalist Aigel Gaisina and St. Petersburg electronic musician Ilya Baramiya, is known for their sharp lyrics and innovative sound in Russian, Tatar, and English. Their hit song Tatarin has amassed over 140 million views on YouTube, while their track You Born won a Silver Lion at the Cannes Lions festival. In 2023, their Tatar-language song Pıyala made history by topping the charts in over 10 countries and reaching the Billboard TikTok chart.
Since 2022, AIGEL has openly spoken against Russia’s invasion of Ukraine. Their performances in Russia were banned, leading them to leave the country—Aigel now resides in Berlin, while Ilya lives in Montenegro.
To celebrate the release of ‘Killer Qız’, AIGEL will embark on a concert tour. Tour dates and ticket information can be found on their official website: aigel.band.
Ravebot
Ravebot

Important Information

We have placed cookies on your device to help make this website better. You can adjust your cookie settings, otherwise we'll assume you're okay to continue.