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Celebrate The Birthday Of Tiesto With His Top 10 Tracks!

If you haven’t been living under a rock for the past 20 years as an EDM fan, you most certainly have come across dutch icon Tiesto. Constantly being at the forefront of electronic music and always changing up his style to fit the latest trends, it’s no surprise that Tiesto has had such a lengthy and successful career. Tiesto is certain to become an EDM legend if he is not all ready known as one. As Tiesto celebrates his 56th birthday we take a look at his top 10 singles.
10. Red Lights – 330m Spotify streams
9. Thank You (Not So Bad) with Dimitri Vegas & Like Mike x W&W – 384m Spotify streams
8. Wasted with Matthew Koma – 418m Spotify streams
7. Ritual with Jonas Blue & Rita Ora – 449m Spotify streams
6. Lay Low – 499m Spotify streams
5. 10:35 with Tate McRae – 647m Spotify streams
4. Don’t Be Shy with Karol G – 739m Spotify streams
3. Jackie Chan with Dzeko – 900m Spotify streams
2. The Motto with Ava Max – 901m Spotify streams
1. The Business – 1.2b Spotify streams
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Practice Makes Pointless: Suno AI CEO Claims Most People "Don't Enjoy" Making Music

Mikey Shulman, co-founder and CEO of the generative AI music platform Suno, is facing backlash after claiming in an interview that most people find the music creation process "not really enjoyable."
Speaking on the venture capital industry podcast The Twenty Minute VC (20VC), Shulman painted a rather bleak picture of music production, suggesting that learning an instrument or mastering software is too much of a hassle for the average person.
"It's not really enjoyable to make music now," he told host Harry Stebbings. "It takes a lot of time, it takes a lot of practice, you need to get really good at an instrument or really good at a piece of production software."
"I think the majority of people don’t enjoy the majority of the time they spend making music," Shulman added.
Suno's AI-powered platform allows users to produce songs simply by entering text prompts. Its CEO's vision of democratizing music creation through artificial intelligence represents a growing tension in the music industry: the struggle between traditional, skill-based artistry and AI-powered instant gratification.
"If you want to impact the way a billion people experience music, you have to build something for a billion people," he declared, apparently dismissing centuries of human musical tradition as too cumbersome for the masses.
The tech exec's claims seem perfectly timed to justify the AI-powered framework of Suno amid mounting legal troubles. Suno is currently battling a pair of landmark lawsuits containing explosive copyright infringement allegations from the Recording Industry Association of America (RIAA), which claims the company used copyrighted recordings without permission to train its AI models. The trade body is reportedly seeking damages of up to $150,000 for each copyrighted work
While he defended Suno's technology as "transformative" on 20VC, many in the music industry are bemoaning his comments for bastardizing the value of musical craftsmanship.
"It's very revealing," one X user wrote in response. "The solutionist language just doesn't make sense for art, or for other things where the work is the enjoyment, but the tech companies seem stuck in their story."
You can watch the full interview below.
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The Prodigy Announce First Stateside Show in SF Since 2017

The Prodigy are set to takeover Coachella Valley once more, bringing their live show to the desert festival. Following their Weekend One performance, the band will descend upon San Francisco for their only confirmed North American show outside of Coachella.
This highly anticipated performance at The Warfield marks a momentous occasion, signifying The Prodigy’s first stateside solo show since 2017. With 34 years of pioneering the electronic music landscape, The Prodigy remains an undeniable force, their legacy solidified despite the tragic loss of their brother, Keith Flint, in 2019.
Since their return to the stage in July 2022, the band has consistently delivered electrifying live performances, headlining major festivals such as Reading & Leeds, Isle of Wight, and numerous others. They have also embarked on successful UK and European arena tours, captivating audiences with their signature blend of aggressive energy and innovative sound.
As they prepare for their 2025 festival season, The Prodigy continues to push creative boundaries, currently hard at work in the studio crafting new music to follow up their critically acclaimed album, No Tourists. This album further cemented their impressive streak of seven consecutive UK No. 1 albums.
Don’t miss this opportunity to witness their unparalleled live show. Tickets for the San Francisco performance at The Warfield go on sale Wednesday, January 22, 2025, at 10 am PT.
The post The Prodigy Announce First Stateside Show in SF Since 2017 appeared first on EDMTunes.
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Massane & LeyeT – ‘Tug of War’

Imagine a world where music is just a form of entertainment, a portal to another dimension where emotions are laid bare and souls connect on deeper level. That is the world that Massane and LeyeT invite you to explore with their latest collaboration, ‘Tug of War.’ As you listen to the haunting melodies and poignant lyrics, you will find yourself caught in a battle between light and darkness, love and loss, hope and despair.
Massane, the French producer known for his ethereal soundscapes and emotive beats, joins forces with LeyeT, the Los Angeles-based singer-songwriter with a voice that can pierce through the toughest of hearts. Together, they craft a sonic masterpiece that transcends genres and touches the very core of human emotion. ‘Tug of War’ is not just a song; it is an experience, a journey through the depths of the soul.
About Massane
Massane is a French music producer, guitarist, and live act known for his melodic house music inspired by a wide range of genres. His debut EP, Visage 1 (No Return), was released in 2020 on Lane 8’s This Never Happened label. Massane has since released two studio albums, Another Dawn (2021) and By the River (2023)
About Leyet
LeyeT is an alternative pop singer based in Los Angeles, California. She debuted on Monstercat as the featured vocalist on the song Bomb by Bishu, which was released on October 4, 2017.

The post Massane & LeyeT – ‘Tug of War’ appeared first on EDMTunes.
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[Interview] Pulse Events CEO Luffy Huang Talks Upcoming Spring Festival, Asian Inspired Dance Music, EDC Korea, and More

In just two weeks, Pulse Events returns with its third annual Spring Festival: Lunar New Year Celebration. With this year being the year of the snake, it was fitting to have DJ Snake to close out day 3, with ILLENIUM and DJ Diesel also making headlining appearances. Other acts adding to the festivities include, JVNA, yetep, Space Laces, Audien, and many more. The stacked 3 day festival takes place at Avant Gardner on 1/30 -2/1 and will no doubt be the best way to party and celebrate the Lunar New Year that weekend in the tristate area.
The man behind Spring Festival is none other than Luffy Huang who is the CEO of Pulse Events. Since establishing Pulse Events in 2015 as the first Asian-led entertainment company in the United States, Luffy’s mission has been to foster diversity, unity, and togetherness through the power of music. Throughout his career, Luffy has been instrumental in diversifying the dance music landscape in North America, while promoting asian culture through high-profile events. His recent accomplishments include developing Krazy Super Concert, one of America’s premier K-pop music festival brands, and bringing the first ever S2O Festival to New York City which is regarded as the biggest water festival in the world. Under his leadership, Pulse Events will also be producing EDC Korea in Incheon on April 25-26. On top of these large scale events, Pulse Events has hosted over 70 industry-leading electronic music artists such as Martin Garrix, Marshmello, SLANDER, Afrojack, Gryffin, KSHMR, Kill The Noise, Like Mike, Seven Lions, Vini Vici, Yellow Claw, and more.
We had the opportunity to sit down with Luffy ahead of Spring Festival to get the rundown on the planning behind the festival, asian inspired dance music, EDC Korea, and more.
First off, thanks for chatting with us. This year’s lineup looks amazing and it seems like each edition of Spring Festival just gets better and better.  Can you share any changes/improvements that we can expect this year from the previous?
This is our third annual Spring Festival and it is definitely our biggest one yet. We are expanding from two days to three days this year at Avant Gardner‘s Great Hall and we’ve booked massive headliners including ILLENIUM, Diesel and DJ Snake. Our night market is back and will be even more immersive, and lion dance performances will again showcase the Lunar New Year culture. New this year is an art installation that will be a cool photo op for fans – an LED lion. We are also introducing unique merch including Pulse Events branded lion head beanie hats that fans can wear at the show and throughout the two weeks that we celebrate Lunar New Year.
Lunar New Year is a significant cultural event for many Asian communities, symbolizing family reunion and new beginnings. How do you believe dance music events such as Spring Festival can contribute to a deeper understanding of Asian culture and traditions?
Dance music is a universal language and our headliners this year are popular not only among Asian fans, but fans around the world including in the US. Like our past two Spring Festival editions, we are excited to welcome fans who are not only from New York City’s Asian community, but who are of all backgrounds who love to see top talent perform. From the moment that attendees step into Spring Festival, they will be walking through the night market and witness lion dance performances. This will be integrated with Lunar New Year-inspired decorations at the Great Hall. Fans will be able to dance together to their favorite DJs while being introduced to or becoming more connected to cultural traditions through music. We will be one big family celebrating Spring Festival.
Balancing tradition and innovation is crucial in today’s evolving cultural landscape. How does Pulse Events strike a balance between preserving the core elements of Lunar New Year and incorporating fresh, innovative ideas, particularly within the realm of electronic music?
First and foremost, we make sure that the artists we book are aligned with our mission to highlight Lunar New Year. As you can see in our event flyers, the most prominent thing is the cultural elements and this year, drawing attention to the Year of the Snake. This year, we were very lucky to have our wish come true, to be able to book DJ Snake to close out the three-day event. It will be the most fitting and perfect ending.
The choice of headliners is essential in shaping the overall experience of a music festival. How do you ensure that the selected headliners align with the cultural themes and spirit of Lunar New Year, resonating with the diverse audience?
I aim to book artists who are popular in Asia as well as in the US. These artists such as DJ Snake, our day three headliner, play in Asia often and draws huge crowds. Secondly, I try to book artists who are of Asian background. For example, direct support for ILLENIUM on day one will be Taiwanese-American DJ JVNA. Also many of our local support DJs are Asian and known in the community, and help us spread the word about our unique Lunar New Year celebration. 
What is Pulse Events’ long-term vision for promoting cultural diversity and inclusion through electronic music events? How do you plan to continue fostering a sense of community and shared experience while celebrating Asian culture?
Our long-term vision is that through holding events with renowned DJs and infusing Asian culture into the production elements, we will help people recognize what a huge part of Asian culture dance music has become, and give them a taste of what it’s like to experience shows in Asia. Our mission has become not only to bring the east to the west as we have with Spring Festival and other events like S2O New York, but we are now bringing the west to the east as I am heading up EDC Korea’s return this year to Incheon.
What inspired you to create Spring Festival and how does it feel producing the event for a third year in a row?
Spring festival, or Lunar New Year, is the biggest celebration of the year in Asian culture. That is why it is the first event I brought to New York City. I feel very fortunate to be producing it for the third straight year at the world-class venue that is Avant Gardner. I feel blessed that it has grown to be three days and that we have booked amazing talent all around for this year.
What are some of the most rewarding moments and challenges from the first three iterations of Spring Festival?
One of the most rewarding moments of the past two iterations of Spring Festival was being able to book SLANDER last year. They are a favorite among our Pulse Events fans and it was a massive success for us. One of the challenges was bringing the vision of the night market and decorations to come to life and expand on it. The first Spring Festival, we only had the decorations and it was a good start, but last year we were able to bring in the night market and the lion dancers and I’m very proud that it went from a challenge to rewarding to see that grow from my vision.
How has Pulse Events evolved since the first Spring Festival and what were the most exciting moments?
Spring Festival started as a two-day event in 2023 that just had New Year-themed decorations at Great Hall. Last year, we activated a night market, which allowed fans to partake in some of the traditions that happen during this special time of the year. For me, the exciting moments were when the lion dancers performed right before the headliners. I felt that fans realize that our event is different from any other show with the same artists and really set us apart.
Where do you see the future of Asian inspired dance music events heading this year?
I see a bright future for Asian-inspired dance music events this year. As I said earlier, Pulse Events is dedicated now not only to bringing the east to the west, but the west to the east. One of my main focuses right now is producing EDC Korea, which is returning for the first time in years. EDC Las Vegas is the biggest electronic music festival in the US and the brand will make a huge mark in South Korea this year. I am so excited for Korean fans to experience the magic that is Electric Daisy Carnival.
How did you approach curating the artist lineup for Spring Festival?
I think about who the hot acts are at the moment and how they would fit into the world of Spring Festival. I also listen to feedback from fans and see who they are desiring to watch. I also put a lot of thought into the support lineup for the event. Many of the many of them are locals who are of Asian background and one of my biggest goals in Spring Festival and all my events is to boost people in our community.
What is the best reaction you’ve seen from a fan at your show?
The most heartwarming reactions from fans I’ve seen are at the Spring Festival night market. It allows them to understand the Lunar New Year culture and I love seeing fans take pictures with their friends at the photo booth. We also have a makeup and Kandi making station coming this year. It’s great to see fans receive positive energy from our show and start the New Year this way.
What events can we expect to see from you and Pulse Events in 2025?
The biggest one is going to be EDC Korea in April. We are working very hard on that and I cannot wait to share the special elements and lineup that are going to make it an epic comeback to the country. We are also going to be bringing back S2O for the second annual edition at the Brooklyn Mirage and are thrilled to do so after a highly successful first edition last year.
What are some highlights attendees can expect to see at this year’s Spring Festival?
ILLENIUM’s performance will be a big moment for Pulse Events and our fans. It is the first time that we have booked ILLENIUM and he is one of the most popular artists among our fans so we are so excited to bring him. He is also a huge supporter of the Asian community and knows he has many Asian fans so it’s going to be very special and memorable.
Spring Festival 2023 photo credits: ChrisLavado Spring Festival 2023 photo credits: ChrisLavado Spring Festival 2023 photo credits: ChrisLavado
The post [Interview] Pulse Events CEO Luffy Huang Talks Upcoming Spring Festival, Asian Inspired Dance Music, EDC Korea, and More appeared first on EDMTunes.
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Insomniac Is Hosting LA Fire Benefit Shows to Support Fire Victims

The fires that have engulfed the Greater Los Angeles Metropolitan Area and surrounding regions for the past week have caused deaths, injuries, and evacuations of over 200,000 residents. Additionally, tens of thousands of properties suffered destructive, economic impact for the Greater LA Metro Area, in particular the Palisades and Altadena areas, with predicted estimates of damage costs going up to $250–275 billion. Los Angeles for many decades has received global recognition for being the world’s leading entertainment hotspot, especially when it comes to the dance/electronic music industry. One beloved world-famous promoter in the dance music industry, Insomniac, is going to host their LA Fire Benefit shows to support the victims of the catastrophic fires.
The LA Fire Benefit shows of Insomniac give back to the impacted residents
The LA Fire Benefit shows that Insomniac are going to host will take place at various entertainment hotspots of Los Angeles. These popular dance/electronic music hotspots are Exchange LA, Avalon Hollywood, and Academy LA. Additionally, venues in San Diego will also host the shows, with the two venues being Nova SD and Bloom SD. 100% of the net proceeds from all of the participating shows will go toward the significantly impacted residents. Shown below is the poster for the LA Fire Benefit shows of Insomniac, which include notable headliners such as Oliver Heldens, SLANDER, NGHTMRE, Deorro, DJ Pauly D, and Imanbek who are giving their time to support this great cause.
The post Insomniac Is Hosting LA Fire Benefit Shows to Support Fire Victims appeared first on EDMTunes.
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China Weighs Sale of TikTok US to Elon Musk as a Possible Option

As reported by Bloomberg, Chinese officials are evaluating a potential option involving Elon Musk acquiring TikTok’s US operations. This is of course if the company fails to fend off a controversial ban. Beijing officials strongly prefer that TikTok remains under the ownership of parent ByteDance Ltd., and the company is contesting the impending ban with an appeal to the US Supreme Court.
However, the justices signaled during arguments on Jan. 10 that they are likely to uphold the law. Senior Chinese officials had already begun to debate contingency plans for TikTok as part of an expansive discussion on how to work with Donald Trump’s administration, one of which involves Musk. With more than 170 million users in the US, TikTok could bolster X’s efforts to attract advertisers. Musk also founded a separate artificial intelligence company, xAI, that could benefit from the huge amounts of data generated from TikTok.
TikTok’s US operations could be valued at around $40 billion to $50 billion, Bloomberg Intelligence analysts Mandeep Singh and Damian Reimertz estimated last year. That’s a substantial sum even for the world’s richest person. It’s not clear how Musk could pull off such a transaction, whether it would require the sale of other holdings, or whether the US government would approve. He paid $44 billion for Twitter in 2022.
There have also been rumors that Mr.Beast and some billionaires are interested in purchasing TikTok.

The post China Weighs Sale of TikTok US to Elon Musk as a Possible Option appeared first on EDMTunes.
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Oliver Smith & Tailor Release Uplifting ‘Rely On Me’

Now here’s some music to cheer each other up! London-based DJ and producer Oliver Smith brings out a top tier spiritual experience. Alongside Tailor, they released ‘Rely On Me’ via Anjunabeats. The track takes you on a heartwarming journey of inspiration and comfort. Let’s checkout this lovely piece of heaven!
‘Rely on Me’
The song focuses on storytelling and offering yourself for someone you love to rely on you through thick and thin. It feels extra special to hear this lyrics whenever it’s scary to trust people in the face of uncertainty. Moreover, the story flows through a wide array of beautiful melodies and a relaxed tempo that explodes in an inspiring chorus, filled with joy and hope. This is his first 2025 release, following the success of his previous EP 4U, co-produced with Andrew Bayer. A month later, the duo released an extended version called Be Kind Rewind, to make all the sensations last even longer for us.
Tailor, also known as robrobrob for his solo projects, offers his celestial vocals to complete the track, and set the emotions properly. The singer has also produced tracks under Lane 8’s This Never Happened, and Tale of Us’ Afterlife. Now, adding Anjunabeats to his repertoir, 2025 sure does look great for the artist.
Oliver Smith
The DJ and producer is the only artist to be featured in all 16 “Anjunabeats Volumes”, besides label bosses Above & Beyond. Moreover, he consistently receives support from Armin van Buuren, MixMag, Eric Prydz, and Paul van Dyk. His most popular tracks include ‘Lovingly’, ‘Warehouse’, and ‘Be Alone’.
Furthermore, his sounds have taken him to headline massive events such as Tomorrowland, EDC LAs Vegas, and Creamfields. Up next, the DJ heads up north to headline shows in Seattle and Vancouver.
When it feels scary out there, don’t lose hope, you can ‘Rely On Me’.
The post Oliver Smith & Tailor Release Uplifting ‘Rely On Me’ appeared first on EDMTunes.
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The Prodigy announces first live solo performance in North America since 2017

The Prodigy are set to tear up Coachella festival once again, as Liam Howlett and Maxim bring a new wave of fire along with drummer Leo Crabtree and guitarist Rob Holliday. 
Following their Coachella Weekend One performance, they will bring their electrifying live show to The Warfield for their only confirmed North American performance beyond the festival. The Warfield show also marks The Prodigy’s first stateside solo show since 2017 – it’s not to be missed! 
With 34 years at the forefront of the electronic music scene, The Prodigy remains an unstoppable force, even after the tragic loss of their brother, Keith Flint, in 2019. Since their return to the stage in July 2022, the band has delivered their signature explosive live performances across headline slots at festivals including Reading & Leeds, Isle of Wight, and many more, as well as their own UK & European headline arena tours. As they prepare for their 2025 festival run, The Prodigy are also hard at work in the studio, crafting new material to follow up their critically acclaimed album ‘No Tourists,’ which solidified their record-breaking streak of seven consecutive UK No. 1 albums, dating back to 1997’s ‘Music For The Jilted Generation.’
Located at The Warfield Theatre, at 982 Market Street, San Francisco, CA, Tickets go on sale Wednesday, January 22
The post The Prodigy announces first live solo performance in North America since 2017 appeared first on Decoded Magazine.
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Boiler Room Acquired by Superstruct Entertainment as DICE Refocuses Strategy

European live music powerhouse Superstruct Entertainment has reportedly acquired Boiler Room, the iconic electronic music livestream platform, from UK-based ticketing company DICE.
The move signals a shift in DICE’s strategic priorities and a new chapter for Boiler Room under Superstruct’s expansive festival and live music umbrella.
DICE originally acquired Boiler Room in 2021 after a $122 million funding round and has since secured over $200 million. News of the ticketing company's divestment from the brand comes in the wake of a Bloomberg newsletter that claimed its valuation could reach "hundreds of millions of dollars."
Boiler Room, which has streamed events across 120 markets and amassed over a billion views online, will reportedly maintain its leadership team and distinct identity under Superstruct.
"As we turn 15 and enter our next stage of growth, we’re excited to be partnering with Superstruct for this chapter," Boiler Room founder Blaise Bellville said. "We feel in good company with their roster of brands, they offer us new opportunities to grow, whilst understanding the importance of staying true to the authenticity that, at its core, is what makes Boiler Room special."
For Superstruct, the acquisition follows its own buyout by private-equity giant KKR in a €1.3 billion deal last year. The deal underscores the company's ambitions to expand its influence in electronic music culture by leveraging Boiler Room's community-driven ethos.
"We are proud to welcome the talented team at Boiler Room, who have managed to consistently grow the platform over the last 15 years whilst maintaining a distinct cultural approach," added Superstruct CEO Roderik Schlösser. "This partnership perfectly aligns with Superstruct’s mission to celebrate and amplify cultures through creativity, collaboration, and live entertainment. Boiler Room is in the best position it has ever been and we are excited to support them in their promising future ahead."
Follow Boiler Room:
X: x.com/boilerroomtv
Instagram: instagram.com/boilerroomtv
TikTok: tiktok.com/@boilerroomtv
Facebook: facebook.com/boilerroom.tv
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Anyma Gives Rare Interview to Push Back on Nepotism Allegations

In a rare and revealing interview with Variety, Matteo Milleri—known as Anyma—offered deep insights into his creative process, the groundbreaking Sphere residency, and what lies ahead for his project. Blending technology with music, Anyma’s work transcends traditional music performances, creating fully immersive, multi-sensory experiences.
Speaking just a week before the debut of his End of Genesys residency at Las Vegas’ Sphere, Milleri shared his meticulous creative process. From his minimalist Los Angeles home, he revealed running around 20 VR visuals tests with his team, perfecting elements like robotic cello arms and a quantum computer replica. “The final piece is called Human Now, and basically Eva”—the AI character at the center of Anyma’s performances—“is going to turn human to close the circle. But will it work? Is she human?” he mused.
A Visionary Experience
Anyma’s performances are renowned for their immersive quality, blending state-of-the-art visuals with melodic techno soundscapes. Collaborating with visual artists and utilizing technologies like virtual reality (VR) and extended reality (XR), Milleri creates multisensory experiences that blur the lines between the physical and digital realms. “I started this project basically to explore possibilities beyond what’s physical. But I never had in mind to have it be dissociative, like in a VR. It was more about extended reality,” he says.
The residency, initially scheduled for six nights, was extended to eight due to high demand, with six of the eight shows selling out within 24 hours. Over 130,000 tickets have been sold, underscoring the significant interest in Anyma’s innovative approach to live electronic music.
Fan-captured clips of the Sphere shows dominated social media over the holidays, amplifying the residency’s impact. The performances marked the culmination of Milleri’s Genesys era, powered by two albums released since 2023. A third album is planned to close this chapter, with new concepts on quantum computing and multiverses—introduced to Milleri by Grimes—already influencing his next steps. “This arrived to a point of saturation,” he admitted. “When ideas get recycled, I’m the first to think, what’s next? I want to move forward. But I want to give it a very glorified ending.”
The Anyma project began in 2021 as a personal exploration, with Milleri initially self-funding his work. Overcoming skepticism and financial challenges, he released Genesys in 2023 and grew his platform through viral remixes and global shows. Yet, the Sphere represented a culmination of his efforts. “This is the pivotal moment,” he reflected. “It goes further than what you expect sometimes.”
Despite his success, Milleri addressed misconceptions about his rise, particularly criticism suggesting nepotism. One of the reasons Milleri agreed to an interview was to set the record straight. “People don’t know the story of me. I think it happens with a lot of big artists, like they popped up out of nowhere,” he says. “But actually, no, it’s four or five years of grinding, and for me 15 years. I have not stumbled into this. It’s all been focusing to one pivotal moment, which I think for me now is this. It goes further than what you expect sometimes.”
Every dollar earned has gone back into his art, he explained, noting that even a concert film of the Sphere residency would have to be self-funded. People have been quick to claim that Milleri’s success comes from his father who this year became CEO of eyewear company EssilorLuxottica, has been funneling money into his project. “The guy got his dad to pay for all his projects.’ Blah blah blah. Like, look, I don’t know if that’s what you want to be saying around because you’re just going to be telling some kid he has a dream that he can’t do it because he’s broke, because you don’t know what happened here but this is what I do. I think I do it at a very high level and dedicated my life to it.”
Technological Integration
The Las Vegas Sphere, known for its advanced technological capabilities, provides an ideal setting for Anyma’s performances. The venue features a 160,000-square-foot LED screen that delivers a fully immersive viewing experience, complemented by a state-of-the-art sound system. This infrastructure allows Anyma to bring his concepts to life in ways that were previously not possible, creating an environment where technology and art coexist seamlessly. The residency presented a “cybernetic opera” divided into four acts—Genesys, Humana, End of Genesys, and Quantum. These acts explore the integration of human and machine, set against stunning visuals and live performances with collaborators such as FKA Twigs, Grimes, and Ellie Goulding.
Genesys III
Anyma’s is set to close the Genesys chapter with a third album, Genesys III. A culmination of years of actualizing imagination. Will Eva become human?
The post Anyma Gives Rare Interview to Push Back on Nepotism Allegations appeared first on EDMTunes.
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"World's Iciest Festival": Here's What Igloofest's 2025 Artists Say You Should Pack

In Montréal, they don't just survive winter—they dance through it at Igloofest.
Dubbed "the world’s iciest festival," Igloofest officially returns today and runs through February 8th. Zeds Dead, Michael Bibi, Claptone, Apashe, Tape B, Adriatique and Swedish House Mafia's Steve Angello are set to perform, among many other top-tier electronic acts.
Dubbed "the world's iciest festival," Igloofest transforms the Old Port of Montréal into a glimmering, glacial dancefloor under the stars. Since its inception back in 2007, the festival has grown from a small-scale winter gathering to one of the city's premier electronic music events, drawing tens of thousands to its icy embrace each year.
The festival's charm lies in its unique blend of music and community, its ticket-holders bundling up in chic parkas and neon snowsuits while raving the night away, mittens to to the sky. It's survival gear with style.
Igloofest isn't just about braving the cold—it's a dance-off with winter itself. So we caught up with a handful of this year's DJs and performers to share their packing essentials.
IMANU
c/o Press
Item: Merino Wool Gloved Scarf
Bon Entendeur
Manu Fauque
Item: AirPods
Claptone
c/o Press
Items: Golden Mask, Carrot
Princess Superstar
c/o Press
Items: Gold Faux Fur Lined Ski Suit, Hand Warmers, Wool Socks, Warm Underwear
Awwful
c/o Press
Items: Bubblegum Pink Sunglasses, Backup USB
Regularfantasy
Evan Buggle
Item: Snowsuit
Follow Igloofest Montréal:
X: x.com/igloofest_mtl
Instagram: instagram.com/igloofest_mtl
Facebook: facebook.com/igloofest
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Quicche Unveils “Red Eyes” on R&S Records: A Journey into Ambient Electronic Sound

Quicche unveils “Red Eyes,” the latest indietronica release and third single from his forthcoming debut album, “Frisia.” The single continues to heighten anticipation for his album, showcasing Quicche’s signature fusion of electronic textures and indie-driven melodies. With its dynamic soundscape and innovative production, “Red Eyes” offers a compelling preview into the sonic richness and artistic vision that listeners can expect from this evolving project.
Breaking away from the album’s folk-inspired roots, “Red Eyes” emerges as a dynamic reinvention infused with danceable garage rock influences. Grünhäuser, the creative force behind the track, crafted the song during a month-long retreat in Northern Germany. Immersed in self-imposed isolation with limited equipment and minimal human contact, he delved deep into the vast potential of his musical soundscape, pushing the boundaries of his creative expression.

Quicche’s sound is a rich tapestry woven from experimental indie, folktronica, shoegaze, and ambient music. “Red Eyes” amplifies these eclectic influences, elevated by masterful production that highlights his artistry. The track fluently balances tender vocals with a detailed electronic edge, whilst featuring traditional production and live instrumentation that results in a captivating sonic experience.

Quicche Comments “Lyrically, Red Eyes is a direct challenge to anyone who has a bad influence on you. Writing the text felt very liberating, as if it had opened a valve that had been under pressure for a long time.”

As listeners anticipate this next release, Quicche’s previous two singles on the legendary Belgian imprint have already set a compelling tone for his debut album. With “Frisia” on the summer horizon, Quicche is already ascending to new heights, solidifying his place as a seasoned and visionary artist that stands out from the masses.
Quicche’s “Red Eyes” is set for release on R&S Records on February 14, 2025, and will be available on all major digital platforms.
Quicche – “Red Eyes”
Pre Order: https://fanlink.tv/red_eyes

Find Out More & Follow
Quicche | Instagram | Spotify
R&S Records Website | Soundcloud | Bandcamp | X
The post Quicche Unveils “Red Eyes” on R&S Records: A Journey into Ambient Electronic Sound appeared first on Electric Mode.
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SLANDER and NGHTMRE Unite for LA Wildfire Relief Concert

In response to the devastating wildfires impacting Los Angeles, SLANDER, NGHTMRE, and the Gud Vibrations label are joining forces for a charity showcase concert at Avalon Hollywood. Scheduled for January 24th, will feature both artists in a high-energy performance with all proceeds going to Red Cross LA and local LA fire departments to support wildfire relief efforts. This show will help in many ways by raising funds for those in need and being a much-needed positive reinforcement after the weeks the city has endured. To no surprise, the event is already sold out.
SLANDER and NGHTMRE’s collaboration: a promised good time
SLANDER and NGHTMRE have long been known for their collaborations, both on stage and in the studio. The partnership has resulted in several successful releases. One is the hit ‘Gud Vibrations,’ which became a mainstay in the festival circuit. In addition, their shared love for high-energy performances and fusing bass music with emotional melodies has earned them a loyal fanbase. Also, their synergy in creating memorable and positive experiences for their fans will make this event a night to remember. If catching this duo live this year is on your bucket list, don’t give up yet. They have a b2b set on the STARBASE festival lineup. You can check out the info and tickets here.
Wildfires Devastating LA
The recent wildfires in Los Angeles have left many communities devastated. Thousands are displaced and ther is significant damage to homes and businesses. Altogether, the fires have prompted a massive response from local authorities and the community, with relief efforts ramping up to support those affected. This benefit concert is a powerful example of the LA music community coming together to help in times of crisis.
Donation and resource links:
Info: shelters, Immediate support, and Housing Donate: Salvation Army in Support of LA wildfire Donate: LA Strong (The City of Los Angeles) Direct Donations: GoFundMe Local donate locations: LA Fire Department The post SLANDER and NGHTMRE Unite for LA Wildfire Relief Concert appeared first on EDMTunes.
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Deep Grooves and Virtual Reality: A Conversation with Nicky Genesis

From vinyl-spinning at underground raves to pioneering virtual reality performances, Las Vegas-based DJ and producer Nicky Genesis has spent over 15 years crafting her unique blend of soulful, groovy house music. In this intimate conversation, she shares her journey through electronic music, discusses how she keeps classic tracks alive for modern dance floors, and reveals her vision for the future of virtual reality in live music experiences.
Your sound blends deep, groovy house with soulful elements. As a Las Vegas-based artist, how has the city’s dynamic nightlife scene influenced your musical evolution, and what drew you to electronic music initially?
I grew up infatuated with music and collected as much as I could. I loved so many genres; Rock, funk, folk, pop, metal, rap, R&B, reggae, and then ventured into electronic music. My intro to electronic dance music was when I entered the rave scene in the early 2000s. That’s when I bought turn tables and taught myself how to spin vinyl and DJ all the music that I loved so much. Raves were still very much an underground scene but I loved the raw energy, the universal connection and collective consciousness through the frequencies. I knew I found my calling. Being such a music enthusiast I knew through DJing, I could share my emotions, create an experience to share with like minded people through the music. so I’ve been collecting music, perfecting my craft, and performing all around the world ever since. Living in Las Vegas has been great to be in a place that offers such a wide variety of music and artists performing constantly. Pretty much all genres of musical performances are available to experience here and I love it. I am grateful to be able to take advantage of being able to see so many great musicians that perform here.
You’ve mentioned finding inspiration in classic tracks like Elvis’s “Jailhouse Rock” How do you approach reimagining these timeless pieces for modern dance floors while maintaining their essence?
I really love the idea of keeping oldies alive by infusing them into modern versions. Honoring the original while giving it a new twist. A majority of the younger generations don’t really know artists like Elvis or have really listened to his music. So by infusing samples and recording covers of classic songs and remixing them to create new tracks people will want to listen to again and dance to. It breathes a new life by inspiring new music as time goes on.  
With 15+ years of experience playing clubs and festivals worldwide, what’s been your most memorable festival experience, and how does that influence your approach to creating immersive experiences in the virtual space?
I have played countless sets over the years and have had so many incredible experiences. It’s always when the energy exchange between the DJ and the people is palpable. It’s really feeling that connection with each other. This set at Joshua Tree Music festival truly does stand out in my mind because of the amazing energy I felt there. Joshua Tree holds a special place in my heart. The energy portals are real. That night, I truly felt a unity with all the people there. It felt like everyone entered my spaceship and I was taking us all on a ride together. People got up dancing like crazy on the platforms all around me. The place was jumping and swinging. It was an absolute vibe. I live for energy like that. I will always remember that night and smile. The even greater part is, now I can relive it in VR thanks to PulseJet!  
Your recent collaboration with PulseJet brings virtual reality into the electronic music space. How do you see VR technology shaping the future of live electronic music Performances?
I really enjoyed collaborating with Pulse Jet. Being able to film a musical experience and then go back to watch it again in a virtual space was really amazing for me personally. It definitely opens up the possibilities of how we can experience entertainment and relive our favorite live performances and precious memories. As the technology continues to advance, we may be able to experience a live event in HD VR in real time with impeccable precision. I don’t believe it can replace the experience of being up close in real life and feeling the live energy. However,  being able to experience an incredible mind blowing set from your favorite artist live, and then to be able to go back and watch it again in your VR goggles and be teleported right back I think is pretty rad. 
Your recent Instagram post beautifully described music as a universal force that connects people on an “astral plane”; Could you elaborate on how this philosophy shapes your approach to production and performance?
Music is composed of frequencies and vibrations. Our bodies and minds also operate with frequencies and vibrations. When we listen to music, it resonates within our minds, bodies and souls. We can feel it inside us, even when words can’t describe the feeling. People can bond as if to be teleporting to another dimension when we are experiencing music together. Even if we don’t speak the same language we can love the same music, dance to it, smile to it, cry to it, and relate to each other. It’s powerful and healing on a spiritual level.  
Having released music on labels like Glo, Sony, Simplify, Nightbass, Confession, how has your production style evolved since your first release in 2011?
The world of music production is constantly evolving. New tools, new techniques. It’s unique for each producer to develop their own personal method that works for them. A lot of EDM producers use the same platform (Ableton) to produce, yet each of us does it a little bit differently. That’s the key to molding your signature sound and skills. I have learned so much over the years and am still learning as I continue to grow as a producer. Discovering new tricks, techniques, customizing sounds and effects. It’s always evolving. 
Your VJ sets create a unique visual experience alongside your music. What inspired you to incorporate visual elements into your performances, and how do you curate visuals that complement your sound?
I love creating an audio and visual experience with the sets. Incorporating a visual element really transcends the experience to tell a story. I love using sacred geometry and beautiful images in motion to elevate the energy of the music. I am creating my vault of custom visuals to play at my shows to bring a unique performance with every set.    
The influence of disco is evident in your groovy productions. Which disco era artists or tracks have most profoundly impacted your sound?
If there’s one thing about me is that I love funky, groovy music. Disco and Soul encapsulates an energy that is joyful, energizing and positive. To dance out your troubles and worries and be fully present with the music. On the dance floor we are all equal, safe and loved. I am very inspired by early Rock and Roll from the 50s, 60s, 70s. Soul, and rock & roll musicians like Little Richard, the “architect of Rock & Roll”! Instruments and organic elements spark a pure and organic energy in my spirit and I want to project that in my music. 
As both a DJ and producer, how do you balance creating music for home listening versus crafting tracks that will work on large festival systems?
The music I listen to at home is very different from the music I get into when I’m prepping for a performance set. When I’m at home I mostly listen to trip hop, downtempo, instrumental hip hop, or ambient melodic deep house, or really any wide variety of music depending on my mood. I can have it playing and enjoy it kinda subconsciously while still going about my daily tasks or work. It soothes my mind. On the other hand when I’m in my studio producing music to play at a club or festival, I go for the most intriguing, stimulating, “stop what you’re doing and dance right now” energy that I can. When I’m playing a club or festival set, my intention is to make you dance, sing, rock out, express yourself, and be fully present with the music and let it move you. 
Looking ahead, what new directions or experimental sounds are you excited to explore in your upcoming releases?
I have a lot of new music I’m working on. I have found a fun pocket of funky dancefloor bangers that are soulful and energetic. That has been the style of music I’ve been releasing lately and I’m loving it. It’s interesting for me because there are days I’ll want to make completely different music. Different genres, different styles than what I play at shows. I don’t feel that limiting your creativity is healthy for an artist. It’s important to express your art however you want without limitations. In the next upcoming years I am looking forward to exploring new depths of my creativity and releasing music that explores deeper layers of my artistic expression.
Connect with Nicky Genesis
Instagram @ Nicky Genesis 
Youtube: https://www.youtube.com/@nickygenesismusic
Facebook: https://www.facebook.com/nickygenesismusic/
TikTok: @nickygenesis
Joshua Tree Festival set: https://www.soundcloud.com/nickygenesis/joshua-tree-festival-set
Nicky Genesis · Joshua Tree Music Festival SetCheck out PulseJet
PulseJet on Meta: https://www.meta.com/en-gb/experiences/pulsejet/8962379510498367/
PulseJet on the Apple Store: https://apps.apple.com/us/app/pulsejet/id6504533651
PulseJet Website: https://www.pulsejetstudios.com/


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INSOMNIA Announce Alesso, Alok, KSHMR, Ben Nicky & More For 2025 Edition

On Saturday, March 22, 2025, TradeX in British Columbia will host INSOMNIA 2025, one of the most anticipated music festivals of the year.
The festival boasts a stellar lineup, featuring some of the biggest names in electronic music. Headlining the event are Alesso, Alok, KSHMR, Ben Nicky, and Cosmic Gate, who that certainly promise to deliver show-stopping performances. Adding to the excitement is the debut of the ALL NEW Basszone Stage, where fans will experience high-energy sets by Rooler and Lil Texas for the first time ever.
INSOMNIA 2025 is designed to be an inclusive event, welcoming music fans of all ages to join in the celebration. For adult guests seeking an elevated experience, an exclusive 19+ VIP option will be available, offering premium perks throughout the night. To make attending even more convenient, shuttle services will run from Vancouver, Burnaby, and Richmond, ensuring hassle-free transportation to and from the venue.
Tickets for INSOMNIA 2025 have gone on sale and you can purchase them here.
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GALA Festival Celebrates 10th Anniversary With World Tour

For years GALA Festival has taken to Peckham Rye Park in South London to deliver a community-oriented event full of house music that honours the originators of club culture. Now for their 10th anniversary they’re taking this event around the world to bring this amazing experience to even more people.
The tour will be starting in the festivals home country of England with the first show being in Newcastle followed by another UK gig in Bristol a couple weeks after. The UK shows will have some homegrown DJs including DJ EZ, Pearson Sound and Manami. From there GALA Festival will be spreading its wings as it travels to Tokyo, Lisbon, New York, Chicago, Sao Paulo, Berlin, Amsterdam, and then finally wraps up the tour in Melbourne with each show fielding local talent. 10 years of GALA, 10 cities around the world, 10 nights of intoxicating dance music while collaborating with the likes of Rainbow Disco Club, Gop Tun, Refuge Worldwide, Rush Hour, and Crown Ruler.
With more announcements to come on the lineups for the shows abroad there is plenty to look forward to in this exciting expansion from GALA Festival as they widen their network.
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The Weeknd Cancels Rose Bowl Show Due to Fires

These past few weeks in Los Angeles have been difficult for many, especially for some of our favorite musical artists. In a heartfelt message to his fans, The Weeknd has announced on Instagram the cancellation of his highly anticipated Rose Bowl show. Set to be in Los Angeles on January 25, 2025. This is due to the devastating fires currently affecting the region. Out of deep respect and concern for the people of Los Angeles County, he decided to cancel the performance and postpone his upcoming album’s release.
Shifting focus to support and recovery
The Weeknd, who has long considered Los Angeles a source of profound inspiration in his career, expresses his thoughts and well-wishes for everyone impacted by the fires. In his statement, he emphasized that his focus remains on supporting the recovery efforts. The singer’s words echoed a sense of responsibility to his community. Showing care for the well-being of the people of Los Angeles over his scheduled performances.
Postponed Album Release
In addition to the Rose Bowl concert cancellation, The Weeknd pushed back the release date of his upcoming album. Originally slated for release on January 25, the album will now be released on January 31, 2025. The artist’s decision to delay the release was made to ensure that his efforts to support the affected communities remain his top priority during this difficult time.

Fans are expressing understanding and support for the artist’s decision, with many appreciating his focus on community and recovery in light of such a tragedy. Others have said they are disappointed because they were looking forward to the one positive thing on their schedule outside the grueling fires.
Many events in Los Angeles are on the chopping block amidst the wildfires that currently still burning. Even parts of The Grammys are in talks to be postponed or canceled.
Donation and resource links:
Info: shelters, Immediate support, and Housing Donate: Salvation Army in Support of LA wildfire Donate: LA Strong (The City of Los Angeles) Direct Donations: GoFundMe Local donate locations: LA Fire Department The post The Weeknd Cancels Rose Bowl Show Due to Fires appeared first on EDMTunes.
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Supporting Wildfire Relief: Insomniac Hosts 16 Charity Shows in SoCal

Insomniac is stepping up to support wildfire victims and first responders with 16 special charity shows over the next two weekends. The events will take place at Academy LA, Avalon Hollywood, Exchange LA, NOVA SD, and BLOOM SD.
What makes this effort even more incredible? 100% of net proceeds will be donated to charities focused on rebuilding and recovery efforts.
A huge shoutout to the artists making it all happen! Performers like Slander, NGHTMRE, Flosstradamus, Oliver Heldens, Svdden Death, Emo Nite, Deorro, and more have generously volunteered their time and talent to make a difference.
Let’s come together, dance, and give back. For tickets and info, visit Insomniac’s website.
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Dancing Astronaut presents the most-anticipated IDs of 2025

It’s officially time to turn the page from Dancing Astronaut‘s end-of-year content from 2024 to 2025. Countless releases from the previous year deserved to be amongst Dancing Astronaut‘s Top 100 Tracks of 2024, and only one reason prevented them from earning that designation: they’re still unreleased. As we formally enter the new year, we are back to present our list of the most-anticipated IDs of 2025.
Selected IDs — aside from one — qualify either by having been played live relatively recently or the artist(s) provided a recent update about it. This list is sorted in alphabetical order (by artist).
_________________________________________________________________________________________
Alesso, Sick Individuals & Sentinel – Upside Down (slide 1)

Anyma & RÜFÜS DU SOL – You Make Me
Note: It was included in every Sphere set and Anyma confirmed Genesys III (via Variety) is coming. All we can do at this point is hope it’s on there.

Anyma & Y do I – The End Of Genesys (slide 1)

Boris Brejcha – 16 Red Even

Charlotte de Witte – ID (slide 11)

Chris Lake – In My Head / On & On
Note: Chris Lake confirmed in a recent stream that several IDs — including these two — would be released in 2025 on “one big project.”


Cirez D – Aperture

Dom Dolla – Dreamin’

Ekowraith & Wavedash – ID
Note: Porter Robinson apparently confirmed in a recent stream that it would be released this year.

Eli Brown & HNTR – ID

GENESI & MEDUZA – Freak

Gorgon City – 5AM at Bagleys (slide 11)
Note: Out January 24.

Henri & Jem Cooke – ID (slide 3)

HI-LO & Kasablanca – ID

ID6 on Lane 8’s Winter 2024 Mixtape
Note: No artist is confirmed yet

ILLENIUM & Hayla – In My Arms

ILLENIUM & WYLDE – Ur Alive

ISOxo & Skrillex – It’s So Good To Be Alive

John Summit & CLOVES – Focus
Note: Out January 17

Kamino – Supersonic

Knock2 – crank the bass, play the musik
Note: Out January 17 on Knock2’s album


Lane 8 & Sultan + Shepard’s Proper Intro ID
Note: No artist is confirmed yet.

Layton Giordani, Linney & Sarah de Warren – Act Of God
Note: It’s confirmed to be coming soon on Experts Only.


Lilly Palmer & Maddix – We Don’t Care

Martin Garrix, Alesso, and Shaun Farrugia – Inside Our Hearts
Note: It has not been played live since March 2024 and there has been no public update about it since. Is that stopping us from including it anyway? No.

Matisse & Sadko (and Martin Garrix?) – Gold Skies ID

Max Styler – Seismic ID (slide 1)
Note: It’s at the 59-minute mark of the set upload.

PAWSA – Bang Bang

Rebūke & Linska – Choose Life

SCRIPT & JV – Flex My Ice
Note: It’s confirmed to be coming soon on Experts Only.

Seven Lions, Jason Ross & HALIENE – Battle Scars

Sultan + Shepard & Rinzen – Proper ID (slide 10)

Swedish House Mafia – Tomorrowland ID
Note: There are currently two versions, including one that is believed to be an Axwell remode.

Third ≡ Party – Human

Westend – Drum Death

Featured image: Sphere Las Vegas
The post Dancing Astronaut presents the most-anticipated IDs of 2025 appeared first on Dancing Astronaut.
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Duke Dumont Announces Fire Relief Fundraiser

Los Angeles has been absolutely devastated by the wildfires which have destroyed many people’s homes and have left them in a dire situation. Thousands have already offered support through donations and now Duke Dumont is adding to that effort with a fire relief fundraiser.
On January 19th he will be heading to the Sound Nightclub in LA to perform and 100% of the ticketing proceeds will be going towards local fire relief efforts. These proceeds will help those affected by the fire by going towards recovery, cleanup, reopening schools, and implementing measures to help prevent something like this happening again.
Support has been coming from all around the world, from all different industries and it’s reassuring to see that music can also assist in bringing this tragedy to an end.
Duke Dumont Fire Relief Fundraiser Tickets:
https://dice.fm/event/k6357q-duke-dumont-fire-relief-fundraiser-19th-jan-sound-nightclub-los-angeles-tickets
LA Fire Department Foundation:
https://supportlafd.kindful.com/?campaign=1040812

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