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Interscope to Revive Lost Highway Records

Photo Credit: Jake Gear and Robert Knotts by Matt Paskert
Interscope Geffen A&M partners with the iconic Nashville-based Lost Highway Records for a bold new era.
Country label Lost Highway Records is making a return, thanks to Interscope Records, as Interscope CEO John Janick calls on Nashville veterans Robert Knotts and Jake Gear to man the helm. Both will serve as executive vice presidents and co-heads of Lost Highway.
Founded 25 years ago by former UMG Nashville CEO Luke Lewis, Lost Highway famously worked with artists like Willie Nelson, Kacey Musgraves, Ryan Adams, Elvis Costello, and Lucinda Williams. Lost Highway also released the fan favorite O Brother, Where Art Thou soundtrack, which went 8x platinum and remains as one of only four movie soundtracks to win the Grammy for Album of the Year. After Lewis stepped down in 2012, Lost Highway was absorbed into Mercury Nashville.
“Lost Highway carved out a special place in the remarkable musical legacy of Nashville,” said Janick. “It was a left of center label with one-of-a-kind artists who, at their core, were great songwriters and moved culture. Similarly, Interscope has always been a beacon to artists who don’t fit into a box yet are destined to inspire what comes next. With this new chapter in Lost Highway’s history, we are devoted to empowering the next generation of trailblazers, both artists and executives.”
The new Lost Highway will be based out of Nashville, but will operate under the Interscope umbrella — the latest in the trend of coastal label presence in Nashville.
Former UMG Nashville CEO Cindy Mabe announced a Lost Highway revival back in January alongside T-Bone Burnett, before the label released Ringo Starr’s country album, Looking Up. Burnett will work with the label on several projects, Interscope said, including a 25th anniversary edition of the O Brother, Where Art Thou soundtrack.
Robert Knotts is coming to Lost Highway from indie Nashville music company 30 Tigers, and most recently served as senior vice president of artist and label services at the label. Jake Gear is coming to Lost Highway from sister company UMG Nashville, where he served as vice president of A&R.
“Over the course of my career, my goal has always been to operate in service to the artist’s vision while understanding the emotional connection to their art,” said Knotts. “It is with this same spirit that Lost Highway left a lasting impact on the Nashville community — providing a home for artists who aren’t defined by genre and recognizing that the artist’s vision ultimately shapes culture itself. I am honored to carry that approach forward alongside one of my closest friends, Jake Gear.”
“Lost Highway has a rich history,” added Gear. “Many of these releases and artists were formative in developing my own appreciation of the craft of songwriting. The label was a pioneer in taste, representing an ethos of artistry first, an openness to taking creative risks and shining a light on artists who drifted on the fringes of the major label defined ‘mainstream.’ Together with my friend Robert, and with the backing of John Janick and Interscope, I look forward to curating the roster.”
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Shaq — AKA ‘DJ Diesel’ — Brings His ‘Bass All-Stars’ Festival to Phoenix

Photo Credit: Aftershock
Aftershock has announced a new live concert event with Shaquille O’Neal aka DJ Diesel. Shaq is bringing his Bass All-Stars show to the Rawhide Event Center in Chandler, Arizona.
The event kicks off on August 16, with Shaq’s Bass All-Stars delivering an anticipated onslaught of dubstep, house, trap, and hip-hop across the line-up. The line-up so far includes DJ Diesel, Ghastly presents GHENGAR, Jykl & Hyde, RZRKT B2B CELO, and a special guest still to be announced.
A DJ competition will be held for those bass DJs with the fortitude to share the stage with DJ Diesel for an opening slot on the main stage. That competition kicks off on May 9 at Sunbar in Tempe, Arizona. DJs can upload their SoundCloud or MixCloud demo set and find out how to enter here. A portion of proceeds from the competition will benefit Childhelp, a national organization dedicated to eradicating child abuse and neglect.
Tickets for the event went on sale April 11. General Admission 2-pack tickets are available starting at $37.50 per ticket before fees. Single GA tickets are available starting at $59 before fees. VIP tickets are also available starting at $169 a ticket before fees. All details, ticket types, table requests, and extras are available online at the Relentless Beats website. Shaq’s Bass All-Stars is an 18+ event.
Shaq has taken his DJ Diesel persona on the road with the Bass All-Stars brand across the United States. Some of his recent performances include a festival in Dallas at the Panther Island Pavilion in November 2024 featuring NGHTMRE, Eptic, and others.
He also appeared at The Midway in San Francisco in December 2024, with a line-up that featured TroyBoi, LAYZ, and Vastive. Shaq also played the Red Rocks Amphitheatre in Colorado in October 2024 with a line-up featuring Riot Ten, Habstrakt, and others.
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How To Get Free Tickets and Exclusive Backstage Access at 1001 Festival Riyadh

1001 Festival just raised the stakes with free tickets for ladies and backstage perks for the elevated raver. This time, it’s beyond world-class music—it’s about access. Real, rare access on April 24-25. Whether you’re dancing in the crowd or standing behind the DJ, 1001 festival in Riyadh is giving fans two very different ways to get in.
Free Tickets for 1001 Festival Riyadh
For the first time this year, 1001 Festival is offering free General Admission tickets to women. No catch—just complete the quick sign-up process. Register for both NOFOMO and Saudi Rewards, then wait for MDLBEAST to validate your entry. Once confirmed, your ticket will arrive closer to the event. But read this carefully: men who try to use a free ladies’ ticket will be denied entry at the door. This free offer applies to GA only—not for VIB or VVIB passes. Still, for fans who want to experience 1001 Festival without paying a riyal, this offer hits the sweet spot.
1001 VVIB: Two Days, Backstage Access
On the other end of the spectrum, there’s VVIB—the most exclusive experience at the festival. For SAR 5,249, you gain full backstage access behind the DJ booth, becoming part of the energy that fuels the night. This is the highest tier pass for fans who want to live the festival, not just attend it. The VVIB ticket includes elevated walkways, VIB viewing platforms, and access to all stages. You’ll also receive complimentary parking, and SAR 300 wallet credit to spend on food, drinks, or official 1001 merchandise.
A Lineup Built for Dancefloor Devotion
This year’s 1001 Festival lineup delivers a potent mix of global icons and genre trailblazers. DJ Snake leads the bill, joined by Artbat, Eric Prydz, R3HAB, and Mochakk, each bringing their distinct sonic identities. Techno fans can dive into deep sets by Dixon, Seth Troxler, Marco Carola, and Innellae. If you lean toward deep house, expect hypnotic grooves from Francis Mercier, Hot Since 82, and MoBlack. There are 60+ artists on the lineup, across multiple stages.
Whether you’re in General Admission or behind the booth, every tier offers a front-row seat to electronic excellence. Don’t wait too long. Register for your free ticket or lock in your VVIB pass now for 1001 Festival. The journey begins in Riyadh this April 24-25.
The post How To Get Free Tickets and Exclusive Backstage Access at 1001 Festival Riyadh appeared first on EDMNOMAD.
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Judas Priest & Alice Cooper Unite for a Seriously Heavy Fall Tour

Photo Credit: Live Nation
Judas Priest and Alice Cooper are uniting for a co-headlining tour across North America. The 22-city run of the legendary heavy metal acts starts in Mississippi with stops in Toronto, Phoenix, Los Angeles, and more.
Produced by Live Nation, the tour kicks off on September 16 in Biloxi before wrapping on October 26 in Texas. Coming off the second leg of their Invisible Shield Tour and the release of their 19th studio album, Judas Priest remains a dominant force in metal. Meanwhile, Alice Cooper, the godfather of theatrical rock, wraps up his ‘Too Close for Comfort’ tour this summer, promoting his recent Road album. Corrosion of Conformity will join as a supporting act on select dates.
Alice Cooper is widely recognized as the godfather of shock rock, combining horror theatrics with classic hard rock anthems. Meanwhile, Judas Priest, hailing from Birmingham, England, have been at the forefront of the heavy metal scene for over 50 years.
Tickets for the upcoming tour will be available starting Wednesday, April 16 at 10 am local time through artist pre-sales. Additional pre-sales will run throughout the week ahead of the general on-sale date beginning April 18th at 10 am on LiveNation.com.
Judas Priest & Alice Cooper — Co-Headlining Tour Dates
September
16 | Mississippi Coast Coliseum — Biloxi, MS 18 | Ameris Bank Amphitheatre* — Alpharetta, GA 20 | PNC Music Pavilion — Charlotte, NC 21 | FirstBank Amphitheater — Franklin, TN 24 | Veterans United Home Loans Amphitheater — Virginia Beach, VA 26 | PNC Bank Arts Center — Holmdel, NJ 27 | Broadview Stage at SPAC — Saratoga Springs, NY 29 | Budweiser Stage — Toronto, ON October
01 | The Pavilion at Star Lake — Burgettstown, PA 02 | Pine Knob Music Theatre — Clarkston, MI 04 | Riverbend Music Center — Cincinnati, OH 05 | Credit Union 1 Amphitheatre — Tinley Park, IL 10 | Broadmoor World Arena — Colorado Springs, CO 12 | Utah First Credit Union Amphitheatre — Salt Lake City, UT 14 | Shoreline Amphitheatre — Mountain View, CA 15 | Toyota Amphitheatre — Wheatland, CA 18 | North Island Credit Union Amphitheatre — Chula Vista, CA 19 | Kia Forum — Los Angeles, CA 22 | Talking Stick Resort Amphitheatre — Phoenix, AZ 23 | Isleta Amphitheater — Albuquerque, NM 25 | Germania Insurance Amphitheater — Austin, TX 26 | The Cynthia Woods Mitchell Pavilion — Houston, TX View the full article
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SOUNDBOKS 4 Is the Modern Day Boombox

These days pretty much everybody has a portable Bluetooth speaker of some kind, so the party is never too far away. However, there’s a huge variety in the speakers available. In recent years, we’ve seen the growth of these speakers to also accommodate DJ equipment, while also being loud and punchy enough to make a real party anywhere you go. One well-known brand that has expanded into this category is JBL with its Partybox line of speakers. However, it has seen strong competition from a newer name in the market. We were lucky enough to get a Soundboks 4 speaker to test out, and we absolutely loved it. The company also has a smaller and more portable Soundboks Go, which is about half the size of the full-sized model.
Soundboks is a Danish audio company renowned for its high-performance, portable Bluetooth speakers built for extreme loudness and durability. Founded around 2015 by three young friends in Denmark (Jesper Thiel Thomsen, Christofer Nyvold, and Hjalte Emilio Wieth), the company originated from their desire to create a speaker powerful and rugged enough for the Roskilde Festival. After a successful Kickstarter campaign for their initial model, Soundboks officially launched, focusing on battery-powered speakers that deliver concert-level volume. Their main products include the flagship SOUNDBOKS speaker (currently in its 4th generation) and the smaller, more compact SOUNDBOKS Go, both emphasizing powerful sound, long battery life, and robust design ideal for parties and outdoor events.
Right before Miami Music Week, we were sent a Soundboks 4 to test out, which is the latest version of the large party speaker. We put it through its paces during pregames and then we also purchased the must-have Backpack accessory to take the speaker into the wild for some portable partying. Here are our impressions!
What We Like
When the speaker arrives, you can discern the quality right away from the packaging alone. The packaging is smartly designed and very secure. It’s not too heavy and the speaker itself is absolutely gorgeous. It is simply looking but serious, so you know it’s designed to get the job done without extra gimmicks.
The Sound is incredible! It’s loud and punchy, with plenty of rumble to rock whatever space you happen to be in. This speaker is not only solid for indoor pregames and parties, but we also brought it to South Beach and plopped it in the sand for an impromptu beach party, and the speaker worked like a charm. This speaker quite literally allows you to bring a concert-like party experience anywhere you go.
The setup requires you to use the speaker’s app, but is relatively straightforward. From there everything is pretty smooth, and the speaker has cool options to link up with other speakers using the Team Up feature.
The battery is quite interesting. It’s a small, removable battery that packs a lot of juice. The speaker is rated for 40 hours of use, blowing away the JBL Partybox 310 I have. The nice thing is that the speaker is charged with a USB-C cable, so you don’t need to lug around a proprietary plug to use this one. The only weird thing is that the way the battery is set up, you can only use the speaker while charging if you use the official Soundboks charger (sold separately) or a USB-C PD compliant charger capable of supplying 65W (that’s like a laptop charger). So there’s a good chance that your out of the box setup would not allow you to charge and play at the same time. Don’t let the battery get too low before heading out.
The speaker is truly portable, so that means it’s also splashproof. You don’t want to submerge it, but it can withstand splashes, rain, etc. The speaker can be transported using an extra cost Backpack. It costs approx $150, but for a $1000 speaker that’s a drop in the bucket. With this accessory you can take it anywhere and bring the party with you. Other speakers use wheels, but those wheels won’t work well in sand. This speaker is a great beach toy that will instantly make you the king of the beach.
Of course, this is a serious speaker in addition to a Bluetooth one. It can plug and play with your DJ peripherals and can be manually connected to another speaker using a cable.
What We Don’t Love
As discussed above, the battery situation is partly good but partly confusing. You will have to think ahead and make another purchase (of either a spare battery or a particular charger) in order to play the speaker when the juice has run out. If you don’t plan ahead you might be stuck letting the battery charge before you can play again. However, this gives you the opportunity for hot-swapping of batteries if you buy a second one. Then you’d pretty much never run out during a party session.
While the backpack makes the speaker very portable, it does not come this way out of the box. Unless you buy a backpack accessory, the speaker is not very portable and is not the easiest to move long distances without help. There is no top handle so you need to hold it from the side handles.
The app is pretty nifty, but this speaker relies on it more heavily than you might be used to. You’ll basically want to use the app for your initial pairing and setup, and also during use. The initial setup required me to read the instructions as there is no obvious bluetooth pairing button on the speaker itself. Once you get setup and registered through the app, things are a breeze.
This speaker is expensive at $999 plus tax. While it may be pretty amazing at what it does, even compared to other speakers, the price is definitely steep and maybe prohibitive for some. The comparable JBL Partybox 1000 is larger, more powerful, and has a subwoofer, however that speaker is not designed to be portable. Even the cheaper Partybox 710 is going to be a bit more powerful but is not portable. Compared to JBL’s portable Partybox, the Soundboks is superior in terms of sound and power.
Conclusion
In conclusion, the Soundboks 4 establishes itself as a truly solid portable party speaker, delivering the impressive volume, long battery life, and rugged build quality the brand is known for. Its performance is tailored for energetic gatherings and outdoor use where maximum sound is key. While its capabilities are undeniable, the significant price tag means it represents a great buy specifically for those who prioritize this level of powerful, portable audio and have the budget to accommodate its premium cost.
The post SOUNDBOKS 4 Is the Modern Day Boombox appeared first on EDMTunes.
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YouTube Reportedly Prepares to Unbundle Music from Premium in South Korea Amid Regulatory Scrutiny

The Korea Fair Trade Commission headquarters in Sejong, South Korea. Photo Credit: Minseong Kim
YouTube is reportedly set to unbundle Music from Premium in South Korea, where it’s facing a Korea Fair Trade Commission (KFTC) competition investigation.
Regional outlets just recently pointed to the possible move, after the mentioned government agency revealed a YouTube Premium and Music probe about one year ago. This bundling-focused inquiry, the KFTC relayed at the time, had already been underway for a while and was shifting into the “sanctions” phase.
(YouTube is specifically facing claims of leveraging its video-sharing dominance into anti-competitive results on the streaming side, where it’s reportedly topped homegrown music platforms including Melon in overall subscribers.)
Enter the rumored separation of YouTube Music (which costs ₩11,990/$8.40 monthly) from Premium (₩14,900/$10.50 per month) in South Korea.
At the time of writing, neither YouTube nor the KFTC looked to have publicly confirmed the split. However, the two are reportedly finalizing an agreement to put the years-running probe to rest.
And as part of the potential resolution, YouTube has reportedly volunteered the rollout of Premium Lite in South Korea. In effect, releasing the subscription option (which costs less than Premium but provides ad-free access solely to YouTube proper, excluding Music and most music videos) would separate Music from Premium.
Technically, the Google-owned platform resurrected Lite, which lacks support for downloads and background viewing, last year. And the tier’s expansion has reached several countries to this point in 2025.
As laid out by some local reports, South Korea’s Premium subscribers may opt for the cheaper plan while then shifting to different services for music streaming. Nevertheless, others acknowledged that YouTube might actually entrench its position in the country thanks to the lower-cost plan.
In the bigger picture, as competition scrutiny motivated the unbundling, it’s unclear whether the maneuver will ripple across different markets.
Even so, the development is significant from the perspective of South Korea’s regulatory climate. The KFTC, which fined Kakao Entertainment ₩390 million/$273,350 last month “for deceptively advertising music,” is also cracking down on streaming services’ subscription-cancellation practices.
This probe, we reported in August 2024, is impacting Netflix, Spotify, and others yet. A late entrant into South Korea’s physical-heavy market, Spotify only embraced ad-supported listening in the country about six months ago.
But the platform charges a bit less for Individual than YouTube Music does (₩10,900 per month at present) and is offering three-month free trials to new subscribers.
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ALLEYCVT Announces Curated Event Series, "Planet Supersonic"

ALLEYCVT is officially entering her next era, one where she's not only performing on stages, but building worlds on them.
The surging singer, songwriter and bass music producer today announced her first-ever curated event series, "Planet Supersonic." Kicking off December 6th, 2025 with a headline of Denver's famed Mission Ballroom, the series promises custom visuals, stage design and surprises tailored to her evolving sonic identity.
Known for her fusion of emotive alt-pop hooks and wobbly dubstep drops, ALLEYCVT is part of a new wave of hybrid producers redefining what it means to be a "DJ" in 2025. With "Planet Supersonic," she’s staking her claim as a performer, curator and storyteller.
"The only reason I drive myself a little crazy is because I care so much about it," ALLEYCVT told EDM.com in an intimate February interview. "I care so much about the people who listen to my music and try to get better as an artist. I care a lot."
The announcement comes amid a breakout for the genre-bending artist, who was recently named to the EDM.com Class of 2025 before making her debut at Miami's legendary Ultra Music Festival. Now, she's turning her attention toward an ambitious debut in Denver designed to mirror the magnetic energy of her sound and aesthetic.
You can watch ALLEYCVT's announcement below and purchase tickets to her "Supersonic Ballroom" show in Denver here. A pre-sale will begin April 16 at 12pm MT before the show's general on-sale April 18th at 10am MT.
View the original article to see embedded media.
Follow ALLEYCVT:
X: x.com/itsalleycvt
TikTok: tiktok.com/@alleycvt
Instagram: instagram.com/alleycvt
Facebook: facebook.com/alleycat
Spotify: tinyurl.com/mr3fz8b3
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Patrick Schwarzenegger Supports ‘The White Lotus’ Co-Star Lisa At Coachella

Patrick Schwarzenegger checked into Coachella at the perfect time. Following last weekend’s Season 3 finale of The White Lotus, the actor supported his co-star Lisa (aka Lalisa Manobal) on Friday during her opening night set at Coachella Valley music festival. He took to social media to share a video from the audience of himself singing and dancing along to her single ‘Money’ (which might be the perfect song given that season 3 took place in Thailand).
“Excuse my dancing I had a cocktail,” wrote Schwarzenegger on his Instagram Story with the clip, adding that Blackpink star “crushed it.” The pair didn’t have many scenes together during the recent season. Schwarzenegger starred as privileged southern boy Saxon Ratliff, and Lisa played resort employee Thidapon ‘Mook’ Sornsin.
Schwarzenegger appeared to be accompanied at the performance by their co-star Tayme Thapthimthong, who played Mook’s kindhearted security guard love interest Gaitok.
Coachella will be back for weekend #2, featuring many dance artists, including a complete takeover at Quasar with Testpilot X Zhu, Kaskade X Idris, and Alesso X Gorgon City. The rest of the festival will feature Zedd, Mau P, Sara Landry, Above & Beyond, Eli Brown, Chase & Status, and many more.
The post Patrick Schwarzenegger Supports ‘The White Lotus’ Co-Star Lisa At Coachella appeared first on EDMTunes.
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We Belong Here Festival Coming to Tampa Bay in December

We Belong Here, known for curating unforgettable experiences in breathtaking locations, is bringing a brand-new boutique music festival to Tampa Bay. The event will take place on St. Pete Pier from December 13-14, 2025. This expansion follows the resounding success of We Belong Here’s flagship festivals. They take place in Miami’s Historic Virginia Key Beach Park, and New York’s Central Park.

We Belong Here’s iconic 360-stage will be set against the stunning backdrop of Tampa Bay and the St. Petersburg Skyline. This debut Tampa Bay event will deliver the refined production and world-class talent. It will be inclusive atmosphere that We Belong Here is celebrated for. Attendees will spend two days enjoying musical performances and shopping local vendors. They will also be eating delicious food curated by Smorgasburg and relaxing by the water.
We Belong Here 2025 wasn’t just a festival; it was a sanctuary. It was a place where the boundaries between music, nature, and community blurred, creating an unforgettable experience. The festival was bigger than ever this year, but the heart of the festival remained its dedication to a curated melodic journey. A celebration of music that speaks to the soul. It was a reminder that sometimes, all you need is good music, good people, and a beautiful beach to feel truly at home. And in 2025, We Belong Here delivered that feeling in spades.

Sign up for updates here to receive lineup announcements, hotel partner details, and ticket release information.
The post We Belong Here Festival Coming to Tampa Bay in December appeared first on EDMTunes.
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We Belong Here festival announces new Tampa Bay edition at St. Pete Pier

We Belong Here continues to grow their footprint with the announcement of their expansion into Tampa Bay. The house and techno festival will make its Tampa debut in 2025 on December 13 & 14 at St. Pete Pier.
The upstart festival has roots in Miami and New York City, with Tampa Bay becoming the third city to play host to We Belong Here. Past lineups have delivered some of the country’s best in house and techno with headliners like Eric Prydz, Kaskade, Fisher, Lane 8, Steve Angello and more gracing their immersive 360-degree stage.
Sign up here to get the latest updates on We Belong Here Tampa Bay including when tickets go on sale and when the lineup drops.
Featured image: We Belong Here Festival
The post We Belong Here festival announces new Tampa Bay edition at St. Pete Pier appeared first on Dancing Astronaut.
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Zodiac signals new beginning with Alex Gresham collaboration, ‘In The Sunrise’

Zodiac makes a powerful comeback with his first release since 2023 — a collaborative single titled “In The Sunrise” alongside rising artist Alex Gresham. Over the past year and a half, Zodiac has been focused on infusing more human elements into his music, and that evolution is fully realized in this new offering.
According to Zodiac, “In The Sunrise” represents a fresh chapter for the project and marks his official return to the electronic music scene. “It’s the rebirth of Zodiac and a reflection of my commitment to creating authentic experiences for my fans,” he explains.
The collaboration came about organically. Gresham, who first discovered Zodiac while studying at the renowned Icon Collective music school in Los Angeles, happened to share a Discord production server with him. When Zodiac sent over the production file for what eventually became “In The Sunrise,” Gresham was instantly inspired. He grabbed a microphone and began recording, laying down melodic vocals to perfectly compliment the track’s dark techno and house production.
Gresham’s mindset heading into the studio was “don’t overthink it,” something he had recently taught while lecturing at Icon Collective. The result is a perfect marriage of the two artists’ styles.
Listen to “In The Sunrise” below.
Featured image: Zodiac
The post Zodiac signals new beginning with Alex Gresham collaboration, ‘In The Sunrise’ appeared first on Dancing Astronaut.
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BICEP Resurrect DOVE Alias for Haunting Breakbeat Track, "CHROMA 009 KR36"

Electronic music at its most profound creates worlds rather than just sounds, and there's no universe that expands with each listen quite like BICEP's.
The Northern Irish duo today revived their DOVE project for a haunting new single, "CHROMA 009 KR3," a crystalline collaboration with Kehina. The alias has always been BICEP's sandbox for abstraction, and this release suggests they're drawing from deeper emotional reservoirs.
Typically known for turning warehouse euphoria into a kind of spiritual journey, BICEP trade the grand crescendos of Isles for a darker, more hypnotic sound in "CHROMA 009 KR36." Like a long-lost reel of VHS footage, the track is grainy, intimate and eerily soothing.
Kehina's lilting vocal swells glide atop BICEP's textured synthscapes in the track, the second DOVE single to drop as part of the duo's ongoing CHROMA project. There's a melancholic glamor to it, like stumbling out of a festival at 4am and finding the world still turning in soft hues.
Listen to "CHROMA 009 KR36" below and find the new single on streaming platforms here.
Follow Bicep:
Instagram: instagram.com/feelmybicep
X: x.com/feelmybicep
Facebook: facebook.com/feelmybicep
Spotify: tinyurl.com/3bkt4n39
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KAAZE: The Evolution of “Hot Tekno” – A Journey from Underground to Mainstream Success

KAAZE: The Evolution of “Hot Tekno” – A Journey from Underground to Mainstream Success
In this exclusive interview with Swedish DJ and producer KAAZE, he discusses his musical evolution from underground techno to pioneering what he calls “Hot Tekno.” Currently ranked #48 in DJ Mag’s Top 100, KAAZE shares insights about his upcoming North American tour, his Swedish musical heritage, and exciting new projects on the horizon. The interview reveals how his return to techno roots has reinvigorated his creativity and expanded his fanbase dramatically over the past two years.
Throughout your career, you’ve dabbled in all different kinds of genres, from groovy electro house, underground techno, and now you’ve been pioneering a concept, what you call “Hot Tekno”, and that’s with a K. What is hot techno?
It’s a funny story. Me and my agent Dennis, who were sitting one day exploring this new sound that I had, and it was like, it’s not really typical techno, it’s not hard techno. Like, what? What is it? Because what I’m doing is implementing sounds from the previous genres I’ve done and, finding a more rhythm base, and it’s not that static. So I was like, a lot of girls like it. I see on my social media. It’s kind of sexy sometimes, but I think sexy is kind of cliche to say. And then we just said “Hot Tekno”. It was a funny thing, and I was posting a little bit here and there, and my fans caught up on it. So they liked it, “Hot Tekno”.
Last year, you ranked number 48 in DJ Mag Top 100, congratulations! How did this achievement influence what you’re doing now?
The thing that people don’t really know about “Hot Tekno” is that 20 years ago, when I started making music, like way before I created KAAZE, I was making techno music. I come from the underground scene back home in Sweden, so I was making really underground industrial techno. And at one point, I just wanted to find myself and have fun again in the studio because I was a little bit uninspired and bored with my previous progressive house, or whatever I was doing, and that’s kind of where it started.
So I started pushing that sound, and had a lot of fun making it, and then I started receiving really good feedback and reactions on social media, like two years ago, and I just saw another rise of fans exploding over two years. I think I went from like 200,000 followers to like almost 800,000 followers. So, like, I got a massive amount of new fans that only know me right now for “Hot Tekno”, which is really fun for me because it’s a new world for me too. So, like, obviously, becoming number 48 was kind of like a big part of that.
You have a debut tour coming up in North America. Can you tell us a little bit about the tour, what your plans are for “Hot Tekno”, what are you going to show us over in the States?
I’m really excited to go to North America, I used to be based in America when I started KAAZE, I was in America together with my American wife, so for me, America is very special. I never did a tour back then, so it’s been so many years, and because I started there, all my fans are Americans, still till this day. So, it’s been eight plus years. They’ve been asking me when I’m coming, and I never knew how to answer them. For me that’s super special to finally go to America for these fans that have been waiting for so long. I’m going to go over there and do my thing, my European style. So far, I’ve heard a lot of great things from the from the shows.
Something else I’ve been dying to ask you, so you’re from Sweden. I’ve never been there before, but a lot of my favorite artists are from Sweden. Avicii, may he rest in peace, was from there, obviously, Swedish House, Mafia, Alesso, etc. So what is in the water in Sweden that pumps out all these amazing DJs? What is it about Sweden that just produces such amazing talent?
Sweden has always been a big part of the music industry. In terms of pop music, you know, we have Max Martin. So Swedish people have always been super involved. And if we go all the way back to about time, we have this big pop culture, and I think in terms of DJs, what we do is like we implement a lot of those sounds, and the way of making pop music in Sweden into our productions. That just gives to that type of different sound. I don’t know really why Sweden is so good on music itself, but I do think it comes from back in the days where these individuals got the opportunities to explode, Max Martin is a great example. So I think those people have had a huge impact on the Swedish artists in general.
So what’s next for you, what can we expect from KAAZE this summer?
My schedule is getting pretty packed. Couple remixes in the in the works. I got some David Guetta remixes that I’ve been wanting to release for quite some time. We got some really dope solo releases coming up, couple collabs in the process. Just blast on! There’s gonna be a lot of OGs this year, and a lot of OG music, like I did for the last six months. A couple covers, couple of sample based. So, I’m kind of excited to go back to some original music again. So, yeah, it’s gonna be all over the place, fully packed!
This interview is also available in an audio format on the 10 Days in Dance podcast.
Spotify: https://open.spotify.com/episode/4FzG7IXBqW7WUceqEYjqCU?si=442fb52c03224c79

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Raising Awareness of UK Grass Roots Venues… The Night Bazaar presents… BLACKBOX

Clubbing has been a vital and vibrant part of UK youth culture for decades, ever evolving and giving rise to some of electronic music’s biggest names. These big-name DJs now mostly perform at large-scale events or headline massive festival stages, overshadowing the club experience. Rarely do they play in small, grassroots venues, which many of them miss for its intimate, raw club feeling. This shift has put many of these venues at risk as they find it hard to compete.
 
Now, dance music news portal, The Night Bazaar, and Hastings Nightclub Blackbox are stepping up to raise awareness of this issue and offer a solution by bringing renowned DJs to small spaces without the hefty ticket price.

 
The Night Bazaar presents… BLACKBOX is a new monthly party launching on Saturday, May 3rd, 2025. The concept is straightforward: special guest DJs join the resident DJs to perform an extended set in the intimate confines of BLACKBOX. With a superb sound system and minimal lighting, the venue’s 250-capacity audience gets the rare chance to experience some of the industry’s best established and emerging DJs. Simultaneously helping to nurture future talent alongside bigger names.
 
The opening night will feature special guest Audiojack, who will join resident DJs Jim Rivers, MarkGwinnett, and Mark Dickson. With many big name DJs already in the pipeline for future events. With a no-phone policy, The Night Bazaar and BLACKBOX aim to reclaim club culture and bring it back to basics, focusing on the music and a shared, intimate dance floor experience. At the same time and shining a spotlight on the plight of small venues in the UK.
 
The Night Bazaar presents… BLACKBOX are supported by the Night Time Industries Association(NTIA), the organisation at the forefront of supporting and highlighting the challenges faced by small clubs in the UK.
 
Launching on Saturday, May 3rd, 2025
Tickets
 
The post Raising Awareness of UK Grass Roots Venues… The Night Bazaar presents… BLACKBOX appeared first on Electric Mode.
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New 24-Hour Venue Brixton Storeys Set To Launch

Brixton has always had a bustling music scene and now it’s got a new addition coming its way with Brixton Storeys set to launch on April 18th 2025. In a time where it’s hard to not be struck with early curfews, Brixton Storeys boasts a 24-hour alcohol and music license which is a huge win.
Set on the former Prince of Wales site, this reinvented venue has a litany of amazing features that are set to make it one of the best music venues in London. With a 750-person capacity, world-class sound, high-tech production, and wide range of DJs and live acts set to hit the stage the future is already looking bright for this venue.
“We wanted to bring a fresh narrative to Brixton nightlife but stay connected to the area’s heritage. This iconic venue is perfect for that and has been fully renovated with a new perspective that brings it right up to date. Along with transforming the main club into the Red Room which will bring all sorts of exciting headline artists, there will also be a real focus on events with emerging artists and LGBTQIA+ communities who will be given a platform to party in their own unique way.” Stevie Thomas, Brixton Storeys.
The venue features 3 unique indoor spaces including The Red Room which has been fully redesigned. Amidst this reinvention of the venue there’s been a big focus on audio/visual improvements with the expertise of Bigabox Productions, Turbo Sound and Funktion-One technology being brought in.
Brixton Storeys not only features some top-of-the-line indoor spaces but come June there will be the unveiling of the state-of-the-art SKY Terraces. Two rooftop terraces with full sound systems and a DJ booth will offer the opportunity to dance in the glowing sunlight. If the usual English rain decides to appear they are prepared for that as the terraces have retractable roofs making them ready for any weather all year round.
They have partnered with Ticketmaster to enhance the ticketing experience and have set up events and residencies with the likes of Mas Que Nada, The Connection Party, and Summerized Sessions.All of this is incredibly promising for the venue’s future as well as the future of the UK’s nightlife. Brixton Storeys redefines what a music venue can be and is sure to bring countless unmissable events.
You can find out more about upcoming events below:
BRIXTON STOREYS WEBSITEYou can follow Brixton Storeys on Instagram below:
BRIXTON STOREYS INSTAGRAM
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EMERGING ARTIST: Joalin

If you’re familiar with the renowned music mogul Simon Fuller‘s global pop group Now United, formed in 2017. You dear reader, probably know more than I do. For reasons unknown, this exciting band flew under my radar. They even opened for the S Club “Good Times” tour in the UK and Ireland, a fact I unfortunately missed. It’s worth noting that this very group provided Joalin, a talented artist and dancer hailing from a unique Finland-Mexico background, with her breakthrough opportunity. Now, she’s embarking on a solo journey, and after releasing several singles and an EP, she has just signed with Because London Records, marking an exciting new chapter in her career.
The excitement surrounding Joalin’s latest venture is palpable, as her record label is eager to highlight this remarkable talent. With impressive airplay on BBC Radio 1 and a notable performance at the Great Escape 2024, she’s on the verge of elevating her international solo career. In line with this momentum, Joalin is gearing up to release her highly anticipated mixtape, “CAMALEÓN,” on June 20th. To ignite the campaign, she’s unveiling “GUM” as the debut single, igniting anticipation for what’s to come!
With “GUM,” Joalin not only raises her solo music game but also takes a big step forward sonically, sharing her catchiest track yet. She really shines in this fusion-pop vibe, mixing English and Spanish so effortlessly that it’s up to us to appreciate this cool part of her musical identity. I think it’s a smart move for her record label to push this as Eurovision hype is ramping up. I mean, it can’t hurt, right? It seems like a clever strategy that might really pay off. Whether it’s the addictive groove or the fresh blend of styles, there’s no doubt this track will pull in listeners. Joalin covers a lot of ground and definitely keeps me wanting to hear more from her.
The video showcases Joalin in both male and female roles, brilliantly paying homage to the street dance style of popping that captivated her at just 9 years old. This striking representation highlights the profound inspirations and influences behind her artistry. With all her remarkable accomplishments to date, Joalin is undeniably poised as a popstar ready for the spotlight. With “GUM,” she firmly establishes herself at the very top of my list of must-watch newcomers in the pop scene.
Connect with Joalin
Facebook: https://www.facebook.com/joalinofficial
Instagram: https://www.instagram.com/_joalin/
The post EMERGING ARTIST: Joalin appeared first on EQ Music Blog.
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MËSTIZA Sets Fire to Both Dancefloor and Dinner Table at Queen Miami Beach

If there’s one thing Miami doesn't need more of, it’s opulence. But MËSTIZA, the red-hot Spanish DJ duo known for fusing flamenco with house music, found a way to elevate even this city's standards during a sizzling Miami Music Week appearance at Queen.
Headlining a special edition of the club's "Queen Wednesdays" series at the former Paris Theater, the duo commanded the room with unmistakable presence. Clad in their signature cordovan hats and noir outfits, they exuded a matador-meets-mystery vibe and practically possessed the place.
MËSTIZA's dramatic DJ set oozed with the sultry sounds of their Latin American heritage as Palmas handclaps and flamenco guitar strums slithered through sumptuous four-on-the-floor beats. It's a seductive sound entirely their own, and at this decadent South Beach staple, it felt like the soundtrack to some sort of futuristic bullfight in Andalusia.
Queen Miami Beach
mestiza
But the setting was just as decadent. As guests toggled between fine dining and full-body dancing, servers floated by with rare Wagyu cuts, sashimi bouquets and gilded Japanese-style cocktails. They also got in on the action, gyrating to MËSTIZA's music and pumping up clubbers like the most elegant pep rally we'd ever seen.
Queen itself defies easy categorization. Equal parts gourmet dining establishment and pulsating nightclub, its dual identity served as the perfect backdrop for MËSTIZA's own boundary-blurring sound. The duo's DJ set built methodically over the evening, allowing attendees to transition from appreciating Queen's culinary offerings to surrendering to the dancefloor's gravitational pull.
Miami Music Week is no stranger to over-the-top moments, but this was something rarer. It was worldly, fashion-forward and rooted in cultural pride, a reminder that sometimes the most compelling experiences are those that honor their roots.
You can find out more about Queen Miami Beach and reserve a spot here.
View the original article to see embedded media.
Follow MËSTIZA:
Instagram: instagram.com/mestiza.music
TikTok: tiktok.com/@somosmestiza
Facebook: facebook.com/mestizaexperience
Spotify: tinyurl.com/eksyb8sj
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Jack Dorsey Says It’s Time to ‘Delete All IP Law’ — and Elon Musk Agrees — Amid Continued AI Training Debate

Jack Dorsey, who believes it’s time to “delete all IP law.” Photo Credit: Mark Warner
Against the backdrop of ongoing AI debate — and adjacent legal battles concerning generative models’ training processes — Block CEO Jack Dorsey says it’s time to “delete all IP law.”
Dorsey provided that controversial take on X, where, unsurprisingly, many promptly criticized the position. Notwithstanding the pushback – more on this in a moment – the contentious stance did find a high-profile supporter in Elon Musk.
“I agree,” the xAI founder replied to Dorsey, who elaborated on his four-word post when replying to less enthusiastic responses.
These responses touched on not only the income fallout for creatives, but differences between various types of (and protections for) IP, the potential effect on medical research, and a whole lot else.
“creativity is what currently separates us,” Dorsey followed up in one response, “and the current system is limiting that, and putting the payments disbursement into the hands of gatekeepers who aren’t paying out fairly.”
(There may well be non-AI angles to the comment for Dorsey, whose current company in November 2024 scaled back its questionable Tidal investment. Regarding the “gatekeepers” word choice, we’ve been hearing quite a lot lately about artists, from Snoop Dogg to Kate Nash, receiving small major-label streaming payments for their much-played tracks.)
Meanwhile, another critic asked about the sweeping move’s possible impact on the motivation to create. “What motivation would there be to create if there were no way to monetize?” the individual inquired. “This is straight out of the CCP playbook.”
“execution and speed matters more,” followed up Dorsey, whose net worth is (per Forbes) $3.6 billion.
As initially mentioned, Dorsey’s remarks are especially interesting and relevant in light of far-reaching AI-training questions.
There’s still much to see here, in terms of lawsuits and legislation, in both the U.S. and internationally. And though it probably doesn’t need saying, lawmakers aren’t going to “delete” IP protections outright.
But like DMN Pro has broken down in detail, despite rightsholders’ continued pushback, it’s not outside the realm of possibility that stateside courts will deem training on protected materials fair use.
More concretely, it’s safe to say that gen AI giants based in several other nations around the globe are (and will almost certainly continue) freely disregarding IP concerns when training.
Of course, this broader disregard for IP isn’t exactly new. But it’s definitely taken on a heightened importance given the unprecedented content-output capabilities of the technology at hand.
Following the point to its logical conclusion, there’s a separate conversation to be had about a susceptibility to commercial fallout stemming from cheapening artistry and prioritizing near-term profits above all else.
In and well beyond the music world, today’s top-selling projects aren’t necessarily today’s best projects, and carefully tailored AI outputs may resonate with the undiscerning audiences in question.
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Price-Gouged at Coachella? It’s More Likely Than You Think — Attendees Show Off ‘Miserable Money Trap’ Experience On TikTok

Photo Credit: @ruthsviveros on TikTok
Coachella attendees went viral on social media after they showed off their pricey meals: tacos, nachos, and lemonades for two costing $102.
It may not come as a surprise to some that the prices of concessions at live events can get a little ridiculous. But in the post-pandemic economy, where concerts and music festivals are struggling to break even, Coachella attendees are stunned to see food and drink going for three times the normal cost. Just like the airport, but with better music.
In videos shared on social media, festival goers have been showing off what they ate and how much they paid for their meals or even individual items. One TikTok user, Ruth Viveros, shared a video on April 11 showing two plates of three tacos, an order of loaded nachos, and two lemonades (costing $17 a piece), running her $102 altogether.
“They’re not good, not good at all,” said Viveros of the tacos. “The tortillas are like freezing cold.”

Her post, and others like it, have led to a slew of commenters quick to criticize festival organizers for the price of concessions—especially considering the limited options available for attendees out in the California desert.
“These prices are diabolical,” wrote one commenter. “Coachella seems like a miserable money trap that everyone falls for,” commented another. Another video, posted by TikTok user @FrugalJimmy, showed off a slice of pepperoni pizza that cost $13, which he jokingly stated was “not too bad.”
“I honestly thought it would be a lot more for a big slice of pizza,” he noted. “So good.”

Meanwhile, those preparing for Coachella’s second weekend have taken to Reddit to ask those who camped out during Weekend 1 just how expensive the food has been.
“Expensive,” replied one Redditor. “Most items start at $15-20. ‘Meals’ are like $20-30.” Another added that a Nate’s Nashville hot chicken slider with fries cost $30.
However, despite the rampant posts and comments about prices, many attendees have defended Coachella, saying the experience was worth the spendy snacks.
“Does anyone have a genuinely good time at Coachella? All I see are horrendous prices and bad organization,” wrote one commenter on Ruth’s video. “Yes!” she responded. “Coachella is actually very fun and inspiring and like everything else, there’s some rough things.”
This year’s festival featured headliners Lady Gaga, Green Day, Post Malone, and Travis Scott, with performances from Megan Thee Stallion, Weezer, Missy Elliott, Charli XCX, The Original Misfits, and many more.
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Stevie Nicks Launches 2025 Solo Touring Run

Photo Credit: Stevie Nicks / Live Nation
Stevie Nicks announces a leg of tour dates this summer and fall, stopping in cities across North America, including Las Vegas, Toronto, and Boston.
Legendary singer, songwriter, and storyteller Stevie Nicks has announced a new leg of tour dates for summer and fall 2025, following a celebrated run of performances. General on-sale begins Friday, April 18 at 10 AM local. Tickets for previously announced dates with Billy Joel are on sale now.
Produced by Live Nation, the newly added shows will see the iconic artist travel across North America, with stops in Boston, Toronto, Tampa, Las Vegas, Phoenix, and more. As ever, Stevie Nicks will enchant audiences with her unmistakable voice, poetic lyrics, and unforgettable live performances.
Stevie Nicks 2025 Tour Dates
August
08 | East Rutherford, NJ — MetLife Stadium (with Billy Joel) 12 | Boston, MA — TD Garden 15 | Toronto, ON — Scotiabank Arena 19 | Saint Paul, MN — Xcel Energy Center 23 | Cincinnati, OH — Heritage Bank Center 27 | Columbia, SC — Colonial Life Arena 30 | Tampa, FL — Amalie Arena October
04 | Santa Clara, CA — Levi’s Stadium (with Billy Joel) 07 | Phoenix, AZ — PHX Arena 11 | Las Vegas, NV — T-Mobile Arena 15 | Oklahoma City, OK — Paycom Center 18 | New Orleans, LA — Caesars Superdome (with Billy Joel) November
15 | Detroit, MI — Ford Field (with Billy Joel) As a multi-platinum solo artist and member of Fleetwood Mac since 1974, Stevie Nicks is the first woman to have been inducted into the Rock & Roll Hall of Fame twice. She has collectively sold over 220 million albums.
With Fleetwood Mac, she was instrumental in the success of the band’s beloved album Rumours, one of the best-selling albums of all time. The record has connected with generations of fans worldwide for over 50 years.
In October 2020, Stevie’s 24 Karat Gold: The Concert was released at select cinemas, drive-ins, and exhibition spaces around the world for two nights only. The sold-out film offered audiences a virtual front-row seat to the magic Nicks brought on her sold-out 24-Karat Gold Tour.
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Diddy’s Sex Trafficking Trial Could Be Delayed—Combs Pleads Not Guilty

Photo Credit: Melissa Lee / Marine Corps
Sean ‘Diddy’ Combs’ sex-trafficking case gets underway in about a month, but his defense team has asked for an adjournment. Instead, they want to see the May 12 starting date pushed back by two weeks.
His lawyers argue the U.S. Attorney’s Office for the SDNY has not been fully sharing material such as emails from a former Combs employee. They allege that the prosecution’s witness ‘Victim-4’ seems to have “cherry picked messages” shared on WhatsApp. Outside of court, Combs’ team said they would no longer seek an adjournment if the feds “get their act together.”
Combs pleaded not guilty on Monday to an expanded federal indictment that charges him with five criminal counts—including charges for racketeering and sex trafficking. Combs entered his plea to the new charges at a hearing before U.S. District Judge Arun Subramanian in Manhattan.
“These are not new allegations or new accusers. These are the same individuals, former long-term girlfriends, who were involved in consensual relationships,” his lawyers said to the media after the hearing. Jury selection for the trial remains scheduled for May 5 with opening statements set to begin May 12 if the judge does not grant an adjournment.
Prosecutors allege that Combs used his business empire to sexually abuse women between 2004 and 2024. The allegations include having women take part in recorded sexual performances called ‘freak offs’ with male sex workers, who were sometimes transported across state lines to facilitate the action. Combs has been sitting in the Brooklyn Metropolitan Detention Center since September. He is also facing more than a dozen civil lawsuits filed by both men and women that accuse him of sexual abuse.
His lawyers have argued that Combs never forced anyone to engage in sexual acts against their will. He says the ‘freak offs’ reported by the media were consensual activity between consenting adults. A surveillance video from 2016 leaked in 2022, kicking off the intense interest. The video shows Combs kicking his former girlfriend, R&B singer Cassie Ventura.
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