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The DJ and producer has partnered with premium festival gear brand RaveRunner to develop and drop an innovative anti-theft hydration pack, designed specifically for the high-energy environments of electronic dance music festivals.
The limited-edition collaboration features a dual-chamber design built to withstand the rigors of rail-riding and mosh pit mayhem, environments where Jauz's fans frequently finds themselves. Most notably, the pack incorporates multiple anti-theft compartments, a direct response to the larceny epidemic that has plagued music festivals in recent years.
c/o RaveRunner
Theft at festivals has been a growing concern, particularly regarding the loss of personal items like smartphones. A survey published in 2022 by RaveRunner, which polled over 450 U.S. festival-goers aged 18 to 55, revealed that approximately 1 in every 32 attendees experienced phone theft or loss.
In a nod to Jauz's shark-themed branding, the pack includes 3M reflective shark fins that illuminate under flash photography, ensuring style points aren't sacrificed for security. This attention to aesthetic detail demonstrates a savvy understanding of their target demographic, who value both functionality and Instagram-worthy festival accessories.
The brand has confirmed the collaboration will be "extremely limited" with no plans for future production runs, creating an immediate collector's appeal among Jauz's dedicated fanbase.
You can purchase the hydration pack here.
Follow RaveRunner:
Instagram: instagram.com/raverunner.co
TikTok:Â tiktok.com/@raverunner.co
YouTube:Â youtube.com/@raverunnerco
Facebook:Â tinyurl.com/3x43398x
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The rising DJ and producer has released his self-titled debut album, a project he's calling his most personal work yet. Fusing melodic bass and dubstep, DAKRED serves as an intimate reflection on love, heartbreak and self-discovery, charting the emotional highs and lows of his 20s.
"After years of evolving as an artist and a person, I realized that this album is my story, and it deserved to be self-titled," said Dakred. "It captures the chaos, the beauty, and the lessons learned along the way."
Structured like a diary, the album takes us through the stages of a fractured relationship, exploring the turbulence of young adulthood and the resilience found in the aftermath. DAKRED says he was deeply inspired by Alfred Lord Tennyson's famous words, "It is generally considered better to have experienced love, even if it ends in loss, than to have never loved at all."
An undeniable highlight comes with "Ready for Love," a track that marks a turning point in DAKRED's narrative. Here, he produces an aching future bass track that moonlights as a declaration of newfound strength. Another standout is "Never Going to Be the Same," which encapsulates the album's coming of age through soaring synths and heartfelt lyricism.
Elsewhere in DAKRED, the album takes a menacing turn in "Illumination," where Jacob Lauing's existential vocals weave through growling dubstep drops. "Transformation" is another compelling pivot into darker territory, with screeching bass and lilting vocal chops. lighting the way.
Listen to DAKRED below.
Follow DAKRED:
Instagram: instagram.com/dakred
Facebook:Â facebook.com/dakredmusic
Spotify: tinyurl.com/mr4658nr
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The platform differentiates itself in the streaming landscape by allowing artists to set their own terms and control pricing, with fans able to support creators through direct payments. Audius has attracted Skrillex, deadmau5, Zedd, REZZ, Disclosure and many more influential electronic artists alongside partnerships with major performing rights organizations like ASCAP, BMI and SESAC.
Now in its fourth week, Audius' program will ultimately dispense 30 million of its native token, $AUDIO, to its most engaged artists and fans over the coming months and years.
"Audius is a music ecosystem that empowers and enfranchises its community to control its own destiny," said Audius co-founder and CEO Roneil Rumburg. "Because our members all share in ownership of the platform, they also all share in the success of the platform. The response from artists and fans to these rewards has been incredible so far and we are looking forward to rolling out even more ways for them to participate financially in the Audius ecosystem."
Charlie Gross
Audius launched the initiative last month by virtue of a 2-million $AUDIO airdrop directly to artists, celebrating surpassing 250 million total streams. However, the streaming service has structured its rewards program to benefit both creators and listeners, with different weeks focusing on artists, fans or both groups.
This week, Audius significantly boosted incentives for its Weekly Trending Competition, increasing rewards by 10x. The top five Trending Tracks and top five Trending Underground Tracks will now each earn 1,000 $AUDIO tokens every Friday.
c/o Audius
The program has received positive feedback from independent stakeholders within the Audius ecosystem. Thorwald van den Akker, Co-founder of bitbird, praised Audius for "giving back to the community" and "building something directly for artists," while Josh Yamini of Good Society credited the platform with helping his independent label grow from its earliest days.
"As someone who's been a part of the Audius community since $AUDIO launched - I'm really stoked about a more consistent way for artists (and fans) to earn tokens for putting their music onchain," added Coop Records founder Cooper Turley.
Details on all of Audius' rewards can be found on the company's official blog.
Follow Audius:
X:Â x.com/audius
Instagram:Â instagram.com/audius
TikTok:Â tiktok.com/@audius
Facebook:Â facebook.com/audiusproject
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From Toronto to Dubai, cities worldwide are seeing a surge in high-energy, alcohol-optional events that cater to a new kind of partygoerâone that values experience, wellness, and community over late-night excess.
The Decline of Traditional Nightlife
For decades, club culture dominated social life, but in recent years, nightclubs have been closing at an alarming rate. In the UK alone, the number of nightclubs has plummeted from over 3,000 in the early 2000s to fewer than 800 today (The Guardian). The trend is globalâSouth Korea, once known for its hard-drinking nightlife, is witnessing a similar decline as more people opt for wellness-focused activities (Reuters).
Several factors are driving this decline:
Lower alcohol consumption: Gen Z drinks 20% less than Millennials, with many actively avoiding alcohol (New York Post). Rising cost of living: High entry fees and expensive drinks make clubbing a luxury rather than a routine activity. Preference for meaningful experiences: Many people now prioritize personal development, wellness, and networking over late-night partying. Daytime Coffee & Brunch Parties: The New Social Hub
As nightlife wanes, daytime events are rising to take their place. Brunch parties, coffee raves, and alcohol-free dance gatherings are redefining what it means to go out.
Unlike traditional clubbing, these events focus on good food, craft coffee, and vibrant social energy without the hangover. They often feature live DJs, interactive elements, and curated themes that create immersive, shareable experiences.
Spotlight: Coffee Party Toronto
One of the most exciting examples of this trend is The Coffee Party Toronto, a monthly event where coffee meets club culture in a unique daytime setting. Instead of overpriced cocktails and dark, crowded rooms, attendees enjoy specialty coffee, brunch bites, and high-energy DJ sets in a well-lit, stylish venue.
Why It Works:
Early start, early finish: People can party during the day and still be productive the next morning. Alcohol-optional environment: Attendees can choose between craft coffee, mocktails, or mimosas without pressure. Focus on community: Unlike clubbing, where interactions can be fleeting, brunch parties foster genuine connections. Live DJ Set Recordings & Digital Reach
A major component of The Coffee Party Torontoâs success is the recording and sharing of DJ sets from their events. This allows attendees to relive the music while also extending the experience to a global audience.
Instagram: @TheCoffeePartyTO
YouTube: The Coffee Party
Secret Parties Dubai: The Ultimate Brunch Experience
While coffee parties are gaining traction in North America and Europe, Secret Parties Dubai has taken brunch to the next level.
Every weekend, Secret Parties hosts massive themed brunches in Dubaiâs most extravagant venues, featuring gourmet food, bottomless drinks, live entertainment, and DJs spinning all day long. Their themed eventsâranging from Ibiza-style beach brunches to 1920s Gatsby partiesâcater to both locals and tourists looking for a high-energy daytime social experience.
Instagram: @SecretPartiesDXB
YouTube: Secret Parties
Daybreaker: The Pioneers of the Movement
While brunch and coffee parties are experiencing a boom, Daybreaker was ahead of the curve, pioneering the sober morning rave movement back in 2013.
Founded in New York City, Daybreaker started as an underground event that brought yoga, dance, and wellness together in the early morning hours. The idea? To start the day with a euphoric, alcohol-free dance party before heading to work.
Since then, Daybreaker has expanded to over 28 cities worldwide, attracting a global community of wellness-minded individuals.
Instagram: @Dybrkr
YouTube: Daybreaker
Croissound Montreal: Coffee, Pastries & Music
Montreal has also embraced the coffee party trend with Croissound, a daytime event blending the cityâs rich cafĂŠ culture with live DJ performances and fresh pastries.
Why Croissound Stands Out:
Culinary & Musical Fusion: Guests indulge in freshly baked croissants and artisanal coffee while experiencing sets from local DJs. Community Focus: Croissound fosters connections among Montrealâs diverse communities, providing a platform for both emerging and established artists to showcase their talents. Daytime Appeal: Events run from 11 AM to 2 PM, aligning with health-conscious socializing trends. Instagram: @Croissound.MTL
YouTube: Croissound
Final Thoughts: The Future of Socializing
The rise of daytime coffee and brunch parties signals a cultural shift in how people connect and celebrate. As club culture declines, a new era of health-conscious, experience-driven events is taking over.
Whether itâs coffee-fueled parties in Toronto, themed brunch extravaganzas in Dubai, Daybreakerâs sunrise raves, or Croissoundâs pastry-fueled gatherings, the trend is clearâpeople still love to socialize, but theyâre looking for better, healthier, and more sustainable ways to do it.With daytime events on the rise, the future of partying is looking brighterâliterally.
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The festivities begin on Saturday, March 1st, with an explosive night featuring Tini Gessler, White Off, and Jo. As the month unfolds, Amnesia Milano continues to deliver top-tier talent. On Saturday, March 8th, Spanish DJ and producer Indira Paganotto takes center stage alongside Richey V. Paganottoâs rise has been nothing short of meteoric, recently climbing 48 places in DJ Magâs Top 100 DJs Poll from #97 to #49. Known for her powerful fusion of psy-techno and trance, her ARTCORE Records imprint has played a key role in defining her sound. Her sets are more than just performancesâthey are high-energy experiences, where she forges a deep connection with the crowd, often referring to her fans as her âwarriors.â
The following week, on Saturday, March 15th, Dutch DJ and producer Chris Stussy takes over the decks with Recap and Zoig. Stussy is an artist committed to stripping club culture back to its essence. His newly launched USS events focus purely on music, removing distractions and allowing the dancefloor to be fully immersed in sound. Recently, he reworked Mobyâs classic track âGo,â originally intended as an exclusive remix for Boiler Room but later released due to overwhelming demand. His ability to blend deep, groove-driven minimal house with forward-thinking production has made him one of the most exciting names in underground dance music today.
On Friday, March 21st, the action moves to Fabrique for a special event featuring Vision and Deborah De Luca before returning to Amnesia the following night. Saturday, March 22nd sees the return of Brina Knauss, performing alongside EarthLife and Valerie Fox. Originally from Slovenia, Knauss transitioned from singer to DJ after moving to Milan, quickly gaining recognition at events like elrow, Tomorrowland, Soundstorm, and Zamna. She has also collaborated with the Tomorrowland DJ & Producing Academy, offering an online course, Kickstart Your DJ Career, aimed at guiding aspiring DJs through the industry.
With a month of expertly curated lineups blending techno, house, and progressive sounds, March 2025 at Amnesia Milano promises to be an essential chapter in the clubâs history. From the raw energy of Paganottoâs psy-techno to the hypnotic grooves of Stussy and the ethereal melodies of Knauss, these nights will define the sound of the season. As the lights dim and the bass reverberates through the walls, one thing is certainâAmnesia Milano is ready to make history once again.
The post Amnesia Milano Set To Bring Global Talent To The Dancefloor This March appeared first on Electric Mode.
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His iconic use of retro hardware, of which he possesses an abundance in his home studio, fascinates the curious and inquisitive electronic dance heads â both young and old. From the Amiga to the Akai s950, Pete boasts an impressive collection of nostalgic equipment that give his production a certain charm and aura around them. A rawness that resonates to every single raver in the dance, making him one of the most complete beatmakers in the land. Getting his big break as a hip-hop producer, making beats on Rizzle Kicksâ popular anthems as well as a range of TV and film adverts including the world-renowned iPhone X advert, Cannon was able to go full time on his music endeavours and finally return to his main love of jungle and hardcore.Â
With a crucial role in the jungle scenes renaissance, when he decided to dust down his old Amiga in 2013 little did he know the impact the genre would have on British music culture over a decade later. Artists such as Nia Archives, Sherelle, Tim Reaper, Dwarde, Sully, and a whole host of household names have aided as a driving force in bringing jungle to the world in their own unique styles. His label N4 is arguably one of the most forward-thinking in the scene, initially releasing his own tracks during its infancy from 2019 then branching out post lockdown to have the likes of exciting up-and-comers like Cheetah, Janaway, and Stekker, on top of the ever reliable Swankout and T-Cuts, become a part of the label â showcasing a multi-dimensional depiction of this high tempo sound. Ofcourse, hardcore also plays a huge part in Pete Cannonâs soundboard and this feeds into a presence during the rave that teleports you back to the 90s, creating a feeling of euphoria in whatever he decides to execute.
Fast-forwarding to the present day, Cannonâs unsurprisingly firing on all fronts. DJing at some of the most iconic events around, churning out dynamic releases consistently, and running a successful label that are refreshingly nurturing the authentic old school sound whilst also progressing the genre sonically. We were itching to catch up with this celebrated, maverick, musical figure from the north and find out more about his compelling journey and multifaceted career. Â
What were your musical inspirations growing up?
Itâs an easy one really, my dad, heâs a musician who plays the guitar and sings. He was in a band called Carl Gibson And The Night Rider. He had a couple of records out back then. He still plays today, but he definitely passed the passion on to me. He got me into playing the piano when I was five. He had a little studio in the house which was the catalyst for me making noises. Watching him at work inspired me to give it a go and felt like a natural progression. Growing up in Blackpool there were loads of second hand shops where I was able to pick up a second hand Yamaha DX7 when I was 10 years old. Since that point, I basically robbed my dads studio and have not stopped since, whilst also stealing some of his records and listening to them.Â
Would you be picking up records as you were growing up?
Yeah, when I was three my dad gave me a record collection, his old bits. I used to play them on 78rpm, which played them really fast. There was something intrinsic in me to want to listen to everything in that way. I remember the first single I bought was âturtle power!â by teenage mutant ninja turtles. I was always collecting records. I guess I picked that habit up off my dad. Trying to pick up a gem when I could. Finding the one independent record shop in Blackpool called Melody House that stocked stuff that your HMVâs didnât was a real moment for me. Picking stuff up like âDred Bassâ and âGanjamanâ with the bit of pocket money I got â if I was lucky. I was able to start building my extensive collection at 11. I was listening to loads of jungle tapes, loads of jungle packs from all over.Â
At what point did you realise you wanted to do this all the time?Â
From playing the piano at 5 then getting the DX7 at ten. I then got an Amiga for christmas and
managed to connect them all through MIDI, once I discovered that this was it for me. I was twelve when I started discovering all this. I managed to blag getting a drum machine, called a DR5, off my dad, and other bits from second hand shops. Just merging all this equipment together. I made an album when I was twelve, Iâm sure Iâve still got it somewhere. 13 to 15 I was coming home from school every day and went straight into the little studio we had at home. I guess making music all the time growing up was a sign to me that I just wanted to do this forever. I was trying to emulate this jungle and hardcore sound that I was listening to as a kid. I was influenced by loads of breakbeats too. I got a sampler where I could mix a record in and sample it into the Amiga. It was wicked! Thatâs when I realised Iâm doing this for life. When I was old enough to go out in Blackpool the jungle and hardcore I loved started to move on to tech-step and happy hardcore in 1997-98. The drum & bass became so heavy and the hardcore so cheesy â I decided to move to hip-hop production.
Going into adult life, what were you doing musically?
So I went to music college in Preston at 16, my dad was all for it. It was there I learned a more advanced understanding of creating and sequencing music. Moving from the Amiga to a mac and PC, this was the late 90s so we were using cubase and logic. Then I went to do music at university at Leeds College of Music, which had amazing facilities (shoutout Ben Burrows one of the lecturers who was wicked). Getting to learn how to use all the equipment properly was so valuable. Ofcourse, the nature of being a student meant I had to do odd jobs to get by. I was still building up my home equipment, buying the synthesisers etc.
That mustâve been a real breakthrough for you!Â
Yes it was. It was pop music, but it really transferred to a lot of the hip-hop I was making.The money I got from producing for Rizzle Kicks gave me the opportunity to take some time off to make a go of it. Making a tune for Appleâs Iphone X advert also financed me nicely allowing more time afterwards to concentrate on churning out more production and more importantly making music I wanted â in this case jungle. From there I was able to quit the day job and start making advert music which allowed me to work in music full-time coming up to around 15 years now. To this day Iâm still doing advert and film production. I think youâve always got to spin a lot of plates in this music industry. Being able to have my own DJ career and N4 record label, in the field I love, would not be possible without those other entities in my music career. I also started making videos that I would throw online which would break down the process of me making tracks on my set-up. Because itâs a more archaic type of operating system, a lot of people were interested. My studio setup is of course of a certain era, but itâs what gets me excited to make music. Thereâs no right or wrong way to produce. As a producer, getting excited to create is always going to get me in the right state of mind to make music.Â
What was jungle looking like when you got back into producing the genre?
When I got the Amiga back out in 2013, there was a tiny scene starting to emerge. Tim Reaper and Dwarde were around as was Kid lib and a few others. Of course the music had never gone away it just wasnât as popular. Labels like Reinforced, Moving Shadow, Sub Base and Kniteforce are the founding staple and the heritage to the scene and of course there are a lot more labels and artists from the 90s. There were definitely more people interested in making that sound again during the 2010s and with many repress labels and legends coming back to make this sound the scene is banging at the moment.
Looking at the scene today, it seems to be in a healthy place. Would you agree?
For sure, looking at someone like Nia Archives who is the apex of how big itâs become. Thatâs great because so many people want to hear that sound and potentially recreate it. There is so much of it about. Thereâs such a diverse range of artists, sounds, and styles knocking about in the scene at the moment, itâs amazing to see. With my label N4 weâve taken events to Amsterdam, Berlin, Japan, the U.S, and obviously all over the UK. This probably wouldnât have been possible without these pioneer artists at the forefront pushing the sound further. It was mental being in the heart of New York playing to a young crowd who were going bonkers for jungle and hardcore. Regardless of what happens in the future and where it goes, the beauty is that this period of time will always be there. Jungle music will always be a significant part of our electronic dance history.Â
Letâs talk about N4 Records and how that came about.
I started it in 2019 on my actual birthday, just before the pandemic. Initially, Luna-C from Knightforce got in touch because he saw all the videos I was making online breaking down my production I was doing with my Amiga. I was one of the first people to do online breakdowns of production. He was wondering if I ever finished these tracks. He wanted me to release an EP with them which I did and we called it the N4 volume 1 EP as Iâd just moved to the N4 area in London. But then I had all these other Amiga tracks that I was making that I wanted to keep for myself. Working in the music industry professionally has meant Iâve dealt with a lot of publishing deals and music business in general. I was pretty fed up with not being able to completely own my music. I guess I wanted something to call my own and ultimately be proud of. I felt old enough, confident enough and knowledgeable enough to start my own label. As I say, it was just before the pandemic so vinyl pressing time was pretty quick, obviously during lockdown that all changed, all the vinyl plants were backed up, and itâs only just started getting back to normality now. The first N4 record that came out, Aphex Twin played it in Mexico in front of 10,000 people which was an amazing start for the label â shout out to him!
And fastforwarding to the last couple of years, what have the plans been for the label?
In terms of the team, Iâve got Ivan Cargo who sorts out the events â so a big shout out to him. We wanted to start signing artists and their records to the label has pretty much been the focus. Because the scene was growing it was a no-brainer to try and get some of the names like Tim Reaper, Dwarde, Sully, Kid-Lib, T-Cuts, Swankout, Cheetah, Janaway, DJ Sofa, and so many more. First person I had on the label was Swankout, Iâve known him for ages and he was making some great stuff and weâve not looked back since then with the likes of Samurai Breaks, Denham Audio, Fluid Haunts, and Stekker also contributing to the label. I feel weâve already got a cross pollination of styles, giving an imprint of each side of the scene.Â
N4 Records Youtube Channel
Standout moments with N4?
Having the Glastonbury takeover at the Blind Tiger stage was big for us. It felt like such a big moment, weâd come a long way. The Berlin and Amsterdam nights weâve done have been very special. Bangface is another highlight. The first one I played was in 2022 and Iâve been back every year since. We got a N4 stage last year where we got 4am Kru, Denham Audio, Dwarde, and Mixtress on, a really cool curation. Weâve had Rinseâs Kool FM show thatâs been wicked to be a part of. Weâve been lucky enough to tick off a lot of the legendary venues in London, including Electrowerkz, Phonox, and Electric Brixton. Doing an N4 night in Japan is also such a wicked concept to me, itâs unbelievable where weâve been able to take this sound. I want to give a shout to Singularity who weâve done a lot of these events with. I do love playing the little intimate ones as well like low profile studios which have a heritage in those bricks as there were parties going in there back in 1988.
And some Pete Cannon highlights?
I think personally, playing in Fabricâs main room will be a memory that stays with me forever. A good one actually is, where my university lecturer stumbled across my Sound On Sound video where Iâd done a retro jungle production session. He messaged me saying well done, that was boss. Touring America last year playing jungle music and being able to take my dad with me was a really special moment for me. We got to hang out, he had his own rider and even mcâd a bit, what a guy
Youâve got to talk to me about one of the songs of 2023 âBlinded By The Lights 23â a remix you made with Mixtress.
Making music is very personal and bringing someone into my space is an intimate thing. Mixtress is great, her energy is brilliant. Weâd gossip in between making tunes. She had an idea to remix this The Streets and came to me to put it together. She was playing Boiler Room and we wrapped up a first version because she wanted to play it for that set. They used that clip as the main footage for that event and it went crazy online. Locked On saw that video and they came to us with a serious proposition to talk to Mike Skinner and turn it into an official remix. From there we got it signed to a major label and made an official music video. We did make a Flowdan remix of it, but it fell through unfortunately. Itâs a great dub for my sets thoughÂ
Events-wise what have you got coming up?
Weâve just sold out Electric Brixton which was a lot of fun. Then next weâve got an event called âFirst Pressâ at Oslo Hackney, giving DJs the opportunity to play stuff they donât usually play â with a more extended set. A real chance to test new things, whilst also educating people on the history of the scene.Â
And what about releases? Any upcoming bits on N4?
Weâve got a really exciting one coming up next. A guy Iâve worked with before, Dirty Dike. Heâs put together this 4-track EP thatâll be coming out on N4. Itâs a full circle moment because he helped me with my hip-hop stuff back in the day. Iâve got another Amiga one coming and also an album Iâm trying to put together. Thereâs a lot weâve got to put out and thereâs also a lot of talent we want to get on. Â
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Â
âTogetherâ creates a seamless blend between House and Garage embodying the bumpy groove of UKG from days gone by, driven with a solid 4X4 House drum pattern that amplifies the vibe. A searing feel-good melody runs throughout the song as it fluently weaves succinct vocal chops transitioning into breakdowns that continue to maintain the raw energy keeping dancefloor fuelled.
Xamount is considered an exciting UK House & Garage DJ and producer hailing from Amsterdam. Being raised on the earlyJungle and Garage scene back in the â90s. UK dance music runs through his veins, co-running the legendary That Garage Sound event in the Netherlands. Xamountâs talent appears on pivotal labels including Puresa, Reptile Mob, Amigo Dubs, and Pogo House, with the latest Famous When dead release adding to his growing discography.
Â
Starting his career at 17 as DJ Flanagan in the â90s, Xamount discovered his unadulterated love for UK underground dance music, merged with Jungle and DnB often being at the core of his sets. Playing at clubs and festivals across the UK, Holland, and beyond to winning Best DJ at the Dutch Drum ân Bass Awards in 2002, his talent has continued to soar. After 20 years active in the scene, he rebranded as Xamount back in 2014, shifting to his presiding passion of UK Garage.Â
Catching label boss CASH ONLYâs attention at a festival they featured together in Amsterdam 2024, lead to CASH ONLY taking a brisk walk to inspect the display on the CDJ revealing it was indeed a road test from Xamount himself. Needless to say, the track was promptly signed as one of Famous When Deadâs initial releases. With support from across the industry firing in, this track is proving to be a surefire winner for the breakthrough imprint.
Â
âTogetherâ will be available on all major digital platforms, paving the way for a series of exciting releases across the year, marking 2025 as a solid year of continued success for Xamount and the FWD family.
Â
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The post Famous When Dead Records Drops Second Release With Xamountâs UKG Track âTogetherâ appeared first on Electric Mode.
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Nora En Pure was excited to get back to work on her art after a six-week tour of North America and a break from the workshop. To find balance from the hectic life on the road, she put all of her energy into writing âTranquility,â a happy and relaxing song meant to bring calm to a busy world. The track, which was just finished, is ready to make a name for itself on dance floors. Its upbeat energy, catchy tunes, and immersive atmosphere are already drawing people in.
The trackâs bright keys and shimmering synths dance easily over the deep, rolling basslines, taking listeners on a journey of sound that makes them feel completely at peace. As its name suggests, âTranquilityâ makes people feel calm and happy, so it can be powerful in a club or when you want to take some time to think.
Following the success of her previous song, âProtected,â Nora En Pureâs latest release makes her even more of a leader in the melodic and organic house scene. Her Purified brand continues to bring music fans from all over the world together, and she is still committed to making high-quality, emotionally charged music that connects people to nature and the world around them.
The post Nora En Pure Unveils Latest Single âTranquilityâ appeared first on The Groove Cartel.
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To emphasize the innovation behind One World Radio, it is curated by the amazing team behind Tomorrowland. Additionally, One World Radio contains a diverse array of exclusive mixes, unique tracks, and unforgettable live sets. Fans worldwide continue to treat themselves to the hottest sounds from international hosts, top guest artists, and all of Tomorrowlandâs beloved family and friends. Itâs the perfect spot for any electronic music lover.
One World Radio of Tomorrowland, the newest member of the SiriusXM family
Since its launch in 2019 to celebrate Tomorrowlandâs 15th anniversary, One World Radio has taken the world by storm, reaching millions of listeners in over 130 countries. In fact, anyone can tune in 24/7 at the official website of Tomorrowland and on the Tomorrowland App (available on Apple and Google Play stores). Furthemore, as a result of the station now officially being a member of SiriusXM, fans can stream content on the official app of SiriusXM as well.
Plus, fans can catch One World Radio on DAB+ in Belgium, the Netherlands, Switzerland, and Malta, or on FM in Romania. Last but not least, regardless of how one enjoys One World Radio, the wonderful vibes the station brings out will still allow the listeners to feel good, relaxed, and looking forward to the next amazing track.
Geronimo, the Vice President of Music Programming of SiriusXM, shares joy over the stationâs addition
The stationâs achievements, detailed in data
More than 1.5 million monthly unique listeners from more than 130 countries. More than 750.000 monthly listeners on demand. âWhere Are You Nowâ by Lost Frequencies & Calum Scott is the most played record in the 6-year history of One World Radio. 5 daily hosts (Adam, Ben, Camille, Justin and Greg) and 3 weekly hosts (Andrea, Carly and MC Stretch). 14 DJ/artist residencies: Amber Broos, Alok, Armin van Buuren, Austin Kramer, Dino Lenny, DJs From Mars, Hardwell, Laidback Luke, MANDY, NERVO, Sunnery James & Ryan Marciano, Timmy Trumpet, Vintage Culture and Yotto. Over 200 Tomorrowland Friendship Mixes. DAB+: Belgium, the Netherlands, UK, Switzerland and Malta. FM: Romania. The post Tomorrowland One World Radio Officially Joins SiriusXM appeared first on EDMTunes.
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We start with heavy hitters Zeds Dead debuting their newest album, dubstep icon Tape B, future disco act Disco Dom (Dombresky), Detroitâs Mike Posner, Brazilian star Vintage Culture, and Caribouâs experimental alias DAPHNI. Also joining are The Knocks & Dragonette, plus solo sets from drum & bass giants Sub Focus, Dimension, Culture Shock, and 1991 along with their WORSHIP headliner tour.
More highlights include bass favorites Ray Volpe and INFEKT, rising UK drum & bass acts Kanine and Sota, high-energy French DJ duo Jersey, viral house artist NOTION, and underground favorite Avalon Emerson. Live acts include a rare Tractorbeam set (The Disco Biscuits), singer-songwriter HAYLA, alt-pop duo Haute & Freddy, indie band The Strike, Japanese producer SHIMA, and sax-playing internet sensation Saxsquatch.
Curated Stage Announcements
BASSRUSH will showcase a variety of bass music subgenres, with performances from Tape B, Sub Focus, Dimension, Culture Shock, 1991âs WORSHIP, Ray Volpe, INFEKT, Wreckno, Taiki Nulight, Crankdat, and more.
Additionally, Forest has unveiled its initial lineup of curated events, featuring collaborations with BASSRUSH, Disclosure Friends & Family, Deadbeats, and Dreamlandâs Sunday Pride Takeover.
Disclosureâs Friends & Family takeover will bring exclusive B2B sets, including Disclosure (DJ Set) B2B Daphni, Interplanetary Criminal B2B Main Phase, and several other dynamic pairings.
For the first time, Dreamlandâs Sunday Pride Takeover will celebrate inclusivity with performances by The Knocks x Dragonette, BAMBII, Confidence Man, and TAAHLIAH. Known for its high-energy events, Dreamland brings its signature vibrancy to Electric Forest, embracing individuality and community.
Stay tuned for the Deadbeats Stage Takeover with more information to be announced soon.Â
HAPPY FOREST!
The post Electric Forest Reveals Phase 2 Artists for 2025 appeared first on EDMTunes.
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A long term solution needed to be made for this short-term problem and thatâs what Consell dâEivissa (Ibizaâs Island Council)Â did when they signed this âhistoricâ agreement. Up to this point, Airbnb has already removed 200 illegal letting from their site, but Ibizaâs council leader, Vicent MarĂ, expects another 300 to be removed this month. Last year, alcohol laws were changed in many ways for Ibiza and surrounding islands. All these recent changes are an effort to improve the lives of the locals, improve the quality of tourists, protect from environmental damages, and fight against other social challenges.
The president of Consell dâEivissa, Vicent MarĂ, thanked Airbnb for its collaboration. The council views multi-family homes, rooms inside apartments, homes with multiple occupancy, camping outside of campsites, and any others not registered to be illegal lettings. MarĂ says this agreement is âa milestone in the roadmap that we set out more than five years ago to lead a relentless fight against the islandâs unregulated [tourist accommodation] supplyâ.
Joining in on this agreement are Ibiza Tourist Accommodation Association, the Ibiza and Formentera Hotel Business Federation and promotion company Fomento del Turismo. Hopefully this will be the stepping stone needed for Ibiza to be a sustainable destination for tourists that love to experience beautiful beaches, love for music, and an atmosphere that simply cannot be replicated.
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https://www.instagram.com/p/DGLwXTcRDwg/?img_index=1 Blunts & Blondes Speaks Out
The controversy began when Gabrielle Reinhardt accused Blunts & Blondes of sexual assault. This was shown a viral Twitter thread, claiming an incident occurred in July 2019. The allegations spread quickly, leading to a wave of backlash from fans and industry professionals.
In his statement, Blunts & Blondes described the experience as âthe hardest and most dishearteningâ of his life. He emphasizes that despite the allegations being dismissed, the damage to his reputation and career was irreversible. The EDM industry responded swiftlyâGuard lost festival bookings, label support, and brand partnerships. This illustrates the immediate consequences artists face when such accusations surface.
His statement also touched on mental health struggles, the impact of public perception, and the difficulty of rebuilding a music career after controversy. While Blunts & Blondes maintains his innocence, he acknowledged that the situation permanently altered his standing in the industry.
How the EDM Industry Handles Allegations
The case of Blunts & Blondes is one of several in which EDM artists have faced serious allegations leading to cancellations and industry bans. While some accusations have resulted in legal action, others have relied solely on social media discourse, raising questions about due process and industry accountability.
Other artists, such as Bassnectar and Space Jesus, also faced public accusations that led to career downfalls. In 2020, multiple sexual misconduct claims led Bassnectar to step away from music, while festival organizers removed Space Jesus from lineups due to similar allegations. These cases show how quickly the EDM community reacts to accusations, often blacklisting artists. Bassnectar left the music scene in 2020 after facing multiple sexual misconduct claims, while Space Jesus lost his spot on festival lineups due to similar allegations.
The response to Blunts & Blondesâ allegations follows a similar pattern and he faced widespread criticism online. His situation fuels the ongoing debate over how the electronic music industry should navigate allegations, reputation damage, and comeback attempts.
Blunts & Blondes Announces New Label
Despite the controversy, Blunts & Blondes is taking steps to move forward in his career. In addition to addressing the allegations and industry fallout, he announced the launch of his own record label, which will serve as a platform to uplift and support emerging EDM artists.
Dubstep artist Blunts & Blondes, known as Michael Guard, has broken his silence after a year regarding serious sexual assault allegations. In the emotional Instagram statement, he reflects on the turmoil these accusations caused and shares his vision for the future.
Music Comeback & Future Plans
Rather than letting the controversy define him, Guard is shifting his focus toward rebuilding his career. He announced the launch of his new label, which aims to uplift and support emerging artists in the electronic music scene.
Additionally, he is reconnecting with fans and using his platform to continue making music, reaffirming his passion for the industry. His statement signals a turning pointâone that moves beyond the allegations and toward a fresh start in his career.
What Comes Next?
here As the music industry continues grappling with issues of accountability and fairness, Guardâs case reignites discussions on how to support survivors while ensuring due process for the accused.
His latest statement ends on a note of resilience and redemption, raising the question: Is this the beginning of a new chapter for Blunts & Blondes, or will the controversy continue to follow him?
For more updates on Blunts & Blondes music label and upcoming releases, check out his official website/socials
The post The Comeback of Blunts & Blondes: Industry Fallout & New Label appeared first on EDMTunes.
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Get ready for headliners including Dom Dolla, Feid, Gesaffelstein, Kaytranada, Sean Paul, Juvenile & The 400 Degreez Band, Four Tet, Floating Points live, Sara Landry, and Nico Moreno. Additional bookings include cutting-edge club-ready energy from Overmono (DJ Set), Joy Orbison, Marlon Hoffstadt, Malugi, Prospa, Narciss, and Funk Tribu.
Next, house music lovers can reunite with Deorro, The Blessed Madonna, Gordo, James Hype, Loco Dice, Ben Sterling, Riordan, Blackchild, and SOSA. The lineup also features house-driven back-to-back sets from Walker & Royce B2B VNSSA, Adam Ten B2B Mita Gami, Torren Foot B2B Airwolf Paradise, and Kilimanjaro b2b MelÊ.
Additionally, hard-hitting techno fans can enjoy 999999999, Alignment, I Hate Models, Deborah De Luca, and KI/KI. Heavier sounds include PEEKABOO, Tape B B2B Mersiv, Crankdat, Bou, and Hybrid Minds. HARD Summer shall once again promise all the heavy-hitting techno titans and hard-hitting sonic heads this weekend.
Since its inaugural edition in 2008, HARD Summer has cemented its place as a cornerstone of Southern Californiaâs festival scene. With its distinct multi-genre curational ethos and vibrant aesthetic, the event has grown steadily in prominence. Today, it stands as Los Angelesâ largest electronic music festival. Not to mention, a powerful celebration of the cityâs rich tapestry of musical styles and cultural influences. Its move to Hollywood Park last year has enhanced the festival experience offering a larger and more immersive experience. With 300 acres, attendees can lavish in the interactive features and innovative activations. In 2023, HARDâs âPre-Gameâ initiative partnered with 17 local businesses, showing a dedication to the local community.
Two-day GA, GA+, and VIP festival passes go on sale March 7th. Sign up for early access and purchase tickets here.
The post HARD Summer 2025 Announces Feid, Kaytranada, Dom Dolla, Gesaffelstein, Sean Paul, Four Tet & More appeared first on EDMTunes.
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Heading to SoCal for this year's event are Dom Dolla, Sara Landry, Gesaffelstein, Four Tet, Nico Moreno, Crankdat, Kaytranada, I Hate Models, James Hype, PEEKABOO, Sean Paul and many more. The fest also features a handful of compelling b2b sets, among them Tape B b2b Mersiv, Walker & Royce b2b VNSSA and Adam Ten b2b Mita Gami.
Insomniac in 2023 moved HARD Summer to a combination of venues in downtown LA after it took place at San Bernardino's NOS Events Center for over a decade, leading to logistical headaches. They addressed those concerns last year by moving the festival to its new home in Inglewood's Hollywood Park, the expansive entertainment complex adjacent to SoFi Stadium and YouTube Theater.
The 2025 edition of HARD Summer is scheduled for August 2-3. Two-day GA, GA+ and VIP festival passes will be available on Friday, March 7th at 10am PT.
You can check out the full lineup below and purchase tickets here.
The 2025 HARD Summer lineup features Gesaffelstein, Sara Landry, Dom Dolla, James Hype and many more. Insomniac Events
Follow HARD Summer:
X: x.com/hardfest
TikTok: tiktok.com/@hardfest
Instagram: instagram.com/hardfest
Facebook: facebook.com/hardfest
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The lyrics convey a strong message of inclusion, opening with the male singerâs words, âJust a stranger in this town, trying to find my place but I just make mistakes,â followed by the female vocalistâs plea, âDonât let me drown, cause itâs deep below.â These lines emphasize the importance of support and understanding rather than exclusion. The track marks a new creative direction, as it is the first fully upbeat production of its kind from this artist. Looking ahead, a feminist EP is set for release in March, followed by a second album expected to drop before summer. With anthems of empowerment and connection, this artist continues to push boundaries in dance-pop music.
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Key Highlights
Main Stage closing sets from Everything Always (Dom Dolla b2b John Summit), Hardwell, and Martin Garrix Charlotte de Witte, Carl Cox, and Solomun to close RESISTANCE MegaStructure across the weekend The Worldwide Stage will once again welcome Armin van Buurenâs A State Of Trance on Friday, which will feature a special closing set by Armin Van Buuren b3b Maddix b3b Oliver Heldens deadmau5 b2b Pendulum will close out the Worldwide Stage on Saturday, and deadmau5âs retro5pective set will close out the stage on Sunday Live Stage closers include Zeds Dead, Gesaffelstein, and Above & Beyond The UMF Radio Stage will host three dynamic takeovers: Partiboi69âs extraterrestrial event series Area 69 makes its Ultra debut on Friday, Vini Viciâs Alteza Records presents Ultraâs first-ever psytrance stage takeover on Saturday, and Cooneâs Dirty Workz label returns for its fourth consecutive year on Sunday The production of the 25 part docuseries âAll Eyes On Usâ shows the dedication to the celebration of this milestone. The series highlights Ultraâs global impact as pioneering industry leaders and the festivalâs role in defining dance music culture over the past quarter century. Ultra releases a new episode every Monday in a 25-week countdown to the monumental occasion. RESISTANCEâs Strong Presence
Secondly, RESISTANCE continues to be a major part of Ultra, with top-tier techno and house artists performing across the weekend. The Megastructure takeovers include Amnesia Ibiza and Carl Cox Invites. Amnesia Ibiza brings a direct connection to one of the most iconic clubs in the world, known for its legendary techno and house nights. Artists inlucde Charlotte de Witte, ARTBAT, Boris Brejcha, Miss Monique, Marco Farone b2b Mar T. Additionally, Carl Coxâs Invites concept guarantees quality and authentic techno. Solomun presents his Diynamic label here as well, showcasing the best in melodic house and techno. His takeoverâs roster is sture to be unique.
Thirdly, the Cove Stage also gets an inaugural M2 MIAMI takeover. Know that you will have a high-caliber, curated experience here with Eli Brown, Patrick Topping, Chris Avantagrde, I Hate Models, 999999999, and much more. This is a new development for RESISTANCE, expanding its reach within the festival. M2 Miami is a newer club that has made a very large impact in the Miami night life scene. So, this popular Miami club connects attendees to the Miami club scene and signals the growth and popularity of the RESISTANCE brand, warranting its own dedicated stage takeover.
UMF Radio and Worldwide Stage Takeovers
Whatâs more, the UMF Radio Stage effectively caters to fans of specific subgenres, providing dedicated spaces for them to enjoy their favorite sounds. Partiboi69âs extraterrestrial event series Area 69 debut takeover promises a unique and energetic experience, with a diverse lineup and a surprise closing performance. Similarly, the amount of âb2bâs featuring Skream and Interplanetary Criminal (to name a few) at the end of the night is slated to be a very unique and fun experience. Now, letâs not forget Vini Viciâs Alteza Records debut psytrance takeover. For the Worldwide Stage, it features a large lineup of artists offering a deep dive into the genre and others. Armin van Buurenâs A State Of Trance provides curated experiences for fans of specific subgenres including Oliver Heldens, Maddix, Nifra, Ruben de Ronde, and Schrotthagen. Saturday hosts ATLiens, Knife Party, Wilkinson, Barclay Crenshaw, and more. Sunday closes out with Dimension, Andy C, and some b2bs you just canât miss.
In essence, Ultra Music Festival 2025 is poised to be an unforgettable celebration of electronic music. Check out this unforgettable lineup below. Ultra Music Festival 2025Â VIP tickets are sold out and GA tickets are 98% sold out. Limited tickets remain for purchases here.
ULTRA MUSIC FESTIVAL 2025 LINEUP
999999999
ABOVE & BEYOND
ADAM BEYER
AFROJACK
ALESSOÂ
ANYMA B2B SOLOMUN
ARMIN VAN BUUREN
ARTBAT
AXWELL
BORIS BREJCHA
CARL COX (EVOLUTION LIVE)
CHARLOTTE DE WITTE
CHASE AND STATUS (U.S. DEBUT OF LIVE SHOW)
DEADMAU5 (RETROSPECTIVE SET)
DEADMAU5 B2B PENDULUM (DJ SET)
PENDULUM (LIVE SET)
DUBFIRE âEVOLVâ
ELI BROWN
EVERYTHING ALWAYS (DOM DOLLA + JOHN SUMMIT)
FOUR TET
GESAFFELSTEIN
GRYFFIN
HARDWELL
I HATE MODELS
JORIS VOORN (LIVE)
KNIFE PARTY
KSHMR (THE LIVE EXPERIENCE)
KNIFE PARTY
KSHMR (LIVE)
LSZEE (LSDREAM + CLOZEE)
MARTIN GARRIX
MAU P
MISS MONIQUE
NERO
NGHTMRE B2B SULLIVAN KING (WORLD DEBUT)
NICO MORENO
OLIVER HELDENS
RICHIE HAWTIN (DEF EFX X0X)
SKRILLEX
SOLOMUN
STEPHAN BODZIN (LIVE)
STEVE AOKI
SUBTRONICS
TIĂSTO
TIMMY TRUMPET
VINI VICI
ZEDDÂ
ZEDS DEAD
SUPPORT (A-Z)
ADRENALIZE
AFROBETA
AHADADREAM
ALCHIMYST
ALLEYCVT B2B JESSICA AUDIFFRED
ANDY C
ATLIENS
BARCLAY CRENSHAW
BLAZY
BOIISH LIVEÂ
BRENNAN HEART
CHARLIE SPARKS
CHLOĂ CAILLET
CHRISTOPHER COE (LIVE)
COEXIST
COONE
CRANKDAT
DA TWEEKAZ
DARKSIDERZ
DILLON NATHANIEL
DIMENSION
FERNANDA PISTELLI
FLUX PAVILION B2B DOCTOR P
FRANK WALKER
GIL GLAZE
HEDEX
INFECTED MUSHROOM
JOEL CORRY
JOSH WINK
JOYHAUSER
JULIET FOX
KAMI
KAPUCHON
KASIA
KETBOI69
KEVIN DE VRIES
KHROMATA
KOROLOVA
LEVEL UP
LTJ BUKEM
MADDIX
MAGA
MAR-T
MARAUDA
MARC ROMBOY (LIVE)
MARCO FARAONEÂ
MASSANO B2B CHRIS AVANTGARDE
MODESTEP
MORITZ HOFBAUER
MORTEN
MR. BLACK
MYKRIS
NIC FANCIULLI
NIFRA
NUSHA
ODD MOBÂ
OLYMPE
OMIKI
PARTIBOI69 B2B JUICY ROMANCE
PATRICK TOPPING
PEEKABOO
RAFAEL CERATO
ROOLER
RUDEN DE RONDE
SAID THE SKY
SAM FELDTÂ
SCHROTTAGEN
SHLĂMO
SKEPSIS
SKREAM B2B INTERPLANETARY CRIMINAL
SPACE 92 X POPOF PRESENT TURBULENCES
SUB ZERO PROJECT
SOTA
SONNY FODERA
TERRA
THE PURGE
TOKIMONSTA
VTSS
WILKINSON
ZORZA
ADDITIONAL SUPPORT (A-Z)
ABEL MUSICA
ADAM DE GREAT
ALEX PIZUTI
ANDY ARES
ANDY PATE
AUDIO SAL
BASSETT
BEN NIGRELLI
BILL KELLY
CHRISTOPHER JAMES
CJ
CVMRN
DABURA
DE XENIA
DJ IDEAL
JACK VICE
JEV
JIMMIE PAGE
JOA
JOSH WETHERINGTON
JULIAN CROSS
JUNO
LEMONY SNICKETTS
LOS DE LA VEGA
LUCA TESTAÂ
LUKE HUNTER
MAHEZZ
MARCO NINNI
MARVIN DELGADO
METAPHYSICAL
OMAR DEAZ
PURPLE
RICHARD FRAIOLI
ROD BÂ
ROE REVOLUTION
SANDRO BIANCHI
SOUL GOODMAN
TAK SHAK
TANK
TONE ABSTRACT
VICTOR CARDENAS
WAGS
WIENER BROS
WYZZARD
X-CON
The post Ultra Music Festival 2025 Reveals Daily Programming for 25th Anniversary Celebration appeared first on EDMTunes.
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A driving force behind the M1, one of the most influential synths ever made, Kato's leadership helped Korg evolve into a global powerhouse of electronic music. His life's work was inseparable from the companyâs evolution, steering it through decades of innovation that would leave an indelible mark on the entire field of music production.
Born in Tokyo in 1957, Kato was the eldest son of Korg's founder, Tsutomu Kato. After joining the organization in 1980, he quickly moved through the ranks, shifting from domestic sales to product planning. By 1985, he had already helped usher in a new era for Korg by playing a key role in the development of the M1, widely regarded as the first true workstation, combining a synth engine, sequencer and digital effects into a single product.
Korg
Katoâs leadership extended well beyond product development. In 1988, he moved to the United States to lead Korg USA, strengthening the company's foothold in North America. By 2003, he had ascended to the role of President at the company, in which he served for over two decades.
Korg honored Kato's legacy in a statement, revealing that the influential executive passed away "peacefully" on February 21st following an illness.
"For many years, Mr. Kato dedicated himself to the growth and success of our company, guiding us with exceptional leadership and a warm, compassionate spirit," Korg wrote.
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Spanning every genre across the electronic music sphere, Ultra Music Festival will welcome over 170 acts from around the globe to celebrate the festivalâs 2025 edition from Friday, March 28 â Sunday, March 30.Â
Ultraâs illustrious Main Stage will boast a wide range of exciting performances including the festival debut of Dom Dolla and John Summitâs collaborative project Everything Always, closing on Friday, March 28. The evening will also feature performances from renowned artists such as Alesso, Afrojack, TiĂŤsto, Subtronics, Timmy Trumpet, and Sam Feldt. On Saturday, March 29, the Main Stage will continue with a star-studded roster of talent including a closing set from Hardwell, preceded by sets from Skrillex, Axwell, Anyma b2b Solomun, Armin van Buuren, Steve Aoki, Joel Corry, Frank Walker, Kapuchon, and Gil Glaze. Ultraâs 25th anniversary will conclude on Sunday, March 30 with a festival closing set from Martin Garrix, who will follow Zedd, Gryffin, Sonny Fodera, MORTEN, Odd Mob, Mykris, Jev, and a surprise special guest.
Over at the iconic Worldwide Stage, Armin van Buuren will once again host the coveted A State of Trance takeover on Friday with performances from the label boss himself, Oliver Heldens, Maddix, Nifra, Ruben de Ronde, and Schrotthagen. The closing set will feature a rare back-to-back-to-back performance from Armin van Buuren, Maddix, and Oliver Heldens. On Saturday, March 28, the must-see performances will continue with a closing set from deadmau5 b2b Pendulum, in addition to ATLiens, Hedex, Crankdat, Knife Party, Marauda, Wilkinson, Barclay Crenshaw, LTJ Bukem, Level Up, and Dillon Nathaniel. The stage will close out on Sunday with deadmau5 performing his âretro5pectiveâ set, following sets from NGHTMRE b2b Sullivan King, Peekaboo, Dimension, Andy C, Alleycvt b2b Jessica Audiffred, Doctor P b2b Flux Pavilion, Sota, and Julian Cross.
Ultraâs esteemed house & techno brand RESISTANCE will host three days of tastemaking underground acts at the RESISTANCE MegaStructure. Friday will host the Amnesia Ibiza stage takeover ahead of the return of the RESISTANCE Ibiza Club Residency this summer, including a closing set from Charlotte de Witte and a performance from Amnesia Ibiza Season Resident ARTBAT. The Friday takeover will be rounded out with sets from Boris Brejcha, Miss Monique, and Marco Farone b2b Mar T. On Saturday, RESISTANCE will host Carl Cox Invites with a collection of uniquely curated sets, including the world debut of Carl Coxâs Evolution Live show. The star-studded roster will also host Adam Beyer, Richie Hawtin DEX EFX X0X, Stephan Bodzin (live), Joris Voorn (live), Dubfire EVOLV, Marc Romboy (live), and Carl Cox b2b Christopher Coe (live). The following day, Solomun will cap off his Diynamic stage takeover with a captivating closing set following a curation of performances from Four Tet, Mau P, ChloĂŠ Caillet, and Rafael Cerato.
With breathtaking ocean views from Bayfront Park, RESISTANCEâs The Cove Stage will serve as the perfect backdrop for fans to immerse themselves in the sounds of the underground. Friday will feature a closing set from Eli Brown in addition to performances from Patrick Topping, Nic Fanciulli, Josh Wink, and Joyhauser. Saturday will boast the RESISTANCE M2 MIAMI stage takeover with Massano b2b Chris Avantgarde shutting down the stage after sets from fan favorites Kevin de Vries, Korolova, KASIA, Olympe, Moritz Hofbauer, and MAGA. Sundayâs roster of talent boasts a closing set from Nico Moreno, preceded by I Hate Models, 999999999, Popof b2b Space92 present Turbulences, Charlie Sparks, Juliet Fox, and Nusha.
Fans can revel in a collection of live performances throughout the weekend at Ultraâs Live Stage, which has made its permanent home at Bayfront Parkâs Amphitheater. Starting the weekend off strong, Canadian legends Zeds Dead will close down the stage on Friday, feeding off the explosive energy from Pendulumâs live set, the debut of Chase & Statusâ new live show, Neroâs live performance, in addition to Modestep and Skepsis.The following day, Gesaffelstein will close the Live Stage with additional sets from KSHMR (live), TOKiMONSTA, and BOIISH (live). On the final day of the festival, Above & Beyond will make their return to Ultra Music Festival to close the Live Stage. Sundayâs roster will also feature LSZEE, Said The Sky, Infected Mushroom, and Afrobeta. Â
Ultraâs UMF Radio Stage will once again host a bevy of stage takeovers curated by some of the industryâs leading imprints. Starting on Friday with the debut of Partiboi69âs Area 69 stagetakeover with Ahadadream, VTSS, Ketboi69, Skream b2b Interplanetary Criminal, Partiboi69 b2b Juicy Romance, and a surprise b2b2b2b2b performance to close out the takeover. The party will continue on Saturday with another debut stage takeover from Vini Viciâs Alteza Records will performances from Mr. Black, Terra, Shlømo, Vini Vici, Blazy, Omiki, Alchimyst, Fernanda Pistelli, Coexist, Khromata, Zorza, and Roe Revolution. The festival will conclude with the return of Cooneâs Dirty Workz stage takeover with Kami, Roller, Da Tweekaz, Brennan Heart, Coone, Sub Zero Project, The Purge, Adrenalize, and Darksiderz.
Ultra Music Festivalâs seventh stage, The Oasis Stage, will feature a collection of blossoming talent including Marco Ninni, Jack Vice, Purple, Los De La Vega, Ben Nigrelli, Richard Fraioli b3b Jimmie Page b3b DJ IDeaL, Weiner Bros, and Andy Ares on Friday. Saturdayâs billing includes Metaphysical b2b Tone Abstract, Tak Shak, Wags b2b  Lemony Snicketts, Audio Sal, Rod B, Sandro Bianchi, Luke Hunter b2b BASSETT, Andy Pate, Josh Wetherington b2b Christopher James, Jay P, Soul Goodman b2b Dabura, OMAR DEAZ, and Juno b3b CJ b3b Marvin Delgado. The Oasis Stage will close the weekend with Sunday sets from Victor Cardenas, Luca Testa, De Xenia, Alex Pizutti b2b Tank, Joa, X-Con b2b Wyzzard, Bill Kelly, Rodrigo Vieira, Adam Da Great, Abel Musica, CVMRN, and Mahezz.
Ahead of the festivalâs forthcoming 25th anniversary celebration, fans can relive the magic of Ultra Music Festival through the 25-episode docuseries titled âAll Eyes On Us.â The series highlights Ultraâs global impact as pioneering industry leaders and the festivalâs role in defining dance music culture over the past quarter century. Ultra has released a new episode every Monday in a 25-week countdown to the monumental occasion.
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Hot off the heels of Vintage Cultureâs recent sold-out performance at RESISTANCE Miami, the esteemed underground series will continue its celebrated U.S. club residency during Miami Music Week, hosting five nights of house and techno programming from Wednesday, March 26 â Sunday, March 30 at M2 Miami.Â
In 2023, ULTRA Worldwide unveiled its debut U.S. club residency â RESISTANCE Miami â in the festivalâs Miami Beach hometown at nightlife haven M2 Miami, transporting RESISTANCEâs signature immersive clubbing experience from Ibiza to America for the very first time. Now in its acclaimed second season, RESISTANCE Miamiâs six-month, Saturday night residency has become a staple of the cityâs house and techno culture, notching more than 30 sold-out shows, and showcasing headlining performances from underground luminaries like Amelie Lens, Boris Brejcha, CamelPhat, Carl Cox, Charlotte de Witte, Eric Prydz, Joris Voorn, and Mind Against.
The third annual installment of RESISTANCE Miami Music Week will be a tour de force of house and techno, commencing on Wednesday, March 26 with French hard techno act I Hate Models, who will make his debut at RESISTANCE Miami alongside explosive sets from Berlin techno act Patrick Mason, French producer/DJ Shlømo, and rising hyper techno act Zorza.Â
On Thursday, March 27, modern techno pioneer Charlotte de Witte will make her highly anticipated return to RESISTANCE Miami, following her sold-out show during Miami Music Week 2023. The evening will also feature veteran acts like dynamic Italian artist Enrico Sangiuliano and Australian techno queen Juliet Fox, with support from ANNICKA.
The Miami Music Week party will continue on Friday, March 28 with another top tier roster of talent including minimal techno maestro Boris Brejcha, versatile Dutch artist Joris Voorn, German melodic techno actMoritz Hofbauer, all of whom have left an undeniable impression with their previous Ultra Miami performances.
On Saturday, March 29, RESISTANCE Miami will host RESISTANCE Ibiza Season Resident ARTBAT for another epic headlining performance. RESISTANCE fan-favorite Miss Monique will also return to M2 Miami following her indelible performance during Miami Music Week 2024. The evening will be rounded out with a captivating set Italian melodic techno act Olympe.Â
The third annual RESISTANCE Miami Music Week will conclude on Sunday, March 30 with the Official MMW Closing Party headlined by ULTRA Worldwide mainstay Carl Cox. The legendary DJ/producer has become a staple in the RESISTANCE Miami history with standout performances during Miami Race Week and the Official MMW Closing Party in 2023. Techno legend Nicole Moudaber will also take the stage with a supporting set from Ibiza-based act Chelina Manuhutu.
RESISTANCE will make its triumphant return to the White Isle this summer for RESISTANCE Ibiza 2025, reclaiming its status as a defining force in Ibiza nightlife with a nine-week residency at the world-famous Amnesia Ibiza, which remains a haven for those who seek authentic clubbing. Running every Wednesday from July 23 through September 17, 2025, RESISTANCE Ibiza 2025 will be anchored by Season Residents Adam Beyer and ARTBAT, who will deliver weekly headlining performances, rotating between Amnesiaâs immersive Main Room and emblematic sky-roof Terrace.
Ahead of the return of RESISTANCE Ibiza, Ultra Music Festival will host the Amnesia Ibiza stage takeover on RESISTANCE MegaStructure on Friday, March 28 to give fans a sneak peek of whatâs to come with the highly anticipated return in Ibiza. The takeover will feature a closing set from Charlotte de Witte, Ibiza Season Residents ARTBAT, in addition to Boris Brejcha, Marco Farone, and Mar T.Â
Further strengthening the connection between the RESISTANCE residencies and the flagship festival, Ultra will also host the newly-announced RESISTANCE M2 Miami stage takeover on Saturday, March 29 at The Cove Stage. The roster will feature performances from RESISTANCE Miami regulars such as Massano b2b Chris Avantgarde, Kevin De Vries, Korolova, Olympe, Moritz Hofbrauer, and MAGA.
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FWDRâs mission is to deliver a wide array of electronic vibes, with an emphasis on House music. The labelâs upcoming lineup includes CASH ONLY himself, Syncia, Reigns, Rahh, Maisie Mae, Patrick Meeks, Holly Ellison, and more soon to be revealed.
Reflecting on the labelâs creation, CASH ONLY shares: âFWDR was born from a shared passion for both music and creative visual arts, and itâs an exciting collaboration between myself and Midlandâs Abstract Street Artist, Andrew Turner, also known as Famous When Dead.Â
Our goal wasnât just to create another imprint to release music, but to build a vibrant community. We wanted to offer something beyond sound, a complete experience that could be seen as a film or moving artwork, worn as a creatively designed T-shirt, or enjoyed in an immersive club environment where visuals and sound come together in perfect harmony.â
With an impressive track record that includes his tenure as Label Manager for Dvine Sounds, ownership of FWDR, a monthly show on Centreforce Radio, over 50K monthly Spotify listeners, 6 million TikTok and Instagram plays, and a string of top-charting tracks, this marks the next pivotal moment in CASH ONLYâs rapidly rising career.
CASH ONLY further commentsÂ
âFWDR is both fun and satirical. We are serious about pushing our music, but want to have fun along that journey. Supporting emerging artists is important for us, but equally we want to create a platform where established artists can also explore themselves a little more creatively.â
Already a globally recognised artist and DJ, 2025 is set to elevate his profile even further. With a packed schedule of worldwide dates and exciting partnerships with major brands in the works, He is gearing up for the launch of his own club night âFWDRâ at the iconic E1 venue. Additionally, a global radio show is in development and will showcase CASH ONLY and FWDRâs unique sound, regularly featuring its growing roster of artists.
The debut single âAnother Oneâ is now live on all major platforms, and is already receiving widespread support from global tastemakers, whilst climbing the download charts. FWDR is positioned for an exciting year ahead, actively highlighting cutting-edge talent, breaking underground and crossover tracks, and rolling out their own branded events, making this a priority imprint to watch.
Download / Stream https://snd.click/AnotherOneSynciaÂ
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After a decade-long break, Angel City has returned to the scene, reigniting the passion that first propelled her to the top of the UK and US Dance Music charts in the early 2000s. With a legacy of chart-topping singles and a renewed creative vision, she embarks on an exciting new chapter in her artistic evolution, fuelled by her varied inspirations and developing artistic direction. As she draws creative motivation through both her own experiences and influence from the Melodic House and Trance genres, Angel City looks ahead with determination and purpose, ready to reestablish herself amongst the top Electronic Music Artists and connect with both her long-time fans and a new generation of genre lovers.Â
Crafting an engaging journey through its intricate sound design and evolving arrangement, âSTARSâ invites listeners into a soundscape where ethereal vocals and dynamic sonic details converge. As Angel City leads the way with her vocals, expressive and emotive in tone, uplifting chordal progressions and atmospheric pads lay the instrumental groundwork of âSTARS,â motivating the track forward towards an energetic drop. With the pulsating arpeggiator line weaving amongst the steady kick and intensifying percussive elements, the track sustains its immersive vibe, bringing considered synth work designed to complement Angel Cityâs powerful vocal delivery, all while maintaining its flow with precision and control.Â
As the styles of both DJ T.H. and ReDub unite with Angel Cityâs distinct approach, âSTARSâ gives way to a seamless fusion of emotive lyricism and high-energy production; capturing the essence of Angel City and her creative direction moving forward, this newest release marks an exciting step for this talented Artist, seeing her reassume her signature sound while embracing a new era of artistic expression and collaboration.
So, whether a returning follower or a newcomer to her music, be sure to dive into Angel Cityâs sonic world with her latest release âSTARS,â out now via Coldharbour Recordings, and watch her journey unfold by following her across social media to stay updated on her upcoming releases and news.
Listen to âSTARSâ Here:Â Â Â
Angel City OnlineâŻâŻÂ
Spotify | InstagramÂ
DJ T.H. OnlineâŻâŻÂ
Spotify | InstagramÂ
ReDub OnlineâŻâŻÂ
Spotify | InstagramÂ
Coldharbour Recordings OnlineâŻ
Beatport | Instagram | Website
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In the late 80s he latched onto the acid house movement which lead him to meeting Liam Howlett who had a similar taste in music and had been working on some music of his own. Flint managed to convince him that he should be playing his tracks on stage, brought in his friend Leeroy Thornbill to dance on stage with him, and soon after got Maxim Reality to join. With Keith and Leeroy as the dancers, Liam on the synths, and Maxim on vocals The Prodigy was born.
Keith remained as a dancer till 1996 when he would also start providing vocals for a couple of tracks, but little did he know that he was about to make history with his vocal contributions. His vocals appeared on âFirestarterâ and âBreatheâ which both went to number one in the UK charts and have become a couple of The Prodigyâs most iconic songs. He also starred in the music video for âFirestarterâ where he debuted his new, and now infamous, punk style. This look featured his hair styled into the horns that lasers now etch the outline of during âFirestarterâ at The Prodigyâs live shows as a tribute to him.
His voice has become engraved into history with him appearing on several other huge songs by The Prodigy including âSerial Thrillaâ, âOmenâ and âWe Live Foreverâ to name a few. However, itâs his amazing stage presence that he is possibly best remembered for with his unmatched chaotic energy and unbelievable passion for performing. In contrast to his wild energy on stage, off stage he was known as a gentle sole who was full of kindness and generosity.
Unfortunately, a troubled childhood, drug addiction, and a long battle with depression took its toll on him and on 4th March 2019 he took his own life. His loss was felt across the world as tributes poured out from the likes of Jay Kay of Jamiroquai, Oasis, and Donatella Versace who was a friend of Flintâs. She dedicated her spring/summer 2020 menswear show to him with all the male models outfits reflecting his unique style and all of them sporting Keithâs âFirestarterâ hairstyle.
The death of Keith Flint is still felt and remembered today with The Prodigy taking to social media to say, âWE MISS U SO MUCH BROTHER, UR FIRE WILL NEVER FADE, L H & MAXIM X.â Along with this a mural of him at Braintree Town Football Club, local to where he used to live, has been restored for this solemn anniversary. Keith is an example of someone who lived life to the fullest and was unafraid to be himself which is something we can all aspire to. His death is a reminder of how important it is to be aware of the serious issue of suicide and making sure there is support in place to help prevent more losses like this. His memory will live on through the amazing music he made and his unmistakeable silhouette at every show The Prodigy does.
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