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Yamaha Announces Music Innovations Fund to Invest $50 Million in Next-Gen Music and Media Startups

Photo Credit: Nadine E
Yamaha announces the Yamaha Music Innovations Fund to begin investing in music and media startups with a dedicated $50 million fund.
Yamaha has announced that its corporate venture capital fund, Yamaha Music Innovations Fund (YMIF), will begin to invest out of a dedicated $50 million fund this month. The conglomerate set up the VC fund last year to secure the company’s “leadership position as an innovator in the fields of sound and music,” and will invest in music and media startups in Silicon Valley.
“Since establishing our base in Silicon Valley in April 2024, we have collaborated with six startups by leveraging our group’s assets as the leading comprehensive musical instrument manufacturer with the No. 1 market share,” said Yamaha Music Innovations President and CEO Yusuke “Scott” Sugino.
“Through our investment activities via YMIF and business collaborations utilizing our assets, we are bringing our mechanisms for creating new value and new businesses to the next stage.”
The fund will be headed up by Managing Partner Andrew Kahn, a veteran in the music innovation space and a former Live Nation alum. Billboard named Kahn one of Music’s Top Investors in Tech of The Future in 2023, and he has been widely recognized by other publications for his efforts in the field.
“With this fund, we’ll be backing early-stage, visionary founders at the intersection of culture, creativity, and technology—from next-gen creative tools and AI to interactive media, immersive music experiences, learning platforms, and new models for collaborations and creator empowerment,” said Kahn.
Most recently, Kahn was a partner for six years at Crush Ventures, whose talent management firm boasts a roster including Fall Out Boy, Lil Nas X, Lorde, Miley Cyrus, Green Day, and Weezer.
Sugino concluded: “Through the dual approach of investment and collaboration, we aim to foster the development of the music entertainment industry in a manner distinctive of Yamaha, support the growth of startups, and realize our mission, ‘The Well-Being of People Around the World.’”
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5 Must See Artists At EDC Las Vegas 2025

As the countdown to EDC Las Vegas 2025 begins, the excitement is truly building! Taking place from May 16–18 at the Las Vegas Motor Speedway, this year’s Electric Daisy Carnival is set to be an incredible experience under the dazzling electric sky. With over 250 artists lined up to perform across several stages, you can expect a fun mix of electronic music genres, including house, techno, dubstep, and trance. But EDC is more than just music! It’s a chance to explore amazing art installations, enjoy thrilling carnival rides, and connect with a fantastic community of fellow festival-goers. While the extensive lineup may seem a bit overwhelming, there are definitely some standout artists you won’t want to miss. Whether you’re a seasoned raver or a first-time attendee, here are five DJs you shouldn’t miss at EDC Las Vegas 2025:
1. Eric Prydz
 Swedish DJ and producer Eric Prydz is renowned for his progressive house and techno sounds. With iconic tracks like ‘Call on Me’ and ‘Opus,’ Prydz delivers immersive live performances that blend music with cutting-edge visuals. For over ten years, Eric Prydz has been synonymous with immaculately produced and unique sounding electronic music. The Platinum-selling producer is responsible for some of the biggest progressive house tracks of the last decade, not to mention some of the most technically impressive live shows of any touring artist.
As a solo artist, Prydz has headlined some of the world’s most storied venues, from Madison Square Garden to Brixton Academy and Alexandra Palace, earned multiple Grammy nominations, hosted an ongoing radio show for Beats1 and topped charts with his alter-egos Pryda and Cirez D. Despite the headline-grabbing shows and releases, Prydz remains exclusive. It’s his dedication to his craft as a producer and DJ that leaves him in the highly enviable and singular position of appealing to dance music’s underground connoisseurs and main-stage masses alike.
EDC 2025 Appearance: Eric Prydz is scheduled to perform at EDC Las Vegas 2025 on Saturday, May 17 From 11:18 PM to 12:28 AM at Kinetic Field Residency: He will also present his “Pryda” show at Marquee Dayclub during EDC Week on May 17. Tickets HERE! Instagram: @ericprydz 2. Amelie Lens
Amelie Lens has taken the techno scene to another level, with her unrelenting passion for the genre, with a strong message that she always was, and always will be a raver at heart.
Amelie‘s debut release in 2016 marked the beginning of her distinguished career. Since then, she has released music on many of the industry‘s leading labels and contributed to the prestigious Global Underground City mix series. Amelie is a regular headliner at major festivals such as Awakenings, Sonar, Timewarp, and Tomorrowland’s mainstage. Additionally, she performs at renowned club venues across the globe.
Fast forward to 2024 and Amelie is heading her labels Lenske and EXHALE Records, running her party series EXHALE, holds down an extensive touring schedule and hosts her own radio show ‘Amelie Lens presents EXHALE’. The show now streams online and broadcasts on 34 radio stations across the globe, reaching nearly 5 million listeners with every episode.
EDC 2025 Appearance: Amelie Lens is set to perform at EDC Las Vegas 2025 on Sunday , May 18 from 1:20 am to 3:00 am at Neon Garden. Instagram: @amelie_lens 3. Vintage Culture
Vintage Culture, aka Lukas Ruiz, is an artist who lives and breathes the culture of dance music. The Brazilian artist has more than 1.5B streams online, gathers 8M across his social media platforms, and currently ranks at #30 in DJ Mag’s Top 100 DJs of 2020 poll.
Vintage Culture has graced the cover of Rolling Stone (Brazil), was nominated as one of the most influential “30 Under 30” industry leaders by Forbes, and premiere his very-first Essential Mix for Pete Tong on BBC Radio 1.
He simultaneously had three songs in the top 10 on popular electronic music digital service provider Beatport, including the #1 Main Chart Overall with his debut single at Defected Records, ‘It Is What It Is.’
EDC 2025 Appearance: Vintage Culture is confirmed to perform at EDC Las Vegas 2025 on Saturday , May 18 from 4:15 AM to 5:30 AM at Neon Garden and also at 11:00 PM to 2:00 AM B2B Doozie Instagram: @vintageculture 4. Rezz
REZZ is a veteran in her own right, producing state of the art, genre-bending works, while striking a sharp balance between bass heavy and minimal tech compositions, she oozes originality and stands shoulder to shoulder with the very best in the electronic music scene. Starting out as a local DJ in her hometown of Niagara Falls, she was still a teen when she decided that music production was the path she would take. After studying sound design extensively at home and psychology as an aid to her creative process, her experimentation, dedication and hard work paid off in paving the way for a long career ahead as a highly regarded producer of downtempo soundscapes.
REZZ’s headstrong decisiveness and clear vision are arguably the keys to her success so far. She began to build a following on Soundcloud with a series of free releases that caught the ears of electronic music icons Skrillex and deadmau5. Skrillex subsequently brought her talent to the masses by organizing the release of REZZ’s debut three-track ‘Insurrection’ EP on OWSLA’s The Nest imprint in 2015, which was critically acclaimed and universally lauded, with REZZ being dubbed a “prodigy” (EDM.com) and the “Queen of the Dark Techno Scene” (MTV) in the media.
EDC 2025 Appearance: Rezz is scheduled to perform at EDC Las Vegas 2025 On Saturday, May 17 from 12:05 AM to 1:15 AM at Circuit Grounds Instagram: @officialrezz 5. Fisher
Known for his wild sense of humor and energetic DJing style, FISHER has become one of the scene’s most in-demand talents – sending him to the spotlight. From his Grammy nomination in 2019, courtesy of the monster hit Losing It, currently sitting at half a billion streams and counting, through to releasing hit albums, snagging international airplay, viral TikTok tracks, multiple award nominations, and performances at some of the most iconic stages across the globe, FISHER’s one-of-a-kind personality and performance is truly the stuff of legend; and the legend continues to powerfully explode with each new release and live set. Whether collaborating with Kita Alexander on the dance anthem Atmosphere or with UK rapper Flowdan on Boost Up, reworking Gotye’s iconic 2011 hit Somebody That I Used To Know, or performing major global headline shows, hosting his own annual festival OUT 2 LUNCH on the Gold Coast, and appearing onstage at Coachella with CHRIS LAKE as part of their Under Construction project, FISHER knows what it takes to get the party started for his millions of fans, there is definitely no sign of this modern dance phenomenon slowing down anytime soon.  
FISHER is on a roll this year, with a weekly Hi Ibiza residency, his TAO Vegas residency and appearances including headlining Outside Lands and We Are FSTVL to name a few. FISHER’s first curated festival TRIIP in Malta also took place in June, with a huge lineup featuring Claptone, Eats Everything, Loco Dice and many more.
EDC 2025 Appearance: FISHER is set to perform at EDC Las Vegas 2025 on Saturday May 17 from 12:31 AM to 1:41 AM Residency: In 2025, FISHER continues his successful residency at Hï Ibiza, where he delivers high-energy sets that have become a staple of the island’s nightlife. Tickets HERE! Instagram: @followthefishtv The post 5 Must See Artists At EDC Las Vegas 2025 appeared first on EDMTunes.
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RESISTANCE Ibiza Reveals Full 2025 Season Calendar for Nine-Week Residency

Ahead of its highly-anticipated return to the White Isle this summer, ULTRA Worldwide’s esteemed house and techno brand RESISTANCE has unveiled the full Season Calendar for RESISTANCE Ibiza 2025, which will be making its debut at Amnesia for a nine-week long summer residency. 
Running every Wednesday from July 23 through September 17, 2025, RESISTANCE Ibiza 2025 will be anchored by Season Residents Adam Beyer andARTBAT, who will deliver weekly headlining performances, rotating between Amnesia’s immersive Main Room and emblematic sky-roof Terrace – ensuring each night stands as its own distinct sonic voyage. RESISTANCE Ibiza 2025 will also host Headlining Residents Korolova and Massano – who will each perform four nights during the nine-week run. 
The residency will feature 12 Exclusive Ibiza B2Bs, including the World Debuts of Adam Beyer B3B ARTBAT B3B Vintage Culture, ARTBAT B2B Hardwell (for his only Ibiza performance in 2025), ARTBAT B2B Argy, ARTBAT B2B Gordo, HI-LO B2B Nicole Moudaber, and ANNA B3B Chris Avantgarde B3B Innellea. RESISTANCE Ibiza will also host the Ibiza Debuts of Adam Beyer B2B Mau P, Adam Beyer B2B Eli Brown, ARTBAT B2B Kölsch, Massano B2B ANNA, and Max Styler B2B Oscar L.
RESISTANCE Ibiza will bring more than 50 house and techno heavyweights to Amnesia throughout the nine-week residency, including Anfisa Letyago, Argy, Colyn, Deep Dish, Fideles, Ilario Alicante,Joris Voorn, Maceo Plex, Marco Faraone, Mathame, Mind Against, Richie Hawtin, Sasha & John Digweed, and Stephan Bodzin (live).
RESISTANCE Ibiza 2025 kicks off on Wednesday, July 23 with its official Opening Party, featuring the highly-anticipated Ibiza Debut of Adam Beyer B2B Mau P on the Terrace, which follows their World Debut set at ULTRA Europe – two milestone performances that showcase ULTRA Worldwide’s signature penchant for curating rare, globally exclusive dance music experiences. The RESISTANCE Ibiza 2025 Opening Party will also host ARTBAT, Massano, and Max Styler on the Terrace, while Mathame, Eli Brown, Korolova, and Kasia will take over the Main Room.
The residency continues the following week on Wednesday, July 30, with the World Debut of ARTBAT B2B Gordo, theIbiza Debut of Massano B2B ANNA, Stephan Bodzin (Live), and NO_IP performing in the Terrace, and Adam Beyer, Ilario Alicante, Anfisa Letyago, and HNTR playing in the Main Room. 
On Wednesday, August 6, Adam Beyer will switch over to the Terrace alongside Richie Hawtin, Joris Voorn, and Anna Tur, while ARTBAT will take their first turn in the Main Room alongside Korolova, Deep Dish, and Hidden Gem B2B Pongo. 
The momentum will continue on Wednesday, August 13, with the Terrace seeing sets from Adam Beyer, Maceo Plex, Mind Against, Marco Faraone and ANII, while the Main Room hosts ARTBAT, the World Debut of ANNA B3B Chris Avantgarde B3B Innellea, Olympe, and Josefin Rosen. 

On Wednesday, August 20, RESISTANCE Ibiza will present the World Debut of ARTBAT B2B Hardwell, who will play together underneath the stars on Amnesia’s Terrace, for Hardwell’s only Ibiza performance this summer. The Terrace will also feature performances from Massano, Korolova, Annicka, and Brian Cross, while that week’s Main Room lineup will feature the World Debut of HI-LO B2B Nicole Moudaber, Adam Beyer, the Ibiza Debut of Max Styler B2B Oscar L, and Linska.
The following week on Wednesday, August 27, the Terrace will host the World Debut of ARTBAT B2B Argy, as well as Adam Beyer, Joris Voorn, and Fred Lenix; over in the Main Room, revelers will be able to experience Sasha & John Digweed, and Juliet Fox. 
Crossing over into the final weeks of the residency, RESISTANCE Ibiza will keep the party going on Wednesday, September 3 with Adam Beyer B2B Layton Giordani, Mind Against, Ida Engberg, and Weska on the Terrace, while the Main Room will bare witness to the World Debut of ARTBAT B2B Kölsch, Fideles, Korolova in her final performance of the residency, and Sandro Bianchi. 
On Wednesday, September 10, ARTBAT will be on the Terrace with Stephan Bodzin (Live), Innellea, Rebƫke, and Kasia. In the Main Room, Adam Beyer B2B Eli Brown will be making its Ibiza Debut, alongside additional performances from Ilario Alicante, Alan Fitzpatrick,  Oscar L, MHA IRI.
Then, on Wednesday, September 17, RESISTANCE Ibiza will conclude its residency with the official Closing Party, featuring the World Debut of Adam Beyer B3B ARTBAT B3B Vintage Culture – which will see the two Season Residents playing together for the first time all summer – as well as solo sets from each of those three artists, all on the Terrace. The Terrace will also host Mind Against and Olympe that evening. Meanwhile, the Main Room will close out in grand fashion with sets from Massano for his fourth performance of the residency, Colyn, Chris Avantgarde, and Kitty Amor. 
Shortly after the Ibiza residency finale, RESISTANCE will continue its tenth anniversary global expansion with RESISTANCE London, a landmark two-day event taking over the city’s iconic Drumsheds venue from Friday, September 26 – Saturday, September 27, 2025.
The debut edition of RESISTANCE London will host two consecutive nights of programming at the 15,000-capacity cultural space, further cementing RESISTANCE’s global dominance in house and techno. The event will be headlined by ARTBAT, Miss Monique, Amelie Lens, and MRAK presenting his live We Don’t Follow showcase. 

The post RESISTANCE Ibiza Reveals Full 2025 Season Calendar for Nine-Week Residency appeared first on EDMTunes.
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Intercept Music Announces $50 Million Catalog Partnership, Intends To ‘Begin Deploying Capital Immediately’

Intercept Music has announced a $50 million song rights partnership. Photo Credit: Casey Botticello
Let the song rights purchases continue: Intercept Music has announced $50 million in fresh catalog funding, and “several initial acquisitions” are said to be in the works.
According to the San Francisco-headquartered distributor and marketer, the sizable tranche resulted from a “private partnership.” Beyond this, Intercept Music didn’t provide too many details about the tie-up.
But it did confirm that founder and chairman Ralph Tashjian is a “co-investor and strategic advisor in the partnership.” Additionally, Intercept indicated that it’ll target U.S. and Latin catalogs in particular.
(Longtime Universal Music Mexico exec Martín Roca signed on with Intercept in February as Mexico GM. The same month, eight-year Believe vet Raquel Martins, who’s based in Spain, began as a YouTube music-services advisor, and the namesake head of Bob Frank Entertainment joined the board.)
The plays could involve “full or partial rights” in IP, the seven-year-old company said, acknowledging as well a special focus on bodies of work “with untapped or under-leveraged revenue.”
From there, the buyer would by its own description utilize “proprietary technology, predictive analytics and [its] targeted marketing portal to amplify both earnings and audience reach.”
“This is more than just a funding deal—it’s a commitment to restructuring music rights management,” Intercept CEO Tod Turner elaborated. “This partnership is a significant endorsement of our platform and strategy allowing us to combine capital with cutting-edge technology to unlock more value for artists, songwriters, and catalog owners, while accelerating our growth into the Latin and U.S. markets.”
Lastly, in terms of the funding’s specifics, Intercept spelled out that it intends to start wrapping deals sooner rather than later. “Intercept’s catalog management division will begin deploying capital immediately,” the business relayed, “with several initial acquisitions already under review.”
It’ll be worth keeping an eye out for related announcements – and catalog purchases from different companies – moving forward. Despite the mountain of music IP deals that have wrapped, Intercept certainly isn’t alone in looking to scoop up song rights.
Following 2024’s numerous catalog transactions and billions in funding, 2025’s initial four months delivered massive capital disclosures from Duetti ($200 million), Aquarian and Raven Capital ($250 million), and Pophouse Entertainment ($1.3 billion, about 30% of which has been deployed), to name a few.
Meanwhile, 2025’s many catalog deals (all compiled in DMN Pro’s Music IP Acquisition Tracker) extend to the work of Deadmau5, Snow Patrol, Morgan Wallen, DJ Khaled, Notorious B.I.G., T-Pain, and many others.
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DOJ and FTC Launch Public Inquiry Into ‘Unfair and Anticompetitive’ Live/Ticketing Practices

The DOJ and the FTC have officially launched a public inquiry in connection with a March executive order targeting ‘unfair practices in the live entertainment market.’ Photo Credit: ActionVance
The Justice Department and the Federal Trade Commission have officially launched an inquiry into “unfair and anticompetitive practices” in the live entertainment space.
The DOJ and the FTC formally announced this public inquiry today, a month and change after President Trump signed an executive order targeting “unscrupulous middlemen who sit at the intersection between artists and fans.”
As we noted then, the order gave the mentioned department and agency (besides the Treasury Department) 180 days to provide a report describing “any recommendations for regulations or legislation necessary to protect consumers” in the ticketing world.
And it’s in connection with the report that the entities are now fielding comments concerning “harmful practices” in the live sector. The public, from consumers to companies, have until Monday, July 7th to weigh in if so inclined, according to the inquiry announcement.
In addition to insights pertaining to the previously highlighted “unfair and anticompetitive practices,” the DOJ and the FTC are welcoming comments about “the competitive effects of current state and federal regulations and laws in the live concert and entertainment industry.”
“We will continue to closely examine this market and look for opportunities where vigorous enforcement of the antitrust laws can lead to increased competition that makes tickets more affordable for fans while offering fairer compensation for artists,” Assistant Attorney General Abigail Slater added in part.
Time will, of course, reveal exactly what comes of the inquiry and different components of the executive order, which also instructed the FTC to ramp up enforcement of the Better Online Ticket Sales Act (BOTS Act).
Today’s announcement underscored that the commission is “taking the lead” here. Though new charges have yet to materialize under the scalping-focused law, the FTC last month fired off a warning shot of sorts with an explainer entitled “BOTS Act compliance: Time for a refresher?”
In the bigger picture, one needn’t be a Washington insider to sense the bipartisan regulatory mood regarding crowd-based entertainment.
To name one immediate example, today’s public-comments release also reiterated that the DOJ as well as 40 state and district attorneys general are litigating against Live Nation and its Ticketmaster subsidiary over “monopolization and other unlawful conduct.”
Meanwhile, the House closed out April by overwhelmingly approving the TICKET Act (which, in a nutshell, would mandate all-in pricing for tickets), and senators from both sides of the aisle kicked off a new round of Live Nation antitrust scrutiny.
This time, the involved lawmakers (who aren’t strangers to expressing concerns about the Ticketmaster parent’s operations) are zeroing in on a Fanatics pact.
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Insomniac Heads To WestWorld With Bassrush Arizona & Night Trip Festival

Insomniac is launching in one of Arizona’s top multi-use venues, WestWorld of Scottsdale.
The powerhouse dance promoter announced two debut shows from Insomniac Arizona on social media today, including Bassrush Arizona, a showcase from its dubstep-focused events brand, and a “Night Trip” event from its West Coast house music party, Day Trip, landing at the massive open-air venue on consecutive nights this August 15-16.
Southwest bassheads are in for booming performances from heavy dubstep titans like Barely Alive, Black Tiger Sex Machine, Jessica Audiffred, Ray Volpe, Midnight Tyrannosaurus, PYKE, Jon Casey, and more at Bassrush, while cool grooves are in abundance from Cloonee, Dombresky, Jackie Hollander, Matroda, and Walker & Royce during Night Trip. Check out the full lineups below.
Alongside the show announcement, Insomniac confirmed that its upcoming Arizona events are “just the beginning” of its plans at WestWorld, which can accommodate crowds of up to 85,000 across its 386-acre site.
Pre-sale registration for both Bassrush Arizona and Night Trip Festival at WestWorld of Scottsdale is now open here. Pre-sale ticket access will begin this Tuesday, May 13, at 11AM PT. General on-sale will follow on the same date at 12PM PT. Fans can also grab two-day combo tickets including admission to both events.
For more information, visit insom.co/arizona.


Featured image courtesy: Insomniac Events.
The post Insomniac Heads To WestWorld With Bassrush Arizona & Night Trip Festival appeared first on EDM Maniac.
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Foreigner Announces ‘Feels Like The First Time: The Foreigner Musical,’ Set for 2026

Photo Credit: Foreigner by Kamal Asar
Foreigner announces a collaboration with Tilles Center for the Performing Arts to develop the world premiere production of the Foreigner musical.
Legendary rock band Foreigner has announced a new collaboration with Tilles Center for the Performing Arts and Long Island University’s Post Theatre Company to develop and stage the world premiere production of “Feels Like The First Time: The Foreigner Musical.”
Broadway luminary Adam Pascal (Rent, Aida, Cabaret, Chicago, Something Rotten) and inaugural Artist-in-Residence at Long Island University (LIU) will direct the musical and lead a creative team that includes writer Stephen Garvey and orchestrator and arranger David Abbinanti.
“Feels Like The First Time” will also feature 14 of Foreigner’s biggest hits. The musical will receive a developmental workshop and staged reading in the fall, while the fully staged world premiere production will run from April 17-26, 2026, at LIU’s Little Theatre.
“We are thrilled to partner with the next generation of theatrical talent at LIU to bring this story to life in a bold new way,” said Foreigner manager Phil Carson. “‘Feels Like The First Time: The Foreigner Musical’ is a celebration of the music that has connected generations—and this collaboration gives it a vibrant new home on the stage.”
“This musical marks the launch of our New Works Initiative—an exciting new initiative from Tilles Center and Long Island University to develop original work,” adds Tom Dunn, Executive & Artistic Director, Tilles Center, and Dean, College of Arts & Design, Long Island University. “We’re proud to kick it off with the iconic music of Foreigner. And we’re thrilled to engage our LIU theatre students and Long Island community in doing so.”
Foreigner will appear at an exclusive benefit concert in support of the production, hosted by original lead singer Lou Gramm at LIU’s 2,200-seat Tilles Center on September 5, 2025.
The evening will feature a pre-show cocktail reception for 50 special guests, including photo opportunities with the band and premium seating for the performance. Access to this VIP experience will be offered to supporters who make donations at varying levels, which may include a limited edition signed official RIAA-certified gold record plaque and/or signed electric guitar, photo opportunity with the band, a set list, and/or other benefits.
All proceeds will directly benefit the musical, as well as the LIU and Tilles Center’s New Works Initiative. As a registered charitable institution, LIU’s fundraising efforts qualify for tax-deductible donations subject to government guidelines. Additional tickets will be available to the general public starting at $25.
“As a Long Island native, it’s an honor to direct this new Foreigner musical and to serve as LIU’s first Artist-in-Residence,” said director Adam Pascal. “I grew up on these hits and am excited to collaborate on bringing this production to life.”
Foreigner founder and songwriter Mick Jones said, “When I wrote ‘Feels Like The First Time,’ I had no idea how far that song would take Foreigner. It is a personal thrill for me to know that the amazing Adam Pascal has elected to use it as the title of our new musical. I am very confident that he and the whole team will create something very special, and I look forward to seeing the completed work in 2026, the 50th anniversary year of the founding of Foreigner.”
Ticket and VIP packages for Foreigner: The Hits Unplugged will go on sale to Tilles Center Members and Foreigner Fan Club Members on Monday, May 12; to Tilles Center Subscribers on Tuesday, May 13; and to the general public on Friday, May 16. Tickets can be purchased online, in person at Tilles Center’s Tantleff Box Office, or by telephone at 516-299-3100. The box office at 720 Northern Boulevard in Brookville, NY, is open Monday through Friday from 1 to 6 PM.
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Verknipt Launches PULSE – A New Era for Hard Music

As one of the most influential names in hard techno, Verknipt has consistently shaped the trajectory of the global electronic music scene. Today, the pioneering Dutch brand announces its next major evolution: Pulse—a dedicated platform for the fastest, hardest, and most forward-thinking sounds on the electronic spectrum. To mark this milestone, Pulse hit the ground running, debuting with two blistering shows at Later aan Zee in Bloemendaal, Netherlands on May 11 and September 7, and a very own stage hosting at Verknipt Festival on June 7 and 8.  Pre-sale tickets for the very first event will be available on March 11. 
Pulse will serve as both a standalone event series and an integrated stage concept, creating a dedicated space for the most cutting-edge artists pushing beyond the limits. As Verknipt continues to expand, Pulse ensures that new sounds and rising talent remain at the core of the brand’s vision.
“We have always embraced the future of hard dance music, and Pulse is the next natural step,” says Mer Hajbarati, co-founder of Verknipt. “Hard techno became a global movement, and we’re beyond proud to have been a pioneering force. The hard dance landscape is evolving—styles are emerging, fresh artists are breaking through, and the sound continues to evolve. Pulse is our commitment to leading this next wave, creating new spaces for innovation while maintaining the energy and intensity that define Verknipt.”
Experience Verknipt presents Pulse:
Because no boundaries exist in music. From the echoes of the past, a new sound is born. This is our new rhythm. A fusion of hard groove, trance, rave, eurodance, bounce, hard house, and everything in between. Uniting rising talents with the established ones.

In the heart of the music, we find each other. An intimate event where rhythm connects us. No distractions—just the here and now. Freedom to move, to feel and to lose yourself in the sound.
Pulse’s highly anticipated launch is on May 11, where a powerhouse lineup will take over the beachside Later aan Zee for a colorful sunset showdown.
May 11 Lineup
Hujus
Bella Claxton
DJ Guestlist b2b NYCO
Prada2000 b2b Lammer
ØTTA
The Pulse beats on September 7 with an equally hard-hitting showcase, returning to Later aan Zee in Bloemendaal.
September 7 Lineup
Hurts
Rozie
SZG
Fenrick
Hannah Laing
Odymel
With Pulse, Verknipt is inviting fans to join them in turning the page to a new chapter. The stage is set, are you ready to feel the Pulse?
—
About Verknipt
Established in 2012 in the Netherlands, Verknipt has spent over a decade cultivating its reputation in the dance music industry. Initially focusing on techno and house music, Verknipt later evolved into a trailblazer in the hard techno events space. By embracing a new sound and employing an exceptional social media strategy, Verknipt swiftly ascended to the forefront of one of the industry’s fastest-growing genres.
Since 2020, Verknipt has witnessed a consistent increase in visitor numbers, reaching an impressive peak of 155.000 in 2023, with expectations of nearly doubling in 2024. The organisation has hosted numerous events in its native Netherlands and beyond, including flagship events such as Verknipt Festival and Verknipt AFAS, as well as monumental events during Amsterdam Dance Event over the years.  In July 2024, Verknipt ArenA marked the world’s largest hard techno event to date with approximately 40.000 visitors.
In alignment with its exponential growth, Verknipt is expanding its footprint internationally, venturing into countries such as Spain, Colombia, Germany, Poland, and Hungary, amongst others. Verknipt’s global impact is another testament to the movement the organisation has managed to create. In under four years, Verknipt has managed to expand across borders and even continents, reaching tens of thousands of international fans.
But, Verknipt isn’t stopping there. With the launch of Verknipt Records, the organisation aims to expand the reach of hard techno even further, filling a crucial gap in the genre’s record label landscape by offering an extensive platform for emerging artists.
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Boogie T Announces Jam & Bass-Fueled July 4th “Blocka Party” In Austin

Boogie T is hosting a big-time block party in Texas for the Fourth of July.
The Bayou-born dubstep artist will touch down at the Far Out Lounge in Austin on July 4, where he’ll deliver two headline sets, one under his famously wonky flagship project and one with his longtime live jam group, Boogie T.rio.
In partnership with promoters Disco Presents and Special Delivery, the July 4th “Blocka Party,” will also feature special guest performances from glitch-hop favorite Opiuo and UK dubstep torchbearer Distinct Motive, along with additional support from Austeria, Mystic Methods, Austin rockers Nether Hour, and Boogie T.rio drummer Frank “Animal Drums” Castro.
True to the band’s Southern roots, the open-air event will bring the flavors of Louisiana to Austin with a Cajun seafood boil, along with local vendors, art, and games. Check out the official announcement below.
Earlier this year, Boogie T.rio wrapped up their fourth headline appearance at Red Rocks, and are slated to perform at Electric Forest, Florida Groves, Ganja White Night’s Wobble Coliseum, and more later this summer.
Tickets for Boogie T’s July 4th Blocka Party in Austin go on sale here tomorrow, Friday, May 9, at 10AM CT. For more information, visit the artist’s Instagram page.

Featured image courtesy: Boogie T. Credit: Stephanie Parsley.
The post Boogie T Announces Jam & Bass-Fueled July 4th “Blocka Party” In Austin appeared first on EDM Maniac.
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Brooklyn Mirage Reschedules Its 2nd Weekend of Shows

The pressure on the Brooklyn Mirage grows as the public awaits for new announcements. Sadly, the Avant-Gardner venue is forced to postpone its opening weekend again. Last week, the venue did not have the necessary building permits for opening weekend. As a result, Sara Landry and City Fox Presents couldn’t have their shows.
This time around, the shows for Loud Luxury and Cloone have been rescheduled. No refunds are offered unless attendees can’t make it to the new show dates and locations. Loud Luxury’s event was moved to August 2nd. In addition, Cloone’s doubleheader will take place at the Brooklyn Storehouse May 10th.
Permits
Last weekend, the venue did not meet the requirements for the Department of Buildings of New York. This was necessary to guarantee a temporary or permanent building permit. However, the Brooklyn Mirage did not offer any explanation for this weekend’s reschedules. We can only assume that the permits are yet to be signed. This situation affected the schedule for the upcoming shows.
Brooklyn Storehouse
On a positive note, the Brooklyn Storehouse will be hosting both of Cloone’s shows. These are meant for Saturday during the day and Saturday night. This comes as no surprise, since the Storehouse hosted a couple of the Sara Landry shows that were rescheduled last weekend. Although its capacity is smaller than the Mirage’s, the venue delivers top-notch entertainment. This could furtherly develop into a bigger partnership between the Brooklyn venues, they’ve proved they could host one another’s shows on a whim when the stakes are high and the time is limited. Although the shows for last weekend were refunded for the Mirage, Sara Landry was able to fill up the Storehouse with RSVPs.
We’re still eagerly anticipating the return of the Brooklyn Mirage. As of now, we’re grateful for the venue’s consistent communication in the last few weeks. All in all, they are making the necessary adjustments to accommodate ticketholders and fans.
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Liam Payne Left $32 Million Fortune Without a Will, Court Documents Reveal

Photo Credit: Liam Payne by Ashley Newby / CC by 2.0
Liam Payne, who died last year at age 31, left nearly $32 million in money, property, and possessions without a will.
One Direction singer Liam Payne died last year in Argentina without a will, leaving over ÂŁ24 million ($31.8 million) in money, property, and possessions, according to official records.
Despite this, the 31-year-old’s former partner, Girls Aloud singer Cheryl—with whom he shared an eight-year-old son named Bear—has been named as an administrator to his estate, alongside attorney Richard Mark Bray. According to the BBC, Cheryl and Bray intend to “manage the money,” but currently have limited authority and “cannot distribute it.”
As a native of the United Kingdom, Payne’s estate would be issued to his lawful spouse or the nearest blood relative if unmarried. Payne was not married to Cheryl, but as his son’s mother and legal guardian, the management of his estate naturally fell to her. The couple welcomed their son into the world in 2017, during their relationship that lasted from 2016 to 2018.
“As I try to navigate this earth-shattering event, and work through my own grief at this indescribably painful time, I’d like to kindly remind everyone that we have lost a human being,” said Cheryl following Payne’s death in October. “Liam was not only a pop star and celebrity, he was a son, a brother, an uncle, a dear friend, and a father to our seven-year-old son. A son that now has to face the reality of never seeing his father again.”
Payne died last year after falling from a hotel balcony in Buenos Aires. An Argentinian court dropped charges in February of criminal negligence against three of the five people who were charged in connection with his death.
Along with Harry Styles, Louis Tomlinson, Zayn Malik, and Niall Horan, Payne toured the globe for nearly a decade as One Direction. The group sold millions of records before their split in 2016. He also branched out into a solo career after the group disbanded.
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RØDE Parent The Freedman Group Acquires UHF Wireless Audio Leader Lectrosonics—US-Based Manufacturing Hub Takes Root

Photo Credit: DLXMedia.hu
RØDE parent The Freedman Group has announced the acquisition of Lectrosonics, a U.S. based pioneer in high-end wireless audio systems.
Founded in 1971, Lectrosonics’ UHF wireless systems are used in film, broadcast, and theater applications. The company’s Digital Hybrid Wireless technology earned an Academy Award for Scientific and Technical Achievement in 2017. This move marks a significant expansion of Freedman Group’s global footprint and manufacturing capabilities, especially in the United States.
The acquisition of Lectrosonics is a major milestone for the Australian Freedman Group. The company has grown from its origins as a family business in Sydney to become a global leader in audio technology. With Lectrosonics under its umbrella, The Freedman Group gains access to the company’s portfolio of wireless audio solutions while establishing a robust manufacturing hub in the United States. The move will enhance the group’s ability to serve the North & South American markets while responding more rapidly to the needs of their professional audio customers.
“They are without doubt the world’s leader in wireless communications for entertainment and broadcast markets,” says Peter Freedman AM, Founder & Chairman of The Freedman Group. “Being able to now offer our customers the finest sounding wireless technology in the world is, without exaggeration, something that is very special to me.”
Speaking with Forbes Australia, Freedman reveals that a major driver behind the acquisition was establishing a U.S. manufacturing hub. That hub will serve Lectrosonics, RØDE, and Mackie products for the North and South American markets. Final assembly of RØDE gear will shift to New Mexico within 90 days—overcoming tariff hurdles.
“It’s a double whammy,” Freedman said of the acquisition. “We end up with a company that’s been at the highest end in that area since the 1970s, but the best part is that it allows us now to have immediate U.S. manufacturing for everything we want.”
With the Lectrosonics acquisition finalized, Freedman says the group will pause further acquisitions to focus on integration. However, Freedman did hint that he would love to see the company listed on the Australian Securities Exchange (ASX) within the next few years, estimating the group’s value at around $2 billion.
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Smokey Robinson Fires Back Against Sexual Assault Lawsuit

Photo Credit: Frances Gladney and Smokey Robinson by Gage Skidmore / CC by 2.0
Smokey Robinson says he is ‘appalled’ over the claims he sexually assaulted multiple housekeepers, who are now suing him.
Motown legend Smokey Robinson is staunchly denying the sexual assault allegations made against him by four former housekeepers. Robinson’s attorney, Christopher Frost, released a statement on behalf of his client, calling the claims an effort to extort money from the singer.
Robinson was accused of sexual misconduct in a lawsuit filed Tuesday by four anonymous former employees. Further, his wife, Frances Gladney, is also named in the lawsuit for her alleged role in perpetuating a toxic work environment.
“As this case progresses, the evidence (the crucial element that guides us) will show that this is simply an ugly method of trying to extract money from an 85-year-old American icon—$50 million dollars, to be exact,” said Frost. “Through this process we have seen the bizarre theatrics of [Tuesday’s] news conference, as the plaintiffs’ attorneys outlined vile false allegations against Mr. and Mrs. Robinson.”
“We will also be asking the Court to address that in their statements to the press about Mr. Robinson, the plaintiff’s attorneys have reached beyond the bounds of liberties that even lawyers are typically allowed in this context,” the attorney’s statement continues. “We will have more to say on this matter, as we fiercely defend our clients against these false allegations and work to protect their good names.”
According to the plaintiffs, during their employment between 2007 and April 2024, Robinson summoned them into a bedroom multiple times, where he forced unwanted sexual contact. They claim Gladney not only had “full knowledge” of the assaults and did nothing to stop them, but allegedly scheduled weekly nail salon appointments that would ensure Robinson was “home alone” with a housekeeper. Frances Gladney is also accused of being a bully who “screamed” at the women and called them names.
In a call with The Daily Mail, Robinson said he was “appalled” about the claims against him, but the 85-year-old then began “mumbling incoherently,” and “did not sound well.” Shortly after, he “became lucid” again, and quickly ended the call by saying, “I can’t speak about this right now.”
The four plaintiffs wish to remain anonymous and are listed only as Jane Doe in the filings. One of the accusers says she was assaulted seven times, while another said she was raped “without a condom” at least 23 times.
The lawsuit comes on the heels of Robinson’s latest album, What the World Needs Now, which was released last month.
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Universal Music Calls Drake a Hypocrite as Ugly Defamation Lawsuit Drags On—UMG Calls Latest Action ‘Legal Blather’ and Full of ‘Wild Conspiracies’

Photo Credit: taylordabrat / reddit
Universal Music Group has motioned to dismiss Drake’s amended defamation lawsuit. The label calls the action ‘legal blather’ and insists the nature of rap battles would forever be changed should the lawsuit proceed.
UMG says Drake’s claims in the amended complaint are “astonishing” and that Drake’s lawsuit is an attack on the commercial and creative success of the artist who defeated him in a rap battle, “rather than the content of Lamar’s lyrics.” Drake argues that the company promoted, published, exploited, and monetized allegations that were false and dangerous.
“UMG did so not because it believes any of these false claims to be true, but instead because it would profit from damaging Drake’s reputation,” the complaint reads. UMG’s motion to dismiss directly addresses this claim, stating: “Drake was pleased to use UMG’s platform to promote tracks leveling similarly incendiary attacks at Lamar, including that Lamar engaged in domestic abuse and that one of Lamar’s managers is the true father of Lamar’s son.”
UMG says Drake only took issue with the content of the lyrics after he lost the famous rap battle. Speaking on the history of rap battles, UMG writes “Like all of the recordings in the feud, and like the many notorious diss tracks throughout rap’s history, ‘Not Like Us’ consists of a series of hyperbolic insults. But now, after losing the rap battle, Drake claims that ‘Not Like Us’ is defamatory. It is not. While the complaint focuses almost entirely on ‘Not Like Us,’ it disregards the other diss tracks that surrounded ‘Not Like Us’ as well as the diss track genre, and thus, critically ignores the context of the dispute.”
“Assessed in context, as it must be, ‘Not Like Us’ conveys non-actionable opinion and rhetorical hyperbole. Indeed, diss tracks are a popular and celebrated art form centered around outrageous insults, and they would be chilled if Drake’s suit were permitted to proceed.”
UMG argues that “nowhere in the 100+ page ‘legal blather’ written by Drake’s lawyers do they bother to acknowledge that Drake himself has written and performed massively successful songs containing equally provocative taunts against other artists.” UMG alleges that Drake’s legal team is looking for evidence of “wild conspiracies as to why one song that upset Drake had massive global appeal.”
“Despite his lawyer’s attempts to silence other artists and threaten the companies that work with them, we remain committed to propelling Drake’s career while maintaining our unwavering support of all our artists’ creative expression—Drake’s included.”
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Warner Music Posts Q1 2025 Revenue Dip Amid U.S. Declines, ‘Market Share Loss in China’

Warner Music Group has reported a revenue dip for Q1 2025, when recorded subscription streaming revenue grew modestly and its ad-supported counterpart fell 5% YoY. Photo Credit: WMG
Warner Music Group (WMG) has reported another quarterly revenue slip – this time for 2025’s opening three months, when the major label suffered a “market share loss in China.”
WMG posted its financials for 2025’s first quarter (the fiscal second quarter) this morning, pointing to about $1.48 billion in overall revenue. That represents a small decrease from the same period in 2024 and reflects dips in several categories.
To be sure, U.S. recorded revenue ($497 million, down 2% YoY in constant currency), stateside publishing revenue ($161 million, down 5% YoY), and international recorded revenue ($678 million, down slightly YoY) all fell during Q1 2025, Warner Music relayed.
International publishing revenue rode a double-digit YoY boost to hit $149 million, however, and physical sales grew almost 1% YoY to $112 million amid bumps in the U.S. and Japan.
Meanwhile, the Tempo Music owner acknowledged a minor decline in recorded digital revenue to $841 million for 2025’s opening quarter. Behind this development, recorded streaming subscription revenue ($622 million) is said to have improved by 1.1% YoY, though its ad-supported counterpart ($203 million) decreased by almost 5%.
More interesting than the slips themselves is the company’s explanation for the wider trend.
During the corresponding earnings call, execs cited a lighter Q1 2025 release schedule, difficult YoY comparisons, a soft ad market, presumably advantageous DSP renewals that are still kicking in, and the aforementioned “market share loss in China.”
For reference, China’s on-demand market leader, Tencent Music, is still reporting solid growth in the core streaming category. And Universal Music previously indicated that it’d achieved double-digit subscription revenue growth in China during 2025’s first quarter.
In any event, execs opted against diving into Warner Music’s exact commercial woes in China. But CEO Robert Kyncl said he anticipates the trend will “continue for the balance of the year.” Even so, the former YouTube exec also touched on the potential for better results under a head of Asia who’s set to come aboard in about two months.
Elsewhere in the Q1 2025 report, Warner Music confirmed $36 million in net income (down from $96 million) and shed light on the exit package of former CFO Bryan Castellani.
Remaining on in an advisory capacity until September’s end, Castellani is expected to receive his base compensation, a $1.65 million severance payment (via weekly installments), a once-off $40,000 payment, an “annual target bonus” (amount to be determined), and $1 million in restricted stock units, Warner Music communicated.
These and previous stock awards will vest so long as the exec complies with a collection of “non-competition and non-solicitation covenants,” according to the text.
At the time of writing – despite wider market trends that pushed Spotify stock to a record high of $663 per share – Warner Music stock (NASDAQ: WMG) was down 7.2% at $27.92 per share.
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ILLENIUM & HAYLA Set Release For Debut Collaboration “In My Arms”

ILLENIUM and HAYLA have set the release date for their debut collaboration “In My Arms.”
The bass music superstar and powerhouse dance singer-songwriter announced on social media today that the joint single will arrive next Friday, May 16. The release marks an all-star link-up between two artists known for their respectively extraordinary melodic contributions to dance music, such as ILLENIUM’s genre anthems “Good Things Fall Apart” and “Crawl Outta Love,” and HAYLA’s songwriting and vocal performances on John Summit’s “Where You Are” and “Shiver.” 
“Back to making electronic vibes babyyyyy,” ILLENIUM wrote on Instagram today. “We’re so happy with how this track turned out—raw emotion from start to finish. Hope u all lovvveee it.”
The release follows ILLENIUM’s 2014 remix of Oh Wonder’s “Shark,” pulled from the vault in November, marking the Colorado-based artist’s first original release of 2025. ILLENIUM also notably released the intro and finale audio from his “Self Titled” Tour in January. 
“In My Arms” now appears to mark a new musical horizon for the producer and DJ, aka Nick Miller, who yesterday announced a new record deal with Republic and teased a forthcoming mystery project in conversation with Billboard. Though he didn’t outline whether it’s an album, ILLENIUM shared that other new music on the way includes a drum & bass track with Kid Cudi, and collaborations with Ryan Tedder, Amy Allen, and Lostboy.
After the charting success of her dance hits in 2023, HAYLA released her debut solo album, DUSK, in November 2024, showcasing her signature melodies across 10 sonically varied dance tracks, such as “Fall Again,” “Treading Water,” and “Embers.”
Check out ILLENIUM and HAYLA’s official announcement in the post below. Fans can pre-save “In My Arms” here.

Featured image courtesy: ILLENIUM. Credit: Rukes.
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James Hype Teaches Masterclass at Harvard

James Hype took an unconventional route to Harvard. He shared his journey from spinning records in clubs to inspiring the brightest minds at the world’s top institution. In an intimate and eye-opening masterclass, James discussed his creative process, his rise to fame, and the challenges of navigating the music industry. James had this to say:
James reflected on his breakout moment in 2017 when his music earned him global acclaim and a contract with Warner Music. While the milestones were life-changing, he emphasized the sacrifices behind the scenes: over 160 performances a year, sleepless nights, budget flights, and the relentless pressure to keep up. “Mental health matters,” he shared, shedding light on the often-unseen struggles of a career in the spotlight.
A highlight of the discussion was James’s advice on creativity. He emphasized the importance of finding an authentic sound and leveraging social media to connect with global audiences. “The more visible you are, the more criticism comes,” he noted. “But the key is to amplify your voice, not to respond to every comment.”
James expressed admiration for the students he met at Harvard, confessing, “I thought Harvard was only for rich and smart people, but what I saw were exceptional people. Their stories inspired me as much as mine inspired them.”
During the session, he took students back to his first encounter with music, discovering a mixer at a church fair at just nine years old. That moment sparked a lifelong passion that carried him through creative blocks, stylistic evolution, and his ongoing pursuit of authenticity.
It is a great discussion that I highly recommend watching below!

The post James Hype Teaches Masterclass at Harvard appeared first on EDMTunes.
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Salt Lake City’s Das Energi Drops Genre-Spanning 2025 Lineup

Salt Lake City’s Das Energi Festival has confirmed its 2025 lineup.
Utah promoter V2 Presents will bring the region’s boutique electronic festival back to the Great Saltair for its 13th edition this August 8-9, featuring a musically diverse lineup of top DJs across dubstep, drum & bass, house, techno, and trance.
Several of the biggest current names in dance music will be on hand for Das Energi 2025, including tech house don Chris Lake, melodic bass superstar ILLENIUM, trap prodigy ISOxo, trance veteran Andrew Bayer, Oliver Heldens’ HI-LO project, and SVDDEN DEATH’s harrowing VOYD alias.
Throughout the weekend, bassheads are in for a subgenre-spanning run of performances, including deep dub powerhouse PEEKABOO, experimental bass darling ALLEYCVT, dubstep heavyweights like Barely Alive, LEVEL UP, NGHTMRE B2B Viperactive, OG Nixin B2B Benda, and Usaybflow, and riddim frontrunners like INFEKT and Chibs B2B Subfiltronik.
Elsewhere on the lineup, house and techno lovers can get excited for sets from German legend Boys Noize, NYC techno staple Charles D, and party-starting acts like Deorro, it’s murph, Wuki, and KREAM. Meanwhile, Das Energi’s stacked roster of drum & bass selectors includes Grafix, REAPER, Malaa’s new “Alter Ego,” and Justin Hawkes, plus foundational figures of the American D&B scene like Dieselboy, Fury, MC Dino, and MC Armanni Reign. Check out the full lineup below.
Situated on the shores of the Great Salt Lake, this year’s festival will feature three stages, including curated takeovers from Monstercat and Reload. Since launching Das Energi in 2012, V2 Presents also hosts seasonal and genre-specific events like Get Lucky, Get Freaky, and Get Funky.
Tickets for V2 Presents Das Energi Festival 2025 go on sale tomorrow, Friday, May 8, at 10AM MT. For more information or to purchase tickets, visit dasenergifestival.com.

Featured image courtesy: Das Energi Festival. Credit: Shotbyrondo.
The post Salt Lake City’s Das Energi Drops Genre-Spanning 2025 Lineup appeared first on EDM Maniac.
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Salt Lake City’s Das Energi Drops Genre-Spanning 2025 Lineup

Salt Lake City’s Das Energi Festival has confirmed its 2025 lineup.
Utah promoter V2 Presents will bring the region’s boutique electronic festival back to the Great Saltair for its 13th edition this August 8-9, featuring a musically diverse lineup of top DJs across dubstep, drum & bass, house, techno, and trance.
Several of the biggest current names in dance music will be on hand for Das Energi 2025, including tech house don Chris Lake, melodic bass superstar ILLENIUM, trap prodigy ISOxo, trance veteran Andrew Bayer, Oliver Heldens’ HI-LO project, and SVDDEN DEATH’s harrowing VOYD alias.
Throughout the weekend, bassheads are in for a subgenre-spanning run of performances, including deep dub powerhouse PEEKABOO, experimental bass darling ALLEYCVT, dubstep heavyweights like Barely Alive, LEVEL UP, NGHTMRE B2B Viperactive, OG Nixin B2B Benda, and Usaybflow, and riddim frontrunners like INFEKT and Chibs B2B Subfiltronik.
Elsewhere on the lineup, house and techno lovers can get excited for sets from German legend Boys Noize, NYC techno staple Charles D, and party-starting acts like Deorro, it’s murph, Wuki, and KREAM. Meanwhile, Das Energi’s stacked roster of drum & bass selectors includes Grafix, REAPER, Malaa’s new “Alter Ego,” and Justin Hawkes, plus foundational figures of the American D&B scene like Dieselboy, Fury, MC Dino, and MC Armanni Reign. Check out the full lineup below.
Situated on the shores of the Great Salt Lake, this year’s festival will feature three stages, including curated takeovers from Monstercat and Reload. Since launching Das Energi in 2012, V2 Presents also hosts seasonal and genre-specific events like Get Lucky, Get Freaky, and Get Funky.
Tickets for V2 Presents Das Energi Festival 2025 go on sale tomorrow, Friday, May 8, at 10AM MT. For more information or to purchase tickets, visit dasenergifestival.com.

Featured image courtesy: Das Energi Festival. Credit: Shotbyrondo.
The post Salt Lake City’s Das Energi Drops Genre-Spanning 2025 Lineup appeared first on EDM Maniac.
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John Summit to Headline Colorado's Folsom Field for Largest Solo Show of Career

John Summit is set to headline Folsom Field, the storied stadium nestled in the heart of the University of Colorado campus, for the largest headline show of his career thus far, according to a press release shared with EDM.com.
Summit, whose hits "Where You Are" and "Go Back" have become global dancefloor anthems, is no stranger to commanding iconic venues, having recently sold out Madison Square Garden and Red Rocks Amphitheatre. The dance music superstar is now set to take over Folsom Field for the high-profile concert, organized by AEG Presents Rocky Mountains in collaboration with CU Boulder.
Famed for hosting acts like The Rolling Stones, Paul McCartney and Phish, the 50,000-plus-capacity venue in Boulder will provide a dramatic Rocky Mountain backdrop for what has the feel of a watershed moment for Colorado's EDM scene. It's beloved for its dubstep and bass music community, but Summit will bring his anthemic house sound for a night of electrifying contrast that could signal a bold new chapter.
The show is scheduled for October 18th, 2025. It follows the success of Summit's recent two-day event in nearby Vail hosted by his Experts Only brand, which was recently named 2024's best record label in EDM.com's list of the year's top industry leaders.
Fans can now register for a pre-sale, which is scheduled to begin Tuesday, May 13th at 10am MT. The general on-sale will begin Thursday, May 15th at the same time.
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Rezz & Chuurch Release Long-Awaited ID, ‘Telepathy’

Out today via HypnoVizion is the latest single from Canadian producer Rezz in collaboration with elusive duo Chuurch, entitled ‘Telepathy.’
Recently rinsed during Rezz’s sold-out debut PORTAL show in the Bay Area, ‘Telepathy’ is another fan-favorite and hit from the archives. First created nine years ago and only heard as a live ID, ‘Telepathy’ embodies the kinetic energy of the dancefloor. Tension swells with ominous vocal samples as the track unfolds with eerie synths and grimy basslines locked in a wayward call and response. Fueled by nearly a decade of honing their distinctive signature sounds, ‘Telepathy’ is a crystallization of Rezz and Chuurch’s evolved creative instincts and unwavering sonic experimentation.
‘Telepathy’ is the latest track to be released from Rezz’s highly coveted vault following last month’s ‘Contorted.’ Rezz is currently gearing up for her annual takeover at The Brooklyn Mirage later this month. The second edition of Rezz’s new audio-visual show PORTAL will take place at Washington’s Tacoma Dome in September with REZZ ROCKS VII returning to Colorado’s Red Rocks Amphitheatre in October. 
Chuurch is the mysterious duo of Jeff Wilson and Justin MacLean. Since emerging in 2016, they’ve carved a lane in the underground bass scene with their signature ‘lean bass’ style and landed them on labels like Nest HQ and Deadbeats. Amidst their catalog of bold and eclectic originals are official remixes for Zeds Dead & Illenium, Apashe, and ATLiens. Their sound and selective live appearances have catapulted Chuurch forward, building a strong fan base who call themselves The UUnion. ‘Telepathy’ serves as Chuurch’s first appearance on HypnoVizion and marks the duo’s first release in two years.
Stream ‘Telepathy’ across all platforms now and grab tickets to PORTAL here.
The post Rezz & Chuurch Release Long-Awaited ID, ‘Telepathy’ appeared first on EDMTunes.
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VERKNIPT Launches Pulse, Embracing The Next Wave of High-octane Styles

As one of the most influential names in hard techno, Verknipt has consistently shaped the trajectory of the global electronic music scene. Today, the pioneering Dutch brand announces its next major evolution: Pulse — a dedicated platform for the fastest, hardest, and most forward-thinking sounds on the electronic spectrum. To mark this milestone, Pulse hit the ground running, debuting with two blistering shows at Later aan Zee in Bloemendaal, Netherlands on May 11 and September 7, and its very own stage hosting at Verknipt Festival on June 7 and 8. 
Pulse will serve as both a standalone event series and an integrated stage concept, creating a dedicated space for the most cutting-edge artists pushing beyond the limits. As Verknipt continues to expand, Pulse ensures that new sounds and rising talent remain at the core of the brand’s vision.
“We have always embraced the future of hard dance music, and Pulse is the next natural step,” says Mer Hajbarati, co-founder of Verknipt. “Hard techno became a global movement, and we’re beyond proud to have been a pioneering force. The hard dance landscape is evolving—styles are emerging, fresh artists are breaking through, and the sound continues to evolve. Pulse is our commitment to leading this next wave, creating new spaces for innovation while maintaining the energy and intensity that define Verknipt.”
Experience Verknipt presents Pulse:
Because no boundaries exist in music. From the echoes of the past, a new sound is born. This is our new rhythm. A fusion of hard groove, trance, rave, eurodance, bounce, hard house, and everything in between. Uniting rising talents with the established ones.

In the heart of the music, we find each other. An intimate event where rhythm connects us. No distractions—just the here and now. Freedom to move, to feel, and to lose yourself in the sound.
Pulse’s highly anticipated launch is on May 11, where a powerhouse lineup will take over the beachside Later aan Zee for a colorful sunset showdown.
May 11 Lineup
Hujus
Bella Claxton
DJ Guestlist b2b NYCO
Prada2000 b2b Lammer
ØTTA
The Pulse beats on September 7 with an equally hard-hitting showcase, returning to Later aan Zee in Bloemendaal.
September 7 Lineup
Hurts
Rozie
SZG
Fenrick
Hannah Laing
Odymel
With Pulse, Verknipt is inviting fans to join them in turning the page to a new chapter. Tickets and more info can be found on the official website here.
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John Summit Unveils Full Lineup For ‘Experts Only’ Residency At HÏ Ibiza

John Summit just unveiled the full lineup for his two-day residency at HÏ Ibiza taking place this June. Headlining both massive Fridays in the iconic Theatre, John Summit is set to bring his high-energy, genre-defying sound to the island, joined by a hand-picked roster of global heavyweights and underground tastemakers.
June 20 will feature a powerful b2b set from Chris Avantgarde and Kevin de Vries, alongside rising star Max Styler and Kitty Amor, a leading force in Afro House known for her deep, rhythmic selections. Meanwhile, the Club Room hosts a stellar lineup featuring Ewan McVicar, Sally C, and Dam Swindle, the Amsterdam-based artist known for his deep, groove-driven sound rooted in house and disco.
On June 27, Summit returns with legendary Chicago house icon Green Velvet, Layton Giordani, one of the most popular tastemakers of techno’s new school, and the emotionally charged sounds of Milushka. The Club Room continues the vibe with Ewan McVicar, eclectic selector Young Marco, and more acts to be announced soon.
About Experts Only
While John Summit has become one of dance music’s most recognizable names—headlining festivals like Coachella and selling out arenas such as Madison Square Garden and BMO Stadium—his Experts Only brand is more than just a label. It’s a platform dedicated to underground club culture, spotlighting emerging talent and offering a space for sounds that go beyond mainstream appeal. This residency represents Summit’s commitment to nurturing the next wave of electronic music, bridging the gap between his high-profile rise and the deep-rooted energy of the underground.
Hï Ibiza, known for its forward-thinking programming and production, provides a fitting space for this crossover. The Experts Only residency brings together big-room energy and underground sensibilities, offering two nights that reflect the full spectrum of Summit’s musical identity.

Tickets are on sale now at hiibiza.com.
The post John Summit Unveils Full Lineup For ‘Experts Only’ Residency At HÏ Ibiza appeared first on EDMTunes.
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‘Intergenerational Exchange’ IMS Ibiza 2025 Full Summit Programme Revealed

IMS Ibiza, the thought-leadership platform at the intersection of culture, education, industry, and wellness in electronic music, announces today the full program for the sixteenth edition of the summit. Across 80+ discussions and sessions, 200+ speakers will unite with 1,500+ delegates from over 50 countries to explore exactly where the electronic music industry is in 2025 and set the agenda for the coming year. 

VIEW FULL SUMMIT AGENDA
Across three days, IMS Ibiza, presented in partnership with AlphaTheta, will unite innovators, creators, visionaries, and disruptors from across the global electronic music ecosystem, presenting opportunities to explore best practices and innovation across core pillars of music, technology, diversity & inclusion, education, and health & wellness. Co-hosted by leading BBC Radio 1 broadcasters Pete Tong MBE and Jaguar, the summit will deconstruct the topics and issues that really matter to the global electronic music community, plus unveil the much-anticipated IMS Business Report and its widely quoted annual industry valuation figure, which has become critical to the industry’s positioning and success.
The summit aims to bridge generational gaps, delving into four decades of electronic music, looking for the insights, values, and experience that transcend eras to inform the future of our industry and scene. IMS Ibiza offers an ambitious and innovative program—a true exchange of ideas, wisdom, and creativity across generations.

This year’s theme – Intergenerational Exchange – runs through the entire programme as IMS explores the dynamic connections between generations within the electronic music community.
Kicking off with an opening keynote from Elijah, the theme will unfold across a series of thought-provoking conversations that unite industry pioneers with next-gen talent –  blending experience and perspective with fresh, disruptive ideas. Featuring Black Coffee’s manager Cristiana Votta in conversation with Fatboy Slim’s manager Garry Blackburn, Elrow’s Juan Arnau Jr in conversation with Live Nation Spain’s Pino Sagliocco, Kevin Saunderson in conversation with his son Dantiez Saundersion, and SHERELLE in conversation with DJ Flight, one of the foundations of  Drum ‘n’ Bass.
IMS Ibiza is about more than just world-class programming – it’s about connection. The summit features lunches, sunset networking events, meet-ups and showcases designed to help you engage with the global industry, supercharge your career, expand your network, or simply reconnect with colleagues, collaborators and friends from around the world – all to the backdrop of incredible music.
Featuring events hosted by AFEM: Association for Electronic Music, AlphaTheta, Amnesia Ibiza, Beat Hotel, Beatport, Believe, Burn Energy, foundation.fm, L-Acoustics, Pete Tong DJ Academy, Telekom Electronic Beats, The Jaguar Foundation, Ultra Records and parties at Akasha, Chinois Ibiza, Eden, Pacha and many more.
The post ‘Intergenerational Exchange’ IMS Ibiza 2025 Full Summit Programme Revealed appeared first on Electric Mode.
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Permit Issues Indefinitely Postpone Brooklyn Mirage Reopening

Brooklyn Mirage's planned reopening has been indefinitely postponed due to pending inspection approvals, affecting a series of upcoming shows, Billboard reports.
Originally set to return with a pair of performances by Sara Landry May 2-3, the New York venue was unable to open after failing to secure the necessary permits from building inspectors following recent renovations.
According to a public statement from the venue's operators, Avant Gardner, the revamped Brooklyn Mirage is fully constructed and adheres to updated safety and technical specifications, but final compliance was not achieved in time for inspection deadlines.
"We want to be clear: the venue is show ready and the New Mirage has been built to exacting safety, structural, mechanical and technical specifications," Mirage officials wrote on Instagram. "However, we were not able to meet the final inspection deadline."
More schedule changes have followed as a result. The May 9th show featuring Loud Luxury has been postponed to August 2nd and tickets purchased through DICE will automatically transfer to the new date, with refunds available via their website.
Meanwhile, Cloonee’s May 10th day and night performances will be relocated to the Brooklyn Storehouse. Tickets originally purchased for Mirage will be valid at the new venue, with no additional action required by attendees.
The ongoing delays stem from a broader renovation project that included structural upgrades, a redesigned stage, additional dancefloors and enhancements to sound and lighting systems. The venue now includes over 3,000 LED panels, a 90-foot stage and one of the largest prefabricated timber structures of its kind, according to Avant Gardner CEO Josh Wyatt.
"I can tell you that when you walk into Brooklyn Mirage for the first time, you're going to see a set design that will blow you away," Wyatt told EDM.com in a recent interview. "Then when you come back two weeks or two months later, it's going to look totally different. The type of technology that we're designing to be able to allow us to do that is bespoke and has never been done before—I think it’s pretty mind-blowing."
However, Brooklyn Mirage remains closed until further notice. According to a statement from Avant Gardner, the team is "working closely with city officials" and will continue to provide updates.
Follow Brooklyn Mirage:
X: x.com/brooklynmirage
TikTok: tiktok.com/@avantgbk
Instagram: instagram.com/brooklynmirage
Facebook: facebook.com/brooklynmirage
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