Jump to content

News

Stay in the loop with the latest updates, event announcements, and everything happening in the world of dance music — brought to you by RaveLink. 🤖💜
Spotify has scored a legal victory that could have lasting consequences for how songwriters get paid in the streaming era. 
Spotify successfully fended off a lawsuit from the Mechanical Licensing Collective (MLC), which alleged that the company unlawfully slashed songwriter royalties by reclassifying its Premium subscriptions as "bundles" to include audiobooks. U.S. District Judge Analisa Torres reportedly ruled in favor of the streaming giant after determining its proprietors acted within the law when they adjusted the platform's payout structure.
The dispute began in early-2024, when Spotify began including 15 hours of audiobook access in its Premium plans. By labeling these subscriptions as "bundles," Spotify qualified for a lower mechanical royalty rate under Phonorecords IV, a 2022 settlement between music publishers and streaming services, per Music Business Worldwide.
The MLC, a nonprofit designated to administer digital mechanical royalties, took legal action in May, arguing that Spotify had "unilaterally and unlawfully" reduced payments to songwriters by as much as 50%.
Judge Torres rejected the MLC's claims, stating that Spotify’s interpretation of the law was the only "plausible" one. The decision could set a precedent for other streaming services looking to restructure their content offerings accordingly.
"Under the facts as alleged, audiobook streaming is a product or service that is distinct from music streaming and has more than token value," Torres said. "Premium is, therefore, properly categorized as a bundle, and the allegations of the complaint do not plausibly suggest otherwise."
Spotify welcomed the ruling, characterizing it a validation of its business model. The MLC, meanwhile, expressed deep concerns and indicated that an appeal may be on the table.
Ravebot
When you think about DJing, images of packed dance floors, flashing lights, and late-night sets come to mind. But what if DJing wasn’t just about the party scene? What if it was actually an incredible educational tool for kids, one that boosts creativity, sharpens problem-solving skills, and builds confidence?
That’s exactly the kind of thinking behind I Can DJ Anywhere, a new illustrated children’s book by DJ Bear Who? (Edwin Rios). More than just a fun story, the book introduces young readers to the universal power of music, showing that DJing is more than just beats and bass, it’s an art form that can shape young minds in unexpected ways.
Music as a Brain Booster
Science has long proven that learning music enhances brain function. Kids who study music show improved memory, better problem-solving abilities, and even stronger math skills. DJing takes this a step further. Unlike traditional instrument training, DJing demands real-time decision-making. It teaches children to recognize patterns, match rhythms, and layer sounds in a way that strengthens their cognitive flexibility.
Think about beat-matching, it’s not just a DJ trick. It requires acute auditory processing and mathematical timing. A child learning to mix tracks is unknowingly developing skills that can translate to better focus in the classroom and stronger spatial reasoning.
Emotional Intelligence Through Sound
One of the most underrated aspects of DJing is its emotional depth. A great DJ doesn’t just play music, they tell a story, creating a journey of moods and energy shifts.
For kids, this is huge. Music is a natural way for them to process emotions. Whether it’s excitement, frustration, or sadness, mixing music allows children to express feelings they might not yet have the words for. Learning how to control sound also teaches emotional regulation. Picking the right song for the right moment isn’t just a DJ skill—it’s a life skill.
Confidence and Self-Expression
Public speaking is terrifying for many adults, let alone kids. But standing behind decks, selecting tracks, and performing in front of an audience (even if it’s just family and friends) builds confidence like nothing else.
DJing encourages kids to take creative risks. There’s no single “right” way to mix music, which means experimentation is encouraged. Every child who picks up a DJ controller is learning to trust their instincts, make bold choices, and embrace their individuality.
Beyond the Party: A New Kind of Music Education
DJing isn’t about late nights in clubs—it’s about storytelling, problem-solving, and artistic exploration. Books like I Can DJ Anywhere are helping reshape the narrative, showing kids (and parents) that turntables and controllers can be just as enriching as a piano or a violin.
We need to start treating DJing and electronic music production with the same respect as traditional music education. More schools, libraries, and after-school programs should be introducing children to these tools, allowing them to engage with music in a hands-on, contemporary way.
By shifting the conversation away from “party culture” and toward creativity and learning, books like I Can DJ Anywhere are paving the way for a new generation of young artists. It’s time to recognize that DJing is more than just entertainment, iit’s an educational powerhouse waiting to be unlocked.
Ravebot
As Groove Cruise entered its final day we decided to sit with one of the brightest stars in progressive house. We caught up with Jeremy Olander, fresh off his amazing b3b with Yotto and Cristoph to talk about the trip, his collaborations, his inspirations, and more.
I am Scott from EDMTunes and I am here with Jeremy Olander on the last day of Groove Cruise. How has it been so far?
Jeremy – It’s been intense, a lot of fun. I think intense is the best word to describe this feeling. And a lot of music is what makes it a lot of fun. After my set yesterday, I went to see Nicole Moudaber and the vibe there was amazing. It reminded me of Ibiza.
You played at three different venues, day 1 at the Aqua Theater outside. Yesterday you were at the theater last night and you did a surprise back-to-back with Cristoph and Yotto. What’s been your favorite place so far?
They’ve all been completely different vibes, I think the spontaneous back to back to back was the one I enjoyed the most. I like to be spontaneous and it’s fun when you are playing with friends. I don’t feel as much pressure because you’re sharing the stage with someone else. Also being up after Meduza, James Hype, and Eric was super delightful.
Speaking about the back to back, have you every played with them before? That was an unbelievable set, had the makings of a trio super group
I have played with them individually back-to-backs, not the three of us together. It was unreal. Everyone was having a great time, someone proposed. We would do it again, but I did like the spontaneous vibe of it the most. I don’t want it to be too planned.
Day one we had Eric Prydz, a fellow artist who you have a long history of working with. How has the journey been, from having mentorship from him and then to sharing the stage. I think back to you BBC One Essential mix. How has the learning from him been and between you both now?
I have thought about a lot about this. When I started out traveling with him and analyzing how Eric plays. I have caught myself in that I do the same moves. The way he flows his sets, it’s been a great school to stand behind him week after week and see how he plays. As for the learning it has had a great impact on me, like long loops, and long transitions. He’s a close friend and a great mentor, it’s crazy becoming friends with someone you used to look up to for such a long time.
We have one more day, are there any other sets you’re looking forward to? Are you going to be exploring around? Any upcoming things you can share with us?
We’re playing some mini-golf today, trying to gather some people to play. And then checking out Cristoph and Yotto back-to-back, they’re doing another one. I have a lot going on but I can’t share much just a lot of new music, so stay tuned.

The post EDMTunes Chats With Jeremy Olander on Groove Cruise 2025 appeared first on EDMTunes.
Ravebot
The world’s best music festival is always full of surprises, and this year is no different. Tomorrowland Belgium’s 2025 lineup is a spectacle for sure, but with unexpected twists and turns that are sure to keep EDM lovers on their toes.
So sit back and don’t worry about looking for the magnifying glass- here’s our top 10 biggest surprises on this year’s lineup:
1. Swedish House Mafia & The Epic B3B
The epic Swedish trio will most certainly be bringing the heat to the Mainstage once again this summer, but they will also be trying something different. For the first in recent years, Steve Angello, Axwell, and Sebastian Ingrosso will come together to perform an exclusive back-to-back-to-back set at the Crystal Garden stage. This B3B is set to highlight more house music and get back to their roots, offering fans a rare and unique opportunity to experience this legendary trio in am intimate setting.
2. All the B2B Magic
If you pulled out our magnifying glass and did a deep dive into the Tomorrowland lineup like I did, I am sure there are so back-to-back performances that left you shocked. Here’s some that are highlight worthy: Anyma B2B Solomun, Azyr B2B Nico Moreno, Dillon Francis B2B Martin Hørger, Dimitri Vegas B2B Fantasm, Dubvision B2B Third Party, HI-LO B2B Eli Brown, Kevin de Vries B2B Cassian, Matisse & Sadko B2B Third Party, Timmy Trumpet B2B Dimitri Vegas, AND MORE.
3. Martin Garrix is Back
Have no fear- the world’s #1 DJ is back for another year. While fans certainly felt his absence from Tomorrowland last year, Martin Garrix is set and ready to bring his high-energy sets and iconic EDM anthems back to the Mainstage.
4. Amelie Lens shutting down Mainstage
Techno has been on the rise, and so has this superstar. This summer, Belgian-native Amelie Lens will shut down Tomorrowland’s Mainstage. Her hard-hitting raw and atmospheric music will leave listeners in awe, as she explores the realm of techno and its sub-genres.
5. Laidback Luke’s ‘Super You & Me’
Laidback Luke has been a dance music staple since the mid-90s, and by the mid-00s, he emerged as a key figure in EDM. This year, he’s decided to bring his ‘Super You & Me’ set to Tomorrowland. In a recent Instagram video, he hinted at the meaning of bringing this show back by showing throwback videos from his shows throughout the years. Could this be a return to his roots and the golden era of EDM? I sure hope so.
6. New Stage Takeovers
Every year, Tomorrowland gets bigger and better than ever, and this time they’re having 35+
stage hosts. From Indira Paganotto’s ‘ARTCORE‘ to Fisher’s ‘Catch & Release’, these stage takeovers will be anything but ordinary, and will have something for every fan of every genre of dance music. A few others noteworthy takeovers include: Amelie Lens’ EXHALE, Da Tweekaz presents Tweekamania, Lost Frequencies & Friends, Teletech, and more.
7. More Symphony of Unity than Ever Before
For the first time ever, the Freedom Stage will host the Symphony of Unity twice a day each weekend, blending classical and electronic music in a live performance featuring iconic Tomorrowland anthems and the Tomorrowland Hymn. With more shows than ever before, this is one unique experience you won’t want to miss in Boom this summer.
8. Seeing Triple with Solomun
This summer, the People of Tomorrow are in for a real treat. Solomun will take the stage three different times with three unforgettable sets: a Mainstage performance, a back-to-back with Anyma at Crystal Garden, and a stunning audiovisual show at the Freedom Stage.
9. The Stars of Tomorrow
Tomorrowland continues to spotlight rising talent. Ben Böhmer will make his festival debut on the Planaxis Stage, Job Jobse will make his Tomorrowland debut at the Atmosphere Stage, and Andromedik will bring his acclaimed “Andromedik Invites” to the Rose Garden. Emerging artists like CYRIL, Antdot, and Ajna will also showcase the future of electronic music.
10. No Alesso, No Tiësto, No W&W?
In a recent post, Alesso announced cancellation of his upcoming shows due to health concerns and exhaustion. While it is not surprising he is not on Tomorrowland’s lineup this summer for those reasons, it only feels right to honor him and wishing him a speedy recovery, knowing his presence and music will be missed.
As for Tiësto and W&W missing from the Tomorrowland lineup, this comes as a real surprise. These Dutch DJs have been on the Tomorrowland Belgium lineup for as long as I can remember, and seem to have become staples at the festival each year. Perhaps they needed a break from the world’s largest electronic music festival- or maybe they’ll be announced later? Who knows, but I do know they will all be missed too.
Ravebot
The latest release new album “Desire” is a vibrant ode to youthful dreams and passions, capturing the essence of life’s most exhilarating moments. It celebrates the thrill of friendships, nights out, new connections, the pulse of dance music, and the freedom of living fully. “Desire” is a sonic journey through the fire of ambition and the thrill of chasing what sets the soul alight. Infused with heartfelt emotion, this album blends dynamic melodies with evocative lyrics, painting a vivid picture of the highs and hopes that define youth. “Desire” is an anthem for dreamers, and those who refuse to settle. 

Getting To Know Jonny Mac
Introduce yourself and your project
My musical journey began in my teenage years, fuelled by a deep passion for sound and inspired by the energy of ’90s house music. Throughout the 2000s, I experimented with diverse genres, developing a signature style that evolved over time. By the 2010s, I was releasing tracks and refining my craft, establishing myself as a versatile producer. More recently, I have expanded into film soundtracks, infusing my music with a cinematic richness that enhances my ever-evolving discography. Desire Album Project had been on my mind for a while, contemplating the possibilities of manifesting wishes. That’s when I began composing songs that would align with some of my desires and those of others. 
Were you connected with music from a young age and did anyone inspire you?
Yes, I’ve been playing music since I was a young child. I started with the clarinet, then moved on to the violin, saxophone, piano, and guitar. By the age of 16, I was playing in bands and attending dance parties. Back then, I had several musical influences, including Bob Sinclair (who I’m close friends with), Tiesto, Daft Punk, Deadmau5, and the legendary Michael Jackson.
What kickstarted your music career?
Once upon a time, in Camden Town late in the 2000s, I stumbled upon a club owner promoting a party. Intrigued, I approached him and inquired if he was seeking a DJ. Considering my lack of public experience, he kindly requested a mix CD. I handed it over, and he promptly messaged me, expressing his admiration for my music and inviting me to perform. That moment marked my inaugural gig at the Vauxhall Nightclub in London.
Eager to showcase my skills, I crafted a mix of popular songs and performed them at the club. My performance was a resounding success, propelling me to the top 10 on both Beatport and iTunes. It was a pivotal turning point in my music career. 
Name 3 songs you love and what they mean to you + Youtube links
Those songs have had a profound impact on my life. 
Avicii – Heaven

Swedish House Mafia – Don’t You Worry Child

Tiesto – Lethal Industry

 
Any words you want to share to encourage other artists or producers?
Of course! To all the artists and producers out there struggling to get your music heard or remember, every great musician started somewhere. The key is persistence, passion, and patience. Stay true to your sound, network and collaborate. Every track is a step forward. Experiment, learn from feedback, and refine your craft. Even setbacks are lessons in disguise. I experienced that for years and I can say it is hard but rewarding. 
How do you nurture your industry relationships?
I stay connected on social medias and phones. I keep in touch with producers, DJs, and industry experts via social media, email, or messaging apps. Constantly support their work, listen and comments on their releases, mixes, and projects. Attend their gigs, streams, or events, even if it’s virtual. Offer your expertise, whether it’s production tips, mixing/mastering help, or promotion. Always stay professional and reliable, word travels fast in the industry. Sharing experiences, good or bad.
Is there anyone you’d like to thank that’s been crucial to your journey
Firstly, I would like to express my gratitude to my mother. She was my unwavering supporter throughout my journey in the music industry. Unfortunately, she passed away a few years ago when the COVID-19 pandemic struck. Secondly, I would like to thank my entire family and close friends for their constant support. They have always been honest with me, even when my songs didn’t sound right. 
What famous quote represents you best?
I take with me the quote “Music is the divine way to tell beautiful, poetic things to the heart.” by Pablo Casals
This resonates with my journey, my passion for music, evolution through different genres, and my recent venture into cinematic soundtracks. It reflects how my music isn’t just about beats but storytelling, emotion, and deep artistic expression.
If you could play at any venue, where would it be and why?
Well, I have to say The Royal Albert Hall, still London’s most iconic venue, has hosted only a few prestigious DJs for specific occasions. It would be an incredible experience to perform with an orchestra there.
Any worldly advice you’d like to share?
Believe in yourself and be rumble
Out Now!
Listen Here
Social Media Links
FACEBOOK | INSTAGRAM | TIKTOK
Spotify Link
SPOTIFY
The post JonnyMac Unleashes “Desire”: A Thrilling Celebration of Youth, Dance, and Living Freely appeared first on Electric Mode.
Ravebot
Craig Richard’s Houghton festival returns this August with its four day sonic pilgrimage on the grounds of Houghton Hall. Now in its ninth year, Houghton festival has cemented itself as one of the most important events in the global underground electronic music landscape. Born from the kaleidoscopic artistic mind of Craig Richards, this symphony of visual arts & music erupts annually in the Norfolk countryside.
 



Today, Houghton announces the first names of its 2025 programme. A masterclass in curating a diverse tapestry of music, this year’s offering showcases the breadth and depth of Richard’s musical outlook, proudly championing equality, presenting the unknown alongside the established.
The announcement today includes the festivals biggest number of debuts so far, includes Aurora Halal, BCUC (Live), Binary Digit (Live), British Murder Boys (Live), Channel One, Chez Damier, Dego, DJ Krush, DVS1 (House & Techno sets) Holy Tongue (Live), Jennifer Cardini, Marcel Dettman (Live & DJ), Mark Ernestus’ Ndagga Rhythm Force (Live), Moin (Live), Moritz Von Oswald Trio (Live), Objekt, Prince Fatty, Rrose (Live & DJ), Simo Cell (Live), Tim Reaper, Upsammy (Live & DJ), and techno royalty Richie Hawtin.
Alongside these debuts, staple artists return such as Batu, Ben UFO, Calibre, Carista, dBridge (Live and Dj), DJ Masda, Grace Sands, Helena Hauff, Jane Fitz, Joy Orbison, Luke Una, Midland, Nik Bärtsch (Live), Ogazón, Palms Trax, Red Axes, Reggie Watts (Live), Ricardo Villalobos, Shackleton (Live), Sherelle, Steam Down (Live), Vlada, and Zip.

Houghton’s partnership with d&b audiotechnik elevates sound across every stage. From intimate woodland spaces to the 360-degree Soundscape system in The Warehouse, the festival pushes audio-visual boundaries, with crowd-level DJ booths and vinyl-friendly setups designed to enhance the artist-audience connection.
Lest we forget, the festival stands proudly at the intersection of music and art — a mosaic made up of its individual artistic components: electronic music, visual arts, nature and craftmanship. Set on a sprawling 1,000-acre estate with a world-renowned sculpture park, the festival invites attendees to explore iconic works by artists like Damien Hirst, Anish Kapoor, and Henry Moore. Each year, the festival’s growing art program unveils new multi-media commissions, with this year’s set to be announced this Spring.
From the hypnotic beats reverberating through woodland stages to the serene sculpture park, Houghton offers its audience a hedonistic playground crafted to captivate and inspire.
The post Houghton Festival Returns for 2025 with Stacked Line-Up appeared first on Electric Mode.
Ravebot
The countdown to Ibiza’s 2025 season is on, and some of the island’s biggest clubs have started revealing their highly anticipated residencies. With legendary names returning and fresh concepts taking over, this summer is set to be one for the books.


Carl Cox Returns to Ibiza with UNVRS Residency
House and Techno pioneer Carl Cox is making his grand return to the White Isle with a three-month residency at the brand-new UNVRS Superclub (formerly Privilege). Running from June 22nd to September 21st, Cox’s Sundays at UNVRS mark his first Ibiza residency since his iconic reign at Space nearly a decade ago. Fans can expect an electrifying fusion of classic Carl Cox energy, cutting-edge production, and an unbeatable atmosphere as he takes over the newly revamped venue.


Fisher Secures Thursday Residency at UNVRS
Joining Cox in the residency lineup, Fisher is set to take control of Thursdays at UNVRS, bringing his signature high-energy sound and chart-topping Tech House anthems. Known for his infectious stage presence and party-starting selections, Fisher’s weekly shows promise a vibrant mix of heavy basslines, euphoric drops, and non-stop dancefloor action.
 
The club’s Saturday spot goes to Elrow, who will be hosting an immersive techno and tech house experience. The show is set to be extraordinary, following four themes across the residency that centre around technological innovation.
UNVRS are also yet to reveal whether they will be hosting a Friday resident, however there is plenty of speculation online!


Joseph Capriati Brings ‘Metamorfosi’ to Hï Ibiza on Fridays
Meanwhile, over at Hï Ibiza, Techno heavyweight Joseph Capriati has been confirmed as the club’s Friday night resident, featuring his immersive Metamorfosi show. The concept, inspired by the transformation of a butterfly, blends elements of nature and futurism, symbolising evolution, growth, and artistic development. Expect stunning custom production, mesmerising audio-visual experiences, and a dynamic lineup of guests carefully curated to take clubbers on a deep, hypnotic journey each week.


Paradise has moved to London! 
Jamie Jones has partnered with LWE to host ‘Paradise in the City’ in Boston Manor Park, London this August.  ‘Paradise’ event has been a staple in Ibiza’s nightlife since its inception in 2012, initially hosted at DC10 for eight seasons. Since it relocated to Amnesia in 2022, it has been one of the hottest events on the island, however ‘Paradise’ are yet to confirm whether they will be hosting shows on the island this year. 

With these heavy-hitters locked in and more announcements on the way, Ibiza’s 2025 season is shaping up to be one of the biggest yet. Stay tuned for more updates!
    
 
The post Ibiza Summer News: Major Residency Announcements for 2025 appeared first on Electric Mode.
Ravebot
Empher, a producer renowned for blending emotion with club energy, kicks off 2025 with the release of his first
track of the year, “Love & Happiness”, via the prestigious UK label Wh0 Plays, led by Grammy-nominated artist
Wh0.

“Love & Happiness” is a sonic journey that merges the essence of classic house with a fresh, contemporary
perspective. Featuring soulful vocals, old-school rave stabs, a techy groove, and a powerful combination of
kick and bass tailored for the club, the track evokes nostalgia and emotion, transporting listeners to a vibrant
and introspective space.
 
Reflecting on the creative process, Empher shares: “Love & Happiness” is a bridge between the sounds that
inspire me and my renewed vision of house and tech house. I wanted to capture that timeless connection
between the classic and the modern while staying true to the essence of my music.”

This release solidifies Empher’s distinctive style, following successful releases on labels like Smash The House
and Dim Mak. With “Love & Happiness”, he continues to elevate his artistry, connecting both with club-goers
and lovers of more introspective house sounds.
Now available on all major streaming platforms, “Love & Happiness” is a must-listen for house music
enthusiasts.
 
CONNECT WITH EMPHER
INSTAGRAM
SPOTIFY
SOUNDCLOUD
The post “Love & Happiness” by Empher – A Nostalgic Explosion Through the Wh0 Plays Label appeared first on Electric Mode.
Ravebot
Global house and techno icons CamelPhat will play under the famous cherries for a third consecutive season. 
Every Tuesday the British duo will be joined by a star-studded lineup, where they will unite the dance floor from start to end, taking them on a unique deep, groovy and melodic trip. 30 January, 2025, Ibiza – Multi-platinum production and DJ duo CamelPhat will be back at Pacha Ibiza for 20 weeks of unmissable house music this summer. From 20 May to 7 October, the Grammy-winning pair will offer up their famously emotive soundtracks each and every Tuesday. As CamelPhat, Dave Whelan and Mike Di Scala have helped shape the sound of house music in recent years with their signature blend of enchanting grooves. For the last two summers, meanwhile, they have curated exceptional weekly lineups featuring an array of exciting DJs. Returning for a third year, they promise another musical journey that blends deep and soulful house and melodic techno with extended sets from the hosts and special back-to-backs with peers. Expect regular explorations of the Liverpudlians’ own impressive back catalogue including classics like ‘Cola’ and ‘Panic Room’ alongside perfect selections from the electronic spectrum. As well as that immerse music, Pacha Ibiza’s legendary sound systems and innovative production ensures each Tuesday is a night that transcends the norm and takes dancers into a new realm of pleasure. Elevate your night with VIP and Priority Entry Instagram | Website | TikTok | Tickets The post CamelPhat Return to Pacha Ibiza for Iconic Season Long Residency  appeared first on Electric Mode.
Ravebot
Horst Arts & Music Festival is gearing up for its 11th edition at Asiat Park, Vilvoorde in Belgium, announcing the full line-up for the festival’s 11th year on February 4. On 1, 2 and 3 May, the festival will open its doors to festival-goers in search of the hidden depths of electronic music culture, with no fewer than 115 unique artists on the bill.
  
Unseen new and older
The most striking name on the roster of Horst Arts & Music 2025 is undoubtedly the already cryptically announced Four Tet. The man of a thousand alter egos is coming to Vilvoorde on Thursday May 1 for an exclusive Belgian show. ‘Horst has always started from a broad spectrum of variations on house and techno, but also laced with all things bass & breaks. Four Tet is someone who honours those traditions, and includes 10 more within the blink of an eye. That’s when you know it will work at Horst,’ says Simon Nowak, music programmer for Horst Arts & Music.

Beyond the headliner status, Horst is once again recalibrating its musical antennae, feeding the line-up with international trendsetters. ‘In an environment where everything has to be harder, faster and instagrammable, we resolutely, more than ever, want to bring challenging, content-rich music back to the forefront – we believe Horst audiences like to be challenged. The line-up is more than ever a combination of cutting-edge producers, musicians and innovative DJs.’ That means 2025 will look at the sounds of club culture that reign supreme on a global level, but still too often slip under the radar closer to home. Acts like Makadsi highlight what a crossover can sound like between Arab and North American music culture, BADSISTA and Verraco show what South American countries like Brazil and Colombia have to offer, and gyrofield inventively tackles electronic IDM heritage from Hong Kong.
And that’s by no means all. DVS1 curates the new Horst stage on Friday, bringing along veteran dub techno collective Generations in Sync (DJ Pete, Erik Jabari, Moritz von Oswald), while Horst regular Job Jobse returns to Vilvoorde to provide the sunset with a fitting soundtrack. Furthermore, Horst once again includes a string of unreleased back-to-backs on the programme, including electro house legend Erol Alkan who joins forces with Palms Trax, Polygonia and Steffi, iconic London duo Hannah Holland and Josh Caffé, longtime Horst resident AliA and rising star Mia Koden, while Detroit legend DJ Stingray 313 and German electro powerhouse Helena Hauff unite their cold and warmer tunes on the dance floor.
In addition, American DJ Zak Khutoretsky – aka DVS1 – is collaborating with star architect and friend of the festival Leopold Banchini on a revolutionary project that will be unveiled later in the run-up to the festival.

A new chapter, a new territory
With Horst Arts & Music’s 10th anniversary behind us, the organisation is entering new territory. Something you can take quite literally. Where plans were on the table to cross over to the Darse site across the water in 2025, the ambition had to simmer a little longer. Additional challenges around the licensing framework and preparation of the site did not allow it to welcome Horst visitors. Regarding this change of course, Horst Arts & Music posted this statement on their channels.
‘With the temporary suspension of the bridge, we were forced to look creatively at our current space. And the necessary questions that come with redirecting your course. In what way do we want to grow as a festival? It always led us back to a sustainable and step-by-step growth, to not trip during the process,’ says Jochem Daelman, organiser of Horst Arts & Music. ‘When it became clear that the bridge would not be there this year, we didn’t sit back. Doing the same thing twice is not in our DNA. So we started looking for another place that could naturally enrich Horst’s landscape. And that’s what we eventually found, closer than we could ever dream of. ‘The search has become the theme of this edition: challenges that offer opportunities. What that will look like, is for the visitors to discover.’

(Inter)national Collaborations
In customary Horst fashion, space will once again be etched out for a series of in-depth (international) collaborations with the likes of Kiosk Radio, who will once again host Moon Ra together with The Lot Radio – the New York-based project of Belgian François Vaxelaire. The intimate hut will be the setting for the live-streamed sets of a wide range of exciting local acts such as Erykah, Otis, Elisethere and Emily Jeanne as well as international heavyweights. Nightlife platform Resident Advisor joins once again. They are taking care of this year’s Vesshcell, which will have a new look for the occasion and transforms itself from a hub for iconic pop edits to a discovery sanctuary for (live) niche acts from the undercurrent with Mark Knekelhuis and Parris Smith’s project, Volition Immanent, among others. As usual, FOR ALL QUEENS! also returns, this year with a 7-hour performance at the infamous Soleil Rouge.
Details of the arts and architecture programme will be revealed in the coming weeks. Further info and remaining tickets are available via www.horstartsandmusic.com.
The post Horst Arts & Music Festival Releases Full 2025 line-up, With Four Tet, DVS1, Helena Hauff and Job Jobse appeared first on Electric Mode.
Ravebot
As festival-goers prepared to set sail for Groove Cruise in late-January, authorities arrested a Miami-Dade Sheriff's Office Deputy for allegedly possessing, selling and trafficking drugs, WSVN 7News reports.
Law enforcement officials say they learned Francisco Melo had plans to distribute MDMA during the four-day festival aboard Royal Caribbean’s Allure of the Seas. According to an arrest warrant, investigators used a confidential informant to purchase MDMA from Melo prior to his arrest. 
The undercover officer revealed that Melo intended to bring his illicit inventory onto the ship in a Skittles packet, disguising the drugs as candy to evade detection. Detectives reportedly arrested him at PortMiami, where they discovered 60 MDMA pills in his luggage.
Miami-Dade Sheriff Rosie Cordero-Stutz condemned Melo’s actions.
"Narcotics don’t just harm those who use them, they devastate families, and fuel crime," Cordero-Stutz said in a statement. "The actions of this individual are a betrayal of the public trust and of all the deputies who work tirelessly to protect our community."
Groove Cruise, which celebrated its 20th anniversary last year, has become a staple of the electronic dance music festival scene. The event's 2025 edition took place January 23-27 and featured headlining performances by Eric Prydz, Seven Lions, James Hype, MEDUZA and Nicole Moudaber.
Ravebot
Yesterday Music’s biggest night returned. After a rough first month of the year in Los Angeles due to multiple wildfires, the Academy pushed through without rescheduling the GRAMMY Awards Ceremony. Furthermore, multiple mainstream artists and EDM icons alike, hosted multiple fundraisers and wildfire relief events. The show was filled with incredible performances, while honoring the artists that gave us magical sounds all throughout 2024. The Crypto Arena in Los Angeles gave us tons of highlights, including this year’s best electronic dance music artists. Here are the winners:
GRAMMYs 2025 EDM Winners
This year, Best Dance/Electronic Recording went to none other than Justice and Tame Impala with their track ‘Neverender‘. This marks a glorious return to the French Duo, including their latest album Hyperdrama. Sometimes taking an 8 year hiatus from producing full LPs pays off. Nominees for this category included Disclosure, Fred Again.., Zedd, and KAYTRANADA.
Things got spicier with Charli xcx winning Best Dance/Electronic Album with her album BRAT. The “365 partygirl” had us jamming to her music, including appeareances of Troye Sivan on Tour, a phenomenal Boilerroom set, and “Brat Summer” itself. This category included Zedd’s Telos, Four Tet’s Three , KAYTRANADA’s TIMELESS , and Justice’s Hyperdrama. Charli also took home Best Dance Pop Recording for her track ‘Von dutch’.
Even though there are only few categories that honor dance music, we love them all. This year’s Best Remixed Recording went to Mark Ronson and FNZ for their Working Late Remix of Sabrina Carpenter’s ‘Espresso’. The vocalist also took home Best Pop Vocal Album for Short n’ Sweet.
We definitely feel this year’s winners weren’t as shocking as Beyonce winning dance album of the year with Renaissance. Especially, since Charli has been in the rave scene since she was younger, and has tons of production credit. What do you think? Did your favorite win?
The post Here Are the Dance Music GRAMMY Winners appeared first on EDMTunes.
Ravebot
As another year of underground sounds have begun, we have an album release that will be sure to make waves in the jungle and hardcore world. Grassroots label Militant Music have been curating releases and organising events for over 3 years, with a back catalogue of projects to show including progressive EP and single releases within jungle and drum & bass, as well as providing some of London’s most authentic raving experiences. 
The wider scene wouldn’t be where it is today without the likes of Militant Music putting in tiresome work with an array of local artists and venues. With releases from talented up-and-coming artists such as the likes of Glinks, Seretonin, Worsley, and Greedy G over the years, the label side of the brand holds an abundance of innovative tracks that are heavy-hitters within the jungle community. Incoming is a hotly anticipated album ‘Not Your Average Station’ by rising producer Aerbreak who is also one of Militant’s main resident DJs. With euphoric and hard-hitting tracks such as ‘Gravity Trap’ featuring Tom Oakley, ‘System Overload, and ‘Not Your Average Station, this album will undeniably teleport old school ravers back to the 90s, whilst also introducing this gleeful sound to a new generation of hardcore junglists. This well thought out project takes you on a video game-like adventure, a futuristic, yet compelling piece of artistry that holds no boundaries within the high-tempo world of hardcore and jungle. There is no doubt that this 12-track album will be played out in raves up-and-down the country throughout 2025. 
We caught up with Krash Dubz, head honcho of Militant Music to find out more about this unique underground platform dedicated to showcasing the most authentic high tempo sounds in London. Whilst also getting a word from Aerbreak himself on the intricacies of putting together his first album. 
Let’s go back to the beginning. Talk to me about how Militant started?
Krash Dubz: It started as a label in 2021. But it was initially an idea that I had for a music journalism platform going back to 2018, way before we were making any music. I focused on hip-hop events. I’ve always loved hip-hop since I was a kid. Hip-hop, jungle, and drum & bass had so many crossovers in my mind, I wanted to use Militant Music as a way to explore that fusion more in rave music. The first lockdown during covid was when I started to get the ball rolling in that sense. It’s quite hard to carry out feeling and personality in music without drawing inspiration from a lot of different styles of music. That’s what we aim for with Militant Music releases.
Why the name Militant Music?
Krash Dubz: The name goes back to my dads Armenian heritage. My dads family emigrated as Armenian genocide survivors and they had to be very militant in the way they persevered to escape to make new lives for themselves across Europe. This embodies this because I feel our music is hard-hitting whilst we try to carry the feeling and personality throughout the raves we put on.
Stand out projects?
Krash Dubz: The stand out past projects to date have to include the ‘Militant Minds’ which was a very special project to me. It brought a lot of artists together. Encouraging a more open conversation about our mental health. Also, something that was quintessentially Militant Music is the ‘Militant Tape’. This was exactly the direction I wanted to go in with the label right from the start. That would’ve been nowhere without Glinks, who’s an absolute visionary. When I first discovered him he was sampling memphis rap in his jungle tracks. It was a given from then we could make this amazing fusion project. We had to put this on cassette tapes as it was the right thing to do for the culture. I felt it stayed true to the sound this way. 
How did you get to a place where making an album with Aerbreak was on the cards?
Krash Dubz: We’d never met in person up until 2024. We’d been exclusively chatting online for about two years. We’d done a lot of singles together. We got to the point where Aerbreak had a recognisable sound. People were feeling his sound through our Militant projects. As soon as we met, we got brainstorming. His music encapsulates the golden age of hardcore and rave euphoria. He puts this modern, sci-fi twist to it. He brings a lot to the Militant blueprint. His sublime and versatile production within the genre is inspiring and has the power to inspire a lot of people. This album will give us the chance to showcase that. This is undoubtedly going to be a special project and we hope everyone enjoys it as much as we do. 
I’d love to get some insight into this truly authentic album. What was the process like to make it?
Aerbreak: I wanted to create a world listeners could get absorbed in – and hardcore, drum & bass, and jungle tend to lend themselves really well as a medium for that. The whole process has been a blast. I’ve tried to fuse a lot of my influences – from late 80s acid house to early-to-mid 90s breakbeat hardcore – with a nostalgic, euphoric, video game-esque feel. You’ll hopefully be able to feel essences of artists like The Prodigy & Altern-8, as well as many of the other pioneers of the era, but with a respectful new twist. At the time the project began, I wasn’t hearing much in the way of 91-94 hardcore in the scenes I was involved in – it was more modern breakbeat and jungle – and I wanted to bring light to these euphoric old school sounds that undoubtedly have a place in our scene today. I hope this inspires other people to try their hand at making some hardcore themselves! In regards to collaborations on this, I got my friend and talented producer Tom Oakley on one of the tracks ‘Gravity Trap’. Tom captures the classic UK rave sound so well, and his production just keeps on getting better. We’d been talking for a while about making a tune, and the idea came together so smoothly and really quickly! It’s had a wicked reception so far, so I’m looking forward to including it in the album.
I’d love to know what some highlights for the events brand have been over the years.
Krash Dubz: The first one would be an event we played called Off Grid presents: Momentum. In the summer of 2023 we travelled alongside the Da Demolition Squad to Kaunas in Lithuania where we converted a go kart racing track into a rave. We put on the biggest showcase of UK rave music in the city. We’ll remember that forever as one of the craziest parties to date. You can’t really do these types of events here in the UK. Secondly, our recent sell out halloween show in collaboration with Jungyals and Gays at Venue MOT. That was probably our first big collaboration event we’ve done with another brand. There was so much variety of artists, a real family affair. Lastly, meeting everyone we’ve welcomed in as family, we wouldn’t be where we are today without our residents. The dedicated team that pushes the boundaries. Big shout outs to our team Glinks, 50Cal, IXN, Sleazebag, Aerbreak, Arfboy, Seretonin, Deselecta, Greedy G, Mina, Kippo, and Defekt. 
Do you have the tea on any future projects?
Krash Dubz: There’s one we’ve been brainstorming that’ll be based around a funky breakbeat project with Greedy G and Aerbreak on production. It’ll start off with hip hop and make its way through 120 bpm breakbeat and follow through into faster sounds such as jungle and drum & bass. Fusing these two artists together will no doubt create a wicked album that we can expect towards the end of the year. We have a couple other EPs we want to drop this year too. We’re going to be dropping a dark side drum & bass project with an amazing producer called Blah. We’ll also be working on an EP with Seretonin as well. He’s one of the most talented jungle producers around. 
Do you have any future goals you’d love to achieve?
Krash Dubz: The scene is way more of a community than it used to be. More and more collaborations with brands would be ideal to grow that even further. That’s how we’ll lift each other up. We’d love the opportunity to play more festivals and also go abroad doing more Militant takeovers. 
What are some platforms and brands doing great stuff for the community?
Krash Dubz: One that’s really important to mention who’s enabling so many more artists to be discovered is Killahertz. There’s no other live stream around that showcases such a wide range of truly underground DJs and artists. It’s so important and you can discover so much talent as a result. All of the Jungyals and Gays crew and NRG CRU. All doing great things for our community.  I could mention so many others, but these platforms really fit with our ethos.
Get The Album Here
Bandcamp
Ravebot
MEDUZA are breaking new ground with Meduza³, a new live production they say is designed to "reinvent the DJ performance experience."
The electronic music trio today announced the bespoke live music concept, in which all three members—Mattia Vitale, Simone Giani and Luca de Gregorio—will perform together. Until now, MEDUZA's live appearances have typically featured only Vitale behind the decks while the trio collaborated behind the scenes on music production.
Described on the group's social media as an "electrifying hybrid live concept," Meduza³ marks a significant evolution for the Italian hitmakers, known for chart-topping tracks like "Piece of Your Heart." While details remain under wraps at this time of this writing, MEDUZA said the project will debut at "a selection of exclusive venues" in 2025, hinting at a curated rollout that emphasizes intimacy.
MEDUZA's pivot to a fully collaborative stage presence comes amid growing demand for more engaging, multi-dimensional live electronic performances. The group's development of Meduza³ also feels like a natural extension of their ongoing campaign against excessive smartphone usage on dancefloors, launched alongside James Hype. By creating a more immersive and dynamic live experience, the trio encourages audiences to be fully present, shifting focus from screens to the shared energy and connection of the performance itself.
You can watch a teaser of the Meduza³ production below.
View the original article to see embedded media.
Follow MEDUZA:
X: x.com/meduzamusic
TikTok: @meduza_music
Instagram: instagram.com/meduzamusic
Facebook: facebook.com/meduzamusic
Spotify: spoti.fi/3jElbuA
Ravebot
Alesso has opened up about his ongoing health challenges, which recently led to his first cancellation of performances in 14 years of touring.
The Swedish dance music superstar, whose real name is Alessandro Lindblad, shared a candid video on his social media to address his absence and lack of social media presence, citing a severe case of tinnitus. The chronic condition, which can result from ear damage or exposure to loud noises, is characterized by the perception of ringing or other sounds in the ears without an external source.
"I woke up with the loudest ringing in my ears," Lindblad said, describing the pain as a 10 out of 10. "I was in complete shock. It was not after a show. I just woke up, and it was so intense."
Although he had previously experienced mild tinnitus, nothing compared to the intensity of this episode. "I know it's super common in the music industry," he said, acknowledging the widespread nature of hearing issues among music producers, "but yeah, I had a really, really difficult time dealing with this."
Alesso performing at the Brooklyn Mirage on February 3rd, 2024.Kelly Knisel/EDM.com
The experience led the influential "Heroes" producer to take a step back from his relentless touring schedule, which in 2024 included performances in Belgium, Greece, France, Iceland, Saudi Arabia and the United States, among other countries.
"I've been doing this for 14 years now, and I've never taken a break," Lindblad lamented. "So I just took this as a sign to slow down, to prioritize my health and be more careful."
Looking forward, he expressed optimism about his upcoming shows, including a highly anticipated appearance at Miami's Ultra Music Festival. However, he confirmed that his touring pace would be more measured, with fewer shows in the immediate future.
"I will be doing shows, but maybe not as many," he explained.
In his message to fans, Lindblad also emphasized the importance of health and safety, urging fellow musicians and concertgoers alike to take precautions. "We're only humans," he reminded them, advising the use of ear protection to avoid the risks of hearing damage.
You can watch Alesso's video below.
View the original article to see embedded media.
Follow Alesso:
X: x.com/alesso
Instagram: instagram.com/alesso
TikTok: tiktok.com/@alesso
Facebook: facebook.com/alessoofficial
Spotify: spoti.fi/3kHFy5c
Ravebot
Anjunachill (former label Anjunadeep Reflections) announced the launch of a new compilation series titled Anjunachill 01 (Mixed by Above & Beyond). It will be available on March 3, 2025, and be accompanied by a six-track limited-run vinyl sampler. 
The Anjuna family of labels has a long history in the chillout genre. It’s a journey that took a pivotal turn with Above & Beyond at Burning Man in 2014. Following a spontaneous sunset yoga set on the iconic Robot Heart stage, this transformative experience sparked the creation of their dedicated yoga and meditation album, Flow State. 
Following the success of Flow State, in 2020, the first EP in a new chillout series, Reflections Vol. 1, was released on Anjunadeep. This was a defining moment in establishing a dedicated home for Anjuna’s chillout sounds. Officially launched in May 2022 as Reflections, the label flourished as a standalone space for ambient and downtempo music. The Anjunadeep and Anjunabeats back catalogs are also full of chill-out classics from Above & Beyond albums. These include their debut LP title track ‘Tri-State’ and ‘Sun In Your Eyes’ to much-loved fan-favorite moments from Andrew Bayer, Cubicolor, and Croquet Club, to the RIAA-certified Gold single ‘Don’t Leave’ from Flow State in 2019.
Having mixed the first installment of the Anjunadeep compilation series and every Anjunabeats Volume these past two decades, Above & Beyond now present the inaugural mix in this new series with Anjunachill 01. Curated and mixed by Above & Beyond, the Anjunachill 01 compilation opens with the group’s latest ambient track, ‘Shall We Begin’. Released in January 2025, it marks the relaunch of the label (formerly known as Reflections) and kicks off the celebrations of 25 years of Anjuna. The mix also features music from beloved Anjuna artists. These include Jody Wisternoff & James Grant, Dusky, Leaving Laurel, Yotto, and Croquet Club. Additionally, it includes recent standout releases from Anjunachill like Cephas Azariah’s ‘Joy Paradox’ and an exclusive remix from prolific neoclassical composer Peter Sandberg of a track lifted from Mark Barrott’s recent LP Everything Changes, Nothing Ends.
In addition to celebrating its history, ‘Anjunachill 01’ also introduces unreleased music from artists who are new to the label. Highlights include tracks from Planet of Souls, the downtempo alias of producer Paul Rogers (known for his work with N.E.R.D., Gorillaz, and Pete Tong) and sound design expert Tom Barlow. It also features new music from Anjunabeats favorite PROFF, Redkat (Riccardo Derio of Alex Sonata & The Rio), and Ad Harmonium, a South African composer duo consisting of one half of the electronic outfit Archaellum and felthabit.
Combined with timeless gems, ‘Anjunachill 01’ celebrates the label’s rich heritage. The compilation also looks ahead to the next generation of artists shaping its future in 2025 and beyond.
Anjunachill 01 (Mixed by Above & Beyond) is available on March 3, 2025 on Anjunachill. Presave the compilation by clicking here.
The post Above & Beyond Present New Mix Compilation, Anjunachill 01 appeared first on EDMTunes.
Ravebot
Kick off your weeks with some top-notch melodies, courtesy of masters at work.
A truly beautiful song is a rare feat in today’s Dance music industry. Powerful songs come and go by the hundreds, groovy ones too, but songs which feel like a checkpoint in the middle of a long road, those are tracks that stay by your side for quite a longer while. Such is the case of David Hohme and Jackarta‘s latest track, ‘Use The Force‘.
For close to 15 years, Hohme first carved a space for himself in the industry, to then lead the softer, more intimate vibes he’s a master of: Organic and Melodic House. Widely known for his Soft Landing EP signed to Anjunadeep, he’s the proud label boss of Where The Heart Is, an imprint completely built upon quality music, and songs with a soul. WTHI is the perfect home for this new record.
‘Use The Force’
David’s latest track is not a solo work: it is the result of three minds thinking forward in a common direction. He joined forces with duo Jackarta to deliver one special piece. ‘Use The Force‘, a not-so-subtle nod to those who love a certain movie based in outer space, is the first single lifted from David Hohme’s upcoming artist album.
This song has a special sound in my ears. It’s got the fragility of an Organic House tune, but its delicate essence lays over a bed of more energetic rhythms and percussion, much like a Progressive Trance arrangement to me. The balance between both is surprisingly beautiful, with old-school, warped pads, as well as silky piano lines, some raspy leads and sawtooth basslines, and a minimalistic approach to number of elements where every signal plays a special role and is a star in its own.
I frankly hadn’t heard something this special in a while. I’ve never really been a fan of hybrid stuff — the purist in me always cries for consequence and concordance —, but this specific hybrid stuff that is ‘Use The Force’ doesn’t feel like equal parts water and oil: it sounds like it was always meant to be this way. And that’s a very cool thought to decant to when playing a song.
Listen to David Hohme and Jackarta‘s brand-new ‘Use The Force’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry.

The post David Hohme And Jackarta ‘Use The Force’ In New Striking Collaboration appeared first on EDMTunes.
Ravebot
Alesso, a Swedish DJ and producer, has taken a rare step back to share his personal health challenges. Renowned for energizing throngs at events like Ultra Music Festival and Tomorrowland, Alesso recently uploaded a moving video on Instagram explaining why he has been away from social media and canceling events for the previous two months. The culprit? A sudden, debilitating case of severe tinnitus—a condition all too familiar in the music industry but rarely discussed so openly.
What happened Alesso?
Alesso woke up two months earlier and found what he characterized as “the loudest ringing” in his ears—a piercing noise rated ten out of ten in intensity. Unlike usual examples of temporary hearing discomfort following loud concerts or events, this incident struck without notice and had no bearing on any past performance.
“I woke up, and it was so strong,” Alesso said in the Instagram video. Although he admitted to having slight tinnitus in the past, this occurrence was unprecedented in degree. The effect must have been catastrophic for someone whose work revolves around sound.
What Is Tinnitus?
When Alesso described waking up to “the loudest ringing” in his ears, he was referring to tinnitus—a condition that affects millions of people worldwide. But what exactly is tinnitus, and why does it have such a profound impact on those who experience it?
When there is no outside noise, tinnitus—the sensation of ringing in the ears—results. Usually connected to hearing loss, ear damage, or circulatory system problems, it is a sign of an underlying condition rather than a sickness per such. The sounds connected with tinnitus differ greatly; some say they are a high-pitched whine, a constant hum, or even a rhythmic throbbing matched with their heartbeat.
Tinnitus affects musicians disproportionately since they spend much time in loud surroundings. Whether they are practicing in studios, playing on stage, or going to events, the decibel levels they routinely come across surpass reasonable limits (usually about 85 dB).

How to avoid tinnitus?
Wearing earplugs during high-decibel music events is one of the easiest yet most powerful ways to preserve your hearing—and maybe avoid illnesses like tinnitus. Over time, exposure to sound levels beyond 85 decibels can cause irreversible damage regardless of your position—that of an artist on stage or a fan enjoying the act.
Earplugs are about preserving the experience, not about diminishing it. High-fidelity earplugs let you safely enjoy the music by lowering the volume without compromising sound quality. Custom-molded earplugs provide musicians with specifically designed protection, therefore guaranteeing comfort and clarity throughout performances.
The post Alesso Breaks Silence on Health Struggles: What Happened? appeared first on The Groove Cartel.
Ravebot
Rebūke has dropped his first track of 2025, ‘Endless’, and it is a banger that he released in collaboration with the dance/electronic music icon deadmau5 himself. The release of ‘Endless’ from Rebūke is a part of a campaign that the Irish techno and house DJ/producer that will lead to him releasing his debut studio album, The World of Era, later this spring.
The track features the fantastic vocals of Billboard-charting producer, songwriter, artist and instrumentalist Ed Graves and the track’s co-writer is Melissa De Kleine. De Kleine is a songwriter who has made a phenomenal name for herself with writing unforgettable tracks alongside the likes of John Summit, Nicky Romero, and Sander van Doorn. Finally, click ‘Play’ on the Spotify link to feel the great emotions from ‘Endless’, a track that Rebūke, deadmau5, and Ed Graves provide their top-notch musical expertise in. Additionally, the track also serves as a wonderful preview of what to expect in The World of Era.
‘Endless’ as described by Rebūke
The release of the track comes off of a spectacular 2024 for the DJ/producer
Rebūke, the Irish artist whose real name is Reuben Keeney, blends visuals with music in his work. The visualizer for his single “Endless” (LINK) portrays a girl’s journey in Era as she heads to a nightclub, showcasing four scenes: an alleyway, the nightclub entrance, a suspenseful stairway, and her entry into the club.
Indeed, the release of ‘Endless’ comes after an active 2024 for Rebūke. He debuted at Coachella, performed in a b2b set with Chris Avantgarde at Anyma’s ‘The End of Genesys’ residency in Las Vegas, and completed a national tour across major North American dance music clubs. He also released several singles and remixes, including ‘JUNO’ and a remix of deadmau5’s ‘Not Exactly’. His 2018 hit, ‘Along Came Polly’, was revitalized by a remix from Konstantin Sibold, ZAC, and CARMEE.
The post Rebūke Brings Out Vibes in ‘Endless’ With deadmau5 and Ed Graves appeared first on EDMTunes.
Ravebot

Important Information

We have placed cookies on your device to help make this website better. You can adjust your cookie settings, otherwise we'll assume you're okay to continue.