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The evolution of electronic dance music is one of the most dynamic and vibrant stories in the festival scene today. From its grassroots origins to its mainstream prominence, we’ve watched as trends have taken on new forms and reshaped the festival landscape. As we look ahead to the 2025 festival season, we see these trends continuing to evolve in exciting ways. In this editorial, we will explore the emerging and recurring movements within the EDM community that are setting the tone for the future.
1. Culture & Fashion: The Rise of Unique Rave Attire
Over the last few years, the EDM fashion scene has blossomed, with self-made brands gaining recognition for creating specialized clothing designed just for raves and festivals. These fashion-forward pieces are not just about style, but function—often featuring materials that are both comfortable and expressive of the community’s ethos. In addition to custom-designed rave gear, we’re seeing accessories like pashminas and head scarves becoming staple items at events. These pieces are not only fashionable but also serve as a personal touch for festival-goers.
Beyond clothing, the values of EDM culture—Peace, Love, Unity, and Respect (PLUR)—are being embraced more avidly than ever. At many festivals, fans exchange bracelets or “kandi,” a tradition that fosters connection between the community. Additionally, gifting items like squish toys, “sprouts,” or even water at festivals has become a symbol of community care. These small gestures reflect the ongoing commitment to peace and unity within the EDM world, especially as the culture grows in size and influence.
2. 360° Experiences and Immersive Stages
One of the most exciting advancements in festival production is the emergence of 360° stages, which create an immersive experience where the crowd surrounds the DJ. This trend was initially popularized by Boiler Room events, where the DJ was placed at the center of the crowd, making the performance feel more interactive. Since then, more festivals have adopted this concept. A prime example is Lost Lands’ ‘Crater’ stage, which debuted in 2024 to critical acclaim from both artists and attendees.
Looking ahead, Bonnaroo is set to launch its ‘Infinity’ stage in 2025 with a massive 360° experience that will feature cutting-edge surround sound systems. As the largest tent at the festival, this stage will offer fans a completely enveloping show. The continued popularity of these immersive stage designs shows how much the crowd craves a more personal, inclusive experience where the DJ and fans share the same space. Expect this trend to flourish across other major festivals as attendees increasingly seek out shows that put them at the heart of the action.
3. Audio/Visual Experiences: The Power of Synchronization
In 2025, the line between music and visual art is likely to blur even further, as more artists create immersive sets that integrate state-of-the-art visuals with their music. This trend started with pioneering artists like Eric Prydz, whose HOLO experience combined holographic 3D imaging with his performances, delivering an unforgettable visual spectacle. Following Prydz’s success, events like Afterlife have raised the bar with visuals that perfectly sync with the music, creating a truly immersive environment.
Artists such as Black Tiger Sex Machine with PORTALS, Mathame’s A/V show, and Gareth Emery’s LSR // CITY have taken this concept even further. Their performances offer a powerful combination of breathtaking visuals and mind-bending audio, establishing a new standard for what fans expect from live performances. As technology continues to evolve, we can expect even more artists to embrace this trend, making it a dominant feature of the EDM festival scene in 2025.
4. Artist-Produced Festivals: A New Era of Curated Experiences
It’s no longer just about performing at established festivals; more and more artists are taking matters into their own hands by curating their own events. This trend has been growing steadily, with artists like Excision founding Lost Lands, one of the most beloved festivals in the EDM community. The festival is renowned for its attention to detail and its fan-first approach, making it a standout in the festival world.
Other artists have followed suit, with Subtronics creating Cyclops Cove and Cyclops Dome—unique events designed to cater to his fans’ interests. Illenium has also tapped into this trend with Ember Shores, his annual festival held in Cancun, Mexico, where fans can experience an intimate festival in a beautiful beach setting. These artist-produced festivals offer a new, personal connection between performers and attendees, allowing for more curated experiences and deeper fan engagement. As 2025 approaches, expect more artists to take the plunge into creating their own branded events.
5. Pop-Up Shows: Intimate and Unforgettable Moments
Pop-up shows are a growing trend that allows artists to connect with their most dedicated fans in an intimate setting, often without the need for elaborate stage production. These spontaneous events are held in unexpected locations, from a bus in New York to underground venues in Amsterdam and Colorado. Artists like Charlotte De Witte, Chase & Status, and Skrillex have embraced this concept, creating an atmosphere that feels more personal and exclusive.
For many fans, pop-up shows are an opportunity to see their favorite artists up close, without the overwhelming crowds of larger festivals. These events also foster a sense of community and excitement, as fans know they’re part of something special and fleeting. As we move into 2025, pop-up shows are likely to become even more prevalent, offering a refreshing contrast to the high-production festivals that have become the norm.
A New Chapter for EDM
As we look toward the future of EDM culture, 2025 is shaping up to be a year of innovation, intimacy, and inclusivity. From fashion to immersive experiences, the trends we’ve discussed are just the beginning of what’s to come. With artists continuing to push boundaries and festival-goers increasingly seeking personalized experiences, EDM culture will continue to evolve in exciting and unpredictable ways. The next chapter is bound to be unforgettable.

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Lonely Computer, the electronic project of Matt Connelly, collaborates with Montgomery on his latest single, ‘Blindfold’, out this week via Seeking Blue Records. The track marks a shift in pace for the artist, embracing a more traditional songwriting approach that highlights emotional depth and self-reflection. The track began as a collaboration between Connelly and his longtime friend Matt Phillips, before bringing in Montgomery, an artist Connelly had admired for years. Her connection to the song was instant, and within a day, the collaboration took shape into something truly special.
The release follows Lonely Computer’s recent guest mix on SiriusXM’s Electronic Chill and features on Triple J, further cementing his presence in the electronic scene. With more singles, an EP, and live shows on the way, Lonely Computer continues to be an artist to keep your eyes on.
The post Lonely Computer Removes the ‘Blindfold’ with New Single appeared first on EDMTunes.
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Tom Enzy continues his collaborative streak with his next release alongside HUGEL and Juany Bravo, bringing an official remix of David Guetta, Jaden Bojsen and Sami Brielle’s viral track ‘Let’s Go’ via Spinnin’ Records. The Producer and DJ continues on his upward rise, marking yet another exciting highlight in his journey as he steps out with this brand-new rework, teaming up with some of Electronic Music’s most renowned talents. 
With experience, talent, and creativity on his side, Tom Enzy has been making his mark on the Electronic Music scene: achieving multi-platinum status as a DJ and Producer, his collaborations, high-energy performances, and original studio work continue to capture attention, earning him recognition as a highly regarded talent within the genre. From collaborating with industry icons like HUGEL, Alok, Rick Ross, Bob Sinclar, and Flo Rida to releasing music on labels such as Sony, Warner, and Universal, his distinctive fusion of Tribal House, Afro, Latin House and Brazilian Funk influences continues to resonate with global audiences. With performances on major stages like Tomorrowland and Ultra Music Festival, among many others, he has proven himself as a noteworthy force and now, with this latest release, positions himself, once again, as a defining talent, continuing to push boundaries with his unmistakable sound.  
Displaying rich textures of infectious rhythms and bold details, this new rework of ‘Let’s Go’ builds on the dancefloor-ready energy of the original; sustaining the catchy melodic motifs and familiar vocal layers, the intricate percussion work establishes the tight groove of the track, elevating the overall sound to offer listeners an energising musical experience. With its driving beat, dynamic hook lines, elevating risers and compelling rhythmic foundation, the arrangement keeps a fluid momentum, maintaining its flow throughout as it balances tense moments with groovy transitions.  
A production that brings together the signature styles of all collaborators, incorporating tribal, Latin-inspired flavour through the track’s distinct rhythmic layers, this latest reinterpretation of ‘Let’s Go’ makes for a refreshing listen, primed to energise genre lovers and encourage excitement across the global Electronic Music stage.  
Sure to team up with yet more powerhouse talents within Electronic Music, Tom Enzy remains an undoubted force to be reckoned with, so be sure to keep him on your radar by following his journey across social media.  
‘Let’s Go (ft. Tom Enzy, Juany Bravo & Sami Brielle) [HUGEL Remix]’ is out now via Spinnin’ Records and available to stream and download across platforms. 
Listen and Buy ‘Let’s Go (ft. Tom Enzy, Juany Bravo & Sami Brielle) [HUGEL Remix]’ Now: 
https://www.beatport.com/release/lets-go-feat-tom-enzy-juany-bravo-sami-brielle-hugel-remix-extended-mix/4927239
  
Tom Enzy Online      
Instagram  | Spotify  | Beatport  
HUGEL Online      
Instagram  | Spotify  | Beatport  
Juany Bravo Online      
Instagram  | Spotify  | Beatport  
Sami Brielle Online      
Instagram  | Spotify   
Spinnin’ Records Online      
Website  | Beatport   
The post Tom Enzy Teams Up with HUGEL & Juany Bravo for Official Remix of David Guetta & Jaden ’Bojsen’s Viral Hit ‘Let’s Go’ appeared first on EDMTunes.
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Rising solo artist, TONG released a brand new single titled ‘Is It Real’, a track feels right at home on the dance floor. Drawing inspiration from 90s Hip-Hop, the vocals bring a playful bounce, perfectly complementing the tech house drum kit and rhythmic bass line. The song layers in funky, upbeat elements that keep the energy alive from start to finish. Be sure to check out ‘Is It Real’ for yourself, out everywhere now!
TONG, based in Los Angeles and originally from China, is an up-and-coming DJ and producer known for her unique fusion of house and dance music. With a bold approach to sound, she experiments with a wide range of genres to carve out her distinct style. In 2022, TONG won the EDC Orlando Discovery Project with her remix of Matroda’s ‘Gimme Some Keys’, released on Insomniac Records. Since then, she has worked with prominent labels like Insomniac, Hexagon, and Toolroom, releasing tracks that showcase her evolving sound.
In 2024, TONG won the Toolroom Remix competition, and released the official remix for Essel. As she continues to explore new musical directions, TONG’s passion for innovation and her dedication to her craft keep her on an exciting path in the world of electronic music.

The post TONG – ‘Is It Real’ appeared first on EDMTunes.
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Hannah Wants has returned to Defected Records with "Hold Me," a deeply personal house track featuring British singer-songwriter ARA.
This song explores heartbreak and healing through hypnotic Afro-house grooves and velvety piano chords and an emotive vocal performance from ARA. The arrangement is warm and visceral yet irresistibly danceable, striking the perfect balance between feeling and rhythm.
Wants described "Hold Me" as her most significant release to date, a cathartic expression of resilience and healing. Written in December 2023, the song took on profound meaning after she experienced both a breakup and cancer diagnosis. 
"I was unaware that this very song would become my own truth," she said, "and a part of my own storyline."
"Heavy adversities don’t come to punish us," Wants added. "They come to teach us. It’s all about mindset. Open your eyes, heart and mind, listen to your intuition… it’s an opportunity to elevate."
A special acoustic version of "Hold Me" will follow later in the month of February. In the meantime, listen below and find the new single on streaming platforms here.
Follow Hannah Wants:
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Just ahead of Valentine’s Day, melodic bass fans are in for a treat. SABAI, Somna, and RUNN have joined forces to deliver ‘I Miss You,’ a powerful and emotive track that perfectly captures the essence of longing and love. Released on SABAI’s own IKIGAI Music imprint, the track will be tugging at your heartstrings with its breathtaking vocals and gentle production.
‘I Miss You’ wastes no time in grabbing the listener’s attention. RUNN’s ethereal vocals gently introduce the track, building anticipation for the soaring melodic bass drop that follows. The energy intensifies as the song progresses, culminating in a high-energy second drop.
SABAI, a rising star in the melodic bass scene, has been making waves with his unique sound, captivating stage presence, and strong community. Fresh off a sold-out headline show, IKIGAI, at the Hollywood Palladium, where he debuted a full live band experience alongside stunning visuals and unique production, Sabai premiered ‘I Miss You,’ instantly captivating fans.
This release marks a significant milestone for Somna, a veteran of the electronic music scene. Known for his 15+ years in the trance world and as the owner of the prolific AVA Recordings label, Somna steps into the melodic bass realm for the first time. His exploration of the genre began during the pandemic through his Twitch streams, evolving from a simple appreciation to a dedicated pursuit, resulting with this powerful collaboration with SABAI and RUNN.
The post SABAI, Somna, and RUNN Team Up for Emotional Melodic Bass Anthem ‘I Miss You’ appeared first on EDMTunes.
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Insomniac is showing up to Miami in style. They announced an array of pool parties throughout Miami Music Week (MMW) at The National Hotel. Starting Wednesday, March 26th they will present the Interstellar Experience and their melodic sounds. On March 27th factory93 will turn up the energy.
On Friday, March 27th Insomniac Records will take over and you can expect a stacked lineup for this. Saturday will shift to the La La Land experience of that good good house. And to close out the week, there will be a Day Trip takeover on Sunday.
They have a 5-day pass ready for your dancing feet but you can also buy individually. MMW of course takes place around Ultra who has another stacked lineup this year. The world-exclusive Anyma B2B Solomun set, the global debut of Carl Cox’s ‘Evolution’ live show, the first-ever deadmau5 b2b Pendulum DJ set, the Miami debut of Dom Dolla and John Summit’s Everything Always superduo, the world debut NGHTMRE b2b Sullivan King set, and the U.S. debut of Chase & Status’ new live show

The post Insomniac Announces Pool Parties For Miami Music Week appeared first on EDMTunes.
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Chicago-based producer Azzecca – one of DJ Mag’s ‘Ones To Watch 2025’, shares her new single, ‘Holding Back’, out now on Three Six Zero Recordings. This track is the latest in Azzecca’s deep dive into spacey, hypnotic house. Bursting with bright breakbeat drums, mesmerizing synths, an irresistible bassline, and a euphoric, anthemic piano melody, it’s a masterclass in dancefloor emotion. Azzecca herself describes it perfectly:
The result? A club essential that makes you want to put your hands in the air and cry at the same time. The soaring piano house single ‘Holding Back’ caps off a milestone year for Azzecca, as she—buoyed by strong support from the electronic music scene—looks ahead to an undoubtedly fruitful 2025. Listen here.
Azzecca had a standout year in 2024, selling out Sound in Los Angeles and performing at major festivals like Coachella, Movement, and ARC Music Festival. She gained widespread recognition from DJ Mag, UPROXX, and Clash Music, with major radio stations such as BBC Radio 1, Kiss FM Australia, and SLAM! (NL) showing their support. Her track ‘Who’s That Girl’ received high praise, with Arielle Free calling it “one of 2024’s essential tracks” and declaring that Azzecca had proven she belongs on top festival lineups. She was featured in high-profile interviews with Forbes, Noctis, and SPIN, and is set to appear on Scuba’s ‘Not A Diving Podcast’. With her rapid rise, Azzecca has solidified herself as a future main-stage headliner.
The post Azzecca: ‘Holding Back’ appeared first on EDMTunes.
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Some letters come with a gentle tap at the door, but Levity's "Postman" kicks it down with style.
As their first release of 2025, "Postman" suggests the breakout EDM.com Class of 2024 trio isn't just delivering the mail, but sending a message about where electronic music can go when tradition and innovation collide.
Out now via Ultra Records, the track is a love letter to soul music's golden age, channeled through Levity's brand of neon-soaked dubstep. It opens with a smooth, honeyed croon, rich with vintage whimsy as if Sam Cooke himself were whispering through the static of an old jukebox.
But just as the nostalgic charm sets in, Levity rip the floor out from under you. With bass stabs that claw through the mix and snarl with distortion, the drop hits with the force of a wrecking ball wrapped in velvet—devastating but somehow still elegant. 
Through the chaos, however, that silky hook resurfaces and grounds the track in doo-wop warmth. It's in these moments that Levity demonstrate their growing maturity as producers, knowing exactly when to unleash bedlam and when to pull back and let the soul breathe.
Listen to "Postman" below and find the new single on streaming platforms here.
Follow Levity:
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Keinemusik is set to make a highly anticipated return to Pacha Ibiza for a one-night-only event on May 18, 2025. After a string of sold-out shows across the globe, Rampa, Adam Port, and &ME will once again take over the iconic cherry-branded venue for a night of pure musical magic.
Last year, their Pacha Ibiza debut was one of the season’s most talked-about nights, with the Berlin-based collective playing under their signature Keinemusik cloud. This unique visual element has become a defining feature of their shows, making appearances at top-tier destinations like Tulum, London, and Egypt. With their seamless blend of deep house, Afro house, and minimal techno, Keinemusik has carved out a sound that is both distinctive and timeless.
Same Energy, Same Magic
The trio’s return promises to recreate the electric atmosphere that captivated Ibiza’s dance music lovers last year. Their signature style—an ever-evolving fusion of rhythmic grooves, hypnotic melodies, and infectious energy—will once again take center stage at Pacha.
As one of the leading electronic collectives, Keinemusik continues to push boundaries, and their presence at Pacha Ibiza only solidifies their status as industry innovators. Fans can expect an immersive experience where cutting-edge music meets a world-class venue renowned for its legendary parties.
About Pacha Ibiza
Pacha Ibiza is a world-renowned nightclub and a cornerstone of electronic music culture. For over 50 years, it has been home to some of the biggest names in the industry, creating a unique blend of music, entertainment, and lifestyle. With its distinctive atmosphere, Pacha Ibiza continues to be an international hotspot where music lovers gather to experience the best in electronic dance music.


The post Keinemusik: The Cherry Red Cloud Returns to Pacha Ibiza For An Exclusive One-Night-Only Show appeared first on EDMTunes.
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After the tremendous success of his November 2024 single ‘Heavy Heart’ with Skrillex and Firebox DML, Loco Dice returns with his first release of the year, ‘Road Runner.’ This dynamic collaboration with the legendary Carl Cox marks the second of six singles leading up to Loco Dice’s newly announced album, Purple Jam, set to drop on May 23, 2025. Released today via Virgin Records, ‘Road Runner’ ventures into fresh territory, delivering an electrifying and innovative track to keep the momentum high as anticipation builds for his highly awaited album. Listen here.
‘Road Runner,’ named after Carl’s beloved Plymouth Roadrunner, captures the raw energy of his signature tech house while weaving in Carl Cox’s drum’n’bass influence. The track has evolved naturally from their many B2B sessions in the past, built on crisp hi-hats cutting through a rolling bass—designed to hit just right in both day and night sets. Carl Cox’s touch brings a new dimension, uniting two heavyweight sounds that have shaped the scene for years. For Dice, this collaboration is more than just a track—it’s a reflection of a deep-rooted connection with Carl Cox that goes back to his early days:
The post Loco Dice Drops Single ‘Road Runner’ With Carl Cox Ahead of New Album appeared first on EDMTunes.
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Taiki Nulight and borne are digging deep into the underworld of 140 dubstep with their new collaboration, the aptly titled "Out of Control."
The heavy-hitting track unites the production finesse of both artists, who have crafted a menacing, untamed beast that pulls us into its grip. "Out of Control" delivers the gritty and forward-thinking soundscapes that have become borne's signature while Nulight dives headfirst into left-field territory, infusing the track with quivering bass stabs and punchy percussion.
With its mesmerizing vocals, the collaboration radiates with dark, irresistible energy. It's a testament to the sound design expertise of Nulight and borne, an unstoppable pair.
"Working with Taiki was a pleasure collaborating with someone who shares and understands your vision always makes the writing and creating process super smooth and fun," borne shared with EDM.com.
Listen to "Out Of Control" below.
Follow Taiki Nulight:
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InteliDey’s latest release, "I Don’t Think," is a brooding dive into the darker edges of electronic music, fusing the high-energy urgency of future rave with the emotive pull of melodic techno.
InteliDey's production is razor-sharp, layering eerie synths over a propulsive bassline. The UK-based, Indian-born producer, who is also an award-winning tech entrepreneur and TEDx speaker, crafted an arrangement that builds tension but never fully resolves, leaving listeners suspended in its electric haze.
The lyrics—minimal but evocative—carry an eerie detachment: "I don’t think you’re gonna set me free… Just the way I want it." The contrast between the relentless rhythm and the emotional weight of the vocals creates a hypnotic push-pull effect, making the track as introspective as it is festival-ready. Take a listen below.
The new single, InteliDey says, is an example of a fresh, genre-blending sound he's dubbed "Infinity Wave." He was first inspired by David Guetta and MORTEN's future rave concept, which ignited a new sub-genre back in 2021.
"As someone with ADHD, I thrive on music that keeps evolving, surprising, and capturing my focus with new elements," he said. "This led me to ask: 'Why not create a track that combines the best of these styles—a sonic experience that blends future rave’s energy, melodic techno’s depth, and progressive house’s emotional storytelling?' That’s how the concept of 'Infinity Wave' was born. I can’t be the only ADHDer in the world who craves this mix, so I wanted to share this joy with others who share a similar taste."
You can find "I Don't Think (Infinity Wave)" on streaming platforms here.
Follow InteliDey:
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As we step into 2025, it’s the perfect time to reflect on the incredible music that closed out 2024—particularly the outstanding single ‘Coming Home (I.M.U)’ by TATE SEDAR.
Released on December 6th, ‘Coming Home (I.M.U)’ marked the sixth and final release of 2024 for the San Francisco-based artist, serving as a perfect ending to a remarkable year. TATE SEDAR treated his fans to an number of unforgettable tracks throughout the year, including ‘San Francisco’, ‘Wish I Could’, ‘Emotions’, ‘Our Goodbye’, and ‘Overload’. These songs remain fan favorites, and ‘Coming Home (I.M.U)’ is undoubtedly poised to join their ranks.
Like what came before, ‘Coming Home (I.M.U)’ delivers mainstage festival energy, blending power with euphoria. The track masterfully blends emotional, homesick female vocals with driving beats that reflect TATE SEDAR‘s roots in electro and progressive house. It’s a journey through identity and nostalgia, underpinned by the sights and sounds of his hometown, San Francisco—a theme beautifully captured in the accompanying artwork.
Stream this single below and on all other platforms here.
The story of TATE‘s signature sound dates back to 2023. With performing taking up the majority of his time, he didn’t have time to spend in the studio. By moving to Los Angeles in 2018, it allowed him to work in nightlife, traverse the commercial & underground worlds of music and educated himself in the infectious genre markets of electronic and pop within LA’s musical DNA. During this time is when TATE began to form his homemade signature sound. Although already in love with bass and future house, he became engrossed with the eclectic sounds of garage music and modern dancepop. And while learning the lay of the land in LA’s house and techno landscape, he eventually was graced with major shows from Insomniac Events and acquaintances with some of his muses: Wolfgang Gartner, Deniz Koyu and Dubvision. A rare session in that summer of ‘23 led TATE to the chord progression that eventually became ‘Coming Home’. However – even with the start of catchy vocal chops and an endearing guitar hook, there was nothing quite there to anchor it.
In what ultimately became a turning point for TATE ater that year, he saw value in inspiration both old and new. He found nuance in both analog instrumentation and emulation in dance music – citing the album ‘Illusion of Depth’ (2020) by Mat Zo as a source – and realized that both the nonelectronic music (R&B, rock and hip-hop) as well as progressive sounds of his personal development could be a collective beacon for his creativity. In searching for a press shots, Angelino Heights – one of the first neighborhoods in LA with Victorian and Edwardian homes like those in SF – instandly came to his mind. He felt that it was the perfect analogy of how he finds his home both in music and his surroundings. To add to this notion, he comments:
“If anybody knows me well, they know I love San Francisco. And if you don’t – listen to my music.” – TATE SEDAR
It was finally with a third vocal take and incorporation of post-EDM elements – bells, piano, strings and mandolins – that the chord progression of ‘Coming Home’ came alive and began to germinate in production. The progression always reminded him of the running hills and drives with houses of old and new architecture within San Francisco as well as some nostalgia – leading to that large 80s-like chord stab before the second build. ‘Emotions’ ft. PSCYHEDELIC) was his first experiment in post-EDM, but ‘Coming Home’ and its vocal tied a new sense of authorship to his post-EDM sound: one that could incorporate the progressive styles of his mentors into its definition and part of himself & his home in its results.
Once again, TATE cements identity in more than just vivid production with another jubilant and radio-welcoming soundscape throughout ‘Coming Home (I.M.U)’. San Francisco has always been his north star, and although he began his journey into post-EDM this year with another track of his birthplace’s namesake, his new single elaborates on his passion of The City by The Bay and an ongoing voyage of his sound. Call it cliché or overrated, but the theme of home is timeless, and TATE’s song – even in its makeup – is nothing but that.
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Falcons QB Michael Penix isn't the only one heating up in Atlanta after the organizers of Breakaway announced a massive lineup for its first-ever festival in the city.
Breakaway is scheduled for May 16-17, 2025 at Atlanta's Center Parc Credit Union Stadium Victory Plaza. It's one of six new markets for the red-hot festival brand, which was named 2024's best event organizer in EDM.com's list of the year's top industry leaders.
"Breakaway is incredibly excited to add Atlanta to our 2025 tour," said Jarrod Fucci, President of Breakaway. 'We believe in taking our festivals to amazing markets where we know our consumers live, work, and play every day. There is a clear void in Atlanta for a show like ours, and we hope our powerhouse of a lineup reflects our belief and our excitement for Breakaway Atlanta."
The first-ever Breakaway Atlanta will feature headlining DJ sets from a trio of electronic music superstars: Zedd, ILLENIUM and Chris Lake. Joining them on an impressive undercard are Space Laces, ALLEYCVT, Wooli, Blanke, Disco Lines, Dr. Fresch, it’s murph, Tinlicker and Myles O’Neal, among others.
Breakaway, known for blending high-profile headliners with promising local talent, have also invited Georgia locals Gazza, Gia Nobody and Not Available to the bill.
Tickets are on sale now, including two-day GA, VIP, Ultra VIP and Space Deck passes as well as Space Deck tables.
Breakaway Music Festival
Breakaway is set to kick off the 2025 season from April 4-5 with its newest festival, Breakaway Dallas, followed by its second new market, Phoenix, from April 18-19.
The series then travels to Tampa (April 25-26), Atlanta (May 16-17), Columbus (May 30-31), Minneapolis/Saint Paul (June 6-7), Grand Rapids (August 15-16), Worcester for Breakaway Mass (September 5-6), Philadelphia (September 12-13), Charlotte (September 26-27) and Huntsville (October 3-4) before wrapping up with Breakaway NorCal (October 24-25).
You can find out more via Breakaway's official website.
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Natty Lou is back with another stunning collaboration, teaming up with Welsh vocalist Gemma Rose for their latest track, ‘Close To Me’. Released via Don Diablo‘s FUTURE – Hexagon label, the liquid drum and bass single builds on the duo’s undeniable synergy. Before its official release, the tracked premiered on UKF Drum & Bass’s YouTube channel on February 5th, marking another milestone in Natty Lou‘s ascent in the drum and bass scene.
This isn’t the first time Natty Lou and Gemma Rose have joined forces. Their 2023 release, ‘Tempted’, debuted on Liquicity and quickly found its way onto Spotify’s New Music Friday and Chilled Drum & Bass playlists. With its emotive melodies and Gemma Rose’s ethereal vocals, the track captured the attention of drum and bass enthusiasts worldwide, solidifying their potential as a dynamic creative partnership.
Now, ‘Close To Me’ takes that chemistry to new heights. The track blends Natty Lou’s masterful production with Gemma Rose’s poignant vocal delivery, creating a soundscape that balances atmospheric beauty with the pulse of liquid drum and bass. Early listeners can expect lush textures, intricate percussion, and a vocal hook that lingers long after the song ends.
Natty Lou has been steadily building her profile as one of drum and bass’s most exciting emerging talents. Her ability to craft tracks that marry technical precision with emotional depth has earned her recognition in a competitive field. Releases on notable platforms like Liquicity and now FUTURE – Hexagon highlight her dedication to quality and her knack for finding the perfect collaborators to bring her music to life.
Close To Me marks an important step forward, not just because of its release on Don Diablo‘s FUTURE – Hexagon, but because it continues to showcase Natty Lou‘s unique approach to liquid drum and bass. The genre’s emotional core is front and center, yet the production feels fresh, pushing boundaries without losing its essence.
Beyond the release of Close To Me, Natty Lou has an exciting few months ahead. With her release schedule filling up and her growing momentum on streaming platforms, she is set to make waves in 2025. While specific details about upcoming tracks remain under wraps, fans can expect more collaborative efforts and solo releases that continue to push the boundaries of her sound.
On the live circuit, Natty Lou is also gearing up for several shows, with appearances across intimate club venues and larger festivals. These performances provide an opportunity for fans to experience her music in an entirely different light, with her sets known for their seamless energy and carefully curated tracklists.
At a time when drum and bass continues to evolve, Close To Me is a testament to the genre’s enduring emotional depth. Natty Lou and Gemma Rose have created a track that feels both timeless and modern, combining introspective lyrics with production that pulls listeners into its world. The release on FUTURE – Hexagon is another affirmation of Natty Lou’s growing reputation, marking her as an artist to watch in the years to come.
For fans of liquid drum and bass, Close To Me is certainly a release to enjoy. With its premiere on UKF Drum & Bass on February 5th and its official release on February 7th, the track is going to resonate with both longtime followers of the genre and newcomers alike.
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Dom Dolla has a new track titled ‘Dreamin‘ featuring Daya out now via Good Fortune Records. The track was featured in his b2b set with Solomun in January. It garnered a lot of fan craze during that night, a true testament to Dom’s craft. The Melbourne-based DJ/producer continues to take the world by storm with his hypnotic house music bangers. He quickly wrapped up his Australian tour circuit with a warm 170,000 person welcome. And now, he returns to Madison Square Garden this March 7th-8th, which is going to be another epic performance. This release is a sweet treat for things to come.
Daya tastefully lends her vocals to the lyrics as a classic accompaniment to all the jams that Dom creates. The track is catchy, energetic, and a great addition to his repertoire. “Sunny Days, it’s such a pretty place”, “I see your smiling face, woke up and now I think I’m dreamin” begin the track. “All my friends, so sweet and innocent” follows as the second chorus. “The story never ends, woke up and now I think I’m dreamin” close out the verses as the undulating bassline rolls to the end. Their melodic collaboration is beautiful and perfect, capturing what dreaming must be like. We will surely see this track in his future performances, mixed in with delicacy.
Dolla never ceases to amaze with his ability to create memorable dancefloor tunes. His records resonate on stage, off stage, in yoga studios, on blast while studying, virtually anywhere. ‘Take It’, ‘San Frandisco’, ‘Girl$’, ‘Savin’ Up’, ‘Miracle Maker’ are a few of his releases that pump up the energy to enormous proportions. Garnering immense support from the community and crowd, even the remixes of his tracks leave no stone unturned. Not one body is left dry, no smile is left unbent in a Dom Dolla audience. The heat fires on with him through each and every performance.
Check out the official music below and get super excited for another year with Dom, starting with Coachella!
‘Dreamin’ is out now on all streaming platforms. Listen to Dom’s latest creation below.
Dom Dolla – Dreamin (feat. Daya) | Buy/Stream
The post Dom Dolla – Dreamin (feat. Daya) appeared first on EDMTunes.
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Fresh off winning both EDC Orlando’s Discovery Project and Toolroom’s remix competition, TONG continues her hot streak with “Is It Real,” a hip-house hybrid that proves why major labels have been paying attention.
The Los Angeles-based, Chinese-born producer skillfully mines ’90s hip-hop energy for dancefloor gold, laying playful vocals over tech house fundamentals. Landing on Funky Rabbit, the track marries bold toplines with rhythmic basslines in a way that feels both vintage and vital.
For TONG, who caught ears with her Matroda remix on Insomniac and releases on Hexagon, “Is It Real” feels like a natural evolution. Between the track’s bouncy confidence and her growing cosigns from dance music’s biggest labels, the answer to her track’s titular question seems pretty clear.
The post TONG Asks ‘Is It Real’ with ’90s Hip Hop-Laced House Heater appeared first on Dancing Astronaut.
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Leave it to Dzeko to spot dance potential in unlikely places. The Canadian producer, known for bridging pop and EDM with surgical precision, has turned fellow northerners MENEW’s rock foundations into festival fuel with “Never Us.”
The original collaboration already proved Dzeko’s pop instincts correct, breaking onto U.S. dance radio with its melodic approach. But it’s BYOR’s subsequent remix that really shows how far MENEW’s sound can stretch – transforming the Grammy-nominated alt-rockers’ track into a peak-time missile of driving drums and synth hooks.
For MENEW, three classically trained brothers who’ve shared stages with U2 and earned Letterman spots, this electronic evolution feels natural. They’ve been flirting with dance music since launching their Brothers side project at Cannes in 2017. But with Dzeko’s touch and BYOR’s remix pushing “Never Us” into serious club territory, these former rock purists might have just found their most powerful sound yet. 
The post A Canadian Collision: MENEW, Dzeko and BYOR Cross Genre Lines on ‘Never Us’ appeared first on Dancing Astronaut.
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Words by Alex Lambeau and Zach Salafia
Charlotte de Witte & Amelie Lens – One Mind EP
In the middle of their back-to-back tour, Amelie Lens and Charlotte de Witte have released their first-ever collaborative EP, One Mind. Two of techno’s most prominent DJs unite on “One Mind” and “Where Do We Go” seamlessly and subtly layering their voices over pulsing instrumentals. The long-awaited joint project is a testament to their combined creative force.
Cloonee, Young M.A, InntRaw – Stephanie (HNTR Remix)
“Stephanie (Dom Dolla Remix)” or “Stephanie (HNTR remix)?” That was the question the whole world seemed to be asking after HNTR’s heavy hitting remix of Cloonee, Young M.A & InntRaw’s “Stephanie” went viral on Instagram and TikTok, fueled by its inclusion in Dom Dolla’s live sets. HNTR—a rising star in the tech-house scene known for “Yes B!tch” on John Summit’s Experts Only imprint—seems primed for a massive year ahead.
Aaron Hibell & Alex Wann – Set Me Free (CamelPhat Remix)
A song that featured two Dancing Astronaut Artists to Watch, “Set Me Free” by Aaron Hibell and Alex Wann, has received its first remix of 2025. After racking up over 10 million streams on the original, Grammy-nominated duo CamelPhat put their refreshing spin on on one of the most memorable vocal tracks of 2024. The remix blends melodic and afro house elements and delivers heavier kicks, making it primed for dancefloors across the globe.
Dom Dolla – Dreamin’ (feat. Daya)
One of Dancing Astronaut‘s most-anticipated IDs of 2025, Dom Dolla’s “Dreamin’” features Daya (“Don’t Let Me Down”, “I Wanna Know”, “Feel Good”) and instantly cements itself as one of the year’s biggest releases. A smooth bassline from Dom Dolla pairs effortlessly with Daya’s infectious vocals, make for a surefire hit.
Maddy O’Neal – Alive (Mary Droppinz Remix)
Dancing Astronaut Artist to Watch in 2025, Mary Droppinz puts her unique spin on Maddy O’Neal’s “Alive.” The remix is part of O’Neal’s Vital Signs Remixed album, which also features reworks from Able Grey, Eyezic, Lizzy Jane, and more.
Featured image: Amelie Lens/Instagram
The post Dancing Astronaut’s New Music Friday: February 7, 2025 appeared first on Dancing Astronaut.
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Avi Sic is back on Hexagon’s label, Generation Hex, with her latest Bass House release ‘Work It:’ a symbol of her growing reputation on the Electronic Music scene, this new single sees her continue on her upward trajectory, keeping her momentum pushing forward as she brings more music to Electronic Music fans. Having teamed up with Canadian duo FOOTWURK for ‘Work It,’ Avi Sic once again expands her creative horizons, putting forward another track that shows off her collaborative spirit and versatile approach.  
With previous releases on top labels like Revealed, Spinnin’ Records, Mentalo Music, and DND RECS, garnering support from industry VIPs like Nicky Romero and Benny Bennasi, all whilst reaching charting positions on Beatport, Avi Sic continues to capture attention through her artistic pursuits.  Now, partnering up with FOOTWURK, she aims to build on her efforts, collaborating with a duo whose passion has so far led them to records signed on STEREOHYPE, Bite This!, and Low Ceiling, along with earning the title of 2023 Electronic Artist of the Year in Canada: coming together to combine their talents and creativity, Avi Sic and FOOTWURK each bring their individual styles to the project, ensuring they offer a track that feels both fresh and energising.  
A high-powered production, ‘Work It’ balances rave-inspired vibes with layered details, adding dynamic vocals, elevating risers, and punchy beats to bring evolving texture to the mix. As the journey progresses, a pulsating lead, acid-like in sound and vibrant in energy, takes the focus, with the melodic bassline and shuffled percussive details maintaining the tight groove the track delivers. Through the tension-building breakdown, where intensifying rhythms, filtered elements, and melodic hook line interplay with the layered vocals, listeners are drawn deep into the track’s bold soundscape, fully immersed in the precise and heavy-hitting arrangement that Avi Sic and FOOTWURK have crafted.  
With a grinding sound, driving in dancefloor-ready vibes, ‘Work It’ captures the essence of Avi Sic’s signature style, all the while integrating FOOTWURK’s unique touch to culminate in an engaging sonic experience suitable for all listening environments.   
So, out now via Generation Hex and available to stream and download across platforms, listen to ‘Work It’ today and keep up with both Avi Sic and FOOTWURK by following each of them via social media.  
Listen and Buy ‘Work It’ Now: 
https://www.beatport.com/release/work-it-extended-mix/4887688
Avi Sic Online          
Spotify | Instagram | Website          
FOOTWURK Online          
Spotify | Instagram | Soundcloud          
Generation Hex Online          
Website | Instagram  
The post Avi Sic Teams Up with FOOTWURK for High-Energy Bass House Anthem ‘Work It’ appeared first on EDMTunes.
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Alan Walker is set to transform NYC's iconic Central Park into an electronic dreamscape on May 31st, when the masked hitmaker will take over its bespoke SummerStage venue for a can't-miss concert.
Known for its eclectic programming spanning rock, hip-hop and global music, SummerStage no stranger to EDM greatness, but Walker's atmospheric sound feels particularly suited for its open-air spectacle. His live shows fuse eye-popping visuals with anthemic drops, immersing fans in a high-energy yet emotionally charged experience.
As the sun sets over Manhattan, Walker's soaring melodies will entwine with the city skyline—a moment tailor-made for festival-goers and YouTube highlight reels alike. Fans attending his SummerStage headline can expect to hear crowd favorites like "Alone" and "On My Way" alongside new material designed to shake the park's leafy canopy.
Walker, whose breakout track "Faded" amassed billions of streams and became a defining anthem of EDM's mid-2010s stateside explosion, continues to evolve his sound. He's one of the scene's most prolific producers and remains among the 20 most-streamed electronic artists in Spotify's history.
Tickets to the SummerStage show are on sale now.
Follow Alan Walker:
X: x.com/iamalanwalker
Instagram: instagram.com/alanwalkermusic
TikTok: tiktok.com/@alanwalkermusic
Facebook: facebook.com/alanwalkermusic
Spotify: spoti.fi/3Pf8lxx
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ANYMA is only just getting 2025 started, now being claimed as the first headliner of Rockstar Energy presents Creamfields 2025 – ANYMA (UK Exclusive). He performs on Sunday, August 24th. This will be hot off his ‘The End of Genesys‘ residency at Las Vegas’s MSG Sphere, where he treated so many to his mesmerizing fusion of art, technology, and music. No doubt, he is one of the most eagerly anticipated lineup announcements for the festival’s calendar. A brand new era for Rockstar Energy presents Creamfields is upon us. Veterans and first timers, welcome to the ultimate dance music weekend. Non-stop energy await you.
Now, heads are still reeling from the excitement of that slew of shows that took over New Year’s Eve well into January. It all ends March 2nd with the last remaining four shows taking place February 27th, February 28th, March 2nd, and March 3rd. Matteo Milleri’s multidisciplinary audio-visual project is a force to be reckoned with, while rumors of the Tale of Us split simmer. Nonetheless, fans can expect ANYMA to bring it every time he graces the stage. The sensory-expanding experience is unlike anything where innovative visuals and sounds redefine the electronic music concert space. Unforgettable, fascinating, and indescribable only scratch the surface of words to comprehend it.
Anyma is undoubtedly the biggest name in electronic music today. A founding member of Afterlife, Matteo brings his visionary alter ego to life. He merges DJing, futurism, and creative direction to craft a cutting-edge, immersive experience. His forward-thinking approach has redefined the electronic music landscape in recent years, captivating audiences around the world. However, ANYMA is not the only thing coming to Creamfields this year. The event introduces a stunning new stage amidst an immersive woodland theme. Be sure to expect cutting-edge design and jaw-dropping production. Not to mention electrifying performances atop it for a magical atmosphere and some other goodies. Check out its trailer below and find more details about the event at their website here.
Get your passes for Creamfields here. You can get two day, three day, and four day camping passes. Tiers range from standard to gold, starting at 1 payment of £240 + £20 booking Fee. Tiered single day tickets start at £75 + £9 booking Fee. Super excited attendees can get on that payment plan for an epic summer. Stay tuned for the lineup announcement as we do!
The post ANYMA Confirmed As UK Exclusive for Creamfields 2025 appeared first on EDMTunes.
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Josh Teed has embarked on a bold new chapter in his musical journey with the release of The Prologue, his debut EP on Kannibalen Records. As the EP title suggests, it’s the opening act of a sprawling fictional universe, meticulously crafted by Teed, drawing inspiration from his lifelong passion for fantasy fiction and historical literature. The Prologue sets the stage for a grand narrative that will unfold throughout the year with subsequent releases, each piece expanding the rich tapestry of this immersive world, and will have a follow up EP. If you’re a fan of Black Tiger Sex Machine lore building behind their music, you’ll love this!
This release marks a significant milestone in Teed’s evolution as an artist. Over the past five years, his sound has undergone a bigtransformation, from albums like The Journey East and Recurring Dreams to his more recent work, ‘Taking It All In.’ The Prologue represents culminates years of experience, seamlessly blending his classical and Celtic music background, his mastery of sound design, and his innate storytelling abilities.
‘A Journey Begins‘ gently ushers listeners into this world with a delicate string intro, interwoven with piano, ethereal vocal samples, and subtle percussion. The track’s symphonic soundscape gradually builds, creating an atmosphere of anticipation. The journey takes a darker turn with ‘Animus,’ a collaboration with Abstrakt Sonance. This track delves into deeper bass frequencies while retaining the orchestral essence established in the opening track. The EP culminates in ‘The Fray,‘ a sonic representation of an epic battle. Here, ominous orchestration clashes with Teed’s signature left-field bass beats, creating a powerful and dramatic finale.
The Prologue is just the beginning. Teed’s vision extends far beyond this initial release, promising a year of sonic expansions that will delve deeper into the lore and introduce us to the central characters of his narrative as he continues to build out this world. Beyond the release, Josh Teed is making waves with a series of curated events showcasing some of his favorite artists, including Luzcid, Wraz, Great Dane, Common Creation, and many more. He’s also hitting the road, joining Apashe on his Antagonist 2.0 tour, featuring orchestral elements, and will be supporting Daily Bread on the Flash Flood Tour in March and April.
Josh is currently on tour, check out the dates below to see where you can catch him and follow him on socials:
Josh Teed Socials: 
Spotify Soundcloud Instagram Facebook The post Josh Teed Unveils Kannibalen EP Debut ‘The Prologue’ the First Chapter of an Epic Musical Saga appeared first on EDMTunes.
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Dancing Astronaut presents: IDs Only Episode 2 featuring San Holo is now live on our YouTube, Spotify and most other places you get your podcasts. Check out the podcast in full below.
In case you missed it, check out our episode with Westend as well.
Featured image: haleylan
The post Dancing Astronaut Presents: IDs Only Episode 2 – San Holo [Interview] appeared first on Dancing Astronaut.
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