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Escape to Coconino announces lineup for 2025 edition in Flagstaff

Escape to Coconino just announced their lineup for the 2025 edition. It features headliner Ganja White Night alongside support from Boogie T, Jade Cicada and many more. There’s also a special headliner that is yet to be announced.
The festival, a join production from Arizona-based Relentless Beats and R Entertainment, features sound production from Low End Lab and returns to the Pepsi Amphitheater at Fort Tuthill County Park in Flagstaff, Arizona on July 18 – 19. Billed as “Northern Arizona’s premier independent concert, festival, and performing arts venue,” the amphitheater is a perfect home for the camping festival that’s rooted in nature and bass music.
For ticket information, head to the Escape to Coconino website.
Featured image: Peter Speyer
The post Escape to Coconino announces lineup for 2025 edition in Flagstaff appeared first on Dancing Astronaut.
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Phish Snubbed By Rock and Roll Hall of Fame—Despite Winning Fan Vote

Photo Credit: Lance Anderson
The Rock and Roll Hall of Fame has unveiled its 2025 inductees, with this year’s class representing a wide spectrum of music innovation and influence. Noted fan-favorite Phish was left off the list, though Warren Zevon finally takes his place among the honorees.
Seven artists were selected in the Performer category including Bad Company, Chubby Checker, Joe Cocker, Cyndi Lauper, Outkast, Soundgarden, and The White Stripes. These inductees reflect the enduring legacy of rock and roll, as well as genre-defining creativity. From Chubby Checker’s early impact on rock and roll to the minimalist garage rock of The White Stripes.
In special categories, Salt-N-Pepa and Warren Zevon will receive the Musical Influence Award, recognizing their impact on hip-hop and songwriting respectively. The Musical Excellence Award honors producer Thom Bell, session pianist Nicky Hopkins, and legendary bassist Carol Kaye—each who have shaped countless recordings across decades of music. Lenny Waronker, an exec at Warner Bros. Records, will be recognized with the Ahmet Ertegun Award for his contributions to the industry.
Phish fans were notably upset on line with comments including, “Why do you ask us to vote? Phish was first, can you tell me why they’re not even on here? Why bother voting?” and “Phish next time, please.” The selection process for the Rock and Roll Hall of Fame has always sparked controversy as each year a limited selection of acts are chosen.
Despite the breadth of this year’s class, the Hall’s selection process and produced fierce debate online. Phish topped the fan vote by nearly 50,000 votes, well ahead of Bad Company but they were not inducted this year. The fan vote translates to just one ballot among more than 1,200 cast by industry professionals, historians, and artists—minimizing its influence on the final outcome. The same happened to the Dave Matthews Band in 2020 when the group won the fan vote but was not inducted.
Other high-profile nominees who didn’t make the cut this year include Mariah Carey, Billy Idol, Joy Division/New Order, Maná, The Black Crowes, and Oasis. This year’s induction ceremony will take place November 8 at the Peacock Theater in Los Angeles.
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Hotboxx Delivers a Deep Tech Rework of Dre Mendez’s ‘Serious Groove’ for House of Huemans

Hotboxx strikes back with another Deep Tech remix, this time joining Dre Mendez’s EP via House of Huemans with his take on ‘Serious Groove,’ featuring vocalist Londen Summers. An EP defined by its infectious energy and vibrant soundscapes, this latest release is primed to move dancefloors — with Hotboxx elevating the track with his rhythmic touch and distinct sound.   
A long-time collaborator with the label House of Huemans, releasing material like his ‘Certified Freak (Interlude)’ and EP ‘Vogue,’ alongside The Artist Never Die and London X, Hotboxx continues to bring his signature sound into the Electronic Music space, passionate about sharing his approach with the global community. Leaning on his rich palette of inspirations, drawing from styles like Tech and Deep House, influenced by Latin-infused flavours, his approach reflects an Artist with a deep connection to music, his craft, and evolution within the genre. As he returns with another rhythmically charged production, Hotboxx stays true to his trademark sound: tightening the groove of Dre Mendez’s original as he incorporates his own flavour whilst keeping the spirit of the original intact. 
With a well-balanced interplay between rhythm and melody, Hotboxx’s remix of ‘Serious Groove’ evolves through interwoven percussion, bouncy bassline motifs, and funky lines. The sultry female vocals add another dimension to the track, layering seductive energy atop the driving instrumental framework as refreshing details join the mix, developing with the pulsing, playful lead. Grounded by its intricate yet robust rhythmic foundation, Hotboxx’s rework crafts a hypnotic sonic journey, evolving into a track that epitomises his musicality and reinforces his ongoing evolution within the genre.  
As he continues to fuel his journey with passion, determination, and a loyal commitment to Electronic Music, Hotboxx — having launched both his production academy, The Underground Institute, and event brand, Vice City — maintains firm control over his path within the genre, paving his own way through projects that reflect both his sound and creative goals. 
Through this latest release, he further affirms his signature style, offering a dynamic take on Dre Mendez’s ‘Serious Groove’ to both his listeners and the wider Electronic Music landscape. 
Be sure to discover the sound of Hotboxx’s remix of ‘Serious Groove,’ out now across platforms, and keep up with his projects and releases by following him across social media. 
Stream ‘Serious Groove (Hotboxx Remix)’ Now: 
https://www.beatport.com/track/serious-groove/20342462
Hotboxx Online     
Soundcloud | Instagram | Beatport     
House of Huemans Online     
Instagram | Beatport     
Dre Mendez Online     
Spotify | Instagram | Beatport     
Londen Summers Online     
Website | Instagram | Beatport     
The post Hotboxx Delivers a Deep Tech Rework of Dre Mendez’s ‘Serious Groove’ for House of Huemans appeared first on EDMTunes.
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Splice Acquires Spitfire Audio — Companies Set Sights on ‘Pushing Boundaries With Ethical AI-Assisted Tools’

Splice has acquired Spitfire Audio in a reportedly $50 million deal. Photo Credit: Spitfire
Splice has acquired Spitfire Audio for a reported $50 million, and with AI front of mind for the businesses, new features are teed up to release later in 2025.
New York City-headquartered Splice and London-based Spitfire announced the deal in a brief release and a video this morning. Those official resources opted against disclosing the sale’s price tag; the $50 million estimate comes from the Financial Times and, just in general, should be taken with a grain or two of salt.
That said, the self-described “leading creator of sounds and sample libraries” Spitfire and the “leading music creation platform” Splice did shed light on a few interesting details.
First, in the mentioned video, Spitfire co-founder Paul Thomson (who’s set to remain aboard) and Splice CEO Kakul Srivastava touched on the above-highlighted plans for fresh features.
“[Splice clients] want more creative control,” Srivastava weighed in here, “and they want Splice and the sounds that we have deeper into their workflow. … When I think about Spitfire – tools that you’ve built, the user experience, the creative control that you’ve given users. Making that accessible to the Splice community, I think, is going to be really powerful.
“I can’t talk about all of it,” the former Adobe and GitHub exec proceeded of the upcoming features. “But I think in the next six to nine months, probably, we’re gonna see some really cool new stuff coming out.”
Running with the point, the two then jumped right into the heart of the matter: AI in the music world and well-founded concerns about the unprecedented technology. Judging by the video’s comments, the higher-ups’ remarks (including the often-heard belief that AI can complement the musicmaking process) don’t look to have assuaged these creator concerns.
In any event, new artificial intelligence products and tools are on the way from the well-funded Splice (which already offers Splice Mic and several other AI products) and Spitfire (which debuted a LABS+ subscription option last year), the execs spelled out.
“We have been building new AI components that are ethical, artist-first, where artists are fairly compensated for their work,” added Srivastava. “So bringing some of that technology together, I think, will be really, really important.”
“This partnership marks a new era,” Spitfire drove home in an FAQ about the sale. “Together, Spitfire Audio and Splice will create the most complete and forward-thinking toolkit for modern music makers—whether you’re discovering a loop, crafting a score, or pushing boundaries with ethical AI-assisted tools.”
Lastly, on the personnel and organizational front, Spitfire “will continue to operate under its own name, brand, and distinct product experience,” per the same FAQ section. And in a LinkedIn post, CEO Olivier Robert-Murphy said he’ll keep on “running Spitfire Audio with the same mission at heart.”
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The Bob Moog Foundation is hosting a raffle for a Geddy Lee Minimoog Model D – here’s how to enter

Fancy getting your hands on a new Moog synth? Well, you’re in luck. The Bob Moog Foundation is hosting a raffle, and a $25 ticket could score you a Geddy Lee Minimoog Model D synthesiser.
The satin red Minimoog pays tribute to the Rush frontman, taking inspiration from the shiny red stage setup of the band’s 1984 Grace Under Pressure tour. It is also branded with Rush’s signature Starman logo, and received a limited run, with only 500 being made.
READ MORE: The best free and paid-for plugins you need to know about this week This model, officially branded with the serial number GLMD-0233, comes with a certificate of authenticity signed by Lee himself. “It’s a thrill to see the Minimoog Model D in that stunning red,” Lee says. “It is so representative of one of the most fertile periods in Rush’s creative history. I’ve always been mad for custom colour instruments, and I’m thrilled with how it turned out. It’s just so beautiful.”
Originally released in the 1970s, the Minimoog Model D has seen a number of reissues in its time. The Geddy Lee model in particular boasts a custom VCA, capturing the authentic vintage Moog sound while allowing for an extra “sonic punch”.

The synth is also fitted with some standard modern upgrades, like MIDI, a premium 44-note Fatar keybed and full support of note, velocity, pitch bench, and aftertouch. You can also control loudness, filter, oscillation, modulation, and pitch.
As well as the synth, the winner will also receive an exclusive poster and a limited-edition 10-inch red translucent vinyl record featuring Rush’s Xanadu and Jacob’s Ladder.

The raffle will help further the Bob Moog Foundation’s efforts to educate and inspire creativity through science, music, and history. So far, the foundation has helped over 35,000 elementary school students learn about the science of sound with its Dr. Bob’s SoundSchool initiative. It also regularly immerses people in the history of synthetic technology at the Moogseum in Asheville, North Carolina.
The Bob Moog Foundation Archives also collects rare instruments, photos, prototypes, and more to preserve the history of music technology.
This is the second raffle the foundation has hosted this year. From February to March, participants could enter to win a signed Oberheim Matrix-12 synthesizer worth $20,000. Those who bought five or more entries were also invited to an exclusive group call with principal designer Marcus Ryle.
The Geddy Lee Minimoog Model D raffle will be running until 19 May, with tickets costing $25 each.
The post The Bob Moog Foundation is hosting a raffle for a Geddy Lee Minimoog Model D – here’s how to enter appeared first on MusicTech.
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“There are no strings, no structure to generate revenue”: Moby relaunches royalty-free audio library, mobygratis – and it’s totally free

Back in 2005, Moby launched mobygratis, an extensive digital library of royalty-free music. 20 years on, Moby has given mobygratis a new lease of life, relaunching the online music resource with a wealth of new instrumental tracks and audio files.
Relaunched in partnership with Little Walnut Productions, mobygratis now boasts 500 new instrumental tracks, with plans to add 250 later this year. The library is also set to continue growing over the coming years, with 500 new instrumental tracks already in the pipeline for 2026.
READ MORE: “Everybody thinks that it gives them a professional edge… however, you are somehow a villain if you use it”: New study reveals widespread use of AI among music producers, though most “do not want to publicly talk about it” While the library used to exclusively offer stereo masters, the re-vamped mobygratis now offers multitrack audio files. This should allow users more freedom to remix and experiment with each file.
Each audio track is available to download in MP3, stereo WAV and multitrack WAV formats. And searching and filtering functions have also been improved, allowing you to hunt for tracks depending on your desired mood or BPM.
To date, mobygratis cites that it has supported over 50,000 projects, helping everyone from indie film makers, to students, to choreographers. “One of my goals with mobygratis us is to create as few barriers to use as possible,” Moby explains in the announcement video. “I want you to just dive in, use the music, and see what happens.”
“Also, to be really clear, it’s free,” he insists. “There’s no bait and switch. It’s not like you sign up for seven days free, then all of a sudden you have to pay. Nope, it’s free.”

The new royalty-free tracks come from Moby’s back catalogue of creativity over the COVID-19 lockdown. “I went into my archives and ‘finished’ around 1,500 unreleased songs for mobygratis,” Moby explains. “They’re all instrumentals, and my hope is that people can find the music and do whatever they want with it. Remix it, sing on it, use it for films, choreography, social posts, whatever.”
While the music is free to use, the website lists two guidelines of use. At the very least, Moby requests people use his tracks with a sense of compassion and ethical responsibility. With that in mind, Moby politely asks to avoid using his music to promote right-wing politics/causes, or animal products.
“Hopefully, mobygratis is egalitarian chaos at its most open and unregulated,” he adds. “Free is a simple concept. mobygratis is just free. There are no strings, no structure to generate revenue, just music, made available for anyone who wants to create.”
“We’ve also included links to some of my favourite charities, so people can pay it forward if they’re moved to.”
In terms of licensing, the site offers both Restricted and mobygratis tracks. As the website explains, Restricted tracks are a bit more, well, restricting. The tracks cannot be modified or used collaboratively, and seem to be geared towards filmmakers.
On the other hand, mobygratis tracks can be fully used however anyone would like. You can modify them, or leave them as they are, and can use them for non-commercial purposes.
“Restricted tracks are only available to be licensed for independent filmmakers for their not-for-profit/charitable/non-commercial projects,” the site explains. “However all the music (‘restricted’ or ‘mobygratis’) may be licensed for use in any non-commercial films.”
For more information, head to mobygratis.com.
The post “There are no strings, no structure to generate revenue”: Moby relaunches royalty-free audio library, mobygratis – and it’s totally free appeared first on MusicTech.
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The Sound of Second Chances: Michael Bibi Drops First New Music Since Cancer Battle

Michael Bibi has returned with "Sungazing (Electronic Mix)," his first release since his battle with a rare form of cancer.
The influential DJ and Solid Grooves founder revealed in December 2023 that he was cancer-free after fighting CNS lymphoma, which attacks the central nervous system and is categorized by malignant cells forming in the brain and spinal cord. Writing on social media, he called his new single a "miracle."
"A song I started before being diagnosed with a brain tumour," Bibi said, "eventually gave me the strength to carry on fighting with the vision of surviving, in order to be able to see it be released one day.. that is now becoming a reality. It's a miracle."
View the original article to see embedded media.
That narrative weight is impossible to separate from the sound of "Sungazing." For an artist who has long packed UK warehouses and Ibiza clubs with sweat-soaked house beats, the track feels deeply personal. With radiant guitar flourishes and soulful vocals from Alexa Sunshine Rose, it's the sound of someone who’s been through it and come out the other side a little softer but no less resilient.
While many producers manufacture depth through sampled platitudes, Bibi's life-altering experience infuses authentic gravity into his production. The track's dynamic progression reads as an audio document of his medical journey and subsequent return to massive stages at Coachella and his record-breaking "One Life" show in London, the largest electronic show in the city's history.
"I dreamed of that show while in the hospital," Bibi said. "Seeing it happen was one of the most beautiful moments of my life—now being able to give back with this music release is another milestone in my healing process."
You can listen to "Sungazing (Electronic Mix)" below.
Follow Michael Bibi:
Instagram: instagram.com/michael_bibi_
X: x.com/michaelbibi1
TikTok: tiktok.com/@michael_bibi
Facebook: facebook.com/MichaelBibi1
Spotify: spoti.fi/3WMShaF
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StubHub Phantom Ticketing Scam Leaves Dozens of LA Philharmonic Ticket Buyers In the Lurch

Walt Disney Concert Hall in Downtown Los Angeles, home base for the LA Philharmonic (Photo: Abhard Photo)
Ticketing scams and glitches remain a serious concern for concertgoers, particularly given the difficulties involved recovering lost funds. The latest meltdown happened in Los Angeles over the weekend, where potentially dozens of LA Philharmonic concertgoers were turned away after StubHub sold tickets multiple times to different buyers.
It was a rough weekend for classical aficionados in Los Angeles, thanks to an unfortunate meltdown involving StubHub secondary tickets. The issue, which may have been the result of a coordinated scam, resulted in the same tickets being sold to multiple different buyers.
The result: a crowd of LA Philharmonic buyers were being turned away despite holding StubHub-purchased tickets — while being told that people had already claimed their seats. According to those running the box office and ticketing checkout at Disney Concert Hall in Downtown Los Angeles, the issue was a recurring theme all night, with potentially dozens of concertgoers turned away.
The LA Phil’s Friday evening concert looked like a sellout, though Philharmonic box office was able to directly sell a limited number of full-priced tickets to scrambling fans.
That included myself: after StubHub informed me that my ticket had already been claimed and people were sitting in my seats, I scrambled to purchased a last-minute ticket. Others weren’t so lucky and were forced to walk.
The LA Phil’s performance — which included a Mozart Piano Concerto and full orchestral rendition of early-20th century composer Nielsen —  continued throughout the weekend. It’s unclear if the problem was resolved for the other shows.
StubHub offered to refund my original purchase ‘within 5-8 business days,’ and subsequently emailed that the issue was ‘under review’. A StubHub representative also offered to look into the situation, though others experiencing StubHub issues have reported struggles getting refunds on problematic tickets.
(The ‘under review’ status for refunds seems to be a common point of frustration, with delays lasting weeks or even months — if the money is returned at all).
The problem is the latest ticketing snag impacting unlucky concertgoers.
Just recently, Irish and Scottish authorities warned of large-scale scams involving Oasis tickets sold by Ticketmaster. Those scams also involved tickets that didn’t exist, with fans were bilked of “large sums of money” after purchasing advance tickets or last-minute tickets that do not exist.
Similar problems have plagued Oasis tickets in North America, which prompted an ugly war-of-words between Ticketmaster and StubHub over the source of fake or ‘phantom’ tickets. After getting jabbed for offering fake tickets, StubHub quickly accused both Live Nation, Ticketmaster and the National Independent Venue Association (NIVA) of ‘partnering to spread false information about ticket availability in an attempt to further their own policy agenda and create distrust in the secondary market.”
In a quick retort, Live Nation fired back that “StubHub is lying,” while blaming the secondary ticketing platform for offering fake tickets immediately after tickets went on sale.
“Oasis tickets were offered for sale on StubHub immediately after the North American dates and venues were announced, before any onsale, and before anyone had rights to particular seats – as the listings explicitly claimed,” the ticketing giant blasted.
 
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Meadows In The Mountains Festival Cancelled Amid Bankruptcy, Can’t Pay Refunds To Attendees

The Meadows In The Mountains Festival in Bulgaria has announced its cancellation for this year, citing significant financial difficulties that will lead to a bankruptcy filing. The festival organizers broke the news on Friday, April 25, via social media, stating that the event, originally scheduled for August 14-18, will no longer take place.
In a heartfelt message, the team described the announcement as “mortifying” and the “hardest letter we’ve ever had to write“. A more detailed statement on their website revealed that persistent financial pressures from previous years have resulted in over €400,000 in accumulated debt. They explained that a series of unfortunate events over the past two years had created insurmountable challenges.
This is the second consecutive year the festival has been called off. In 2024, the cancellation was attributed to a lack of necessary permits from local authorities. The organizers also disclosed that in 2023, “serious personal allegations” led to the departure of key production team members. Despite these issues, the 2023 event proceeded, leaving over €150,000 unpaid to crew and service providers, a debt now part of the impending bankruptcy proceedings.
The cancellation has triggered anger among ticket holders, particularly those awaiting refunds from the axed 2024 event. While the festival assured that refunds for this year’s tickets would be processed automatically, reimbursement for 2024 tickets hinges on the success of future ventures. The team expressed deep regret, stating, “We understand how disappointing this is, and we’re deeply sorry,” and promised transparency regarding any future developments.
Founded in 2011 in the Rhodope mountains near Sofia, Meadows In The Mountains has hosted numerous artists over the years. The news marks a somber moment for the festival community.
[H/T] Mixmag
The post Meadows In The Mountains Festival Cancelled Amid Bankruptcy, Can’t Pay Refunds To Attendees appeared first on EDMTunes.
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200 Artists, 7 Stages, 4 Days Festival Experience: This is Electric Love 2025

From July 3 to 5, 2025, the Salzburgring in the stunning Fuschlseeregion will once again become the stage for Austria’s biggest electronic music festival. Electric Love brings the ultimate festival vibe with artists from every corner of electronic music – from global superstars to the hottest up-and-coming artists. Whether you’re into EDM, Hard Dance, Bass Music, Hard Techno, or Hip-Hop, there’s something for every taste.
Photo credit: EDM Kevin

Wednesday: Warm-Up Day
Early Wednesday morning, the first camping guests eagerly await the opening of the three
camping areas. Once the tents are set up, the festival truly begins for the four-day guests. In the
evening, the festival grounds open their gates for the legendary Warm-Up Party on two stages.
At Club Circus, a wild mix of genres awaits with acts like Glueboys from Salzburg, Tyrol’s
chart-topping Ely Oaks, POLTERGST, and the Hardstyle duo Sub Zero Project. Drum and
Bass fans will head to the BlueBoXX, where Dan Lee curates the line-up for the night, inviting
Fox Stevenson among others.
Photo credit: Jack Kimber

Thursday: Opening Ceremony
Thursday marks the first full festival day, with all seven stages open. A real highlight is the
spectacular Opening Ceremony, which begins as the sun sets behind the green hills.
Produced by Salzburg’s own Dan Lee & RageMode, who work on every tiny detail of the show
for months, this highlight never fails to impress year after year. The Opening Ceremony 2024
already reached over 5 million YouTube views, making it the most-viewed video on the ELF
channel.

Musically, big names are lined up: English singer and DJ John Newman, hit producer Hugel,
and ELF legends like Steve Aoki, Timmy Trumpet, and Alan Walker. BlueBoXX will be hosted
by Toby Romeo, who will present a top-tier line-up with special guests. At Hard Dance Valley,
the first No Boundaries slot will kick off, where Dual Damage vs. Basswell will blend the lines
between Hard Dance and Hard Techno.
Photo credit: EDM Kevin

Friday: Major Lazer and More
After the first festival day, The ORGANICS Beach at Lake Fuschl offers the perfect opportunity
to unwind. The turquoise waters and breathtaking panorama provide the ideal setting for a
refreshing break before heading back to the festival grounds.
Musically, Friday brings one of the absolute highlights: Major Lazer Soundsystem. The trio led
by Diplo are known for their hits like Lean On (2.3 billion Spotify streams) and Cold Water.
Other highlights include Lilly Palmer, Dom Dolla, Dimension, Sub Focus, and many more. At
Club Circus, Bass Music experts Blacklist from Bootshaus Cologne will take over, while in
BlueBoXX, the Vienna-based collective Radio Rudina will curate the lineup.
Photo Credit: Pascal Hurlbrink

Saturday: The Grand Finale
Saturday promises an epic last festival day: Hardwell, Robin Schulz, Will Sparks, KSHMR, I
Hate Models, and Zatox vs. Holy Priest are just a few of the many acts taking over the stages.
The final BlueBoXX hosting will be by Slashy Disco, bringing guaranteed groovy vibes!
On the final day the latest, make sure to have explored all seven ELF stages. Whether it’s the
party vibes at the new Almhütte, the wild DJ WG takeover at the Heineken Starclub, or full-on
mayhem at the Shutdown Stage. The expansive festival grounds invite you not only to enjoy
familiar acts but also to step outside your comfort zone and discover new genres.

Tickets: Many Categories Already Sold Out
The majority of ELF25 tickets are already sold out: The VIP categories Gold, Silver & Bronze
have been sold out for months, tickets for the CUPRA Platin VIP Lodge are nearly gone with
Saturday tickets being 95% sold out. Those who haven’t secured their tickets yet, you should do
so quickly!
Photo Credit: Jack Kimber

DJ Mag Top 100 Festivals
The DJ Mag Top 100 Festivals voting 2025 is open now. From now on, you can vote for your
favorite festivals. Electric Love Festival (Location: Salzburg), as well as Shutdown (Location:
AKW Zwentendorf) and Nukranox (Location: Salzburg), are looking forward to your votes!
Voting Link: https://top100festivalsvote.djmag.com/
Photo Credit: JUSTFABI

Electric Love 2025
Electric Love Festival returns to the Salzburgring from July 3–5, 2025, featuring over 200 artists
across six stages. Set against the stunning backdrop of the Salzburg Lake District, the festival
continues to set new standards. In addition to three days of musical variety, visitors can look
forward to a legendary Warm-Up Party, three campgrounds, four days of camping fun, and
unforgettable moments.

Ticketshop: https://tickets.electriclove.at/ | Press Contact: [email protected]
Website: https://www.electriclove.at/ | Media Database: https://media.electriclove.at/
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UNTOLD Universe launches new festival in Bucharest, Romania’s Capital, this July

The creators of UNTOLD (Europe and Dubai) and Neversea launch a new project this summer in Bucharest, the Capital of Romania. The first edition of Neversea Kapital will take place from July 4- 6 at the National Arena in Bucharest. It will host top artists and multiple musical genres, with the main stage in the stadium and other stages in the surrounding areas for 3 days and 3 nights. The first lineup will come up soon.
Neversea Kapital is a pilot edition, born from the spirit of the beach festival Neversea and reimagined for the city. It is where music meets culture, street art, style and fashion, a food festival, creative energy and connection, all fused into one unforgettable urban playground. Bucharest’s festival will evolve into its own identity starting in 2026. Kapital Festival aims to become a new mega-festival alongside UNTOLD, while Neversea Festival will return to the beach in Constanța next year.
“Kapital is the project we’ve dreamed about and worked hard to bring to life this summer, between July 4–6, in Bucharest, at the National Arena. The core concept we started from, Neversea Festival, is a special one, and over time, it has become Europe’s biggest and most spectacular beach festival. As a team, we’ve poured passion, effort, energy, and significant resources into bringing it to this point. With the unique elements that the Capital brings to the table, we truly believe Kapital Festival will be a source of pride for Bucharest and will grow into a new world-renowned mega-festival alongside UNTOLD,” said Bogdan Buta, Founder & Group CEO of UNTOLD UNIVERSE.
Neversea Kapital invites everyone who wants exclusive early access to tickets to register now at neversea.com. Those who register will automatically receive a 150 RON (30 euros) voucher to purchase a festival pass.
Neversea Kapital marks the first large-scale event organised by UNTOLD Universe in Romania’s Capital, Bucharest. At the same time, the group prepares for the 10th anniversary edition of the iconic UNTOLD Festival in Cluj-Napoca, from August 7-10, and the second edition of the biggest festival ever held in the United Arab Emirates, UNTOLD DUBAI, from November 6-9.

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Adam Beyer, HNTR, and Kyozo Release New Track ‘Hypnotic’

In a thrilling new release, techno legend Adam Beyer collaborates with rising stars HNTR and Kyozo for the pulsating track ‘Hypnotic.’ Popular for his long haul in the Techno world, Beyer has once again crafted a deep, mesmerizing journey with the help of HNTR’s dark, energetic sound and Kyozo’s new influence. The track takes listeners on an exhilarating ride with its fast-paced beats and consistent vocal loops. Let’s dive in.
A Hypnotic and Supersonic Journey
The track begins with a voice chanting the title, ‘Hypnotic,’ setting the tone for the journey ahead. A subsonic, addictive kick and high BPM hat beat quickly kick in, creating rhythm that gets listeners moving. The voice continues, chanting about “wanting your body,” and the beat builds, giving a sense of tension as it escalates. When the bass drops, a massive synth fills the space, accompanied by the same vocal message. The breakdown is lengthy, giving a lot of space to the track’s evolving atmosphere and seamless transitions. Adam Beyer makes good use of vocal effects and adds depth and complexity. This clever use of vocal modulation doubles up, building tension before the track drops into a heavy second wave. In the end, “Hypnotic, supersonic” repeats throughout and the track closes with an ear-candy squeaky chair-like sound.
A Star-Studded Collaboration: Beyer, HNTR, and Kyozo
Adam Beyer, a titan in the techno world, brings his vast experience and innovative touch to “Hypnotic.” Known for his continuous drive and successful label Drumcode, Beyer has been a mainstay in the scene since the ’90s. HNTR, the Juno Award-winning DJ and producer from Toronto has gained global recognition for his heavy-hitting, dark sound and collaborations with major artists. His impressive rise, including viral hits like ‘Yes B!tch’ and the re-launch of his No Neon label, proves his influence in the dance music world. Kyozo, though less known, brings a unique approach to the track, weaving in a mystical, almost spiritual quality that elevates the overall vibe.
Beyer’s 2025 Tour
With a packed tour schedule, fans can expect to hear ‘Hypnotic’ live at upcoming events. However, You will most likely have to be in Europe to experience a Beyer live set as his 2025 tour is vast there. The only solution I have for us in the States is to watch his Ultra Europe set on Ultra Live on YouTube.(If they Broadcast it) Overall, we are just lucky this man keeps releasing bangers like ‘Hypnotic’.
Adam Beyer Tour Dates

The post Adam Beyer, HNTR, and Kyozo Release New Track ‘Hypnotic’ appeared first on EDMTunes.
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Mathame: ‘Don’t Be Afraid’

Techno visionaries Mathame have unleashed their most ambitious creation yet: the awe-inspiring ‘Don’t Be Afraid’ feat. AVALAN ROKSTON — a sonic juggernaut already being hailed as one of the most electrifying moments in live electronic music today. Listen here.
This isn’t just a track — it’s a ritual. For the past year, ‘Don’t Be Afraid’ has opened every show on Mathame’s NEO tour, heralded by the jaw-dropping rise of an 8-meter stage statue — a futuristic deity bathed in cascading light and colossal visual effects. The momentum around this track has grown show by show — from Ushuaïa Dubai to Brooklyn Mirage — and recently made history in Buenos Aires with more than 12,000 people at the Autódromo. It’s now set to debut at a brand-new venue in Los Angeles with Framework.
At the heart of ‘Don’t Be Afraid’ features a stunning vocal performance by AVALAN ROKSTON, whose ghostly timbre melts seamlessly into Mathame’s lush, futuristic soundscape. It’s a perfect fusion of emotional gravity and techno grandeur — the kind of track that doesn’t just fill a space, it transforms it.
The post Mathame: ‘Don’t Be Afraid’ appeared first on EDMTunes.
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Massano Charges Up Emotions in New Album, Natural

*Featured Cover Photo Credit: Kenton Thatcher
Globally celebrated for his emotionally charged and impactful productions, producer, songwriter, and DJ Massano has released his highly anticipated debut album, Natural, through his own imprint, Simulate, on April 25, 2025. This album signifies a meaningful milestone in the evolution of the North England native, whose unique perspective and artistic identity distinguish him in the electronic music landscape.
Natural features fifteen carefully crafted tracks, including previously released fan-favorite singles such as ‘Angel in the Dark’ with Anyma, ‘Oblivion’ with CamelPhat, and ‘Healing’ with Stephan Bodzin and Jem Cooke, alongside eight new originals. The album captures the full spectrum of Massano’s eclectic sound and reveals a profound maturity and emotional depth, reflecting his personal journey and ascent as one of melodic techno’s most compelling voices.
Natural, the new album from Massano that includes vibrant storytelling and innovative artistry
Natural is very perfect for dancefloors and it is also rich in emotional nuance. In addition, the album traverses a range of energy levels and moods, merging the powerful melodic techno that Massano has gained a great reputation for, especially as he brings out higher-tempo explorations and vocal-led compositions that embody introspective songwriting. The result is a cohesive, dynamic debut that balances Massano’s performance intensity with his evolving artistry and storytelling. Notable highlights include the long-awaited ‘Fade Away’ with Braev, the hard-hitting set opener ‘Welcome to the Underworld’, and the uplifting ‘Lift Me Up’ featuring Rhodes.
Additionally, the release of Natural marks a pivotal moment in Massano’s incredible rise. He recently became one of the youngest electronic acts to ever perform at Las Vegas’ iconic venue Sphere, supporting Anyma in a landmark New Year’s Eve show. He has also headlined sold-out events in London, Amsterdam, Argentina, and Tulum, in addition to making festival appearances at Coachella, Ultra, and more. Supported by electronic titans like Tale of Us, CamelPhat, Adam Beyer, Calvin Harris, Tiësto, and David Guetta, he has firmly established himself as a driving force in the global electronic music scene.
From his early roots in the outskirts of Liverpool to commanding stages around the world, Massano’s journey is defined by creative integrity, emotional depth, and vision. His breakout track ‘The Feeling’ has garnered over 37 million Spotify streams across its two versions, and his live reputation continues to soar, thanks to precise performances and a loyal global fanbase.
The release of the labum signifies his everlasting goal of crafing the most authentic, beautiful musical pieces
With Natural, Massano delivers not only a groundbreaking debut album but also a new era of his career, enhanced by a stunning array of visual and live content. More than just an album, Natural represents an immersive experience—emotionally layered, sonically expansive, and unmistakably Massano. His unwavering commitment to authenticity and a clear vision for the future inspires as he captivates global audiences at every turn. In this significant chapter of his evolution, Massano invites fans and the broader music community to join him on a journey that will shape the future of electronic music.
To accompany the release, Massano will debut a 50-minute visualizer designed to echo the album’s emotional arc and immerse listeners in a cinematic experience. A special livestream performance—filmed in a breathtaking remote location—is also in development, offering a rare glimpse into his evolving world. Furthermore, there is a mini-documentary that explores the story of Natural and that mini-documentary will come out in the coming weeks. In fact, it will feature behind-the-scenes footage, track insights, and a deeper look at his creative journey. Additional activations will include a vinyl release of the album and exciting new merchandise coming soon.
The post Massano Charges Up Emotions in New Album, Natural appeared first on EDMTunes.
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Oliver Heldens at Bootshaus : A Legendary Night at One of the World’s Best Clubs

This past Friday, we had the incredible opportunity to experience a night at Bootshaus in Cologne, Germany—one of the most legendary venues in the electronic music world. The occasion? None other than a set by the one and only Oliver Heldens. And let’s be clear: Bootshaus didn’t just meet expectations; it shattered them.
Bootshaus: A Monument of Electronic Music Culture
For anyone even remotely connected to the electronic music scene, Bootshaus is a name that commands instant respect. Founded in 2005, this iconic venue has consistently ranked among the Top 10 clubs in the world according to DJ Mag’s Top 100 Clubs list, even reaching the #5 spot in recent years. It’s a place where the biggest names in electronic music—David Guetta, Martin Garrix, Carl Cox, Amelie Lens, Armin van Buuren, and countless others—have delivered unforgettable performances.
Bootshaus isn’t just a club; it’s a cultural institution. It represents the very best of what electronic music stands for: community, innovation, passion, and pure, unfiltered energy.
World-Class Organization and Passionate People
From the moment we arrived, the quality of organization was evident. Entry was smooth, security was efficient yet friendly, and the staff—from bartenders to sound technicians—stood out for their genuine passion for the music and the scene. It’s always cool to find a venue where everyone working there seems genuinely invested in the night’s success, and Bootshaus sets the bar incredibly high in that regard.
There’s a palpable love for electronic music that flows through every corridor of the club. The crowd reflected that too: a vibrant mix of ages and backgrounds, all gathered together for one reason—a shared love of music and good vibes. There was no stress, no pretension—just pure, passionate energy.
Production That Takes Your Breath Away
One of the most jaw-dropping aspects of Bootshaus is its world-class production. The club spares no effort in creating a truly immersive experience. Throughout the night, the venue came alive with a dazzling array of laser shows, CO2 blasts, synchronized lights, and even indoor flamethrowers—something you rarely, if ever, see in indoor European clubs.
The effects weren’t just visually impressive; they were meticulously part of the show, adding layers of intensity that lifted the crowd into pure euphoria. Bootshaus feels like stepping into another dimension, where sound, light, and energy converge to create magic.
A Venue With Unique Vibes Across Different Room
Bootshaus isn’t just one big main room—it’s a multi-space experience, each area offering its distinct vibe:
Mainfloor: The club’s heart, where headline acts like Oliver Heldens perform. It’s cavernous yet intimate, with insane acoustics and jaw-dropping visuals. BLCKBX: A darker, more underground space perfect for techno and harder styles, offering a raw, warehouse-like feel. Dreherei: A more intimate setting with a deep, industrial atmosphere, ideal for dark techno beats. That is also where many superstars made their debut, or continued playing after finishing their main room set. Outdoor areas & Lounge room: During warmer months, Bootshaus opens up additional outdoor space. A new lounge/chill indoor area also debuted, all adding yet another layer to the clubbing experience. Oliver Heldens Lights Up the Night
As for Oliver Heldens, the energy he brought to Bootshaus was simply unreal. From the first opening a cappella of his hit “Overdrive” to the last drop, he had the entire crowd moving as one. Tracks like “Can’t Stop Playing” and “Kronos” sent waves through the room. while his signature HI-LO sound kept the tempo infectious and the energy sky-high. Many new IDs were also played, and we can’t wait to listen to those again.
At several points during the night, the crowd’s energy became absolutely electric—a true testament to both Heldens’ talent and the unique atmosphere Bootshaus cultivates. It’s not just about one artist or one song—it’s about the synergy between the DJ, the crowd, and the venue.
Final Thoughts: An Essential Pilgrimage for Electronic Music Lovers
Our night at Bootshaus was more than just a concert—it was an experience, a reminder of why we fell in love with electronic music in the first place. With its legendary history, passionate team, world-class production, and unbeatable vibe, Bootshaus is not just one of the best clubs in Germany—it’s one of the best in the world.
If you’re a true electronic music fan, a trip to Bootshaus should be at the very top of your bucket list. And if you get the chance to catch a legend or your favorite artist there? Consider it a life memory made.
Bootshaus: Pushing the Limits with Upcoming Events
Bootshaus isn’t just about unforgettable nights inside its legendary walls—it’s a brand that continues to expand its reach across Europe and beyond. In addition to their stacked weekly lineups featuring global superstars and rising talents, Bootshaus organizes massive events outside of their main venue, including open-air festivals, party cruises, and pop-up stages at some of the world’s biggest music gatherings.
For those who want to experience the magic firsthand, Bootshaus’ upcoming events calendar is packed with can’t-miss nights that promise more unforgettable memories. From techno to house to hardstyle, there’s something for every electronic music fan.
To stay updated and grab your tickets early, visit their official website: https://www.bootshaus.tv/

The post Oliver Heldens at Bootshaus : A Legendary Night at One of the World’s Best Clubs appeared first on EDMTunes.
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Exclusive Premiere – Das Mörtal ‘Falsche Daten’

Multifaceted producer Das Mörtal is returning with a new single ‘Falsche Daten’, slated for release on the 30th of April 2025 via Lisbon Lux Records. The track is the first offering off his forthcoming Origins EP, slated for release later this year. ‘Falsche Daten’ is a rare time capsule, crafted twenty years ago in the formative years of the producer’s career – a snapshot of a defining moment in his vast sonic evolution. With over 60 million streams on Spotify alone, Das Mörtal has received media and radio support across the globe. With several EPs and albums released, he has appeared at numerous major festivals such as Osheaga, Transmusicales de Rennes, FME, and Meg Festival, while opening on tours for the likes of Vitalic, Perturbator, and Carpenter Brut. On stage, he has racked up nearly 100 shows since 2015, including more than 70 dates in the U.S. and Europe (UK, France, Scandinavia).
Das Mörtal’s music has been praised by heavyweight industry webzines CLASH Magazine, KALTBLUT Magazine, METAL Magazine, Run The Trap, Canadian Beats, MetalSucks, Cult MTL, Le Canal Auditif, Ottawa Life Magazine, DIFFUS Magazine, VOLT Magazine, and Brutal Resonance to name a few. Additionally, his music earned Most Added New Release on the American college radio chart Top 200 NACC, as well as landing on several influential pages on YouTube such as NewRetroWave.
Now based in Montréal, Das Mörtal began his journey in Berlin, inspired by artists such as Steve Moore and Aphex Twin. The enigmatic producer focuses on a dark and nostalgic sound, skillfully blending genres from Techno to Occult Electro to horror and sci-fi film soundtracks – and so much more. With ‘Falsche Daten’, Das Mörtal offers a sound that is timeless yet crisply fresh, seamlessly blending elements of Acid, Modular, and Industrial Techno sure to ensnare fans of Miss Kittin & The Hacker, Richie Hawtin and Vitalic.
The track is a masterclass in techno, effortlessly retaining Das Mörtal’s signature dark spirit. Gritty industrial atmospherics swirl around an irresistibly fast four-on-the-floor beat, with the arrangement shifting between mesmerizing spaciousness and urgent eruptions of frenetic hi-hats, cymbals, walls of noise, and splintering synths. The star of the show is a hyperactive, wriggling synth line that echoes and reimagines the raves of the 90s, modulating and distorting as it leads the track with timeless, driving fervor.
Das Mortal told us: “‘Falsche Daten’ was originally produced in 2005 while channelling my techno influences of the time which were The Hacker & Vitalic. It was made to stand on its own, outside of an album or EP format. It represented a specific moment in time of my early years, trying to find out what my sound was.”
Available via Vinyl/CD/Digital: https://dasmortal.bandcamp.com/ or via https://ffm.to/falschedaten

The post Exclusive Premiere – Das Mörtal ‘Falsche Daten’ appeared first on Decoded Magazine.
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The best free and paid-for plugins you need to know about this week

In music production, plugins are software add-ons that expand the capabilities of your DAW; these could be virtual instruments and creative effects, EQ and compressors, or tools that make editing a lot more manageable.
Below is a rolling list of the new plugin releases that we think you need to know about. We update this list every week, so be sure to check back regularly for the latest virtual instruments, effects, mixing plugins and more. If you want more info on free plugins and how to install third-party plugins, head to the bottom of this article.
Happy producing!
This week’s new and noteworthy virtual instruments, effects and mixing plugins
(Last update: 28 Apr 2025)
Cherry Audio Yellowjacket

Released in 1978, the EDP Wasp was a British synth oddity – cheap, cheerful, and wildly characterful. Cherry Audio’s new Yellowjacket faithfully captures the original’s charm and expands it into a full-featured software synth that’s just as sonically and visually striking as its predecessor. 
Yellowjacket recreates the Wasp’s beloved signature buzz through meticulous modelling of its digital oscillators and analogue filtering. There’s also a ‘multi voice’ mode for layered variations and single-finger chords, inspired by EDP’s innovative ‘Link’ system that predated MIDI. 
Cherry Audio has introduced some welcome updates alongside – 16-voice polyphony, stereo effects, and a powerful arpeggiator with probability and humanisation controls to name a few. 
Yellowjacket is available for $49 from Cherry Audio, with a preset expansion pack available for $9.99.
Antelope Audio HEAT
Antelope Audio’s new HEAT plugin is out to prove that analogue grit and digital precision don’t have to be mutually exclusive. A fully-loaded distortion and saturation suite, users can dial in everything from smooth vintage warmth to modern crunch to chaotic fuzz.
At its core are five distinct tube-inspired distortion modes with their own harmonic flavours. The Drive and Bias controls let you finetune the saturation response, while pre- and post-saturation 4-band EQs provide detailed, flexible tone-shaping. 
Other features include built-in cabinet simulation for instant amp-style tones, parallel processing for surgical mix integration, and handy timesavers like AutoGain.
HEAT is available from Antelope Audio as part of its Synergy Core Native subscription, which offers a 14-day free trial.
Spitfire Audio Ronroco

Spitfire has teamed up with Gustavo Santaolalla – the renowned Argentine composer behind scores like The Last of Us and Brokeback Mountain – to bring us its latest instrument, Ronroco.
Often described as the charango’s deeper cousin, the ronroco is a signature element of Santaolalla’s sound, often playing a starring role in his evocative, melancholic compositions. Now, the instrument’s distinctive voice has been brought to life as a Kontakt library with the samples performed by Santaolalla himself. 
Thanks to sophisticated programming and intuitive keyswitches, Roncoco delivers deep and detailed real-time playability through intelligent string selection, articulations including slides, vibrato, and ‘twiddles’, and chord and strum options. 
There’s also manual control of the roncoco’s signature octave-doubled third string, letting you easily write parts that sound highly authentic – even if you’ve never picked up the real thing. And as with other Spitfire libraries, a range of mic controls and effects provide even more tailored sound design. 
Roncoco by Gustavo Santaolalla is available from Spitfire Audio for intro pricing of £111 (full price £139).
Sampleson Predictor

Sampleson’s new plugin, Predictor, is a generative MIDI tool that promises to spark new musical ideas by learning from your existing MIDI files. Load in any MIDI file – or choose one from the bundled library of 600 sequences – and Predictor analyses harmonic movement, rhythm, note relationships, and more to generate new musical phrases on the fly. 
You provide the rhythm via mouse, MIDI controller, or even your QWERTY keyboard, and Predictor takes care of the notes, playing chords and melodies in real time based on what it’s learned. 
A key requirement of Predictor is an open and curious mind – not everything it generates will work, but that’s the point. Instead, it’s a simple and easy-to-use exploration tool that opens new doors and breaks creative blocks.
Predictor is available from Sampleson for intro pricing of $29 (full price $49).
Neumann RIME

With immersive formats like Dolby Atmos becoming the new standard, Neumann’s new RIME plugin (Reference Immersive Monitoring Environment) offers a sleek solution for mixers and producers looking to work with spatial audio without the need for a surround speaker rig.
Typically placed on the master bus, RIME transforms multichannel audio up to 7.1.4 into binaural sound while preserving surround and height channel information, allowing users to accurately monitor immersive mixes through Neumann NDH headphones.
To create the plugin, Neumann captured a purpose-built studio using state-of-the-art Neumann equipment. For NDH owners, RIME delivers a reliable reference room with highly realistic 3D imaging straight in your headphones.
RIME is available from Neumann for £85.
Last week’s best plugins
NI Electric Keys: Reeds Duo

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Native Instruments has unveiled the latest instalment in its Electric Keys series of instruments for Kontakt, developed in collaboration with Galaxy Instruments. This time around, you’ll get meticulously sampled renditions of two iconic reed-based electric pianos.
The first, Jade, is akin to a Wurlitzer, delivering bright and punchy tones, while the second, Ivory, is a Pianet-style instrument with warm, mellow resonance and tube-driven grit.
Both pianos’ sounds can be endlessly tweaked thanks to a wide range of effects and signal routing, including amp sims, filters, modulation, and more.
Electric Keys: Reeds Duo is available from Native Instruments for £129.
Fuse Audio Labs Ocelot Upmixer

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Looking to widen the soundstage of your recordings? Ocelot Upmixer has you covered, transforming mono sources into expansive and natural stereo signals.
Whether you’re working with single-mic recordings or mono virtual instruments, Ocelot Upmixer can pristinely widen the sound while maintaining mono compatibility and without disrupting phase. A unique Tune control plus high- and low-pass filters let you further refine the tone, resulting in an easy-to-use tool for adding a greater sense of depth and immersion to your mix.
Ocelot Upmixer is available from Fuse Audio Labs for intro pricing of $29 until 10 May 2025 (full price $69).
Waves Curves AQ

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Touted by Waves as the ‘world’s first autonomous EQ’, Curves AQ is here to supercharge your mixing process with generative technology.
How does it work? Feed AQ your audio and it generates five original EQ curves – or ‘spectral targets’ – based on the signal. To match the desired sound, AQ automatically processes your audio using dynamic or static cuts and boosts, depending on what you require.
Other key features include precise global and per-band adjustment, Smart Tilt for intuitively reshaping the spectral target, and MixSense, a sidechain feature for eliminating conflicting frequencies between tracks.
Curves AQ is available from Waves for intro pricing of $49.99 (full price $129).
Baby Audio Smooth Operator Pro

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We scored Smooth Operator a 9/10 when it debuted, and now Baby Audio has released the Pro version — a significant upgrade to the acclaimed spectral balancing plugin.
Retaining the advanced processing of the original to resolve boomy build-ups and harsh resonances, the update introduces per-node control, stereo imaging tools, and enhanced correction modes. As a result, Smooth Operator offers significantly more precision than its predecessor.
Smooth Operator Pro is available from Baby Audio at introductory pricing of $79 (full price $129) or a $29 upgrade for existing customers.
Imaginando GRFX

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Imaginando’s new GRFX plugin harnesses the immense power of granular effects to warp your audio into something entirely new, from evolving textures and patterns to ambient soundscapes and washes.
The plugin is built around the ‘Harmonic Triangle’, a three-way pitch control that lets you tune grains into chords and arpeggios or detune them into atonal chaos.
A handy drag-and-drop modulation system makes it easy to add depth and complexity to your sound, while dedicated effects can enhance your signal. You can even add some unpredictability through probability-based grain routing, making GRFX a powerful tool for experimental sound design.
GRFX is available from Imaginando for intro pricing of €29 (full price €39) or rent-to-own for €7.80 a month.
Are DAW stock plugins good enough?
Most major DAWs these days will come with a perfectly capable collection of ‘stock’ plugins for music-making: Logic Pro’s software instrument library is rich and varied; Ableton Live’s synth engines cover additive, subtractive and granular methods, and the Pro Tools suite of mixing plugins is still widely used by pro engineers.
Third-party plugins are there to give you access to sounds and workflows that aren’t bundled in with your DAW. Maybe you want the sound of a vintage preamp — try a plugin emulation by Arturia or Universal Audio. Want to shake up how visualise your mixing and production? Try a plugin by Baby Audio or MIXLAND.
A good producer isn’t their plugin folder, but their ability to make good decisions. Increase your knowledge: instead of buying synth samples, learn about the fundamentals of synthesis; kick drum sounding too skinny? Learn to compress properly.
Where to download free plugins and VSTs
Looking for free plugins? Our freeware section is an excellent place to start; each month, we also compile round-ups of the best free plugins and samples to download.
The production community is full of passionate developers who’ve given away instruments, effects and other plugins as freeware. Some of our favourites include Valhalla’s Supermassive reverb, Apogee’s Soft Limit and Matt Tytel’s Helm polysynth. Remember, most developers also offer free trials for their plugins.
How to install VST and AU plugins on Windows, macOS and iOS
If your plugin came as a .zip file, and not an installer, you may have to manually install it. Here’s how:
VST3 plugins:
Unzip the plugin folder Copy the .VST file to your default plugin folder (Windows default: C:\Program Files\Common Files\VST3, Mac default: /Library/Audio/Plugins/VST) Start your DAW Rescan your plugin directory AUv3 plugins:
Download and install plugin from the App Store Insert plugin in your DAW Select the AUv3 plugin from the Audio Unit Extensions tab The post The best free and paid-for plugins you need to know about this week appeared first on MusicTech.
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Sigala Brings Ibiza Magic to Barasti Dubai

The Dubai party scene welcomes Sigala on Friday, May 2 as he takes over Barasti Beach for one-night-only. Set against the shoreline, the event promises a celebration of sunset serenity, Balearic beats, and non-stop euphoria. Doors open at 6:00 PM, just in time for golden hour magic to drench the iconic beach in warm, inviting light. Inspired by the legendary Café Mambo Ibiza, the party will kick off with chill grooves from Barasti’s resident DJ. Guests can expect a seamless transition from relaxing sunset moments to a full-throttle night of dance music.
Sigala: Music That Makes You Feel Good
Sigala, infuses his music with warmth and uplifting energy that will flow through Barasti Beach Dubai. Ahead of the Barasti show, Sigala shares, “Music is all about making people feel good,” a belief that will shine brightly throughout his Dubai performance. With hits like Lasting Lover and Sweet Lovin’, Sigala sets sights to create a soundtrack for pure joy. His signature style blends house beats with singalong anthems, crafting an atmosphere where every guest feels part of the moment.
Party With Sigala at Barasti Beach Dubai
General admission tickets start at AED 75, including entry and a complimentary drink. Those seeking an upgraded experience can grab the brunch package for AED 295, featuring three hours of unlimited drinks. The brunch offer runs from 9:00 PM to midnight, pairing free-flowing drinks with bites to keep energy levels high. For those wanting premium treatment, VIP tables offer unbeatable views, personalized service, and an exclusive party experience.
With Barasti’s beach bar serving ice-cold drinks and feel-good vibes, the stage is set for a night to remember. KC Lights will warm up the crowd before Sigala unleashes his full arsenal of house anthems under the Dubai sky. Tickets are available now through Platinumlist here. For VIP bookings: WhatsApp at +971 56 992 2847 for pricing and reservations.
The post Sigala Brings Ibiza Magic to Barasti Dubai appeared first on EDMNOMAD.
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Madison Rose – She’s The One! Live in London on 6th June 2025. Tickets on sale now

Don’t miss Madison Rose invading the UK for the time on Friday night, 6th June 2025 at The Camden Club. Madison will be joined by special guests Myylo and Eden Hunter on support!
We even hear there might be another special surprise in store…you don’t want to miss this one gays and theys.
General Admission and Meet and Greet tickets are now on-sale.
The post Madison Rose – She’s The One! Live in London on 6th June 2025. Tickets on sale now appeared first on EQ Music Blog.
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Mathame and AVALAN ROKSTON join forces for ‘Don’t Be Afraid’

From studio, to the stage and now, on all streaming platforms. Mathame have released their collaboration with AVALAN ROKSTON, a much anticipated record that has quickly gained global attention.
‘Don’t Be Afraid’ serves as Mathame’s intro track to their ‘NEO’ show concept that premiered last year at Amnesia Ibiza.
One of the show’s signature moments features ‘Don’t Be Afraid’ playing, while an 8-meter statue rises on stage surrounded by spectacular lighting and visual effects.
AVALAN ROKSTON’S stunning vocals create a strong and captivating sound that melds perfectly with Mathame’s mystique and cinematic production.
From Ushuaïa Dubai to Brooklyn Mirage, the excitement around this song has increased with each performance.
Most recently, it made history in Buenos Aires when over 12,000 people took over the Autódromo to witness ‘NEO’.
It is now expected to premiere at a brand-new location in Los Angeles with Framework.
‘Don’t Be Afraid’ is yet another creation that pushes boundaries and unites music with technology in one emotional production that shows why Mathame is at the top of the melodic techno game.
Available worldwide, the Italian duo’s new song can be bought following this link, or streamed below.
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“Everybody thinks that it gives them a professional edge… however, you are somehow a villain if you use it”: New study reveals widespread use of AI among music producers, though most “do not want to publicly talk about it”

AI in music isn’t just a looming future – it’s already here. And according to a new study, a surprising number of producers and musicians are secretly using it in their work, even as public stigma keeps them quiet.
The study, titled AI in the Music Industry – Should You Fight It, Ignore It, or Embrace It?, surveyed more than 100 industry professionals and music consumers with the aim of sparking conversation around AI use and helping creatives better prepare for what’s ahead.
In a new interview with Entrepreneur, Sonarworks CEO Helmuts Bems discusses the most striking findings from the research – chief among them, just “how widespread the use of AI tools already is in the professional music industry”.
READ MORE: “Staying in the streaming world and trying to play that game is probably more of a threat”: Bandcamp executive says its business model is “timeless” and “well positioned for the age of AI” “Those on the frontlines who have to meet deadlines for commercial projects have mostly tested AI systems and have found them to be helpful,” Bems explains. “There were many anecdotes about artists submitting AI-generated songs as their own and labels not being able to detect them. Everybody thinks that it gives them a professional edge, and maybe rightly so.”
Still, the executive says few are willing to admit it.
“However, the most surprising [finding] is that these same people do not want to publicly talk about it. The consensus is that AI is an extremely potent technology and already very, very good at creating content, however, you are somehow a villain if you use it.”
This mirrors findings from a 2023 survey by global studio network Pirate, which revealed that over half of artists would hide their use of AI in their music due to fears of audience backlash.
According to Bems, AI’s rise will benefit producers and composers the most, allowing them to generate more content independently without relying on session players or expensive studio time.
“We believe that producers and composers will be the big winners in the AI era. They will be able to deliver more content than ever, without depending on others to deliver their parts,” he says.
At the same time, commercial musicians may find fewer opportunities in areas like background music or advertising, while indie artists and hobbyists will have unprecedented access to creation tools – but also face an oversaturated market.
“In this new landscape, creativity alone isn’t enough – artists must also become curators, strategists, and technologists to thrive,” Bems advises.
In the long term, AI’s ease of use could even deter young people from learning instruments altogether: “If AI gets really good at creating music with a click of a button, it might discourage people to try learning to play an instrument.”
The CEO also notes that “pure AI-generated content” poses the biggest threat to musicians as it redirects revenue away from artists toward music platforms and AI developers.
“The economic shift favours those who adapt – producers, composers, and creators who embrace AI tools to boost their efficiency and output. But it also means that royalties and revenue from streaming and licensing could increasingly go to platforms and AI developers instead of artists,” says Bems.
The post “Everybody thinks that it gives them a professional edge… however, you are somehow a villain if you use it”: New study reveals widespread use of AI among music producers, though most “do not want to publicly talk about it” appeared first on MusicTech.
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Splice acquires Spitfire Audio for a reported $50 million

In a bid to expand its reach into the plugin market, Splice has acquired British virtual instrument library purveyor Spitfire Audio for a reported $50 million, according to the Financial Times [via Music Business Worldwide].
In a press release shared with MusicTech, the company says its decision to purchase Spitfire comes as the plugin market is valued at $640 million, and the wider music software and services sector “exceeds $7 billion”.
READ MORE: Splice’s final instalment of Oliver’s “Power Tools Decades” sample pack series is inspired by hit producers of the noughties Described as the “leading platform for music creation”, Splice hosts a sample library with thousands of royalty-free sounds, and a growing suite of AI tools to help creators “unlock inspiration, experiment with sound and generate unique compositions”.
Spitfire Audio, meanwhile, offers a collection of virtual instrument libraries, including collections made in collaboration with Hans Zimmer, Ólafur Arnalds, the BBC Radiophonic Workshop, BBC Symphony Orchestra, and Abbey Road Studios.
“The teams at Spitfire Audio and Splice have deep respect for composers, musicians and producers and are committed to celebrating and supporting their work”, says Kakul Srivastava, CEO of Splice. 
“We’re both sound-first, creator-led companies who believe great software and technology can supercharge the creative experience. Our shared vision is to develop tools that expand – not replace – human creativity.
“With Spitfire’s expressive instruments and Splice’s AI-powered platform, we’re just beginning to explore what’s possible.”
As part of the acquisition, Splice and Spitfire are planning to release new products which “blend Spitfire Audio’s cinematic soundscapes and orchestral expertise with Splice’s sample catalogue and AI-powered discovery engine”.
“We’ve always focused on inspiring people to create extraordinary music,” says Paul Thomson, Co-Founder of Spitfire Audio. “With Splice, we can now bring that inspiration to a whole new generation of artists, producers, and storytellers.”
The music creation market is reportedly projected to nearly double to $14 billion by 2031 [per MIDiA Research]. With this new move, Splice hopes to position itself to lead the market.
“Splice has already built an incredible business,” added Olivier Robert-Murphy, CEO of Spitfire Audio. “Joining forces means Spitfire Audio’s sounds will find new homes in studios around the world – whether that’s a bedroom producer or a blockbuster composer.”
In terms of operating, both Splice and Spitfire Audio will continue to operate independently for the time being. Olivier Robert-Murphy will remain as Spitfire CEO, reporting to Splice CEO Kakul Srivastava, while Paul Thomson will continue to oversee Spitfire Audio’s creative direction.

To read some FAQs surrounding the acquisition, head to Spitfire Audio.
The post Splice acquires Spitfire Audio for a reported $50 million appeared first on MusicTech.
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Nicky Romero Goes Into Uncharted Territories by Releasing His First-ever Latin Single “Move It (Rapidin)” with Giacobbi and Fatboi. Out Now on Municipal Recordings

Nicky Romero teams up with Italian producer Giacobbi and Mexican-American rapper-singer Fatboi for the release of “Move It (Rapidin),” a fresh rework of the iconic track from the 90s “I Like To Move It” by Reel 2 Real, The Mad Stuntman, and Erick Morillo.
The single is out now as a joint effort, courtesy of Municipal Recordings and Protocol Recordings. This release marks Nicky Romero’s first-ever Spanish-language track. Widely known for dance hits like “Toulouse” and “I Could Be the One” (with Avicii), Romero brings his signature high-energy production to this modern take on a classic anthem and tosses in a healthy dose of Latin vibes. Giacobbi, on the other hand, is known for his groove-driven electronic productions, bringing his house influences and creating a fresh, club-ready sound together with the Dutch icon. “Move It (Rapidin)” bridges generations and genres, delivering a high-energy fusion built for dance floors worldwide. Fatboi, a bilingual artist from Houston, has made a name for himself in the Latin and electronic music scenes, collaborating with artists such as HUGEL and MC Davo. His recent success in Latin Tech House with tracks like “Agáchalo” and “Mamaera” has brought him to major festivals, including EDC Mexico and Coca-Cola Flow Fest. His dynamic Spanish vocals bring an infectious energy to “Move It (Rapidin),” adding to its global appeal.

“South America always had a special place in my heart: the people, the mix of nature and culture, the way they connect with the music. The support I’ve felt there over the years has been incredible, and this release feels like the start of a deeper connection. I’m excited to see where it leads.” – Nicky Romero
 
Nicky Romero
 
Over the years, he has collaborated with some of the biggest names in the industry, including Afrojack, Armin van Buuren, David Guetta, Kygo, Dimitri Vegas & Like Mike, and Steve Aoki. His ability to evolve while maintaining his signature sound has allowed him to stay relevant in a constantly changing industry. Beyond his work as an artist, one of Nicky’s biggest contributions to the industry is his Kickstart plugin, a widely used tool that simplifies sidechain compression, a key technique in EDM production. In 2012, Nicky founded Protocol Recordings, a label dedicated to showcasing fresh talent and exploring the boundaries of electronic music. The label has become a platform for both new talent and established artists, consistently delivering releases of high quality. Even during challenging times, Protocol has remained a driving force in the scene, helping artists reach new audiences and keeping fans engaged with innovative sounds and projects. Nicky’s live performances are another cornerstone of his success. He regularly plays at some of the world’s biggest festivals, including Tomorrowland, Ultra Music Festival, EDC, and Creamfields. His high-energy sets and ability to connect with audiences have made him a staple at major events and a sought-after name on the international DJ circuit. He’s also a resident DJ at Zouk Las Vegas, further expanding his presence in the industry. In 2020, he launched Monocule, a project that explores a darker, more underground side of electronic music. Since then, Monocule has gained a dedicated following, and Nicky’s performance at AMF during ADE 2024 showcased just how much the project has resonated with fans. This endeavor allows him to experiment creatively while staying true to his roots in progressive house. As 2025 continues, fans can expect even more new music and collaborations, including tracks with Gabry Ponte and Sam Feldt. With an ever-evolving sound and a commitment to innovation, Nicky Romero remains at the forefront of electronic music, shaping the future of the genre while continuing to inspire fans and fellow artists alike.

Giacobbi
 
Giacobbi is an Italian DJ and music producer who loves to blend futuristic sounds with captivating melodies. With releases signed to major labels like Sony Music, Future House Music, and EGO, he has proven to be an artist in constant evolution, capable of taking his music beyond the traditional boundaries of the genre. His tracks are characterized by a mix of energetic electronic sounds and hypnotic melodies. Among his most notable collaborations are those with artists like Breathe Carolina, Tayson Kryss, and DAMANTE. GIACOBBI loves to experiment with electronic music, aiming to create futuristic atmospheres that immerse the listener in a sonic journey. His artistic vision is based on the idea of continuous evolution, integrating new sounds and ideas to keep his music fresh aand original.
 
Fatboi
 
Fatboi is a bilingual Mexican-American rapper/singer from Houston, Texas, who has a variety of flows in the urban scene (Rap/Hip-Hop, Reggaeton). With over 15 years of trajectory, he has been able to work with big labels and artists such as MC Davo, HUGEL, Kevin McKay, Jamie Jones (label), and many others. His powerful voice has been taking over international grounds, recently dominating the Latin Tech House world with his tracks “Agáchalo” and “Mamaera” with DJ/producer Andruss. To date, he has performed on big stages/festivals such as EDC Mexico, EXAFM Concert, Beyond Wonderland MTY, Coca-Cola Flow Fest, and plenty of others.
More info on Nicky Romero / Giacobbi / Fatboi / Municipal Recordings / Protocol Recordings:
Nicky Romero: Facebook | Instagram | Twitter | Spotify
Giacobbi: Instagram | Spotify
Fatboi: Instagram | Spotify
Municipal Recordings: Facebook | Instagram | Spotify
Protocol Recordings: Facebook | Instagram | Twitter | YouTube
 
The post Nicky Romero Goes Into Uncharted Territories by Releasing His First-ever Latin Single “Move It (Rapidin)” with Giacobbi and Fatboi. Out Now on Municipal Recordings appeared first on Electric Mode.
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R3HAB Launches Festival Season With New Single “Right Here, Right Now.” Out Now via Spinnin’ Records

Multi-platinum Dutch-Moroccan artist R3HAB returns to Spinnin’ Records with a festival-sized weapon that breathes new life into a now-iconic sample. His latest single builds around the iconic “Right Here, Right Now” vocal – originally taken from the 1995 sci-fi film “Strange Days” and famously immortalized by Fatboy Slim in 1999 – reimagining it through a modern big room lens. Opening with haunting, cinematic tones, R3HAB’s “Right Here, Right Now” surges into a pulsating club heater powered by a deep, driving bassline and kinetic, dynamic synth work. A tension-filled buildup gives way to an explosive drop engineered for peak-time festival moments. Already tested at massive stages like Tomorrowland, this release captures R3HAB in full form, honoring his rave roots while crafting a fresh anthem primed to ignite dancefloors worldwide.

“I’ve spent a lot of studio time crafting “Right Here, Right Now” for the festival season. After testing it on some of the world’s biggest stages like Tomorrowland, I’m ready to share it. This has been a work in process across countless sets, and the crowd reactions have been incredible. I’m excited to share this version with the world today, and I’ll keep channeling this energy into pushing my productions to new heights.” – R3HAB

Multi-platinum DJ and producer Fadil El Ghoul, better known as R3HAB, has been trailblazing his way through dance music for the past fifteen years. From his breakthrough remixes for Rihanna, Drake, Taylor Swift, Calvin Harris, to anthems such as Platinum-certified “All Around The World (La La La)”, “Rock My Body” and “Lullaby,” to his collaborations with the likes of Ava Max, ZAYN, Jason Derulo, Luis Fonsi, and more, R3HAB has proven to be one of the most forward-thinking artists in the game. His work has collected over 12 billion streams to date, including more than 1.1B in 2024 alone. R3HAB founded his label CYB3RPVNK in 2016, which has passed 4B streams across platforms since its inception. R3HAB continues to evolve and diversify his sound by working with artists around the globe, pushing the boundaries of dance music as he collaborates across genres and languages. He is Spotify’s Most Discovered Artist, one of Spotify’s top 350 most streamed artists, ranked Top 20 consecutively since 2017 on the prestigious DJ Mag’s Top 100 DJs chart, and has earned over 100 Diamond, Platinum, and Gold certificates. R3HAB has embarked on multiple sold-out worldwide tours and was the first dance music artist to sell out 15 consecutive shows in China. On top of that, he performed at the world’s top festivals, such as EDC, Ultra Music Festival, Tomorrowland, Balaton Sound, Coachella, Summer Sonic Festival, DWP Jakarta. With his combination of innate artistry and innovative attitude, R3HAB has earned his place as a household name in dance music.
More info on R3HAB / Spinnin’ Records:
R3HAB: Facebook | Instagram | X | Spotify
Spinnin’ Records: Facebook | Instagram | X | Spotify
The post R3HAB Launches Festival Season With New Single “Right Here, Right Now.” Out Now via Spinnin’ Records appeared first on Electric Mode.
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Brina Knauss makes her debut on Interstellar Recordings with ‘Savannah’!

Slovenian DJ and producer Brina Knauss makes a powerful debut on Interstellar Recordings with “Savannah”—a rich and stirring track that highlights her classical roots and distinctive melodic touch.
 
Known for her deep, atmospheric sets, Brina blends sweeping chords and celestial piano lines with a tender male vocal and warm, rolling rhythms. The result is a track that feels both intimate and vast—grounded yet dreamlike. Says Brina of the track:
 
“Savannah” captures that feeling of losing yourself in a moment—caught between desire and knowing better, yet giving in anyway. The track is deeply emotive, blending hypnotic melodies with driving energy to create something both powerful and immersive.”

The release comes ahead of a busy summer for Brina, with performances scheduled at Afterlife Tulum, Zamna parties across India and South America,at Sonar Offweek, and Belgium’s mighty Tomorrowland.
 
“Savannah” is yet another compelling chapter in Brina Knauss’s evolving sound, and Interstellar’s growing catalog of melodic gems.
BUY / STREAM: BRINA KNAUSS ‘SAVANNAH’ HERE
Connect with Brina Knauss:
https://soundcloud.com/brinaknauss 
https://www.instagram.com/brina.knauss/ 
https://www.facebook.com/brinaknauss/
 
The post Brina Knauss makes her debut on Interstellar Recordings with ‘Savannah’! appeared first on Electric Mode.
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