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Coachella Fined $20,000 Over Travis Scott Performance

Photo Credit: Travis Scott by Frank Schwichtenberg / CC by 4.0
Coachella organizer Goldenvoice was fined $20,000 by the City of Indio for Travis Scott’s performance exceeding the city’s 1 AM curfew.
Goldenvoice, the operator of the Coachella Valley Music and Arts Festival, is facing a $20,000 fine issued by the City of Indio for Travis Scott’s performance on Weekend 1, which went past the city’s 1 AM curfew.
A city permit from 2013 outlining the conditions under which Goldenvoice can hold the festival mandates that all performances must conclude by 1 AM on Friday and Saturday, and midnight on Sunday. Each time a performance exceeds curfew, Goldenvoice will be fined $20,000, plus $1,000 each minute starting at the sixth minute after curfew.
This year, only one performance missed the curfew time. Travis Scott closed out both Saturdays of Coachella this year, but on Saturday, April 12, he started his set late and played until approximately 1:03 AM. The second weekend, he started late again, but managed to wrap up his set well before the cut-off.
It’s worth noting that a source familiar with the situation told TMZ that Green Day was running 15 minutes behind due to the “fireworks debacle” during their set, which led to a tree catching fire. This caused Travis Scott’s set to begin five minutes late.
According to a statement issued by the City of Indio, the $20,000 fine was the only one issued across all three music festival weekends—which also included the Stagecoach country music festival.
But this is far from the first time Goldenvoice has been fined after Coachella performances went past curfew. In 2009, after Paul McCartney went 54 minutes over, the promoter paid a $54,000 fine due to the $1,000-per-minute fine at the time.
In 2023, the company was hit with a whopping $117,000 fine during Weekend 1 when Bad Bunny, Frank Ocean, and Calvin Harris went past curfew. Then, during Weekend 2, a $51,000 fine was incurred by Bad Bunny, alongside DJs Skrillex, Fred Again, and Four Tet. In 2024, Lana Del Rey played 13 minutes past curfew during Weekend 2, leading to a $28,000 fine.
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Insomniac Announces Dates & Details For EDC Thailand 2026

Insomniac has officially locked in the dates and initial details for the 2026 return of EDC Thailand.
After bringing its flagship Electric Daisy Carnival (EDC) festival to Southeast Asia for the first time ever this past January, the powerhouse promoter will bring the three-day festival back to a new venue, Rhythm Park Phuket from January 16-18, 2026.
Though lineup details for EDC Thailand 2026 are under wraps at the time of writing, this year’s debut brought a bevy of global superstars to Thailand’s largest island, famous for its beaches and nightlife, including names like Skrillex, ILLENIUM, Tiësto, FISHER, Afrojack, The Chainsmokers, Alesso, Subtronics, SIDEPIECE, 999999999 and many more.
In addition to its action-packed lineup, EDC’s first edition in Thailand was hailed for its spacious dancefloors, comfortable crowd flow, immersive production, and top-notch local eats for as little as 150 BAHT (around $4.50 USD), earning it three four-star rankings on EDM Maniac’s Festival Report Card.
Insomniac’s return to Southeast Asia for 2026 marks the company’s continued growth across the Asian continent, with a portfolio of events that now also includes EDC China and EDC Korea, which returned to Incheon last weekend after a five-year hiatus.
Pre-sale registration for EDC Thailand 2026 is now open here. Loyalty pre-sale ticket access will begin this Thursday, May 1. General on-sale will follow on Friday, May 2.
For more information or to purchase tickets, visit thailand.electricdaisycarnival.com.
Featured image courtesy: Insomniac Events.
The post Insomniac Announces Dates & Details For EDC Thailand 2026 appeared first on EDM Maniac.
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Insomniac Announces Dates & Details For EDC Thailand 2026

Insomniac has officially locked in the dates and initial details for the 2026 return of EDC Thailand.
After bringing its flagship Electric Daisy Carnival (EDC) festival to Southeast Asia for the first time ever this past January, the powerhouse promoter will bring the three-day festival back to a new venue, Rhythm Park Phuket from January 16-18, 2026.
Though lineup details for EDC Thailand 2026 are under wraps at the time of writing, this year’s debut brought a bevy of global superstars to Thailand’s largest island, famous for its beaches and nightlife, including names like Skrillex, ILLENIUM, Tiësto, FISHER, Afrojack, The Chainsmokers, Alesso, Subtronics, SIDEPIECE, 999999999 and many more.
In addition to its action-packed lineup, EDC’s first edition in Thailand was hailed for its spacious dancefloors, comfortable crowd flow, immersive production, and top-notch local eats for as little as 150 BAHT (around $4.50 USD), earning it three four-star rankings on EDM Maniac’s Festival Report Card.
Insomniac’s return to Southeast Asia for 2026 marks the company’s continued growth across the Asian continent, with a portfolio of events that now also includes EDC China and EDC Korea, which returned to Incheon last weekend after a five-year hiatus.
Pre-sale registration for EDC Thailand 2026 is now open here. Loyalty pre-sale ticket access will begin this Thursday, May 1. General on-sale will follow on Friday, May 2.
For more information or to purchase tickets, visit thailand.electricdaisycarnival.com.
Featured image courtesy: Insomniac Events.
The post Insomniac Announces Dates & Details For EDC Thailand 2026 appeared first on EDM Maniac.
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YouTube Ad Revenue Approaches $9 Billion in Q1, Up More Than 10% Year-Over-Year

Photo Credit: Alexander Shatov
YouTube keeps raking in the cash from its advertisers across the globe, with ad revenue approaching $9 billion in the first quarter of 2025.
YouTube turned 20 this year, and the company continues to boast significant growth for its investors. YouTube’s ad revenue reached $8.93 billion in the first quarter of 2025, up 10.3% year-over-year—just slightly behind analyst expectations of $8.97 billion.
That doesn’t even include the additional billions in revenue generated through YouTube’s subscription services, such as YouTube TV and YouTube Premium, which are not disclosed during Alphabet’s earnings reports.
Google and YouTube parent Alphabet easily topped Wall Street estimates for Q1, with the company reporting over 270 million paid subscriptions across its services. Those numbers are driven by YouTube and Google One, the company’s consumer cloud storage platform.
Together, YouTube Music and Premium exceeded 125 million subs during the quarter, further driven by the company expanding its more affordable Premium Lite model to users in the US. Premium Lite is priced at $7.99 per month compared to $13.99 per month for YouTube Premium and $10.99 per month for YouTube Music.
“We’re pleased with our strong Q1 results, which reflect healthy growth and momentum across the business,” said Sundar Pichai, Alphabet and Google CEO.
“Search saw continued strong growth, boosted by the engagement we’re seeing with features like AI Overviews, which now has 1.5 billion users per month. Driven by YouTube and Google One, we surpassed 270 million paid subscriptions. And Cloud grew rapidly with significant demand for our solutions.”
YouTube’s full-year 2024 report saw an estimated $54.2 billion in revenue, making it the second-largest media company behind Disney. In 2025, it’s rapidly becoming poised to take the top spot, according to analysts.
Whether the macroeconomic uncertainty will have an impact on YouTube’s ad revenue in Q2 remains to be seen. According to Chief Business Officer Philipp Schindler, “It’s too early to really comment on that,” but that new US tariffs will “obviously cause a slight headwind to our ads business” abroad.
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[WATCH] Paul Arcane Releases Organic/Progressive House Set From Anjunadeep Open Air

If you’re looking to kick off this week in style, look no further.
Are you a fan of Anjunadeep? Are you a fan of UV? Soundgarden? Univack? Well, this set may speak to you then. Paul Arcane is perhaps the most promising act from Chile to set foot on Deep and Organic grounds right now. With a long career that already includes releases on the highest labels out there, he was the man Anjuna needed to kick off their Open Air celebrations in Santiago.
I’m not kidding when I say Anjuna’s socials were flooded with requests from us all for him to be part of the lineup. And they listened, and delivered. And so did Paul. The author of tracks such as ‘Elven Dance’, ‘Vaporis’, and ‘City of the Clouds’, was the man tasked to take over the booth first, as more and more people rushed to the venue for the day’s worth of partying. Understandibly, many of us arrived early to see him from the start.
And what a ride it was. It’s a 2-hour voyage filled with everything we love about this corner of the Dance world: melodies, atmospheres, flying, percussion, and groove. The only way I can describe his set is a dynamic ride. My best friend Rama and I talked about this very topic a while ago: the thrill of a DJ playing like a rollercoaster, with ups and downs in energy, yet still always aiming up. It’s not monotonous nor all over the place. It’s just ideal. And Mr Arcane mastered the art of those rides.
Kick off your week in the best way possible with tracks such as Marsh’s ‘Sleep’, the gift that keeps on giving that is ‘Deep In My Soul’, Argentinian Sebastian Sellares’ ‘Garden Of Eden’, and many more tracks I won’t spoil for you. You have to watch it. Click the icon above, or this very link right here, and fly away, to my personal best set of the entire Anjunadeep Open Air Santiago gig.
Also see below a playlist of Paul Arcane’s best. You’ll hear more about this guy in a couple years, trust my words. Been following his journey for eight years, can’t imagine where he’ll be after the next eight.
*Cover image credit: Victor Norambuena
The post [WATCH] Paul Arcane Releases Organic/Progressive House Set From Anjunadeep Open Air appeared first on EDMTunes.
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Brina Knauss Makes Her Debut On Interstellar Recordings With ‘Savannah’

Slovenian DJ and producer Brina Knauss makes a powerful debut on Interstellar Recordings with ‘Savannah‘. The track is rich and stirring, highlighting her classical roots and distinctive melodic touch.
‘Savannah’
Known for her deep, atmospheric sets, Brina blends sweeping chords and celestial piano lines with a tender male vocal and warm, rolling rhythms. The result is a track that feels both intimate and vast, grounded yet dreamlike. Says Brina of the track:
The release comes ahead of a busy summer for Brina, with performances scheduled at Afterlife Tulum, Zamna parties across India and South America, Drumcode at Sonar Offweek, and Belgium’s mighty Tomorrowland. ‘Savannah’ is yet another compelling chapter in Brina Knauss’s evolving sound and Interstellar’s growing catalog of melodic gems.
Brina Knauss
Exploring house and techno sounds since 2014, Brina Knauss is a Slovenian-born, versatile artist who has achieved worldwide notoriety and recognition in today’s electronic music scene. Brina Knauss can translate her classical training into contemporary sonorities rich in harmony, melodies, and grooves, every year confirming her presence in high-end festivals like Afterlife, Zamna, Tomorrowland, Awakenings, Cercle, EDC, ULTRA, Soundstorm, and many more.
Running her own label EMPATH since 2023, she explores deep and immersive sounds around house and techno. Her transcendent vocals, sweet melodies, and pulsing beats result in a groovy music journey. In effect, the listener can both dance and just enjoy the vibe.

The post Brina Knauss Makes Her Debut On Interstellar Recordings With ‘Savannah’ appeared first on EDMTunes.
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EDC Hotel 2025 Will Be Held At Virgin Hotel Las Vegas

Party like a pro, stay like a star. Welcome, fellow Headliners, to the exciting return of Hotel EDC for 2025! This year, we are thrilled to announce that Hotel EDC will be taking over an all-new location at Virgin Hotels Las Vegas. Get ready for an immersive weekend filled with EDC-themed experiences that you won’t want to miss. From festival tickets to exclusive pool parties, wellness sessions, and more, Hotel EDC promises to be an unforgettable experience for all attendees.
Join us for a weekend of non-stop fun, music, and relaxation at Virgin Hotels Las Vegas. With packages that include a Festival Ticket, a 3-night stay, day parties, wellness activities, and exclusive gift bags with limited-edition merch items, Hotel EDC is the ultimate way to enhance your EDC Las Vegas experience.
So pack your bags, grab your friends, and get ready to make memories that will last a lifetime at Hotel EDC at Virgin Hotels Las Vegas! BOOK HERE!
Accommodations
3-night stay at Virgin Hotels Las Vegas: Friday, May 16 – Monday, May 19, 2025 with EDC-ified hotel rooms with pillows, lights, bed runners, and a dedicated EDC TV channel. EDC Ravers can extend their trip by adding nights to your stay, before or after EDC no problem. Choice of Room (King or Double Queen) or Suite, for you and up to three friends. 🛏️ Chamber King Room
Experience the sleek and modern design of the Chamber King Room, featuring a spacious layout with a comfortable king-sized bed, vibrant decor, and ample natural light. The room is thoughtfully designed with separate areas for sleeping and living, providing both comfort and functionality. Enjoy amenities like a 55-inch LCD TV, free WiFi, and deluxe bath products.​Virgin Hotels Las VegasSuiteness
🛏️ Chamber Double Queen Room
Ideal for groups, the Chamber Double Queen Room offers two plush queen-sized beds within a stylish and spacious setting. The room boasts a contemporary design with bold accents, a dedicated vanity area, and a well-appointed bathroom. It’s perfect for friends looking to share a comfortable space during their stay.​Suiteness
🛋️ Suites
For those seeking an elevated experience, the suites at Virgin Hotels Las Vegas provide luxurious accommodations with additional space and premium amenities. Options like the Grand Stellar Suite and the Shag Suite offer expansive living areas, unique design elements, and stunning views of the city. These suites are perfect for entertaining or simply indulging in a lavish retreat.​
All guests will receive a Headliner Party Pack with exclusive Hotel EDC items. Dedicated Vibee concierge on site all weekend long, available around the clock to ensure the party keeps on going.
Exclusive access to Insomniac-themed day parties at the Hotel EDC Pool all weekend
Thursday 5/15, hosted by Day Trip: Adam Ten · Azzecca · Gorgon City · Jackie Hollander · Riordan
Adam Ten is an Israeli DJ and producer known for his eclectic sets that blend house, techno, and indie dance. He has performed at renowned venues like Printworks in London and festivals such as Burning Man. Azzecca is a Chicago-based DJ and producer who brings high energy to house, techno, acid, and cosmic sounds. She has released music on labels like Higher Ground and REALM Gorgon City is a British electronic music duo consisting of Kye Gibbon and Matt Robson-Scott. They are known for their bass-driven house music and have performed at major festivals worldwide. Jackie Hollander is a self-taught DJ and producer from San Francisco, recognized for her innovative approach and dynamic performances in the electronic music scene. Riordan is a UK-based house music producer and DJ, bringing his unique flavor to the scene with influences from Garage, Minimal/Deep Tech, and Afro House Friday 5/16: Audien · Danny Avila · Deerock · Morten · Nostalgix · Telykast · Yellow Claw presents Euro Trash
Danny Avila is a Spanish DJ and producer known for his energetic electro house and big room sets, Danny Avila has played major festivals like Tomorrowland and Ultra, earning global recognition at a young age. Deerock is a rising American DJ specializing in festival-style house and bass music, bringing high-energy performances to stages and amassing a loyal fanbase through viral edits and remixes. Morten. Danish DJ MORTEN is known for pioneering the “Future Rave” sound alongside David Guetta, blending powerful big room energy with dark, melodic techno influences, dominating global charts and festival stages. Nostalgix is a fierce voice in the bass house scene, Nostalgix is a Canadian DJ and producer celebrated for her heavy beats, empowering lyrics, and magnetic performances at events like EDC and Beyond Wonderland.  TELYKAST is a Los Angeles-based electronic duo blending pop, future bass, and house, known for radio-ready hits and vibrant live shows that have made them festival regulars across North America. Yellow Claw is a Dutch duo that fuses trap, hip-hop, and hardstyle into electrifying sets, earning global fame through festival anthems and collaborations with major artists like DJ Snake and Becky G. Saturday 5/17, hosted by Confession: Biscits · Carrie Keller · Malaa · Tchami · Walker & Royce
Biscits (Luke Jones) is a UK-based tech house producer known for his energetic tracks and remixes. He’s released music on labels like SOLOTOKO and Sola, with popular tracks including “Me & U” and “The Judge”. Carrie Keller is an emerging electronic artist with a growing presence on Spotify. Her tracks like “Detrimental” and “Pretty Bad Bitch” showcase her dynamic style. Malaa is a French DJ and producer known for his anonymity and signature balaclava. He specializes in bass house and has released tracks like “Notorious” and “Fade” under Tchami’s Confession label.​ Tchami (Martin Bresso) is a French DJ credited with pioneering the future house genre. He’s known for tracks like “Promesses” and “Adieu”, and for founding the Confession label. Walker & Royce are a New York-based duo known for their unique blend of house and techno. Their tracks like “Take Me To Your Leader” and “Rub Anotha Dub” have garnered significant attention in the electronic music scene.​ Sunday 5/18, hosted by Lost In Dreams: Adventure Club · Baby Savage · CHYL · Elephante · Luci · MitiS
Adventure Club is a Canadian electronic music duo known for their melodic dubstep and electro house tracks. They’ve gained acclaim for their emotive remixes and original productions.​ Baby Savage is an emerging artist with a growing presence on Spotify. Their music blends elements of electronic and hip-hop genres.​ CHYL is a dynamic DJ and producer known for her high-energy tracks that fuse elements of bass house and trap. Her releases have been featured on various electronic music platforms.​ Luci is an electronic music artist known for her ethereal soundscapes and emotive compositions. Her music often explores themes of introspection and fantasy.​ MitiS is an American DJ and producer celebrated for his melodic dubstep and future bass tracks. He blends classical piano elements with electronic music, creating a unique sound.​ Experiences and ADD-ONS
Daytime wellness activities, including meditation, and access to an indoor yoga studio Headliner Headquarters, with daily DJ sets and activities Free Glam Station to get rave-ready and look your best. Eye-catching Hotel EDC photo ops, pop-up DJ sets, and performers. Extend your trip by adding nights to your stay, before or after EDC Snooze a little longer with a late check out Shuttle and private car service directly to the speedway Hotel EDC Brunch at Kassi Beach House Need tickets to EDC? Add VIP festival passes to your package. Already have your ticket? Fear not as you can still purchase a Vibee package without a festival pass and take advantage of all the perks that Hotel EDC has to offer. With its exclusive pool parties, free entry for guests, and a prime location near the heart of the action, Hotel EDC offers a one-of-a-kind experience for festival attendees. Whether you’re seeking relaxation by the pool, high-energy performances from top artists, or exciting adventures in the city, Hotel EDC has something for everyone. So pack your bags, grab your friends, and get ready for an unforgettable weekend at the ultimate EDC destination.
The post EDC Hotel 2025 Will Be Held At Virgin Hotel Las Vegas appeared first on EDMTunes.
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Torcha and Jiqui Elevate Bass and Dubstep Vibes in ‘Mucus’

Canadian bass producers and DJs Torcha and Jiqui recently dropped their collaborative track, ‘Mucus’, on April 18th via the HypnoVizion imprint of bass music star Rezz. The name says it all—’Mucus’ is as gnarly as they come, packed with grimy bass and filthy dubstep vibes that are sure to get festival crowds hyped. With its deep low-end sounds and punchy percussion, Torcha and Jiqui really play around with some heavy, guttural sound design and warped basslines. ‘Mucus’ really reinforces HypnoVizion’s mission to push the limits of Canadian bass music, showcasing the awesome talents of both artists.
Torcha, the artist from Toronto who has a very innovative musical style
Torcha, who grew up in Toronto, made a name for himself for his epic soundscapes and minimal beats with some serious sub-driven 140 dubstep. Since kicking off his project in the summer of 2022, he has caught the attention of big names like Zeds Dead, PEEKABOO, and Skream. His sound blends 140 bpm, drill, grime, and Gqom-infused deep club tracks while keeping that UK dubstep vibe alive. He made his debut on HypnoVizion last year with the gnarly banger, ‘Darkness’, alongside NotLö and has hit the stage at festivals like Infrasound Equinox, Wakaan Music Festival, and Submersion Festival. This spring, he’s coming back with his Monolith EP.
Jiqui, a top talent in dubstep and trap who has released phenomenal tracks lately
On the other hand, Jiqui, originally from Vancouver but now based in Texas, is becoming one of the hottest up-and-coming acts in the bass scene. He’s got mad skills in both dubstep and trap and has made a name for himself with killer productions, teaming up with artists like Kayzo, Kompany, and Must Die!. Furthermore, Jiqui has also dropped tracks on some well-known labels like Disciple, Never Say Die, and Bassrush. Also, he has performed at major festivals like Rampage Open Air, Forbidden Kingdom, Lost Lands, and Bass Canyon, and has toured with Riot Ten, Marauda, and Kayzo, putting on live shows that blow people away. Jiqui is definitely on his way to becoming a major player in the bass music world.
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ARTBAT Delivers Remix Of The Temper Trap’s Iconic ‘Sweet Disposition’

The ARTBAT duo is back, and they have delivered a powerful reimagining of one of the most iconic dance club anthems, The Temper Trap’s ‘Sweet Disposition’, released on the UPPERGROUND imprint. This remix preserves the emotional depth of the original while injecting ARTBAT’s signature energy, resulting in a transcendent version that commands festival stages around the globe. Uplifting, euphoric, and pulsating with groove, this remix is a peak-time powerhouse that can stop crowds in their tracks before catapulting them into pure dancefloor exhilaration.
In their own version of ‘Sweet Disposition’, ARTBAT reaffirms their mastery in reinterpreting anthems for the modern dancefloor, flawlessly blending deep emotion and high energy. This powerful rework has already become a fixture in ARTBAT’s sets, earning thunderous applause at major events like Ultra, Exit Festival, A State of Trance, Rock in Rio, Creamfields, Tomorrowland, and more. Click ‘Play’ on the Spotify link below to play this exciting remix from ARTBAT of ‘Sweet Disposition’, a remix that ensures that grooviness is everlasting throughout the ages.
The continuing success of ARTBAT this year
Recognized as one of the most in-demand acts in global electronic music, ARTBAT continues to dominate the scene, headlining top festivals worldwide. This year, they are solidifying their elite status in Ibiza with a residency at Ultra’s Resistance at Amnesia. Their impressive roster of collaborations includes legends such as The Chemical Brothers, Vintage Culture, Empire Of The Sun, Armin van Buuren, David Guetta, and John Martin. Now, ARTBAT can proudly add The Temper Trap to this distinguished lineup.
More about UPPERGROUND, the imprint behind the remix of ‘Sweet Disposition’
Since its inception in 2021, UPPERGROUND has risen as a leading platform for cutting-edge electronic music, hosting groundbreaking events across the globe. In fact, this label made headlines as the first electronic act to host an event at the recently renovated Santiago Bernabéu Stadium in Madrid, featuring Vintage Culture at the newly revamped venue. Next, UPPERGROUND is set to make its mark in the USA with a high-profile takeover of Brooklyn Mirage in May.
The post ARTBAT Delivers Remix Of The Temper Trap’s Iconic ‘Sweet Disposition’ appeared first on EDMTunes.
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CamelPhat Drops New EP: ‘Needed You’ & ‘Renewal’

British duo CamelPhat and Vomee collaborate on a brand-new EP, Needed You, featuring two tracks that continue to showcase their mastery of tech house. The first track, ‘Needed You,’ sets a high-energy tone with a rhythmic synth and a catchy female vocal singing the title lyric. The groovy bass and upbeat melody evoke day club vibes, complete with mimosas, loose clothing, and blacked-out shades. The second track, ‘Renewal,’ brings a contrast with its deeper, more melodic tones. The track starts slower but builds to a euphoric climax, creating a powerful emotional journey for listeners. Together, these two tracks show CamelPhat and Vomee’s ability to blend different energy levels, creating an EP that is dynamic and unforgettable.
CamelPhat
CamelPhat, consisting of Mike Di Scala and Dave Whelan, has solidified their place as a tech house legend since their formation in 2004. Known for their club anthems, including the hit ‘Cola’ featuring Elderbrook, CamelPhat has become synonymous with high-quality house music. Their debut album, Dark Matter, released in 2020, earned widespread acclaim, featuring collaborations with names like Jake Bugg and Noel Gallagher. CamelPhat’s energetic productions and infectious melodies have earned them a loyal following and made them mainstays at major festivals like Glastonbury, Tomorrowland, and Ultra.
Vomee
Vomee, the musical project of Gianluca De Girolamo, brings a unique blend of influences, incorporating melodic, electro, and techno beats. With a discography that includes releases on prominent labels like Oddity, Siamese, and more, Vomee’s music has been praised for its genre-blending quality. Popular for his innovative production style, Vomee has gained support from well-known DJs like Adriatique and Tale of Us. His live sets have seen him perform at top festivals, including OFFSónar and Amsterdam Dance Event, where his performances have earned him recognition in the underground dance scene.


CamelPhat’s 2025 Tour Dates
CamelPhat continues their tour in 2025, bringing their new music to stages across the globe. Recently, they have already had a massive streak in the spring with EDC, Ultra Miami, and Coachella. Those are some of the biggest music festivals in the world. Up next, they will be at Primavera Sound in Barcelona, Akamba Festival in Mexico, and more. In the states, they are set to play in Austin, TX, and Chicago, Illinois in the next 2 months. Check out more of their tour dates here.

Camelphat Tour Dates (click here)
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Seven Lions & Wooli Reunite for New Track ‘Sunshine’

It’s feels like just yesterday that Seven Lions and Wooli first teamed up in 2019 with ‘The Last of Us’, marking the start of a successful partnership that blends Seven Lions’ melodic bass with Wooli’s heavier dubstep style. Their 2020 hit ‘Island’, featuring Nevve, became a fan favorite and a defining track in the melodic bass scene. They followed up with ‘Another Me’ in 2021, which saw Wooli collaborate with Excision and Dylan Matthew, continuing their trend of combining emotional melodies with hard-hitting bass.
And now we are proud to support the track, ‘Sunshine‘ is a standout track that showcases the signature styles of Seven Lions and Wooli. It blends bright, uplifting melodies with heavy bass drops. The track opens with a euphoric, almost ethereal atmosphere, where VARGEN’s vocals bring a sense of hopefulness and longing. As the song builds, it transitions into a powerful drop, combining the melodic and emotional elements. The result is an anthem that balances both light and heavy, creating an emotionally charged atmosphere that’s perfect for festival crowds and listeners alike.
The song’s structure mirrors the evolving sound of both artists, incorporating the melodic bass elements Seven Lions is famous for while tapping into Wooli’s darker, more aggressive dubstep influence. ‘Sunshine’ isn’t just a bass-heavy track; it’s a dynamic journey, capturing a sense of catharsis and release that resonates with fans of both artists. With its uplifting lyrics and hard-hitting drops, ‘Sunshine’ has the potential to become a major anthem in the bass music scene, much like their past collaborations. This track marks yet another successful partnership for Seven Lions and Wooli! We can’t wait for more from the powerhouses on Ophelia Records.
Click here to listen to ‘Sunshine‘ on other platforms: https://ffm.to/swvsunshine
The post Seven Lions & Wooli Reunite for New Track ‘Sunshine’ appeared first on EDMTunes.
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Celebrating 12 Years Of Armin Van Buuren’s Masterpiece ‘This Is What It Feels Like’

Armin Van Buuren has been a trance trailblazer for years though it’s his venture into progressive house that stands as one of his most successful tracks. In 2013 he wanted to express himself in a different way which led to an absolute progressive house classic, ‘This Is What It Feels Like.’
The Dutch DJs mastery of trance earnt him the top spot on DJ Mags Top 100 DJs list in 2007, 2008, 2009, 2010, and 2012. This devotion to trance meant that when Pete Tong debuted ‘This Is What It Feels Like’ on BBC Radio 1 there was a lot of negative feedback from fans due to the change of genre. While some Armin Van Buuren fans didn’t like this different style it quickly found its audience and blew up beyond what anyone could have imagined.
It fired into the charts around the world and earned wide radio play spreading Armin Van Buuren’s name beyond the dance music scene and into the mainstream. ‘This Is What It Feels Like’ earned a Grammy nomination for Best Dance Recording in 2014 and has since gone on to receive over 380 million Spotify streams. As well as this the song took on a new life in 2023 with a trance remix from Armin Van Buuren to celebrate its 10th anniversary.
From the very opening moment of the track ‘This Is What It Feels Like’ is emotional and iconic with its unforgettable chords that have drawn us all in for years. It embodies the very essence of what a festival anthem is and will forever be legendary.

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7-Eleven At Music Festivals? Convenience Chain Inks Live Nation Sponsorship Deal — Including When We Were Young Naming Rights

7-Eleven has finalized a Live Nation sponsorship deal, including When We Were Young naming rights. Photo Credit: 7-Eleven
Introducing 7-Eleven the music festival sponsor: The convenience chain has scored When We Were Young naming rights and more under a Live Nation partnership.
That newly announced partnership is already in full swing; When We Were Young’s poster has been updated to clarify that the festival is “Presented by 7-Eleven.” This marks the first time that the Las Vegas event “has welcomed a naming rights partner,” the companies emphasized.
Said naming rights will place 7-Eleven front and center on one of When We Were Young’s five stages. Additionally, the October happening is expected to feature “a quick-stop destination” powered by the chain, referring in part to a Slurpee-equipped “Hangout activation.”
(Side note: 7-Eleven ultimately belongs to Tokyo-headquartered Seven & I Holdings, which owns a major piece of the still-independent Tower Records Japan and a whole lot else. Perhaps not coincidentally, today’s tie-up has arrived as Live Nation is aggressively expanding in the Asian nation, most recently with the purchase of Hayashi International Promotions.)
Beyond When We Were Young, 7-Eleven is also set to have a presence at The Governors Ball in June.
Though Rakuten has dibs on a VIP offering, and Verizon is poised to present the festival’s “Cabanas” attendance option, 7-Eleven’s “Slurpee Street” will provide free beverage samples in Peace Tea and Fanta Zero Sugar Hibiscus Berry, the chain indicated.
Later yet in 2025, Rolling Loud Miami attendees will have access to “an amplified version” of Slurpee Street, complete with an “immersive activation” offering “a visually rich, music-infused experience,” 7-Eleven relayed.
“Live music is where culture and connection come alive, and that’s exactly where we want to be,” 7-Eleven chief marketing and sustainability officer Marissa Jarratt elaborated of the sponsorship. “By teaming up with Live Nation, we’re bringing the 7-Eleven brand to the heart of unforgettable fan moments.
“We’re eager to recreate the fun and excitement that comes with visiting a 7-Eleven store in an immersive music experience for the next generation of brand fans,” Jarratt finished.
In the bigger picture, a few main things stand out about the Live Nation/7-Eleven deal.
For organizers, against the backdrop of attendance woes in the wider festival space, there’s evidently a little-discussed option of bringing fresh sponsors into the fold – at least for certain happenings.
Adjacent to the point, potential sponsors are presumably focused on audience demographics as opposed to sell-through status. And at the intersection of those ideas, logic suggests that even comparatively small sponsorships like ticket pre-sales carry hefty price tags.
For companies without a clear-cut sponsorship upside, then, it might make more sense to explore cost-effective alternatives to multimillion-dollar branding agreements.
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Berlin’s Late Watergate Nightclub Announces Open-Air Party Series This Summer

Berlin’s recently shuttered Watergate nightclub will live on in spirit and dance this summer with a series of open-air parties from the club’s team.
The nightlife institution, which permanently closed at the end of last year due to rising costs and rent hikes after 22 years in business, announced its return last week with “Don’t Stop The Dance,” a four-party run at Berlin’s Sage Beach, beginning this May.
Berlin’s own deep house staple Chris Luno will kick off the series of “Watergate Open Airs” on May 24, followed by more chilled house grooves in a triple-headline night from melodic house icons Bedouin, Cologne-Berlin duo andhim, and Nigerian-German selector JAMIIE on June 14. Lineups for further parties on July 5 and August 16 will be announced in the coming months.
In its Instagram announcement, the Watergate team wrote: “After the last track faded and the lights went out, we didn’t know when or how we would come together again. Now we do.”
“We’ve brought the same team, the same energy and the same belief in moments that stay with you,” the post continues. “Familiar faces, new light. Find us.”
Watergate was founded in 2002 by Ulrich Wombacher, Steffen Hack, and Niklas Eichstädt in Friedrichshain-Kreuzberg, where it became known as one of Berlin’s most influential nightclubs—a reputation so esteemed that an anonymous nightlife advocacy group memorialized its physical space with a gravestone in January. Along with its party brand, Watergate’s namesake record label remains operational.
Check out Watergate’s post below. Tickets for each of the brand’s open-air parties at Sage Beach are available here via Resident Advisor.

Featured image courtesy: Watergate.
The post Berlin’s Late Watergate Nightclub Announces Open-Air Party Series This Summer appeared first on EDM Maniac.
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Jules Liesl’s ‘Cherry’ is About to Be Everywhere

Some artists spend years trying to break through. Jules isn’t here to wait her turn. She’s doing it with one explosive debut and having more fun than everyone else in the process.
“Cherry” is pure dance-pop pleasure: fizzy synths, sassy lyrics, and that kind of infectious energy that makes even basic club nights feel special. The track’s already catching fire at key and it’s not hard to hear why – this is the kind of unapologetic fun that dance floors have been craving.
The fact that “Cherry” is featured on an entire episode of America’s Top Choreographer (where she appears as a guest judge, naturally) only adds to the momentum.
The remix package reads like a who’s who of dance music: Mousse T, James Hurr, and more have already gotten their hands on it, ensuring the track will work in every conceivable club context.
The post Jules Liesl’s ‘Cherry’ is About to Be Everywhere appeared first on Dancing Astronaut.
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Owner Of Collapsed Dominican Nightclub Issues Apology: “I’m Going To Face Everything”

Weeks after the roof collapse at the Dominican Republic nightclub that killed 231 people and injured hundreds more, the club’s owner and manager shared his remorse for the tragedy in a public apology, wherein he said he plans to “face everything” in the legal proceedings to follow.
Last week, in an exclusive interview on “El Dia,” a television show on Dominican CNN affiliate Telesistema Dominicano, Jet Set owner Antonio Espaillat said six air conditioning units on the venue’s roof had leaked through the building’s plaster ceiling panels for decades, which were routinely reinforced with plasterboard.
According to Espaillat, club staff patched the roof just hours before the collapse on April 8, when more than 500 people were inside attending a show by merengue artist Rubby Pérez. In the following days, 189 survivors were rescued from the rubble, per BBC News.
It remains unclear whether the leaking air conditioning units were the cause of the collapse, and Espaillat said he is cooperating with an ongoing investigation by authorities. He added that in the 30 years he has owned Jet Set, the club’s roof and A/C units had not been inspected. 
The Dominican Republic does not currently have a government office dedicated to building inspections for private businesses, though President Luis Abander announced the week after the tragedy that new legislation is expected to change this, according to ABC 7.
In the wake of at least three lawsuits from victims’ families, a process expected to take several months, Espaillat told Telesistima, translated from Spanish, “I’m going to face everything. I’m not going anywhere.”
“If this could have been avoided, I would have done just that to avoid it because my sister was there. My mom was always there,” Espaillat said later, translated from Spanish. “To the families of the victims, I want to say I’m sorry. I’m very sorry. I am completely destroyed.”
Watch Espaillat’s full interview with Telesistema Dominicana here.
Featured image credit: Noticias Sin via AP.
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Brooklyn Mirage CEO Gives Preview of Construction For Mirage 3.0

The Brooklyn Mirage is undergoing a massive reconstruction. The teasers and previews have been insane, to say the least. They tore down the whole old structure and are rebuilding from nothing. Over the last few weeks, NY ravers have been sharing personal updates on how construction is going. Simply walking by the venue will allow you to see where it stands. Sara Landry is scheduled to open the Mirage 3.0 this weekend, but some think it may not happen.
Brooklyn Mirage’s new CEO, Josh Wyatt, has stepped in to calm down concerns. Their mission is to bring New York a world-class experience like never before. Standing at 65 feet high, it will be the largest dance floor in the city. It is the largest prefabricated lumber structure ever built in New York. It will feature over 3,000 LED tiles and a 270-degree screen. Three mezzanines have been added, and they are not just for VIPs.
The new Mirage will feature the world’s first fully kinetic shutter system of this scale in a live music venue. When closed, it nods to the venue’s early days without LED screens; when open, it transforms into a hyper-realistic 270-degree virtual environment with 30K resolution and over 100 million pixels, surpassing visuals seen at major music festivals.
All New Yorkers are hoping the venue sparkles this weekend. We would love to see Mirage continue to stake its claim as the best venue in America. If all goes well, the Mirage will be taking its shot at the best dance venue in the world.
The post Brooklyn Mirage CEO Gives Preview of Construction For Mirage 3.0 appeared first on EDMTunes.
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Escape To Coconino Returns To Flagstaff With Wobbly Bass Lineup For 2025

Arizona’s Relentless Beats and R Entertainment North are back with the lineup for Escape to Coconino 2025.
Following Coconino’s 2024 debut, the pair of leading southwest electronic promoters will bring the festival back to the Pepsi Amphitheater at Fort Tuthill County Park in Flagstaff, Arizona, this July 18-19.
It’s set to be another wobbly weekend, with 14 performances from some of the top names in experimental bass and dubstep, including a Saturday night headline set from superstar Belgian duo Ganja White Night, as well as special guest sets from Bayou-born bass favorite Boogie T and surging trip-hop artist Jade Cicada. Friday night’s headliner will be announced in the coming months.
The rest of the lineup for Escape to Coconino 2025 is packed even more with trippy bass talents across a variety of frequencies, such as Maddy O’Neal, Ravenscoon, Jantsen, Toadface, YDG, Flamingosis, Manic Focus, and more. Check out the full roster below.
Attendees can also expect numerous art installations, experiential activations, and food vendors at this year’s event, named for the Coconino National Forest just south of Flagstaff and nestled among the region’s famous ponderosa pine trees. While the 2025 edition will not feature on-site camping, fans who want to get the most out of their stay can find a selection of more than 25 area hotels and campgrounds on the festival’s official website.
Pre-sale registration for Escape to Coconino 2025 is now open here. Pre-sale ticket access will begin tomorrow, Tuesday, April 29, at 10AM PT. General on-sale will follow on April 30 at 10AM PT.
For more information or to purchase tickets, visit escapetococonino.com.

Featured image courtesy: Escape to Coconino. Credit: Peter Speyer.
The post Escape To Coconino Returns To Flagstaff With Wobbly Bass Lineup For 2025 appeared first on EDM Maniac.
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Escape To Coconino Returns To Flagstaff With Wobbly Bass Lineup For 2025

Arizona’s Relentless Beats and R Entertainment North are back with the lineup for Escape to Coconino 2025.
Following Coconino’s 2024 debut, the pair of leading southwest electronic promoters will bring the festival back to the Pepsi Amphitheater at Fort Tuthill County Park in Flagstaff, Arizona, this July 18-19.
It’s set to be another wobbly weekend, with 14 performances from some of the top names in experimental bass and dubstep, including a Saturday night headline set from superstar Belgian duo Ganja White Night, as well as special guest sets from Bayou-born bass favorite Boogie T and surging trip-hop artist Jade Cicada. Friday night’s headliner will be announced in the coming months.
The rest of the lineup for Escape to Coconino 2025 is packed even more with trippy bass talents across a variety of frequencies, such as Maddy O’Neal, Ravenscoon, Jantsen, Toadface, YDG, Flamingosis, Manic Focus, and more. Check out the full roster below.
Attendees can also expect numerous art installations, experiential activations, and food vendors at this year’s event, named for the Coconino National Forest just south of Flagstaff and nestled among the region’s famous ponderosa pine trees. While the 2025 edition will not feature on-site camping, fans who want to get the most out of their stay can find a selection of more than 25 area hotels and campgrounds on the festival’s official website.
Pre-sale registration for Escape to Coconino 2025 is now open here. Pre-sale ticket access will begin tomorrow, Tuesday, April 29, at 10AM PT. General on-sale will follow on April 30 at 10AM PT.
For more information or to purchase tickets, visit escapetococonino.com.

Featured image courtesy: Escape to Coconino. Credit: Peter Speyer.
The post Escape To Coconino Returns To Flagstaff With Wobbly Bass Lineup For 2025 appeared first on EDM Maniac.
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Spotify Reports $100M in Q1 2025 Podcaster Payouts — But Can the Service Catch Up to YouTube in Video?

Spotify has confirmed a north of $100 million global podcast payout for Q1 2025. Photo Credit: Reet Talreja
Podcasting pays on Spotify – to the tune of over $100 million for creators during Q1 2025. But can the platform catch up to YouTube in the ever-important video-podcast arena?
Spotify disclosed its worldwide first-quarter podcasts payout today, dedicating a relatively substantial 630 or so words to the appropriate release. As many know, video is now front and center in the battle for podcasting dominance – a reality that has (among other things) enabled the mentioned YouTube to take the lead.
(One of the other things: Late-night television’s abysmal ratings, which, besides stemming from the video-podcast explosion, definitely aren’t being helped by new competitors like Netflix’s Everybody’s Live with John Mulaney. Incidentally, Netflix isn’t stopping there, with reports suggesting an imminent buildout into video podcasts proper.)
Consequently, Spotify didn’t hesitate to emphasize “the rise of video podcasts” in the very first paragraph. The service went on to acknowledge that the north of $100 million Q1 2025 payout “encompasses both ad-based revenue and revenue generated through the Spotify Partner Program,” however.
The former revenue reaches all eligible podcasts regardless of format. But the expanding Partner Program centers in large part on cutting podcasters in on subscription revenue when paid users watch their video uploads, we broke down at 2025’s start.
Building on the idea, Spotify touted a 23% spike in total Partner Program earnings between January and February as well as a 29% hike across February and March.
Furthermore, the service (which is also zeroing in on audiobooks, lessons, and television shows) identified a 28% jump in “active monthly video podcasts…since the program launched” in January.
Driving home the point, Spotify rattled off double-digit consumption boosts for individual podcasts like Your Mom’s House with Christina P. and Tom Segura, which is said to have seen its “weekly consumption” increase “more than 45%” since enrolling in the Partner Program.
That doesn’t exactly come as a surprise given Spotify’s sizable userbase. And from a business perspective, the current approach to non-music entertainment (though one component of an increasingly raw deal for musicians) makes a lot more sense than Spotify’s acquisition-obsessed strategy of old.
Specifically with regard to podcasting, can this approach enable Spotify to close the gap with and then overtake YouTube?
Only time will reveal the answer to that multifaceted question – though at present, YouTube, having underscored its strong viewership on TVs in particular, continues to rule the video-podcasting race.
According to a recent update from Edison, YouTube accounts for one-third of weekly podcast listeners in the U.S., the most of any single platform. Globally, YouTube previously said it boasted “more than 1 billion monthly active viewers of podcast content” as of January.
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Irish Prime Minister Demands Kneecap Must Clarify ‘Kill Tory MPs’ Remark

Photo Credit: Kneecap.ie
Ireland’s prime minister has called for hip-hop group Kneecap to clarify remarks made at shows urging fans to kill Tory MPs.
Micheál Martin, Ireland’s prime minister, has called for Irish hip-hop group Kneecap to “urgently clarify” comments allegedly made during the band’s concerts about killing Tory MPs.
Video of the group at a gig in November 2023 emerged, showing one member saying, “The only good Tory is a dead Tory. Kill your local MP.” Footage of another show in November 2024 appeared to show a member of the rap trio shouting, “Up Hamas, Up Hezbollah,” with a Hezbollah flag displayed.
“We were made aware of a video on 22 April, believed to be from an event in November, and it has been referred to the Counter Terrorism Internet Referral Unit (CTIRU) for assessment and to determine whether any further police investigation may be required,” said a spokesperson for the Metropolitan Police. “We have also been made aware of another video believed to be from an event in November 2023.”
Similarly, a spokesperson for the UK government noted: “We unequivocally condemn threatening remarks made towards any individual.”
“Political intimidation and abuse must have no place in our society. We recognize the chilling effect that harassment and intimidation of elected representatives can have on our democracy,” their statement continued. “All reports of intimidation, harassment, and threats are taken extremely seriously. We work with the police and Parliament to do everything in our power to crack down on threats to elected officials.”
Meanwhile, Democratic Unionist Party leader Gavin Robinson called for an investigation into the band. “Promoting sectarianism, glorifying violence, and spreading division under the guise of ‘art’ is still hate,” Robinson noted.
Despite the uproar, none of the group’s members have been charged with any crime thus far. Kneecap has faced similar criticism after displaying messages related to the war in Gaza during their Coachella set in the California desert earlier this month. The band’s manager, Daniel Lambert, remarked that the band had received “severe” death threats since their Coachella set.
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Shaboozey Hits the Road with ‘The Great American Roadshow’ Tour

Photo Credit: Allan Pimenta
Following performances at both Coachella and Stagecoach, country music icon Shaboozey is hitting the road with ‘The Great American Roadshow’ tour.
The tour kicks off on September 22 in Indianapolis, IN before heading across North America for shows in Philadelphia, Nashville, Houston, and more. The Great American Roadshow Tour is supported by Coors Light and Jack Daniels. Shaboozey recently announced he joined the Coors Light’s Chill on Shuffle program, bringing more chill to the music scene.
Artist pre-sale tickets for The Great American Roadshow Tour begins April 29 at 10 am local time. Local pre-sale begins on April 20 at 10 am local time, while Spotify pre-sale tickets begin on May 1 at 10 am local time. General on-sale ticket times will begin on May 2 at 10 am local time.
Shaboozey is carving his own lane in the alternative country and hip-hop space. He began his epic rise to stardom with two standout features on Beyonce’s Cowboy Carter album—the only artist with multiple appearances on said album. His latest body of work, Where I’ve Been, Isn’t Where I’m Going debuted in the top five of the Billboard 200. The album’s smash single “A Bar Song (Tipsy)” has achieved 4X RIAA-platinum certification and holds the longest reign of 2024 at #1 on the Billboard Hot 100 charts.
Shaboozey has garnered significant recognition across major music awards including five Grammy nominations in 2025 for categories including Best New Artist, Song of the Year, Best Country Song, Best Country Solo Performance, and Best Melodic Rap Performance. His accolades further include recognition as a SoundExchange Breakout Artist thanks to his smash single and album success.
Shaboozey’s ‘The Great American Roadshow’ Tour Dates
September
22 | Egyptian Room at Old Nation Centre — Indianapolis, IN 23 | The Fillmore Detroit — Detroit, MI 25 | The Fillmore Philadelphia — Philadelphia, PA 27 | The Dome — Virginia Beach, VA 29 | The Pinnacle — Nashville, TN October
01 | Avondale Brewing Company — Birmingham, AL 02 | The Fillmore New Orleans — New Orleans, LA 05 | 713 Music Hall — Houston, TX 09 | Billy Bob’s Texas — Fort Worth, TX 12 | Jannus Live — St. Petersburg, FL 14 | War Memorial Auditorium — Fort Lauderdale, FL 16 | House of Blues Orlando — Orlando, FL View the full article
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Beyoncé’s Cowboy Carter Tickets in the Double Digits, Resale Going for $20

Photo Credit: Ticketmaster
Beyoncé tickets for her Cowboy Carter tour are hitting new low prices—some as cheap as a McDonald’s Minecraft meal—sparking viral chatter online.
Beyoncé’s Cowboy Carter tour may have hit too closely on the heels of her career-spanning Renaissance tour, leading to some incredibly low ticket prices. Concertgoers have been roasting the low demand for her upcoming shows online, with one user on the former Twitter claiming they found resale tickets available for just $20.
One fan pointed out that some seats were going for $27, but prices had since gone back up to $37. Many noted the high number of available tickets only days before opening night. But fans of the hitmaker were quick to remind the naysayers that Beyoncé’s Renaissance tour didn’t sell out immediately either. That excursion went on to become the highest-grossing tour by a Black artist in history.
“Wait till the tour starts, once those clips start dropping, people will be flocking to get tickets, I know it,” insisted one fan.
Some critics are blaming the less than stellar ticket sales on the tour’s country theme, but the bigger issue seems to be how recently the superstar went on tour with her biggest hits. Most die-hard Beyoncé fans snagged Renaissance tickets and may not have the available funds for another major tour.
The Cowboy Carter tour kicks off tonight (April 28) at Los Angeles’ SoFi Stadium, with five shows slated at the venue before heading to Chicago, New York, Houston, Atlanta, Las Vegas, Washington, D.C., London, and Paris.
While some tickets, especially in the nosebleeds, are hitting record low prices, fans looking for seats up close to the action can still expect to pay hundreds of dollars. The prices contrast the massive mark-up that ‘superfans’ paid during the exclusive pre-sale for the tour earlier this year. Ticketmaster said demand during that pre-sale was up 800%, with some fans starting GoFundMe money pools to afford their tickets.
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Escape to Coconino announces lineup for 2025 edition in Flagstaff

Escape to Coconino just announced their lineup for the 2025 edition. It features headliner Ganja White Night alongside support from Boogie T, Jade Cicada and many more. There’s also a special headliner that is yet to be announced.
The festival, a join production from Arizona-based Relentless Beats and R Entertainment, features sound production from Low End Lab and returns to the Pepsi Amphitheater at Fort Tuthill County Park in Flagstaff, Arizona on July 18 – 19. Billed as “Northern Arizona’s premier independent concert, festival, and performing arts venue,” the amphitheater is a perfect home for the camping festival that’s rooted in nature and bass music.
For ticket information, head to the Escape to Coconino website.
Featured image: Peter Speyer
The post Escape to Coconino announces lineup for 2025 edition in Flagstaff appeared first on Dancing Astronaut.
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Phish Snubbed By Rock and Roll Hall of Fame—Despite Winning Fan Vote

Photo Credit: Lance Anderson
The Rock and Roll Hall of Fame has unveiled its 2025 inductees, with this year’s class representing a wide spectrum of music innovation and influence. Noted fan-favorite Phish was left off the list, though Warren Zevon finally takes his place among the honorees.
Seven artists were selected in the Performer category including Bad Company, Chubby Checker, Joe Cocker, Cyndi Lauper, Outkast, Soundgarden, and The White Stripes. These inductees reflect the enduring legacy of rock and roll, as well as genre-defining creativity. From Chubby Checker’s early impact on rock and roll to the minimalist garage rock of The White Stripes.
In special categories, Salt-N-Pepa and Warren Zevon will receive the Musical Influence Award, recognizing their impact on hip-hop and songwriting respectively. The Musical Excellence Award honors producer Thom Bell, session pianist Nicky Hopkins, and legendary bassist Carol Kaye—each who have shaped countless recordings across decades of music. Lenny Waronker, an exec at Warner Bros. Records, will be recognized with the Ahmet Ertegun Award for his contributions to the industry.
Phish fans were notably upset on line with comments including, “Why do you ask us to vote? Phish was first, can you tell me why they’re not even on here? Why bother voting?” and “Phish next time, please.” The selection process for the Rock and Roll Hall of Fame has always sparked controversy as each year a limited selection of acts are chosen.
Despite the breadth of this year’s class, the Hall’s selection process and produced fierce debate online. Phish topped the fan vote by nearly 50,000 votes, well ahead of Bad Company but they were not inducted this year. The fan vote translates to just one ballot among more than 1,200 cast by industry professionals, historians, and artists—minimizing its influence on the final outcome. The same happened to the Dave Matthews Band in 2020 when the group won the fan vote but was not inducted.
Other high-profile nominees who didn’t make the cut this year include Mariah Carey, Billy Idol, Joy Division/New Order, Maná, The Black Crowes, and Oasis. This year’s induction ceremony will take place November 8 at the Peacock Theater in Los Angeles.
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