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[EDM.com] Martin Garrix and Jex Reimagine "Told You So" as Haunting Acoustic Ballad

Some EDM moments don’t need flashing lights or pounding bass to feel electrifying. With his acoustic take on "Told You So," Martin Garrix proves that sometimes, the softest sounds leave the deepest impact. 
Stripped of its shimmering house beat, the acoustic version of "Told You So" breathes in a different kind of intensity. Jex’s voice, once soaring above Garrix’s uplifting production, now trembles with a quiet urgency. It's a hushed confession in one breath and an unrestrained crescendo in the next, stretching skyward toward the kind of emotion that only exists when you surrender completely. 
Garrix's acoustic arrangement embraces both extremes, allowing the song to breathe between vulnerability and power. He takes an unexpected turn trading layered synths for delicate piano chords and leaving space for every lyric to land with devastating clarity.
Watch Garrix and Jex perform the acoustic rendition below and stream the track here.
Follow Martin Garrix:
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TikTok: tiktok.com/@martingarrix
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Follow Jex:
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Spotify: tinyurl.com/bdefdvhh
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[EDM.com] EDM.com Fresh Picks: Ben Böhmer, Swimming Paul, OddKidOut & More

The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene.
You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here.
EDM.com Fresh Picks
Ben Böhmer, Oh Wonder - The Sun
Låpsley - 4AM Ascension Day
Samuel T. Herring, Kennebec - Leaving the Canyons
wes mills - free mode
Montee, Rhode - Heavy On My Soul
vecher 1998 - TOCKA
MELVV - Wake Up
Swimming Paul - Mutt
San Holo - We Rise (OddKidOut Remix)
Hidden Face - Love it
Giorgio Fazio - No One Should Ever Die
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[EDM.com] Flosstradamus and Lil Jon Reunite for Festival Crunk Anthem, "IDGAF"

Flosstradamus and Lil Jon have reunited for "IDGAF," a festival crunk eruption that follows their timeless trap track "Prison Riot."
It’s a fitting reunion. "IDGAF" feels like the natural successor to "Prison Riot," doubling down on the mayhem and delivering a rager engineered for the summer’s biggest stages.
They take the reckless energy of that 2016 anthem and supercharge it with even bigger bass, sharper synths and an unrelenting hardstyle finale. Out now on Dim Mak, the track is an open invitation to the wild side—an all-caps manifesto for those who dance like they’ve got nothing to lose.
Lil Jon, the eternal hype architect, barks his battle cry, unleashing a no-holds-barred anthem that spits in the face of restraint. Meanwhile, the track's production is pure, unfiltered Flosstradamus with bone-rattling subs and heavy-hitting drums. The track ultimately pivots from its trap-fueled rampage into a full-throttle hardstyle drop, where crushing kicks and stadium-filling chants push the intensity past the redline.
As a pioneer of the electronic trap movement, Flosstradamus' fingerprints are all over the genre, but "IDGAF" is more than a victory lap.
"I wanted to tap into that iconic crunk energy Lil Jon is known for," Flosstradamus explained in a press release. "We’re both known for high-octane sounds in our own lanes, and we collided that energy in "IDGAF.'"
Watch the official music video for "IDGAF" below and stream the new single here.

Follow Flosstradamus:
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Instagram: instagram.com/flosstradamus
TikTok: tiktok.com/@flosstradamus
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Spotify: tinyurl.com/48vtj5t5

Follow Lil Jon:
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Spotify: spoti.fi/361zss1
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[EDMTunes] Myon And Jody 6 Deliver Powerful Remixes For Michael Alan’s ‘Dark Matter’

Two very clever guys have just breathed new life into a very clever single.
So, do you remember Michael Alan‘s ‘Dark Matter‘ from last year? Back then, when the original released, Alan’s debut track by the way, Perth-based imprint Amon Vision paired it with a killer Will Rees remix which brought all the Trancy beats to the table. Today, the label brings back ‘Dark Matter’ with two very intense remixes: one from Myon, and another one from Jody 6. The EP has received support from Above & Beyond, Ferry Corsten, Aly & Fila, Andrew Rayel and more, so this is your sign to get to listening.
Myon’s unique blend of Trance, Deep House, Progressive resonates worldwide. With a background in Jazz and Pop, this Hungarian-born, US-based artist crafts productions ranging from dance floor anthems to cinematic soundscapes. After a decade of success as part of Myon & Shane 54, Myon is now focused on his solo career, with which he’s kept releasing on Anjunabeats, among other A-class imprints.
On the other hand, Jody 6 is a Techno artist whose sound blends heavy grooves with shadowy undertones and uplifting melodies. His releases on labels like Autektone, Fe Chrome, Respekt, Codex, and Armada have garnered support from artists like Deborah De Luca, Umek, and Armin van Buuren. He invites listeners to join him in a shared experience, celebrating the ephemeral beauty of life through the transformative power of music.
Dark Matter (The Remixes)
The EP contains both remixes, Jody 6’s, and Myon’s Return to 2000 Mix. Which one will be your weapon of choice?
Myon Return to 2000 Mix
Dark and groovy, Mario’s version wastes no time in foreplay: it’s raw and unfiltered power blasting through your speakers. The break, as to be expected from a Return to 2000 entry, transports you to a different space altogether with its engulfing atmospheres, just for the drop to bring you back down to rave-heavy Earth.
Jody 6 Remix
If you don’t know Jody’s music, this one will feel like a plot twist, in the best way possible. While the track kicks off with floaty, Trance-like soundscapes, the song quickly takes a sharp turn towards the dark and infectious world of Techno, incorporating rumbling low ends, detuned plucks, and immeasurable amounts of energy.
Listen to Myon‘s Return to 2000 and Jody 6‘s remixes of Michael Alan‘s ‘Dark Matter’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry.
The post Myon And Jody 6 Deliver Powerful Remixes For Michael Alan’s ‘Dark Matter’ appeared first on EDMTunes.
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[EDM.com] Inside the Audiovisual Odyssey of Ganja White Night, LSDREAM and ProbCause's New Track, "Magic Frog"

To paraphrase the great Ben Franklin, "In this world, nothing is certain except death, taxes and Ganja White Night occupying a tier of artistic creativity all their own.”
For their latest release, "Magic Frog," out now via Subcarbon Records, the influential dubstep joined forces with LSDREAM and ProbCause to craft a genre-bending journey of sound and story.
True to Ganja White Night’s signature approach, the track arrives alongside an animated music video that deepens its mystique, weaving surrealism and wobbly wizardry into one intoxicating audiovisual experience. We took a deep dive into the animation to unravel its symbolism.
A sonic adventure begins
"Magic Frog" opens with a celestial melody, setting a dreamlike tone as longtime Ganja White Night music video protagonist Mr. Wobble and his extraterrestrial, mushroom-topped companion lie beneath a starry sky. The appearance of a purple frog upon a nearby tree stump signals a shift, ushering in ProbCause’s rhythmic flow as the beat begins to morph and expand.
As the track's energy builds, the production strikes an otherworldly balance between Ganja White Night’s signature bass wobbles and LSDREAM’s trippy atmospherics. The fusion of their styles feels effortless—deep, rippling low-end swells collide with shimmering textures, creating a groove that feels both weightless and commanding.
The first drop prominently features Ganja's unmistakable sound design, twisting and warping beneath ProbCause's delivery, which adds a dynamic layer of hip-hop-infused lyricism. The visuals mirror this kinetic energy, propelling the characters through a neon-lit dreamscape where their positive disposition is tested by shadowy forces in a metaphorical clash that plays out both lyrically and sonically.
From dubstep to drum & bass chaos
As the song evolves, a palpable tension builds. The beat teases a shift from dubstep into a pulse-pounding drum & bass sequence, signifying a heightened intensity as the magic frog—previously a quirky guide—mutates into a ferocious monster. The energy explodes into a stankface-inducing, high-speed drum & bass drop, an exhilarating contrast to the song's earlier groove-driven sections.
In its final stretch, rhythmic cadences and buoyant basslines work in tandem to reinforce the track’s core message: positivity is transformative. ProbCause delivers the thought-provoking closing line, encapsulating the track’s essence: "When life get real, it feel more like a dream."
A masterclass in storytelling
"Magic Frog" is as much of a song as it is a spiritual experience. Musically, it bridges the whimsical and the heavy, the tangible and the surreal, effortlessly shifting between deep wobbles and frenetic drum & bass. The video, though a wild ride in itself, serves to enhance the track’s overarching message: external chaos may be inevitable, but our response to it defines our journey. Through the power of friendship and a positive mindset, no obstacle is insurmountable.
Ganja White Night’s ability to craft narrative-driven bass music remains unparalleled, and with LSDREAM, ProbCause and longtime animator Ebo by their side, they've conjured yet another masterpiece, one that’s sonically captivating, philosophically rich and visually stunning.
You can find "Magic Frog" on streaming platforms here.
Follow Ganja White Night:
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Spotify: tinyurl.com/cntnkyw9
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Spotify: tinyurl.com/46hfm3wb
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[EDM.com] ALLEYCVT's Nine Lives: Inside Rising Star's Unstoppable Rise and the Art of Reinvention

It feels like ALLEYCVT dropped into electronic music and instantly stuck the landing. But her journey to the EDM.com Class of 2025, selling out Denver’s famed Ogden Theatre and major festival appearances, dates back further than her discography suggests.
ALLEYCVT’s musical voyage is lifelong. With her various musical identities, you could construct a Spider-Man-like "ALLEY-VERSE." Those identities still echo in her music today, particularly her vocals.
"I see a girl that has been through many musical lives," ALLEYCVT tells EDM.com. "A lot of eras."
"There’s the first ALLEYCVT which was ‘Guitar ALLEYCVT’—thought she was Avril Lavigne ALLEYCVT. Then I went through a punk rock phase. I had a pop phase. Within that pop phase, I was also doing R&B and experimental pop. I was trying to find my sound for such a long time. Then I realized it was right in front of my face because I was always going to festivals. I love that type of music."
Ian Moore
ALLEYCVT released her first electronic track, "Back 2 U," in 2021. It immediately clicked with bass fans. While she worked for a long time towards a sustainable music career, her abrupt success is a double-edged sword.
"That was when I was first dipping my toes into the electronic space as a producer,” she says. “I was trying to figure it out. When I look back at those songs, I had no idea what I was doing. But the feeling, emotion, drive and passion were there. So I look back on it really fondly."
"But I think that's another thing that contributes to my overthinking because it did happen fairly fast."
ALLEYCVT’s impending debut EP, FEEL IT, is one such growing pain. The project has been anticipated for months but hasn’t seen the light of day—not because of some grand calamity. It’s just the symptom of a young artist’s evolution.
She is constantly sharpening her tools and reevaluating her work. She reworked the EP’s titular single “FEEL IT” approximately 20 times before its release. It's hard sharing your art when every new effort feels more complete than the last.
"Stressful," ALLEYCVT admits when describing the EP's recording process. “It’s my first body of work. I’ve never really made a body of work like that below. There are a lot of things that go into it that you don’t necessarily think about until you’re doing it. Making sure everything is cohesive. Then the nerdy shit: the mixdowns and mastering and making sure everything sounds level."
"If I’m being completely honest," she continues, "I wish I put this out months ago but I’m really taking my time with it. I think my first body of work I want to put out, I want to be really proud of it and not do what I usually do and release something and go, ‘Oh, I wish I fixed that and that.’ So I’m taking my time with it."
Another familiar hardship, particularly for new artists, is self-confidence. ALLEYCVT exudes confidence—she’s charismatic and bold, and she presents herself with emphatic self-assurance. But the kooky thing about insecurities is how they manifest differently for everyone.
ALLEYCVT admittedly adopted her father’s perfectionism and mother’s impatience, she says, along with many more fruitful gifts. It’s a potent combination in the music business' public and scrutinizing eye. So how does she stay grounded?
"How do I do that?” ALLEYCVT muses. “I don’t even think I do it. I think the people around me that I trust help me do that and talk me down. The only reason I drive myself a little crazy is because I care so much about it. I care so much about the people who listen to my music and try to get better as an artist. I care a lot."
“It’s always the people who are like, ‘Yo, chill! You’re fine. Nothing bad is going to happen. It’ll be fine. Stop overthinking it.’ It’s easier said than done. It’s the people I keep around me that help me with that the most, rather than myself.”
But building a strong foundation around oneself is a pragmatic act of self-care.
"It’s a skill in itself to surround yourself with people that help elevate your life,” ALLEYCVT says. “Just surround yourself with people you want to be like.”
Ian Moore
ALLEYCVT sold out two nights at Denver’s famed Ogden Theatre in December. The doubleheader's execution speaks eloquently to the passion involved by not one artist, but the very support system she's cultivated.
'I put my blood sweat and tears into that show…” ALLEYCVT recalls, thanking everyone involved in putting it together. "I’m very grateful and very happy with the way it went. I drove myself to the brink of insanity trying to make sure these shows were the best they could be. I think it was completely worth it in the long run. I’m really happy with how it went."
Appreciating such an accomplishment in real time is difficult. It’s a stressful undertaking, particularly with a debut EP looming. Fortunately, the Denver shows are valuable mental keepsakes for an artist who sometimes gets caught up in the moment.
“It’s very validating. It’s almost surreal,” ALLEYCVT says. “How did I get here? You get caught up in the heat of the moment. You’re always working and working, and building towards something else. You kind of forget to slow down and take it all in. Once it’s really over and you’re looking back at it, it’s so rewarding. It was worth every single ounce of hard work.”
ALLEYCVT is riding a wave of momentum into 2025. The singer-songwriter, DJ and producer already has a prominent placement at Excision's Thunderdome event to her name this year. She's also extended her headlining tour with dates in North America, not to mention a landmark performance at EDC Las Vegas, the nation's largest EDM festival.
Completing FEEL IT is a top priority. ALLEYCVT's debut EP is an intimidating task, but she has the creativity, drive and support to see it through. Cat got your tongue? Maybe. But not her's.
Follow ALLEYCVT:
X: x.com/itsalleycvt
TikTok: tiktok.com/@alleycvt
Instagram: instagram.com/alleycvt
Facebook: facebook.com/alleycat
Spotify: tinyurl.com/mr3fz8b3
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[EDM.com] EDM.com Class of 2025 Revealed

The official EDM.com Class of 2025 has been revealed.
For the unfamiliar, our annual Class isn't a stale, archaic "artists to watch" feature, but a list of 10 musicians with transformative skill sets who are on the cusp of changing the fabric of electronic dance music.
Through their workhorse mentalities and defiance of industry standards, these groundbreaking future headliners have already proven their volcanic potential in the scene—and they're now ready to erupt.
The members of the EDM.com Class of 2025 are ALLEYCVT, Beltran, Champion, Jessica Audiffred, Layton Giordani, Linney, Max Styler, Oppidan, Tape B and Wakyin. Continue on to read more about each artist and discover their music.
ALLEYCVT
On the brink of a bona fide breakout, ALLEYCVT has much more than nine lives. High-profile festival sets at Insomniac's HARD Summer, Excision's Lost Lands and an upcoming performance at EDC Las Vegas are just the beginning for this triple-threat producer, DJ and singer-songwriter, who is redefining what it means to be a multifaceted force in bass music.
Her sound is a razor-edged fusion of bass-heavy fury and melodic vulnerability, carving out emotional landscapes within ferocious dubstep tracks that show no remorse. It's a compelling approach that has led to major support from ILLENIUM, Zeds Dead, NGHTMRE, Flux Pavilion and SLANDER, among many other elite dubstep and bass music artists.
Ian Moore
Beltran
Pristine yet dripping with character, Beltran's productions are a masterclass in groove refinement, where stripped-back minimalism meets trunk-thumping house music. Look no further than his breakout single "Smack Yo'," released via Michael Bibi's fabled Solid Grooves label.
In short order, Beltran's tactile and irresistible sets have catapulted him as one of the most in-demand DJs in the techno and house scenes. Next up for the Brazilian breakout? A landmark performance in Coachella's iconic Yuma tent.
c/o Prime Culture
Champion
Champion has emerged as a flag-bearer of UK Grime as the genre continues to blossom into a global force. Whether through visceral low-end pressure or crisp syncopated claps, his drum programming is surgical, letting each element breathe while maintaining an unrelenting groove.
The East London-based producer and founder of Formula Records has also settled into a reputation as a coveted collaborator on and off the stage. He joined forces with Nike and Footpatrol to develop a bespoke series of Air Max sneakers, and teamed up with Skrillex and Four Tet to release the captivating track "Talk to Me."
c/o Funfair Management
Jessica Audiffred
If you've been lured to a stage by some kind of unspoken, wild energy and seen neon hair thrashing in the DJ booth, it's likely Jessica Audiffred.
The Mexican DJ and dubstep producer is riding the wave of a breakout, sending shockwaves through crowds at EDC Las Vegas, Lost Lands and the Amsterdam Dance Event, the world's leading electronic music summit. She also launched her own music festival, the aptly titled Mad House, where—much like her unapologetic bangers—bass reigns supreme and sanity is optional.
c/o MAYD Artist Group
Layton Giordani
The one they call "Slayton" has been a force of nature, clawing to the top of techno's ranks with breakneck speed. The New York native has become one of the genre's biggest breakouts with his phantasmal sound, which entwines brutality and beauty through four-on-the-floor beats you can feel in your bones.
His latest masterstrokes were an official remix of deadmau5's generational dance anthem "Strobe" and the haunting single "Act of God," a stunning collaboration with Sarah de Warren and fellow EDM.com Class of 2025 inductee Linney. The latter track released on John Summit's Experts Only imprint, one of a slew of influential labels that continue to release his music, including Tale of Us' Afterlife and Adam Beyer's Drumcode.
c/o Metatone
Linney
Linney is a singer-songwriter with the soul of a travelled storyteller. Weaving through melodies with a masterful blend of controlled vibrato and emotive breaks, her vocal range serves as both a vessel and a weapon, equally capable of delivering soaring falsettos and soft, crystalline harmonies.
Linney's lyrics are also aching, carrying the weight of love, loss, transformation and redemption. They're one of the many reasons why she's emerged as a powerhouse singer-songwriter, one who has the ability to turn every demo into an emotional dancefloor anthem.
Julia Hansson
Max Styler
Few producers have experienced a rise quite as meteoric as Max Styler, whose reinvention from Dim Mak prodigy to rising house music superstar has been a fascinating journey. A master of tension and release, he's now sculpting a signature sound that balances underground grit with dancefloor euphoria.
Styler layers sultry vocal chops and intricate drum programming to craft tracks that feel both effortlessly smooth and meticulously detailed, elevating house music into a dynamic, sensory experience. It's a sound that has made him a fixture on John Summit's Experts Only label and events, not to mention high-profile releases on Repopulate Mars, Insomniac Records, Spinnin' Deep and Gorgon City's REALM imprint.
c/o Metatone
Oppidan
Bristol-based beatsmith Oppidan has come a long way since she was a starry-eyed, 12-year-old artist burning CDs and selling them at school. With a global festival hit now under her belt as well as releases on iconic labels like Hospital, UKF and fabric Records, she's rampaging through the UK Garage scene as one of its most promising artists.
The genre's swing just feels more alive inside Oppidan's arrangements, which incorporate bass music's visceral low-ends and the driving pulse of 4x4 to produce a sound all her own. It's UKG with a futurist’s touch, irresistibly danceable yet rich with nuance.
c/o CTRLFRK
Tape B
Nostalgia is Tape B's love language. The Turkish beatsmith's music is evocative mayhem, threading vintage hip-hop with growling dubstep while dusty vinyl crackles ripple through with analog warmth.
Tape B's sound—and his beloved "CarTunes" mixes—are in a league of their own, rooted in boom-bap's golden era but stretched into psychedelic dimensions with glitchy textures and serpentine vowel bass. It's an approach that has entrenched him as one of bass music's most in-demand collaborators, teaming up with Subtronics, John Summit, Ganja White Night, Wooli and even Memphis rap icon Juicy J.
c/o Koru Group
Wakyin
Wakyin has the innate ability to produce music that invites us into his own history. Radiant vocals—often pulled from his Dominican and Puerto Rican roots—slink through his beats with a mesmerizing fluidity as sophisticated polyrhythmic layers dance beneath gilded synth textures.
Wakyin's signature approach to production maintains fierce danceability while incorporating subtle dembow patterns, creating beats that feel both ancestral and uniquely modern. In his universe, merengue's pulsing urgency collides with Afro-house's sultry sheen, creating a fusion that defies easy categorization.
c/o Syndicate Management
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[EDM.com] Steve Angello and Modern Tales Drop New Collaboration, "Darkness In Me"

Steve Angello and Modern Tales have joined forces for a new single, "Darkness In Me," just in time for Valentine's Day.
No stranger to high-profile collaborations with stars like Pharrell, The Weeknd and Alicia Keys, the Swedish House Mafia member instead showcased a rising act from his home country, Modern Tales, a duo comprising Jonas Rathsman and Francis Novotny. The result is "Darkness In Me," a bouncy track filled with themes of temptation.
An angelic introduction gives way to a steady beat rich with minimal, arpeggiated synths. The track's sharp cuts, lyrical delivery and razor-edged production give it a nostalgic house feel, and the final result is a surefire dancefloor anthem.
"Darkness In Me" is the first solo release of the year from Angello and its release follows last October's festival anthem "Hooligans." A month after that, he revealed that Swedish House Mafia had scrapped an entire album's worth of music which was planned as a follow-up to 2022's long-awaited debut album, Paradise Again.
"Darkness In Me" is out now via Astralwerks. You can watch the official video below and stream the new single here.
Follow Steve Angello:
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Instagram: instagram.com/moderntalesmusic
Spotify: tinyurl.com/yeyrpdzc
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[EDMTunes] TikTok Finally Returns to Apple App and Google Play Stores

Last month, millions of TikTok account users in the United States had one of their most memorable (and for some, forgettable) experiences when their beloved app shut down for several hours. The app shutdown, which occured on the night of January 18th, lasted for about half a day before users could finally log onto it again. However, for many TikTok users who already deleted their app (and not offloaded the app data instead so that they can still easily log back in), they could not reinstall the app due to it not being available on the Apple App and Google Play stores. Fast forward to the present day, TikTok has finally makes its anticipated return to those app stores.
The return of Tiktok to the Apple App and Google Play stores sent shockwaves
According to an article from Bloomberg about the breaking news, U.S. Attorney General Pam Bondi assured Apple in a letter that the company would not face fines under the current administration, following a TikTok ban that threatened significant penalties for app downloads after January 19. As a result, that is why both Apple and Google removed TikTok from their respective app stores. However, ByteDance managed to offer a sideloadable version of the app for iPhone and Android users. The return of TikTok to Apple’s App Store raises questions about the viability of the ban, especially since iOS is the most popular mobile platform in the U.S. currently.
According to data from the app analytics firm Sensor Tower, approximately 52% of TikTok downloads last year originated from the Apple App Store, while Google Play accounted for the remaining 48%. This indicates that the platform is has a strong balance of representation among both iOS and Android users.
The search for a potential U.S. buyer is still ongoing
President Trump has suggested the possibility of extending the 75-day deadline for finding a U.S. buyer for TikTok but sees no immediate need to do so. He has assigned Vice President J.D. Vance and National Security Adviser Michael Waltz to oversee the sale process, with a growing list of potential buyers expressing interest. President Trump also indicated that TikTok could play a role in creating a U.S. sovereign wealth fund. With TikTok available for download again, the urgency surrounding its status seems to have diminished significantly.
The post TikTok Finally Returns to Apple App and Google Play Stores appeared first on EDMTunes.
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[EDM.com] Breakaway Festival Returning Home to Ohio With Dom Dolla, Afrojack, Marshmello and More

The organizers of Breakaway Festival are meeting the moment of their 2025 homecoming in Columbus by revealing a massive lineup.
"Columbus has been home to Breakaway for over 12 years, and it remains a core part of our identity," said Co-Founder Zach Ruben.
The nation's fastest-growing traveling festival will return home for the 12th edition of Breakaway Ohio from May 30-31 at the Historic Crew Stadium Festival Grounds. And they brought the heat with this year's headliners: Dom Dolla, Marshmello, ISOxo, Afrojack and Sofi Tukker.
Joining arguably Breakaway's biggest headlining slate yet is slew of red-hot DJs and producers, among them Juelz, Deorro, J. Worra, Matroda, MORTEN, Nitepunk and EDM.com Class of 2024 stars Levity, among others.
Tickets are on sale now, including two-day GA, VIP, Ultra VIP and Space Deck passes as well as Space Deck tables.
Breakaway Festival
"This city has a long-standing connection to dance music, with a history that runs deep," Ruben added. "We're not just hosting a festival here—we’re continuing that tradition, bringing fans together to celebrate electronic music in a way that’s uniquely Columbus. The energy here is unmatched, and that passion is what makes holding Breakaway here something very special."
True to form, Breakaway will elevate the festival experience with The Launch Pad presented by White Claw Surge and a Silent Disco featuring local artists and onsite experiences. Sponsors for Breakaway Ohio include CELSIUS, White Claw, Jimmy John’s, Señorita THC Margarita, Jose Cuervo: Devil’s Reserve, BeatBox, MCoBeauty, Loose Lucy's and Resistol Hats.
You can find out more via Breakaway's official website.
Follow Breakaway Festival:
X: x.com/breakawayfest
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TikTok: tiktok.com/@breakawayfest
Facebook: facebook.com/breakawayfestival
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[EDM.com] New Electronic Music Festival Launching In Ancient Roman Temple Site

An Italian coastal airport is betting big that the future of electronic music festivals lies in the distant past.
Electronic music festivals keep pushing for more ambitious venues, but Italy's newest entry might take the crown: a functioning airport once home to an ancient Roman temple. The brand-new Adriatic Sound Festival is debuting in June 2025 at Fano Airport, formerly known as Fanum Fortunae.
The two-day festival is being "conceived as a temporary city," according to a press release shared with EDM.com. Its organizers plan to merge Roman history with cutting-edge stage design from the renowned architecture firm STUFISH.
In the past year alone, the company has designed groundbreaking productions for the Rolling Stones' "Hackney Diamonds" tour, Adele's acclaimed residencies in Las Vegas and Munich, and Sabrina Carpenter’s "Short & Sweet" tour. Their latest triumph is Adriatic Sound, where they're debuting an innovative stage.
The Temple Stage concept features a rotating 360° central platform where DJs perform inside a massive drum structure, surrounded by four grandstands arranged in a coliseum-style layout. A luminous halo structure above will react with the music to create a multi-sensory experience.
STUFISH Entertainment Architects
Elsewhere at the festival will be the Infinity Stage, which takes cues from Fano's 2,000-year-old Arch of Augustus, a historic gateway built around 27 BC. The stage, STUFISH says, draws inspiration "from fundamental architectural forms, reinterpreted through a bold, futuristic lens."
The inaugural Adriatic Sound lineup includes pioneering producers Sven Väth and Armand Van Helden, with more to be announced in the weeks ahead.
Adriatic Sound Festival is scheduled for June 13-14, 2025. You can find out more information here.

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[EDMTunes] GRYFFIN Announces End of An Era With PULSE Phase 2 Tour

Dance music titan GRYFFIN is set to close out a groundbreaking chapter in his career with the announcement of the PULSE Phase 2 Tour, featuring THE FINALE in New York. Following the massive success of his PULSE album and tour in 2024, this second leg promises fans one final chance to experience the electrifying PULSE live show before he transitions into a new artistic era.
A Farewell to the PULSE Era
After a year of monumental performances at Forest Hills Stadium, Red Rocks Amphitheatre, and WAMU Theater, GRYFFIN is bringing PULSE to select cities for its final run. The tour kicks off on April 12 at Austin’s Moody Amphitheater before heading to Boston, Atlanta, and Nashville, culminating in a grand finale at the iconic Brooklyn Mirage in June.
The PULSE Phase 2 Tour will also feature support from a stellar lineup of artists, including Dutch producer Lavern, Thai DJ Sabai, and San Diego’s Cheyenne Giles, ensuring each show is a full-throttle sonic experience.
An Immersive Live Experience
Much like the PULSE album, this tour is set to showcase GRYFFIN’s ability to seamlessly blend progressive house, melodic bass, and live instrumentation. Known for his hybrid performances featuring live guitar, keys, and jaw-dropping visuals, fans can expect a mesmerizing mix of colorful lasers, pyrotechnics, and surprise special guests along the way.
In addition to the PULSE Phase 2 Tour, GRYFFIN will continue to make waves on the festival circuit with scheduled appearances at EDC Mexico, Ultra Miami, and Breakaway Dallas and Phoenix, as well as his Wynn Las Vegas residency.
Get Your Tickets
Tickets for GRYFFIN’s PULSE Phase 2 Tour go on sale February 19 at 10 AM local time, with an Artist Pre-Sale launching on February 18 at 10 AM. Fans can sign up for pre-sale access here.
GRYFFIN PULSE Phase 2 Tour Dates:
April 12 – Moody Amphitheater – Austin, TX April 25 – Roadrunner – Boston, MA April 26 – Coca-Cola Roxy – Atlanta, GA May 10 – The Pinnacle – Nashville, TN June 26 – The Brooklyn Mirage – Brooklyn, NY (THE FINALE) For the full tour schedule, festival appearances, and more, visit GRYFFIN’s official website.
About GRYFFIN
Japanese-American producer, DJ, and multi-instrumentalist Dan Griffith, better known as GRYFFIN, has built an illustrious career blending melodic dance, pop, and live instrumentation. With platinum and gold-certified hits, collaborations with artists like OneRepublic, Tinashe, and Kygo, and a reputation for immersive live performances, GRYFFIN continues to push the boundaries of electronic music.
Be sure to catch PULSE Phase 2 before this chapter comes to an end!
The post GRYFFIN Announces End of An Era With PULSE Phase 2 Tour appeared first on EDMTunes.
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[EDMTunes] [Event Review] Thunderdome 2025 Brought Out Dubstep’s Best Artists

After a cold weekend, we have finally warmed up enough to circle back and honor a true showcase. Excision’s Thunderdome returned to the Tacoma Dome in Seattle for a joyous and feisty weekend. Three nights of pure Bass music gave us enough to release our rage onto the dancefloor. Let’s relive the best moments of the weekend.
Thunderdome’s Production
Lasers after lasers, our eyes are still recovering from such a spectacle. Excision does it again with an incredible set design and production team. With flawless and new visuals, each night felt like a different show. Not only did he deliver three different sets each night, but each DJ delivered incredible visuals on top of all the filthy drops. Security and the Tacoma crew worked harmoniously to keep attendees safe and protected. Security was streamlined and simple.
Moreover, there is a very interesting approach to alcohol consumption at the dome. There were two bars located in the back of the dancefloor, where you were only allowed to purchase two drinks per person per night. Furthermore, you must drink them in the designated area, and can’t bring any alcohol onto the dancefloor. This might sound overbearing, but logistically, it ran smoothly, and it helped having less trash around.
Lineup Highlights
How do you compliment an absolutely amazing production? Naturally, with a lineup that is just as filthy. This year we had many first timers to the Thunderdome, including Alleycvt, Levity, and Hedex. We saw incredible sets by Space Laces, Drinkurwater b2b Benda, Emorfik, and Bass Legend Flux Pavillion. Top sets include Peekaboo, Levity, Alleycvt, and of course the ringleader Excision.
The surprise b2b started with fan favorite Wooli, involving fun and dynamic visuals. The mammoth, which represents Wooli, and a big struggle for power against the dinosaur, Excision. But wait, there was more to it. Halfway through their performance, a new challenger rose from the ashes. Illenium completed the b3b, including visuals with his legendary symbol, the phoenix. Did you guess the surprise guests this time around?
Conclusion
After three nights of top-notch entertainment, with one of the best productions of the year, we can truly attest to Excision’s power to entertain his audience for three days and provide fresh and clear ideas. We can’t wait to return to the Thunderdome soon. This is just the beginning. Excision will host Bass Canyon and Lost Lands once more. In addition, he announced a residency at the XS Nightclub in Las Vegas this summer. Until then, headbang away!
The post [Event Review] Thunderdome 2025 Brought Out Dubstep’s Best Artists appeared first on EDMTunes.
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[EDMTunes] John Summit’s Experts Only Returns To Miami Music Week

After the huge success of our Art Basel party at Toe Jam, Experts Only by John Summit has decided to run it back at Miami Music Week this year on Wednesday, March 26th with a stacked lineup of experts featuring some of your favorites and the return of a surprise guest. The anticipation is building as fans eagerly await the chance to experience another unforgettable night of music, art, and creativity.
As the buzz around Experts Only continues to grow, fans are already making plans to secure their tickets and ensure they don’t miss out on what promises to be one of the hottest events of Miami Music Week. With the combination of top-tier talent, a vibrant atmosphere, and a passionate crowd of music lovers, Experts Only is poised to once again set the standard for unforgettable nightlife experiences.
Lineup Announcement
The lineup for Experts Only at Miami Music Week 2023 is a carefully curated selection of some of the most exciting and talented artists in the industry. From the pulsating techno beats of Layton Giordani B2B Max Styler to the infectious house grooves of Westend, each artist brings their own unique flavor to the table, ensuring a night of non-stop dancing and good vibes.
Ayybo, Cole Knight, and Roddy Lima round out the lineup, adding their own individual styles and sounds to the mix. With a diverse range of genres and influences represented, attendees can expect a dynamic and engaging musical journey that will keep them on their feet from start to finish. Whether you’re a fan of deep house, techno, or anything in between, Experts Only has you covered.
The return of a surprise guest has sent shockwaves through the music community, with speculation running rampant about who it could be. With the promise of a special performance that will leave fans in awe, the excitement surrounding this mystery artist is at an all-time high. As the countdown to Miami Music Week continues, all eyes are on Experts Only as they prepare to deliver another unforgettable night of music and celebration.
Don’t miss your chance to be a part of this incredible event. Secure your tickets now and prepare to dance the night away with some of the best in the business. Experts Only by John Summit is back and ready to take Miami Music Week by storm – are you ready to join the party?
The post John Summit’s Experts Only Returns To Miami Music Week appeared first on EDMTunes.
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[EDMTunes] Next Stop: ULTRA – Brightline And Red Bull Offer Train Party

Are you ready to embark on a one-of-a-kind journey from Orlando to Miami with the ultimate party experience? Look no further than the NEXT STOP: ULTRA train, a collaboration between Brightline and Red Bull that promises to take your festival experience to the next level. In 2025, this unique train service returns with even more offerings, including a special full train featuring live DJ sets onboard, curated food and beverage options included with ticket prices, and surprise experiences throughout the cars. Get ready to immerse yourself in the world of ULTRA like never before!
But that’s not all – new for 2025, a dedicated chill car will be available for those seeking a more laid-back experience before their arrival at ULTRA. With lounge mixes playing and plenty of the new Red Bull Spring Edition to go around, this train ride is sure to set the tone for an unforgettable weekend. Stay tuned for more details on the DJs and additional surprises that await you on board.
So, are you ready to join the ride? Tickets for the NEXT STOP: ULTRA train are now available for purchase. The one-time, one-direction only train departs Orlando on Friday, March 28 at 12:50pm and arrives in Miami just before the doors of the festival open at 4. Don’t miss out on this epic journey to the ultimate music festival experience!
The Ultimate Party Train Experience
Picture this: you board the sleek and stylish Brightline train in Orlando, filled with anticipation for the adventure that awaits you. As the train pulls out of the station, the excitement builds as you realize that you’re not just on any train – you’re on your way to ULTRA, the biggest music festival in Miami. The atmosphere onboard is electric, with live DJ sets pumping through the speakers and fellow passengers buzzing with excitement.
But it’s not just the music that sets this train ride apart – it’s the curated food and beverage offerings that are included with your ticket. From gourmet snacks to refreshing drinks, you’ll be able to fuel up and party on as you make your way to Miami. And with surprise experiences scattered throughout the cars, you never know what’s waiting for you around the corner.
As the train makes its way towards Miami, the anticipation continues to build. The dedicated chill car provides a moment of relaxation before the festival madness begins, allowing you to unwind and prepare for the epic weekend ahead. With lounge mixes setting the mood and plenty of Red Bull Spring Edition to keep you energized, you’ll arrive in Miami ready to dance the night away at ULTRA.
Get Your Ticket to Ride
Don’t miss out on this unforgettable journey to ULTRA – secure your ticket for the NEXT STOP: ULTRA train today. Tickets start at just $183 for a SMART one-way trip from Orlando to Miami, and remember, There are a limited number of departures from South Florida stations. Just a heads-up: NEXT STOP: ULTRA doesn’t include a festival ticket, but don’t worry! Crewfare also offers some great discounted hotel options, all in one convenient spot at www.crewfare.com/events/ultra-2025.

So, what are you waiting for? Gather your crew, pack your festival essentials, and hop on board the Brightline x Red Bull train for a ride you’ll never forget. The countdown to ULTRA 2025 starts now – are you ready to join the party train?
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[EDMTunes] BiXX And Susana Team Up For Moving New Release ‘Believe In Me’

Have some tissues nearby, this song is just that pretty.
Beautiful things happened this week regarding the corner of Dance music I’m all for: songs with a soul, with a purpose, with a meaning that lies beyond the melodies. And in that same line we’re happy to share yet another nugget of bliss that saw the light recently: ‘Believe In Me‘, a collaboration between the wise BiXX and the unmistakable Susana.
Alabama-bound BiXX (Robert Bickert) is a rising star in the Uplifting Trance scene. We spoke with this DJ, producer, mentor, and entrepreneur last year, and we’re happy to have his sound back again on EDMTunes. And Susana, well, Susana… you absolutely know who she is. Armin van Buuren’s ‘Shivers‘? She voiced that classic. RAM’s ‘RAMelia‘? It was her who made you cry to that tribute. She really needs no introduction, for she is one of the most iconic voices of Trance.
‘Believe In Me’
Two masters of the art of music join forces for ‘Believe In Me’, a track out via Black Hole. A heartfelt tribute to the transformative power of belief, support, and self-confidence, it serves as a lead single and offers a glimpse into BiXX’s upcoming album, The Voice of Reason, blending emotive storytelling with uplifting melodies.
The collaboration between both is rooted deeply within their personal spaces and experiences. For BiXX, the song began as an introspective journey following his father’s passing in 2023. “My father believed in me before I ever believed in myself“, he says. “That confidence he gave me allowed me to push further and achieve more than I could have imagined“.
He then connected with Susana, whose emotional delivery he admired, particularly due to the way ‘Shivers’ marked him. Susana also found a personal connection to the project: “The lyrics came from a conversation BiXX and I had about the importance of people who believe in you. I could immediately relate, thinking about my own parents and how their constant support has shaped my confidence and career“.
On a personal note, I want to invite you to listen to this track and think if there’s anyone in your life who you can thank for believing in you. If it’s still possible, connect today and tell them how much their encouragement means to you and who you are today. I know who to thank in my case: my mum. And I will do so today.
Listen to BiXX and Susana‘s beautiful ‘Believe In Me’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry.
The post BiXX And Susana Team Up For Moving New Release ‘Believe In Me’ appeared first on EDMTunes.
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[EDMTunes] Ben Gold And SUPERSTRINGS Release Classic Trance Belter ‘The Whip’

Feels illegal to have such a nostalgia trip of a release out in this day and age.
Maybe the return of Trance (proper Trance, mind you) has gone slightly unnoticed here and there. Yes, Calvin Harris released ‘Miracle’ some time ago, and yes, Peggy Gou’s stellar hit was a clever nod to ATB’s all-time classic, but not much else, maybe? Well, I’m here to say I’ve been noticing this rise, and it seems like 2025 will be its year. High-calibre artists all over are doing wonders for the genre which once ruled the world. And today is one of those cases.
When you see Ben Gold as the first artist in a song, you know it’s going to have superior quality, that’s undeniable. Now, pair that with the fact that for today’s release, ‘The Whip‘, you can also see five-man supergroup SUPERSTRINGS credited as artists. Now you know you’re in for some serious walk down Memory Lane.
‘The Whip’
Some may be fans of SUPERSTRINGS’ from-the-past sound, with multiple winks to the golden era of Trance, while others may have been at Ben Gold’s ASOT ADE set at the HQ club and fell in love with the journey he played. Whatever motorway took you to this track, you’re most likely going to be delighted at the warm sound it carries.
Yesteryear plucks play alongside forward-moving robotic arpeggios, engulfing pads, and that vocal chop lead that always takes you back to Binary Finary. On the percussion roster, we have orchestral hits, standard 909 elements (like the hats), powerful heavy-headed kicks, and a jumpy offbeat bass, which all give the sensation that either we’re not living in the current year, or that 2025 is going to be a beautiful time, where songs with a soul will be back, at long last.
Listen to Ben Gold and SUPERSTRINGS‘ brand-new-yet-so-comfortably-old ‘The Whip’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry.
The post Ben Gold And SUPERSTRINGS Release Classic Trance Belter ‘The Whip’ appeared first on EDMTunes.
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[EDM.com] Star Wars and EDM Fans Will Feel the Force at New Touring Concert Series, "STAR RAVE"

Jedi and Sith alike are invited to feel the force together on the dancefloor at a new series of Star Wars-themed raves.
The organizers of "STAR RAVE," I3C Event Concepts and DEF ALIEN RECORDINGS, promise live electronic music alongside "movie-quality costumed characters, light saber glow sticks, massive LED screens featuring remixed edits from the Star Wars extended cinematic universe."
In addition to the costumed actors, there will be a costume contest to encourage concertgoers to break out their best cosplay. The raves will be powered by DICE, with whom organizers partnered to handle ticketing operations.
"We are ecstatic to partner with DICE, a brand synonymous with innovation and excellence in live entertainment," ROS, Founding Partner of I3C and DEF ALIEN I/O, tells EDM.com. "This collaboration marks a new era for this show, amplifying its reach and enriching the fan experience. Attendees all express the joy of stepping into a curated, sci-fi world filled with amazing music and well-thought-out visuals."
The debut entry in the series was hosted in Atlanta, Georgia late last year. A YouTube video they shared shows plenty of cosplayers getting down to electronic remixes of Star Wars music, flanked by decorations inspired by the most iconic sci-fi franchise on this planet.
At the time of this writing, STAR RAVE is slated to conquer a number of cities across the galaxy, including Atlanta, Brooklyn, Jacksonville and Houston. While fans shouldn't expect festival circuit headliners, organizers have promised their DJs will play everything from tech house to riddim.
STAR RAVE will return on February 22nd, 2025 at the appropriately-named Emperor's Warehouse in Tampa. You can learn more about the series and purchase tickets here.
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[DA] Dancing Astronaut’s New Music Friday: February 14, 2025

Words by Alex Lambeau and Zach Salafia
Henri Bergmann, Monophase & Be No Rain – Cheating Heart
Henri Bergmann and Monophase unveil “Cheating Heart” – a hauntingly beautiful love song – just in time for Valentine’s Day. Featuring powerful vocals from Be No Rain, this progressive anthem has been over a year in the making and now finds its home on Joris Voorn’s Spectrum label. With its uplifting synth melodies and an unforgettable vocal performance, the track delivers a perfect balance of emotional depth and dancefloor energy.

Layla Benitez – Broken Love (feat. Frýnn)
A Dancing Astronaut Artist To Watch for 2024, Layla Benitez is back with her first single of 2025. Released on Zamna Records, she enlists the captivating vocals of singer-songwriter Frýnn for a euphoric yet evocative track. A love song arriving on Valentine’s Day, “Broken Love” blends sorrow and hope for the future, with an emotive melody and uplifting instrumental hinting at brighter days ahead.
Anyma, Argy & Son of Son – Voices In My Head
Easily one of the most-anticipated IDs in melodic techno, Anyma joins forces with Argy and Son of Son for the hypnotic and vocal driven “Voices In My Head”. Coming on the heels of Anyma’s debut shows at The Sphere in Las Vegas, the tantalizing vocals and pulsating bassline of “Voices In My Head” proved to be one of the highlights of Anyma’s audiovisual performances.
ZLATA & Sam Shi – Red Hot Sweat
After electrifying crowds at Ultra, Elements, Sound, and Exchange, ZLATA and Sam Shi’s Red Hot Sweat makes its official debut on ZLATA’s femme-focused imprint, Debosh Records. A peak-time powerhouse, the track channels the raw intensity of sweat-drenched warehouse nights. Already featured in a YSL video campaign, this underground anthem is making waves on both massive stages and in pop culture. If this debut release is any indication, ZLATA is an artist to watch going forward.
Chris Lake & Abel Balder – Ease My Mind
Chris Lake delivers his first original release of the year in the form of “Ease My Mind” with Abel Balder. The record effortlessly blends smooth production and a laid-back yet infectious beat alongside Balder’s soulful vocals.
Featured image: @hugolopezsoy & @el_ruizmartinez
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[UKF] In Conversation With Ray Keith

With a remarkable 30-year career, Ray Keith is rightly celebrated as the godfather of jungle and drum & bass, earning legendary status within the scene. Known for an extensive list of pseudonyms, including Dark Soldier, Renegade, and London’s Most Wanted, he is the mastermind behind Dread Recordings and has played a vital role in shaping the genre during its transition from the acid house and hardcore explosion of the late ’80s and early ’90s.
Starting out as a rare groove, soul, and funk DJ in the mid-’80s, Ray Keith has become a staple name in the jungle and drum and bass scene, honouring the roots of Black British music. After remixing Orbital’s “Chime” in 1990, he produced the rave anthem “Terrorist,” released under his pseudonym Renegade on the iconic Moving Shadow label in 1994. This track has since become one of the most recognisable and influential jungle tunes of all time.
To celebrate 30 years of pioneering jungle and drum and bass, Ray Keith is hosting a Ray Keith Live show at Jazz Cafe in LDN on May 24.  Fans can look forward to timeless tracks from his catalogue—both past and present—infused with influences from rare groove, acid house, reggae, and soul. This event is not just a tribute to his remarkable legacy, but a once-in-a-lifetime experience to witness these iconic tunes through a live musical performance—a night that can’t be missed!
Tickets Here 
We are joined by Ray Keith to share exclusive insights into The Renegade Live as he reflects on his decades-long career, delving into his musical upbringing and the evolution of his sound. Together, we’ll explore the significance of authenticity and integrity in an ever-changing music industry as he continues to rebel against its exploitation and commercialism.
Let’s start by saying that you’ve had an incredible 30-year career as a pioneer of the jungle scene. How do you feel that the scene has evolved since you first started?
I’m humbled to have such a loyal fan base and hope my tunes will still be playing in 30 years. However, having grown up surrounded by music, I now feel much of it is throwaway or expendable—what I call “karaoke jungle.” I worry about the future of the music. There’s a side to it that I don’t really like—the loss of soul, which I see as the destruction of the art form. Sometimes, it feels like just noise, and it pains me to witness the art of DJing diminishing. It’s heartbreaking, especially as someone who has helped shape this sound over the decades.
It shouldn’t matter your colour, gender, or race; being a great DJ is about skill and passion. Our scene is different from the commercial scene, we’ve dedicated our lives to this, often overcoming addiction and challenging backgrounds, and they need us because we bring the heritage. I’m a purist and firmly underground—I’m no sellout. When you come to my live shows, that’s what you’ll experience.
What about your musical upbringing? 
Any producer will tell you that your heritage shapes your sound—Motown, The Jacksons, Diana Ross, and The Sensations are foundational influences of mine. I was a soul, rare groove, and jazz DJ, and I delved into hip-hop and house long before jungle came along. DJing has always been a huge part of my life; I’ve been on the decks since I was 12 and became a professional DJ at 18. It’s been an incredible journey, and I’ve dedicated my whole life to black music.
The other night in Manchester, I played a mashup of Bee Gee’s “Stayin’ Alive” because that’s what I was brought up on—those are the tunes we grew up with. At the end of the day, we’re DJs, and we aim to transfer our skills across different genres, whether it’s hip-hop or jazz; it’s all deeply rooted in us, like there are different ingredients that contribute to our sound.
Speaking of that, jungle and sound system culture is deeply intertwined with UK multiculturalism and the legacy of the Windrush generation. 
How do you see this culture evolving today, and how can we preserve its roots and history?
Every DJ has a responsibility to honour the roots of the music they play. I pay homage to the original hip-hop and house scenes, as well as artists like Bobby Byrd, Lyn Collins, Luther Vandross, and Dexter Wansel. It’s crucial to understand where the music comes from; you can’t move forward without knowing your history.
If you’re diving into genres like jungle or drum & bass, dig deep into the records and appreciate their true spirit. It’s disheartening to see a lot of what’s played today not reflecting the original sounds. Radio One, in particular, should represent the true diversity of these genres instead of whitewashing them for commercial gain.
I understand there’s a commercial aspect to music, but if something is labelled as jungle or drum & bass, it should truly reflect those genres and stay true to their roots. I’m grateful to perform for audiences who appreciate the integrity of the sound and the culture. While maintaining that integrity might not always pay the bills, it’s what keeps the music alive. It’s about bringing people together—old and new, multicultural—and creating positive energy.
You’ve used several aliases throughout your career—London’s Most Wanted, Renegade, Terrorist, and Dark Soldier. What is the story behind adopting these different names, do they reflect different aspects of your musical journey? 
Absolutely, they do. Growing up, I was definitely a bit of a rebel. I’ve always resisted conformity and dislike being told what to do, especially coming from a background of oppression. That’s shaped my journey, allowing me to carve out a life on my own terms. It can be tough, and yes, it might seem a bit selfish to want to make a living from it, but it’s not easy.
I wanted to explore different sounds without too many tracks coming out under the name Ray Keith. Putting music out under London’s Most Wanted or Dark Soldier felt like a natural progression and opened up more opportunities for me. At my core, I’m a soul man through and through.
If you listen to “Rare Groove” by Ray Keith, you might not expect it to sound like me, but personally, I consider it one of my best tracks because it’s infused with so much soul. It combines influences from George Benson, soul, rare groove, and jazz while still maintaining that energetic kick. There’s always this balance of light and dark in my music. I’ve managed to reflect both sides in a meaningful way because that’s what black music represents—life-changing experiences that resonate with so many people.
Could you take us back to the early days with Dread Recordings, City Sounds, and Blackmarket Records? How significant were record shops in pushing the jungle scene forward?
Record shops were our lifeline—they were our MySpace, our Facebook, but in a physical space. I worked at City Sounds for five years before moving to Blackmarket Records in 1990. We were all in it together, cutting plates and sharing music. We grew up as young men and women in our twenties, and let’s be real: what the fuck do you know in your 20s. But we had each other’s backs; we loved and looked after one another. We travelled the world together and we broke records together. 
Fabio and Grooverider started Rage on Thursdays, and that was a space where we could express ourselves and our music. DJs like Randall and Bay B Kane were part of that scene. It was never about colour or gender; we were all pals—girls and boys together. DJ Rap, Dazee, Kemistry (RIP), Storm and many other amazing DJs that we would share dubplates with, drawing tunes or recording tracks together.
What about the raves back in the day? 
When jungle first started, people were driving all over the country, playing to empty venues, but it was slowly building into a culture, a movement. Growing up in the 90s, it was a working-class scene, and girls weren’t getting hassled in the dances; it was all about love, raving, and looking out for each other. But then the drugs began to creep into the culture. Just look at drum & bass today with the rise of ketamine—it’s become awful.
We need a cultural change and some form of support. Awareness is crucial because these drugs are harmful. We must raise these issues: What will happen to the kids using these substances in the next 20 years? Many are already dying from overdoses, especially with fentanyl being mixed in. These conversations are vital. I can’t save the world, but if I can help open up the discussion and use my platform to highlight these concerns, I feel it’s my responsibility to bring this to light. It’s really important. 
We need soul. So when we perform, I encourage people to put their phones down and really enjoy the moment. Experiencing music live is irreplaceable, and it’s vital to pass this message on to the younger generation. 
I hear it.
Let’s talk about Renegade Live. What inspired your decision to incorporate live instruments into your performances, especially considering that the music originated from electronic production? 
It’s about capturing the energy of the records. I want the audience to feel that same feeling on stage. With a drummer and a bass player, we blend analog and digital elements, creating a sound that drives the crowd wild.  I also want to give a shoutout to my band: Donny on drums, Ben on bass, Mike on keys as our conductor, and Miss Clar, our resident singer. As a producer, I see myself as a conductor, translating my studio skills into a live performance while also playing the keytar to bring that 80s sound into the mix.
We created a lot of records back in the day, and those tracks have solidified our legacy. Labels like Metalheadz, V Recordings, and the early days of Hospital Records, along with producers like DJ SS and Bizzy B, shaped our sound. Each of us had a unique style, and we owe so much to legends like Fabio & Grooverider and LTJ Bukem. We’ve lost some incredible artists, including MC Conrad and Fats, and I feel blessed to have been part of that era. This is truly an ode to celebrating their legacy.
You have long-standing collaborations with legends like the Ragga Twins and MC Juiceman. Why is it important for you to preserve these connections?
We’re always open to welcoming new people to join us, but the crowd goes crazy for them. Juiceman is our guiding force who helps navigate the musical story. The Ragga Twins bring that special energy, and we have some exciting guests lined up that you won’t want to miss. It feels like mini concerts, almost like the Luther Vandross of jungle and drum & bass. We’ve had a lot of successful years, and our music holds a lot of people’s memories.
It hits me hard sometimes because we’ve lost so many along the way. I get emotional when I play, remembering all those we’ve lost. Every day we wake up grateful for a breath, for seeing our children, and for the people we love. I stay away from negativity; I’m spiritual and do yoga. For me, music is about trying to be a better version of myself.
These are testimonial years, but also a celebration of what we’ve accomplished musically. Playing live with my band, we sold out the Jazz Cafe and performed at Lost Horizon and Boomtown last year—it was fantastic, and the journey continues.
I’m also excited to share that I’ve mastered the CD, which will be available soon. Renegade Live at Jazz Café will be available for purchase at our pop-ups, record stores, and on our website as a limited edition. It’s all about celebrating the incredible legends in our scene and creating a vibrant atmosphere every time we perform.
After three decades in the scene, what would you say is your proudest achievement in music?
I’m incredibly grateful for the last 30 years. Music has kept me out of jail; without it, I would have just rebelled against the system. I can’t stand to see people suffer from discrimination or prejudice. Embracing love and creativity through true abundance is what it’s all about.
Every piece of my music carries a part of me, and while I sometimes struggle with the reactions, I’m just a normal guy who loves art and culture. I’ll go to any lengths to perform that art to the best of my ability. We give thanks and love, and we’re forever grateful to be surrounded by all the kings and queens of music. As long as we’re here—shout it from on hilltops and mountains—this music is global now, and we need to take care of it.
With all your experience, what’s the biggest piece of advice you’d give to upcoming DJs and producers?
Be yourself and live your dreams—don’t let anyone piss on your fire. Create music out of love, not ego, and always stay humble. Appreciate that one person in the audience; I’ve played for just three people before, but I still poured my heart into the performance. When you have a full room, give it your all. Practice, listen, go out, learn, and dedicate your life to it—not just with one toe in. Make sure you’re doing mixes, getting on the radio, securing residencies, and throwing parties. Put in the work. Sustain your passion while taking care of yourself; you don’t have to be broke to be a producer.
I work day and night, eat, repeat, sleep, and go again. It’s about balance. Avoid hanging out with enablers, keep your eyes on the prize and stay focused. Also, if you want to DJ, you need to earn your stripes and learn from the original OGs. DJing isn’t just an act; it’s a journey with a beginning, middle, and end.
I feel there is too much pressure on the younger generation. With fame comes challenges like money, alcohol, and drugs—these topics need to be addressed. I’m clean and focused, training five days a week, doing yoga, and maintaining my well-being in this challenging industry. Cultivating love is essential, and you must learn to navigate it with honesty, integrity, and your music. I believe I’ve done that for over 30 years. I’m proud of what we’ve achieved and the amazing parties we’ve hosted this year.
Ravebot
Ravebot

[EDM.com] Grabbitz and Rezz Reunite for Haunting Collaboration, "Love You Til' I'm Dead"

Grabbitz and Rezz are no strangers to alchemy, but "Love You Til' I'm Dead" may be their most haunting concoction yet. 
Aptly released on Valentine's Day via Blue Butterfly Records, the lead single from Grabbitz's forthcoming album BIG EPIC NOTHING takes a daring step away from the duo's usual bass-heavy formula, trading dark, hypnotic drops for raw emotional weight.
Grabbitz’s signature, soul-stirring vocals guide the track with an aching intensity while Rezz—typically known for her eerie, bass-laden productions—weaves a brooding atmosphere of tension rather than unleashing full-throttle drops. The result is a track that resonates far beyond the dancefloor, carrying an emotional pull that will hit just as hard for those hopelessly in love as it will for those nursing fresh wounds.
"Love You Til' I'm Dead" marks the pair's third collaboration following 2020's "Someone Else" and 2023’s "Signal," but it carves out a space entirely its own. Grabbitz characterized the new single as a "huge creative leap" for the duo.
"Having Rezz step in and produce on my album is an honor, and getting more familiar with her taste as a producer has been inspiring," he said in a press release. "Having her wrap her arms around my project has given me confidence that there doesn’t always need to be a 'drop,' good music is good music."
Listen to "Love You Til' I'm Dead" below and find the new single on streaming platforms here.
Follow Grabbitz:
X: x.com/grabbitz
TikTok: tiktok.com/@grabbitzofficial
Facebook: facebook.com/grabbitzmusic
Instagram: instagram.com/grabbitz
Spotify: spoti.fi/2YoLQh0
Follow Rezz:
X: x.com/officialrezz
TikTok: tiktok.com/@officialrezz
Instagram: instagram.com/officialrezz
Facebook: facebook.com/officialrezz
Spotify: spoti.fi/32DV4IY
Ravebot
Ravebot

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