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[EDM House Network] Tale Of Us’ Record Label ‘Afterlife’ Announces Their Own Festival

2025 has been a tumultuous year so far for Tale Of Us with many rumours swirling around of them breaking up. Despite this it looks like they will be continuing to work together with the announcement of two Afterlife Festivals coming later this year.
Each festival will take place over two days with the first coming May 9th and 10th in Mexico City at the Hipódromo de las Américas followed by one June 13th and 14th in Barcelona at the Circuit de Barcelona-Catalunya. Lineups are yet to be unveiled, however it has been stated that for both festivals one days lineup will be curated by Anyma while the other day will be put together by MRAK offering a unique flavour to each day. The festivals promise to deliver a display of Afterlife’s array of great music to treat their community to something special and show the incredible talent of their artists.
The future of Tale Of Us is uncertain as even though both Anyma and MRAK part of this project, it appears they will be working separately and have remained silent on their social medias. In the advertising for the festival it mentions that the events will be “a balance between the past and future of the brand” which could be a hint to Tale Of Us being the past and the artists selected for the lineup being the future of the Afterlife brand. One way or another the announcement of the Afterlife Festivals is an exciting one and should offer an excellent showcase of the talent within Afterlife.
For tickets pre-sale starts February 26th, and general sale begins February 27th.
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[EDM House Network] 5 Of The Best Vocalists In EDM

Becky Hill
There are few voices in EDM that have been heard across as wide of a range of absolute classics as Becky Hill’s. Collaborating with the likes of Oliver Heldens, David Guetta, and Chase & Status, she has lent her voice to some of electronic music’s biggest hits such as the UK Number 1 smash hit ‘Gecko (Overdrive)’ with Oliver Heldens, Wilkinsons’ unforgettable ‘Afterglow’, MEDUZA’s ever amazing ‘Lose Control’, and countless more. Her incredible voice has transcended genres and has helped break EDM into the mainstream across the years.
John Martin
John Martin has been a powerhouse in electronic music with his vocals for over 10 years and is still delivering some of the most impactful lyrics in the greatest tracks to this day. Most notably he provided vocals for Swedish House Mafia’s iconic ‘Don’t You Worry Child’, but he has also put his stamp on many other huge songs including Sebastian Ingrosso’s legendary ‘Reload’ and several collaborations with Martin Garrix. John Martin’s vocals can be found across an array of genres within electronic music from the future rave of MORTEN’s ‘Impossible’, to the epic EDM, rap crossover ‘Children of the Sun’ with Tinie Tempah.
Bebe Rexha
With her vocals being on Martin Garrix’s most streamed song of all time, ‘In the Name of Love’, along with her vocals being on David Guetta’s most streamed song of all time, ‘I’m Good (Blue)’, Bebe Rexha is one of the biggest vocalists in electronic music. Over the years she has been a regular contributor to some of David Guetta’s biggest hits with songs like ‘Say My Name’, ‘One in a Million’, and the 2014 chart dominator ‘Hey Mama.’ She has also worked with other huge names like Alok, Jax Jones and of course gave an incredible performance on Cash Cash’s ‘Take Me Home.’
Sandro Cavazza
Being a regular collaborator with Avicii and Kygo, Sandro Cavazza has provided vocals for many brilliant tracks including ‘Without You’ which is undoubtably one of Avicii’s best songs helped in large part by Cavazza’s astonishing voice. He can be found featured on a number of very emotional electronic songs with his gentle yet powerful voice helping to deliver Avicii’s ‘Forever Yours’, ‘Gonna Love Ya’, Kygo’s ‘Happy Now’, ‘Hold On Me’, and many more. Having worked with names like Don Diablo, Felix Jaehn, Kygo, and Avicii it’s fair to say that Sandro Cavazza has etched his name as a legendary vocalist in electronic music.
Bonn
As a regular collaborator with Martin Garrix, Bonn has built an impressive catalogue of EDM tracks that he has been part of including one of Garrix’s biggest songs ‘High On Life.’ He has helped bring to life some of Garrix’s best tracks with his stunning voice such as ‘No Sleep’, ‘Hurricane’ and ‘Home.’ He can also be found making an appearance in Avicii’s posthumous album ‘Tim’ on the song ‘Freak’ where he delivers an emotional performance that honoured Avicii’s vision for the song immaculately. Most recently he has added his flare to MORTEN and ARTBAT’s ‘Hollow.’
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[GrooveCartel] Afterlife announces first ever 2-day Festival experience with Anyma and MRAK

Tale Of Us’s visionary label, Afterlife, is expanding beyond its famous party series to launch two groundbreaking festival experiences. The Hipódromo de las Américas in Mexico City and the famous Circuit de Barcelona-Catalunya in Barcelona will be the settings for these events, which promise to start a new era in electronic music culture.
The event, which will take place in two cities, Mexico City and Barcelona, from May 9th to 10th and 13th to 14th, is more than just another electronic music festival. Afterlife’s artistic vision has changed in a big way, and their groundbreaking relationship with Interscope Records has made it even bigger. This growth comes at a crucial time, as Tale Of Us members Carmine Conte (MRAK) and Matteo Milleri (Anyma) embark on their own artistic paths while still working together as a creative force.
Each day of the event has been carefully planned to reflect the unique sound signatures of MRAK and Anyma, promising a journey into their respective artistic depths that has never been done before. This way of choosing artists makes sure that festival-goers don’t just enjoy a show, but also a carefully planned trip through the past, present, and future of Afterlife’s music.
These festivals are happening right after Afterlife’s historic partnership with Interscope Records, which gives the label the chance to reach global crowds it has never had before.
Fans will be able to be a part of this important moment in the history of electronic music for the first time during the pre-sale starting on February 26, 2025, and the general sale on February 27, 2025.
Where? Mexico City, Hipódromo de las Américas and Barcelona, Circuit de Barcelona-Catalunya
When? May 9th to 10th and 13th to 14th

The post Afterlife announces first ever 2-day Festival experience with Anyma and MRAK appeared first on The Groove Cartel.
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[EDM House Network] Could 2025 Be The Year Of Back 2 Backs In EDM?

Back-to-back sets have always been part of electronic music, but 2025 is seeing more of them than ever. Festivals are booking them across all genres, artists are embracing the challenge of collaboration, and fans are responding with excitement. These performances bring an unpredictable energy that solo sets often do not, making them some of the most talked-about moments at major events.
Back-to-back sets have always been part of electronic music, but 2025 is seeing more of them than ever. Festivals are booking them across all genres, artists are embracing the challenge of collaboration, and fans are responding with excitement. These performances bring an unpredictable energy that solo sets often do not, making them some of the most talked-about moments at major events.
Ultra Miami, Tomorrowland, and Thailand’s biggest festivals are all showcasing these pairings in a way that suggests they are becoming more than just a festival extra. Whether it is established artists who have shared the stage before or completely new combinations, this year is proving that back-to-back sets are shaping the direction of live EDM.
Ultra Miami 2025: A Festival with High-Profile B2Bs
Ultra Miami has always been a festival that sets the pace for the year, and its 2025 lineup reflects the growing presence of back-to-back performances. While the festival remains stacked with solo headliners, a few standout collaborations have added another layer to the experience.
Anyma B2B Solomun brings together two artists who have each made a major impact on modern melodic and deep sounds. Anyma’s approach to Afterlife-style productions combined with Solomun’s reputation for shaping extended sets makes this one of the most anticipated collaborations of the weekend. Deadmau5 B2B Pendulum is a fusion of two distinct styles. Deadmau5 has spent years refining his layered, progressive sound, while Pendulum’s roots in drum and bass bring a completely different approach. Seeing how they navigate each other’s strengths in a festival setting will be something fans will be paying close attention to. Dom Dolla B2B John Summit as Everything Always is another highlight. As two of the most in-demand house artists, they have already built strong chemistry behind the decks. This performance will likely be a continuation of the energy they have brought to previous festivals under their joint project. Thailand’s Festivals Are Embracing B2Bs
Thailand’s festival scene has been growing rapidly, and 2025 marks the first time major events in the country are putting back-to-back performances at the forefront. Siam Songkran and S2O are featuring some of their biggest lineups yet, with collaborations that have never been seen in Thailand before.
Yellow Claw B2B Flosstradamus is a long-awaited moment for fans of trap and bass music. Both acts have defined the genre in different ways, and this performance will be the first time they share the stage in Thailand at Siam Songkran. Dimitri Vegas B2B Steve Aoki is another first. Both artists have played in Thailand before, but this will be their debut back-to-back performance in the country at Siam Songkran. Given their shared history of festival anthems and crowd-driven energy, this will be one of the most energetic sets of the weekend. Brooks B2B Mesto B2B Justin Mylo at S2O Festival is one of the rare triple collaborations happening this year. These three have helped shape the future house and big room sound, and putting them together in a B3B format is something that fans have been eager to see. Tomorrowland 2025’s Exclusive B2Bs
Tomorrowland has always been known for giving artists the space to create exclusive festival moments, and its 2025 edition is filled with rare back-to-back sets.
HI-LO B2B Eli Brown brings together two artists who thrive in the darker, bass-driven side of club music. Third Party B2B Matisse & Sadko is a dream set for progressive house fans, combining the strengths of two acts that have created some of the biggest festival anthems. Dimitri Vegas B2B Fantasm and DubVision B2B Third Party add to a lineup that is filled with pairings that have not been seen before on the festival’s stages. A Recent Example of Where This Is Heading
Techno has also been embracing back-to-back performances. A recent standout was Amelie Lens and Charlotte de Witte, two of the most prominent names in the genre. Their set combined the high-energy approach that both are known for with moments that felt entirely new, showing how these collaborations allow artists to experiment beyond their usual solo performances.
Why is 2025 Seeing More B2Bs and B3Bs?
Several factors have contributed to the rise of these performances.
Fans are looking for something that feels different. Festival lineups can start to feel repetitive when the same artists return each year, but a fresh pairing makes a performance feel unique. A solo set from a well-known DJ is always a major draw, but seeing two artists work together in real time creates an experience that cannot be replicated.
Artists are more open to stepping outside their usual formats. While some of these collaborations have been planned far in advance, others have come together naturally as artists push themselves into new creative spaces. Whether it is playing with someone from a different genre or testing a different kind of set structure, DJs are increasingly embracing these challenges.
Social media and festival live streams have also played a role. Unique back-to-back performances tend to generate viral moments that travel far beyond the festival grounds. When a set like Amelie Lens and Charlotte de Witte’s has been quite the talk of the scene especially with countless videos being shared online. Such a set reinforces how much fans are looking for something new and unfamiliar. 
Is This a Trend or the Future of Live EDM?
It is difficult to say whether back-to-back performances will continue to grow after 2025, but the fact that so many festivals are focusing on them suggests that they are not just a passing phase. Some collaborations might turn into long-term projects, while others might remain one-time experiences that are never repeated. Either way, they are giving fans something fresh and making festival lineups feel more dynamic.
What is clear is that electronic music is always evolving. Right now, back-to-back sets are shaping how live performances are structured, offering artists and audiences something that goes beyond a traditional DJ set. Whether this is just a moment in time or the beginning of a shift in how festivals are booked, one thing is certain. This year, more than ever, some of the biggest moments in EDM will come from two or even three DJs stepping up together and delivering something that will never be played the same way again.Miami, Tomorrowland, and Thailand’s biggest festivals are all showcasing these pairings in a way that suggests they are becoming more than just a festival extra. Whether it is established artists who have shared the stage before or completely new combinations, this year is proving that back-to-back sets are shaping the direction of live EDM.
Ultra Miami 2025: A Festival with High-Profile B2Bs
Ultra Miami has always been a festival that sets the pace for the year, and its 2025 lineup reflects the growing presence of back-to-back performances. While the festival remains stacked with solo headliners, a few standout collaborations have added another layer to the experience.
Anyma B2B Solomun brings together two artists who have each made a major impact on modern melodic and deep sounds. Anyma’s approach to Afterlife-style productions combined with Solomun’s reputation for shaping extended sets makes this one of the most anticipated collaborations of the weekend. Deadmau5 B2B Pendulum is a fusion of two distinct styles. Deadmau5 has spent years refining his layered, progressive sound, while Pendulum’s roots in drum and bass bring a completely different approach. Seeing how they navigate each other’s strengths in a festival setting will be something fans will be paying close attention to. Dom Dolla B2B John Summit as Everything Always is another highlight. As two of the most in-demand house artists, they have already built strong chemistry behind the decks. This performance will likely be a continuation of the energy they have brought to previous festivals under their joint project. Thailand’s Festivals Are Embracing B2Bs
Thailand’s festival scene has been growing rapidly, and 2025 marks the first time major events in the country are putting back-to-back performances at the forefront. Siam Songkran and S2O are featuring some of their biggest lineups yet, with collaborations that have never been seen in Thailand before.
Yellow Claw B2B Flosstradamus is a long-awaited moment for fans of trap and bass music. Both acts have defined the genre in different ways, and this performance will be the first time they share the stage in Thailand at Siam Songkran. Dimitri Vegas B2B Steve Aoki is another first. Both artists have played in Thailand before, but this will be their debut back-to-back performance in the country at Siam Songkran. Given their shared history of festival anthems and crowd-driven energy, this will be one of the most energetic sets of the weekend. Brooks B2B Mesto B2B Justin Mylo at S2O Festival is one of the rare triple collaborations happening this year. These three have helped shape the future house and big room sound, and putting them together in a B3B format is something that fans have been eager to see. Tomorrowland 2025’s Exclusive B2Bs
Tomorrowland has always been known for giving artists the space to create exclusive festival moments, and its 2025 edition is filled with rare back-to-back sets.
HI-LO B2B Eli Brown brings together two artists who thrive in the darker, bass-driven side of club music. Third Party B2B Matisse & Sadko is a dream set for progressive house fans, combining the strengths of two acts that have created some of the biggest festival anthems. Dimitri Vegas B2B Fantasm and DubVision B2B Third Party add to a lineup that is filled with pairings that have not been seen before on the festival’s stages. A Recent Example of Where This Is Heading
Techno has also been embracing back-to-back performances. A recent standout was Amelie Lens and Charlotte de Witte, two of the most prominent names in the genre. Their set combined the high-energy approach that both are known for with moments that felt entirely new, showing how these collaborations allow artists to experiment beyond their usual solo performances.
Why is 2025 Seeing More B2Bs and B3Bs?
Several factors have contributed to the rise of these performances.
Fans are looking for something that feels different. Festival lineups can start to feel repetitive when the same artists return each year, but a fresh pairing makes a performance feel unique. A solo set from a well-known DJ is always a major draw, but seeing two artists work together in real time creates an experience that cannot be replicated.
Artists are more open to stepping outside their usual formats. While some of these collaborations have been planned far in advance, others have come together naturally as artists push themselves into new creative spaces. Whether it is playing with someone from a different genre or testing a different kind of set structure, DJs are increasingly embracing these challenges.
Social media and festival live streams have also played a role. Unique back-to-back performances tend to generate viral moments that travel far beyond the festival grounds. When a set like Amelie Lens and Charlotte de Witte’s has been quite the talk of the scene especially with countless videos being shared online. Such a set reinforces how much fans are looking for something new and unfamiliar. 
Is This a Trend or the Future of Live EDM?
It is difficult to say whether back-to-back performances will continue to grow after 2025, but the fact that so many festivals are focusing on them suggests that they are not just a passing phase. Some collaborations might turn into long-term projects, while others might remain one-time experiences that are never repeated. Either way, they are giving fans something fresh and making festival lineups feel more dynamic.
What is clear is that electronic music is always evolving. Right now, back-to-back sets are shaping how live performances are structured, offering artists and audiences something that goes beyond a traditional DJ set. Whether this is just a moment in time or the beginning of a shift in how festivals are booked, one thing is certain. This year, more than ever, some of the biggest moments in EDM will come from two or even three DJs stepping up together and delivering something that will never be played the same way again.
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[EDMTunes] EDMTunes Chats with Lehar

Here we sit down with Lorenzo aka Lehar, the founder of the innovative electronic label, Multinotes, to explore his journey, the ethos of the label, and his upcoming creative endeavours. 
From the magic of performing in unique locations like Tulum to his plans for 2025, Lehar shares his thoughts on curating unforgettable experiences, signing authentic artists, and what it takes to push boundaries in both music production and live performances. We also dive into the thriving underground scene in Venice and glimpse the exciting future of Multinotes. 
Hi Lorenzo! How are you? Pleasure to speak with you!
Hi guys, thanks for having me! I’m doing great, just coming off an intense but fulfilling start to the year, and I’m really excited about what’s coming next.
Let’s jump straight in. How was the Multinotes showcase in Tulum and what made it so special?
The Multinotes showcase in Tulum was incredible, as always. There’s something unique about playing in such a stunning natural environment, surrounded by people who are completely immersed in the music.
What ingredients do you believe make a stand-out label showcase?
A successful label showcase needs more than just a great lineup; it’s about curating an experience. For me, the key ingredients are musical coherence, a venue that enhances the atmosphere, and a crowd that’s open to discovery. It’s not just about booking big names but creating a journey that reflects the essence of the label. The energy between the artists and the audience is also crucial—when that connection happens, the showcase becomes unforgettable.
With Multinotes, what ethos or vibe are you trying to convey, and how would you describe the Multinotes sound?
Multinotes was born with the idea of being a creative space for artists who aren’t afraid to experiment. We don’t follow trends; we focus on music that has a timeless quality and tells a story. The sound of the label is diverse, but there’s always a strong emotional depth, whether it’s melodic, deep, or driving. It’s about bringing together different influences and perspectives while maintaining a strong artistic identity.
What do you look for in an artist when signing them to the label? What makes the cut?
I look for artists who have something authentic to say with their music—people who take risks and aren’t just replicating what’s already out there. It’s not about a specific genre or sound, but rather about a unique perspective and a sense of identity in their productions. When I listen to demos, I want to feel something: an emotion, a narrative, a signature sound. That’s what makes the difference.
Tell us about the scene in Venice. Has it changed much in the past years, and if so, for better or worse and why?
Venice has always had a very particular relationship with music and art. It’s a city of deep cultural heritage, but it has also faced challenges when it comes to nightlife and club culture. In recent years, there’s been a growing underground movement, with more people interested in quality electronic music. However, there are still limitations due to local regulations, which can make it difficult for the scene to fully thrive. That said, those who are passionate about music in Venice are truly dedicated, and that’s something very special.
What are you looking to achieve this year?
This year, my goal is to push my creative boundaries even further. I have several new productions lined up, including more releases on Multinotes and collaborations with labels that I deeply respect. I also want to continue refining my sound and experimenting in the studio. On the performance side, I’m focusing on playing in unique settings that allow me to connect with the audience on a deeper level.
Any shows coming up you are particularly excited about? If you can share them.
Yes! This year, I’m really excited to return to Brazil, a country I absolutely love and where I’ve always felt a deep connection with the crowd. The energy there is incredible, and every show feels like a special experience. Another big highlight for me is my first-ever Australian tour in May, where we’ll be bringing the Multinotes Showcase to Melbourne, Sydney, and Brisbane. It’s a milestone for me, and I can’t wait to share this journey with the Australian audience!
Any exciting label guests lined up this year that we should be excited for too?
As always, I’m confident we won’t disappoint—stay tuned! Working with established artists is always an honor, but I have to say that discovering and nurturing new talent is something I find incredibly rewarding. I love coming across artists who bring fresh perspectives and innovative ideas to the table. It’s not just about releasing great music, but also about creating opportunities for emerging talents to shine. The industry thrives on constant evolution, and having a solid platform that can support and elevate these new creative artists is something I take great pride in.
What record would you say was the catalyst for your electronic musical journey?
That’s a tough one! There have been so many records that shaped my path. Rather than a single track, it was a series of moments—certain melodies, rhythms, and atmospheres—that made me fall in love with electronic music. 
Lehar’s “Fusion State” Ep is out now on Eelke Kleijn’s label DAYS like NIGHTS
Grab it here – https://www.beatport.com/release/fusion-state/4898156
https://www.instagram.com/leharmusic/?hl=en
https://www.facebook.com/Leharmusic
The post EDMTunes Chats with Lehar appeared first on EDMTunes.
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[EDMTunes] [WATCH] Tiësto Uploads Full 4-Hour Club Space Set

And now, time for some old Tiësto! The Dutch EDM legend is back full throttle with an incredible gift for his fans. Tiësto just uploaded his full 4-hour set at Club Space Miami. January 24th of this year, the DJ took listeners on a beautiful journey through a sunrise at the terrace in Miami, Florida. Similar to recent sets, he has tapped into more Progressive and Melodic sounds, similar to his sounds from the earlier 2000s.
4-Hour Club Space Tracklist
DJs work hard, but ravers work harder. Just as the set was released, people flooded the comment section, in which we were able to scout the Tracklist for this wonderful morning set. He definitely focused on many popular Melodic Techno artists such as ANNA, Massano, and Argy, including plenty of IDs and his very own unreleased remixes. Moreover, he played popular underground artists such as Max Styler, Odd Mob, Mochakk, Beltran, Adam Sellouk, and more.
The set also includes plenty of Trance classic remixes, such as ‘Delirium’, ‘Rapture’, ‘Children’, and ‘Universal Nation‘. The set seems to be an extention of his set at the Sphere in Las Vegas at the beginning of January, where he was praised for his return to his sonic roots. This is definitely the start of an amazing year for Tiësto. Yes, he may be extremely popular and mainstream at the moment. However, making time to provide an outstanding experience while revisiting styles that made him famous is how he can captivate mass audiences over and over again.
Next
The artist ended January with his newest release Prismatic EP Pack One, and he announced two separate Vegas residencies for the summer. Tiësto is gracing us this summer at Omnia Nightclub, Tao Beach and LIV Nightclub. Moreover, he has a couple appeareances at Kygo’s newest dayclub Palm Beach Tree Club, opening this summer at the MGM Grand.
Don’t miss out on the ‘Adagio for Strings’ producer, as he will be playing at EDC Mexico this wekeend, and Ultra Music Festival in Miami next month.
The post [WATCH] Tiësto Uploads Full 4-Hour Club Space Set appeared first on EDMTunes.
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[EDM House Network] MITCH DB Collabs With Level 8 And James Jay On ‘Weight of Your Love’ ft. Jay Mason

MITCH DB releases ‘Weight of Your Love,’ a fresh and dynamic release alongside Level 8 and James Jay, featuring Vocalist Jay Mason. Out now via Soave Records, this track showcases MITCH DB’s ability to craft high-energy productions that seamlessly blend emotional depth with dancefloor-ready intensity. A departure from his recent Hypertechno-driven covers, ‘Weight of Your Love’ sees MITCH DB add his talents to an original production, offering a compelling mix of driving beats and powerful vocals.
Coming together with Producer Level 8, known for having samples supported by industry titans like Martin Garrix, David Guetta, and Skrillex, among others, and rising talent, James Jay, MITCH DB once again channels his expertise into a track that embodies his signature sound and reinforces his creative vision within Electronic Music. With a sound that resonates across borders, his music has earned him a growing global fanbase. Surpassing 1 million monthly listeners on Spotify while taking to stages worldwide, including across Europe and Southeast Asia, his journey continues to gain momentum, solidifying his reputation as a powerful force on the scene today. Now, following a successful run of projects, including ‘Rockstar’ with Aurelios and Mingue, and ‘Summer’ with Felixx and ZIGGY, MITCH DB raises the bar once more, aiming high as he invites listeners into an electrifying sonic experience, blending his signature energy with fresh creative elements to deliver yet another standout release. 
Built on a foundation of expressive vocals and heavy-hitting sonic layers, ‘Weight of Your Love’ effortlessly blends powerful rhythms with rich musicality, evolving as driving synth textures and crisp beats join in. As the track progresses, uplifting chordal progressions and deep, grooving basslines maintain the flow, balancing intricate instrumental arrangements with impactful vocal textures to create an infectiously vibrant soundscape. With tension and release expertly controlled, the fusion of high-energy details and sharp vocals creates a dynamic interplay, ensuring the track resonates with both dancefloor crowds and streaming audiences alike, inviting listeners to experience its immersive sound. 
A release poised to make an impact, ‘Weight of Your Love’ not only showcases MITCH DB’s ever-evolving artistry but also highlights the seamless synergy between him, Level 8, and James Jay. With its powerful energy and precise production, this latest track is set to excite global Electronic Music fans, further reaffirming MITCH DB’s expanding reach across the community and setting the stage for yet more exciting releases to come.
Out now via Soave Records, dive into ‘Weight of Your Love,’ and follow MITCH DB, Level 8, and James Jay across their social platforms to stay updated on their latest projects and performances. 
Listen and Buy ‘Weight of Your Love’ Here:   
MITCH DB Online   
Spotify | Instagram | Website  
Level 8 Online   
Spotify | Instagram | Beatport  
James Jay Online   
Instagram 
Jay Mason Online   
Instagram | Spotify  
Soave Records Online  
Website | Instagram 

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[EDM House Network] Andrew Canlon Showcases ‘Gemini Man’ Via New Live Video

Andrew Canlon releases a live video of his single, ‘Gemini Man,’ filmed against the backdrop of Harlem, New York. A bonus addition from the set he released last year, this latest performance once again highlights his unique signature sound and distinct approach, seeing him integrate live instrumentation with electronically produced elements. 
Released last summer, ‘Gemini Man,’ a single produced alongside Dmitry Libman, offered a glimpse into Andrew Canlon’s potential and evolving artistry. With attention across streaming platforms, the track highlighted his promise, introducing audiences to his distinctive signature sound and cementing him as one to watch in Electronic Music. Building on that momentum, which led to his October release, ‘Liquid Love,’ and a series of performances across New York City, including a recent set at Brooklyn Music Kitchen, Andrew Canlon now presents a brand-new video, offering yet another opportunity for listeners to connect with his music.
Throughout this new performance, viewers can gain a glimpse into his unique approach; as he blends his distinct vocals with expressive synth lines, layering his live performance on top of electronic beats and dynamic instrumental details, Andrew Canlon offers both a musically and visually engaging showcase. With his creativity on display, he crafts an intricate journey for viewers to enjoy, seamlessly immersing them in the soundscape of ‘Gemini Man,’ whilst the backdrop of a New York sunset beautifully complements the performance.
As he maintains originality in his work, drawing on his Classical Music background, Andrew Canlon remains focused on sharing his music with genre enthusiasts worldwide, ensuring accessibility through live recordings and an ever-growing discography. With his latest release, he once again demonstrates his artistic vision, crafting an engaging musical experience through this brand-new video—one set to captivate and resonate with a diverse global audience.
So, available to stream now, be sure to watch Andrew Canlon’s live performance of ‘Gemini Man’ now and stay updated on his journey by following him via social media.
Watch Andrew Canlon’s ‘Gemini Man’ Now: 
Andrew Canlon Online   
Instagram | Website   

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[GrooveCartel] Let’s Talk About Oliver Marshak

In Los Angeles’s electronic music scene, Oliver Marshak has become a powerful figure who bridges the gap between true underground music and mainstream appeal.
The ‘FACE / NASTY‘ EP on CamelPhat‘s When Stars Align label shows off this dynamic range with two unique tracks that demonstrate how versatile he is as a producer. Marshak is still making waves in the world of electronic music, so we sat down with him to talk about his background, how he came up with ideas, and the stories behind his most recent works.
Marshak was born and raised in Los Angeles, and his knowledge of the city’s varied nightlife has had a big impact on the way he makes music. From basement raves to parties in the Hollywood Hills, his experience with different types of music has created a sound that is hard to put into a single category while always focusing on moving dance floors.

How did growing up in Los Angeles shape your sound and career?
LA has always been a huge part of my journey. The city’s nightlife is a mix of everything—underground raves, high-end clubs, epic parties in Hollywood Hills, and everything in between. That variety shaped the way I approach music. I’ve always loved blending different influences and creating something that feels both energetic and unpredictable. It’s all about making people dance. Throwing my own events also gave me a deep understanding of what makes people move, and that’s something I carry into my sets and productions.
Congrats on your debut on CamelPhat’s When Stars Align! What’s the story behind the FACE / NASTY EP?
Thanks! This EP is all about energy, but in two very different ways. FACE has this fun, punchy groove while still carrying a dark, seductive vibe—it’s a track that works in both intimate clubs and big festival settings. NASTY, on the other hand, is heavier, more aggressive, and built for those peak-time moments when you need something to hit hard. They both bring intensity but in their own unique way.
How do FACE and NASTY differ in production and audience?
FACE is a track that keeps you dancing from the start. It’s got this cool, punchy energy. It’s fun, sexy ,and a little dark at the same time, making it super versatile—it works just as well in a packed club as it does on a massive stage.
NASTY is just a beast. It’s bold, aggressive, and has this relentless drive that takes over a big room. It’s meant for those wild, high-energy moments when the crowd is fully in it, hands in the air dancing to the music.
What was it like working with Gozlan on FACE?
It was such an effortless collaboration. He sent me an amazing idea and I immediately saw the roadmap for the rest of the track. From the start, we wanted something that was massive, but still had that fun, sexy, punchy energy. It came together naturally and seeing Solomun, CamelPhat and many others play it at massive shows was exciting.
How did the collaboration with Kimonos on NASTY happen?
Omri and Gabriel are my good friends. They came over to my studio and we just started cooking. When we started working on NASTY, we wanted something with attitude, something that wasn’t just another club track. The idea came together pretty quick and it turned into a monster.
Do you plan your sound in advance, or let it evolve in the studio?
I try not to overthink things—if something feels right in the moment, I go with it. If I have an idea ahead of time, I make sure to record myself humming it in my voice memos so I don’t forget it.
How do you balance indie dance and house influences?
I just focus on groove and energy. I don’t want to be stuck in one genre, and I think that’s what keeps my sound fresh. Whether it’s something more groovy/punchy like FACE or more aggressive like NASTY, I always make sure the track makes you move.
What sets your sound apart?
I think it’s the mix of exciting grooves, vocals, and raw energy. I want my tracks to create moments—whether it’s a deep, rolling vibe or a big, explosive drop, everything I make is about taking the listener somewhere.
Who are your dream collaborators?
Honestly, anyone who brings a fresh vibe and isn’t afraid to push boundaries. I love working with people who have a unique sound or a different way of approaching music—whether it’s vocals, melodies, or just a crazy groove. If it clicks and feels right, that’s all that matters.
How does live performance shape your music?
Playing live is where everything comes together. It’s the best way to test out new music and see how people respond. Every crowd is different, so I’m constantly adjusting and feeding off that energy. Some of my best ideas come from moments in a set where I realize, “Okay, this is what’s missing,” and then I take that back into the studio.
What’s next for you?
A lot of new music, more collaborations (including 2 massive tracks with Vintage Culture), and some really exciting shows. This year is just getting started and I can’t wait to share everything that’s coming!
Oliver Marshak is part of a new breed of producers who don’t want to be limited by genre. His work with Gozlan on “FACE” and Kimonos on “NASTY” shows not only how technically skilled he is, but also how he can change and adapt while keeping his signature sound of high energy.
Marshak’s career keeps going up as he plans more projects with other artists, like a track with Vintage Culture that everyone is looking forward to. He is an artist to watch in the world of electronic music because of the way he makes music—balancing raw energy with complex sound design. Marshak is always working to make unforgettable moments on the dance floor, whether he’s making festival songs or underground club weapons.
The “FACE / NASTY” EP shows how versatile and creative he is, and big names in the business like Solomun and CamelPhat praised it. As the scene in Los Angeles changes, Marshak’s impact grows, making him a key player in shaping the future of electronic music. More songs and shows are on the way, so it’s clear that this is just the start of an exciting period in his artistic life.
The post Let’s Talk About Oliver Marshak appeared first on The Groove Cartel.
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[DA] Marc Antonix Channels Electro’s Golden Age on ‘Visions’

Sometimes the best way forward is through the rearview mirror.
Marc Antonix’s “Visions” proves this point, crafting an electro-house love letter that feels both nostalgic and absolutely current. Landing January 31st, it’s a track that understands what made the genre great while refusing to simply replay old hits.
The Los Angeles producer, who’s been steadily building momentum, knows his history. “Visions” rides on lush chord progressions and crystalline female vocals that could’ve soundtracked peak-era blog house, but the production speaks to 2025’s sensibilities. It’s the kind of track that’s earned him support from everyone from Don Diablo to The Chainsmokers, and slots supporting Alan Walker and Haliene.
After lighting up Academy LA and Avalon Hollywood, and dropping introspective cuts like “Let You Go” and “Glory Nights,” Antonix seems poised for breakthrough. With “Visions,” he’s not just channeling electronic music’s past – he’s helping shape its future. Between those retro-tinged synth patterns and thoroughly modern sound design, this is what evolution sounds like.
The post Marc Antonix Channels Electro’s Golden Age on ‘Visions’ appeared first on Dancing Astronaut.
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[Electric-Mode] DGTL FESTIVAL UNVEILS HUGE NIGHTTIME PROGRAM FOR 13TH AMSTERDAM EDITION

APRIL 18 – 20, 2025
NDSM DOCKLANDS AMSTERDAM
BUY YOUR TICKETS HERE
After unleashing their vast daytime programming and announcing Friday’s official opening night line-up, DGTL Amsterdam puts the cherry firmly on top of their 2025 edition with their final announcement, a monster line-up across Saturday and Sunday nights. For die-hard DCTL fans who want to experience the festival to the fullest, the night programs offer a unique opportunity to continue well into the early hours. Expect energetic sets from a carefully curated raft of artists who will transform the nighttime element into a truly unforgettable highlight of the whole weekend.
Friday April 18, 10:00 PM – 5:00 AM (Opening Night)
Bubble Love (Ross From Friends), CC:DISCO! & Suze Ijó, Jasper Tygner [live],
JUNGLE (DJ SET], Malou
Saturday April 19, 11:00 PM – 5:00 AM
Lovefoxy, Mall Grab, Marcel Dettmann [house set], Moody Mehran
Sunday April 20, 11:00 PM – 5:00 AM
DJ Boring, SAIDAH & Tsepo, Superstrings, Tiga

Friday April 18: the perfect start to the weekend
Friday’s opening night promises an eclectic mix of artists that guarantees an unforgettable evening. One of the biggest draws will be JUNGLE, bringing soulful and funky sounds to the NDSM warehouse with an exclusive DJ set. Malou opens the evening with her characteristic melodic and dreamy sound. Bubble Love, the alias of Ross From Friends, mixes lo-fi house with melodic elements and a warm atmosphere, CC:DISCO! and Suze ljó join forces to dish up a set full of warm grooves and uplifting house, before Jasper Tygner brings the smooth sounds of UK Garage and ambient house to the floor. Put all together, Friday night’s line-up delivers the perfect way to ease into the mighty DGTL weekender.
Saturday April 19: a night full of intensity and raw energy
On Saturday, DGTL promises a night full of powerful beats and raw energy with a relentless line-up to keep the crowds moving. Berlin’s Lovefoxy brings her energetic and refreshing sound, deeply rooted in the ’90s house that shaped her youth. Marcel Dettmann takes to the decks for an exclusive house set, a rare and special moment for dancefloor enthusiasts. As an influential figure within the Berlin electronic music scene and a fixture at Berghain and Hard Wax, he promises to bring an energetic house set for the ages. Steel City Dance label boss Mall Grab’s infectious energy and genre-transcending sets have seen him become an Australian sensation, emerging as a dynamic stage presence and headliner.
Ending the night with an eclectic set of timeless pearls is Moody Mehran. With his broad musical taste and deep love for Chicago House, he effortlessly mixes classics with unexpected discoveries, making every set full of surprises.
Sunday April 20: a euphoric end to the weekend
The final night of DGTL 2025 offers a euphoric conclusion with a carefully curated line-up that blurs the lines between house, techno and electro. SAIDAH & Tsepo kick things off with a powerful, hotly anticipated back-to-back set. SAIDAH, with her roots in London and her love for UK Garage, brings a fresh and exciting sound full of R&B vocals and fast grooves. Tsepo, known for his deep and compelling sets in De School and Shelter, among others, effortlessly manages to build an atmosphere that keeps the audience moving. Tiga delivers an energetic and dynamic set, with his iconic stage presence and unique mix of acid, electro and festival vibes keeping the audience on their feet. Di Boring then takes over with his signature melodic and nostalgic grooves. Known for his irresistible drive and surprising style, he combines forgotten gems with contemporary hits, making every performance a unique experience. Superstrings, five friends from Nijmegen, closes DOTL 2025 with an energetic and nostalgic trip through the trance scene.
Inspired by their own musical heroes, they mix iconic classics from the 90s and 2000s for what will be a banging festival closing.
About DCTL
Since the first edition in 2013, DGTL has distinguished itself as a unique festival with a focus on music, art, sustainability and social safety. With this, DGTL has secured its position in the festival landscape worldwide. The DOTL team is committed to inclusivity for all genders, backgrounds, sexual orientations, identities and ages. In 2022, DGTL began its journey exploring the concepts of safe spaces and festival ethics with the DCTL Safe(r) Project. For this year’s edition, DCTL will continue on that journey. In 2022, DGTL reached an important milestone and became the first circular dance festival in the world. The Amsterdam festival has now gone far beyond national borders with editions in Santiago, São Paulo, Coa, Bengaluru, Mumbai and Lima.
DGTL Amsterdam 2025
April 18, 19, 20, 2025, NDSM Docklands, Amsterdam
Book your tickets for DGTL Amsterdam 2025 here.
The post DGTL FESTIVAL UNVEILS HUGE NIGHTTIME PROGRAM FOR 13TH AMSTERDAM EDITION appeared first on Electric Mode.
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[UKF] Monstercat and Hospital Records: A Transatlantic Alliance Forging the Future of Bass Music.

In a groundbreaking move that has sent ripples of excitement through the electronic music world, two titans, Monstercat and Hospital Records, have joined forces to champion the next generation of drum & bass artists. 
This groundbreaking partnership kicks off with a week-long rollout of singles, culminating in a full compilation release on 31 January. The excitement begins with ‘What Are We Proving’ by the electrifying duo hayve and producer-songwriter DRIIA. This single sets the stage for an epic collaboration. Followed up by DNMO and SOLAH teamed up for ‘Find Peace’, a track that showcases the diversity and innovation within the drum & bass scene. Anaïs and hayve deliver ‘IDGAF’, a clash of high-energy big room drum & bass and Anaïs’s deep, roller sound, straight from her Bristol roots. Bensley, BOP, and Degs join forces for ‘Starchild’, a sonic journey that pushes the boundaries of drum & bass. The full compilation finally drops on Friday the 31st of Jan, spearheaded by ’99 Octane’ from London’s acclaimed MC P Money, Whiney, and hayve. This grime-infused drum & bass banger is designed for pure adrenaline.
Monstercat and Hospital Records have built unparalleled reputations for their contributions to electronic music. Monstercat, founded in 2011, has become one of the most influential independent record labels globally, championing artists like Marshmello, Kaskade, and Virtual Riot.  Known for its genre-diverse releases and presence at festivals like Tomorrowland and Rampage Open Air, Monstercat has also formed groundbreaking partnerships with gaming brands like Fortnite and Rocket League.    
Hospital Records, established in 1996 in South London by London Elektricity and Chris Goss, is an iconic name in drum & bass, representing artists such as Metrik, Danny Byrd, Fred V, High Contrast & many more.  With its award-winning events brand, Hospitality, and a history of innovative projects, Hospital Records has become synonymous with pushing the boundaries of drum & bass on a global scale and bringing the melodic liquid sound into the mainstream.
This historic partnership between Monstercat, renowned for its diverse catalogue of EDM, and Hospital Records, a cornerstone of the drum & bass scene, marks a pivotal moment in the respective genre’s evolution. The two labels have long shared a close bond, from casual team outings to supporting each other’s events at the Amsterdam Dance Event. Recognizing the global resurgence of drum & bass and fueled by fan enthusiasm, they embarked on a mission to shine a spotlight on the genre’s rising stars.
Central to this project is a four-day writing camp held at TYX Studios in Tileyard London, back in February 2024. Twenty-three talented artists from both labels converged to create an impressive 24 demos, the best of which will be featured on the compilation. With artists from both labels collaborating under the guidance of both A&R teams, the result is a truly international sound that pushes the boundaries of drum & bass. This compilation not only celebrates the vibrant diversity and innovation within the scene but also underscores the strong connection between these two powerhouse labels.
The Monstercat and Hospital Records drum & bass compilation is not just a collection of tracks; it’s a statement of intent. It’s a testament to the power of collaboration and a celebration of the genre’s bright future. With its diverse range of artists and sounds, this compilation is sure to have something for every drum & bass fan, but will definitely hit hard with those of use whose musical palette was curated on YouTube in the 2010’s.
To celebrate this transatlantic compilation, we have an interview with Anaïs and hayve. Anaïs is a Bristol-based drum & bass DJ and producer known for her incorporation of 4 to the floor sound and high-energy performances, representing the Hospital Records team. While hayve, AKA Omar and Aaro, a production duo based in Finland who’s hard hitting productions has garnered them praise from the likes of Metrik, Kanine, Fred V and more, represented Monstercat.  UKF sat down with the collaborators to get to know them a bit better and to get an insight of what went down in the writing camp. 
So where are you guys from?
hayve (Aaro): I’m from Finland.
hayve (Omer): And I’m from Tel Aviv, Israel but I’m staying in Finland now.
What’s the drum & bass scene like in Finland?
hayve (Aaro): Drum & bass Is definitely growing in Finland! There were a few events back in the day which would only have like 40 or 50 people at them. But now we’ve seen bigger acts in the festival scene like Kanine, Metrik, MUZZ, Delta Heavy, and Freaks and Geeks playing here recently. 
That’s great to hear! What’s the most popular genre in Finland at the moment?
hayve (Aaro): I think techno is still the most popular EDM genre, especially in the live event scene. We like our hard techno in Finland.
Anaïs, where are you from?
Anaïs: I’m from Bristol, so lots of sick drum & bass here. 
You were both recently part of the Monstercat and Hospital Records writing camp in London. How did this collaboration between these two labels come about? 
hayve (Aaro): I just think that Monstercat respects a lot of labels that have been supporting a certain genre from the early days, not trend-chasing. Hospital’s been around for ages, and they’ve had some of the most legendary drum & bass artists. And Going Quantum, the guy we work with the most at Monstercat, is our main A&R and a good friend of ours, and he’s an artist as well. He’s been a big fan of drum & bass forever, and he’s a massive fan of a lot of Hospital artists. I think it was a good idea, two powerful labels in America and the UK.
Anaïs: True. I think Monstercat is the opposite of greedy. They want people to succeed. They don’t really care about the money aspect or the competition.
hayve (Aaro): I feel like Monstercat is like a tight family too. A lot of the artists who are there are releasing consistently, the same with Hospital. I feel like a good way for them to bring new artists for their fanbase to see is to do a label collab and get both of the artists exposed to another kind of fanbase.
You love to hear it. Both of you have been doing bits in the drum & bass world. Have you guys ever met or worked together before? 
hayve (Aaro): We’ve actually never worked together before or even met before this. The first time we met in person was at the writing camp. It was interesting, the session was very spontaneous. We didn’t have any rough demos or anything. We didn’t even know each other’s styles either. We spent the first part of the session listening to each other’s tracks to get used to our individual sounds. Then we just threw in some drum samples,  bass sounds, and figured out some riffs in Ableton. It took us a while to wrap up the tune, but I think it was, like, two or three sessions in a voice call, and we were done with the tune. 
hayve (Omer): Yeah, the first session we met with Anaïs . We got the original drop idea, the first drop idea, and a bit of a build-up idea. But then we did a Discord session later on, and that’s where we kind of made the whole rest of the tune in one go. 
Out of all the acts from both teams, how did you decide who to collaborate with? Were you familiar with each other’s work or was it a “pick a name out of a bucket” situation? 
Anaïs: The A&R teams did a really good job just putting together names that they thought would fit with each other. 
It seems like a good combo! So, tell us about the name ‘IDGAF’. Why did you guys land on that provocative name for the track? 
hayve (Aaro): We’re usually not very good at coming up with names for our tracks.
Anaïs: We didn’t really care. We just did what we thought would be fun.
hayve (Aaro): It was a ‘we don’t really care what happens with the song’ kind of vibe. I feel like that was also why it came together so quickly, and it was such a fun experience because it was very easy to make this tune. Usually, drum & bass is super technical and nitpicky, and you end up spending hours and hours just on an eight-bar loop, perfecting that. We just kind of made the whole track in a few hours, and then ended up, afterwards, trying to perfect every element. So, the name fits perfectly, the vibe of the session and how the song came together.
Can you tell us a bit about the production side of things? ‘IDGAF’ sits right on that line between that Bristol sound and Belgium Jump Up. What did you use for the synths? 
hayve (Aaro): We’ve been using a lot of Minimal Audio’s Current and Kilohearts Phase Plant recently. For ‘IDGAF’ we did most of the stuff in Current. We’ve been heavy users of Serum for years and years, and now maybe a couple of years of Phase Plant, but Minimal Audio dropped this synth, Current, maybe one and a half years ago. We were just playing around with that. This synth has a feature where you can randomize all these effects, the presets and everything, and you can get very interesting and quick results without thinking about anything. 
Anaïs: I think I used mostly Serum for my sounds for this one. 
UKF: Tell us a little bit about those rich pads used in the intro?
hayve: I think there might be a bit of Current. There is probably some preset that we made earlier, or it might be even out of one of the synths. I have a Sub 37 at home, and I have some other synths as well. 
Anaïs: I recorded one of my friends who plays violin, and we used some of that for the intro. There are definitely some parts out of synths, but there are some actual real recorded strings as well. 
Interesting. And what about the drums? They’re super crunchy. They’ve got that big room sound. It’s fantastic.
hayve (Aaro): We had a session with Waeys before, and he had some really sick drums, and he actually recommended this one drum kit but I can’t remember the name right now. I just heard the drums, and I was like, ‘I really need these drums.’ I think I did some extra layering with some synthesizing, adding some noise and textures to the drums. But yeah, I think they’re mostly just out of this one drum kit that Waeys recommended.
Don’t fix what’s not broken. Can you tell us a bit about the relationship between Hospital and Monstercat? Why do these two labels get on so well?
hayve (Aaro): Yeah, they’re both very community-driven, and they also have a lot of crossover in terms of their listenership.
What’s been your experience working with Hospital and Monstercat?
Anaïs: I think it’s been great. Hospital, they’re all like my family, so working with them is easy. And then as soon as I was in the studio with these two, it was like everything clicked. I’m not necessarily the techiest producer, but I like melodic stuff, and I think my sound is quite UK, so the two of us working together, we created something pretty amazing. And I would have never made that if I was in the studio by myself. That’s why it’s so good to collaborate.
Since all three of you seem to have grown up with both Hospital and Monstercat tracks on your playlists, let’s do some crate digging. First off, what’s your favourite Hospital tune of all time?
Anaïs: I’m a big fan of Urbandawn. I literally love everything he’s released is great. His “Come Together feat. Tyson Kelly” is one of my all-time favourites. 
hayve (Aaro): That’s a difficult one. I’ve been listening to Hospital for a long time. I would probably say Netsky’s ‘Puppy’. 
hayve (Omer): Lots of recent Camo & Krooked stuff I really like. I can’t really name one, because everything is so different. Probably Camo & Krooked & Mefjus “Kallisto”.
Great choices all around. Now, what about your favourite Monstercat release?
Anaïs: This might be a bit of a cop out, but I discovered hayve’s music way before I met them in the studio, and I was like, ‘Yo, this is sick!’. Probably hayve & TYPHON “Clique”.
hayve (Omer): I would say ‘Crab Rave’ by Noisestorm.
What’s your favourite track on the whole compilation, besides your own?
Anaïs: I really like the Bensley, BOP, and Degs track ‘Starchild’.
hayve (Aaro): I also like the Waeys, Bensley, and Hoax track ‘Twerp’.
hayve (Omer): And if I could choose one track where we are also included, it’s the track with P Money and Whiney, ’99 Octane’.
What was it like working with P Money?
hayve (Aaro): It was cool. It was quick as well. He just had ideas instantly. He recorded it really fast, and without retakes. He was just nailing it, time after time after time. It was crazy.
That’s amazing! Will there be future camps or collaborations between you?
Anaïs: Yes, we actually have another in the works. It’s in the very early stages, but it’s got a vibe, and that’s all that matters. I have the stems. It’s a bit of a sassy one. 
That’s great! So tell us, Anaïs, what’s in store for you this year?
Anaïs: I’ve got an EP with Skantia which came out on Valentine’s, and I’ve got a track coming out with P Money.
That’s great! And what about you guys, hayve?
hayve (Aaro): We have these three tracks coming out on the Hospital and Monstercat compilation. We have a remix coming out, can’t say too much about the details yet. And hopefully a couple of bigger collabs as well. We’re leaving for the US tomorrow for some writing sessionsThis transatlantic collaboration between Monstercat and Hospital Records is more than just a compilation; it’s a testament to the power of community and the boundless potential of drum & bass. By bringing together artists from both sides of the pond, they’ve created a melting pot of ideas and sounds that push the genre in exciting new directions.
hayve and Anaïs are just two of the many talented artists featured on this compilation. Their track ‘IDGAF’ is a perfect example of the magic that can happen when artists from different backgrounds come together and create something truly special. With its infectious energy and undeniable groove, ‘IDGAF’ is sure to be a dancefloor favourite for years to come.
But this compilation is more than just a collection of bangers. It’s a celebration of the global drum & bass community and the spirit of collaboration that drives it. In a world that often feels divided, Monstercat and Hospital Records are showing us the power of music to bring people together. Whether you’re a seasoned junglist or a newcomer to the world of drum & bass, this compilation is sure to have something for you.
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[GrooveCartel] DGTL Amsterdam unveils the full 2025 night-time lineup

DGTL Amsterdam has already announced their line-up and their huge daytime programming for the 2025 edition. Their final release, a huge line-up for Saturday and Sunday nights, is the icing on the cake for their 2025 edition. The night programs give die-hard DGTL fans who want to get the most out of the fair a unique chance to keep going well into the early hours. A carefully chosen group of artists will play exciting sets that will make the nighttime part of the weekend one of the best times you’ll ever have.
Friday April 18, 10:00 PM – 5:00 AM (Opening Night)
Bubble Love (Ross From Friends), CC:DISCO! & Suze Ijó, Jasper Tygner [live], JUNGLE [DJ SET], Malou
Saturday April 19, 11:00 PM – 5:00 AM
Lovefoxy, Mall Grab, Marcel Dettmann [house set], Moody Mehran
Sunday April 20, 11:00 PM – 5:00 AM
DJ Boring, SAIDAH & Tsepo, Superstrings, Tiga
Days at DGTL Amsterdam 2025
Friday’s opening night will feature a wide range of acts, making for an unforgettable evening.
JUNGLE‘s soulful and funky sounds will be one of the main draws. They will have an exclusive DJ set at the NDSM building.
Malou starts the evening off with her dreamy and sweet sound.
Ross From Friends goes by the name Bubble Love, and plays lo-fi house with musical elements and a warm vibe.
CC:DISCO! and Suze Ijó do a set together that is full of warm grooves and uplifting house, and then Jasper Tygner plays smooth UK Garage and ambient house. When you look at it all, Friday night’s lineup is the best way to ease into the big DGTL weekend.
Saturday night at DGTL will be full of heavy beats and raw energy, with a never-ending lineup to keep the people moving.
Lovefoxy from Berlin brings her fresh and energetic sound, which is based on the house music of the 1990s that shaped her childhood.
Marcel Dettmann plays the drums for a private house set, which is a rare and special event for people who love to dance. He is a big deal in Berlin’s electronic music scene and often plays at Berghain and Hard Wax. He promises to play an exciting house set that everyone will remember.
Mall Grab, boss of the Steel City Dance record label, has become a big star in Australia thanks to his contagious energy and sets that cross genres. He is now a dynamic stage personality and headliner.
Moody Mehran ends the night with a unique set of classic pearls. Because he likes a lot of different kinds of music especially Chicago House, he can easily mix old favorites with new finds, making every set full of shocks.
A carefully chosen line-up that blurs the lines between house, techno, and electro makes the last night of DGTL 2025 a happy ending. The show starts with a strong and highly anticipated back-to-back set by SAIDAH and Tsepo. She was born in London and loves UK Garage. SAIDAH has a new and exciting sound with R&B singing and fast grooves. Tsepo, who is known for his deep and interesting sets in movies like “De School” and “Shelter,” easily creates an atmosphere that keeps people moving.
Tiga‘s set is full of energy and movement. His famous stage personality and unique mix of acid, electro, and festival vibes keep the crowd on their feet. Then DJ Boring takes over with his unique old-school and melodic beats. He mixes old favorites with new hits, which makes each show a unique experience. He is known for his unstoppable drive and surprising style. Five friends from Nijmegen called Superstrings close DGTL 2025 with a fun and emotional trip through the trance scene. They mix famous hits from the 1990s and 2000s, influenced by their own musical heroes, for a banging end to the event.
The post DGTL Amsterdam unveils the full 2025 night-time lineup appeared first on The Groove Cartel.
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[Decoded] TRIP unveils 4 Pre-Season April parties at Chinois including Easter Weekend + IMS Week opener

Chinois Ibiza announces the eagerly awaited return of TRIP, the party curated by Johannes Goller, to usher in the 2025 pre-season, with four entrancing April events, including Get-traum and Collisions collaborations, Easter Weekend and the opening of International Music Summit. Featuring top underground talent in-house and techno, inc. debuts and welcome returners.
 
12th April: TRIP marks the debut of Parisienne Chloé Caillet, along with Running Back label boss Gerd Janson and Italian Chinois/Ibiza regular Tuccillo.
 
17th April: Easter Weekend opener with the revered Seth Troxler, and Ibiza’s local heroes Cesar Vinzent B2B Isbel B2B Hugo Martinez, founder of Rhythm Point Ibiza.
 
23rd April – TRIP & Collisions: IMS week opener with Collisions and Houghton festival founder Craig Richards; the mighty Ricardo Villalobos, who exquisitely closed TRIP last November and now returns in triumph; and fabric resident and Pleasure Club’s Bobby.
 
April 30th– TRIP & Get-traum: TRIP’s third year collaborating with Traumer’s Get-traum label, one of their most anticipated parties each year – Traumer will be joined by [a:rpia:r] member and co-founder Raresh, and Body Parts Records’ label head Olga Korol.
 

Can’t make April? Watch this space for more…
 
TRIP at Chinois Pre-season Diary – Tickets HERE
Saturday 12th April – TRIP w/ Chloé Caillet, Gerd Janson, Tuccillo
Thursday 17th April TRIP w/ Seth Troxler, Cesar Vinzent B2B Isbel B2B Hugo Martinez
Wednesday 23rd April – TRIP & Collisions w / Ricardo Villalobos, Craig Richards, Bobby.
Wednesday 30th April – TRIP & Gettraum w/ Traumer, Raresh, Olga Korol 
The post TRIP unveils 4 Pre-Season April parties at Chinois including Easter Weekend + IMS Week opener appeared first on Decoded Magazine.
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[Decoded] Join Decoded Magazine as Our Mix of the Week & Track of the Week Curator

Are you passionate about underground electronic music? Do you have an ear for what it takes to make a perfect mix? What track is driving underground dancefloors? We looking for a dedicated music enthusiast to take the helm of our “Mix of the Week” and “Track of the Week” selections.
About the Role
We are seeking a knowledgeable and passionate curator who lives and breathes underground electronic music. No commercial EDM—just the unique, cutting-edge, and diverse sounds that push the boundaries of the scene. Your role will be to select and write about the best mixes and tracks each week, providing insightful commentary on what makes them stand out.
What We’re Looking For:
A Deep Knowledge of Underground Electronic Music – From deep house and techno to experimental breaks and leftfield sounds, you should have a broad and refined taste. Writing Skills – You must articulate why a mix or track deserves the spotlight in a way that captivates our audience. (although we don’t think you need to be Hemmingway) Global Perspective – We welcome applicants from anywhere in the world. Our readership is international, and we want someone with a wide-ranging musical appreciation. Commitment to Consistency – This role requires at least one hour per week to curate and write about selections. An Understanding of DJ Culture & Electronic Music Trends – You should be up-to-date with emerging artists, labels, and movements within the underground scene. Responsibilities:
Select the Mix of the Week – Identify a standout DJ set that represents the best of underground electronic music and write a compelling feature about it. Choose the Track of the Week – Highlight a track that pushes the boundaries of the scene and explain why it deserves attention. Engage With Artists and Labels – Build connections with DJs, producers, and labels to stay ahead of the latest releases. Deliver High-Quality Weekly Write-Ups – Ensure that your selections are accompanied by engaging and insightful content. Why Join Decoded Magazine?
Be part of a global platform in underground electronic music journalism. Share your passion with a global audience of like-minded music lovers. Gain experience in music journalism and industry networking. Help shape the taste of our readers and introduce them to groundbreaking sounds. If you’re ready to showcase the best in underground electronic music and have a knack for writing, we’d love to hear from you!
How to Apply: Send us a short bio, a sample write-up of your chosen Mix of the Week or Track of the Week, and a brief explanation of why underground electronic music is important to you.
Email your application to [email protected] with the subject line: Mix & Track Curator Application. Don’t forget to follow us on Instagram and Facebook
The post Join Decoded Magazine as Our Mix of the Week & Track of the Week Curator appeared first on Decoded Magazine.
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[Decoded] Massive Attack, London Grammar, Jamie XX and AIR are coming to London

LIDO Festival, is the newest addition to London’s summer calendar, announcing the final addition to its series of concerts. Massive Attack has announced to headline LIDO Festival in Victoria Park; their first London festival show in 9 years. On Friday 6th June, the iconic Bristol band will not only perform their acclaimed live show (designed in collaboration between Robert Del Naja, United Visual Artists and documentarist Adam Curtis) but continue their work with ACT 1.5 to rapidly decarbonise live music events. With their ongoing partnership with clean energy provider Ecotricity, their performance at LIDO will be 100% powered by battery – significantly reducing both carbon emissions and local air pollution.
Last year, ACT 1.5 and Massive Attack hosted their first large-scale climate action accelerator in Bristol that sought to completely reimagine how music events can be staged. The all-day outdoor event, described by the New York Times as the “gold standard for green gigs” delivered an unprecedented network of decarbonisation methods across all scopes, and was the first practical phase of work designed with scientists from the renowned Tyndall Centre for Climate Change Research. 3 Months later, they applied their science-based approach to an indoor event in Liverpool’s M&S Bank Arena joined by IDLES and Nile Rodgers & Chic. Continuing their partnership with clean energy provider Ecotricity, ‘ACT 1.5 presents…’ aimed to test, operate & adopt a range of measures to dramatically reduce the level of carbon emissions & air pollution that would usually be produced at live music events.
Speaking about the event Robert Del Naja (3D) writes: “To present London’s first ever 100% battery-powered festival day with a dynamic range of artists is an optimum outcome for us. History shows it’s often the combination of art and science that overcomes the greatest challenges we face, so it’s good to see LIDO take learnings from our ACT1.5 event last year and apply those technologies to where they see emissions coming from. Clean productions beginning this journey to normalisation is good news for everyone, but especially for music fans that come to festivals and the local communities that live around them.”
Support will come from a stellar line-up including the French duo Air, famed for their elevated and otherworldly pop, including classics such as ‘Sexy Boy’, ‘Playground Love’, ‘Cherry Blossom Girl’ and ‘Kelly Watched the Stars’. Also on the bill will be Yasiin Bey and The Alchemist are FORENSICS. Hip hop legends Yasiin Bey (formerly known as Mos Def) and The Alchemist recently presented a live-streamed performance of FORENSICS on Bandcamp and a full album is set to follow. They said: “FORENSICS is more than the name of an album, it’s descriptive of a new approach to delivering art, bringing together the experience of musical content with fashion, visual art, technology and community. The approach foments an intimate bond with the artists’ core audience, delivering an experience that resonates on multiple levels.”
Jim King, CEO of European Festivals, AEG Presents, said: “Big changes require both courage and determination, and I cannot speak highly enough of Massive Attack and their team for embracing the challenge of launching this important initiative. AEG was fortunate to collaborate with Massive Attack on the ACT 1.5 event in Bristol last summer, which set the standard and inspired our team to continue the work they have started at LIDO. Massive Attack have demonstrated that there is a better way to operate for the future of both our planet and our industry. LIDO represents the next step towards a broader adoption of industry-leading sustainability principles across AEG European Festivals, all while continuing to bring the world’s biggest artists and the best production to deliver incredible experiences for fans at our festivals.”
Massive Attack will join previously announced headliners Jamie xx (Saturday 7 June), OUTBREAK Fest (Friday 13 June), Charli xcx’s own party girl festival (Saturday 14 June) and London Grammar (Sunday 15 June) for the inaugural festival. LIDO is putting artists first and handing them control, for a festival entirely programmed by the headliners. They will bring their favourite artists, collaborators, newly tipped artists and their own style to each day. From the acts to the artwork and stage design – every aspect is personal to them. Named after Victoria Park’s Lido Field, the 10-day event will offer hand-picked music line-ups with a strong focus on sustainability, as well as community events during the week.
More headliners, full line ups and programmes are to be announced. Follow LIDO on Instagram and join their newsletter here for updates and tickets.
The post Massive Attack, London Grammar, Jamie XX and AIR are coming to London appeared first on Decoded Magazine.
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[MixMag] Tresor.West founder praises “very successful” Community Nights with free entry and no headline DJs

With more than three decades experience running the world class Tresor club in Berlin, Dimitri Hegemann is now finding success with an alternative strategy at the previously-struggling sister venue in western Germany, and is dedicated to sharing the knowledge of successful club management across Europe and beyond. Patrick Hinton reports
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[Decoded] Universal, Warner, & Sony Sign licensing deals with new music creation / social App – MashApp

MashApp, a new music app that allows users to curate and play back real time personalised ‘mashups’ of their favourite songs in an environment that supports artists and songwriters, has launched in the Apple App Store in the US.
Tracks from music labels and music publishers including Universal Music Group, Sony Music Entertainment,  Warner Music Group (including Warner Chappell Music and Warner Recorded Music), Kobalt Music and Universal Music Publishing Group (UMPG)—MashApp makes it easier to remix music and also provides artists, songwriters and rightsholders with content attribution for all user creations. 
MashApp lets you in real-time mix tracks available through the app into a single, personalised playback track by adjusting easy-to-use, intuitive settings for duration, start and end points, use of vocals or instruments, and tempo to get the combination just right. You can also share web links to allow MashApp’s user base of music groups.
Members of the MashApp community can use parts of select tracks and listen to ‘mashups’ for free or subscribe to MashApp’s Premium tier for unlimited, ad-free mashup listening and to unlock the app’s full creative potential. MashApp is the only place to find and hear the ‘mashups’ made by other users in its community.
“MashApp’s mission is to bring the joy of playing with music creation to non-musicians, to let people play with their favourite music, as they have long done through DJing, mix tapes, mashups, and karaoke,” explains MashApp CEO and founder Ian Henderson. “We want this new creative play to be a great experience for fans, but also for artists. This requires close partnerships with record labels and music publishers, and we’re excited that our partners have embraced our vision.”
Said Mark Piibe, Executive Vice President, Global Business Development & Digital Strategy, Sony Music Entertainment, “We are pleased to be working with MashApp to help fans go deeper in how they engage with their favourite music through a new personalization and creation experience that appropriately values the work of our artists. This partnership furthers Sony Music’s ongoing commitment to supporting innovation in the marketplace by collaborating with developers of quality products that see opportunity in solutions that respect the rights of professional creators.”   
Nadir Contractor, SVP, of Digital Strategy & Business Development at Universal Music Group said, “UMG always seeks to support innovation in the digital music ecosystem. MashApp introduces another evolution of the streaming experience for users by combining the creativity of DJ apps, with the accessibility that streaming offers. Within MashApp, users can unlock their own creative expression to curate, play and enjoy in real-time musical mashups from their favourite artists and songs, while respecting and supporting artist rights.”
“Our commitment to championing the rights of our artists and songwriters is at the core of everything we do,” said John Rees, SVP, of Strategy & Business Development, WMG. “This partnership with MashApp builds on this mission–delivering a licensed, innovative platform that not only offers fans an exciting way to engage with music but also safeguards the work of the artists and songwriters who make it all possible.”
Bob Bruderman, Chief Digital Officer at Kobalt Music, adds, “Kobalt has been a strong supporter of new companies that allow fans to express their creativity and engage with music they love. It was immediately clear that MashApp had a unique vision that opened a new experience for music fans on a well-executed platform, simultaneously respecting copyright. We look forward to a long partnership with MashApp.”
The post Universal, Warner, & Sony Sign licensing deals with new music creation / social App – MashApp appeared first on Decoded Magazine.
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[Decoded] Jordan’s Medaina Festival announces cultural multi-day escape to Petra and Wadi Rum

Stunning cultural escape Medaina Festival arrives at Jordan’s ancient Petra and the nearby Wadi Rum valley from May 21 to 26, 2025. This multi-day event is a unique mix of music, art, gastronomy, culture and sustainability in one of the most beautiful and ancient places in the world. 
Modern wanderers seek more than just destinations, they crave immersive, multidimensional experiences that go beyond the ordinary. And that’s exactly what Medaina Festival, curated by Tithorea, offers: an intricate tapestry blending music, culinary exploration, well-being and cultural discovery into one unforgettable journey.
And for the adventurous traveler, Jordan is the ultimate destination. Situated at the crossroads of history and modernity, the Kingdom of Jordan offers a mesmerising fusion of ancient heritage and vibrant contemporary life. From the awe-inspiring, rose-red cliffs of Petra, a UNESCO World Heritage Site, to the vast, golden dunes of Wadi Rum, Jordan’s landscapes offer a timeless beauty that beckons explorers.
“After four years of deep dreaming and careful planning, we are finally here. The time has come for us to launch Mediana at the absolutely magical sites of Petra and Wadi Rum in Jordan while being completely considerate of our local community. We are proud that this inaugural event showcases the very best Jordanian cultural and artistic offerings while also being utterly respectful of the important guidelines around their famous sacred and historical sites. We’ll offer our fantastically state-of-the-art creative direction to make this an immersive experience of a lifetime.” Co-Founder Shahin Mani 
Medaina Festival promises to redefine the idea of cultural celebration this year with a groundbreaking sensory feast that merges sights, sounds and sensations. More than just a music festival, Medaina is a movement—an exploration that will awaken your wanderlust in profound new ways.
Set against the majestic backdrop of Petra and Wadi Rum, Medaina will seamlessly blend the age-old grandeur of Jordan’s landscapes with the dynamic pulse of contemporary art, music, and culture. To ensure the festival follows all of its guidelines and is mindful of this historic site, organisers are collaborating closely with the Tourism Board and cultural authorities.
Medaina is a celebration of both the legacy of the past and the boundless potential of the present, offering an unparalleled opportunity to experience Jordan like never before. As the countdown to Medaina begins, travellers are invited to embark on a once-in-a-lifetime journey that will leave them with memories to treasure long after the event has ended.
For tickets and more information head to; https://www.tithorea.com/
The post Jordan’s Medaina Festival announces cultural multi-day escape to Petra and Wadi Rum appeared first on Decoded Magazine.
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[Decoded] Anjunabeats takeover of New York’s Brooklyn Mirage

New York City  – one of dance music’s global capitals and a city that’s always had a special relationship with Anjunabeats. From Above & Beyond’s iconic ABGT100 show at Madison Square Garden and their acoustic performance at Radio City Music Hall to open-air label takeovers throughout the city, it’s been an incredible 25-year relationship with the city that never sleeps. 
In celebration of the past, present, and future of the Anjuna family of labels, Anjuna will present its one and only North American “Anjuna25” show at The Brooklyn Mirage on May 17. While the venue has routinely hosted legendary Anjuna events, nothing will prepare NYC revelers for what’s in store here. 
Anjuna25 New York City will see a full venue takeover of Brooklyn Mirage, with artists from Anjunabeats and Anjunadeep performing on four stages: The Brooklyn Mirage, The Great Hall, The Kings Hall, and The Village
More information and artist lineup will be revealed in the coming weeks. Pre-sale opens Monday, February 24th at 11 am EST. Sign up here.
The post Anjunabeats takeover of New York’s Brooklyn Mirage appeared first on Decoded Magazine.
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[EDMTunes] Bassnectar Settles Sexual Abuse Lawsuit

After over five (5) years of contentious and controversial litigation, Lorin Ashton aka Bassnectar has settled the civil lawsuit against him. The lawsuit alleged claims of sexual abuse, grooming, and even sex trafficking at one point.
In 2020, Lorin Ashton faced multiple allegations of sexual misconduct, including claims of engaging in inappropriate relationships with underage girls. These accusations led to a lawsuit filed in 2021, alleging child sexual abuse, sex trafficking, and the creation and possession of child pornography. Ashton denied all allegations, describing them as “outrageous” and “without merit.” These words alone turned away many fans. In response to the controversy, he announced an indefinite hiatus from his music career. Many other artist like Blunts & Blondes, Space Jesus, Datsik, SNAILS, and Graves have seen accusations in the past years. Several of them have been vindicated since those accusations were made. In the past year or so, he has starting (with varying degrees of success) to restart his musical career. His shows have been marred with controversy as the case has gone on, so his events have had to keep venues secret in order to avoid cancellations and such.
It’s important to note that this was not a criminal case, but a civil lawsuit. The case had been moving towards trial and evidence was being ruled on as the trial approached. Now it appears that the parties have come to a confidential settlement agreement and the case against Bassnectar has been dismissed. That means that, essentially, this matter is closed. There will not be a vindication nor will there be a finding of wrongdoing on the part of Bassnecar. Even the Bassnectar subreddit community is torn about what to make of this outcome.
Since the Order describes a confidentiality agreement, we suspect we will never hear details about the settlement from the accusers. It’s truly a mixed bag, where people will still be divided as to what this settlement means about the truth of the accusations. You can view the Dismissal Order below. Does this affect your view of Bassnectar at this point?
The post Bassnectar Settles Sexual Abuse Lawsuit appeared first on EDMTunes.
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[EDMTunes] Steve Angello And Modern Tales Captivate With ‘Darkness In Me’

Steve Angello and Modern Tales release their new single ‘Darkness In Me‘ via Astralwerks / SIZE. The song explores themes of resisting temptation and impulsive desires. Alongside the track, they released an exciting video. In the video, the protagonist, Gleb Sazonov, takes an emotional and transformative journey towards personal acceptance. The pulsing beat paired with powerful artistic scenes, strobing lights, and AI visuals make for a unique immersive viewing experience.
‘Darkness In Me’
This is Angello’s first release of the year. Last fall, he released ‘Hooligans”’which was followed by a thrilling return to the Brooklyn Mirage stage. Angello also dropped ‘ME’ and collaborated with fellow Swedish House Mafia band member, Sebastian Ingrosso, for their release ‘Skip.’ Last summer, Swedish House Mafia played a historic 6-week Ushuaïa Ibiza Residency in addition to an array of international music festivals including Garorock Festival, Panama Open Air Festival, Lucca Summer Festival, Untold Festival, Findings Festival, and the mainstage at Tomorrowland, which marked their return to the festival after 12 years.
The track has a retro vibe to it, with heavy synths and tempo. The vocals are vibrant and captivating. The song is within the same realm as Camelphat and Ali Love’s ‘Compute’. ‘Darnkess in Me’ is a great representation of modern music with past influences, that feel timeless yet innovative.
About Steve Angello
Long before earning GRAMMY® Award nominations, performing to millions of fans on multiple continents, crashing charts worldwide, and tallying streams in the billions, Steve Angello realized his purpose as a kid in Sweden. He collaborated with childhood friend Sebastian Ingrosso before launching his own label SIZE during 2003. He also teamed up with Axwell in Supermode, landing a hit with “Tell Me Why.” In 2008, he co-founded Swedish House Mafia with Axwell and Ingrosso. They earned consecutive GRAMMY nods for Best Dance Recording with the Platinum “Save the World” in 2012 and quintuple-Platinum “Don’t You Worry Child” in 2013.  
Angello also asserted himself as a solo force of nature. He occupied a spot on DJ Mag’s coveted Top 100 DJs list for 14 consecutive years and received two DJ Awards. Following his full-length debut Wild Youth, he ascended to another creative peak on his 2018 sophomore offering, Human, collaborating with Bishop T.D. Jakes on “Rejoice,” Pusha T on “Freedom,” Barns Courtney on “Dopamine,” and more. 2021 marked the momentous return of Swedish House Mafia with their long-awaited debut LP, Paradise Again – which topped the Billboard Top Dance/Electronic Albums Chart and UK Official Dance Albums Chart – and subsequent world tour. 
About Modern Tales
 In a land shaped by the rugged beauty of Sweden, there were two brothers, Jonas Rathsman and Franz Novotny, whose paths were destined to intertwine. Each set forth on his own journey, carving out his place in the world, until the call of a shared vision brought them together once more. Thus, Modern Tales was born—a union steeped in the spirit of the North, where echoes of melancholy and shades of mystery wove their way into every note they created. Their music, like the tales of old, stirs the soul, moving heart and body alike. It is a sound both vast and intimate, weaving cinematic threads with the raw textures of human emotion, all carried on the winds of their homeland’s timeless lore.
 In the year 2020, when the world stood still and shadows loomed, the brothers found light in a blank canvas, painting it with the colors of a new endeavor. Their songs, forged in solitude, carried far, reaching the ears of Rüfüs Du Sol, who welcomed them on a journey that led to distant stages and a covenant with Rose Avenue. It was upon these stages that their gift for storytelling came alive, their music binding strangers together in shared feeling. But this is only the beginning. Modern Tales stands at the threshold of a long and winding road, their Nordic sound a torch to guide them and those who follow. What lies ahead is a saga yet unwritten, one that will inspire and endure through time.
In order to find the light, one must fight the darkness within, enjoy ‘Darkness in Me’
The post Steve Angello And Modern Tales Captivate With ‘Darkness In Me’ appeared first on EDMTunes.
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