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The Ibiza landscape is as competitive as ever in 2025 and this year the island’s original clubbing icon is leading from the front. No trip to the island is complete without dancing under the legendary Pacha cherries and experiencing its unreal atmospheres, crystal clear sound system and immersive production.
Each week, the world renowned venue covers all bases in plenty of style. Two of the flagship nights are Marco Carola’s Music On which runs 16 May to 9 & 10 October and offers up the freshest house & techno in the Balearics, and Solomun’s epic +1 concept that runs every Sunday 8 June to 5 October and sees the Diynamic label boss play a solo set as well as back-to-back with international guests.
Each week, the world renowned venue covers all bases in plenty of style. Two of the flagship nights are Marco Carola’s Music On which runs 16 May to 9 & 10 October and offers up the freshest house & techno in the Balearics, and Solomun’s epic +1 concept that runs every Sunday 8 June to 5 October and sees the Diynamic label boss play a solo set as well as back-to-back with international guests.
All new for 2025 is Dutch house game changer Mau P who presents his edgy new session Baddest Behaviour from 6 August to 8 October 2025. Canadian star Blond:ish also line-ups every Wednesday 21 May to 30 July with Abracadabra, the first female-led headline residency in Pacha’s history and a party that is all about energy and self empowerment.
Grammy-nominated UK duo CamelPhat also bring their eclectic house sounds every Tuesday 20 May to 7 October and Sonny Fodera serves up the chart topping dance sounds that have made him one of the most in-demand acts on the planet every Monday 16 June to 6 October.
Returning favourites include the always love-fulled sounds Flower Power from 7 June to 30 August and 4 October 2025 with resident Bora Uzer and standout house headliners including Masters At Work, Roger Sanchez, Boy George, Purple Disco Machine and more.
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Driven by its fan-based voting system, the MTV-style EDMA ceremony takes place at the height of Miami Music Week and dishes out unique trophies that resemble DJ decks, including a functional jog-wheel. The invite-only event is returning to its home at the Eden Roc Miami Beach on Friday, March 28th.
The EDMAs are returning in collaboration with the International Dance Music Awards (IDMAs), touted as the longest-running awards ceremony dedicated to the electronic music industry. Pioneer DJ is also a partner of this year's EDMAs, hydrated by BODYARMOR Sports Drink.
Electronic Dance Music Awardc/o Electronic Dance Music Awards
Nabbing nominations for the prestigious Dance Song Of The Year EDMA in 2025 are David Guetta and Alesso feat. Madison Love ("Never Going Home Tonight"), MEDUZA and HAYLA ("Another World"), Dom Dolla ("girl$"), Sonny Fodera, Jazzy and D.O.D. ("Somedays"), Adam Port and Stryv feat. Malachiii ("Move") and Justice and Tame Impala ("Neverender").
Elsewhere in the list of nominees, EDM.com is presenting the EDMA for Breakout Artist Of The Year. Vying for that hardware are Jex, Hedex, Sara Landry, Beltran, Cassian, Disco Lines, Levity, Hamdi and Max Styler. Digital Music Pool will present 10 categories, including Remix Of The Year and Best Use Of Sample.
Those who want to attend the EDMAs this year can now register for the event, access to which will be selected by organizers at random. However, to guarantee entry to the ceremony and experience all events happening at Eden Roc, fans can purchase a three-day pass to the Winter Music Conference (WMC), which is available now with $25 off using the code EDMWMC. The pass enables access to all WMC panels and events from March 26-28, including the official Winter Music Conference Pool Party on the 27th and the exclusive EDMAs Pool Party the following day.
Fans can check out the full list of nominations below and cast your votes here.
c/o Electronic Dance Music Awards
EDMA 2024 Nominations
Dance Song Of The Year
David Guetta, Alesso - Never Going Home Tonight (ft. Madison Love)
MEDUZA, HAYLA - Another World
Dom Dolla - girl$
Sonny Fodera, Jazzy, D.O.D - Somedays
Adam Port, Stryv - Move (ft. Malachiii)
Justice - Neverender (with Tame Impala)
Dance Radio Song Of The Year
John Summit, HAYLA - Shiver
Seven Lions, ILLENIUM - Not Even Love (ft. ÁSDÍS)
Enisa, Kaskade - Tears Don't Fall
Bebe Rexha - I'm The Drama
John Summit, Sub Focus - Go Back (ft. Julia Church)
Martin Garrix, Jex - Told You So
Zedd - Lucky (ft. Remi Wolf)
Male Artist Of The Year
Dom Dolla
John Summit
ILLENIUM
Tiësto
Anyma
Subtronics
Porter Robinson
Female Artist Of The Year
Anabel Englund
LP Giobbi
Nora En Pure
HALIENE
Kaleena Zanders
HAYLA
Daya
REZZ
Amelie Lens
CloZee
Vocalist Of The Year
HAYLA
Zara Larsson
Ava Max
Anne-Marie
Clementine Douglas
Paige (BONNIE X CLYDE)
Becky Hill
Breakout Artist of the Year [Presented by EDM.com]
Jex
Hedex
Sara Landry
Beltran
Cassian
Disco Lines
Levity
Hamdi
Max Styler
Club DJ of The Year
Steve Aoki
James Hype
AFROJACK
John Summit
Diplo
Timmy Trumpet
Dance Radio Artist of the Year
John Summit
Tiësto
Anabel Englund
Dom Dolla
RÜFÜS DU SOL
Alesso
SOFI TUKKER
Martin Garrix
Kygo
Producer Of The Year
Tiësto
Vintage Culture
Dom Dolla
LP Giobbi
Fred again..
Armin van Buuren
Skrillex
FISHER
PAWSA
Sara Landry
Favorite Album
Frank Walker - ORIGIN
Forester - Moonlight
BONNIE X CLYDE - There’s No Tomorrow
Zedd - Telos
Porter Robinson - SMILE! :D
RÜFÜS DU SOL - Inhale / Exhale
Lane 8 - Childish
Fred again.. - ten days
Louis The Child - The Sun Comes Up
Justice - Hyperdrama
House Song Of The Year
Sonny Fodera, Jazzy, D.O.D - Somedays
Mau P - MERTHER
Dom Dolla - girl$
PAWSA - PICK UP THE PHONE (ft. Nate Dogg)
Cloonee, Young M.A, InntRaw - Stephanie
Disclosure - She’s Gone, Dance On
nimino - I Only Smoke When I Drink
Music Video Of The Year
Throw Some Ass - SOFI TUKKER
Cedric Gervais, Nile Rodgers - We Are Family
Bebe Rexha - I'm The Drama
Tiësto, Alana Springsteen - Hot Honey
Dimension, Alison Wonderland - Satellite
XANDRA, Gigi Grombacher - Body Say
Gryffin - Last of Us (ft. Rita Ora)
Zedd - Lucky (ft. Remi Wolf)
Frank Walker - Gravity (ft. Tyler Shaw)
Label Of The Year
Armada Music
Spinnin’ Records
Ultra Records
Epic Records
mau5trap
Defected Records
Helix Records
Toolroom Records
Palm Tree Records
Best New Artist
XANDRA
CYRIL
D.O.D.
Levity
dot
Z3LLA
KASIA
KI/KI
Ben Hemsley
Rebūke
Afrohouse Song of the year
Zerb - Mwaki (ft .Sofiya Nzau)
HUGEL, GROSSOMODDO - Andalucia
Adam Port, Stryv - Move (ft. Malachiii)
MoBlack, Salif Keita, Benja - Yamore (ft. Franc Fala, Cesária Evora)
Francis Mercier, Faul & Wad, African Children's Choir - Sauti
HUGEL - I Adore You (ft. Daecolm)
Maz, VXSION - Amana
Favorite Club Track
Kaleena Zanders, Tchami - DADDY KEEPS CALLING
Nathan Dawe, Joel Corry - HIGHER (ft. SACHA)
David Guetta, Cedric Gervais - Switch
PLS&TY - Turning Tides
James Hype - Wild
Tiësto, AFROJACK - Light It Up (ft. MC Ambush)
HASKELL, Mark Knight, Gene Farris - Go Deep
Sebastian Ingrosso, Steve Angello - Skip
Local Singles & Sam Blacky - Hotsteppa
Best Collaboration
Seven Lions & ILLENIUM ft. ÁSDÍS - Not Even Love
Kygo, HAYLA - Without You
Alok, Gryffin & Julia Church – Never Letting Go
Timmy Trumpet x POLTERGST - Like a G6 (with Naeleck)
Armin van Buuren & Hardwell - Follow The Light
Afroki (Steve Aoki & Afrojack) - Everything You Do (ft. Aviella)
Cheat Codes & Two Friends - The Way It Is
MEDUZA, HAYLA - Another World
Diplo & HUGEL ft. Julia Church - Stay High
Skrillex, Hamdi, TAICHU - Push (ft. OFFAIAH)
Tech House Song of the Year
Loco Dice, Skrillex & Fireboy DML - Heavy Heart
Matroda, Martin Ikin, Sian-Lee - 4U
SIDEPIECE, San Pacho - Taka
Cloonee, Young M.A, Inntraw - Stephanie
FISHER, Flowdan - Boost Up
Mau P - BEATS FOR THE UNDERGROUND
Dom Dolla - girl$
Tech House Artist Of The Year
Mau P
Dom Dolla
Chris Lake
James Hype
SIDEPIECE
FISHER
Tita Lau
Cloonee
Kaleena Zanders
Favorite Group
BONNIE X CLYDE
SOFI TUKKER
Above & Beyond
MEDUZA
Cheat Codes
Loud Luxury
ISOKNOCK
Chase & Status
Levity
Laszewo
Dance / Electro Pop Song of the Year
Two Friends - Wrong Way (ft. Alexander Stewart)
Martin Garrix, Jex - Told You So
Kiesza - I Go Dance
Galantis, David Guetta, 5 Seconds of Summer - Lighter
TELYKAST, x.o.anne - Free
Daya - Don't Call
XANDRA, Gigi Grombacher - Body Say
Cheat Codes, Two Friends - The Way It Is
Diplo, Riva Starr - Heaven or Not (ft. Kareen Lomax)
Best Fan Army
ILLENIUM - [Illenials]
deadmau5 - [The Horde]
Martin Garrix - [Garrixers]
Excision - [Headbangers]
Marshmello - [Mellogang]
Subtronics - [CYCLOPS ARMY]
Alan Walker - [Walkers]
Dubstep Artist Of The Year
Subtronics
Excision
NGHTMRE
Wooli
LEVEL UP
Mersiv
Zeds Dead
Ray Volpe
Moody Good
Hamdi
Favorite Nightclub Residency (U.S.)
Timmy Trumpet - FWD Day + Nightclub | Cleveland
Kaskade - BigNight Live | Boston
R3hab - Marquee Dayclub | Las Vegas
Steve Aoki - HQ | Atlantic City
Cash Cash - Zouk Nightclub + Ayu Dayclub | Las Vegas
Best Radio Show
Armin van Buuren - A State of Trance
Protocol Radio by Nicky Romero
Oliver Heldens - Heldeep Radio
StoneBridge - #bpmMix
Vinny Vibe - Good Vibes Radio
Richard Vission - Powertools
Joel Corry - Desire Radio
Timmy Trumpet - SINPHONY Radio
Tiësto - Club Life
Mark Knight - Toolroom Radio
Best Performance
Alok | Tomorrowland Brazil | São Paulo | 2024
John Summit | Madison Square Garden, New York | 2024
Skrillex | Lollapalooza | Chicago | 2024
Tiesto | Ultra Music Festival | Miami 2024
ISOKNOCK | North Coast Music Festival | Chicago 2024
LSZEE [LSDREAM & CloZee] - Red Rocks | Colorado 2024
Odesza | The Gorge | Washington 2024
Keinemusik - The Pyramids of Giza | Egypt 2024
Pop-Dance Anthem of the Year
Cheat Codes, Two Friends - The Way It Is
Martin Garrix, Jex - Told You So
Madison Beer - 15 Minutes
Calvin Harris, Ellie Goulding - Free
The Chainsmokers, Kim Petras - Don't Lie
Audien, Jeoff Harris - Living in Color
CYRIL, maryjo - Still Into You
Techno Song of the Year
Miss Monique - Bloom At Night
Sara Landry, Shlømo - Play With Me
Lilly Palmer - New Generation
Amelie Lens - Falling for You
Argy, Omiki, Son of Son - RITMO
Space 92, HI-LO - Orion
DnB (Drum and Bass) Song of the Year
Dom Dolla, Tove Lo - CAVE
Chase & Status, Stormzy - Backbone
Sub Focus - Wildfire
NERO - The Unknown
Dimension, Alison Wonderland - Satellite
Main Stage/Festival Song of the Year
Armin van Buuren, Hardwell - Follow The Light
KSHMR, 22Bullets - Devotion
Afroki - Everything You Do (ft. Aviella)
Don Diablo, Felix Jaehn - Monster
Lilly Palmer - Hare Ram
David Guetta, Cedric Gervais - Switch
Breakout Female Vocalist [Presented by Electro-Voice]
Linney
CLOVES
Aviella
OAKS
Jex
Julia Church
PollyAnna
Sarah de Warren
Mashup Artist Of The Year [Presented by Digital Music Pool]
DJs From Mars
Sickick
Switch Disco
Rudeejays
Da Brozz
Arman Aveiru
Beatbreaker
The Anthem Kingz
Remix Of The Year [Presented by Digital Music Pool]
The Temper Trap - Sweet Disposition (John Summit & Silver Panda Remix)
Marlon Hoffstadt - It's That Time (FISHER Remix)
Dua Lipa - Houdini (Adam Port Mix)
Loofy - Last Night (Anyma & Layton Giordani Remix)
John Summit & HAYLA - Shiver (Cassian Remi)
Remixer Of The Year [Presented by Digital Music Pool]
James Hype
VAVO
Tiësto
BVRNOUT
Joel Corry
Breakout Remixer Of The Year [Presented by Digital Music Pool]
JPAN
DJ Dark
5Hours
Silano
Deux Twins
Kastra
Martial Simon
Afro House Remix [Presented by Digital Music Pool]
Disclosure Ft. Eliza Doolittle - You & Me (Rivo Remix)
Zerb - Mwaki (Sunnery James & Ryan Marciano Remix)
Dua Lipa - Houdini (Adam Port Mix)
Drake - One Dance (Peace Control Remix)
Zion & Lennox, Daddy Yankee - Yo Voy (DJ TEDDY-O Afro House Remix)
Remix Rewind [Presented by Digital Music Pool]
Don Omar, Lucenzo - Danza Kuduro (Tiesto Remix)
Bob Marley & The Wailers - Jamming (FISHER Remix)
Sean Paul - Get Busy (Odd Mob Remix)
Sharam - PATT (Party All The Time) (Adam Beyer, Layton Giordani & Green Velvet Remix)
The Outfield - Your Love (Diplo Remix)
Breakout Mashup Artist Of The Year [Presented by Digital Music Pool]
Spice
Aurelios
Cazes
Mister Gray
Netgate
Best Use of Sample [Presented by Digital Music Pool]
Mau P - MERTHER
David Guetta, Alphaville, Ava Max - Forever Young
Öwnboss, NXNJAS, Chamillionaire - Ridin Dirty
James Hype - 7 Seconds
Sam Feldt, Steve Aoki, Niles Rodgers - I’m Going Out
Remake Of The Year [Presented by Digital Music Pool]
FISHER - Somebody
Mr. Belt & Wezol - It's Not Right But It's Ok
Swedish House Mafia & Alicia Keys - Finally
Diplo & HUGEL ft. Julia Church - Stay High
Cedric Gervais, Nile Rodgers - We Are Family
Mixshow DJ Of The Year (Top 40 / Dance) [Presented by Total Smash]
DJ Nurotic (103.5 Chicago)
Bodega Brad (103.5 WKTU)
DJ GHOST (Q102 PHILLY)
DJ Triple XL (KIIS FM Los Angeles)
DJ Jaime Ferreira (93.3 FLZ)
DJ GQ (Y100 Miami)
DJ Sticky Boots (HyperMiXx)
DJ Jay Mac (Most Requested Live)
DJ AUDIO1 - Ghetto House Radio
DJ Oreo - 106.9 K-HITS
Radio Remixer Of The Year [Presented by Digital Music Pool]
Cosmic Dawn
Kue
Petedown
J Bruus
Charlie Lane
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In a world teetering on the edge of irreversible change, the song ‘We Started a Fire’ captures the essence of humanity’s complex and dangerous romance with technology. Over the past 250 years, we have nurtured and fueled this relationship, believing it would elevate us to new heights. But now, it feels as though we have reached the climax of this love story—one that has created the perfect storm of climate change, artificial intelligence, and totalitarianism.
The song’s timing is crucial. In an era marked by environmental crises, rapid AI development, and political instability, ‘We Started a Fire’ feels like a prophetic warning. The “point of no return” isn’t just poetic; it’s a stark acknowledgment of the critical thresholds we’ve crossed, especially concerning climate change and digital ethics. The lyrics repeatedly drive home the inevitability of destruction: “We started a fire, started a storm. Started something we cannot control. We passed the point of no return. Started a fire. Now watch it burn”.
One of the most striking verses, ”You and me we were ecstasy, we were everything they wanted to be”, encapsulates the intoxicating allure of technology. It speaks to our initial fascination with innovation, how we embraced it with
open arms, believing it would set us free. The metaphor of ”gasoline and a spark” further amplifies the volatility of
this relationship, suggesting that our relentless pursuit of progress was always destined to ignite an uncontrollable
blaze.
This is more than a song; it’s a reflection of the times we live in. It’s a reminder that our love affair with technology,
once full of promise, has led us to the precipice of destruction. Whether it serves as an elegy for what we have lost
or a wake-up call for those willing to act remains to be seen. But one thing is certain—the fire is burning, and the
world is watching. In its raw, unfiltered honesty, ‘We Started a Fire’ holds up a mirror to humanity, daring us to face the reflection.
S
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Keeping up his run of collaborative projects, making a swift return after the success of his official remix of David Guetta, Jaden Bojsen and Sami Brielle’s viral anthem, ‘Let’s Go’ with HUGEL and Juany Bravo, Tom Enzy continues to strengthen his prominent standing within Electronic Music. A multi-platinum Artist, reaching chart-topping achievements and recognition through his work alongside industry titans like Alok, Rick Ross, Bob Sinclar, and Flo Rida, he remains a sought-after Producer and DJ, continuing to lead a journey where passion and talent converge.
In this latest single, Tom Enzy combines his rich sonic identity with the signature approach of HUGEL and production duo Danny Roma x Matrix, leaning on his own trademark fusion of Tribal House, Afro, Latin House and Brazilian Funk influences.
Displaying intricate percussive textures and lively beats, the track quickly establishes its solid groove, introducing layers of vibrant details; as the uplifting horn motif takes up its prominent position, the arrangement continues to evolve, enriched by the robust low-end and complex rhythmic tapestry. Then, tense, atmospheric pads and wordless vocals take the listener through the breakdown, as Yuliesky Gonzalvez weaves a soaring trumpet motif, eventually leading the track back into its tight groove of catchy hooks and rhythmic intricacies to culminate in an electrifying, club-ready experience.
A high-impact production, ‘Alicante’ comes as a distinct symbol of Tom Enzy’s signature approach, combined with the colourful sonic flavour of his collaborators, HUGEL and Danny Roma x Matrix. Having put forward another exciting addition to his discography, Tom Enzy ensures his music continues to resonate with the global Electronic Music stage while adding more value to his growing status with a track poised to become a staple in sets worldwide.
‘Alicante’ is out now via Make The Girls Dance Records and available to stream and download across platforms. Make sure to keep up with Tom Enzy and his exciting journey by staying tuned to his upcoming releases and performances via social media.
Listen and Buy ‘Alicante’ Now:
Tom Enzy:
Instagram | Spotify | Beatport
HUGEL:
Instagram | Spotify | Beatport
Danny Roma x Matrix:
Soundcloud | Beatport
Make The Girls Dance Records:
Instagram | Beatport
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Straight away from the opening song ‘Improv’ it’s clear that Bogdan has really developed his craft while he’s been away. It sets out the tone for the EP perfectly with its funky bassline and instantly catchy drum beats which are sure to get bodies moving in the clubs. ‘Drop Deep’ keeps the groove going and feels like it would be equally at home at a beach party as it would be at an underground rave as he keeps a bit of an underground sound in it to honour his roots.
‘Do You Read Music’ offers a change in energy with the lead synths setting out the rhythm while the bass once again just makes you want to move which links perfectly into the closing track ‘Hold Up.’ Here the use of vocal samples adds a nice bit of variation on top of yet more excellently crafted beats.
With ‘Improv’ being signed by Sepp’s record label CATREN and the EP already hitting the clubs, Adam Bogdan has made a great return to the music scene and has set out his distinct style well. Now that his love of producing has been rekindled there will hopefully be more releases to come from him with this same addictive energy.
Connect with Adam Bogdan on his socials below:
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It is set against a huge, haunting soundscape made up of strings and a mixed choir that makes you think of a Sisyphean battle and a strong sense of grief and loss. In terms of melody, though, it’s the metallic double-time arpeggiator and the offbeat LFO bass that really make the track shine. Until the chorus, where a female singer takes over and sings two lines that capture the song’s mind-over-matter spirit: “We can move the mountains/We can burn them down, set fire to it all.”
The Munich two-piece not only make their glacial electronica sound even more solid with “Lykke,” but judging by how their Turkish fans reacted in Eskisehir, Ankara, and Istanbul, they also prove that they are an electrifying live act that their German fans can still see for themselves during the last leg of their European tour.
The post KIDSØ move mountains with their icy electronica single ‘Lykke’ appeared first on The Groove Cartel.
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The collaborative alias of CloZee and LSDREAM emerged in a blaze of creative fire within a matter of months, debuting at Electric Forest in June 2024 before releasing a self-titled album and headlining Red Rocks in one of EDM.com's best performances of the year.
But if those milestones suggested a whirlwind of maximalist ambitions, "Lost" reveals a different dimension of LSZEE’s artistry, one that's more meditative and introspective. With the new single, LSZEE reinforce that fact that their synergy is far from a fleeting experiment and reveal a broader spectrum of their cerebral sound.
Anchored by the haunting vocals of Roniit, "Lost" unfurls like a weightless dream sequence. Her airy voice glides through the track while LSZEE’s atmospheric production shines with delicate, drifting synths that dissolve into an otherworldly soundscape. The duo leans into subtlety, allowing reverb-drenched melodies to bloom in vast open space before coalescing around a cinematic trap drop.
Listen to "Lost" below and find the new single on streaming platforms here.
Follow CloZee:
X: x.com/clozeemusic
Instagram: instagram.com/clozeemusic
TikTok: tiktok.com/@clozeeofficial
Facebook: facebook.com/clozee
Spotify: spoti.fi/2AvsgHa
Follow LSDREAM:
X: x.com/lsdream
Instagram: instagram.com/lsdream
TikTik: tiktok.com/@lsdream
Facebook: facebook.com/lsdreammusic
Spotify: spoti.fi/3mpNB7m
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"Above The Water" is a stirring blend of melancholy and triumph that underscores each artists' versatility. At the heart of the track is Provencial’s soaring vocal range, drenched in regret and introspection, effortlessly guiding the energy from its somber introduction to its euphoric release. A tutorial in balancing tension and resolution, his lyricism serves as the anchor that carries the weight of the song’s emotional arc.
His evocative delivery immediately pulls us into the track's self-doubting depths before the production shifts gears, injecting a sense of catharsis. As the drop develops, "Above The Water" transitions into an uplifting fusion of melodic bass and a driving, percussive groove.
Blanke, the EDM.com Class of 2021 star who also moonlights as his drum & bass alias ÆON:MODE, continues to expand his sonic palette by demonstrating his deft touch in the future bass space. Meanwhile, CADMIUM reinforces his own cinematic style with emotionally charged production.
Listen to "Above The Water" below and find the new single on streaming platforms here.
Follow Blanke:
Facebook: facebook.com/blankemusic
X: x.com/blankemusic
Instagram: instagram.com/blankemusic
TikTok: tiktok.com/@blankemusic
Spotify: spoti.fi/3ptm6e9
Follow CADMIUM:
X: x.com/cadmiumofficial
Instagram: instagram.com/cadmiummusic
TikTok: tiktok.com/@cadmium
Facebook: facebook.com/cadmium.sound
Spotify: tinyurl.com/2evxtp9n
Follow Ben Provencial:
X: x.com/BenProvencial
Instagram: instagram.com/benprovencial
TikTok: tiktok.com/@benprovencial
Facebook: facebook.com/BenProvencialMusic
Spotify: tinyurl.com/mw5zsr2e
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From the very beginning, “Lips Moving” grabs listeners with an unstoppable tech-house groove that speaks directly to the heart of late-night warehouse parties. The track’s pulsing rhythm is like a backbone that can’t be broken. It moves forward with an addictive energy that makes you want to move from the first beat. This isn’t just a song; it’s an experience that turns places into dance temples for a short time.
There is a cleverly made synth theme at the heart of the production that weaves through the arrangement like a spell. Today’s technical standards are based on crisp, modern production values, but the interesting blending work pays homage to the analog warmth of a classic house. This careful mix between old and new sounds builds a bridge between generations of people who love house music.
The track’s main theme plays a dual role as both a compass and a guide. It changes slightly as the arrangement goes on, but its pull on dancers stays strong. DJs dream of making music like this—a perfectly tuned weapon that can either set off peak-time bliss or keep up the deep, meditative groove of early morning sessions.
The post Factory 93’s Ignites Dance Floors with M-High’s “Lips Moving” appeared first on The Groove Cartel.
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‘Pieces’ is a tour de force of fantastic sound design that has some absolutely beautiful atmospherics which are a particular treat for the ears and set the more solemn tone in the verses brilliantly. The dichotomy between Fox’s lyrics that recall past struggles, and Yue’s lyrics which describe looking toward a hopeful future create a compelling narrative that leads into the awesome breakbeat in the chorus’. Yue provides some incredible vocals which when layered together with Fox’s during the chorus’ sounds like their voices were made to be blended together.
‘Pieces’ is an excellent addition to Fox Stevenson’s repertoire of Drum & Bass bangers and will be an exciting track of his to hear at his live shows where he integrates live instruments into his performances. He’s on top form at the moment which is looking to continue over the coming year having already dropped another heater with ‘That Choice.’ There’s plenty to look forward to from him.
Connect with Fox Stevenson on his socials below:
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Her sound thrives in the darker, more enigmatic corners of the genre, where she infuses deep frequencies and intricate sound design that converge to create something truly mesmerizing. But here’s the best part, this is where it just starts. Despite the shadowy, intense nature of her sound, VEIL skilfully weaves together a diverse array of styles under the low-end umbrella to create musical expeditions that are vivid, introspective, and thought-provoking.
This unique sonic signature has earned VEIL a place among some of bass music’s most forward-thinking labels, including WAKAAN, MorFlo Records, and Deadbeats. But she isn’t just contributing to the scene—she’s actively shaping it. Through her own imprint, Street Ritual, she curates and cultivates a platform for like-minded artists, pushing the boundaries of experimental bass music and fostering a community of sonic trailblazers.
Street Ritual is where VEIL’s debut album, High Voltage landed, which is a culmination of her endless depth of her creative genius. Released in late 2024, “High Voltage” is a multidimensional experience, with 5/9 and Towr Media enhancing its visual narrative. The album resonates on multiple fronts—sonic, visual, experiential, and transcendental—pushing boundaries at every turn.
High Voltage unfolds the story of AZAL, a central figure journeying through THE HOLLOW—a cross-dimensional realm of infinite timelines and realities. Each track serves as a chapter in her odyssey, chronicling her evolution as she discovers and harnesses her ability to shape and manipulate the ever-shifting landscapes of THE HOLLOW.
Before diving deep into VEIL’s debut album, High Voltage, it might be a good idea to explore how its narrative was meticulously crafted. Understanding the story behind the album adds a new layer of depth to the experience, allowing us to fully appreciate the vision and artistry that shaped it.
“AZAL, my main character, has appeared in many of my past EPs, and High Voltage follows her journey as she enters a black liminal space where she learns to control realities with her mind. Over time, I realised her story reflected my own—navigating multiple realities, managing creative projects, and feeling both empowered and overwhelmed. Throughout the album, AZAL experiences moments of control, disruption (like encountering malware), and ultimately, an overload of power.
Structuring the album to honour this narrative was crucial. I didn’t just arrange tracks by energy levels—I wanted the flow to mirror the emotional and sonic journey, much like my DJ sets, where heavy moments build into introspection before resetting and evolving. The interlude at the midpoint serves as a reset, leading into a fresh chapter of sound. The closing track, Overload, is one of my favourites because it encapsulates how I felt by the end of the year—pushed to the limit, juggling creative projects, finishing the album, and even organising the release party.”
Then comes the moment where VEIL took a bold leap of faith, deciding to craft her debut album High Voltage. This wasn’t just another project—it was her biggest creative endeavour to date, one that required her to push beyond the boundaries of her past work and take on a monumental challenge. She not only had to compose the intricate, layered sounds of the album but also build a captivating narrative around it. The weight of creating something so personal and so expansive was immense, and the pressure of shaping this story—the world of AZAL and THE HOLLOW—was like nothing she had faced before.
In the process, VEIL found herself navigating the complexities of self-doubt, the challenges of balancing creative freedom with artistic consistency, and the internal struggle of stepping into such uncharted territory. It was a journey filled with moments of uncertainty, yet the drive to see the story unfold and to release something that was so uniquely hers kept her moving forward.
“I’ve been considering making an album for a few years, but at the start of this year, I felt ready for a bigger creative challenge. Knowing myself, I wanted to go all-in on the visuals, storyline, and lore, so I gave it enough time. I set the goal in November while on tour, but the concept and timeline took shape around January-February. I planned to finish the tracks by July to release in November, making it a busy year. My team and I worked hard, with two visual shoots and extensive post-production. My creative director, VJ, and visual artist, 59, collaborated with me on the storyline, ensuring each track had a deeper visual and narrative connection.”
Now that the album is out in the world, the sense of relief is palpable. VEIL has seen the album resonate deeply with listeners, with many praising the intricate storytelling and bold sonic choices. The reaction has been overwhelmingly positive, and the journey has come full circle, as she watches her vision reach a wider audience. For VEIL, the success of High Voltage goes beyond the accolades; it’s about how her music has touched others and how her personal journey, which she poured into the album, has become a shared experience with listeners. It’s a moment of both reflection and forward momentum—realising that the leap of faith she took has not only paid off but has opened doors to even greater possibilities in her creative future.
“The pressure I felt was entirely self-imposed—I wanted to bring to life every sound and idea I had envisioned. I experience music in colours, and while my previous project spanned multiple genres, VEIL has always had a more focused sound. With this album, I aimed to expand that while keeping it cohesive, blending different styles into one fluid journey.
The challenge was fitting everything into 10-12 tracks while staying true to my vision. Along the way, I had to refine, cut, and adjust ideas to ensure the album told a complete story. Every BPM shift, track placement, and AI-generated voice sample was intentional, carefully woven into the narrative. Now, listening back, I’m amazed at how it all came together.”
Creating an album of this scale is an emotional rollercoaster, and for VEIL, the process was no different. Pouring her heart and soul into every track, she experienced a whirlwind of emotions—hope, frustration, excitement, doubt, and everything in between. There were moments of pure inspiration where ideas flowed effortlessly, and others where the weight of the project felt overwhelming.
VEIL describes the album as a direct reflection of her emotional journey, with each track carrying its own unique energy. Some tracks radiate positivity and euphoria, while others dive into aggression, tension, or even moments of despair. The album was not just about creating music, but about capturing raw, unfiltered emotions and translating them into sound.
“Art imitates life, and life imitates art—it’s a constant cycle. AZAL’s journey has always been an inspiration to me, though I never directly saw it as my own. But through creating this album, I realised I was expressing so much of what I feel about my music, my vision, and the direction of my project.
I wanted to honour my roots in psychedelic music, which has always been a core influence. While my sets are known for being heavy and dark, there’s always been a strong psychedelic element running through them—something deeply important to my sound. With this album, I aimed to merge that hypnotic, mind-bending energy with the weight and intensity of my music, creating something that feels both raw and immersive.”
One thing High Voltage delivers on is the extremely fine balance of solo and collaborative material. The solo stuff flows the way VEIL wants it to but VEIL also lets her collaborations speak and breathe. HerShe and Digital Vagabond come through on their respective tunes and when you give it a listen is when you know the honest effort that has gone into each piece of music on the album.
When working with others, like HerShe and Digital Vagabond, VEIL allows each artist’s voice and influence to come through in a way that feels natural and unforced. Their contributions are not just added elements—they are integral parts of the album, each one breathing life into the project in its own distinctive way. When you listen to their respective tracks, you can hear the careful thought and honest effort put into each one. It’s evident that every piece of music, whether solo or collaborative, was crafted with passion and attention to detail, making High Voltage a seamless blend of individual artistry and collaborative energy.
“The tracklist for High Voltage wasn’t set in stone from the start, and I had a few other collaborations in mind as well. But as I began finalizing the earlier tracks and getting them mastered earlier in the year, I started to see how everything might fit together. One track I was certain about was Omega. The name itself, which means “the end,” felt symbolic, and it was an important part of the album’s narrative. Digital Vagabond, who is also part of my creative team and one of my closest friends and collaborators, was a perfect fit for this track. I had been playing Omega for a long time, and it felt right to have it as a pivotal moment in the album.
It was also key for me that Omega followed the 5-9 track because 5-9 and I, along with Knox Illumina, are all very close friends and collaborators. We also run a business together called Tower Media, where we handle artwork and creative projects. So, having that sequence felt significant, like the 5-9 track sets up the story and Omega comes in to reset everything. It was essential for me to make sure that each piece of the story fit together naturally.
With Move Fast and Break Things, the track started with a sample I was really excited about. It felt like the perfect match for my energy—it’s just who I am. My friends always say, “Keep calm and carry on,” but for me, it’s more like “Move fast and break things.” That’s the energy I bring, and I knew it had to be a part of the album. When I sent it to my friend HerShe, she instantly connected with it and said, “Let me jump on this right now.” I’ve worked with her on a few tracks before, and I love her sound—she has that same bold, go-for-it energy, which felt perfect for this track.
She ended up writing the intro for the song and sent it back, and I was blown away—it quickly became one of my favourite tracks on the album. At first, when I sent it to her, the samples were missing, so she didn’t even hear the full version. When she sent it back with her part, I added the samples back in, and her reaction was priceless. She was so excited, saying, “Oh my God, this is ridiculous!” It was a really special moment.
Both collaborations came together naturally, and I knew that Move Fast and Break Things was always meant to be part of the album’s storyline. It represents a moment where the character is gaining control and moving through space, maybe a little chaotically, but in a way that feels empowering. It has that raw, unapologetic energy that I wanted to capture, and to me, it just screams girl power. And I don’t mean that in a corny way—it’s about embracing that fierce, unstoppable energy.”
The sonic prowess of High Voltage is, of course, undeniable, showcasing VEIL‘s ability to craft a soundscape that is both electrifying and emotionally resonant. However, it was the visual dimension of the album’s release that truly elevated VEIL‘s debut long player to an entirely new level of artistry. Recognizing the power of storytelling through imagery, VEIL partnered with Tower Media, a creative agency known for its innovative approach to visual storytelling, to bring the narrative of AZAL—a central figure or concept in the album—to life.
This collaboration resulted in a series of stunning visuals that complemented the album’s themes and sonic textures. From meticulously crafted music videos to striking album artwork, every visual element was designed to immerse the audience in AZAL’s journey. The visuals were not just supplementary but integral to the album’s identity, creating a multi-sensory experience that resonated deeply with VEIL and her music.
“Tower Media and I have collaborated on my last four releases, including AZAL. It’s always rewarding—we start with a concept, a mood board, and a vision. For this project, I wanted a liminal space with a 3D universe around me, evolving as AZAL grows more powerful. They’re amazing at bringing my ideas to life. We shot everything in our studio with just a few cameras—one professional, one iPhone—and a small team.
This was our biggest visual project yet, with singles, album art, and canvases to deliver. We even did a test shoot in March to figure out how to place me in a 3D universe, which helped us refine the final shoot. Josh from Tower Media did an incredible job showcasing the story across all visuals. It’s our biggest accomplishment to date, and the project wouldn’t be the same without them. From the start, I wanted visuals to be a core part of my storytelling, and they’ve been essential in making that happen.”
In many ways, High Voltage feels like the culmination of a significant musical chapter for VEIL, while simultaneously marking the beginning of an exciting new era. The album represents a monumental effort in perfecting every aspect of her artistry—the narrative, the sound, and the visual storytelling—all of which come together to create a cohesive and immersive experience
Now that it’s done, this project feels like the closing of a door on one journey, one that has been defined by growth, experimentation, and the meticulous crafting of AZAL’s story. VEIL herself resonates with this sentiment, acknowledging that High Voltage has been a transformative experience. It’s a project that has allowed her to fully realise the potential of her storytelling, both sonically and visually, and has set a high bar for what’s to come.
“Yeah, High Voltage was an opportunity for me to get a lot out of my system—it was a deeply emotional project with so much depth in the story and visuals. Now, I’m excited to write music without restrictions. The album was very planned, with BPM charts, story points, and specific samples mapped out. Moving forward, I want to create without deadlines or rigid structures. I’m taking a break from touring to focus on the studio and just have fun with it.
The album has given me that freedom, and it’s been interesting to see which tracks resonate with people. Everyone has different favourites, which has been surprising and exciting to witness. Now, it feels like VEIL is stepping out of the “hollow”—the space we’ve been in all year—and into something new. I’m looking forward to experimenting without constraints, whether that means shifting BPMs or exploring different genres like drum and bass.
While I still have goals, such as releasing with certain labels, I’m focusing less on rigid plans and more on enjoying the creative process. After such a major achievement this year, I want to let things unfold naturally and see where the music takes me.”
The album found its home on VEIL’s own label, Street Ritual, a platform long synonymous with boundary-pushing experimentation across genres like dubstep, halftime, drum and bass, leftfield bass, and kinetic psychedelia. VEIL’s journey with the label began nearly a decade ago when she joined as one of its key contributors, eventually stepping into the role of owner. Under her stewardship, Street Ritual has continued to serve as a launchpad for emerging artists, providing a space to showcase talent, evolve sound, and grow into influential figures within the bass music community.
Reflecting on her early days with the label, VEIL took us on a nostalgic journey, recounting how Street Ritual became a hub for innovation and collaboration. She also shared insights into the evolution of America’s bass music scene over the past fifteen years, a period marked by seismic shifts in sound and culture.
“You know, the whole bass music scene in America is such an interesting conversation—I could talk about it for hours! Take psychedelic bass music, for example. It really had its moment from around 2011 to 2016-2017, and don’t get me wrong, it’s still going strong, but in the U.S., it feels like it has hit a bit of a ceiling. The thing is, the psychedelic bass audience is far more global than many people realise. I’ve played at Boom Festival twice, toured across Europe, Australia, and South and Central America with my old psychedelic project, and it really opened my eyes to how different the bass music scene is outside the U.S. In many of those places, heavy dubstep isn’t the main focus—it’s more about experimental, diverse sounds.
But here in America, there’s been a noticeable shift towards heavier, more intense styles. Over the past few years, genres like IDM, leftfield, and experimental bass have exploded, especially on platforms like Beatport. These sounds aren’t new, but they’re finally getting the recognition they deserve, and now they’re practically their own subgenres. Leftfield, in particular, feels like a great way to describe where Street Ritual has ended up. We started out with a lot of trap and psychedelic bass—that whole “West Coast bass” vibe, you know, that glitchy, trappy, psychedelic sound that was huge for a while. But over time, our sound has evolved. You can still hear those influences, but now there’s a heavier, more experimental edge to it.
It’s wild how much the scene has changed since the mid-2010s when artists like Kalya Scintilla, Hedflux, Sixis, and Tipper were my biggest inspirations. Now, it feels like the U.S. is leaning into darker, heavier sounds. Look at drum and bass—it’s having a moment again, which totally aligns with this trend toward intensity. But honestly, this could just be my perspective. It might be what I’m personally drawn to or focusing on right now. Still, it’s fascinating to see how the American bass music scene is evolving, embracing these heavier, more dynamic sounds while still holding onto the psychedelic and experimental roots that made it so special in the first place.”
Which brings us to an essential point about the cultural exchange between the United Kingdom and the United States from a bass music standpoint. They have been influencing each other since the earliest years of drum & bass, garage, and dubstep. The bass music scene in America thrives on a dynamic exchange with the UK, a back-and-forth that has historically shaped genres like garage and dubstep. While garage’s roots trace to the U.S., it evolved into UK garage and bassline across the Atlantic, just as dubstep blossomed in Britain before reverberating in the United States and gaining global momentum.
What makes the American scene uniquely compelling, however, is its ability to reinvigorate these genres with bold, homegrown energy—breathing new life into familiar sounds. VEIL resonates deeply with this transatlantic synergy, describing her music as a fusion of global influences refined into a distinct sonic identity. For VEIL, it’s proof that cross-pollination doesn’t dilute tradition—it amplifies creativity, allowing artists to carve out niches that feel both fresh and rooted in shared musical DNA.
“My journey with bass music has always been deeply tied to the UK sound. Back in my early DJ days—pre-USBs, when I was spinning CDs—my first tracks were all UK dubstep: deep, dark, 140 BPM stuff. I’ve been a fan of artists like Truth for over a decade and even attended the first Dubstep showcase. That UK influence has always been a part of my sound, even before the recent drum and bass wave hit the U.S. I got into drum and bass through Dayla Moon, a pioneer in the American scene who’s been throwing Moon Tribe gatherings in the desert for over 20 years. She’s a close friend and collaborator, and hearing her spin drum and bass was a game-changer for me. It inspired me to start incorporating it into my sets, and now it’s a staple in my performances.
When I first started playing drum and bass at bigger shows post-2020, some crowds weren’t sure how to react. But over time, especially with younger audiences, the heavier, faster tracks started to resonate. Now, I could play a full drum and bass set, and the crowd would love it. It’s been incredible to see how the U.S. scene has embraced it, even though artists like Wilkinson, Overview, and Critical are keeping it authentically UK. Their releases are so inspiring—I’m lucky to be on their promo lists and get early access to their tracks. It’s fueling my own drum and bass EP, which I’m really excited about.”
Following the album’s release, VEIL embarked on a series of shows where she had the opportunity to showcase her music in its fullest form. However, it was towards the end of 2024 that she truly solidified her place among the industry’s elite, gracing some of the biggest stages, including Radiance, Reflections, and Cyclops Cove 3. Sharing the lineup with some of the most influential names in the scene, VEIL delivered electrifying performances that left a lasting impact. Reflecting on the experience, she describes the feeling as nothing short of surreal—an unforgettable moment in her journey as an artist.
“This year was absolutely mad—packed with surreal moments. And December was no different! Playing in the middle of the LED wall at Radiance was a dream come true. I felt like I was floating in my visuals! St. Louis for NYE was rowdy as usual; I got to meet so many new people, and the venue had a proper underground rave vibe. I absolutely love curating sets for those kinds of nights.”
For VEIL, this new chapter isn’t just about music—it’s about creating experiences that resonate on a deeper level. The new year heralds a fresh start, one brimming with boundless creativity and fearless experimentation. Known for her ability to seamlessly blend genres and push sonic boundaries, VEIL is poised to take her artistry to even greater heights in the coming months.
“I’m really excited to work with a vocalist. I have a childhood friend—one of the best singers I’ve ever heard—who doesn’t do music professionally, but I’d love to get her on a track. Lately, I’ve been super motivated by drum & bass, and it’s a sound I want to explore more, along with different BPMs.”
Whether she’s crafting intricate soundscapes in the studio or delivering high-energy performances on stage, VEIL’s commitment to pushing the envelope remains unwavering. This year, she is set to dive deeper into uncharted territories, experimenting with new sounds, collaborating with visionary artists, and continuing to redefine what bass music can be.
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The track builds up like a midnight revelation in Berlin’s concrete caverns, where dubspeeka’s deep sound design skills, honed over years of drum ‘n’ bass work with Kosheen, meet Faki’s famous understanding of how to make a dancefloor work. It turns into a hypnotic journey that talks in the language of underground places, where darkness is used as a way to become one with everything.
At its core, “Mod 3” is a test of how to hold back and let go. The track builds with the slowness of an old storyteller, laying a base of bass frequencies that sound like they come from the ground. The lack of vocals isn’t a limitation; it was chosen on purpose so that the mechanical poetry of the synthesizers can tell their own story across the frequency range. Each carefully made part fits perfectly together, which shows how carefully both artists work with sound design.
“Mod 3” doesn’t completely change the way technology works, but it does make the plan better. This track can change things when played in small, cozy spaces where every frequency can be felt as well as heard. Some DJs will play this kind of music when the night needs to go from just dancing to a state of collective transcendence and the crowd is ready to melt into the beat and atmosphere.
One thing that makes this game stand out is that it keeps your attention without using cheap thrills or boring builds. Instead, it works like a slowly tightening coil, with each turn adding new layers of tension and release that speak to techno’s main promise: using sound to create different worlds.
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Building on their success, Agents Of Time delivered a powerful closing performance at the CORE stage in Medellín, Colombia, reinforcing their position in the global electronic music scene. ‘Only Human’ follows their high-profile remixes for Martin Garrix and Zerb, making it the duo’s third release this year. Looking forward, there is much anticipation for more music in 2025, as Agents Of Time continue to evolve their sound while honoring their musical roots.
‘Only Human’ represents another grand step in the careers of Agents Of Time
The Italian DJ and producer duo, comprised of Andrea Di Ceglie and Luigi Tutolo, have earned global recognition for their collaborative efforts and adaptability in the studio. Their combined talents have established them as a sought-after presence in the dance music landscape, with releases on several prominent labels. Throughout the years, they have engaged and inspired large audiences at notable venues such as the Rex Club in Paris, Brooklyn Mirage, and the Mainstage at Tomorrowland. Their journey is a testament to their dedication to the craft and the growing impact they are making in the electronic music world.
Click ‘Play’ on the Spotify link below to stream ‘Only Human’, a melodic techno track that aims to ease moods and enlighten senses when one is currently listening to it.
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‘Tokyo’
‘Tokyo’, with its infectious Euro bounce energy, hard-hitting drums, trance-infused synths, raved-up whistles, and playful, catchy lyrics, is a vibrant techno banger. It is guaranteed to ignite any rave. In addition, the track is whimsical, lighthearted, and fun! You will have it as an earworm for a minute. It follows Reinier’s January single ‘Just Wanna Dance’—a collaboration with Brazilian star Alok, K1LO, and MadGuss — kicking off a monumental seventh year for Reinier’s hit-making label, Filth on Acid.
Reinier Zonneveld
Dutch artist Reinier Zonneveld is a pioneering force in techno, celebrated for his electrifying live performances and genre-defying productions that fuse hard dance, trance, and techno into a powerful sound. As the founder of Filth on Acid, he has pushed boundaries with releases like Church of Club Music and reimagined classics such as Resurrection and Ferry Corsten’s Punk.
Furthermore, he is known for marathon sets and immersive live shows using drum machines and synthesizers. Zonneveld has headlined major festivals and sold out iconic venues. One major achievement was his solo show in Amsterdam’s 13,000-capacity Ziggo Dome, solidifying his influence on the global techno scene.
Dea Magna
Dea Magna is a Los Angeles-based producer, DJ, and vocalist. She fuses classical music training with melodic house, techno, hard techno, psy trance, and hard dance. This helps her create fast-paced, club-ready sounds. As a result, her releases on Universal Music, Virgin Records, Sirup, Groove Bassment, and Filth on Acid, her track ‘Okano’ featuring Reblok reached #1 on Beatport’s Hard Techno chart in June 2024.
She enjoys the support of heavyweights like Tiesto and R3HAB. Moreover, she has played festivals and venues like Splash House and Exchange LA. In December 2024, she supported Zonneveld at Exchange LA. Featured in DJ Mag and EDM.com, Dea Magna is a rising star in electronic music.
Reinier Zonneveld with Dea Magna knocked it out of the park with this one. Finally, let’s hop on a plane with destination ‘Tokyo’.
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On Saturday, February 15, the gnarly and innovative house and techno label, Dirtybird Records, hosted their 20th anniversary event, Dirtybird Twenty, at the International Art Museum of America. This museum is located in the world-famous Financial District of San Francisco (more specifically, on the renowned Market Street itself) and the Dirtybird Twenty event was the perfect occasion for the museum to showcase its beautiful artistic masterpieces to the hundreds of dance music fans who attended the event.
The artists who performed inside the museum were Artsychoke, a b2b set between Techno Tupac and Chocolate Sushi, Christian Martin, Rodriguez Jr., and Shiba San. The Dirtybird Twenty event is a party of the record label’s 20th Anniversary Celebration Tour that is happening nationwide at this moment.
Dirtybird Twenty showcased an exotic and chill theme at the International Art Museum of America
The theme of Dirtybird Twenty is based on the legendary ‘Garden of Eden’ and the exotic scenery could make one feel that they are in a relaxing, tropical environment. When attendees enter through the front door of the museum, they can see the event happening right before their eyes as they walk through the entrance aisle. After showing the tickets, fans got to view the exclusive Dirtybird merch booth, bar, and the walkway that leads into the dance floor itself.
The dance floor area had a setting that felt like an island party, with small ponds that laid themselves throughout the floor and life-like rocky walls complementing the setting as well. Additionally, the music coming out of the artists set the cool vibes and reinvigorated a part of San Francisco that was once a very lively area of the city. The fans attending, in particular, filled up the museum by midnight. By the time the event ended at 3 a.m., the mood was still very lively and there was a sense the fans wanted to enjoy more music until sunrise.
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Nic is one of the UK’s finest exports in electronic music spanning across the last decade. His own imprint Saved Records remains one of the major drivers of international, underground house and techno across the globe. A Grammy-nominated producer in his own right, Nic has worked with artists as diverse as Underworld, Kylie Minogue, U.N.K.L.E, Loco Dice, Josh Wink, Hot Natured and Tracey Thorn.
Now working with Black Circle, a close friend and fellow titan of the electronic scene, the pair unveil ‘Blessed’; the unmistakable sonic aesthetics of both Nic Fanciulli and Black Circle are front and center, with slick, looped patterns and expertly crafted build and release making ‘Blessed’ a future contender for track of the summer.
‘Blessed’ by Nic Fanciulli & Black Circle is out today on Saved Records here.
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Track Breakdown: ‘Become’ and ‘Rogue’
‘Become’ opens the EP with a rhythm-driven, bass-heavy vibe that immediately commands attention. The track’s pulsing synths and bass stabs create a groove perfect for dance floors. It encourages listeners to move with its infectious beat and deep techno sound.
Meanwhile, ‘Rogue’ provides a refreshing contrast. Ruiz transitions into a more progressive, melodic style, delivering a track full of intricate synth work. It blends rich melodies with the solid driving drumkit that’s a hallmark of his sound. ‘Rogue’ shows Ruiz’s evolution as a producer, creating a new experience for his fans while still staying true to his roots.
Victor Ruiz
Since 2013, Victor Ruiz has been a rising star in the electronic music scene. Originally from Brazil and now based in Europe, Ruiz is known for his genre-defying productions. He has released on top labels like Drumcode, Suara, and Noir Music, cementing his reputation as a leading figure in techno. Before the Become EP, Victor released his 8-track LP THIS IS NOT AN ALBUM which is making strides in the realm of dance. Especially, his track ‘ENERGY‘ which already has millions of plays across streaming platforms.
Ruiz’s passion for music dates back to his early years, with a deep love for heavy metal and his first bass guitar at age nine. Over the years, his music has evolved into the energetic techno and house that fans have come to love. With a string of successful releases and remixes, including tracks by The Prodigy and Depeche Mode, Ruiz continues to move more out of the box with each project, bringing joy and energy to his dance floors worldwide.
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A Lineup Packed with Global Icons
This year’s Monegros lineup boasts a powerhouse selection of techno, house, drum & bass, hip-hop, dub, reggae, psytrance, and more. Pendulum Live, Richie Hawtin, Boris Brejcha, Laurent Garnier, Indira Paganotto, Joseph Capriati, Adam Beyer, Len Faki, SPFDJ, and Mind Against are among the top-tier acts gracing the desert stages. Hard techno fans can look forward to high-energy sets from Nico Moreno, I Hate Models, and Andres Campo, while house lovers will get their fix with Enzo Siragusa, Cinthie, and Layla Benitez.
Beyond electronic beats, the festival embraces diverse sounds, featuring hip-hop lyricist Foyone, reggae sensation Protoje, and psytrance master DJ Tristan. With more artists yet to be announced, Monegros is shaping up to be an unmissable sonic adventure.
A Temporary Technopolis: The City of Rave
Monegros is not just a festival—it’s an ephemeral city, a technopolis that rises from the desert once a year to unite thousands of ravers under one sky. Each edition, this futuristic dance hub is meticulously crafted with advanced lighting systems, immersive soundscapes, and awe-inspiring stage designs that blend seamlessly into the rugged beauty of the Spanish desert. The festival is a masterclass in engineering, innovation, and artistic vision, offering a completely immersive experience that defies expectations.
At the heart of the technopolis are 13 carefully curated stages, each with its own identity, artistic theme, and genre focus. The stages are designed to transport attendees into different worlds—whether it’s an industrial warehouse setup, a futuristic neon-lit haven, or a tribal, bass-heavy retreat. With state-of-the-art technology, visual installations, 3D projections, and pyrotechnic displays, Monegros ensures that the environment is as breathtaking as the music itself.
This year, organizers have taken the concept even further, introducing new shaded areas, 80 water stations, and designated oases for ravers to recharge before diving back into the action. A digitalized locker system and improved venue signage also enhance convenience and accessibility, making the experience smoother for attendees navigating the massive festival grounds.
Stage Takeovers from European Dance Powerhouses
Monegros has joined forces with top-tier event brands to elevate the experience. Awakenings, Brunch Electronik, 240km/h, and Unreal Germany will each host specially curated stages, ensuring that the festival remains at the forefront of electronic music culture.
Exclusive Back-to-Back Sets and Face-2-Face Battles
Monegros is known for its B2B sets, and 2025 is no exception. Expect 26 B2B showdowns, including Adam Beyer b2b Ilario Alicante, Blawan b2b SHDW, and a Chris, Aaron, and Julian Liberator 30-year celebration. Additionally, a brand-new Face-2-Face DJ format—pioneered by 240km/h—will add an element of competition to the decks, bringing high-energy duels to the dancefloor.
The Monegros Challenge: “This Is Not for You”
Monegros isn’t for the faint-hearted. The festival’s slogan, “This Is Not for You,” challenges attendees to embrace the extreme conditions and lose themselves in the music. With scorching desert temperatures, surreal landscapes, and non-stop beats, Monegros is an immersive test of endurance and passion.
Get Your Tickets Now
With more surprises and lineup additions to come, Monegros Desert Festival 2025 is set to be one of the most exciting editions yet. Secure your tickets now at monegrosfestival.com and prepare to dance from dusk ‘til dawn… and back to dusk again.
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Trance truly is back. We’ve seen it time and time again with acts such as SUPERSTRINGS, Amy Wiles, and Ben Hemsley bringing the former King of Dance back to its very deserving throne. One of these heroes is Ferry Corsten, who actually joined forces with the iconic Ruben de Ronde to deliver a brand-new, pleasantly-old-school tune: ‘New Inner Way‘.
Ferry Corsten has been at the forefront of Dance music for decades. He’s particularly well-known for producing influential Trance music, especially during the 1990s and 2000s, shaping the genre. He has released music under various aliases, including System F, Veracocha, and Gouryella. He’s recently gone all-in with Classic Trance once again, giving us lovers an absolute feast of a treat.
Ruben de Ronde, on the other hand, is a well-known Dutch DJ, producer, and radio host, particularly prominent in the Progressive and Trance music scenes. He’s known for his atmospheric and emotive sound, working as a DJ and producer with collaborations and remixes for various artists. He runs his own record label, Statement!, as well as having a constant presence in Armada.
‘New Inner Way’
A clubbier, more up-tempo follow-up to ‘Bloodstream’, ‘New Inner Way’ sees Ferry and Ruben kicking it up a notch. For a start, de Ronde called his subalias NRG2000 for this. And the rest of the magic comes from simply hitting ‘Play’ and losing yourself in the craze that is this song. And I mean it in the absolute best way possible.
From the nostalgia-invoking synthwork to the title referencing a street in Rotterdam famous for housing many vinyl stores back in the day, this track pays homage to the past times every new track is rooted in. And it shows. The dry percussion and fast-paced rhythms can only be borrowed from the 90s and early 2000s. The track is yet another treat for all of us who had been missing this kind of Dance music for eternal years.
Listen to Ferry Corsten and Ruben de Ronde (as NRG2000)‘s brand-new ‘New Inner Way’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry.
The post Ferry Corsten And Ruben de Ronde (As NRG2000) Deliver Trance Gem ‘New Inner Way’ appeared first on EDMTunes.
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