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After 15 years of shaking dancefloors and redefining techno with a staggering 25 EPs, Charlotte de Witte is finally ready to release her debut album.
The Belgian DJ and producer today announced the self-titled opus, which is due out November 7th via her own record label, KNTXT. The 11-track album, which de Witte sayd "feels surreal," promises to reflect her evolution, both artistically and emotionally.
"This album is the most personal project I’ve ever worked on," the techno superstar said in a press release. "It's not just a collection of tracks; it’s a reflection of who I am, where I come from, and what continues to drive me: the dancefloor."
"Across 11 tracks, this album tells the story of my journey in music so far," she added. "Every sound, every transition, is intentional. I followed what felt right, what moved me. And that honesty is what makes this album so special to me. It’s raw. It’s real. It’s emotional. It’s who I am."
To whet appetites, de Witte is offering a first taste of the LP with "The Realm," an acid-fueled techno track set to drop on April 10th. The ferocious single has already become a crowd favorite in her DJ sets, including high-profile performances at Tomorrowland Brasil and Lollapalooza's festivals in Argentina and Chile, among others.
Fans can pre-save "The Realm" here.
View the original article to see embedded media.
Follow Charlotte de Witte:
X: x.com/charlottedwitte
Instagram: instagram.com/charlottedewittemusic
TikTok: tiktok.com/@charlottedewittemusic
Facebook: facebook.com/charlottedewittemusic
Spotify: spoti.fi/2ZDewDm
Ravebot
Miami’s Ultra Music Festival celebrated its monumental 25th anniversary with a spectacle that will be etched into EDM history. In a night brimming with iconic sets and surprise appearances, the festival delivered a truly unforgettable moment: the first-ever live performance of ‘Titanium‘ by AFROJACK, David Guetta, and Sia.  
The 2011 anthem, a cornerstone of both pop and electronic music, has amassed over 4 billion streams and cemented its place as a timeless classic. Yet, despite its enduring popularity, the trio had never graced a stage together to perform the track – until now.
As the sun dipped below the Miami skyline, Ultra’s Main Stage became the hub of the festival. AFROJACK, delivering a high-octane set, masterfully built anticipation, subtly hinting at the impending surprise by dropping David Guetta’s ‘Sexy Bitch.’ The crowd, already buzzing with energy, erupted as Guetta joined AFROJACK on stage.
Guetta, reminiscing on their shared history, affectionately referred to AFROJACK as his “little brother” and shared a personal anecdote about AFROJACK’s crucial role in overcoming a creative hurdle during the production of ‘Titanium.’ This heartfelt introduction set the stage for the night’s true highlight.
A few moments later, Sia emerged, adorned in custom Dolce & Gabbana and her signature wig. Her presence alone sent shockwaves through the audience. This marked her historic debut at an electronic music festival – a testament to Ultra’s unparalleled ability to orchestrate once-in-a-lifetime moments. As Sia’s powerful vocals filled the Miami night, the emotional crescendos of ‘Titanium’ resonated with the sold-out crowd and millions watching via Ultra’s #ULTRALIVE broadcast on UMF TV.
The post AFROJACK, David Guetta, and Sia Perform ‘Titanium’ Together Live for the First Time at Ultra Miami appeared first on EDMTunes.
Ravebot
Subtronics has set the release date for his new EP, Fibonacci Part 1: Oblivion.
At the close of his mainstage performance at Ultra Miami on Friday, the bass wizard announced that the project, which makes up one half of a new album, will arrive on his own Cyclops Recordings label on April 4, after he treated the Miami crowd to several of the EP’s new tracks, including a live performance of “Final Breath” featuring UK drum & bass star A Little Sound.
Set to converge into a full album when Part 2 is released, the eight tracks featured on Fibonnaci Part 1: Oblivion are geared to connect with fans in Subtronics’ famously mind-bending live sets, while fans can look forward to an entirely different listening journey in Part 2, according to a press release.
As a whole, the two-part album is said to continue the exploration of mathematical phenomena central to Subtronics’ first two albums, FRACTALS and TESSERACT. This time, however, he hones in on the Fibonacci sequence, an ever-expanding series of numbers where each number is the sum of the two preceding ones. This pattern has curiously been observed in many facets of nature, from the leaf arrangements of plants to the tight spiral of a chameleon’s tail.
Expanding on the concept in a press release, Subtronics said, “Part 1 of the EP conveys that all of reality, in its complexity and grandeur, originates from the fundamental laws of the universe. It emphasizes the Fibonacci sequence and golden ratio as intrinsic patterns that govern nature, not through divine intervention, but through physics. Building on themes of alternate dimensions and fractals, the Fibonacci spiral is presented as the foundational DNA of reality.”

Watch the highlights from Subtronics’ Ultra performance below and pre-save the new EP here.

Featured image courtesy: Subtronics. Credit: Jason Fenmore / Oh Dag Yo Photo.
The post Subtronics Confirms New Album, Sets Release For EP, ‘Fibonacci Part 1: Oblivion’ appeared first on EDM Maniac.
View the full article
Ravebot
Subtronics has set the release date for his new EP, Fibonacci Part 1: Oblivion.
At the close of his mainstage performance at Ultra Miami on Friday, the bass wizard announced that the project, which makes up one half of a new album, will arrive on his own Cyclops Recordings label on April 4, after he treated the Miami crowd to several of the EP’s new tracks, including a live performance of “Final Breath” featuring UK drum & bass star A Little Sound.
Set to converge into a full album when Part 2 is released, the eight tracks featured on Fibonnaci Part 1: Oblivion are geared to connect with fans in Subtronics’ famously mind-bending live sets, while fans can look forward to an entirely different listening journey in Part 2, according to a press release.
As a whole, the two-part album is said to continue the exploration of mathematical phenomena central to Subtronics’ first two albums, FRACTALS and TESSERACT. This time, however, he hones in on the Fibonacci sequence, an ever-expanding series of numbers where each number is the sum of the two preceding ones. This pattern has curiously been observed in many facets of nature, from the leaf arrangements of plants to the tight spiral of a chameleon’s tail.
Expanding on the concept in a press release, Subtronics said, “Part 1 of the EP conveys that all of reality, in its complexity and grandeur, originates from the fundamental laws of the universe. It emphasizes the Fibonacci sequence and golden ratio as intrinsic patterns that govern nature, not through divine intervention, but through physics. Building on themes of alternate dimensions and fractals, the Fibonacci spiral is presented as the foundational DNA of reality.”

Watch the highlights from Subtronics’ Ultra performance below and pre-save the new EP here.

Featured image courtesy: Subtronics. Credit: Jason Fenmore / Oh Dag Yo Photo.
The post Subtronics Confirms New Album, Sets Release For EP, ‘Fibonacci Part 1: Oblivion’ appeared first on EDM Maniac.
View the full article
Liam
Breakaway is bringing top-notch dance talent to its first-ever festival in Arizona next month.
The nation’s top touring electronic music festival will make its desert debut in greater Phoenix, touching down at the Sloan Park Festival Grounds in Mesa on April 18-19, and hosting two days of music from more than 20 national and international touring DJs across three stages.
Breakaway Arizona 2025 will feature headline performances from a slew of electronic chart-toppers, including dance-pop titans The Chainsmokers, Gryffin, Sofi Tukker, and Two Friends.
Elsewhere on the lineup, fans can prepare for a day of bass-heavy house from the likes of Wax Motif, Daniel Allan, Frank Walker, and progressive legend Audien on Friday. Meanwhile, Saturday’s support lineup is all about the bass with sets from Cyclops, Juelz, Levity, Moore Kismet, and PEEKABOO, plus leading house duos Coco & Breezy and Łaszewo.
Attendees can also expect a variety of foot and beverage offerings, on-site activations, two main stages, and a silent disco, as well as nightly festival afterparties. Check out the full lineup below.
Since its birth in 2016 as a one-stage event in Columbus, Ohio, Breakaway has grown to become the U.S. dance scene’s foremost touring event, expanding to multiple cities that have traditionally been overlooked by major festivals to give fans in these cities a chance to catch internationally renowned acts that they might otherwise miss.

For more information or to purchase tickets, visit breakawayfestival.com.
The post Breakaway Arizona Taps Electronic Chart-Toppers For 2025 Phoenix Debut appeared first on EDM Maniac.
View the full article
Ravebot
Breakaway is bringing top-notch dance talent to its first-ever festival in Arizona next month.
The nation’s top touring electronic music festival will make its desert debut in greater Phoenix, touching down at the Sloan Park Festival Grounds in Mesa on April 18-19, and hosting two days of music from more than 20 national and international touring DJs across three stages.
Breakaway Arizona 2025 will feature headline performances from a slew of electronic chart-toppers, including dance-pop titans The Chainsmokers, Gryffin, Sofi Tukker, and Two Friends.
Elsewhere on the lineup, fans can prepare for a day of bass-heavy house from the likes of Wax Motif, Daniel Allan, Frank Walker, and progressive legend Audien on Friday. Meanwhile, Saturday’s support lineup is all about the bass with sets from Cyclops, Juelz, Levity, Moore Kismet, and PEEKABOO, plus leading house duos Coco & Breezy and Łaszewo.
Attendees can also expect a variety of foot and beverage offerings, on-site activations, two main stages, and a silent disco, as well as nightly festival afterparties. Check out the full lineup below.
Since its birth in 2016 as a one-stage event in Columbus, Ohio, Breakaway has grown to become the U.S. dance scene’s foremost touring event, expanding to multiple cities that have traditionally been overlooked by major festivals to give fans in these cities a chance to catch internationally renowned acts that they might otherwise miss.

For more information or to purchase tickets, visit breakawayfestival.com.
The post Breakaway Arizona Taps Electronic Chart-Toppers For 2025 Phoenix Debut appeared first on EDM Maniac.
View the full article
Liam
AlphaTheta announces the release of “We Become One”, a new documentary film exploring the power of shared musical experiences. AlphaTheta’s mission, One Through Music, is based on a passionate belief that music has the profound power to unite people. From dancefloors to festivals, music has an undeniable ability to create shared experiences, dissolve boundaries, and bring us into a collective state of flow. But why does this happen? What is it about music that connects us so deeply?
 
“We Become One” follows DJ/producer/curator Kikelomo Oludemi as she goes on a journey to learn why people choose music as a vehicle to connect with others, appreciating it as a universal “language” that speaks to everyone. And how the human brain harnesses sound to evoke euphoria and reduce stress.

In “We Become One”, Kikelomo travels to the USA, Ghana, South Africa, Germany, the UK, and France to talk with industry-leading scientists and researchers, and legendary artists. In California, she meets Daniel Levitin, a globally revered cognitive psychologist, neuroscientist, musician, and record producer, who explains how neurons in the human brain are fired synchronously with a beat, creating a wave-like phenomenon of electrical impulses. “Why are they sending out electricity?” Levitin ponders. “They’re trying to spur the production and release of different chemicals. These different brain states characterize different states of consciousness.”
 
Another expert who talks about the way music triggers electrical activity in the brain is Dr. Julia C. Basso, neuroscientist and director of the Embodied Brain Lab. She explains how, when people are dancing to the same music together, specific parts of their brains are stimulated simultaneously, creating a feeling of unity among the crowd. “That whole social network of brain areas is lighting up, firing together, so there’s a lot of inter-brain synchrony that’s happening,” says Basso.
 
Moodymann, DJ and Producer, said within the documentary: “It’s universal. Everybody knows a good rhythm when they hear a good rhythm, you know? You don’t need to be educated. You don’t need to be dumb or smart. Anybody can catch a rhythm. You can go to clubs nowadays and there’s everybody in there which is beautiful.”
 
Where there’s music and dancing, there are usually lights too, and in “We Become One” we hear from Dan Ghenacia, a respected DJ and member of production trio Apollonia, who’s also the creator of the Alpha Wave Experience. Inspired by Brion Gysin’s Dream Machine, and backed by neuroscience, the experience uses a machine that combines flashing lights with music to create brain entrainment and induce people into different brain states, such as psychedelic or meditative ones. “Clubbing is an old form of shamanism – using rhythms and drums to put people in ecstatic states,” says psychologist Francisco Teixeira, who works with Ghenacia on the project. “Sound and music is a non-semantic [form of] communication, so you can communicate your emotions even to someone who doesn’t speak your language. I think that’s why even people with completely different experiences somehow feel the same emotions at the same time [when on the dancefloor]… Sound is the unifying form of communicating emotions.”
 
Daniel Levitin, Cognitive Psychologist, Neuroscientist, Musician, and Record Producer, also said within the documentary: “There’s this thing called the flow state, and it’s characterized by focused attention, a loss of a sense of self, a loss of a sense of time, and, really, the focused attention is a special kind where you’re not really aware of yourself or what you’re doing. You’re outside yourself, and electronic music is really great at inducing it, which is why so many raves and so many parties and even therapeutic uses of music involve the repetitiveness. That repetition allows you to enter a meditative state, and you can close off the inner chatter of your brain and the inner dialogue and just be, and when you can relax into that state of here and now, that’s when the trance can come.”
 
On her travels, Kikelomo also visits Oroko Radio and Vibrate Studios, both in Accra, Ghana, to discover how electronic music can help bridge sociological division on and off the dancefloor. And by the end of her journey, Kikelomo shares with the viewer a greater understanding of what clubbing and shared musical experiences can do for us from a neurological, racial, gender, sexual orientation, spiritual, and human perspective. So, it seems that AlphaTheta’s vision of One Through Music is shared by many. As legendary DJ Moodymann says in the film, while talking about his Soul Skate parties where people enjoy music and dancing while roller skating: “When we get together… we become one.”
 
The documentary, ‘We Become One’ is out now. Available to watch for free, head to youtube.com/@pioneerdjglobal.
 
Other notable quotes from “We Become One” include:
 
“In order for music to move us emotionally, to make us feel exhilarated or joyful or relaxed, any of those things require that we surrender to the music. And there’s no greater example of that than the dancefloor.”
Daniel Levitin, Cognitive Psychologist, Neuroscientist, Musician, and Record Producer
 
“When we listen to music, we’re time traveling. We’re not concerned with concepts or words, but something much more fundamental… Only music gives that to us… Music is our umbilical cord back to Mother Nature.”
Professor Michael Spitzer, Author and Professor of Music at Liverpool University
 
“What music does is a form of telepathy… Through rhythm, we can share emotion and activity, and we call that dancing. And it’s why dance is such a triumphant, validating human endeavor.”
Professor Michael Spitzer, Author and Professor of Music at Liverpool University
 
“I think that, when it comes to music, I almost feel as though it’s another form of communication. When you’re able to bond over a certain track or you realize that you have similar tastes in music, it’s a really great foundation because I believe that music really connects you on a soul level.”
Whitney Wei, Journalist and Editor
 
“In a world where politicians go and weaponize different minorities in this kind of populist world, it’s nice to have a safe haven that you remember that actually people are just people and that there is more that unites us than divides us.”
Steve Braines, Co-Founder of He.She.They. Label and Events
The post AlphaTheta releases detailed documentary on the power of shared musical experiences: “We Become One” appeared first on Electric Mode.
Ravebot
And just like that, Ultra Music Festival is officially a quarter-century old.
Miami's Bayfront Park once again transformed into an electronic music paradise as Ultra celebrated its milestone 25th anniversary this past weekend. The iconic event, which has become the de facto kickoff to the US festival season for EDM enthusiasts, delivered a masterclass in production and programming.
Eye-popping LED displays illuminated the downtown skyline as attendees from over 100 countries converged to dance and watch performances from the world's top DJs. Veterans like Carl Cox, deadmau5 and Armin van Buuren shared billing with today's rising stars, reinforcing Ultra's commitment to both honoring its roots and shaping electronic music's future.
Between the Miami heat and the pyrotechnics, temperatures weren't the only things rising—so too were the hands of thousands as familiar anthems and fresh IDs echoed across Biscayne Bay. The festival's beloved Mainstage was a hub for dance music's biggest names while the underground-focused RESISTANCE Megastructure continued its tradition of serving breakneck techno to devoted fans who prefer their tempos high and their sweat glands depleted.
Continue on to watch Ultra 2025 sets by Martin Garrix, Hardwell and many more. This article will be updated as more performances are uploaded.
Follow Ultra Music Festival:
X: x.com/ultra
Instagram: instagram.com/ultra
TikTok: tiktok.com/@ultra
Facebook: facebook.com/ultra
Ravebot
NEWS
Welcome to March’s edition of the UKF Monthly Round-Up! Spring is on the horizon, and bass music is in full bloom with huge events, big releases, and a deep sense of community. Let’s dive into what went down in March 2025.
A celebration of drum and bass is set to take place at London’s iconic Fabric, hosted by the BPI in collaboration with Last Night A DJ Saved My Life. This event will give us an unforgettable night of expertly curated DJ sets from Anais, Dazee, Degs, Krust, and Ray Keith. The event was created with the community in mind with tickets starting at just £8, also the charity connection with Last Night A DJ Saved My Life meant the night wasn’t just about celebration—it was about giving back, showing how bass music continues to uplift and unite communities.
Grab Your Tickets Here. 
Another incredible initiative to shout about is Allsorts host a 24-hour DJ marathon in support of social mobility, raising funds for the Social Mobility Foundation. The event brought together a diverse range of DJs and supporters, spinning tracks around the clock to make a tangible difference in young people’s lives. The bass music community once again proved its commitment to supporting causes that matter—big ups to everyone involved!
Support The Cause Here
March also marked the return of Canadian dubstep duo Zeds Dead with their long-awaited second album, ‘Return to the Spectrum of Intergalactic Happiness.’ Nearly a decade since their debut, the project pushes the envelope while staying true to their roots—proof that time only sharpens the creative edge.
Before we wrap up, make sure you SAVE THE DATE: 16.04.25! We’re launching UKF Invites—a free pop-up series featuring some very special guests. Keep your eyes peeled for where to get your tickets.
MIXES
March Set – Dunman b2b Just Jane @ Planet Wax courtesy of After Hours & FromThaGuttah
Ant Mullholland
This set courtesy of After Hours and FromThaGuttah was a real deep dive into a plethora of 140bpm sounds including extensive forays into dubstep and grime, gracing the wondrous Planet Wax and its community of heads. With a frenzy of MCs at their disposal including Brighter Days star Reek0, the up-and-coming Limmz, and the gritty Jososick, this Just Jane and Dunman link up had plenty of flow and character – providing us with an hour of heavy beats and dynamic choppy execution.  
TRACKS 
FSHR & JAYNIE – No Time To Waste 
Ant Mullholland
This dubstep track is the first release of the year from the ever-growing Buntai. FSHR and JAYNIE provide us with fresh take on wobbly basses that hold a prominent reverberation – creating a dubstep number that will be sure to find itself on many a 140 DJ’s USB over the course of the year.  
Bullet Tooth ft Xpansions – Move Your Body
Ant Mullholland
This track was brought out on the exciting ATW Records. This track pays homage to old school house as a remix to a 90’s rave classic by Xpansions, whilst injecting a fresh uk garage beat – creating a song that will be a staple in many selectors sets around the world. A real feel good anthem.

Ravebot
After weeks of teasing, bass music titans Doctor P and Flux Pavilion unveil their long-anticipated, self-titled debut collaborative album via their own Circus Records – a landmark moment, which, we can say, was over 20 years in the making in the form of both artists long-lasting friendship, spanning 23 years.
As co-founders of the influential label and longtime friends and collaborators, this release marks a full-circle moment in their storied careers. The 15-track body of work takes listeners on a wild, genre-bending ride, delivering a headbanging bass odyssey that’s equal parts cinematic, chaotic, and fun. From the opening surge of “Feel Good,” through the 90s-disco-meets-nightmare groove of “I Luv It,” to the delirious chaos of “Vegemite,” the album is a testament to the duo’s shared language of sound and their longtime friendship. Blending cinematic soundscapes, bone-rattling drops, and playful experimentation, the project is both a homage to their roots and a bold step forward. To cap off the release, the pair will bring their inimitable energy to an exclusive back-to-back set at Ultra Music Festival in Miami on March 30.

“We’ve been working together on music for over 20 years, so much so that we have developed our own language in the studio (kind of like how a group of friends develops its own lore over the years). In 2010, that language found a voice in dubstep, and it resonated with a massive community. Doctor P and Flux Pavilion were born, but we’d been playing those characters since we were kids. It was always our passion to find the sense of adventure in our music, moments of drama and moments of humour, side by side. So we wanted to write an album that not just encapsulates who we are right now but who we have been for our entire lives. In one moment, it’s a serious body of work, and in the next, it’s two friends messing around on computers. In truth, our message has always been – ‘why not both?’ A lot of the time, the simplest parts of life are lost in the complexities. This album celebrates one of those universal truths: life is meant to be fun.” – Doctor P & Flux Pavilion
Doctor P
Doctor P, aka Shaun Brockhurst, started his musical journey when he was a teenager, jamming with his friends on the drums and guitar. Since starting Circus Records in 2009 with childhood friend Flux Pavilion, Doctor P has built himself a bass music empire as a quadruple threat with the titles of musician, producer, DJ, and label founder. When he posted his new track “Sweet Shop” on his MySpace to test for interest, little was Doctor P to know that this was to change the course of bass music history and inspire a whole new generation of electronic fans. “Sweet Shop” quickly became a staple part of just about every DJ’s set. From junglist to house selector it became an anthem for every floor. The track was one of the first releases on Circus Records and helped make it one of the exciting labels of modern bass music. Since the release of “Sweet Shop,” Doctor P continued to grow as an artist. He produced “Music is Dead” with Dillon Francis, “Business” with Far East Movement, 2013 smash “The Pit” with Adam F featuring hip hop royalty Method Man, and more recently the huge “24/7” with Circus Records co-founder Flux Pavilion. Doctor P has also remixed for Black Tiger Sex Machine, YOOKiE, Ganja White Night, Plan B, Example, Dan le Sac vs Scroobius Pip, Blame, and many more.
Flux Pavilion
Co-founder of Circus Records and Dubstep pioneer. Flux Pavilion has produced some of the most successful tracks in electronic music history and launched the careers of scores of new talent in the process. From Glastonbury to Coachella, he has racked up performances at the world’s greatest stages, headlining multiple world tours. Influenced by the likes of David Bowie, The Beatles, and Frank Zappa in the early years, it was when he heard The Prodigy and The Chemical Brothers that Flux Pavilion knew he had found a musical direction he truly wanted to explore for himself. A deluge of musical projects followed, writing instrumental hip hop and dirty drum & bass, joining local bands, and producing for other acts, all while studying at university. But the major turning point for this unquestionably talented musician was a visit to London superclub Fabric. Since then, Flux Pavilion has continued to develop his signature sound, retaining the all-important energy that The Prodigy and Rusko inspired him with in the early days, and inspiring a generation of electronic music producers in the process. The multi-instrumentalist, singer-songwriter, record producer, and label owner shows no sign of slowing down, releasing beautifully melodic, genre-bending new music, collaborating with the likes of Excision, Zeds Dead, Wooli, Eliminate, Jessica Audiffred, Koven and Cyclops. He continues to storm the live scene with his electrifying live shows, showcasing his talents with singing, multiple synths, and electric guitars.

More info on Doctor P / Flux Pavilion / Circus Records:
Doctor P: Facebook | Instagram | X | Spotify
Flux Pavilion: Facebook | Instagram | X | Spotify
Circus Records: Facebook | Instagram | X | Spotify
The post Dubstep Icons Doctor P and Flux Pavilion Release Self-Titled Long-Awaited First Collaborative Studio Album. 15-Track Body Of Work Highlighting Their Over 20-Year-Long Friendship. Out Now on Circus Records appeared first on Electric Mode.
Ravebot
Following on from the original acclaimed “Hybrid Boom” last year, rising Italian neo-rave DJ-producer PISAPIA returns with, “Hybrid Boom V.2,” on the No Mercy label. 
This track captivates listeners with its suspenseful opening, featuring sweeping synths and haunting vocals that build anticipation. As the tension peaks, raw, caustic textures emerge, driven by relentless drums and chopped vocals, crafting a dense sonic experience tailored for peak-time raves.

PISAPIA’s dynamic approach to hard techno has led to collaborations with esteemed labels such as 9X9, Etruria, and Taapion. His relentless and uncompromising style has garnered support from industry heavyweights like Amelie Lens, Nico Moreno, SHLOMO, and Lee Ann Roberts. Elsewhere, Beatportal has spotlighted him as an artist to watch in 2025, acknowledging his role in pushing the neo-rave scene forward with high-energy, passionate sets that distinguish him from his peers.
The year is already shaping up to be a defining one. PISAPIA has barely paused for breath heading into Miami Music Week, where he’ll play the Domicile X HE.SHE.THEY party on March 28th alongside DIØN, Don Woezik, Krl Mx, Low Earth Orbit, Madison Kay, and more.
This comes off the back of a whirlwind global run that’s already seen him play India, Australia, Canada, Spain, and Portugal, including a massive set at CODE 166 at Madrid’s legendary Fabrik, where he shared the bill with Amelie Lens, Brutalismus 3000, Richie Hawtin, and Ben Sims. His Australian tour spanned Sydney, Brisbane, the Gold Coast, and Melbourne, featuring a remarkable set filmed in a hot air balloon, broadcasting techno beats over stunning Australian landscapes.
Looking ahead, PISAPIA’s release and performance schedule continues to expand, reflecting the growing global demand for his distinctive charisma and style. His commitment to pioneering the neo-rave scene ensures that his trajectory remains one to watch.
BUY / STREAM: PISAPIA – ‘HYBRID BOOM V2’ HERE
https://www.instagram.com/pisapia_it/ 
https://soundcloud.com/pisapia98official
The post PISAPIA unleashes ‘Hybrid Boom V.2’ on No Mercy ahead of Miami Music Week debut appeared first on Electric Mode.
Ravebot
Electronic DJ-producer Sainte Vie is set to release his next single, “Unconditional”, on March 28, 2025. This is the second single from his deeply personal and highly anticipated album, ‘Pablo’, a tribute to his late father, who passed away in 2023.
 
Following on from the first single from the album “Light Beams,” that earned huge reactions from his b2b set with Henri Bergmann at Akumandra’s 10th anniversary in New York,  “Unconditional” continues to explore themes of grief, eternal love, and the deep emotional connections that persist beyond the physical realm. The track is a masterful blend of Sainte Vie’s signature electronic sound and poignant storytelling, guiding listeners through a sonic journey that shifts between the unknown and moments of clarity. With striking synth melodies layered over a richly textured beat, “Unconditional” encapsulates the raw emotion of loss and love in an immersive way.

Born in Mexico and now based in Miami, Sainte Vie has made a name for himself with his eclectic fusion of electronic and world music influences. His journey began in the rock scene as a teenager, later evolving when he discovered electronic music while studying in France. This led him to pursue sound design in New York City, shaping his distinct musical style.
 
Over the years, Sainte Vie has performed at some of the most iconic venues and festivals worldwide, including Burning Man, Space Miami, Coachella, Warung in Brazil, Fabric in London, Loveland Festival, Koncept Presents in Los Angeles, and Knockdown Center in NYC. His releases have made a significant impact, with his ‘Labyrinth’ EP on RÜFÜS DU SOL’s Rose Avenue Records receiving critical acclaim. He also became the first Mexican artist to release on Cercle’s label and has delivered multiple Beatport chart-topping anthems on labels such as Kompakt and Stil vor Talent, whilst collaborating with the likes of Acid Pauli, Sam Shure, and WhoMadeWho. 
 
His forthcoming album, ‘Pablo,’ is an abstract yet deeply personal exploration of loss, memory, and the ways we continue to connect with those we have lost. “Unconditional” serves as another powerful preview of what’s to come on the full-length project.
For more information on Sainte Vie, please visit:
https://soundcloud.com/ste-vie-1 
https://www.instagram.com/saintevieofficial/ 
https://www.facebook.com/saintevieofficial/
 
The post Sainte Vie Releases Emotive New Single “Unconditional” From Upcoming Album ‘Pablo appeared first on Electric Mode.
Ravebot
MOGUAI, a long-standing figure at the forefront of cutting-edge electronic music, joins forces with rising talent DHALI on their new single “Rest Of Your Life,” featuring the evocative vocals of Dominic Neill and co-production from Marc Moon. Released via a joint effort of 23HOURS and PUNX labels, the track is a radiant blend of Afro-house rhythms, dynamic synth textures, and soul-stirring lyrics – a celebration of living in the now and leaning into the unknown.
 
The main idea for the track was born during a DHALI’s creative session at Amsterdam Dance Event, and after months of exchanging beats and melodies across oceans and time zones, the two producers finally came together in MOGUAI’s studio, where creative sparks flew again and “Rest Of Your Life” became a fact. The result is a dancefloor-ready anthem with emotional weight, destined to be both a festival favorite and a personal soundtrack to life’s turning points.
MOGUAI, DHALI – Rest Of Your Life ft. Dominic Neill, Marc Moon
MOGUAI shares, “This track is about embracing the unknown, living in the moment, and celebrating life. We wanted to create something that moves both the heart and the dancefloor.”
DHALI adds, “Music speaks louder than words, and ‘Rest Of Your Life’ is about a way that takes your breath away.”
If this were sports, MOGUAI would be a long-distance runner. For over two decades, the German DJ and producer has been steadily shaping his sound—delivering trendsetting, Gold and Platinum-certified productions while others chase fleeting moments. From the underground raves of the early ’90s to commanding the decks at the legendary Berlin Love Parade for 750,000 people, MOGUAI has carved a unique path through electronic music. Known for blending styles with precision while keeping things irresistibly danceable, he’s collaborated with icons like Fatboy Slim, Sebastian Ingrosso, Tommy Trash, Kaskade, Benny Benassi, Tiësto, Robin Schulz, Cheat Codes, and Oliver Heldens, and delivered remixes for the likes of Moby, Britney Spears, Beyoncé, and Underworld. He released two full-length albums – “We Are Lyve” and “Mpire” – on deadmau5’s mau5trap before landing his biggest hit to date with Dimitri Vegas & Like Mike on “Mammoth” and third studio album “Colors” in 2021 via his own Punx Records. With releases on tastemaker labels like Solotoko, Heldeep, Axtone, SKINT, and PIAS, MOGUAI continues to push boundaries while keeping one foot firmly on the dancefloor.
DHALI
DHALI is a producer and DJ making waves with a bold blend of club-ready beats and Afro-house rhythms, bringing a fresh surge of energy to the electronic music scene. Since signing with 23HOURS, he’s amassed over 40 million streams and collaborated with an eclectic roster of artists, including Topic, Idd Aziz, Felix Jaehn, MOGUAI, Dominic Neill, BLOODLINE, and Georgie Keller. Inspired by the surrealist visions of Salvador Dalí—particularly the melting clock that symbolizes the fluid nature of time – DHALI approaches music as a timeless form of expression. His productions are rich with texture and groove, balancing emotional depth with dancefloor firepower. With each release, he extends an invitation: to lose yourself in sound, to embrace the unknown, and to celebrate the night without boundaries.
More info on MOGUAI / DHALI / PUNX Records / 23HOURS:
MOGUAI: Facebook | Instagram | Spotify
DHALI: Instagram | Spotify
PUNX Records: Instagram
 
The post Scene’s Veteran MOGUAI and Upcoming Talent DHALI Invite To Embrace Unknown with New Single “Rest Of Your Life” ft. Dominic Neill & Marc Moon appeared first on Electric Mode.
Ravebot
More than 50 additional artists join previously announced Season Residents Adam Beyer and ARTBAT for RESISTANCE Ibiza’s nine-week club residency
 
The season will boast 14 Ibiza exclusive back-to-back performances including Adam Beyer b3b ARTBAT b3b Vintage Culture, Artbat b2b Hardwell (Special Set), Adam Beyer b2b Mau P, HI-LO b2b Nicole Moduaber, and more
 
RESISTANCE Ibiza will feature a special set from Hardwell as his only performance on the island in 2025
 
RESISTANCE Ibiza tickets on sale now

Heralded as the world’s most international house and techno festival brand, ULTRA Worldwide’s esteemed underground series RESISTANCE stands at the forefront of innovation in the global underground music scene, bringing its visionary programming to more than 35 cities across all six inhabited continents—spanning stadium stages, international tours, and award-winning residencies.
 
RESISTANCE Ibiza will make its triumphant return to the White Isle this summer, reclaiming its status as a defining force in Ibiza nightlife with a nine-week residency at the world-famous Amnesia Ibiza, which remains a haven for those who seek authentic clubbing. 
 
Running every Wednesday from July 23 through September 17, 2025, RESISTANCE Ibiza 2025 will be anchored by previously announced Season Residents Adam Beyer and ARTBAT, who will deliver weekly headlining performances, rotating between Amnesia’s immersive Main Room and emblematic sky-roof Terrace—ensuring each night stands as its own distinct sonic voyage. 
 
Joining Season Residents Adam Beyer and ARTBAT, RESISTANCE has just revealed more than 50 additional artists to the Ibiza summer residency billing, including resident headliners Ukrainian vibe-setter Korolova and melodic techno trailblazer Massano – who will each perform 4 nights during the nine-week run. 
 
Dutch electronic music icon Hardwell will make his only Ibiza performance of the 2025 season at RESISTANCE Ibiza with a special set. Hardwell has an illustrious history with ULTRA Worldwide, including his surprise comeback set at Ultra Music Festival 2023, where he debuted his new techno-focused sonic style.
 
RESISTANCE Ibiza will also welcome a bevy of house and techno heavyweights for headlining performances including Italy-based techno queen Anfisa Letyago, Brazilian underground artist ANNA, Greek techno titan Argy, German producer/composer/DJ Chris Avantgarde, tech house sensation Eli Brown, global partystarter Gordo, Oliver Heldens’ underground alias HI-LO,  Italian techno shapeshifter Ilario Alicante, melodic techno artist Innellea, Spectrum label boss Joris Voorn, Danish electronic virtuoso Kölsch, American techno wizard Maceo Plex, versatile underground producer Marco Faraone, Italian brother duo Mathame, Dutch tech house selector Mau P, Italian brother duo Mind Against, IN THE MOOD boss Nicole Moudaber, British-Canadian tastemaker Richie Hawtin, British legends Sasha & John Digweed, Brazilian superstar Vintage Culture, and Stephan Bodzin who will bring his revolutionary live set to the White Isle residency.

The Amnesia Ibiza residency will boast a collection of world debuts and exclusive Ibiza back-to-back performances throughout the summer including ARTBAT b2b Hardwell, Adam Beyer b3b ARTBAT b3b Vintage Culture, Adam Beyer b2b Mau P, Adam Beyer b2b Eli Brown, ARTBAT b2b Gordo, ARTBAT b2b Argy, Adam Beyer b2b Layton Giordani, ARTBAT b2b Kölsch, Mathame b2b Mind Against, ANNA b3b Chris Avantgarde b3b Innellea, Massano b2b ANNA, HI-LO b2b Nicole Moduaber, Max Styler b2b Oscar L, and Hidden Gem b2b Pongo.
 
The summer season residency will be rounded out by special guests including Alan Fitzpatrick, Anna Tur, ANNICKA, Brian Cross, Fred Lenix, Hidden Gem, HNTR, Ida Engberg, Josefin Rosen, Juliet Fox, KASIA, Layton Giordani, Linska, Max Styler, Mha Iri, NO_IP, Olympe, Oscar L, Pongo, Sandro Bianchi, and Weska.
 
RESISTANCE Ibiza 2025 will transform Amnesia’s hallowed architecture into multisensory spectacles all season long, showcasing the large-scale productions, top-of-the-line visual design, and transcendent soundscapes that have come to define the RESISTANCE brand globally. 
The post RESISTANCE Announces Full Season LineupsFor Amnesia Ibiza Residency appeared first on Electric Mode.
Ravebot
It’s not often one gets their hands on a piece of music history, but that is what music buff Alex Ball recently did when he purchased Apex Twin’s Theis Modular Synthesizer and decided to switch it on and give a little review.
For those that may not know, Aphex Twin, aka Richard D. James, is a name synonymous with the intriguingly named genre of IDM (Intelligent Dance Music). James on the label: “I just think it’s really funny to have terms like that. It’s basically saying ‘this is intelligent and everything else is stupid.’ It’s really nasty to everyone else’s music. It makes me laugh.”
Aphex Twin’s formed Rephlex Records in 1991, releasing three Analogue Bubblebath EPs under the AFX name. He moved to London in 1993, where he released a slew of albums and EPs on Warp Records and other labels under many aliases. His first album ‘Selected Ambient Works 85-92’ was an ambient affair, released in 1992 on R&S records.
In 1995 James began composing on computers, embracing a more drum n bass sound mixed with acid lines. In the late 1990s, his music become more popular with the release of “Come to Daddy” and “Windowlicker”, which James followed this up in 2001 with “Drukqs”, a 2-CD album which featured both prepared piano songs and abrasive and fast drum n bass influenced fare.
In late 2004, James returned to acid techno with the Analord series, which was written and recorded on analogue equipment and pressed to vinyl.
Some seemingly outlandish claims from interviews have been verified. James does own a tank (actually a 1950s armoured scout car, the Daimler Ferret Mark 3) and a submarine bought from Russia.
Additional unverified claims include the following: He composed ambient techno at age 13; he has “over 100 hours” of unreleased music; he experiences synaesthesia; and he is able to incorporate lucid dreaming into the process of making music.
Of course, how could we not add in this seminal classic – Come to Daddy (Directors Cut)

The post WATCH: Take a look at Aphex Twin’s Theis Modular Synthesizer appeared first on Decoded Magazine.
Ravebot
It’s not often one gets their hands on a piece of music history, but that is what music buff Alex Ball recently did when he purchased Apex Twin’s Theis Modular Synthesizer and decided to switch it on and give a little review.
For those that may not know, Aphex Twin, aka Richard D. James, is a name synonymous with the intriguingly named genre of IDM (Intelligent Dance Music). James on the label: “I just think it’s really funny to have terms like that. It’s basically saying ‘this is intelligent and everything else is stupid.’ It’s really nasty to everyone else’s music. It makes me laugh.”
Aphex Twin’s formed Rephlex Records in 1991, releasing three Analogue Bubblebath EPs under the AFX name. He moved to London in 1993, where he released a slew of albums and EPs on Warp Records and other labels under many aliases. His first album ‘Selected Ambient Works 85-92’ was an ambient affair, released in 1992 on R&S records.
In 1995 James began composing on computers, embracing a more drum n bass sound mixed with acid lines. In the late 1990s, his music become more popular with the release of “Come to Daddy” and “Windowlicker”, which James followed this up in 2001 with “Drukqs”, a 2-CD album which featured both prepared piano songs and abrasive and fast drum n bass influenced fare.
In late 2004, James returned to acid techno with the Analord series, which was written and recorded on analogue equipment and pressed to vinyl.
Some seemingly outlandish claims from interviews have been verified. James does own a tank (actually a 1950s armoured scout car, the Daimler Ferret Mark 3) and a submarine bought from Russia.
Additional unverified claims include the following: He composed ambient techno at age 13; he has “over 100 hours” of unreleased music; he experiences synaesthesia; and he is able to incorporate lucid dreaming into the process of making music.
Of course, how could we not add in this seminal classic – Come to Daddy (Directors Cut)

The post WATCH: Take a look at Aphex Twin’s Theis Modular Synthesizer appeared first on Decoded Magazine.
Ravebot
Iconic French electronic duo Polo & Pan has released their highly anticipated third-studio album 22:22 via Ekler/Hamburger/Virgin. The 12-track LP sees the duo creating a dreamscape of playful riffs and sunlit grooves accompanied by evocative lyrics weaving through real life and fantasy as they take listeners on a journey of deep imagination. The result is a dynamic production that further establishes Polo & Pan’s signature sound as they push their creative boundaries and offer their unique style of French pop to the world. The album’s previously released tracks have already garnered over 8 million global streams and early support from the likes of Billboard, The Sun, Stereogum, MTV UK, Clash Magazine, Dancing Astronaut, DJ Mag, and more. 
Reflecting on their sonic progression, Polo & Pan share, “Caravelle was a trip around the world, with Latin and African sounds, and Cyclorama was a trip in time, but 22:22 has a more in-the-moment flow to it. We’ve leaned into a more Anglophone-French take on disco and pop, and worked with vocalists of different styles for the first time.” 
With 22:22, Polo & Pan present a sparkling collection of French Touch-infused pop tracks, drawing on live instrumentation, analog recording techniques, exciting collaborations, and coy surrealism. Drawing from numerology, the album’s title symbolizes balance within the universe and clarity and creativity within oneself, a concept the pair have brought to the forefront as they chart a more focused path as songwriters and artists. Newest single “Petite Etoile” shines with twinking chords and laser-guided synth lines as Beth Ditto speaks to the cosmic longing between two individuals and follows previous single “The Mirror,” a disco-inspired track meant to draw people to the dancefloor as their auras reflect off one another. The album also features “Disco Nap” featuring English band Metronomy which delves into a sonic journey of yearning and acceptance while “Nenuphar,” the French word for water lily — a flower that closes at night and reopens at dawn, similarly encourages listeners to dance until sunrise and if the mood strikes, to begin again. Full track listing for 22:22 below. 
The pair, consisting of Paul Armand-Delille (Polo) and Alexandre Grynszpan (Pan), are currently on the road, bringing their signature electro-disco sound to unprecedented heights as they provide fans with an immersive and visual experience. They will wrap up their sold out 2025 European tour following a stop in Paris on March 30th and 31st before making their return next month to Coachella on Sunday April 13th and 20th and to the legendary Red Rocks Amphitheatre on April 17th – full tour routing is below. 
Known for their sun-drenched grooves, pop culture samples, and enchanting club beats, Polo & Pan have built a fanbase around the world earning over 2 billion streams globally and 3 million monthly listeners on Spotify. To date, they have released countless singles, EPs, and two full-lengths — their Gold-certified album Caravelle (2017), which features the double platinum singles “Nana” and “Canopé,” and their album Cyclorama (2021) which features diamond certified track “Ani Kuni” and gold certified “Feel Good.” 
Solidifying their reputation as musical trailblazers, they’ve earned media acclaim from the likes of The New Yorker, Billboard, E!, NYLON, DJ Life Magazine, Le Monde, and V Magazine
and have had songs featured on the FIFA 22 soundtrack and TV shows including YOU, Good Girls, and Dynasty. With a distinct presence in the global music scene having headlined sold-out tours across America, Europe, and the Middle East while also gracing major festivals like Coachella, Daisy Carnival, and Lollapalooza, Polo & Pan has crafted a rich sonic tapestry, drawing inspiration from around the world to take listeners on a vibrant sonic journey. 
22:22 Track Listing: 
1. The Piano & The Violin 
2. Paréidolies 
3. Disco Nap ft. Metronomy 
4. Nenuphar 
5. Petite Etoile ft. Beth Ditto 
6. The Mirror 
7. A Different Side of Us ft. PawPaw Rod 
8. 22:23 ft. Antonin & Vico 
9. Summer Is Almost Over 
Stream / Download here
The post French electronic duo Polo & Pan has released their highly anticipated third-studio album 22:22 appeared first on Decoded Magazine.
Ravebot
Iconic French electronic duo Polo & Pan has released their highly anticipated third-studio album 22:22 via Ekler/Hamburger/Virgin. The 12-track LP sees the duo creating a dreamscape of playful riffs and sunlit grooves accompanied by evocative lyrics weaving through real life and fantasy as they take listeners on a journey of deep imagination. The result is a dynamic production that further establishes Polo & Pan’s signature sound as they push their creative boundaries and offer their unique style of French pop to the world. The album’s previously released tracks have already garnered over 8 million global streams and early support from the likes of Billboard, The Sun, Stereogum, MTV UK, Clash Magazine, Dancing Astronaut, DJ Mag, and more. 
Reflecting on their sonic progression, Polo & Pan share, “Caravelle was a trip around the world, with Latin and African sounds, and Cyclorama was a trip in time, but 22:22 has a more in-the-moment flow to it. We’ve leaned into a more Anglophone-French take on disco and pop, and worked with vocalists of different styles for the first time.” 
With 22:22, Polo & Pan present a sparkling collection of French Touch-infused pop tracks, drawing on live instrumentation, analog recording techniques, exciting collaborations, and coy surrealism. Drawing from numerology, the album’s title symbolizes balance within the universe and clarity and creativity within oneself, a concept the pair have brought to the forefront as they chart a more focused path as songwriters and artists. Newest single “Petite Etoile” shines with twinking chords and laser-guided synth lines as Beth Ditto speaks to the cosmic longing between two individuals and follows previous single “The Mirror,” a disco-inspired track meant to draw people to the dancefloor as their auras reflect off one another. The album also features “Disco Nap” featuring English band Metronomy which delves into a sonic journey of yearning and acceptance while “Nenuphar,” the French word for water lily — a flower that closes at night and reopens at dawn, similarly encourages listeners to dance until sunrise and if the mood strikes, to begin again. Full track listing for 22:22 below. 
The pair, consisting of Paul Armand-Delille (Polo) and Alexandre Grynszpan (Pan), are currently on the road, bringing their signature electro-disco sound to unprecedented heights as they provide fans with an immersive and visual experience. They will wrap up their sold out 2025 European tour following a stop in Paris on March 30th and 31st before making their return next month to Coachella on Sunday April 13th and 20th and to the legendary Red Rocks Amphitheatre on April 17th – full tour routing is below. 
Known for their sun-drenched grooves, pop culture samples, and enchanting club beats, Polo & Pan have built a fanbase around the world earning over 2 billion streams globally and 3 million monthly listeners on Spotify. To date, they have released countless singles, EPs, and two full-lengths — their Gold-certified album Caravelle (2017), which features the double platinum singles “Nana” and “Canopé,” and their album Cyclorama (2021) which features diamond certified track “Ani Kuni” and gold certified “Feel Good.” 
Solidifying their reputation as musical trailblazers, they’ve earned media acclaim from the likes of The New Yorker, Billboard, E!, NYLON, DJ Life Magazine, Le Monde, and V Magazine
and have had songs featured on the FIFA 22 soundtrack and TV shows including YOU, Good Girls, and Dynasty. With a distinct presence in the global music scene having headlined sold-out tours across America, Europe, and the Middle East while also gracing major festivals like Coachella, Daisy Carnival, and Lollapalooza, Polo & Pan has crafted a rich sonic tapestry, drawing inspiration from around the world to take listeners on a vibrant sonic journey. 
22:22 Track Listing: 
1. The Piano & The Violin 
2. Paréidolies 
3. Disco Nap ft. Metronomy 
4. Nenuphar 
5. Petite Etoile ft. Beth Ditto 
6. The Mirror 
7. A Different Side of Us ft. PawPaw Rod 
8. 22:23 ft. Antonin & Vico 
9. Summer Is Almost Over 
Stream / Download here
The post French electronic duo Polo & Pan has released their highly anticipated third-studio album 22:22 appeared first on Decoded Magazine.
Ravebot
Anja Schneider · Club Room 359 with Anja Schneider Dropping into a new month, Anja heads up this weeks MOTW, taken from her mix series.
DJ, producer, radio broadcaster, label boss, tireless creative force and mentor, she was recognised in 2021 with the award of an Honour Prize by The Berlin Music Commission for having had “an outstanding impact on the music scene” as recognition for her work supporting fellow artists and cultural institutions.
Anja continues to operate as one of electronic music’s most vital artists, currently focused on multiple projects. Including her 20th anniversary as a professional DJ and producer featuring an array of internationally recognized artists and worldwide gigs. Her ‘Club Room’ radio show that just crossed the mark of over 300 episodes, the freshly launched ‘The Story / Loveparade’ podcast that gained remarkable recognition in the scene and last but not least a new, monthly party series ‘PuMp’ at Tresor’s little sibling OHM.
Tracklist:
Luke Hess – Lumen
Tee Mango – My Mind Makes Up Monsters
Tiger Stripes, Jerome Sydenham – Elevation (Radio Slave 2025 Kiss Mix)
Defilee – Yo!
Junior Sanchez ft Dave Giles II – Bitch U could Neva (Gideon Remix)
Isaac Carter – Had To
Arsene – Jack Shit
Expansion – Move Your Body (Strath Edit)
Anja Schneider – Mystic Love
Duck Sauce – Fallin In Love (Butch Remix)
Kink – Neutrino
The post Mix of the Week – Anja Schneider appeared first on Decoded Magazine.
Ravebot
Anja Schneider · Club Room 359 with Anja Schneider Dropping into a new month, Anja heads up this weeks MOTW, taken from her mix series.
DJ, producer, radio broadcaster, label boss, tireless creative force and mentor, she was recognised in 2021 with the award of an Honour Prize by The Berlin Music Commission for having had “an outstanding impact on the music scene” as recognition for her work supporting fellow artists and cultural institutions.
Anja continues to operate as one of electronic music’s most vital artists, currently focused on multiple projects. Including her 20th anniversary as a professional DJ and producer featuring an array of internationally recognized artists and worldwide gigs. Her ‘Club Room’ radio show that just crossed the mark of over 300 episodes, the freshly launched ‘The Story / Loveparade’ podcast that gained remarkable recognition in the scene and last but not least a new, monthly party series ‘PuMp’ at Tresor’s little sibling OHM.
Tracklist:
Luke Hess – Lumen
Tee Mango – My Mind Makes Up Monsters
Tiger Stripes, Jerome Sydenham – Elevation (Radio Slave 2025 Kiss Mix)
Defilee – Yo!
Junior Sanchez ft Dave Giles II – Bitch U could Neva (Gideon Remix)
Isaac Carter – Had To
Arsene – Jack Shit
Expansion – Move Your Body (Strath Edit)
Anja Schneider – Mystic Love
Duck Sauce – Fallin In Love (Butch Remix)
Kink – Neutrino
The post Mix of the Week – Anja Schneider appeared first on Decoded Magazine.
Ravebot
lubbing TV is thrilled to announce the launch of “Rave Photography of the Year 2025”, an international competition dedicated to showcasing the best photo shots capturing the essence of electronic music culture and rave experiences, worldwide.
This contest celebrates the energy, diversity, and atmosphere of electronic music events through multiple categories, from raver portraits to backstage moments, stunning light effects, crowd shots or special moments of love and even architectural interior club shots.
Submissions Open: Open now as of Friday, March 14th 2025 
Open to photographers worldwide
Submit and vote at: www.clubbingtv.com/Rave2025
How does it work?
Participants are invited to submit their best photos in one or several of the contest categories. Once validated, the images will be showcased in an online gallery where the public can vote for their favorites.
Public Voting Phase: 30 days duration, with a leaderboard revealed after 15 days. Jury Deliberation: After public voting closes, a jury composed of renowned photographers, artists, and electronic music professionals will evaluate the top shots. Winners Announcement: The final winners will be officially revealed on Clubbing TV and our official channels. A Prestigious Panel
This year the judge’s panel is truly international and intergenerational, bringing together individuals we deeply respect, people who have a real and lasting impact on club culture through their work, vision, and influence.
The selection process will be led by a distinguished panel of experts, each bringing their own unique perspective on electronic music culture and visual storytelling:
Abdul Qadim Haqq (Visual Artist, Painter, Detroit, USA)
Andreea Magdalina (Founder of shesaid.so & IAMJT, Music & Tech Consultant, Romania & LA, USA)
Catu Diosis (DJ, Producer & Rapper, Kampala, Uganda & Cologne, Germany)
Felicity Ingram (Photographer, Author of Technophoria, UK)
Jack Irving (Artist & Designer, London, UK)
Jacob Khrist (Photojournalist, Paris, France)
Juliette Leigniel (Photographer, Video Director, France)
Manami Sakamoto (VJ & DJ, Tokyo, Japan)
Marie Staggat (Photographer, Author of 313ONELOVE, Berlin, Germany)
Nikki McNeill (PR & Founder of Global Publicity
)
Rutger Geerling (Photographer, National Geographic, Tomorrowland, Ultra, Netherlands)
Tala Mortada (Chief creative officer & DJ, Beirut, Lebanon & DubaÏ, UAE)
Zoé Agnoly (DJ & Creative director, Paris, France & Berlin, Germany)
Diversity contest shot, featuring 9 Categories 
Raver shot
DJ shot
Crowd shot
Backstage shot
Touring shot
SFX shot 
Live act shot 
Club interior  shot
Love shot
An Opportunity to Showcase and Inspire
Beyond the competition, Rave Photography of the Year 2025 aims to highlight the artistic and documentary significance of nightlife photography. The winning photographers will gain international visibility, with their work featured on Clubbing TV and other platforms. Additionally, a capsule collection will be created using their art, with royalties for the photographers. The winners will also have the opportunity to have their photographs showcased at the Amsterdam Dance Event (ADE) during Clubbing TV’s annual studio takeover.
Contest Timeline
Photo Submission: 10 days
Public Voting: 30 days (Leaderboard revealed after 15 days)
Jury Deliberation: 10 days
Winners Announcement
Submissions Open: Open now as of Friday, March 14th 2025 
Open to photographers worldwide
Submit and vote at: www.clubbingtv.com/Rave2025
The post Clubbing TV announces inaugural Rave Photographies of the Year 2025 competition appeared first on Decoded Magazine.
Ravebot
Clubbing TV is thrilled to announce the launch of “Rave Photography of the Year 2025”, an international competition dedicated to showcasing the best photo shots capturing the essence of electronic music culture and rave experiences worldwide.
This contest celebrates the energy, diversity, and atmosphere of electronic music events through multiple categories, from raver portraits to backstage moments, stunning light effects, crowd shots or special moments of love and even architectural interior club shots.
Submissions Open: Open now as of Friday, March 14th 2025 
Open to photographers worldwide
Submit and vote at: www.clubbingtv.com/Rave2025
How does it work?
Participants are invited to submit their best photos in one or several of the contest categories. Once validated, the images will be showcased in an online gallery where the public can vote for their favorites.
Public Voting Phase: 30 days duration, with a leaderboard revealed after 15 days. Jury Deliberation: After public voting closes, a jury composed of renowned photographers, artists, and electronic music professionals will evaluate the top shots. Winners Announcement: The final winners will be officially revealed on Clubbing TV and our official channels. A Prestigious Panel
This year the judge’s panel is truly international and intergenerational, bringing together individuals we deeply respect, people who have a real and lasting impact on club culture through their work, vision, and influence.
The selection process will be led by a distinguished panel of experts, each bringing their own unique perspective on electronic music culture and visual storytelling:
Abdul Qadim Haqq (Visual Artist, Painter, Detroit, USA)
Andreea Magdalina (Founder of shesaid.so & IAMJT, Music & Tech Consultant, Romania & LA, USA)
Catu Diosis (DJ, Producer & Rapper, Kampala, Uganda & Cologne, Germany)
Felicity Ingram (Photographer, Author of Technophoria, UK)
Jack Irving (Artist & Designer, London, UK)
Jacob Khrist (Photojournalist, Paris, France)
Juliette Leigniel (Photographer, Video Director, France)
Manami Sakamoto (VJ & DJ, Tokyo, Japan)
Marie Staggat (Photographer, Author of 313ONELOVE, Berlin, Germany)
Nikki McNeill (PR & Founder of Global Publicity
)
Rutger Geerling (Photographer, National Geographic, Tomorrowland, Ultra, Netherlands)
Tala Mortada (Chief creative officer & DJ, Beirut, Lebanon & DubaÏ, UAE)
Zoé Agnoly (DJ & Creative director, Paris, France & Berlin, Germany)
Diversity contest shot, featuring 9 Categories 
Raver shot
DJ shot
Crowd shot
Backstage shot
Touring shot
SFX shot 
Live act shot 
Club interior  shot
Love shot
An Opportunity to Showcase and Inspire
Beyond the competition, Rave Photography of the Year 2025 aims to highlight the artistic and documentary significance of nightlife photography. The winning photographers will gain international visibility, with their work featured on Clubbing TV and other platforms. Additionally, a capsule collection will be created using their art, with royalties for the photographers. The winners will also have the opportunity to have their photographs showcased at the Amsterdam Dance Event (ADE) during Clubbing TV’s annual studio takeover.
Contest Timeline
Photo Submission: 10 days
Public Voting: 30 days (Leaderboard revealed after 15 days)
Jury Deliberation: 10 days
Winners Announcement
Submissions Open: Open now as of Friday, March 14th 2025 
Open to photographers worldwide
Submit and vote at: www.clubbingtv.com/Rave2025
The post Clubbing TV announces inaugural Rave Photographies of the Year 2025 competition appeared first on Decoded Magazine.
Ravebot
Thomas Gold and Faustix have released ‘Pump It,’ a seismic techno banger set to take over dancefloors globally. Released via Dim Mak, this collaboration is a masterclass in raw, unadulterated energy, fusing hypnotic rhythms with a bass rumble that will shake your core.
‘Pump It’ immediately grabs your attention with its piercing, staccato synth stabs, a sonic blade slicing through the mix. A relentless, rolling bassline forms the track’s bedrock, driving the energy forward with unstoppable force. Gritty, industrial bass hits punctuate the groove, adding a visceral, primal edge that elevates the track’s intensity to fever pitch.
Faustix shares his excitement about the collaboration: “Working with Thomas is honestly such a breeze, and I’m super inspired every time we talk ideas. His level of professionalism shows in everything he does, which is also why this follow-up to our last track together was an easy decision. This one hits hard, and I’ve been field-testing it for quite some time now. I hope everyone will like it just as much as we do.”

Gold echoes the enthusiasm, reflecting on their latest record: “‘Pump It’ is the kind of track I’ve always wanted to create—something that captures pure energy and connects with the crowd. When Faustix sent me his vocal idea, I knew instantly this was something special. His production technique really brought the vocal to life, and I knew I had to create the drop that would make it explode. It all came together perfectly—a punchy, high-energy banger made to drive the dancefloor. This release on Dim Mak is not just my debut; it’s the beginning of a new chapter, and I’m beyond excited to see where this journey takes me!”
The post Thomas Gold & Faustix Drop Techno Banger ‘Pump It’ appeared first on EDMTunes.
Ravebot

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