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[Decoded] Andi Durrant live at Dance Music Archive Warehouse Party

Decoded Magazine · Decoded Magazine presents Andi Durrant live at DMA Leeds Settle in with broadcasting legend Andi Durrant with a live recording from the first Dance Music Archive warehouse party at Project House, Leeds, in 2024. 
Before we get to the mix, let’s get some context. There aren’t many people better placed to tell the story of dance music than Andi Durrant. With over 25 years in the game, he’s literally lived, shaped, and now archived it into Dancemusicarchive.com – one of the most valuable and engaging resources online for dance music and club culture. Born in lockdown, it’s a fully mapped archive chronicling 35 years of the scene told year-by-year through mixes, live sets, magazines, lost radio broadcasts, and forgotten gems.
At Decoded, we have long been fans of Andi’s track deconstruction videos with his forensic, nerdy dissections of iconic club records. Now a day-party warehouse series, Andi and the DMA crew are preparing to celebrate the first birthday on 5th April back at Project House, so we’re rewinding to that opening event.
This recording with Andi selecting tracks from ’96-’98 is packed with atmosphere and crowd noise sounding just like an authentic, old-school rave tape. If you care about where dance music came from (and where it’s going), DMA is essential viewing, and this mix is living proof. 
Dance Music Archive celebrates the first anniversary of its event series on 5th April at Leeds’s independent concept space, Project House, this time focusing on 1995 – 2000, welcoming a secret lineup to spin forgotten tracks, classic anthems, lesser known remixes and bootlegs from their chosen era.  Grab tickets at https://www.dancemusicarchive.com/events.
If you care about where dance music came from (and where it’s going), Dance Music Archive is essential listening. There is real magic in the mixes gathered in the archive: raw recordings packed with atmosphere, crowd noise, and imperfections, an aural snapshot of rave culture. That’s why we were particularly pleased to get similar vibes from Andi’s own mix, which was recorded live at the first ever Dance Music Archive daytime warehouse party last year in Leeds and is now exclusively featured in our Decoded Mix Series. 
Andi Durrant – “We started the Dance Music Archive as a little lockdown project back in 2020 – trying to organise the incredible history of UK electronic music and club culture into years and record the story of our scene. Soon after we launched the DMA radio on KISSTORY and through that and social media, we’ve brought together an amazing community of people from all ages and backgrounds. So, a year ago we decided to hire a former car garage and warehouse on the outskirts of Leeds and put on a party so we could all get together in person.
We accidentally created the most incredible party with a 1000-strong crowd who are genuinely passionate about the music and just want to come out and let go. There are very few phones out, people are talking to strangers and making new friends and there are even a lot of multi-generation groups where parents are bringing their teenage and 20s kids, and vice versa!
This set was one of the most enjoyable I’ve ever played – the energy the noise and the smiles from the crowd were insane and it felt like we’d stumbled on something a bit magical. I can’t wait for this Saturday when I’ll be playing a 1990-1993 set of rave classics and forgotten gems, and I’ll be joined by a secret line up of legends.”
Tracklisting
Full Intention – Saturday (Full Intention Club Mix) [1997]
Club 69 Featuring Suzanne Palmer – Much Better [1997]
Stardust – Music Sounds Better With You [1998]
Sandy B – Make The World Go Round [1996]
Praxis – Featuring Kathy Brown – Turn Me Out (Turn To Sugar) [1997]
Nuyorican Soul- Runaway (Mongoloids In Space) [1997]
Armand Van Helden Presents Old School Junkies – The Funk Phenomena [1997]
Sneaker Pimps – Spin Spin Sugar [1996]
Double 99 – Rip Groove [1997]
Montano vs The Trumpet Man – Itza Trumpet Thing [1998]
E’voke – Arms Of Loren (Steinway Mix) [1996]
Tin Tin Out – Strings For Yasmin [1997]
Lucid – I Can’t Help Myself (The Lucid Vocal Mix) [1997]
Energy 52 – Café Del Mar (Three ‘n One Remix) [1998]
Nalin & Kane – Beachball (Extended Vocal Mix) [1997]
Da Hool – Meet Her At The Love Parade [1997]
The post Andi Durrant live at Dance Music Archive Warehouse Party appeared first on Decoded Magazine.
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[EDM House Network] Black Coffee Makes History with First-Ever Residency at Newly Redesigned Brooklyn Mirage

New York City’s premier nightlife destination, The Brooklyn Mirage, is set to redefine the electronic music experience with a revolutionary redesign and its first-ever artist residency. GRAMMY Award-winning DJ Black Coffee will headline this historic series, marking his first New York City residency beginning May 4, 2025.
Cutting-Edge Venue Transformation
The iconic East Williamsburg venue has undergone a complete transformation, featuring a new custom L-Acoustics sound system and an immersive 270-degree virtual environment. This state-of-the-art visual setup boasts an impressive 30K resolution, 100 million pixels, and over 3,000 tiles, creating what venue operators promise will be an unparalleled audiovisual experience.
Black Coffee’s Historic Residency
The residency represents a full-circle moment for the South African DJ, who previously sold-out multiple performances at The Brooklyn Mirage in 2019, 2021, and 2022. Black Coffee made history in recent years as the first African DJ to sell out Madison Square Garden, further cementing his status as one of electronic music’s most influential artists.
“New York has always been a special place for me and one of the most exciting crowds to come and spread love with,” said Black Coffee. “I’m honored to hold the first-ever residency at The Brooklyn Mirage, but even more so excited to make the newly re-vamped venue my NYC home for four dates in 2025!”
A New Era for NYC Nightlife
Josh Wyatt, CEO of Avant Gardner, emphasized the significance of this partnership: “As we prepare to unveil our new build, we also sought to stake New York City’s claim as a must-visit destination for artists and music lovers and to offer the same residencies that have transformed other cities into music destinations.”
The four-date residency will take place on May 4, July 3, August 24, and October 19, 2025. Each performance promises to showcase Black Coffee’s signature “Afropolitan” sound—a distinctive blend of metropolitan techno with traditional South African influences that has become one of today’s leading global dance music genres.
The Brooklyn Mirage, voted North America’s “Best Large Club” in 2022 and 2023, continues to solidify its reputation as one of the world’s premier electronic music venues. This groundbreaking residency and venue redesign mark an exciting new chapter for New York City’s nightlife scene.
For tickets, set times, supporting acts, and the latest updates, visit Avant-Gardner.com.
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[EDM.com] How the Inventor of the MP3 is Turning Spatial Audio Inside Out

Before Karlheinz Brandenburg revolutionized how we store music, he was obsessed with how we perceive it. Now, the engineer who compressed your entire music library into pocket-sized files is now expanding sound beyond the confines of physical space.
In the world of audio technology, few figures loom as large as Brandenburg. The German mathematician and computer scientist who helped gift the world MP3—that tiny file format that would eventually upend the entire music industry—is now bending sound waves in even more ambitious ways through his latest venture, Brandenburg Labs.
Its new crown jewel, Okeanos Pro, might look like mere headphones to the uninitiated, but they represent a major leap in spatial audio. Priced at €5,000, a relative bargain compared to the multi-speaker studio setups they're designed to replace, the system is powered by their proprietary Deep Dive Audio (DDA) technology to create an illusion so compelling that users forget they're wearing headphones at all.
EDM.com demoed the mind-bending Okeanos Pro system at Austin's illustrious South by Southwest conference, where Brandenburg Labs was a finalist for the 2025 SXSW Innovation Awards in the Audio Experience category. The tech maps your listening space through acoustic calibration and then astoundingly tracks your head's position and rotation in real time, adjusting the sound field accordingly with six degrees of freedom.
For music producers, this means the ability to place sounds with surgical precision in a virtual environment, testing mixes across different speaker configurations without ever leaving their headphones. The system can process up to 16 channels of audio and receive immersive binaural audio with latency as low as 10ms, rivaling physical speaker arrays costing multiples more.
Its web-based interface provides a seamless control system and all processing happens on the dedicated hardware, keeping your DAW's CPU meters from having a meltdown. While competitors have attempted similar spatial audio tricks, none have quite yet achieved the Brandenburg team's level of immersion—perhaps unsurprising given the founder's pedigree.
There's a particular kind of magic in making ears believe what they're hearing—just ask the man who continues to change how the world listens. We caught up with Brandenburg to discuss the future of spatial audio and how his innovative company is influencing it.
Dominique Wollniok/Brandenburg Labs GmbH
EDM.com: The MP3 format revolutionized audio by prioritizing accessibility over absolute fidelity, a trade-off that sparked decades of debate. With Okeanos Pro, you're now pushing the boundaries of spatial audio precision. How do you reconcile your legacy of compression with this new pursuit of uncompressed, high-fidelity immersion?
Karlheinz Brandenburg: While MP3 was a good compromise, I have worked on expanding audio quality for most of my life. AAC as used by Apple, while being even more efficient in compression and using similar basic ideas, satisfies even so-called "golden ears."
25 years ago, I supervised work on Wave Field Synthesis. This enables great immersive audio if you have a room which has dozens of loudspeakers and good acoustics. The problem of achieving a similar experience via headphones had not been solved, until now. Okeanos Pro is the first headphone system that enables a truly realistic and lifelike audio experience.
EDM.com: You've spent your career democratizing audio technology. Do you envision a future where Deep Dive Audio trickles down to consumer-grade headphones, or is this level of precision inherently exclusive to the pro audio niche?
Karlheinz Brandenburg: No, it’s not exclusive to the pro audio niche. Our Deep Dive Audio technology will also be accessible to general consumers. We are developing a headphone system that brings immersive audio into every living room. With Okeanos Home, anyone can have a simulated high-end multi-speaker system via headphones to enjoy music, movies or gaming. We plan to launch these headphones on the market end of 2026.
In the longer run, we envision a headphone technology we call PARty, Personalized Auditory Reality. This will be a game-changer for all of us, doing for our ears what glasses do for our vision. It will enable AI-supported selective noise cancelling and fully adaptive listening to real and virtual sound sources. We estimate that these headphones will be sold in eight-digit numbers, making them accessible and affordable for everyone. Immersive audio is just one feature of these headphones.
EDM.com: The MP3 format fundamentally changed not only how we consume music, but also the music industry's entire business model. Do you see Okeanos Pro's technology having a similar disruptive potential for music production and consumption?
Karlheinz Brandenburg: MP3 freed music from the carrier medium and made it accessible everywhere. The traditional and established distribution channels for music have thus been turned upside down.
Okeanos Pro has disruptive potential in terms of sound quality. It simplifies the production of immersive sound by making traditional and often very expensive speaker setups superfluous. This increases the chance that 3D sound will finally catch on, offering numerous opportunities for the entire entertainment industry. Moreover, spatial audio enables audio augmented reality, which will undoubtedly be a game-changer.
EDM.com: Deep Dive Audio's 6DoF head-tracking and room calibration promise a hyper-realistic loudspeaker simulation, but some engineers argue that binaural audio—no matter how advanced—can never fully replicate the tactile and psychoacoustic experience of physical speakers. What's the one limitation of headphone-based spatial audio that keeps you up at night, and how close do you think Okeanos Pro gets to bridging that gap?
Karlheinz Brandenburg: It is unavoidable that some tactile feedback, like the feeling of low frequencies vibrating the whole body at a live concert, is not reproducible with binaural audio over headphones. Speakers are a great technology to achieve that. However, the true potential of binaural audio lies in the applications which speaker systems can’t easily achieve.
Binaural audio enables us to simulate arbitrary acoustic scenes, which are not limited by any speaker arrangement. Even today, it manages to let people forget they are wearing headphones when set up correctly. The big challenge we're now trying to solve is to make sure this works automatically for everyone and everywhere, with just a pair of headphones and no special knowledge required by the user.
EDM.com: The pro audio market is notoriously conservative and engineers often stick to trusted brands for decades. How do you plan to convince skeptical studio veterans to ditch their monitor setups for a headphone-based system like Okeanos Pro, especially when it challenges decades of ingrained workflow habits?
Karlheinz Brandenburg: All disruptive technologies initially trigger skepticism. Our claim is: "You have to hear it to believe it." And indeed, everyone who tries our system says: "There's never been anything like it."
The biggest advantage of Okeanos Pro is that it allows you to mix multi-channel audio in any studio with unparalleled flexibility, thanks to its independence from physical speakers and room configurations. To communicate this, we exhibit at numerous events, trade fairs or exhibitions worldwide and maintain close contact with music producers.
Initially, our system was just a proof-of-concept—we didn't plan to sell it. However, at trade shows and exhibitions we have been asked several times by audio engineers and producers to release our early-stage technology as a product. This became Okeanos Pro.
Okeanos Pro is a tool that can improve and modernize workflows. Ultimately, engineers will decide how to use it. Veterans with a world-renowned, legendary studio setup and perfected workflow might chose to only supplement their workflow, for instance when working from home or demonstrating the result of their work at a different place. For others, Okeanos Pro may serve as a viable alternative for a full multi-speaker system or even as their only gateway to immersive mixing.
EDM.com: Brandenburg Labs is entering a space where immersive audio formats like Dolby Atmos and Sony 360 Reality Audio are battling for dominance. How does Okeanos Pro position itself in this format war: as a neutral tool agnostic to standards, or as a champion of a specific workflow?
Karlheinz Brandenburg: Okeanos Pro doesn't require or favor any format. Users can configure their virtual speaker system however they prefer, no matter if it is one of the two big names, an emerging format or even a crazy speaker setup that the producer wants to experiment with. Okeanos Pro can simulate it. Even better, Okeanos Pro allows producers to switch between speaker configurations with just a few clicks, offering unmatched flexibility and compatibility.
EDM.com: At €5,000, the system undercuts a full 16-channel speaker setup, but it’s still a significant investment in a crowded headphone market where competitors offer high-end options at lower price points. What's your strategy to justify that premium to cost-conscious producers who might see spatial audio as a "nice-to-have" rather than a must-have?
Karlheinz Brandenburg: Okeanos Pro offers a new approach to mixing via headphones. A key benefit of the system is that it simulates a speaker system inside of the producer's studio, a familiar environment. For many professionals, this is a must-have feature. The prices to compare to are not standard headphones because they can't reproduce immersive audio in the way ours do. The point of comparison is a multichannel loudspeaker system in an acoustically treated room. When we demonstrate our system and talk to potential customers, all the professionals tell us that it is reasonably priced.
At this stage, spatial audio is still an emerging technology. Both producers and customers are still learning the possibilities, limitations and the appeal of the technology, and I am sure the market will keep evolving.
There were also doubts about the introduction of stereo. George Harrison from the Beatles also questioned why two speakers were needed back then. Over time, stereo sound caught on and became the standard. What I'm trying to say is that we're facing a new paradigm shift that will take time for music creators to accept.
The development is also strongly linked to demand. The more 3D audio is used, the more music producers will jump on the bandwagon. Our headphone system can accelerate this process right now. I think the consumer market for spatial audio systems currently doesn’t offer a satisfactory solution for everyone. Bridging this gap will be a key factor in determining whether the current wave of spatial audio continues.
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[EDMTunes] Grammy Award Winning Black Coffee to Perform in Mumbai, India on Wednesday

Mumbai, brace yourselves! The iconic Black Coffee is on his way to your city. The Grammy Award winning DJ will be headlining a one night only show in the country on the 2nd of April. DJ, producer, label owner, entrepreneur and philanthropist Black Coffee, real name Nkosinathi Innocent Maphumulo is scheduled to grace Nesco Center in Mumbai on Wednesday.
With a career spanning more than 3 decades, Black Coffee has been an impactful name in the dance music universe. His hits ranging from Turn Me On, You Need Me right to The Rapture Part III, etc. Black Coffee has etched out a Grammy under his name in 2022 for his album ‘Subconsciously’. He is reputed for an array of tours and residencies at the world’s prime hotspots & festivals. These include the likes of Coachella, Tomorrowland, EDC, Club Space Miami, Hi Ibiza, the list goes on.
A special one night only performance awaits Mumbai on Wednesday, 2nd of April. Witness the maestro creating his unique and diverse style of music that fuses elements of R&B, jazz and African influences with electronic. Black Coffee is reputed for his catchy hooks, powerful basslines and soulful vocals that would automatically make one want to dance.

Grab your passes here.
The post Grammy Award Winning Black Coffee to Perform in Mumbai, India on Wednesday appeared first on EDMTunes.
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[EDMTunes] [WATCH] Ultra Music Festival 2025 Sets Uploading to YouTube

And just like that, the 25th edition of Ultra Music Festival in Downtown Miami kicks off festival season. Music Week was nothing short of amazing, with stellar lineups, incredible production value, and of course, we can now relive our favorite sets on YouTube. This year, we get to enjoy them sooner than anticipated. The three-day festival happened last weekend March 28-30 in Bayfront Park. So far Ultra itself has not uploaded the sets, but the artists themselves are doing it. Read on for festival highlights and the livesets on YouTube.
Festival Highlights
Ultra Music Festival 2025 concludes sold-out 25th anniversary celebration with so many huge moments it’s hard to keep track.
ULTRALIVE reached more than 30 million impressions around the world
Afrojack made pop culture history during his headlining set by bringing out surprise guests David Guetta and Sia to perform their multi-platinum global hit “Titanium” together—live for the first time ever
Skrillex played his first solo Ultra set in a decade, bringing out surprise special guests such as Flowdan, Damian Marley, Naisha, and Young Miko. The dubstep legend also played widely-heralded ID collaborations with Nitepunk, ISOxo, Peekaboo, and more
Martin Garrix closed out Ultra Music Festival for the first time, delivering Sunday night’s final Main Stage set. He brought out Armin van Buuren to premiere their new collaboration, and became the first artist to close out Ultra with his own live vocals
Alesso brought out legendary vocalist Nadia Ali and premiered new track with Becky Hill during his Friday headlining set
Carl Cox hosted his first Ultra ‘Carl Cox Invites’ stage takeover before closing out the RESISTANCE Megastructure on Saturday with the debut of his ‘Evolution’ live set
Solomun hosted his debut Ultra Diynamic stage takeover on Sunday, featuring artists such as Mau P and Four Tet before a headlining set from Solomun himself. The label boss then went b4b with Mau P, Four Tet, and Chloé Calliet
Kaskade performed a surprise headlining Main Stage set on Sunday
Anyma and Solomun performed a World Debut b2b set on Saturday
Everything Always – the collaboration project between John Summit and Dom Dolla – closed out the Friday Main Stage with a tech-house-infused Ultra debut
Armin van Buuren played his first two of three Ultra 2025 headlining sets at the Worldwide Stage on Friday – one solo set before an epic b3b with Maddix and Oliver Heldens
Charlotte De Witte brought her signature techno sound for an electrifying Friday headlining set to close down the RESISTANCE Megastructure
Steve Aoki brought out Trippie Redd, Swae Lee, Mike Posner, and more during his Sunday headlining set
Armin van Buuren’s headlining Saturday Mainstage set featured exclusively his own productions
The Worldwide Stage on Sunday featured the world debut of NGHTMRE b2b Sullivan which preceded a deadmau5 ‘Retrospective’ set where he brought out Serum-creator Steve Duda
deadmau5 also joined Pendulum for a world debut b2b performance on Saturday
Our Set Playlist
We included a YouTube playlist we created from what we can find online so far. From the main stage to the Cove, these performances’ energy and magic travel from the speakers, into our screens. Headlining sets available include Martin Garrix, David Guetta, Subtronics, Hardwell, Axwell, and the special and captivating Solomun b2b Anyma. Other incredible sets include KSHMR, Sam Feldt, and Morten.
We included a YouTube playlist we created from what we can find online so far. From the main stage to the Cove, these performances’ energy and magic travel from the speakers, into our screens. Headlining sets available include Martin Garrix, David Guetta, Subtronics, Hardwell, Axwell, and the special and captivating Solomun b2b Anyma. Other incredible sets include KSHMR, Sam Feldt, and Morten.
The Worldwide stage saw various genres throughout the weekend, with major labels hosting their takeovers. You can now rewatch Armin van Buuren b3b Maddix b3b Oliver Heldens, Nifra, and Ruben de Ronde. Other incredible must-see sets include Dimension and NGHTMRE.
Resistance delivered yet again with massive House and Techno under the Megastructure and The Cove stages. Highlights include I Hate Models, Joris Voorn, Korolova, ARTBAT, Miss Monique, and Massano b2b Christ Avantgarde.
Ultra 2026
Ultra Music Festival returns on March 27-29 of 2026 at Bayfront Park. Tickets are already on sale here. It’s never too early to get those tickets in hand!
The post [WATCH] Ultra Music Festival 2025 Sets Uploading to YouTube appeared first on EDMTunes.
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[EDMTunes] Skrillex Leaks & Then Formally Releases New Album

Skrillex takes to Dropbox to drop his whole new album, FUS with over 30 new bangers nicely mixed for a lovely 46-minute playtime. Now, after 14 hours, the whole album is ready for your ears. Sunny is notorious for sending fans mixed signals in odd ways like emails and even has fans figure things out through cryptic messages. In these messages, he closes the gap between artists and fans that is usually filled with marketing and labels. This is one of the many reasons why Skrillex is so loved by his fan base. Now, let’s dive into FUS. 🙂
FUS (F*CK U SKRILLEX YOU THINK UR ANDY WARHOL) Tracklist
FUS brings a vintage Skrillex and dubstep energy consisting of 33 IDs with features from artists like Virtual Riot, Wuki, Space Laces, B-Girl, Swedm, and more. The multi-genre dance music legend has spent 20 years refining his sound of heavy electronic instruments over hard-hitting organic drums. FUS gives the genre of dubstep a whole new meaning. Hear it for yourself below.
SKRILLEX IS DEAD into SPITFIRE (Skrillex, Hawaii Slim) WHILE YOU WERE SLEEPING VIP (Skrillex, Virtual Riot, Nakeesha) SLICKMAN (Skrillex) TEARS LOST DROP (Skrillex, Sleepnet, Joker (UK) THINGS I PROMISED (Joker) RECOVERY (Skrillex, Space Laces) ANDY (Skrillex) SQUISHY CLIP (Skrillex) LOOK AT YOU (Skrillex, Jonsi) GULAB XX (Skrillex, Naisha) MOMENTUM (Skrillex, Zacari, Starrah, ilykimchi) ANIMALS BEAT (Skrillex, Team EZY) MIRCHI TEST (Skrillex, Virtual Riot, Nakeesha) HOLD ON (Skrillex) SEE YOU AGAIN VIP (Skrillex, Swedm, LOAM) MORJA KAIJU VIP (Skrillex) KORABU (Skrillex, B-Girl, PARISI)(Euorhead, Jamesjamesjames, Varg, & Whitearmor) REDLINE DASH (Skrillex) ZEET NOIZE (Skrillex, Boys Noize, Dylan Brady) BOOSTER (Skrillex & Dylan Brady) FRICKY VIP (Skrillex) JUNGUNDRA (Skrillex) DRUIDS (Skrillex & G Jones) BIGGY BAP (Skrillex & Wuki) SAY GOODBYE (Skrillex, NJOMZA, & Swedm) MOSQUITOTOUILLE (Skrillex) BABY ROYAL (Skrillex & Swedm) G2G (Skrillex, Swedm, & Badriia) DNB TING (Skrillex, Majestic) SAN DIEGO VIP (Skrillex) VOLTAGE (Skrillex) AZASU (Skrillex & Swedm) Skrillex’s Recent Headliner Ultra Miami Set
FUS comes the day after Skrillex makes major headlines with his 10-year return set to Ultra Miami’s main stage. The set brought out Skrillex discography icons like Damian Marley, Flow Dan, and more. Also, he dropped many unreleased IDs including his opening track which is a collab between him and the rising artist, Nitepunk.
Skrillex Leaving his label
Recently, in the past 6 months, Skrillex spoke out against the mainstream agenda of this music industry and announced his departure from his label, Atlantic Records. He means no ill will and gives massive credit to his teams that have helped get him where he is today. His main push behind the departure is his inspiration and clear vision of how he wants to go about releasing music to his fans for the foreseeable future. FUS is his final project with Atlantic Records and marks the end of a chapter and the start of another.
The post Skrillex Leaks & Then Formally Releases New Album appeared first on EDMTunes.
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[EDM.com] EDM.com Fresh Picks: Know Good, Shallou, LUPO.THEBOY, & More

The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene.
You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here.
EDM.com Fresh Picks
Know Good & Aaron Page - Bag
Shallou - Gone
LUPO.THEBOY
draytone - Turn Around
OSPHOR & Boy Apocalypse - Days Go By (.breezy Remix)
Hidden Face - I wanna tell U
Theobuntu - Our Aside
Janus - Reapers
XOXO - feel my love (feat. Zige)
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[EDMTunes] Armin van Buuren Releases 22nd Mix Album: A State of Trance 2025

For well over two decades now, Armin van Buuren’s A State of Trance mix album series has been a staple in dance music land. And much like his globally esteemed radio show itself, the sound of the mix albums evolves with each passing year, reflecting the Dutchman’s explorative nature and the ever-changing scene itself. This year, the mix series walks further down that path to deliver a trifecta of sound, guiding listeners through trance’s full spectrum—from sunlit melodies to peak-time intensity: A State of Trance 2025.
Across its three parts and 43 tracks, the new mix album offers the very best of modern trance, from the sea-side grooves of On The Beach—with tracks from Claptone x Chicane, OTTAGON (Giuseppe Ottaviani) and AVIRA—to the club-driven energy of In The Club at the hands of Andrew Bayer, Ferry Corsten, Richard Durand and Gabry Ponte x Jerome Isma-Ae. With Armin van Buuren and Rob Swire’s show-stopping new collaboration and the official anthem for A State of Trance 2025, the energy reaches full throttle with Who’s Afraid of 138?!, the third mix—a no-holds-barred adrenaline rush spearheaded by Sander van Doorn, Orjan Nilsen x Mark Sixma, Oliver Heldens & Armin van Buuren and Mauro Picotto.
As fans have come to expect and cherish, this year’s mix album is, once again, packed with exclusive tracks, sought-after IDs and brand-new collaborations. It’s the ultimate soundtrack for dance music fans, carrying them from sunrise bliss to afterhours madness, with the sonic signature of Armin van Buuren himself and his celebrated A State of Trance brand.
You can take a listen here below and on alla available streaming platforms.
Stay tuned for more news!
The post Armin van Buuren Releases 22nd Mix Album: A State of Trance 2025 appeared first on EDMTunes.
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[EDM.com] Ultra Offered a $425,000 Bottle Service Package at 2025 Festival in Miami

For those who find regular VIP experiences insufficiently exclusive, Miami's Ultra Music Festival offered the opportunity to spend the equivalent of four years at an Ivy League university on beverages consumed in three days.
In what can only be described as the champagne equivalent of a nuclear arsenal, Ultra and TAO Group Hospitality's $425,000 bottle service experience—the aptly named "Fuck You Money" package—proves that some festival-goers prefer their bass drops served with financial devastation.
What does nearly half a million dollars buy at a festival where most attendees are content with $15 beers and good vibes? A champagne armory that would make a crypto bro blush: 200 bottles of Moet & Chandon Nectar Imperial Rosé (the Pharrell Williams Edition, naturally), 100 bottles of Dom Perignon Brut Luminous and 100 Dom Perignon Rosé Luminous. That's 400 bottles of premium champagne—enough to ensure that even the festival's portable toilets will somehow smell vaguely of bergamot and French vineyards.
Ultra returned over the weekend from March 28-30 with sets by Skrillex, Martin Garrix, Zedd, Tiësto, Hardwell and many more of electronic music's biggest names. You can watch their performances here.
Follow Ultra Music Festival:
X: x.com/ultra
Instagram: instagram.com/ultra
TikTok: tiktok.com/@ultra
Facebook: facebook.com/ultra
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Skrillex Drops Fourth Studio Album: ‘FUS’

Skrillex has dropped his latest album, F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3.
With a lengthy tracklist to match its lengthy title, the 34-track album arrives today via joint release on Atlantic Records and Skrillex’s recently revived OWSLA label, marking the electronic icon’s fourth studio LP after a two-year wait.
Though each of the tracks on F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3 clocks in at less than three minutes, the album plays out as a cohesive mix, with each of its tunes seamlessly blended over its 46-minute runtime.
Major inclusions on the album include buzzed-about IDs like “SPITFIRE” and “VOLTAGE,” which date back well over a decade, and high-profile link-ups with electronic titans like Joker, Virtual Riot, Space Laces, Boy Noize, G Jones, and more.
After dipping into an array of club-centric styles on his last two albums, Don’t Get Too Close and Quest For Fire, Skrillex’s latest offering sees the world-beating producer return to the aggressive, glitchy styles of brostep and trap he revolutionized 15 years ago. With a title that feels like an FU to the haters, Skrillex again stakes his claim as one of electronic music’s foremost visionaries.
The album release follows a series of audio teasers Skrillex has shared with fans in recent weeks, and will mark his final release with Atlantic before going independent.
Listen to Skrillex’s new album,  F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3, below.

Featured image courtesy: Skrillex.
The post Skrillex Drops Fourth Studio Album: ‘FUS’ appeared first on EDM Maniac.
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[UKF] Label Spotlight: Feed the Dragon

Hi! Who are you? 
Feed the Dragon! The founding crew is Mengzy, DJ Fu, Hocknell, and Justin Lim but we have a wider family that make up FTD, like our resident photographer Jake Aaron Morton and resident DJs, like MMEE, the producer who made ‘Headtop’, the first release on the label.
What’s your ethos? 
Building community and infrastructure. The bass scene here took off during Covid because the borders were basically shut but we had minimal lockdowns internally. A whole new generation got involved. Feed the Dragon came out from that really exciting period. Post-Covid, we want to harness that momentum – help protect it and build an infrastructure that inspires people to get involved in the culture: DJ, make tunes, art…
Also, we want to rep Asia in a way that feels authentic to people from or with a connection to this part of the world, which is why our visuals nod to the Asian video game culture that we grew up with. That’s also one of the reasons why we’ve got a mascot for our logo. Mascots, especially cute ones, are deeply embedded in Asian visual culture and branding.
Tell us your origin story?
We launched Feed the Dragon in January 2023 and about a year in we floated the idea of starting a label after being inspired by tunes we’d heard from producers in Hong Kong and around the region. Back to the idea of building infrastructure, starting a label felt like a really powerful way for us to walk the walk of our ethos and vision.
Tell us about your local scene… 
We’re based in Hong Kong. Although the scene is small compared to a city like London, there’s a lot of diversity here when it comes to the dance music scene and a lot of amazing, really motivated crews. Just bass-wise, there’s nights like Magnetic Soul, Dark Metaz, Slimefest, Sticky Fried Vibes, S2, Umami, 0159, Yee, and more! 
Another great thing about being based here is being able to connect with bass crews in other Asian cities, like our first international collab which was with Planet Turbo in Seoul. There’s a kind of community vibe on a regional scale when it comes to collaboration and exchange which is sick.
Do you have a specific sound or vibe? 
Our nights span the full bass spectrum from UKG to breaks, 140, dubstep, jungle, drum & bass… and we usually programme things to kick off at around 130 bpm and work their way up throughout the night. With the label, we’re gonna have the same approach with covering a wide range of styles that we vibe with.
Do you have a regular artist roster – who can we see releasing with you?
Since we’re a new label, we don’t have a regular roster yet but we’re really excited about developing MMEE, who produced our first single ‘Headtop’ featuring Killa P. 
With FTD002 we’re bringing in Azumai and Vecsille who are two up and coming Japanese producers. Azumai previously released with Critical and RAM’s sister label ProgRAM, and we’re also buzzing to be working with Vecsille as this is his first official release. 
We’ve had our eye on Vecsille for a while because he’s been making waves in the Tokyo underground where his sets have been smashing it. So, being a part of his journey as his first label means a lot to us!
Tell us about your A&R process…
So far it’s been really organic; working with people we know and who are in our network. We’re keen to work with people in Asia and also the Asian diaspora – so if you’re reading this and that’s you, get in touch!
What makes you different from other labels? 
Ultimately, the genres that we’re passionate about are UK in origin and the music on the label will resonate to bass heads regardless of where they’re listening in the world. What makes us different boils down to our mission and POV of being based in Hong Kong and having a multicultural crew (Chinese, British, Singaporean, Dutch, Malaysian…) that guides our decisions on a DNA-basis.
What does it take to run a bass music label in 2025?
Caffeine, blood, sweat, and tears.
What have you got coming up we should look out for? 
In April, we’re doing the official Hong Kong launch party for Outlook Festival for the third year in a row. And, of course, FTD002 and FTD003 which we’ll be rolling out over the rest of this year!

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[Electric-Mode] Ministry of Sound & Lab54 team up on April Fools Stunt paying homage to UK Rave Culture

Club Culture x Pop Up Culture: The legendary nightclub and anti-club party specialists unite, championing the evolution of club culture.
 
On March 19th, London’s legendary Ministry of Sound joined forces with pop-up specialists Lab54 to host a first-of-its-kind secret party—in the women’s toilets. Now, revealing the secret collaboration, Ministry of Sound and Lab54 are announcing the start of an on-going partnership with more pop-ups to come. Kicking off on May 4th, Lab54 will return to the site of the ‘break-in’, minus the bolt cutters, to host the first in a series of Toilet Takeovers.

Late on a mid-week evening, Lab54 and 100 accompanying ravers ‘broke’ into the venue, armed with balaclavas, sound systems, and a trolley load of alcohol, with footage from the event spreading virally across social media and reaching 15 million views so far. Experts in the unconventional, Lab54’s ‘anywhere but a club’ ethos has led founder, Joe Gordon, and the lab-community, to party all around the world, from castles to arcades to bagel shops, hotel rooms to yachts and beyond.
 
Inspired by the enduring spirit of club culture, the inaugural party witnessed the unlikely marriage between the ‘Anywhere but a club’ specialists with one of the UK’s most iconic venues to spark conversations around the ever-evolving nightlife landscape. United in their combined reverence for community, the event paid homage to where Ministry, and rave culture itself, started some 35 years ago.
 
Says Lab54 founder Joe Gordon, “I think the paradigm shift we’re seeing in nightlife at the moment makes it important for clubs like Ministry to work with communities like ours to help reflect this in their offerings to ravers and what better way to do that than going back to their roots and pranking the online rave community!”
 
Since its inception in a disused bus garage in Elephant & Castle, Ministry of Sound has continued to evolve and shape the capital’s nightlife industry, maintaining its revolutionary attitude. Today, the iconic venue continues to pave the way for superclubs to support the modern raver, with accessible £5 tickets, sober raves, and 3 brand-new in-house club nights launched: Smoove, URGE, and Disco Daddy.

Says Ministry Group’s Managing Director Caitlin McAllister, “Club culture has always been about pushing boundaries, and the intersection of pop-up culture with establishments like Ministry of Sound is a reflection of how the industry is evolving. There’s an irony in a pop-up ‘breaking in’ to a club but that’s exactly the point – we need to bring new ideas to our spaces.”
 
Landing on the bank holiday weekend, the first official Ministry x Lab54 Toilet Takeover party will see the club’s loos transformed once more on Sunday 4 May. More details, dates and events to be announced – keep your eyes peeled at; @ministryofsound @lab54_uk
The post Ministry of Sound & Lab54 team up on April Fools Stunt paying homage to UK Rave Culture appeared first on Electric Mode.
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[EDM.com] Skrillex Unchained: The Ghost of Dubstep's Past Returns to Rewrite Its Future in New Album

A package arrived on my doorstep one random Monday. Inside was a handwritten note from Skrillex: "Hope you find some time in your busy life to listen to this album from start to finish. ᥫ᭡ Sonny"
Spoiler alert: I made time. And within just a few minutes of listening, it became clear that this was the sound of an artist who has nothing left to prove—but so much more to say.
Born Sonny Moore, the prodigy who erupted from the MySpace ether has spent over a decade shapeshifting—punk screamer, dubstep deity, pop architect—only to return now with the elusive album his ride-or-die fans could only dream of since the seminal Recess back in 2014. His disciplined Quest for Fire and Don't Get Too Close albums of 2023 were drops of water on a desert tongue, and those fans never stopped aching for the return of that vintage, feral Skrillex growl.
But here it is now—reimagined, reborn and roaring back into our cerebellums. Featuring 34 tracks, the album is his Interstellar, a sprawling, cyclical epic that loops back to his roots while spiraling into the stratosphere. It's Skrillex unchained, a cathartic eruption that finally fulfills his Atlantic Records contract after 15 years and opens the floodgates to a future where his music answers to no one but his own restless genius.
Skrillex in late-2024 revealed his plans to go independent after completing his Atlantic deal by virtue of his next body of work, today's release of F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3. "I've never felt more inspired and in lockstep with my intentions as an artist," he said at the time.
The stakes have never been higher. Few artists wield the kind of influence Skrillex does, and fewer still exit major label deals on their own terms. Going independent means full creative control, and if history has taught us anything, it's that Moore thrives when the rules don't apply.
As he cuts the corporate cord, one truth rings even louder than his ageless dubstep: Skrillex hasn't just come home, but redefined what home can be.
Kelly Knisel&sol;EDM&period;com
A time capsule finally cracked open, the album features many long-lost tracks that once lived only in online forums and grainy SoundCloud rips, shaping the instincts of today's biggest DJs when they were still kids, wide-eyed and wired to his sound. These unearthed gems now carry with them a sense of both nostalgia and evolution, proving that the music we wait for doesn't just belong to the past, but also to the future it unknowingly built.
But FUS isn't just a trip down memory lane. If it's a museum tour of past glories at times, it's a mad scientist's lab at others, where Skrillex brews up boundary-pushing bangers with reckless creativity.
He tosses convention into a shredder with Virtual Riot on the anarchic "WHILE YOU WERE SLEEPING VIP," producing snarling synths that gnash through a rabid rhythm. Then comes the stunning "RECOVERY," his long-awaited collaboration with fellow music production savant Space Laces, with whom he takes dubstep to the bleeding edge.
That subversive spirit runs roughshod through the album, like in "GULAB XX." Equal parts seduction and destruction, the track finds Naisha's come-hither vocals mutating into a ferocious drop. Skrillex goes even further with his contrarian approach in the sublime "LOOK AT YOU," a haunting cut with Jónsi where distorted textures envelop you like a sensory deprivation tank—claustrophobic yet transcendent.
Skrillex performing at Miami's Ultra Music Festival on March 29th, 2025.Kelly Knisel&sol;EDM&period;com
Amid the pandemonium, we find moments of tortured beauty. "SAY GOODBYE" features a spellbinding lyrical performance from NJOMZA, whose vaporous voice drifts like mist over Skrillex's hypnotic production before fracturing under the weight of a guttural dubstep drop. It's a duality that defines the album—serenity and savagery, woven together with a virtuosic hand.
That duality blooms fully in "VOLTAGE," a mythic beast of a track that fans have chased like a white whale since its early teases back in 2011. Now officially unleashed, it's a reminder that even in his most tender moments, Skrillex is still electronic music's architect of the collision course between clarity and chaos.
It all points to a legacy somehow still in its infancy for Skrillex, who seems to be just warming up, despite already reshaping the sound of a generation. As he severs ties with the label machine, his next chapter feels less like a leap into the unknown and more like a seasoned producer betting on himself after years of navigating the industry's ups and downs in lockstep with a fan base that's stuck with him through every pivot.
To that end, the album isn't some ethereal farewell, but a loud, practical flex of what Skrillex can do when he's calling the shots. Expect more collabs, more risks and a lot more noise, all straight from the source.
You can listen to F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3 below and find the album on streaming platforms here.
Follow Skrillex:
X: x.com/skrillex
Instagram: instagram.com/skrillex
TikTok: tiktok.com/@skrillex
Facebook: facebook.com/skrillex
Spotify: tinyurl.com/naka2dyv
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[EDM.com] Watch Kaskade Keep a Secretive Boat Party Afloat Amid Torrential Miami Downpour

While thunderclouds cracked open above Miami and Ultra Music Festival fell silent due to a flash flooding warning, Kaskade found himself DJing beneath a plastic tarp on the deck of a swaying boat—and made it one of the most unforgettable moments of Miami Music Week.
The multi-Platinum DJ and producer teamed up with Mary Lou's to host a private pop-up party at sea attended by just 150, including members of EDM.com's staff. The intimate event was already one of the week's more sought-after, but it was the ensuing storm that that elevated the affair from exclusive to unforgettable.
As the rain intensified and wind whipped across the deck, crew members and fans quickly threw a tarp over the DJ booth, erecting an impromptu shelter. An unfazed Kaskade leaned into the moment, dropping his 2008 deep house classic "Raining" in a lighthearted nod to the chaos. At one point, he found himself DJing on just one functional CDJ.
The tarp seemingly sagged under the weight of rainwater as fans held it up themselves, transforming the pop-up into a shared memory of what happens when Mother Nature collides with dance music's collective boundless spirit. Somewhere between the thunder and the bassline, the scene turned into folklore.
Watch footage from Kaskade's Sunday boat set below.
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Follow Kaskade:
X: x.com/kaskade
Instagram: instagram.com/kaskade
TikTok: tiktok.com/@kaskade
Facebook: facebook.com/kaskade
Spotify: spoti.fi/3fHaUGk
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[EDMTunes] Tomorrowland x Insomniac UNITY Adds 6 More Dates

A week ago, the world received a major announcement from Tomorrowland and Insomniac. These two festival titans teased that they have collaborated on a project. Not too long after, we obtained the big news everyone was dying to know.
Tomorrowland and Insomniac are combining their magic to bring a breathtaking show called UNITY to the Las Vegas Sphere. This show will be incorporating music, visuals, and storytelling to take you on a journey through the Tomorrowland worlds of Planaxis, Adscendo, and Orbyz, blending in the vibrant excitement from Insomniac’s universes.
UNITY tickets start at $99 for reserved seating and general admission floor tickets for $279. March 31st, they had their presale for the initial weekend dates, and by no surprise, they sold out immediately. So to give the people what they want, UNITY just announced 6 more dates to attend. You now have an opportunity to attend September 19th, 20th, 26th, and 27th. As well as October 17th and 18th.
The pre-sale for these dates goes live today, April 1st, at 10 pm PT. Get ready to buy your tickets to an immersive EDM experience live never before!

The post Tomorrowland x Insomniac UNITY Adds 6 More Dates appeared first on EDMTunes.
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[EDM House Network] Boxing Match Announced Between deadmau5 And James Hype To Settle Feud

This years Ultra Music Festival in Miami gave us a lot of joyful moments, however it wasn’t all smooth sailing as a longstanding feud finally came to a head.
At the end of deadmau5’s set he took a bit of a jab at James Hype saying, “How do I James Hype my way out of this one?” and then randomly scratching the decks followed by him sarcastically saying “real DJing, I’m just saying.” This seemed to be mocking James Hype’s war against pre recorded sets. After that jab James Hype has decided he wants to throw a right hook in return and has challenged deadmau5 to a boxing match.
In an interview after Ultra, Hype said, “I’m going to make sure he lives up to the name of deadmau5 because I’m going to kill him in the ring. Who does this? Only me.” Deadmau5 has accepted the challenge already getting together a team for his training camp so that he can end this feud once and for all. He had his own fighting words saying, “after this fight he’ll just be James because there will be no more hype around him after I knock him out.”
The two legends of DJing haven’t set a date yet, but soon we’ll be seeing them switch from making people sing, to stepping into the ring.
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[EDM.com] Tomorrowland and Insomniac Add Six New "UNITY" Shows to Meet Demand at Vegas Sphere

Even in Las Vegas—a city built on spectacle—the demand for Tomorrowland and Insomniac's "UNITY" has exceeded capacity, transforming the event's original three-night debut into the beginning of something bigger.
After a rapid sell-out of its debut dates over Labor Day Weekend, the EDM powerhouses are expanding their collaborative Vegas Sphere event series with six newly announced shows. The immersive "UNITY" experience will now return for encore performances September 19-20, September 26-27 and October 17-18.
"UNITY" marks the first-ever collaboration between Insomniac and Tomorrowland, two of the most influential forces in electronic dance music. The announcement alone sparked a frenzy, with pre-sale tickets evaporating in mere minutes. That momentum has now materialized into three more weekends of shows at the world’s most advanced entertainment venue, which recently hosted its first-ever electronic music residency, Anyma's historic "The End of Genesys."
At its core, "UNITY" is a narrative-driven audiovisual experience. The production fuses iconic visual motifs from Tomorrowland’s dreamlike stages, Planaxis, Adscendo and Orbyz, with Insomniac's whimsical festival properties, including Beyond Wonderland, Escape Halloween and Electric Daisy Carnival. These thematic universes are set to collide by virtue of a cinematic experience inside Sphere, powered by the venue's record-breaking 16K resolution wraparound LED screen. The experience is anchored by an original orchestral-meets-electronic soundtrack that pays tribute to dance music's history.
Presale access for the six new dates opens here on Tuesday, April 1st at 10am PT. The general on-sale begins April 7th.
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Follow Tomorrowland:
X: x.com/tomorrowland
TikTok: tiktok.com/@tomorrowland
Instagram: instagram.com/tomorrowland
Facebook: facebook.com/tomorrowland
Follow Insomniac Events:
X: x.com/insomniacevents
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Facebook: facebook.com/insomniacevents
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[EDM.com] Subtronics Announces Release Date of New Album With Cinematic Reveal at Ultra Music Festival

In a moment engineered for maximum impact, Subtronics ended his set on Ultra's iconic Mainstage over the weekend by announcing a new album.
Beneath a canopy of lasers and bone-rattling bass, the dubstep superstar unveiled his next project: Fibonacci Part 1: Oblivion, an eight-track EP that marks the first half of an expansive, two-part concept album.
Slated to release April 4th via his own label, Cyclops Recordings, the EP sees Subtronics returning to his signature high-concept world-building. The project leans into the Fibonacci sequence—a naturally occurring mathematical pattern found in everything from seashells to supernovae—as both a blueprint and thematic anchor. 
The first installment leans heavily into his roots and spans eight tracks, a symbolic nod to the number since it appears in the Fibonacci sequence.
"Part 1 of the EP conveys that all of reality, in its complexity and grandeur, originates from nature and the fundamental laws of the universe," Subtronics said in a press release shared with EDM.com. "It emphasizes the Fibonacci sequence and golden ratio as intrinsic patterns that govern nature... not through divine intervention, but through physics."
Fans can now pre-save Fibonacci Part 1: Oblivion here.
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Follow Subtronics:
X: x.com/subtronics
Instagram: instagram.com/subtronics
TikTok: tiktok.com/@subtronics
Facebook: facebook.com/subtronicsofficial
Spotify: tinyurl.com/yupr7jmk
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[EDMTunes] Audien & ARTY Team Up on Uplifting Progressive House Anthem ‘One More Thing’

The dance music world is once again celebrating the powerful synergy of Audien and ARTY, as their latest track, ‘One More Thing’ featuring Sara Davis is out now. Long-awaited since the success of 2018’s ‘Never Letting Go’ and 2020’s ‘Craving’, the collaboration serves a reminder that progressive house will last forever. The track is out now via Armada Music.
‘One More Thing’ delivers the signature sounds that fans have come to expect from Audien and ARTY: soaring melodies, meticulously crafted soundscapes, and an undeniable sense of euphoria. Sara Davis’s vocals add a poignant layer to the track, exploring themes of longing and human connection. This emotional depth resonates strongly with listeners, as the lyrics bear the emotional weight of what ifs and moments between lovers slipping away.
The post Audien & ARTY Team Up on Uplifting Progressive House Anthem ‘One More Thing’ appeared first on EDMTunes.
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[EDM House Network] WooMooN Reveals Dates And Headliners For 2025 Cova Santa Season

The Ibiza born party WooMooN is returning to the iconic Cova Santa for another season of escapism through sound, art, and immersion in music. Heading into their ninth year they’re looking to raise the bar once again with their new enticing ‘Kinetic’ theme.
WooMooN is a beautiful blend of circus, theatre, and music making it one of the most creative parties in the world. This year it’s back every Friday from May 16th to October 3rd with a whole assortment of amazing new features to create a 360-degree sensory experience. These fantastical additions include a giant 3D spinning lamp, a floating air and mesh fabric installation, a new moving toroidal stage, and immersive mirror art and projections throughout.
To match this incredible theme, they’ve put together a lineup of vibrant and diverse artists such as: Satori, Bora Uzer, Laolu, Viken Arman, Jan Blomqvist, Rampue (Live), Ry X (DJ Set), Oliver Koletzki, Sven Väth, Parallelle, Henrik Schwarz (Live), Deer Jade and more all lined-up. WooMooN is keeping up their great devotion to diversity with a wide range of female artists featured in the lineup who are killing it in the dance scene.
Ibiza is a haven of beautiful settings for the best parties in the world and Cova Santa is no exception. Set near the scenic city of San José and built around an ancient cave it’s a venue which is at one with the nature around it adding to the sense of escapism. The open-air area allows you to dance with a view of the stunning sunset while WooMooN’s ingenious theme lets you see Cova Santa at its best.
Diverse, friendly, immersive, historic. Every element of WooMooN’s residency at Cova Santa is perfectly crafted to create an unforgettable experience for everyone to get lost in.
To get your tickets click the link below:
https://www.covasanta.com/en/events.html: WooMooN Reveals Dates And Headliners For 2025 Cova Santa SeasonYou can follow Cova Santa Ibiza on their Instagram below:
https://www.instagram.com/covasantaibiza/?hl=en: WooMooN Reveals Dates And Headliners For 2025 Cova Santa Season
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[EDM House Network] BARKER Unveils New Tech House Heater ‘Space’ Via S&S Sound House

DJ and Producer BARKER continues his sonic evolution with the release of ‘Space,’ a Tech House cut that blends driving basslines, hypnotic rhythms, and compelling textures. Out now via S&S Sound House, this latest release sees BARKER pushing boundaries, delivering a track as expansive as it is high in energy.
BARKER continues to build a reputation for crafting bold, groove-driven productions, aiming to stand out within the Bass House and Tech House scenes with his unique approach and refined production skillset. Based in Chicago, he has gained experience both DJing and in the studio, building his catalogue of work with high-powered music that reflects his journey, background, and creative vision moving forward. With ‘Space,’ he further highlights his evolving signature sound; leaning into pulsing synth work, rolling percussion, and impactful low-end frequencies, he crafts a musical experience that is engaging for listeners whilst once again showcasing his trademark approach and style.
At its core, ‘Space’ is a sonic journey – layered with deep, resonant basslines, dynamic synths, and tension-building breakdowns that lead into powerful drops. The evolving structure keeps listeners locked into the track, balancing high-impact rhythmic details, from heavy beats and crisp percussion, with melodic details where hypnotic leads and punchy synth hits coverage with spoken vocal layers, energetic hooks, and gritty motifs. 
BARKER’s ability to weave together immersive soundscapes with groove-driven momentum is on full display in ‘Space,’ making this track a standout addition to his growing catalogue, one sure to keep his name steadily climbing the list of those to watch out for within Electronic Music.
As BARKER continues to pursue forward-thinking sounds, he keeps bringing fresh music to his listeners, aiming to expand his listenership with each display of creativity, innovation, and skilled artistry. As his journey unfolds with more releases and performances, he remains a force within the genre, so be sure to keep up with him via social media to stay in the know about his upcoming projects.
‘Space’ is out now via S&S Sound House and available to stream and download across all major platforms. 
Listen and Buy ‘Space’ now:  
BARKER Online
Instagram | Spotify    
S&S Sound House Online
Instagram | Beatport
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