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[EDM.com] Anime-Inspired Duo LMNT 115 Drops Infectious Dance-Pop Track, "Holding Onto Us"

Some songs are built for the dancefloor, others for the heart—LMNT 115's "Holding Onto Us" manages to do both.
Inspired by anime and manga, the duo may be a mystery, but their music is anything but elusive. The enigmatic band consists of songwriter Z and producer Fab, who debuted back in November with their first release, "Close to You."
With their new single, they deliver a sleek dance track that strikes a balance between deep, club-ready grooves and anthemic pop sensibilities. Featuring the unmistakable voice of Brando—whose breakout moment came with Loud Luxury's "Body"—the track taps into the ageless pull of human connection.
"Holding Onto Us" leans into groove rather than bombast, making the track equally suited for late-night drives as it is for peak-time festival sets. It sticks with you, much like the kind of connection its title describes.
From the opening moments, an airy piano riff guides us into LMNT 115's futuristic world, setting the stage for Brando's powerful topline. His evocative lyricism add layers of depth to the track’s theme of enduring love despite time and adversity. Beneath it, shimmering synth layers inject momentum, subtly evolving with each beat to keep the energy dynamic without overpowering the song's melodic core.
The new single is out now via LMNT 155's own label, Quasar Music. You can listen to "Holding Onto Us" below and find it on streaming platforms here.
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[EDM.com] 5 Things You Missed at Ray Volpe's Spectacular Hollywood Palladium Tour Finale

On February 22nd, a sold-out crowd at the Hollywood Palladium witnessed firsthand the biggest headline show of Ray Volpe's career.
From the awe-inspiring audiovisual production to the emotional send-off that heralded a new era with the announcement of his debut album, the EDM.com Class of 2022 star delivered a night that took the bass music community by storm.
EDM.com was onsite for Volpe's landmark performance in LA. Here are five things you missed that made the final show of his expansive "VOLPEVERSE" tour unforgettable.
Openers and special guest
Before the Volpe took stage, an electrifying series of openers set the tone for an unforgettable night. The progression began with echod, followed by SENZA and then Control Freak, each of whom built upon the last to raise the intensity in the room.
The apex of this opening segment was delivered by special guest Dion Timmer, whose set perfectly primed the crowd for the experience that was about to unfold.
A story set in an alternate dimension
The audiovisual show kicked off at an unexpected spot: a seat in front of a computer, complete with a homemade teleportation wristband. In that very moment, we were teleported directly into the vivid realm of the "VOLPEVERSE"—a launch that felt reminiscent of an introduction video at a Disneyland attraction.
You woke up and were greeted by Holly, the charismatic Holotron who welcomes new "Trons" into this diverse universe. The narrative set up a futuristic quest: your teleportation wristband’s energy was depleted, and the only way to recharge it was to venture through different realms of the "VOLPEVERSE."
After this captivating introduction, Volpe stepped out and the audience was instantly transported into a cascade of vibrant worlds—from a lollipop-candy dreamscape and a forest-inspired haven to classic Mario visuals—all brought to life with his signature Volpetron animations. The aforementioned energy meters monitored momentum throughout the night and during standout tracks to help us reach the ultimate goal of getting home.
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Eye-popping lasers and pyro
As expected, Volpe’s laser display was so integral to the spectacle that it merits a dedicated highlight in this article. His global dubstep hit "Laserbeam" launched the night’s laser extravaganza early on, setting the tone for his immersive, high-energy performance. As soon as those pulsating beams cut through the darkness, we knew we were in for an unparalleled audiovisual journey.
The dazzling laser show was perfectly synchronized with Volpe’s Volpetron visuals while explosive bursts of pyrotechnics punctuated every beat. This dynamic duo of light and fire wasn’t just an opening act—it was the heartbeat of the show.
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Setlist of fan-favorites and surprises
Volpe's setlist was a masterclass, seamlessly blending high-energy bangers with unexpected twists. Crowd-pleasers like "Song Request," "Laserbeam," "Happy Song" and "See You Drop" had the audience moving nonstop. But it was the clever interludes—unexpected snippets of pop culture—that kept the night unpredictable and fun. 
From K-pop anthems like LE SSERAFIM’s "Crazy" and New Jeans’ "ETA" to viral hits like Chappell Roan's "Good Luck, Babe!" and "APT" by ROSÉ and Bruno Mars, each surprise kept energy levels high. The set also paid homage to EDM classics like Benny Benassi's "Satisfaction" as well as dancefloor staples like "Push" by Hamdi, Skrillex and TAICHU.
Even internet culture had its moment, with playful nods to viral memes like the "Brother Eww" audio, adding an extra layer of nostalgia. Adding to the thrill, Volpe’s unreleased IDs took the night to another level. Tracks like "Get Smacked" (with Vastive) and "Rewind" (with Sullivan King) ensured no moment felt predictable.
A farewell and debut album announcement
The night’s emotional rollercoaster began when Volpe took a moment to speak directly to his fans. In a heartfelt closing speech coupled by credits for the tour, he expressed his gratitude for their unwavering support throughout and delivered the announcement of his debut album.
"My brand-new album, FOREVER, VOLPETRON, is coming later this year," announced Volpe following the final visual showcase of the night. "15 years in the making, this album is a love letter to you—my fans, my family, my VOLPEVERSE. I love you all so much and I cannot wait for you to hear it."
In a dramatic twist, Volpe then walked offstage as if the show had ended—only to return moments later and reignite the energy with more music, reinforcing his promise that the "VOLPEVERSE" is far from over. This final act encapsulated both the end of an era and the exciting promise of a new one on the way.
Volpe’s Hollywood Palladium headline wasn’t merely the conclusion of a world tour, but also a showcase of the hard work and creativity that has defined his career. As the echoes of that night continue to resonate, one thing is clear: the "VOLPEVERSE" is only just beginning.
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[EDM House Network] David Guetta Does It Again: “I’m Good (Blue)” Surpasses 2 Billion Streams on Spotify

It seems like David Guetta has done it again. If there’s one thing the French DJ and producer knows how to do, it’s creating massive, era-defining dance anthems, and this time, he has hit another career milestone. “I’m Good (Blue),” his 2022 collaboration with Bebe Rexha, has officially surpassed 2 billion streams on Spotify, making it one of the most-streamed electronic tracks of all time.
For Guetta, this isn’t just another hit. It is proof that his ability to tap into global dance culture and reshape nostalgia into something fresh is unmatched.
From Club Icon to Streaming Giant
Guetta has spent the last two decades shaping mainstream dance music, from his early 2000s house roots to his dominance in the 2010s, where he helped bridge the gap between electronic beats and pop superstars. From “Titanium” with Sia to “When Love Takes Over” with Kelly Rowland, his formula for making festival-ready anthems has not just worked. It has set the blueprint for an entire generation of producers.
But in an industry where streaming numbers now define a track’s legacy, hitting 2 billion on Spotify is a rare feat, and “I’m Good (Blue)” now sits among the most-played songs on the platform.
Why “I’m Good (Blue)” Took Over the World
So what made this track explode? Part of the magic is the perfect blend of nostalgia and modern production. The song revives Eiffel 65’s 1998 hit “Blue (Da Ba Dee),” flipping its iconic melody into a euphoric, festival-ready anthem. It thrives on feel-good energy, which is exactly what people needed in a post-pandemic world.
But it wasn’t just nostalgia fueling the song’s rise. “I’m Good (Blue)” had TikTok in a chokehold before it even dropped, with snippets of the track circulating for years before its official release.
When it finally hit streaming platforms in August 2022, the demand was already there. It immediately went number one in over 20 countries, topped the UK Singles Chart, and cracked the Top 10 of the Billboard Hot 100. It also earned David Guetta and Bebe Rexha a Grammy nomination for Best Dance/Electronic Recording.
Guetta’s First 2-Billion-Stream Song, But Not His First Game-Changer
Despite a career packed with chart-topping singles, “I’m Good (Blue)” is the first track from Guetta and Rexha to cross the 2-billion mark on Spotify. That is saying something, considering his influence on dance music.
Guetta has always had an instinct for crafting tracks that do not just perform well on the charts but become cultural moments. His shift toward the future rave sound alongside MORTEN has been influencing electronic music’s new wave, while his ability to reinvent old hits for new audiences has solidified his staying power.
Even now in 2025, “I’m Good (Blue)” isn’t just a past hit. It is still a setlist favorite at festivals and clubs worldwide. As streaming continues to shape the music landscape, this milestone cements David Guetta’s status as not just a DJ but a legacy artist in dance music history.
What’s Next for Guetta and Rexha?
Guetta, as always, isn’t slowing down. He is constantly evolving, whether through his high-energy festival performances, his underground-influenced future rave sound, or his collaborations with global pop stars. As for Bebe Rexha, this track reinforced her place in the electronic space, and given her genre-hopping versatility, it would not be surprising to see another dance hit from her soon.
For now, with 2 billion streams and counting, “I’m Good (Blue)” stands as one of the biggest dance records of the streaming era. It is proof that a good melody, the right timing, and a producer like David Guetta can still shake up the industry.
It is official. Guetta still has it.
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[EDM.com] Ultra's RESISTANCE Rallies Miami's Underground With Five-Night MMW 2025 Residency

RESISTANCE isn't backing down in 2025. It's doubling down. 
As Miami Music Week 2025 approaches, Ultra's underground electronic music brand is returning to M2 for a five-night residency, continuing to cement its place as a defining force in the city’s robust nightlife sector.
Originally launched as a stage at Ultra Music Festival in 2015, RESISTANCE has since evolved into a global phenomenon on its own accord, hosting standalone events in over 35 cities as well as an acclaimed residency in Ibiza. Now, with its U.S. club residency firmly planted in Miami, the brand continues to push the production boundaries of techno and house music on the live circuit, bringing together the genres' most formidable talents.
From March 26-30, RESISTANCE will once again take over M2 Miami, the sprawling, 35,000-square foot club in the heart of South Beach. The lineup reads like a who’s who of underground culture, featuring headliners I Hate Models, Charlotte de Witte, ARTBAT, Boris Brejcha, Joris Voorn and the legendary Carl Cox.
Tickets for RESISTANCE's MMW 2025 programming are on sale now. 
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[EDM.com] Shambhala Reveals Massive 2025 Lineup With ILLENIUM, REZZ, Tape B and More

Shambhala is bringing together major DJs from around the globe for another year of arguably Canada's most influential electronic dance music festival.
Shambhala is revered for its eclectic lineups with immense depth, creative stage installations and an extremely passionate fanbase. Organizers on Friday unveiled the full lineup for the 26th annual festival after previously announcing acts REZZ and Levity.
This year's lineup features ILLENIUM, Excision, Chris Lake, TroyBoi, SOFI TUKKER, Apashe, Flying Lotus, Malaa, SLANDER and EDM.com Class of 2025 inductee Tape B, among many others. Do not let the large font fool you—there is plenty to look forward to on Shambhala's undercard. ALLEYCVT, Ivy Lab, Destructo, Mersiv, Opiou, Odd Mob and The Funk Hunters, will also perform.
Every year, Shambhala welcomes a notable hip-hop act to their stage. This year's honor goes to Joey Valence & Brae, whose critically acclaimed 2024 album No Hands includes a cover of Charli xcx's "365" on the deluxe edition.
Shambhala returns to its lifelong home at Salmo Ranch River from July 25-28. Check out the full lineup below and find out more about the festival on its official website.
Shambhala Music Festival
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[EDM.com] Watch Armin van Buuren and Maddix Perform Thrilling "Face-to-Face" DJ Set

The decks were set, the stakes were high and the only certainty was uncertainty. 
At A State of Trance 2025, Armin van Buuren and Maddix took the stage for a "face-to-face" set, an audacious experiment that flipped the script on the traditional DJ performance. With their booths positioned directly opposite each other, the Dutch artists had no view of their counterpart's decks, and were instead forced to rely solely on old-fashioned instinct and musical intuition.
Unlike standard b2b sets, where the DJs can easily read each other’s track selections and body language, van Buuren's and Maddix's setup eliminated that safety net entirely. Instead, the powerhouse producers had to anticipate each other's moves in real-time, creating an unpredictable, high-energy spectacle that played out like a chess match.
Their performance set was just one piece of ASOT's expansive festival programming in Rotterdam this year. The event's opening day featured over five hours of live performance from van Buuren, who set the stage for a weekend that not only celebrated trance music as it exists today, but also its future.
Fans who missed the moment live can now witness the whole set on YouTube here.
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[EDM.com] Watch Anyma Drop Unreleased REZZ Collaboration in Dazzling Vegas Sphere Show

At the Vegas Sphere, a venue built to redefine live music, Anyma continues to push the boundaries of what's possible. The Afterlife visionary surprised audiences yet again this week by debuting an unreleased collaboration with REZZ, a pairing that melds their distinct sounds into something definitively new.
Anyma's extended run at the Sphere has already delivered some of the most visually ambitious performances in electronic music history. As the first-ever electronic artist to headline the $2.3 billion venue, he has utilized the opportunity to expand his immersive, transhumanist world to the fullest in an evolving blend of music, storytelling and cutting-edge digital art.
His latest surprise, a brooding and gritty fusion of his signature techno and REZZ’s distortion-heavy sound, adds yet another emerging chapter to the experience. The track pulses with hypnotic intensity as Anyma’s crisp, atmospheric production thrums beneath REZZ’s unmistakable low-end grit.
The song, which does not have a release date at this time, was accompanied by a brand-new visual sequence featuring a translucent humanoid figure with an exposed inner skeleton—an eerie new addition to the Afterlife universe that further blurs the show's thematic boundaries between technology and sentience.
Check out a clip below. Anyma's residency at Sphere continues through March 2nd, 2025.
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[EDMTunes] ARTBAT Unveils New Track ‘Afterparty’

Ukrainian electronic duo ARTBAT has once again captivated the techno scene with their latest release, ‘Afterparty’, which officially dropped on February 28, 2025. This track is a testament to ARTBAT’s signature melodic techno sound, seamlessly blending pulsating beats with atmospheric synths to create an immersive auditory experience.
‘Afterparty’ is designed for those who live for the music long after the lights go down. The track builds gradually, introducing layers of intricate melodies that culminate in a powerful, dance-inducing crescendo. Its hypnotic rhythm and deep basslines are poised to make it a staple in late-night sets worldwide.
This release follows a series of successful tracks in 2025, including the collaborative hit ‘She The Last One’ with Vintage Culture, which topped Beatport charts earlier this year. Additionally, ARTBAT’s remix of ‘I Adore You’ by Arash and Hugel showcased their versatility and ability to reimagine existing works with a fresh perspective.
Fans eager to experience ‘Afterparty’ live can look forward to ARTBAT’s upcoming performances. The duo is set to headline major festivals such as Ultra Music Festival in Miami on March 30, 2025, and EDC Las Vegas on May 16, 2025. Moreover, ARTBAT has announced a residency at Ibiza’s renowned club, Amnesia, every Wednesday from July 23 to September 17, 2025, promising unforgettable nights for attendees.
‘Afterparty’ is now available for streaming on all major platforms. Dive into ARTBAT’s latest masterpiece and let the music take you beyond the after-hours.
Listen to ‘Afterparty’ below:
The post ARTBAT Unveils New Track ‘Afterparty’ appeared first on EDMTunes.
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[EDMTunes] BARELY ALIVE Launches New Label with Release of Latest Single, ‘don’t stop’

It’s Friday and BARELY ALIVE has just blessed the dubstep community with another smashing single, ‘don’t stop‘. The track marks a return to their “OG sound” while incorporating a touch of 2010s dubstep flair, creating a nostalgic yet fresh listening experience. Out now on their new label, none hundred, it’s been a lethal addition to their live sets during their WATT tour.
Right from the outset, ‘don’t stop’ starts with a countdown building tension before the track explodes into a barrage of intense, robotic soundscapes. The guys pack a nostalgic dose of dubstep goodness in this one, featuring complex growls, screeches, and an aggressive energy. Phrases like “DJ DJ DJ” and “and shit don’t stop” sonically hook listeners on this one, where if you were to listen to this live, you already know it’s about to go down. Overall, this is a massive tune where its raw power and driving rhythm can truly shine in any live concert or festival setting.
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The post BARELY ALIVE Launches New Label with Release of Latest Single, ‘don’t stop’ appeared first on EDMTunes.
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[EDMTunes] Rusko Returns After 2 Years With Exciting EP – 1 Man Army

British electronic music producer Rusko returns with a powerful statement after a two-year hiatus, unveiling his latest EP, 1 Man Army. This captivating five-track collection marks an exciting debut under the Monstercat Uncaged label. With its signature blend of heavy basslines and dynamic rhythms, the EP showcases Rusko’s unparalleled dubstep sound. Don’t miss out on this thrilling release—experience 1 Man Army on your favorite music streaming platform.
1 Man Army EP
Dubstep enthusiasts are in for a thrilling treat with the release five electrifying tracks from Rusko. It marking his triumphant return after a lengthy hiatus. The title track, ‘1 Man Army’ is a powerful anthem that showcases heavy basslines and dynamic rhythms, perfectly capturing Rusko’s iconic dubstep signature. Fans will undoubtedly recognize ‘Wassup’ as a single in December 2024. This track features playful synths and a catchy hook, blending Rusko’s signature style with a modern twist. Lead singles ‘Wassup’ and ‘Rubix Cube,’ have already ignited crowds, setting the stage for three fresh cuts – ‘Bout Your Love,’ and ‘Ganjaman,’ each brimming with relentless energy and precision crafted chaos. 
Rusko stands as a groundbreaking force in electronic music and a foundational figure in the UK dubstep movement. He has captivated audiences with iconic tracks like ‘Cockney Thug’. His impact resonates from intimate underground clubs to colossal festivals, including Coachella, Lollapalooza, Electric Daisy Carnival, and Ultra Music Festival. Renowned for his unique”happy and heavy” sound, Rusko consistently pushes the boundaries of genre while remaining dedicated to crafting exhilarating, dancefloor-centric experiences. As one of the most influential innovators in electronic music, he continues to evolve while staying true to the vibrant energy that defined his ascent as a global dance music icon. This year, the dubstep visionary will embark on a tour across more than 15 cities in the U.S. Joining him on this electrifying journey this spring will be an exceptional lineup of electronic music talents, including SubDocta, Moody Good, Justin Hawkes, Kumarion, and Sharlitz Web.
Rusko took to social media to share the full list of cities and dates on his high energy run. He will also playing in the UK at the famous Fabric.
Hope you enjoy this new EP, stay tuned to EDMTunes for all your music feed.

The post Rusko Returns After 2 Years With Exciting EP – 1 Man Army appeared first on EDMTunes.
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[EDMTunes] Insomniac Announces First Phase Of EDC Week Shows In Las Vegas

Insomniac announces the return of EDC Week in Las Vegas, taking place May 14 – 20, 2025, with the unveiling of the first phase of artists to be performing during the weeklong schedule of night and day parties in anticipation of the 29th edition of North America’s largest dance music festival, Electric Daisy Carnival. In the week leading up to the festival at the Las Vegas Motor Speedway, over 40 of dance music’s biggest names and innovators will inundate 16 of the Strip’s premier indoor and outdoor venues, delivering an unforgettable week of nonstop partying.


Beginning on Wednesday, May 14 and continuing on until Monday evening, the week will be packed with best-in-class production and relentless energy. Some key highlights of the week-long roster of performances include house music superstars John Summit and Dom Dolla and Knock2 at LIV Nightclub, legendary electronic music duo ODESZA at XS at Wynn Las Vegas, and Chris Lake, Tiësto, Kygo, and Alesso at Las Vegas’ newest dayclub, Palm Tree Beach Club at MGM Grand Hotel and Casino.

Additionally, fans can expect a plethora of Insomniac-branded events. Underground house and techno brand, Factory 93, is slated to host a show at the Downtown Las Vegas Event Center with a special B2B set from hard techno powerhouses Sara Landry and Nico Moreno. Bassrush Massive, will be held at The Theater at Virgin Hotels Las Vegas, with SVDDEN DEATH, Ray Volpe, YDG, and more. Both events will take place on Thursday, May 16 – tickets for Bassrush Massive can be found here and tickets for the Factory 93 show can be found here.
The first phase of EDC Week 2025 events include:
Wednesday, May 14
Alison Wonderland – Zouk Nightclub Mau P – Encore Beach Club at Night at Wynn Las Vegas Thursday, May 15
Hotel EDC Presents Day Trip – The Pool at Virgin Hotel O  Featuring Adam Ten, Azzecca, Gorgon City, Jackie Hollander, and Riordan
Illenium – Zouk Nightclub MEDUZA & James Hype Present Our House – Ayu Dayclub Dabin | Said The Sky – LIV Beach at Fontainebleau Las Vegas John Summit | Dom Dolla – LIV Nightclub at Fontainebleau Las Vegas Armin Van Buuren – OMNIA Nightclub at Caesar’s Palace Loud Luxury – Hakkasan Nightclub at MGM Grand  SOS B2B Ahmed Spins – Marquee Nightclub at The Cosmopolitan of Las Vegas Chris Lake – Palm Tree Beach Club at MGM Grand ODESZA – XS at Wynn Las Vegas Excision and Sullivan King – Encore Beach Club at Night at Wynn Las Vegas Friday, May 16 
Argy – Zouk Nightclub at Resorts World Las Vegas Hotel EDC  – The Pool at Virgin Hotel O  Featuring Audien, Danny Avila, Deerock, Morten, Nostalgix, TelyKast, and Yellow Claw Presents Euro Trash
Kaskade – Ayu Dayclub at Resorts World Las Vegas Knock2 – LIV Beach at Fontainebleau Las Vegas Martin Garrix w/ Justin Mylo – OMNIA Nightclub at Caesar’s Palace FISHER – Marquee Dayclub at The Cosmopolitan of Las Vegas Tiësto – Palm Tree Beach Club at MGM Grand Zedd – TAO Beach at The Venetian Resort Las Vegas HUGEL – XS at Wynn Las Vegas Saturday, May 17
Hotel EDC Presents Confession – The Pool at Virgin Hotel O  Featuring Biscits, Carrie Keller, Malaa, Tchami, Walker & Royce
DJ Snake – Ayu Dayclub at Resorts World Las Vegas CRANKDAT – Zouk Nightclub at Resorts World Las Vegas David Guetta – LIV Beach at Fontainebleau Las Vegas Steke Aoki – OMNIA Nightclub at Caesar’s Palace Twinsick – Hakkasan Nightclub at MGM Grand DJ Pauly D – Marquee Nightclub at The Cosmopolitan of Las Vegas Kygo – Palm Tree Beach Club at MGM Grand Martin Garrix w/ Justin Mylo – TAO Beach at The Venetian Resort Las Vegas MARSHMELLO – XS at Wynn Las Vegas The Chainsmokers – Encore Beach Club at Wynn Las Vegas Sunday, May 18
Hotel EDC Presents Lost In Dreams – The Pool at Virgin Hotel O  Featuring Adventure Club, Baby Savage, Chyl, Elephante, Luci, and Mitis
John Summit – LIV Beach at Fontainebleau Las Vegas Alesso – Palm Tree Beach Club at MGM Grand Afrojack – XS at Wynn Las Vegas Diplo – Encore Beach Club at Wynn Las Vegas Monday, May 19
Kaskade – Zouk Nightclub at Resorts World Las Vegas John Summit – LIV Nightclub at Fontainebleau Las Vegas
Tickets for EDC Las Vegas 2025 are now SOLD OUT – join the waitlist to purchase passes here. For more information and announcements regarding EDC Las Vegas, please visit ElectricDaisyCarnival.com. 

The post Insomniac Announces First Phase Of EDC Week Shows In Las Vegas appeared first on EDMTunes.
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[EDMTunes] Kinder Unveil “Still The Same” – A Fresh Take on Afro House 

Following a string of notable releases and collaborations, Ghanaian-Australian sister duo Kinder return with their latest single, ‘Still The Same’, out now via Warner Music Australia. Expanding on their unique approach to Afro House, the track sees them further refine their sound, blending rhythmically rich production with a dynamic vocal presence. 
‘Still The Same’ carries a natural sense of movement, led by a groovy beat, intricate and catchy guitar riffs, and uplifting vocals that weave seamlessly through its vibrant arrangement. The production paints a full-bodied soundscape—lively, playful, and immersive—perfectly suited for sunset DJ sets or introspective solo listening sessions; Kinder’s ability to balance rhythmic drive with melodic warmth shines through, reinforcing their position as one of the most exciting names within the evolving Afro House scene across the globe. 
 
The track’s polished yet organic energy makes it both club-ready and deeply emotive, with its rhythmic elements providing a steady momentum, while the vocals adding a soulful, almost hypnotic touch that lingers long after the song ends; a hallmark of Kinder’s ability to craft Electronic Dance music that resonates beyond the dancefloor, with the carefully layered instrumentation and seamless vocal integration, the duo continues to showcase their refined artistry, bringing a fresh yet familiar take on Afro House that speaks to both longtime fans and new listeners alike.  
In recent years, Kinder have carved out a distinct space in the Electronic Dance music world, drawing from their Ghanaian heritage while embracing global Electronic influences. Their rise has been marked by high-profile performances at festivals like Splendour In The Grass, Listen Out, Spilt Milk, and Dark Mofo, as well as having their music gaining recognition and support from some of the biggest names in the industry, including Keinemusik and Diplo, just to name some, further cementing their place as rising stars in the global scene. Their growing catalogue, including past releases like ‘Far From Home’, showcases their ability to craft music that is both innovative and deeply personal. 
 
As Kinder continue to push boundaries and explore new sonic territories, ‘Still The Same’ offers a glimpse into their creative evolution; distinctive, compelling, and undeniably fresh. Make sure to follow Kinder across social media as this marks just the beginning of a promising journey, ‘Still The Same’ is out now and available on all streaming platforms. 
Stream & Buy ‘Still The Same’ Now: 
https://kinder.lnk.to/stillthesame
Kinder Online 
Instagram | Spotify | Website 
Warner Music Australia 
Website 
The post Kinder Unveil “Still The Same” – A Fresh Take on Afro House  appeared first on EDMTunes.
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[EDMTunes] Terry Golden Unveils New Melodic Techno Track ‘Bring Me To Life’

Terry Golden continues his momentum with the release of ‘Bring Me To Life:’ a Melodic House & Techno remix featuring vocalist Patricia Vivanco via Brain Pain Records. As he retains focus in his creative efforts, the Producer and DJ ensures his release schedule keeps giving way to unique-sounding music, delivering tracks that showcase his artistry and distinct sonic identity.  
This latest single sees Terry Golden rework the iconic Evanescence’s original, infusing the classic Rock track with his unique sonic flavour. As he strikes out with an interpretation of the track, he not only brings refreshing sounds to his listeners but also diversity to his discography; adding a remix into his growing collection of original work, he ensures his catalogue remains dynamic and versatile, showcasing both his creativity and adaptability within the evolving landscape of Electronic Music. With his reputation continuing to grow, having released on top labels like Iconyc, Sirup Music, and Black Hole Recordings, together with support from VIP names such as Camelphat, Benny Benassi, and David Guetta, Terry Golden has kept his motivation high throughout his fifteen-year-long journey, continuing to push his sound forward as he delivers more fresh music to his fans. 
With a steady beat grounding the track, Terry Golden’s take on ‘Bring Me To Life’ crafts a motivating instrumental arrangement, integrating dreamy arpeggiators and a pulsating bassline. Then, with atmospheric sonic textures enriching the overall sound of the soundscape, Patricia Vivanco enters the mix; adding her emotive vocals to the track, she guides the listening journey, layering in expressive lines that retain the essence of the Evanescence original whilst raising the energy to bring dancefloor-ready vibes to the production.   
As the intensity continues to heighten, listeners are propelled further into the hypnotic groove, with mighty leads crafting melodic motifs and stuttering details that keep the track pushing forward. At the breakdown, ethereal elements, piano progressions, pulsing synth lines, layered vocal textures, high-energy rhythmic details, elevating risers and robust leads converge to create a moment of tension and anticipation, building toward a powerful drop that delivers an electrifying release for listeners. With each element contributing to its immersive energy, the track evolves into a high-powered soundscape, culminating in a remix that is as captivating as it is innovative.  
As he reminds fans of his signature sound, Terry Golden once again cements his distinct sonic identity, appearing as a Producer and DJ determined to make an impact. With his journey continuing to lead him to exciting territories, whether through his studio output or in his DJ work, Terry Golden is not to be missed, so be sure to keep up with him via social media to remain in the know about his next releases and projects.  
‘Bring Me To Life’ is out now via Brain Pain Records and available to stream and download across streaming platforms.    
Listen and Buy ‘Bring Me To Life feat. Patricia Vivanco’ Now:  
https://www.beatport.com/track/bring-me-to-life/20054783
Terry Golden Online      
Website | Instagram | Spotify      
Patricia Vivanco Online      
Website | Instagram   
Brain Pain Records Online      
Beatport | Instagram   
The post Terry Golden Unveils New Melodic Techno Track ‘Bring Me To Life’ appeared first on EDMTunes.
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[EDM House Network] Kinder Bring Afro House Vibes With ‘Still The Same’

Following a string of notable releases and collaborations, Ghanaian-Australian sister  duo Kinder return with their latest single, ‘Still The Same’, out now via Warner Music  Australia. Expanding on their unique approach to Afro House, the track sees them  further refine their sound, blending rhythmically rich production with a dynamic vocal  presence. 
‘Still The Same’ carries a natural sense of movement, led by a groovy beat, intricate and  catchy guitar riffs, and uplifting vocals that weave seamlessly through its vibrant  arrangement. The production paints a full-bodied soundscape—lively, playful, and  immersive—perfectly suited for sunset DJ sets or introspective solo listening sessions;  Kinder’s ability to balance rhythmic drive with melodic warmth shines through,  reinforcing their position as one of the most exciting names within the evolving Afro  House scene across the globe. 
The track’s polished yet organic energy makes it both club-ready and deeply emotive,  with its rhythmic elements providing a steady momentum, while the vocals adding a  soulful, almost hypnotic touch that lingers long after the song ends; a hallmark of  Kinder’s ability to craft Electronic Dance music that resonates beyond the dancefloor,  with the carefully layered instrumentation and seamless vocal integration, the duo  continues to showcase their refined artistry, bringing a fresh yet familiar take on Afro  House that speaks to both longtime fans and new listeners alike.  
In recent years, Kinder have carved out a distinct space in the Electronic Dance music  world, drawing from their Ghanaian heritage while embracing global Electronic  influences. Their rise has been marked by high-profile performances at festivals like  Splendour In The Grass, Listen Out, Spilt Milk, and Dark Mofo, as well as having their  music gaining recognition and support from some of the biggest names in the industry,  including Keinemusik and Diplo, just to name some, further cementing their place as  rising stars in the global scene. Their growing catalogue, including past releases like  ‘Far From Home’, showcases their ability to craft music that is both innovative and  deeply personal. 
As Kinder continue to push boundaries and explore new sonic territories, ‘Still The  Same’ offers a glimpse into their creative evolution; distinctive, compelling, and  undeniably fresh. Make sure to follow Kinder across social media as this marks just the  beginning of a promising journey, ‘Still The Same’ is out now and available on all  streaming platforms. 
Stream & Buy ‘Still The Same’ Now: 
https://kinder.lnk.to/stillthesame Kinder Online
Instagram | Spotify | Website
Warner Music Australia
Website
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[EDMTunes] TATE SEDAR Drops THIS IS POST-EDM EP

TATE SEDAR is putting it all out there with THIS IS POST-EDM, out today. The EP encompasses a genre-blurring, rule-breaking project that bridges the energy of the 2010s EDM explosion with fresh, forward-thinking production.
After racking up 500,000+ streams, securing radio play for “Our Goodbye” with Liv Kennedy, and closing out 2024 alongside R3hab at Avalon Hollywood, SEDAR needed a new creative direction. That moment arrived with post-EDM—a term he coined to describe his sound, blending the realms of the digital and analog together. Now, the EP lands as both a mission statement and a launchpad for what’s next. With each song revealing another layer to the process.
“San Francisco” sets the tone, channeling SEDAR’s Motown, hip-hop, and rock influences into a bass-driven groove that moves effortlessly between classic and contemporary.
“Emotions” (ft. P$YCHEDELIC) dials up the unpredictability, fusing house, trap, and lo-fi hip-hop into a sound that refuses to be boxed in. Featuring viral rapper P$YCHEDELIC, it’s a nod to SEDAR’s commitment to blending styles rather than following trends.
“Our Goodbye” (w/ Liv Kennedy) trades bombastic festival drops for electro-infused dance-pop, balancing emotional weight with radio-friendly hooks. It resonated beyond the underground, so to speak,  landing at #18 on Nexus Radio and earning SiriusXM BPM airplay.
“Coming Home (I.M.U)” steps into progressive-house territory, capturing the restless energy of a producer constantly on the move.
“Dream” (ft. Otto Palmborg) signs off with a cinematic, weightless drop, driven by chopped vocals and an atmosphere that feels tailor-made for closing out a set – or getting lost in thought.

For SEDAR, THIS IS POST-EDM is a pivot away from being locked into the predictable loops of festival anthems,  instead embracing contrast and experimentation. With ten of millions of streams to his name, a breakout moment on Insomniac’s Discovery Project, and support from heavyweights like R3hab, Don Diablo, and Wolfgang Gartner, TATE SEDAR has put together a work both timeless while telling a story.
The post TATE SEDAR Drops THIS IS POST-EDM EP appeared first on EDMTunes.
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[EDMTunes] Elohim – ‘Sail (AWOLNATION Cover)’

Today, Elohim released a beautiful new cover of ‘Sail’ as a part of the Deluxe Edition her album Power of Panic. The cover breathes new life into an album already layered with emotional weight. ‘Sail’, Elohim’s stripped-down rework of AWOLNATION’s defining anthem, dials back the intensity and replaces it with an intimate, vulnerable delivery. The defiant energy of the original morphs into a quiet contemplation, transforming its raw power into something hauntingly personal. ‘Scratch My Brain’ interrupts the album’s structure with an interlude that feels like a fragmented internal monologue, shifting the listener’s sense of time. ‘Patience’ pulls tension to the forefront, simmering with unease, carrying the weight of restless uncertainty, and reflecting anxiety’s relentless hold.
With Elohim’s 50 million global streams, Power of Panic swiftly achieved critical acclaim with essential tracks like “Can’t Remember Your Name”, “Tiny Human”, and “Didn’t Sign Up For This” finding their way into Spotify’s ‘Women of Electronic’ and ‘Dance Rising,’ and Apple Music’s ‘Future Hits’. The album saw more support through Amazon’s ‘Brand New Music’ and Audiomack’s ‘Best of the Week: Electronic’, only adding to the pile-on of positive reception.
About Elohim
Trained in classical piano but drawn to the lawless terrain of electronic music, Elohim has carved out her own lane and reaped the benefits. Her fusion of pop, bass-driven electronic, and alt sensibilities turned heads early, leading to collaborations with the likes of Skrillex, Marshmello, Louis the Child, and many others  Focusing on Power of Panic, the album marked a saga for the artist – it was a fight to reclaim herself. At a breaking point from relentless touring and spiraling anxiety, she found herself leaning on benzodiazepines just to get through. When the walls started closing in, she had two choices: let the downward spiral take hold or fight to regain control. She chose the latter. Power of Panic became a sonic document of that battle.
With past festival performances under her belt such as Coachella, Lollapalooza, or EDC Mexico, or speaking directly to fans through her Sunday Scaries series, she’s been around the block when it comes to the music industry circuit on and off the stage. Deluxe Edition seeks to show a dive into the narrative she’s been constructing all along. In an industry that often prefers polished surfaces, Elohim offers something that cuts through the noise.

The post Elohim – ‘Sail (AWOLNATION Cover)’ appeared first on EDMTunes.
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[EDMTunes] Nora En Pure Releases Radiant Anthem ‘Tranquility’

As the world transitions from winter to spring, Swiss-South African artist Nora En Pure delivers a radiant new anthem with her latest release, ‘Tranquility’, out now via Enormous Tunes. Infused with her signature organic house elements, this captivating piano-driven track embodies renewal, warmth, and positivity, setting the perfect tone for the changing seasons. I want to be walking through a national park while listening to this on repeat.
Fresh off a six-week North American tour and a break from the studio, Nora En Pure was eager to reconnect with the creative process. Seeking balance from the intensity of life on the road, she poured her energy into ’ Tranquility ’- blissful and soothing composition designed to bring a sense of calm amidst the chaos. Now freshly completed, the track is poised to make its mark on dancefloors while already captivating listeners with its breezy melodies, uplifting energy, and immersive atmosphere.
The track’s vibrant keys and shimmering synths dance effortlessly over deep, rolling basslines, creating a sonic journey that transports listeners to a state of pure bliss. True to its name, ‘Tranquility’ evokes a sense of peace and euphoria, making it equally powerful in a club setting or during a serene moment of reflection.
Following the success of her previous single, ‘Protected’, this latest offering further solidifies Nora En Pure’s position as a leading force in the melodic and organic house scene. With her Purified brand continuing to unite music lovers across the globe, she remains dedicated to delivering high-quality, emotionally charged productions that connect listeners to nature and the world around them.
I love the addition of a 6 minute extended version for her super fans. Make sure to check out ‘Tranquility’ below!
The post Nora En Pure Releases Radiant Anthem ‘Tranquility’ appeared first on EDMTunes.
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[EDMTunes] Rebūke & Linska – ‘Choose Life’

Electronic music producer Rebūke is set to release his highly anticipated album, The World of Era, in spring 2025, pushing creative and conceptual boundaries in the genre. Leading the album is the single ‘Choose Life,’ a collaboration with rising artist Linska, released today, February 28. Inspired by ‘Trainspotting,’ the track reimagines Irvine Welsh’s iconic monologue with a modern techno twist, exploring themes like streaming culture, AI, and automation. Listen here.
Following their successful 2024 collaboration ‘Digital Dream,’ Rebūke and Linska crafted ‘Choose Life,’ to blend dystopian vocals with a driving beat. The track gained traction after going viral when debuted in Edinburgh, where ‘Trainspotting’ is set. The visual concept aligns with Rebūke’s multi-layered artistic approach, portraying Linska on LED walls addressing the fictional world of Era.
About Rebūke
Rebūke is a standout star. A breakout act forged in the white-hot atmosphere of the Irish underground music scene. An artist constantly searching for something new and exciting who’s captured that elusive thing – a sound and a style… all his own. ERA is Rebūke’s brand new world. A place for people to lose themselves in a realm of sound and vision. The double header “Glow / Void” – is an introduction to ERA’s universe, where Rebūke has created a captivating sense of futurism. Carefully crafted pieces of music accompanied by a visual narrative, allowing people to experience Rebūke’s ERA vision and storytelling in full and create something truly remarkable. All of this has been built on a rock-solid discography on some of the most sought-after labels of the last decade. His Afterlife collaboration with Anyma “Syren” is a magnificent piece of forward thinking melodic techno and has already become one of the most requested tracks of 2023. “Along Came Polly”’ was a game changing track that sounded like nothing else at the time. It rocketed to the top of the Beatport charts, staying there for two months. It was Essential New Tune for Pete Tong on BBC Radio 1 and established instantly Rebuke’s reputation for creative sound design. On the remix front his magic touch has been applied to a who’s who of underground music including Underworld, Tiga, Kölsch, Chris Lake, Kevin Saunderson, Green Velvet, Max Cooper among others.
The post Rebūke & Linska – ‘Choose Life’ appeared first on EDMTunes.
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[EDM.com] Grabbitz Finds Beauty in Chaos With Triumphant New Album, "Big Epic Nothing"

Grabbitz has released a new album, Big Epic Nothing, unearthing raw emotion across 11 tracks and painting an intimate portrait of an artist who has never been afraid to embrace vulnerability. 
Grabbitz has never been one to conform. The genre-blending singer-songwriter, producer and multi-instrumentalist has long occupied a lane of his own, bridging electronic music with rock and consistently pushing boundaries in the process. With Big Epic Nothing, his fifth studio album and first full-length release under his own Blue Butterfly Records imprint, he reinforces his standing as one of today's most compelling voices in dance music.
A deeply personal project, the album arrives as Grabbitz supports fellow rocktronic producer Sullivan King on his "Chaos Will Bring Peace" tour, a fitting backdrop for a record that revels in explosive energy and cathartic storytelling.
"This album is a reflection of everything I’ve been through—musically and personally," Grabbitz said in a press release. "It's my story of finding beauty in chaos and creating meaning from emptiness."
Zach Frank
From the very first moments of Big Epic Nothing, we are thrust into its tempestuous storm of emotion and sound. Its opener, "Hero Pt. II," sets the stage with haunting lyricism before erupting into a thunderous drop. While its melancholic beginnings may suggest despair, the song ultimately builds into a triumphant anthem, underscoring the resilience at the heart of the album. "This is not a story where the hero dies at the end," Grabbitz declares, establishing a defiant tone.
While the album largely stands as a solo endeavor, its sole collaboration, "Love You 'Til I'm Dead," commands attention. Released fittingly as a single on Valentine’s Day, the track merges Rezz's signature eerie basslines with Grabbitz’s cinematic vocal delivery, crafting a dark yet oddly romantic experience.
As Big Epic Nothing unfolds, its versatility becomes even more apparent. "And I Run And I Run" shifts into full-throttle rock territory, featuring anthemic guitar riffs and a vocal performance that oscillates between soaring melodies and a rap-like cadence. Elsewhere, "Gasping For Air" straddles the line between spellbinding electronica and introspective alt-rock, with distorted synths  masterfully melting into the hypnotic pull of the track's aching vocals.
More than just another chapter in Grabbitz’s evolution, Big Epic Nothing is a testament to his artistic fearlessness. By refusing to be confined by genre, he continues to carve out his own path, bound neither by the constraints of expectations nor talent.
Listen to Big Epic Nothing below and find the new album on streaming platforms here.
View the original article to see embedded media.
Follow Grabbitz:
X: x.com/grabbitz
TikTok: tiktok.com/@grabbitzofficial
Facebook: facebook.com/grabbitzmusic
Instagram: instagram.com/grabbitz
Spotify: spoti.fi/2YoLQh0
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[EDM.com] Cloonee Is Honoring His New Home of Los Angeles With the Largest Show of His Career

After finding a home in Los Angeles, Cloonee is ready to deliver what he's calling the biggest show of his career in honor of the city that helped him grow.
The house music star in June is joining forces with Insomniac's Factory 93 brand to showcase the sounds of his label, Hellbent Records, label in downtown Los Angeles. Fans of the British DJ will also be treated to the sounds of a handful of special guests, who have not been announced at the time of this writing.
Cloonee also got in front of the camera and opened up about the impact of his new home, explaining that LA's melting pot of cultures has influenced his artistic endeavors. He recently used his platform to raise money for those affected by the devastating LA wildfires, which scorched over 57,000 acres and killed at least 29 people.
"The people of LA have welcomed me with nothing but open arms," Cloonee said. "I'm very aware that I’m a guest in their many cultures, but they’ve never made me feel like that, and for that, I feel very lucky. Being in the melting pot of LA has unlocked parts of my artistic nature that I didn’t know I had."
"The last show here was in December 2023. We did back-to-back nights; both sold out, it was crazy, and it’s something I didn’t think I could do. But now we’re coming back to do it even bigger. This show will be the biggest of my career, in the city that I love, for the people who have helped me get here."
Cloonee is scheduled to take over downtown LA's City Market on June 14th, 2025. Tickets are on sale now.
Follow Cloonee:
Instagram: instagram.com/cloonee
TikTok: tiktok.com/@clooneeuk
X: x.com/clooneeuk
Facebook: facebook.com/clooneeuk
Spotify: bit.ly/46Hu9uD
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[EDM.com] Amazon's Alexa Can Now Create Songs Using Nothing But AI and Your Voice—But at What Cost?

Amazon's Alexa+ just got a musical upgrade, but major record labels are not singing along.
The tech giant has partnered with AI music company Suno for a new integration that allows users to generate complete songs, including lyrics, vocals and instrumentals, simply by asking Alexa. The feature is part of Amazon's broader rollout of Alexa+, an upgraded version of its voice assistant infused with AI-powered capabilities, according to Billboard.
"Using Alexa's integration with Suno, you can turn simple, creative requests into complete songs," Amazon wrote in a blog post announcing the update this week. "Looking to delight your partner with a personalized song for their birthday based on their love of cats, or surprise your kid by creating a rap using their favorite cartoon characters? Alexa+ has you covered."
Amazon's embrace of Suno is raising eyebrows across the music industry, considering the owner of a major streaming service would align itself with an AI company currently being sued for its data practices. It's worth noting that Amazon has also invested $8 billion in the AI juggernaut Anthropic, which is currently entangled in its own copyright lawsuit with music publishers.
Major labels "are not happy" about Alexa's Suno integration, according to music tech executive Drew Thurlow, Sony's former Head of A&R, who said Amazon's music partners were not notified prior. Even more perplexing is the fact that Amazon Music deepened its relationship with Universal Music Group just two months ago, pledging in late-December to collaborate on efforts to combat "unlawful AI-generated content."
The Alexa+ announcement comes at a precarious time for Suno, which is currently embroiled in a contentious legal battle with Universal, Sony and Warner, who have accused it of copyright infringement "on an almost unimaginable scale." Spearheaded by the Recording Industry Association of America (RIAA), the lawsuit alleges that Suno used copyrighted recordings without permission to train its AI models. The trade body is seeking damages of up to $150,000 for each copyrighted work.
In a court filing, Suno conceded that its AI model "presumably" trained itself on "tens of millions" of copyrighted recordings, though the company maintained that its practices fall within legal bounds. Co-founder and CEO Mikey Shulman has dismissed the explosive lawsuit as "fundamentally flawed," arguing that "learning is not infringing."
Shulman poured gasoline on the controversy in January, when he faced ubiquitous backlash after claiming on a podcast that most people find the music creation process "not really enjoyable."
Whether this gamble pays off remains to be seen, but one thing is clear: Alexa isn't just playing your favorite songs anymore. Now, it's making them.
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[EDMTunes] Anyma’s ‘Hypnotized’ Gets A Sexy Remix By John Summit

Oh this one got us really excited! Miami based producer and fan favorite John Summit presents us his rendition of Anyma’s ‘Hypnotized’ featuring Ellie Goulding. The Melodic Techno track was one of the highlights of Anyma’s Sphere performances in Las Vegas, and after Daddy Summit jokingly posted his audition tape for the Sphere a month back, he now joins the roster for his debut Sphere performance. The remix is now available just ahead of his shows at LIV Las Vegas tomorrow and The Sphere this Sunday.
Anyma Ft. Ellie Goulding ‘Hypnotized’ (John Summit Remix)
The Experts Only label head teased us with the track last month during one of his shows. The remix dives fully into Tech House territory with a tasteful groove and signature Summit melodies. The energy infused into the track is electrifying and high-paced. Summit uses his signature sounds to transform the song into an irresistible anthem, layering deep, rolling basslines and a driving rhythm. This intensifies the hypnotic and atmospheric vibe of the original with an uplifting, dynamic edge.
The track follows Anyma’s previous release, ‘Voices In My Head’ with Argy & Son of Son, and comes just in time ahead of his final four shows at the Sphere this weekend, with John performing at the last show March 2nd.
‘End of Genesys’
The last four shows came to no surprise as the first leg of the residency counted with major success. Live performances included FKA Twigs, Ellie Goulding, Grimes, and Empire of the Sun. Moreover, John Summit joins the roster that made history at the Sphere, including Charlotte de Witte, Amelie Lens, Layton Giordani, Camelphat, Adriatique, Tiësto, Argy, and more. This weekend, artists like Solomun, Layla Benitez, Recondite (Live), Peggy Gou, Mau P, Colyn and Cassian, expand the lineup to new heights.
John Summit
The label boss of Experts Only has fully absorbed the fruits of his success. Massive sold out tours and shows, and now a Sphere performance? Incredible. ‘Hypnotized’ Remix follows his most recent single ‘Focus’ and ought to keep us warm through the last couple weeks of Winter. Speaking of Winter, last weekend, he brought the heat to Tahoe with his Experts Only Weekender, including artists such as Max Styler, Jackie Hollander, Westend, and Kyle Watson.
Summit continues his Residency at LIV Nightclub Las Vegas, alongside major international stops in India, Canada, and Australia. US Stops include Movement Festival in Detroit, Austin, and Bonnaroo in Tennessee.
We definitely lost our minds already, this is Anyma ft. Ellie Goulding ‘Hypnotized’ (John Summit Remix):
The post Anyma’s ‘Hypnotized’ Gets A Sexy Remix By John Summit appeared first on EDMTunes.
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