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KartyPartyy & TEKNiCOLOR Team Up For Monstrous Collab, “Rush It” [Kannibalen Records]

When it comes to making electrifying music that seems to encompass endless energy, KartyPartyy and TEKNiCOLOR are two artists who instantly come to mind.
Hailing from deep within the American Northwoods, TEKNiCOLOR is on the forefront of the next generation of genre-bending producers quickly emerging on the scene today. Over the past year, his unique and forward-thinking production style has been turning heads among industry heavyweights and on dancefloors worldwide – earning him multiple top 10 spots on the Beatport charts as well as releases on Hexagon, Gold Digger and Group Chat Records. Performing coast to coast, and combining a versatile live performance with his energetic and aggressive sound-design, TEKNiCOLOR has gained the support of legends such as Diplo, Dillon Francis, Don Diablo, Flosstradamus, Borgore, Wuki, Henry Fong and Party Favor both on-stage and in the studio.
KARTYPARTYY is one of the finest Bass DJ & Producers from Bangkok, Thailand. Whether it’s BASS, Dubstep, Melodic Dubstep, or anything that hits hard; everything revolves around his love and passion for Rock. Today, he is a regular at all the local Music Festivals in Thailand and is also becoming a household name around Asia for bringing that harder, louder, Bass bumping music to the masses.
Together, KartyPartyy and TEKNiCOLOR make a dynamic team, joining forces for their monstrous single, “Rush It”, signed to Kannibalen Records, that was also included in their ‘All I Want For Christmas Is Bass Vol 6’ compilation. Gritty bass synths, swinging drums, and hot-wired vocal samples all come together perfectly for what is a peak time club tune.
Check it out below!

 
This article was first published on Your EDM. Source: KartyPartyy & TEKNiCOLOR Team Up For Monstrous Collab, “Rush It” [Kannibalen Records]
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Adam Moryttoo aims to inspire others through electronic music with “Shake City”

With a talent for uplifting the moods of his listeners instantly through groovy sonics and feel-good soundscapes, Adam Moryttoo is looking to take the electronic scene by storm with his latest single, a club weapon titled ‘Guns and Drums’. Inspired by the likes of vocal house and dance pop legends such as MK, and Diplo, this certainly shines through in his own music, in which he is building a strong reputation for himself through his ever-evolving and growing signature style.
“When I make any new piece of music, I want it to make people feel good and most importantly understood. When my music is played either in headphones or on the club speakers, I want it to contribute towards people having some of the best days and nights of their lives — me included.
Adam Moryttoo on his creative process:
‘Guns and Drums’ is exactly what it promises to be: a club-ready, summer anthem with heaps of personality and a combination of sounds that won’t be able to keep a smile off your face. Starting instantly with a pulsating, groovy rhythm, a sleek vocal sings out and drives the track forward further to perfection.

Destined for the clubs and the charts, this house-driven banger transports us straight to those warm summer festival days, deep in the crowds.“My creative process for “Guns and Drums”’ stemmed from wanting to create something uplifting, empowering and relatable — something that touches on the experiences that we’ve all found ourselves in through the vocals and melody as well as putting a nostalgic summer love feel to the track.”It’s hard to believe that this is only his sophomore track, but Adam setting himself up a long & fruitful career if “Guns and Drums”’ is anything to go by.
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This article was first published on Your EDM. Source: Adam Moryttoo aims to inspire others through electronic music with “Shake City”
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Tiësto, Fatboy Slim, Sub Focus, Martin Garrix & more offer up exclusive NYE 2023 mixes

There are many options for how to spend your New Year’s Eve this year, from Countdown in San Bernardino, to Decadence in Phoenix or Denver, to Jackpot NYE in Vegas, and more. Even if you’re not making it out to a show or festival this year to ring in 2023, you can still make any gathering a party with a slate of exclusive NYE 2023 mixes available now via Apple Music.
Dozens of artists have offered up their services to make your night enjoyable and you won’t have to worry about finding a particular vibe.  Among the mixes available are Tiësto, Fatboy Slim, Sub Focus, MikeQ, Major Lazer, Tim Sweeney, Vashtie, Austin Millz, SG Lewis, Aluna, BR0NZ3 G0DD3SS, Play-N-Skillz, DJ LUDBRISA, Eliza Rose, Nia Archives, Martin Garrix, Purple Disco Machine, Kiddy Smile, Nicole Moudaber, Uncle Waffles, HoneyLuv, Takkyu Ishino, Closet Yi, C.FRIM and more.
The full slate of Apple Music NYE 2023 DJ Mixes can be found HERE.
 
Photo via Rukes.com
This article was first published on Your EDM. Source: Tiësto, Fatboy Slim, Sub Focus, Martin Garrix & more offer up exclusive NYE 2023 mixes
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Diva Flawless Is Fearless On Latest Record “Voom Voom”

Pop music and electronic dance music may seem unlikely, but Diva Flawless proves that the two genres can be seamlessly blended. The Canadian musician’s latest single, “Voom Voom,” showcases her ability to fuse pop melodies with energetic EDM beats, creating a unique and unforgettable sound.
This unapologetic track showcases the artist’s musical prowess and ability to genre-bend while remaining true to her creative roots. As a Canadian musician, Diva Flawless is fearless in experimenting with different genres and fusing new sounds to expand her audience and grow her discography.
The budding talent aims to collaborate with international artists. With a unique sound and a dedication to pushing boundaries, she is one to watch in the world of genre-bending music. Whether performing on stage or recording in the studio, Diva Flawless always brings her A-game and delivers top-notch music that leaves listeners wanting more.

This article was first published on Your EDM. Source: Diva Flawless Is Fearless On Latest Record “Voom Voom”
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Maxi Jazz, the lead singer of dance act Faithless, has died at 65

Early on Christmas Eve, Faithless announced that core and founding member Maxi Jazz, real name Maxwell Fraser, had passed away aged 65. According to the announcement, Fraser died peacefully in his sleep.
The group was best known for their hit “Insomnia” but are regarded as a pillar of early ’90s dance music. According to reports, their lyrics have even been quoted in both the US Senate and the Houses of Parliament.
“Sending love to all of you who shared our musical journey. Look after each other y’hear,” band member Sister Bliss said on Twitter.

 
via BBC
This article was first published on Your EDM. Source: Maxi Jazz, the lead singer of dance act Faithless, has died at 65
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The Wait Is Over New Music Incoming From Sami Baki

The anticipation for Sami’s new album is building! The singer has released two tracks so far and they are both sounding great. One fan said of “Power Up”, “The beat makes me want to get up on my feet!” With an artist like him, you can bet that there will be many more exciting songs in store soon enough.
The album, according to the statement, “a mix of house and techno, made for people to move
and dance.” In addition, beginning with a single set to release later this year — the title of which
has not yet been revealed — “diverse content to show Sami’s creative identity as an artist will
be introduced.”

His music is a passionate expression of what he feels. After experiencing the worst thing in his
life, Sami wanted to be able to live out this one last passion and contribute financially for
himself. It’s always hard when we lgp through a big life change but it also gives us an
opportunity at something new — whether its pursuing your dreams or being more present with
those around you.
Sami is set to open at music events throughout the year. The talented singer has announced
that he will be releasing his solo album later this month, with more performances likely in store
for us soon afterward.
This article was first published on Your EDM. Source: The Wait Is Over New Music Incoming From Sami Baki
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Heavy Hitter TreyfromnextDoor Is Gearing Up For 2023

Making a name in the music world is something the majority of indie artists struggle with. From planning releases, to booking shows, not all can keep up with the trends and demands within progressive music culture. After navigating the pandemic, many artists fell short of being able to finance their careers and invest in themselves, many turned to online concerts with success, whereas many lost their sense of direction. When it comes to showcasing commitment to one’s platform and persevering through unprecedented times, one artist comes to mind. Meet Treyfromnextdoor. 
Treyfromnextdoor is known for his distinct records that produce intoxicating rhythms. He stands out for his laid back, catchy and bass heavy vibes. Trey’s music offers everything and more of what listeners expect from bass heavy production. His music has a rhythmic craft, an emotional factor, and above all, solid bass lines that will make anyone dance. Trey’s unique flow not only makes his songs deeply engrossing but engaging as well.
Some of Trey’s smash hits include “2 Seater” “Louis V,” “Love Sound,” “Laughed Last,” and “McChicken.” Despite having the gifted skills of a producer and a refined sense of music, finding his space in this extremely competitive industry was not easy for Trey. He initially struggled to pave his way into the space as a budding artist seeking an audience. However, Treyfromnextdoor overcame this challenge through valuable industry networking and working hard on his craft to become better with every new release.
As an artist who made his way into the music industry without any guide or mentor, Treyfromnextdoor always emphasizes being original. His advice to aspiring talents is to never be a cheap copy of a trend just to be in the limelight. Trends fade, and so does fame. It is always a good idea to be original and create a niche audience who will become loyal followers. Treyfromnextdoor also believes that being in the company of the right people who share similar ideas and enthusiasm can also motivate you to work harder towards your goals.
Treyfromnextdoor will continue producing more refreshing and unique records, adding a few more millions of streams on his digital platforms. He is also looking forward to performing at some of the top global music events in the coming years, enthralling his fans with his memorable lyricism.
 

This article was first published on Your EDM. Source: Heavy Hitter TreyfromnextDoor Is Gearing Up For 2023
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Arky Waters Releases New Single “Back To You”

Arky Waters caps the year off with his new single ‘Back To You’ featuring the vocals of Jade Alice.
This marks Arky’s first collaboration with another vocalist – Jade’s dream pop roots and catchy hooks move with the emotional depths of the track, capturing us through the tender and darker moments.
“We made this track around COVID times, I sent her a DM and I honestly didn’t expect a reply, she ended up being open to working with me even though I had nothing out at the time. I sent over an idea that she vibed with and she sent back the hook that’s currently on the track. Once I heard that hook I basically ended up crafting the song around the vocal. For our first time working together it went super smooth; she’s talented as hell. I’d been a fan of her stuff for a while so it was cool to finally make something together.”
The track is paired with a four part visualiser made by upcoming Sydney artist Don Kaiyote; the collaboration explores themes of young love, heartbreak and loneliness.
“The most important part of this project was to make something that felt close to us – we wanted to capture beauty in something that was quite real and ordinary, something we’ve all felt before.”
The video takes us through the journey of young love as a person of colour growing up in western society, diving into the complexities of the modern-day “situationship” and the feelings that revolve around that behind closed doors.
Arky Waters is a Sydney based artist exploring his early love for indie/folk with the electronic textures of rave music. Starting in 2020,it began as an outlet from his usual work with alt-rock band ‘Silvers’, and soon blossomed into its own project as he found his feet in production. The songs act as a soundtrack to his life growing up in the suburbs of Australia, bridging the gap between indie/folk songwriting and the pulse of electronic music.

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Truth x Lies Drop Sizzling Tech House Heater, “Take Me Away” [Night Service Only]

Truth x Lies has enjoyed a wildly successful year with a slew of releases as well as kicking off their highly-successful ‘Going Numb’ tour across North America in September, hitting major cities including Miami, Chicago, San Francisco, and more. Their September-released collaborative hit “Numb” with Zookëper and SODIUM which found a home with the coveted Hau5trap family, as well as their August-released hit single “Like This” via Glasgow Underground.
Now, the boys are back with their single “Take Me Away” signed to CID’s prestigious Night Service Only imprint. It’s a sizzling tech house heater through and through paired with an alluring vocal cut. Whether its the intoxicating groove or addictive melodies weaved throughout, Truth x Lies prove yet again why they are one of the most exciting up and coming acts in the tech house scene.
 
Listen below!

This article was first published on Your EDM. Source: Truth x Lies Drop Sizzling Tech House Heater, “Take Me Away” [Night Service Only]
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Tash Blake Makes Debut With Pop Infused Dance Track, “Mannequin”

Newcomer Tash Blake is making an impressive debut with a memorable, attention-grabbing song that we cannot get out of our heads. Titled “Mannequin“, Tash Blake seems to be an addictive blend of Britney Spears esque pop music with production reminiscent of Alok.
After originally growing up immersed in dance and musical theater, Tash eventually decided to combine her passion for the legendary performance aspects of Madonna, Britney Spears and Lady Gaga into one grand visual and auditory experience, which is on full display in the video for “Mannequin.”
Tash shares, “Mannequin comes from such an incredibly real place. I had just ended a longterm relationship of manipulation where I was never allowed to be my true self. This song sparks a new beginning in which I am finally free to say or do anything. I wanted to write something carefree and upbeat to dance to with my friends, but also empowering to give strength to those who find themselves in a situation similar to mine. In the past, I’ve tried to speak out but wasn’t heard, I tried to be my own person, but felt forced to be someone else.”
From start to finish, it’s hard to get enough of this single, from the driving slap house beat and the bubbly pop melodies that instantly seem to get stuck in your head.
Listen below!


This article was first published on Your EDM. Source: Tash Blake Makes Debut With Pop Infused Dance Track, “Mannequin”
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Allen Mock Releases Thunderous EP, ‘Solivagant’

Allen Mock (A.K.A. Tae Hong Kim) is a music producer/DJ from Tokyo. The originality of his sound comes from fusing genres and sound-frequencies that are outside the box, always adding a bass/trap twist into his music. He expands his music by experimenting with unique sounds, creating futuristic and electronic melodies. Since his start, he’s earned the attention of some of the biggest artists in the game such as Ekali, Zeds Dead, Dillon Francis, and ATLiens. He’s even enjoyed radio success, with his song “Like This” being played by DJ RAY RAY on Annie nightingale, as well as “Phantom” and “Okami”, which were both played on Diplo & Friends Radio.
Now, he’s back with a thundering EP titled ‘Solivagant’ that’s perhaps his best work to date. Portraying traditional sounds with a futuristic twist like no other, Allen Mock created a dynamic EP which showcases his raw talent and dedicated to experiment with several different genres. With sub-bass frequencies and slow-tempo induced madness apparent in the EP, Allen Mock opens the doors into his world of experimental sound as multiple sample instrumentals are transitioned smoothly throughout the tracks. A series of pure exploration and enhanced sound design at it’s finest, Allen Mock’s ‘Solivagant’ EP is incredible and deserves your attention.
Stream below!

This article was first published on Your EDM. Source: Allen Mock Releases Thunderous EP, ‘Solivagant’
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Win amazing Pioneer DJ gear from Your EDM & Paul Oakenfold as he enters Perfectoverse

Paul Oakenfold is officially entering the Perfectoverse tomorrow night, December 22. For the man who’s played everywhere else on Earth, his next biggest performance is somewhere no one can be but everyone can go.
Visit here for more details on how to participate.
At the same time, Paul Oakenfold, Pioneer DJ, and Your EDM have teamed up to give away some incredible prizes, including a DJ controller, headphones, speakers, and a turntable.
Enter below for your chance to win!

This article was first published on Your EDM. Source: Win amazing Pioneer DJ gear from Your EDM & Paul Oakenfold as he enters Perfectoverse
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Kannibalen returns with new volume of ‘All I Want For Christmas Is Bass’

After a hiatus in 2021, the fan-favorite compilation All I Want For Christmas Is Bass is back on Kannibalen Records! Volume 6 has come packed with nine fantastic gifts from incredibly talented producers from across the entire globe. Some faces are familiar to the Kannibalen family, while some are new to the Montreal imprint, but all of whom bring the heat for listeners whether they’ve been naughty or nice this year.
The lead singles on the project came from HVDES x Avance, and YMIR x INHUMAN, but seven other hits made their way down the chimney with Santa this year. Kicking off the compilation is Hairitage with his hybrid anthem “Right To Kill” which is followed by Slippy’s genre-bending masterpiece “Mesmer.”
All I Want For Christmas Is Bass Vol. 6 also sees the return of RUVLO, Izzy Vadim, BLVCKSMITH and WODD with Freaky who joins the other newcomers including TEKNiCOLOR and Thailand’s Kartyyparty who collaborated on the bass house beast “Rush It.” All together, these bass presents are ready to be unwrapped for your listening pleasure.
Check it out below!

This article was first published on Your EDM. Source: Kannibalen returns with new volume of ‘All I Want For Christmas Is Bass’
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Tomorrowland poised to make its grand return to Brazil after seven years

It’s official, Tomorrowland is heading back to Brazil in 2023!
After two amazing festival editions in 2015 and 2016, Tomorrowland has now announced the return to South America for a new edition of Tomorrowland Brasil on October 12-14, 2023. The beautiful festival area of Parque Maeda in Itu, a municipality of São Paulo, will be the home again of the magical three-day global gathering with a collection of the planet’s finest electronic artists.
For the mayor of Itu, Guilherme Gazzola, the festival goes far beyond music and will leave a legacy and important improvements in the region. “In addition to its grandeur as an event, the importance of Tomorrowland is reflected in actions aimed at the city and the local community. We are proud to host this world-renowned festival in Itu, a historical tourist city”, he highlights.
More info about tickets and line-up will be announced in the coming months, subscribe now to stay up to date via tomorrowlandbrasil.com.
 
Photo courtesy of Tomorrowland
This article was first published on Your EDM. Source: Tomorrowland poised to make its grand return to Brazil after seven years
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RÜFÜS DU SOL release live version ‘On My Knees’ from The Gorge [Watch Now]

Yesterday, RÜFÜS DU SOL capped off their most ambitious year yet with the release of the live version of Grammy-nominated single “On My Knees” captured from their sold out performance at The Gorge Amphitheatre in October.
As a live-performing band, RÜFÜS has the privilege of improvising, riffing, and augmenting their recorded tracks for the live setting, much like an artist who uses live analog equipment or modular synths in their performance. The live version is a full two-and-a-half minutes longer than the recorded release, with an extended drum outro that proves to significantly increase the “vibey-ness” of the song.
This release acts as a celebration of the band’s double 2023 Grammy nomination of “On My Knees” as Best Dance / Electronic Recording, a category that earned them their first Grammy win earlier this year, and their ‘Surrender’ album for Best Dance / Electronic Album. This follows the band’s fifth ARIA win for Best Produced Album last month.
Primed for the next chapter of the RÜFÜS journey, the group looks forward to working on new music at the turn of the year before returning to their own boutique festival, Sundream, debuting at a new location this coming May in San José del Cabo, Mexico.
Watch and/or listen below!

 
Photo via Derek Fallon
This article was first published on Your EDM. Source: RÜFÜS DU SOL release live version ‘On My Knees’ from The Gorge [Watch Now]
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Deadmau5, Porter Robinson, & more headline debut Jackpot NYE in Las Vegas [Interview + Giveaway]

If you’re still struggling to figure out what to do for New Year’s Eve, Las Vegas has a brand new option for you to sink your teeth into.
Since its inception in 2012, RVLTN has always prioritized giving visibility to emerging artists on the rise – with the intention of continuing to pipeline them into larger opportunities. Over the years RVLTN has helped nurture and expand the local following for a great many electronic acts, who have transitioned from opening tour support to main stage headliner. As a top competitor in the Vegas market, RVLTN seeks to exceed branding expectations when in competition with larger conglomerates in the same or neighboring markets.
Taking place on December 30-31, the inaugural two-day event JACKPOT NYE will be hosted at the Downtown Las Vegas Events Center. The lineup’s heavy-hitters include Deadmau5, Porter Robinson, Rezz, and RL Grime, with additional performances from Black Tiger Sex Machine, Ghostrydr (Ghastly b2b Joyryde), Marauda, Versa + more.
To celebrate this new festival, we’re giving one lucky winner two VIP tickets to Jackpot NYE as well as a meet & greet with Black Tiger Sex Machine and a merch bundle, including items from BTSM’s own collection.
Tickets for JACKPOT NYE 2023 are available now and can be purchased here.

Ahead of the event, we spoke with Marcel Correa, Chief Executive Officer of RVLTN, and Joe Borusiewicz, Partner & Executive Talent Buyer, about what makes their event special in a town that’s so characterized by larger-than-life events and some of the biggest EDM artists in the world year-round.
We know Las Vegas is a year-round destination for events, live music, performances, or otherwise. A lot of the major traffic seems to come during the summer months for obvious reasons. When choosing a destination, why should people think of Las Vegas?
(Marcel) As an entertainment destination Las Vegas is truly in a class of its own. Whatever you’re into can be found here 24/7/365. It hasn’t always been that way for every genre of music though. Over the last decade plus we’ve been fully dedicated to ensuring that all genres of electronic music have a seat at the table and get pushed forward inside of this community. Locals feel the need to travel a lot less frequently to experience their favorite artists since the inception of RVLTN.
(Joe) While you could argue every weekend in Vegas is a party weekend, New Year’s really takes it to a whole other level. You have hundreds of thousands of people from all over the world converging on the city at once and there’s definitely no shortage of entertainment offerings. In adding Jackpot to the fold our aim is to give the city a proper destination event, something significant enough to hold its own in a hypercompetitive space and have the potential to become an annual tradition for travelers and locals alike.
RVLTN has been active in Las Vegas for a decade, set apart from the glitz and glamor of the major hotel properties like Omnia, Hakkasan, and Zouk. With a certain degree of legacy in the city, what are you offering fans that they wouldn’t find in a hotel lobby closer to their room and buffets and slot machines?
(Marcel) We’ve always taken pride in providing an alternative to the typical nightclub experience on The Strip. In our world there are no dress codes, no velvet ropes, and no overzealous doormen that seem to enjoy hassling your group and looking for a way to deny your entry. You don’t need an even ratio of girls to guys, you don’t need to arrive before a certain hour, and you don’t need to break the bank to attend. The nightclubs thrive on promoting a sense of exclusivity, whereas our events are extremely inclusive spaces where everyone feels welcomed. It’s a complete different vibe and atmosphere, although we have created VIP options for those who prefer an elevated experience. Las Vegas has so much to offer beyond the Strip. Jackpot NYE is a great example.
(Joe) With Jackpot specifically, no other event in the city this New Year’s weekend delivers more bang for the buck from a programming perspective. Instead of one artist and one sound you get fourteen world-class performers over two nights. Whether you prefer dubstep, big room, future bass or house music with a Latin twist, you’ll find something on this lineup that you get down with.
The headliners for Jackpot NYE are easily top tier in any market, with deadmau5, Porter Robinson, Rezz, and RL Grime making appearances over the course of the weekend. Was there any sort of haggling behind the scenes to convince them to play Vegas rather than some other event elsewhere?
(Joe) Honestly, not as much as you might think. We had a clear vision of what we wanted Jackpot to be in terms of the caliber of the lineup, the unapologetically Vegas-inspired branding, and the overall experience itself. We pitched the concept to the artist teams and thankfully most of our first choices were completely game for it. Some of this year’s acts play the local nightclub circuit on a regular basis. The opportunity to be a part of something like Jackpot, I think, is more unique.
(Marcel) Las Vegas has always lacked 18+ offerings on NYE weekend. Over the years we’ve watched friends travel out of state, make plans to wander the Strip, attend a house party, or just watch the countdown from home after dinner. It made a lot of sense for us to step up and try to provide an experience for locals and tourists alike. This is our favorite lineup to date and it lands on the biggest party weekend of the year, in the biggest entertainment destination in the country. Everyone who attends Jackpot NYE is in for a major surprise as we’re going all out for this one.
Do you see a type of synergy with the casino-based nightclubs as far as bringing new people to the city? Located off the strip, RVLTN definitely gives travelers and attendees a much different view of the city than what is typically popularized in media.
(Marcel) It’s true, and as you might expect our approach to marketing our events and attracting new attendees is also much different than the strategies of the nightlife industry. The vast majority of the RVLTN team are Vegas locals. We grew up here, went to school here, and we love this city. It’s much different than out-of-towners looking to capitalize on the community. Everything we do is designed to grow the scene and the local community while finding creative ways to attract new people from around the world to experience our events.
(Joe) I think the casino clubs and moreover the Strip as a whole wins by selling the stereotypical image of what Las Vegas has to offer, whereas we win by selling the alternative: that there’s much more to the local landscape than you can find on Las Vegas Blvd. Our marketing model is somewhat of an inside-out approach; we believe that by delivering for the local community and producing a strong portfolio of offerings throughout the year, our events become where locals bring their friends. Nothing beats word-of-mouth.
Apart from the debut of your first NYE festival, is there anything else that RVLTN is looking to innovate in 2023?
(Marcel) 2023 is shaping up to be RVLTN’s biggest year to date. Some things to expect are more large-scale events, new branded experiences, expansion into new markets, and larger shows from our entire family of brands.
This article was first published on Your EDM. Source: Deadmau5, Porter Robinson, & more headline debut Jackpot NYE in Las Vegas [Interview + Giveaway]
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Alan Walker Talks Making His Best Music, Conquering the Stage, Vlogging and More [Interview]

Earlier this month superstar DJ/producer Alan Walker played two sold out nights at the world famous Hollywood Palladium; the penultimate shows on his Walkerverse world tour. The famously masked and hooded Walker played out a bevy of his hit tracks including “Alone,” “Spectre,” “Darkside,” his Hans Zimmer remix “Time” and of course, “Faded.” However, we got the chance to sit down and talk to Alan Walker unmasked before his show.
Although his identity is no longer a secret (you can see Alan sans his mask and hoodie on his Unmasked vlogs on YouTube), our chat was a very insightful look into a truly thoughtful person who’s doing a lot of good things for the world at large. On top of that, it’s also very clear that Alan is very comfortable in his own skin and is proud of the progress he’s made as an artist. Simply put, he knows what works for him, and he plays to his strengths. We discussed his evolution as an artist, his vlogging, the tour, and a few other topics. Check out the full interview below.
Hey Alan! Thanks so much for chatting with us. Tell us about how your year went? This was finally the first year that people were able to go back out again normally and I feel like lots of artists took advantage of it. How’s the Walkerverse tour been so far?
“Yeah, like you said, everybody’s literally out traveling, everybody’s touring, so, obviously it’s a big competition. But, we see the Walkerverse tour as our own thing, and it’s been quite a successful run. We had amazing shows in South Korea, India and to kick it off with in Dubai, as well. And then we moved it up to Europe, had a bunch of crazy shows all around, and now we’ve been on the North America end. Then we have one quick pit stop in Mexico at a festival. So, it’s definitely been busy over the past three months, but it’s been really, really fun. And, also to do our own headline show has been so unique, and also to build a show the way that we’ve done it for the tour and at this scale has definitely been a fun experience.”
What’s different, like you said, when you’re building your own tour, as opposed to, you show up at EDC or something, and you just play your set and boom, you’re out of there?
“So, for example, at a festival show, then I would focus more on energy. Obviously, I would do that too on my normal headline shows, but, it’s different. I would really focus on like, okay, this is going to be a party. Play hard remixes of my songs and also play just a fun dosage of chronicles for the Walker story. The focus has been to primarily just focus on the fans, and build this show surrounding that, that we want to please the fans and play like the top 20-top 25 Alan Walker songs and bring out some guest vocalists.”
I think it’s been 7 years since Faded was released. Tell us about how you’ve grown as a producer and an artist over the years. How is the growth reflected in the Walkerverse album?
“So, kicking off with Faded, I was still kind of in fresh waters around back then. I’d say like learning, exploring, what would be the sound of Alan Walker. And over the years I’ve learned a lot of new techniques and I’ve learned so many things while working with other people and producers and songwriters. So, it’s been such a fun and eventful seven years, and it’s crazy to think it’s been seven years, because time has literally flown so fast for me. I’ve done so many different songs and so many different concerts and all that’s always been incredible. But, to kind of take the signature Alan Walker sound and really develop it and to make it more pop-ish, try to meet new audiences and it’s definitely a learning curve. Everything is always a learning curve, you’ve got to try and see if you succeed or fail and then it’s a lot of baby steps. But, with the Walkerverse album, I felt like I was able to just put together what I love to do the most. Like finding influence in movie soundtracks and all that. I’m just making things that I generally like.”
Your mask and hoodie have always been one of your trademarks. However, I’ve noticed that lately you’ve posted photos and videos showing your face and your hair. What made you decide to take off the mask and show the world who you are?
“So, we were thinking about it, because for a very long time, the idea was that we don’t want to show off Walker’s identity at all, as I’m literally talking about myself in third person (laughing). But, yeah, like the sole intent was that we still wanted to build this mysterious image, like, have people wonder ‘who is really the guy behind the mask and why?’ And I would pose only from the back and have people ask why does he only show his back, for example. And, that was solely with the intention that I wanted people to focus on the music rather than me as a person. And, I think over the years more and more people would get more familiar with my face, because I wasn’t that serious about keeping it off social media. If people wanted photos, I would be fine with taking them. But, an idea that we could break it or make it for the fans that would know, we created the Unmasked vlogs which was the idea that we would take the viewers, the fans, the followers behind the scenes and give them the experience, what is it like to be a touring artist. What do we do? I kinda wanted to show people the upside, but also the downside, like little sleep, a lot of travel, a lot of hard work and everything mixed in between and still trying to make the best out of it.”
Have you always been comfortable on camera or is this something you grew into?
“As ‘Faded’ blew up, I just got introduced to a whole new world of things. Like, I’d never really been on a proper stage before. And, performing for crowds larger than a classroom was unheard of. So, yeah, it was really, really scary, but it was just like grow and learn. And, the more I did, the more comfortable I became. I did have a lot of stage fright in the very beginning, but the more I did to just go out there on the stage, the more comfort I found in it. Because, sooner or later I just realized people didn’t really care about who was on stage, almost. And when I started to get that realization, it made me so much more comfortable if I could just believe that people don’t really care. Certain people do, but, as long as you don’t mess up really.”
I think it’s really cool that you’ve advocated for environmentalism on your vlog as well. Tell us what are the things Alan Walker cares most about outside music, and how can you use your platform to make a difference.
“So, speaking of 2019, we created A Different World campaign. That was solely with the intent of making an impact for the better of our world, and climate was the main focus. And, that’s something I still believe in today. That’s why when MrBeast did the Team Trees donation, I was one of the first people that jumped on and donated $100,000. And, then when he launched TeamSeas.org with Mark Rober, then I also donated $100,000 again. So, I’ve supported them for like two, three years in a row, because I believe what they’re doing is really good intentioned. And, over the years, I’ve liked to support different charities. Like, for example, just recently in Norway I’ve donated to mental health and children’s cancer charity funds. So, I do like to give back and support everyone who needs it.”
I always like to ask this question to people who aren’t from Los Angeles. But, what makes this place special to you? What do you like the most about the city and the people? Any special places you like to visit when you’re here?
“For me, it’s always been the music capital of America, so it’s always interesting to come here, because you always know someone who’s here. So, that’s always fun. There’s just a bunch of people you know from here. So, that’s what essentially LA has become for me, it’s like a hotwire to know people.”
Any favorite food spots you like to visit when you’re here?
“In-N-Out”
Is there any artist in the EDM world who you’d like to work with that you haven’t yet? Any pop vocalists or artists you’d like to collab with?
“I think Martin Garrix would be awesome. Or catching back up with Kygo could be interesting, we’ve previously worked on collabs before, but never finished anything. And Lady Gaga all day!”
Can you tell us what we can expect from you in 2023 and beyond?
“2023? Live, I have no idea, we’re still working on a plan on how we’re going to target next year. But, I think we’re going to still keep on building the Walkerverse tour for new markets. And, then, musically, probably going to continue down the same path. I also want to try and make like a classic Alan Walker album, kind of like what Martin Garrix did with his ‘Sentio’ album. Just go back to the roots, make some more of those instrumental tracks, that could be pretty cool.”
Any words for the fans?
“As always, thank you so much for the love and support this year. Yearly Spotify numbers were released, and, just seeing those numbers, it’s just so hard to digest and comprehend how big and how much love and support I get from people all over the world. I’m eternally grateful, I wish I could express my thankfulness to everybody.”
Get lost inside Alan Walker’s Walkerverse, out now on Sony. Check out the video below for a clip from the Walkerverse Tour!

This article was first published on Your EDM. Source: Alan Walker Talks Making His Best Music, Conquering the Stage, Vlogging and More [Interview]
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Dive into the world of future rave with David Guetta’s acid house remix of “Unholy”

Get ready to rave with David Guetta’s acid house remix of Sam Smith’s “Unholy.”
David Guetta and MORTEN‘s unique blend of future rave sound challenges the conventions of mainstream dance music. Their latest remix of “Unholy,” featuring Sam Smith and Kim Petras, is a testament to this innovative approach. The track combines Petras’ seductive vocals with Smith’s emotive lyrics, all set to a dynamic beat that is both energetic and brooding. This remix is a prime example of the power of acid house to drive the future rave genre forward with its euphoric and edgy sound.
Earlier this year, David Guetta and MORTEN, two of the leading figures in the  dance music scene, launched a new record label called “Future Rave.” The two pioneers have been at the forefront of the future rave movement since the release of their groundbreaking track “Never Be Alone,” and they have continued to shape and evolve the genre as it gains popularity at festivals worldwide.
Don’t miss out on the chance to experience the cutting-edge sound of David Guetta‘s acid house remix of “Unholy,” featuring Sam Smith and Kim Petras. This track is a must-listen for fans of the futuristic rave genre and anyone who loves innovative and exciting dance music.
 
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Victrola’s home turntables Re-Spin and Revolution GO make for perfect holiday gifts

As music lovers, there are few things we enjoy more than sharing the music we enjoy with others. When I was growing up, this meant handing off the headphones I bought at Target, attached to my Walkman CD player, on the bus to the friend sitting next to me. Soon after, that evolved into the iPod earbuds so you could listen with a friend, and eventually I had a disposable income to purchase some decent home speakers in college and a friend could simply come into my room and listen off my laptop.
When my parents were growing up, apart from happening to catch a specific single being played on the radio, they bought vinyl and invited friends over to listen to the newest single from the Rolling Stones or Elvis or The Beatles. (Yes, my parents are old.) In recent years, vinyl sales have seen a significant uptick — just last year, vinyl sales were up 94% in the first six months of 2021. And if you’re purchasing vinyl, you need a way to play it.
The Victor Talking Machine Company was among the first to mass manufacture record players at the behest of Emile Berliner—inventor of the gramophone and disc record. Over the years, it was acquired by the Radio Corporation of America and subsequently operated as a subsidiary called RCA Victor. More than 110 years later, the legendary Victrola trademark has been revived in the US and is now owned by Innovative Technology, and it still sports the same attention to sound quality and design as it did over a century ago.
New products like the Victrola Stream Carbon feature impeccable design and sound quality, while also keeping up with current technological innovations, sporting the ability to wirelessly connect with your home Sonos system for seamless audio playback. And while the price tag might cause some to take a step back (I own one, it’s worth it; it’s also $100 off right now), Victrola offers plenty of other options geared toward the casual listener and home consumer.


The Victrola Revolution GO is the world’s first portable, rechargeable, Bluetooth record player providing listeners the ability to create music memories anywhere they call “home.”
“What our team has accomplished with Revolution GO is to literally bring a vinyl listening experience to life in a way that has never existed before with an all-new design that reflects the evolution of the Victrola brand,” says Scott Hagen, CEO of Victrola. “We’ve always said our mission was to bring music memories to every home, and now Victrola offers the only truly portable turntable that will help create those memories at home, and at the beach, on a rooftop, in a campsite, or anywhere else. We are excited to see where listeners take their Revolution GO and who they share those experiences with.”
In our experience using the Revolution GO, playback was virtually seamless after connecting with an external Bluetooth speaker. At the same time, sound quality will vary wildly depending on the quality of the speaker you choose. Thankfully, it also comes with the option for direct connection to headphones if you want to hear exactly what the artist intended. On-board speakers are available as a listening option, as well, though we found that the sound quality wasn’t always the greatest.
The portability of the player is an incredibly unique and first-of-its-kind offering, though after taking it to a park just once, we realized we weren’t often going to make use of that capability. When everyone has a phone with Spotify or Apple Music, and basic Bluetooth speakers aren’t that expensive, it doesn’t make a whole lot of sense to carry around records and a full record player. As a novelty, it’s definitely a talking point, however, but don’t expect any passerby audiophiles to have their jaws dropped.
The Revolution GO is currently available for $199.99.

The Victrola Re-Spin was just released a few months ago and features the classic “suitcase” record player design, re-imagined and developed with eco-conscious vinyl fans in mind. Composed of more than 25% recycled materials through a highly efficient manufacturing process, the innovative Re-Spin combines sustainability and build quality in one compact record player. At times, the case can feel a little cheap or flimsy, but it was really only through stress-testing that this came across. If you have very young children or large animals, you’re already likely shopping with durability in mind, so you might lean toward the Revolution GO. If you’re looking for a set-piece at home, the Re-Spin offers a terrific bit of eye candy.
At a lower price-point than the Revolution GO, sound quality is a bit less spectacular but the iconic design is much more suited to act as a statement piece in any home, especially as it comes in a variety of colors. The built-in Bluetooth speaker still lets any music fan experience the beauty of vinyl at a moment’s notice, as well.
“Victrola is all about creating lifelong music memories, and that starts by seeking to improve everything we do everyday. When we decided to build our next version of a suitcase turntable, our team strived to make the best sounding suitcase turntable that has ever existed, and we also felt it was imperative to be even more environmentally conscious,” said Hagen. “With the Re-Spin Sustainable Suitcase Record Player, we significantly increased our use of recyclable, earth friendly components, while improving the sound quality even more in the way vinyl fans should expect from Victrola as they’re listening to their favorite music.”
The Re-Spin is currently available in four colors for just $99.99.
This article was first published on Your EDM. Source: Victrola’s home turntables Re-Spin and Revolution GO make for perfect holiday gifts
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Ultra Worldwide announces debut edition of Ultra Abu Dhabi

For the first time in its history, ULTRA Worldwide is heading to the Middle East.
In 2008, Ultra began transporting the unrivaled experience from the Miami flagship festival to destinations around the globe with ULTRA Worldwide. The brand produces international festivals in all six inhabited continents, having hosted events in more than 30 countries including Argentina, Australia, Brasil, Chile, China, Colombia, Croatia, India, Japan, Korea, Mexico, Singapore, South Africa and so many more.
From March 4-5, ULTRA Abu Dhabi will take place at the largest open-air venue in the region, Etihad Park. The expansive venue is located on Yas Island, one of the world’s fastest growing leisure and entertainment destinations and a pinnacle of luxury in the United Arab Emirates.
The festival will host two stages — the Main Stage will predominantly house the festival’s bombastic, stadium-smashing sounds, while ULTRA Worldwide’s house and techno brand RESISTANCE will host a stage boasting some of the festival’s best-loved underground acts.
Tickets for ULTRA Abu Dhabi can now be purchased online at https://www.ultra-abudhabi.com.
Stay tuned for lineup announcements by connecting with ULTRA Abu Dhabi on Instagram, Facebook, and Twitter.


 
Photo via Rukes.com
This article was first published on Your EDM. Source: Ultra Worldwide announces debut edition of Ultra Abu Dhabi
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DJ Snake & Wade team up on remix of viral Nooran Sisters song “Patakha Guddi”

The Nooran Sisters wrote the song “Patakha Guddi” for the movie Highway in 2014 and it immediately topped the charts, earning them two of the Mirchi Music Awards in 2015, “Upcoming Female Vocalist Of The Year” and “Vocalist (Female) Of The Year,” as well as the Best Music Debut award of the Global Indian Music Academy Awards and the Best Female Playback Singer award of the Screen Awards.
This year, a video of the sisters singing the song at the Punjabi Music Awards in 2015 went viral on TikTok and Instagram, with home producers remixing the infectious vocal beat en masse. It’s unclear how or why the seven-year-old clip suddenly reappeared on social media’s radar, but the instantly-catchy rhythm was a clear pipeline to viral success.
Now, a few months later, DJ Snake and Wade have teamed up for an official remix of the original hit, though it’s labeled as a collaboration. “Guddi Riddim” follows the same construction as a couple other Snake hits, like “Magenta Riddim” and “Maradona Riddim,” as he infuses his songs with a bit of Indian flavor.
To no one’s surprise, the same infectious rhythm and melodies carry over from the original into this new reinterpretation. Check it out below!

 
Photo via Rukes.com
This article was first published on Your EDM. Source: DJ Snake & Wade team up on remix of viral Nooran Sisters song “Patakha Guddi”
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Sak Noel Continues To Spread Mission In North America & Spain w/ 140+ Release Label Experience: Barnaton

One label that’s bridging the gap between Latin and electronic music is Barnaton. Founded by innovator and renowned artist Sak Noel, Barnaton was forged in Barcelona, Spain, and is now based in the thriving music hub of Los Angeles. It provides an interactive platform for upcoming DJs and producers while reaching listeners on a global scale, and delivering unforgettable parties.
They strive to promote memorable events and a lot of their exponential growth can be attributed to its guerilla style marketing and focusing on building a strong community. Fulfilling the desires of its dedicated group of fans, Barnaton has coordinated sensational parties around the world, from participating in EDC Mexico to holding electrifying concerts at Belasco Theater in Los Angeles. 


With over 140 songs released under the prominent label, one of Barnaton’s most cherished singles is Sak Noel’s “Trumpets”, featuring the one and only Sean Paul. Through dance anthems like “Trumpets”, Barnaton has quickly become a leading label in the Latin house and moombahton scenes.
We are excited to see what’s in store for Barnaton, follow them here to keep up with all that they’re doing!
This article was first published on Your EDM. Source: Sak Noel Continues To Spread Mission In North America & Spain w/ 140+ Release Label Experience: Barnaton
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Birthdayy Partyy Drops Thunderous Dnb Remix To Paramore’s “Misery Business” [FREE DOWNLOAD]

It may be getting colder where you live, but things are only heating up for Birthdayy Partyy. Embodying the forward-thinking vision of bass house pioneers Jauz and Habstrakt with the influence of legends Flux Pavilion, and Zeds Dead has helped to shape their sound into a unique mixture of genres with quality and innovation at its core. 
After making their debut at EDC 2018 following a championship submission to the Corona Electric Beach discovery contest, they made their hometown debut at Spring Awakening 2018 where they got to play for thousands of reverent fans on a massive stage. The love from their city has motivated them more than anything else. From their collaborations with household names like Adventure Club, to their originals and remixes, including official ones for Autograf, Odd Mob, Dr. Ozi, and LUZCID, BIRTHDAYY PARTYY gives listeners something exciting each and every time.
Now, this talented duo has flexed their remix skills on Paramore’s classic anthem, “Misery Business”, flipping it into a heart pounding Dnb remix. They seamlessly blend the nostalgia of the original with a new age, high octane feel that only leaves you wanting to play it over and over again.

Birthdayy Partyy Goodie Bag · Misery Business (Birthdayy Partyy DnB Remix)FREE DL  
 
This article was first published on Your EDM. Source: Birthdayy Partyy Drops Thunderous Dnb Remix To Paramore’s “Misery Business” [FREE DOWNLOAD]
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Glen Trapz Bridges the Gap Between House Purists and Pop House

Too often there is a conflict that exists within the house world. On one hand, it is true that house is not like other genres – there is a trance-like state intended with the cycled through-grooves. However, the conflict
arises when artists are forced to pick a side – either short snappy pop tracks with a dance beat or extended cuts, the sort of things that go well on past the seven-minute mark. Glen Trapz offers the best of both worlds – his tracks have that immersive experience and maintain the hook that runs through them.
His work has a hot humidity to them. Despite his location in Toronto, Canada a lot of his work does have a summer jam spirit to it. That’s one of the best things about it. By seemingly representing all the optimism that dance music was founded on, he brings that old-school spirit back and presents his own twist on the classic atmosphere.

Production for him matters a great deal. His touring schedule shows this off as well, for he’s gone everywhere from Mexico to Spain to South Africa. Only 23 it is obvious that there are a whole lot more countries out there for him. Already he’s even started expanding his palette, allowing for one of the most intensely physical of that house sound, that of UK garage.
With his approach he manages to bring together a lot of different fans of the genre, much like Daft Punk introduced dance to the rock kids, Glen brings beats to the purists and pop-inclined alike.
This article was first published on Your EDM. Source: Glen Trapz Bridges the Gap Between House Purists and Pop House
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Arab Women find a voice at MDLBeast’s SoundStorm Music Festival

Emerging from their third year in Saudi Arabia, MDLBeast’s SoundStorm Music Festival has become a first event of its kind in the country and the self-described “loudest in the region.” With staggering 800,000 attendees it’s now the largest music festival in the world too, dwarfing world famous events like Las Vegas’ Electric Daisy Carnival and Belgium’s Tomorrowland by comparison. With bigger attendance numbers and broader international appeal, the festival is arguably more important to Saudi Arabia than Woodstock was for America in the ‘60s. Specifically for women in the Middle East, this is an important moment. For the first time in centuries Arab women are expressing themselves through dance, but that’s only the beginning. They can also help throw the party as a member of production or operations. They can even be a DJ headlining on one of SoundStorm’s seven stages. For young Arab girls, this may be the first time ever seeing such inspiring heroines and role models.

Credit: PD Speaking with several such female powerhouses, Your EDM set out to learn more about the voice women are discovering in Saudi Arabia through the festival. We also wanted to glean a bit about how that voice is being received both within the country and on the international stage. 
What they had to say rocked our perception of the Arab world and encouraged us (in the West) to keep an eye on the event as it continues to impact the culture there. If the words from the women below are any indication, we may be witnessing a truly historic moment for Saudis.
To hear it in their own words, read on! 
Photo by Fille Roelants Photography “I love how everyone was there attending for their favorite musician and that included many women like my friends Dorar, Kayan and Biirdperson and my personal favorite Eli & Fur, our Saudi ladies got to showcase to the world that they can rock the crowd better than anyone else and they had men and women supporting them and cheering for them in the audience.”
– Cosmicat, Headliner at SoundStorm
Photo via Julien Duval “In truth a majority of the industry is led by men wherever you are in the world, however women are increasingly taking on leadership roles in the sector both internationally and regionally. I’ve personally seen incredible growth and development of a very confident and ambitious local female workforce stepping up into critical positions.” 
– Angela Selkirk, Director Core Planning; Event Control, Health & Safety and Security
Photo via Julien Duval “The love and connection [young Arab women] share with us even post-festival is something beautiful to experience and to be a part of… I feel happy and fortunate to witness such historical moments and to be part of the collective celebration. [It’s like] everything I’ve ever dreamt of as an artist I can manifest today.” 
– KAYAN, Headliner at SoundStorm
Photo via Julien Duval “The music industry in the Kingdom is going through a historic transformation, and women will be at the forefront of this empowering evolution. The number of women I am seeing entering the Saudi music business is something we’ve never witnessed before – and this is just the beginning. It’s important to note that these opportunities don’t exist everywhere around the world but they do exist here and we as women are fully embracing them. I can’t wait to see what the future holds.” 
– Nada al-Helabi, Strategy Director at MDLBeast / Director of Programming at XP Music Feature
This article was first published on Your EDM. Source: Arab Women find a voice at MDLBeast’s SoundStorm Music Festival
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