Jump to content

News

Stay in the loop with the latest updates, event announcements, and everything happening in the world of dance music — brought to you by RaveLink. 🤖💜
Since its inception, Electric Daisy Carnival (EDC) has been more than just a music festival—it’s a vibrant tapestry of self-expression, unity, and cultural convergence. 
As EDC has grown from an underground gathering to one of the world’s largest music events, its attendees’ fashion has mirrored this evolution, reflecting broader societal shifts and the diverse communities that create its foundation. Read on below as we chart rave fashion through the years.
The 1990s: Birth of the Rave Aesthetic
The 90s marked the genesis of North American rave culture, with fashion serving as both a statement and a necessity. Ravers donned phat pants and neon-colored crop tops, creating a silhouette that was both functional and flamboyant. Kandi bracelets—handmade from colorful beads—became universal symbols of the PLUR ethos: Peace, Love, Unity, and Respect. The era’s fashion was a rebellion against mainstream norms, embracing a DIY spirit that celebrated individuality and community.
Phat Pants: These ultra-wide-legged pants, often adorned with reflective strips and vibrant colors, became synonymous with rave attire.
Kandi Culture: Beaded bracelets exchanged as tokens of friendship embodied the PLUR (Peace, Love, Unity, Respect) ethos.
Accessories: Pacifiers, plush backpacks, and visors were commonplace, serving both aesthetic and practical purposes.
The 2000s: Cyber Meets Street
As technology advanced, so did rave fashion. The early 2000s saw the rise of cyber-raver aesthetics, characterized by LED accessories, PVC clothing, and platform boots. Cyberlox—tubular crinoline hairpieces—became a staple, adding a futuristic flair to outfits. Simultaneously, elements of hip-hop fashion, like Adidas sneakers and tracksuits, merged with the rave scene, reflecting the genre’s growing influence. This fusion of styles created a unique look that was both edgy and eclectic, embodying the era’s experimental spirit.
Go-Go Inspired Outfits: Fluffies (furry leg warmers), mini skirts, and sequined bras became prevalent, especially among female attendees.
DIY Aesthetics: Attendees began customizing their outfits, adding rhinestones, glowsticks, and thematic elements.
Brand Influence: Mainstream brands take notice, blending streetwear with traditional rave elements.
In this era, underground rave culture began blending with streetwear influences, signaling the growing crossover between electronic parties and mainstream popular culture. The result was a striking fusion of utility and fantasy—ravers looked like they were stepping out of a sci-fi film, but with swagger rooted in city streets. It set the stage for the bold self-expression and brand-driven aesthetics that would define the 2010s.
The 2010s: Mainstream Explosion
With dance music’s surge into the commercial mainstream as EDM, EDC’s fashion became more diverse and extravagant. Attendees embraced themed costumes, body paint, and elaborate, but retrospectively controversial, headdresses. LED-infused garments and fiber-optic accessories illuminated the night, turning festival grounds into a sea of light. The rise of social media platforms amplified this trend, as ravers curated their looks for both personal expression and online visibility. 
LED and Tech-Infused Attire: Outfits incorporated LED lights, fiber optics, and interactive elements, turning attendees into walking light shows.
Holographic and Reflective Materials: These materials became popular, enhancing the visual appeal under festival lights.

Thematic Costumes: Groups coordinated outfits around themes, from superheroes to mythical creatures.
Inclusivity became even more pronounced, with fashion reflecting a broader spectrum of identities and expressions. Gender-neutral and body-positive clothing lines emerged, catering to the diverse EDC community.
The 2020s and Beyond: Functional Fashion
As we move further into the 21st century, EDC fashion continues to evolve in ways that balance aesthetics, function, and ethics. 
There’s a growing emphasis on sustainability, with attendees opting for eco-friendly materials, upcycled garments, and slow fashion pieces that stand out from mass-produced fast fashion. Simultaneously, wearable technology—like Apple watches or FitBit—has become more prevalent, indicating a shift in more health-conscious behavior.
Functionality has taken on new importance, with minimalist clothing choices—such as bikinis, crop sets, mesh layers, and breathable athletic-inspired gear—dominating the scene for their ability to offer freedom of movement and comfort during long nights of dancing. 
Alongside these shifts, we’re witnessing the rise of rave-focused fashion brands like iHeartRaves, Rave Wonderland, and Rolita Couture, which design collections specifically for festival culture and body inclusivity. Accessories have also evolved: pashmina, once niche, are now ubiquitous, used for both style, comfort, and utility against desert winds or cold nights.
Eco-Friendly Fashion: Attendees are opting for outfits made from recycled materials, supporting brands that prioritize sustainability.
Cultural Appreciation vs. Appropriation: There’s a growing awareness and respect for cultural symbols, with attendees educating themselves to avoid appropriation.
Minimalist Aesthetics: While still vibrant, there’s a trend towards minimalist designs, focusing on comfort and functionality.
The post The Evolution of EDC Fashion: A Journey Through The Decades appeared first on EDM Maniac.
View the full article
Ravebot
Since its inception, Electric Daisy Carnival (EDC) has been more than just a music festival—it’s a vibrant tapestry of self-expression, unity, and cultural convergence. 
As EDC has grown from an underground gathering to one of the world’s largest music events, its attendees’ fashion has mirrored this evolution, reflecting broader societal shifts and the diverse communities that create its foundation. Read on below as we chart rave fashion through the years.
The 1990s: Birth of the Rave Aesthetic
The 90s marked the genesis of North American rave culture, with fashion serving as both a statement and a necessity. Ravers donned phat pants and neon-colored crop tops, creating a silhouette that was both functional and flamboyant. Kandi bracelets—handmade from colorful beads—became universal symbols of the PLUR ethos: Peace, Love, Unity, and Respect. The era’s fashion was a rebellion against mainstream norms, embracing a DIY spirit that celebrated individuality and community.
Phat Pants: These ultra-wide-legged pants, often adorned with reflective strips and vibrant colors, became synonymous with rave attire.
Kandi Culture: Beaded bracelets exchanged as tokens of friendship embodied the PLUR (Peace, Love, Unity, Respect) ethos.
Accessories: Pacifiers, plush backpacks, and visors were commonplace, serving both aesthetic and practical purposes.
The 2000s: Cyber Meets Street
As technology advanced, so did rave fashion. The early 2000s saw the rise of cyber-raver aesthetics, characterized by LED accessories, PVC clothing, and platform boots. Cyberlox—tubular crinoline hairpieces—became a staple, adding a futuristic flair to outfits. Simultaneously, elements of hip-hop fashion, like Adidas sneakers and tracksuits, merged with the rave scene, reflecting the genre’s growing influence. This fusion of styles created a unique look that was both edgy and eclectic, embodying the era’s experimental spirit.
Go-Go Inspired Outfits: Fluffies (furry leg warmers), mini skirts, and sequined bras became prevalent, especially among female attendees.
DIY Aesthetics: Attendees began customizing their outfits, adding rhinestones, glowsticks, and thematic elements.
Brand Influence: Mainstream brands take notice, blending streetwear with traditional rave elements.
In this era, underground rave culture began blending with streetwear influences, signaling the growing crossover between electronic parties and mainstream popular culture. The result was a striking fusion of utility and fantasy—ravers looked like they were stepping out of a sci-fi film, but with swagger rooted in city streets. It set the stage for the bold self-expression and brand-driven aesthetics that would define the 2010s.
The 2010s: Mainstream Explosion
With dance music’s surge into the commercial mainstream as EDM, EDC’s fashion became more diverse and extravagant. Attendees embraced themed costumes, body paint, and elaborate, but retrospectively controversial, headdresses. LED-infused garments and fiber-optic accessories illuminated the night, turning festival grounds into a sea of light. The rise of social media platforms amplified this trend, as ravers curated their looks for both personal expression and online visibility. 
LED and Tech-Infused Attire: Outfits incorporated LED lights, fiber optics, and interactive elements, turning attendees into walking light shows.
Holographic and Reflective Materials: These materials became popular, enhancing the visual appeal under festival lights.

Thematic Costumes: Groups coordinated outfits around themes, from superheroes to mythical creatures.
Inclusivity became even more pronounced, with fashion reflecting a broader spectrum of identities and expressions. Gender-neutral and body-positive clothing lines emerged, catering to the diverse EDC community.
The 2020s and Beyond: Functional Fashion
As we move further into the 21st century, EDC fashion continues to evolve in ways that balance aesthetics, function, and ethics. 
There’s a growing emphasis on sustainability, with attendees opting for eco-friendly materials, upcycled garments, and slow fashion pieces that stand out from mass-produced fast fashion. Simultaneously, wearable technology—like Apple watches or FitBit—has become more prevalent, indicating a shift in more health-conscious behavior.
Functionality has taken on new importance, with minimalist clothing choices—such as bikinis, crop sets, mesh layers, and breathable athletic-inspired gear—dominating the scene for their ability to offer freedom of movement and comfort during long nights of dancing. 
Alongside these shifts, we’re witnessing the rise of rave-focused fashion brands like iHeartRaves, Rave Wonderland, and Rolita Couture, which design collections specifically for festival culture and body inclusivity. Accessories have also evolved: pashmina, once niche, are now ubiquitous, used for both style, comfort, and utility against desert winds or cold nights.
Eco-Friendly Fashion: Attendees are opting for outfits made from recycled materials, supporting brands that prioritize sustainability.
Cultural Appreciation vs. Appropriation: There’s a growing awareness and respect for cultural symbols, with attendees educating themselves to avoid appropriation.
Minimalist Aesthetics: While still vibrant, there’s a trend towards minimalist designs, focusing on comfort and functionality.
The post The Evolution of EDC Fashion: A Journey Through The Decades appeared first on EDM Maniac.
View the full article
Ravebot
EDC, one of the world's most prominent EDM festivals, will launch in Colombia in October 2026, its organizer Insomniac Events announced today.
Transforming Medellín's Unidad Deportiva Atanasio Girardot sports complex, the festival is primed to continue EDC's global growth following successful editions across Asia, Europe and the Americas. The city offers what Insomniac founder and CEO Pasquale Rotella described as the perfect backdrop for EDC's blend of dance music, art and community engagement.
“We’re committed to growing this global community and sharing the magic of EDC with the world," Rotella said in a statement. "Choosing a new location for EDC is never random. It comes down to a few key factors. First, we look for a local partner who shares our values, understands the spirit of EDC, and has the vision and dedication to help bring it to life."
The inaugural EDC Colombia represents a partnership between Insomniac and Páramo Presenta, part of Latin American entertainment powerhouse OCESA. The company, with whom Insomniac has long collaborated to produce EDC Mexico, is "an incredible team that fits that perfectly," Rotella said.
"We are very proud to bring to Colombia such a major brand with so much history, and one that has been fundamental to the growth of electronic dance music worldwide, like EDC," added Páramo Presenta's Santiago Vélez. "Medellín will become the center of the electronic world in October 2026, and we hope to reveal more details soon about this festival that is returning to South America."
The festival will feature "a massive lineup of world-renowned electronic artists" as well as multiple stage designs, large-scale art installations and carnival rides while incorporating local cultural influences, according to a press release shared with EDM.com.
Additional details, including lineup, dates and ticketing information will be announced in the months ahead. Fans can register for updates on the festival via its official website.
Ravebot
Photo Credit: Daryl Hall by Becky (transistr_sistr) / CC by 2.0
Daryl Hall airs his grievances with the term when discussing the genre during his appearance on the Broken Record podcast last week.
When it comes to the term “yacht rock” to describe his music, Daryl Hall can’t go for that. The singer pulled no punches during his appearance on the Broken Record podcast last Thursday with host Justin Richmond.
Richmond brought up the Doobie Brothers being retroactively dubbed “yacht rock” for one of their albums that leaned more R&B and wasn’t nearly as successful in the mainstream. Hall was more focused on the terminology than on the plight of the Doobie Brothers.
“This is something I don’t understand,” said Hall. “First of all, yacht rock was a f—ing joke by two jerk-offs in California, and suddenly it became a genre, and I don’t even understand it. I never understood it.”
He added that he was glad Richmond referred to the album as R&B. “It’s just another—with maybe some jazz in there—it’s mellow R&B. It’s smooth R&B. Yeah, I don’t see what the yacht part is.”
According to Hall, people misjudged him and his former partner John Oates’ music, including them in playlists that widely featured the easy listening genre, “because they couldn’t label us.”
“They came up with all this kind of crap, soft rock and yacht rock, and all this other nonsense,” he said. “And none of it, none of it really describes anything that I do, really.”
Notably, Steely Dan’s Donald Fagen spoke similarly about the genre in 2024’s “Yacht Rock: A Dockumentary.” During an interview with director Garret Price about the genre, the 77-year-old Fagen said simply, “Oh, yacht rock. Well, I tell you what. Why don’t you go f— yourself?” So Daryl Hall isn’t the only artist that takes exception with the genre classification.
The term “yacht rock” was born about 30 years after the music it describes, thanks to a web series in the early 2000s, aptly named “Yacht Rock.” That series poked fun at the music and the musicians who created it during the late ‘70s in Southern California. The music of artists like Steely Dan, the Doobie Brothers, and Toto are described as such, featuring smooth beats and catchy hooks that are ideal for “relaxing, sitting back, and drinking.”
View the full article
Ravebot
Photo Credit: Julian Hochgesang
iHeartMedia now commands a 40% share of advertising revenue and markets in the United States, as measured by Miller Kaplan. That’s according to the radio conglomerate’s Q1 2025 earnings call with investors.
The milestone underscores iHeartMedia’s continued ability to outpace competitors and leverage its vast audience reach, robust ad tech investments, and the largest sales force in audio to capture the growing slice of advertising revenue.
For Q1 2025, iHeartMedia reported consolidated revenue of $807 million, reflecting a 1% increase year-over-year. Excluding political advertising, revenue growth was even stronger at 1.8%. The company’s adjusted EBITDA remained stable at $105 million, while it’s GAAP operating loss narrowed to $25 million—down from $35 million in the same period last year. iHeartMedia continues to operate with significant debt and posted negative free cash flow of $81 million for the quarter.
Digital revenues surged 16% to $277 million, with podcast revenue leading the way—up 28% year-over-year. Non-podcast digital revenue also grew by 9%. This segment’s adjusted EBITDA climbed 28%, delivering a margin of 31.4%.
“Podcasting is an adjacent business to radio, so we have a natural advantage,” CEO Bob Pittman told investors. “Not only do we have an advantage in terms of creation and having the resources to do it, but we also have this incredible promotional vehicle called broadcast radio.”
CFO Rich Bressler agreed with that assessment, adding “our biggest advertisers have only recently really started to discover podcasting.”
Meanwhile, the multi-platform group segment which includes traditional radio, networks, and events saw revenue decline 4.2% to $473 million—primarily due to an ongoing softening of broadcast advertising amid uncertain market conditions. The company’s Premiere Broadcast Networks are up 2.1% year-over-year, signaling renewed strength among national advertisers.
For its Audio & Media Services segment, revenue dropped 14.2% to $59 million, with most of the decline attributed to Katz Television and lower political advertising. The Katz Television subsidiary represents over 400 local television stations across the country, acting as a liaison between stations and national advertisers.
View the full article
Ravebot
With his two-year performance hiatus nearly over, GRiZ is giving fans another chance to “reconnect” with him on stage this fall.
The funky bass favorite today announced two doubleheader arena events touching down in Chicago and San Francisco, just weeks after he makes his grand return to the stage at his own curated Valley of the Seven Stars festival.
Dubbed “Re:Connect,” the headline run kicks off at Chicago’s Wintrust Arena on October 31 and November 1, where GRiZ will be joined in support by wub-heavy bass DJs SIPPY, Boogie T, Austeria, Zoska, Seth David, and Vyhara.
The following week, he’ll head to Daly City, California’s historic Cow Palace arena on November 7-8, with opening performances to come from fellow funkstep trailblazer Gramatik, surging trio Levity, and an array of highly-touted experimental bass acts, such as LYNY, Effin, Lumasi, Steller and more. Support lineups vary by date. Check out the full roster below.
The announcement comes weeks after GRiZ planted themed newspapers around the city of Chicago, containing a puzzle with links to a countdown clock on the artist’s website for yet another impending mystery announcement.
In March, GRiZ shared his first post-hiatus studio release, his four-track GEMiNI EP, featuring tunes like “Take Me Home,” with Grabbitz, and “2-step Nassau.”
Pre-sale registration for GRiZ presents Re:Connect is now open here. Pre-sale ticket access will begin this Thursday, May 15, at 10AM local time. 
For more information, head to GRiZ’s official Instagram page.

Featured image courtesy: GRiZ. Credit: Jason Siegel.
The post GRiZ Unveils “Re:Connect” Doubleheaders For Chicago, San Francisco appeared first on EDM Maniac.
View the full article
Ravebot
Insomniac is bringing Electric Daisy Carnival (EDC) to Colombia.
Moments ago, the powerhouse festival promoter announced on social media that its hallmark event will debut in Medellín, the South American country’s second-largest city, in October 2026.
In partnership with Páramo Presenta, a division of the powerful Latin American promoter and Insomniac’s longtime EDC Mexico partner, OCESA, EDC’s signature blend of energetic electronic music and immersive art will take over the Unidad Deportiva Atanasio Girardot, a multi-use sports complex and park in the heart of the city.
“Medellín is a city full of vibrant culture, endless creativity, and electric energy,” Insomniac wrote on Instagram. “Its spirit is fueled by a unique blend of history, transformation, art, and passion. This makes it a truly special stop on our EDC World Party Tour and the perfect place to create unforgettable memories Under the Electric Sky.”
EDC Colombia marks another watershed moment in Insomniac’s global expansion and the festival’s second edition in South America, following EDC Brazil, which was held in São Paulo in 2015, and other successful editions in Mexico, the UK, China, India, South Korea, and more.
On top of EDC’s famously massive lineups of top-notch dance talent, immersive stages, large-scale art installations, and carnival rides, attendees can expect to experience additional local cultural elements “that reflect the heart and soul of Medellín,” according to a press release.
More details like lineups, dates, and ticket on-sale access will be revealed in the coming months. For more information, visit EDCColombia.com.

Featured image courtesy: Insomniac Events.
The post Insomniac Confirms EDC Colombia For Fall 2026 appeared first on EDM Maniac.
View the full article
Ravebot
Insomniac is bringing Electric Daisy Carnival (EDC) to Colombia.
Moments ago, the powerhouse festival promoter announced on social media that its hallmark event will debut in Medellín, the South American country’s second-largest city, in October 2026.
In partnership with Páramo Presenta, a division of the powerful Latin American promoter and Insomniac’s longtime EDC Mexico partner, OCESA, EDC’s signature blend of energetic electronic music and immersive art will take over the Unidad Deportiva Atanasio Girardot, a multi-use sports complex and park in the heart of the city.
“Medellín is a city full of vibrant culture, endless creativity, and electric energy,” Insomniac wrote on Instagram. “Its spirit is fueled by a unique blend of history, transformation, art, and passion. This makes it a truly special stop on our EDC World Party Tour and the perfect place to create unforgettable memories Under the Electric Sky.”
EDC Colombia marks another watershed moment in Insomniac’s global expansion and the festival’s second edition in South America, following EDC Brazil, which was held in São Paulo in 2015, and other successful editions in Mexico, the UK, China, India, South Korea, and more.
On top of EDC’s famously massive lineups of top-notch dance talent, immersive stages, large-scale art installations, and carnival rides, attendees can expect to experience additional local cultural elements “that reflect the heart and soul of Medellín,” according to a press release.
More details like lineups, dates, and ticket on-sale access will be revealed in the coming months. For more information, visit EDCColombia.com.

Featured image courtesy: Insomniac Events.
The post Insomniac Confirms EDC Colombia For Fall 2026 appeared first on EDM Maniac.
View the full article
Ravebot
Effervescent producer/DJ/singer-songwriter duo Eli & Fur unveil Dreamscapes Remixes. The sonic masterpiece arrives via [PIAS] Électronique, complete with seven reimagined tracks from their sophomore album Dreamscapes.
Dreamscapes Remixes
Transcending listeners through reinvention and rebirth, Eli & Fur prove their dynamic artistry is multifaceted and simply irresistible. They do so with the release of Dreamscapes Remixes. The album’s focus track, ‘Love Again’, is an emotionally-driven rework from Canadian producer, Simon Doty. A fan-favorite from the original album, Doty was given the freedom to apply his signature sound. Thus, giving the true club anthem a new edge with emotional melodies and elemental sounds like gritty analog synthesizers.
The duo gave a few words about the remix album: Creating this album was incredibly liberating — we explored a wide range of moods, tempos, and energies without limitation. Reaching out to some of our favorite artists to reimagine these tracks for the dance floor added a whole new layer of excitement…”
Now, Eli & Fur yet again transcend the traditional listening experience with “Dreamscapes Remixes”. The collection of reimagined tracks reaffirms their unparalleled ability to harmonize diverse musical elements with universally connective themes. The album arrives as a celebration of the juxtaposition of community and individuality. It showcases their limitless artistic vision, unbound by the confines of the physical realm.
Dreamscapes
Released in September 2024, Dreamscapes takes listeners on an explorative odyssey. It transcends them to a realm where the ethereal dances with the actual, and the impossible vibrates within reach. The sophomore album from the London-born, LA-based duo, Dreamscapes, unfolds itself in introspective, yet transformative spaces. These spaces come alive between the hours of dusk and dawn, where the veil between self and surroundings grows thin. In this interlude, time suddenly stands still.
As the outside world fades away, a sense of solace and sanctuary sets in, opening the door for the ordinary to give way to the extraordinary. An electrifying opus that tempts the intricate interplay of thoughts and emotions, Dreamscapes is a 15-track homage. It pays tribute to the cathartic musings of our most solitary wanderings of all corners of the night and the flashes in between.
Eli & Fur
Platonic soulmates intertwined by a shared sonic vision, Eli & Fur (Eliza Noble and Jennifer Skillman) are far more than just a DJ duo. Individually, their talents are akin to constellations – vivid, distinct and mesmerizing. Together, they are an unstoppable force unapologetically pushing the boundaries of electronic music. They do this through a deeply personal lens. Since emerging on the scene in 2013, Eli & Fur have established themselves as one of the music industry’s most in-demand acts with unprecedented fervor. But you would be remiss to call them an overnight sensation. Indeed, that’s exactly how they prefer it.
Their journey has been one of intention, a deliberate slow burn anchored by their passions and creative spirits. They refuse to be boxed in and – most importantly – each other. Rooted in over a decade of collaboration, their distinct sonic aesthetic marries a mysterious and enigmatic mood with evocative vocals. It includes cascading synths and rolling basslines – a heady mix that is addictive and connective. Their impressive discography includes collaborations with heavyweights such as Camelphat, MEDUZA and Booka Shade. They maintain a steady stream of releases on their own label – NYX Music – and seminal imprints like Crosstown Rebels, Anjunadeep, Cercle, Armada Deep and more. In addition to their original compositions, the duo have also remixed chart-topping hits from world-class talent. These include Sasha, Bob Moses, ODESZA, and Shouse. They have earned ardent support from industry authorities such as Boiler Room and BBC Radio 1’s Essential Mix.
The post Eli & Fur Seek A Deeper Journey With ‘Dreamscapes’ Remixes appeared first on EDMTunes.
Ravebot
PORTOLA– the premiere San Francisco Bay Area dance music festival – is back Saturday, September 20 and Sunday, September 21st, 2025 at San Francisco’s PIER 80 after selling out in 2024. 
Portola’s 2025 lineup features headlining performances from GRAMMY-winning dance music legends LCD Soundsystem and world-renowned Australian ARIA-winning DJ and Producer, Dom Dolla. Also performing at this year’s festival are highly acclaimed electronic, house, techno, indie dance, and pop artists such as 5x GRAMMY-winning, multi-Platinum, over 100 million record-selling “Voice of a Generation” Christina Aguilera, The Chemical Brothers (DJ Set in the Warehouse), Underworld, Peggy Gou, The Prodigy, Moby (Live), Anti Up (Chris Lake & Chris Lorenzo), Mau P and many more! 
Portola has established its footprint in the Bay Area’s music scene and solidified its status as a one-of-a-kind, can’t-miss festival. From the same creators as Coachella, Goldenvoice’s deep-rooted presence in San Francisco and the Bay Area, shaped by a legacy of operating and booking iconic venues like The Regency Ballroom, The Warfield, and Frost Amphitheater, underscores its ongoing commitment to grow the city’s reputation as a global destination for music and culture. 
Register now for access to passes at Portolamusicfestival.com. Loyalty on sale begins on Wednesday, May 14 at 12pm PT, and public on sale begins Thursday, May 15 at 12pm PT
The post Portola Announces Eclectic 2025 Lineup appeared first on EDMTunes.
Ravebot
Renowned British electronic duo CamelPhat has unveiled a mesmerizing remix of Layton Giordani‘s track, ‘Act of God‘. Known for their deep house and tech house flair, CamelPhat expertly infuses their signature sound into Giordani’s original, creating a dynamic sound journey for listeners.
Giordani, who was celebrated for his innovative technological approach, originally released ‘Act of God’, to which he received immensely positive feedback. The track features rich soundscapes and emotive melodies that reflect his distinct style. With the CamelPhat remix, fans can expect an invigorating twist that elevates the track’s energetic pulse. The duo’s remix incorporates a bumping bassline and hypnotic beats while retaining the soulful essence of the original, making it the perfect summertime heater.
Moreover, the official remix showcases the seamless blend of two distinct artistic visions, resulting in a fresh, invigorating sound. Fans of both artists are eager to experience how CamelPhat has reinterpreted Giordani’s evocative creation.
With CamelPhat’s technical prowess in track creation, this remix is going to become a playlist staple this festival season. Give CamelPhat’s ‘Act of God’ remix a listen below.
Photo via Facebook: CamelPhat
The post CamelPhat Breathes New Life into Layton Giordani’s ‘Act of God’ with Captivating Remix appeared first on EDMTunes.
Ravebot
This summer, several DJs are taking the phrase “raise the roof” quite literally. Yesterday, Tao Group Hospitality announced a new partnership with the Edge at Hudson Yards — the tallest outdoor sky deck in the Western Hemisphere — to launch a pop-up nightclub perched 1,100 feet above Manhattan.
Debuting on May 31, the Marquee Skydeck will host events every Friday and Saturday night through September, timed with the temporary closure of the original Marquee New York for renovations. Guests can expect electrifying DJ sets in this high-altitude venue — assuming the performers aren’t afraid of heights. The first preview comes courtesy of Carlita, who will perform on May 16 ahead of the official opening. Opening night, May 31st, will feature headliner Maceo Plex. Tao Group Co-CEO Noah Tepperberg had this to say:
Opened in 2020, the Edge at Hudson Yards has quickly become one of New York City’s most breathtaking attractions. The triangular platform, lined with glass panels, extends 65 feet from the 100th floor and offers a floating sensation as guests peer over the skyline from 1,131 feet in the air. Additional programming details are expected soon.
Tickets are available now on Marquee’s website.
The post NYC’s The Edge To Host Marquee Skydeck Show Series appeared first on EDMTunes.
Ravebot
The House of Lords chamber, where an amendment to the UK’s heavily debated AI bill has passed 272-125.
One much-publicized opposition campaign later, the UK AI bill, including a controversial “opt-out” approach to generative model training, has suffered a setback.
That’s according to outlets from across the pond, which have described a new amendment to the proposed law as “a heavy defeat” for the government. As we previously noted, said law as written would have given gen AI developers the green light to train their models on protected works without prior permission.
Instead, it’d be up to rightsholders themselves to “opt out” of training. While the government painted the system as part of a “blueprint to turbocharge AI,” the majors, Merlin, and a multitude of artists criticized the measure as a serious blow to the creative community.
Now, the tidal wave of pushback, including op-eds, a silent album, and an Elton John- and Paul McCartney-signed letter, looks to have delivered the industry’s desired result.
As described by The Independent, politician (and film director) Beeban Kidron in more words criticized the proposed law as enabling tech giants to steal protected media and then undercut creatives. A related amendment to the bill is said to have passed in a 272-125 House of Lords vote.
Digging into the amendment itself, the suggested change would empower copyright owners to obtain “information regarding the text and data used in the pre-training, training, fine-tuning and retrieval-augmented generation in the AI model, or any other data input to the AI model.”
Additionally, AI developers would be compelled to “provide an effective mechanism to allow copyright owners to identify all individual works that they own that are used” in training, per the amendment.
And the same owners would reportedly have to approve beforehand – not proactively opt out of – training usages. The text describes several other obligations for AI developers (including in relation to bots) as well.
Seemingly every gen AI business operating in the UK will be on the hook under the amendment as written; the requirements would apply to any model that “has a significant number of United Kingdom users” or that counts the UK as one of its “target markets,” the document shows.
As for where the legislation goes from here, the amended bill is on its way to the House of Commons “for further debate,” according to The Indian Express.
Stateside, the battle over AI training is as heated as ever, referring both to high-stakes legislative proposals and ongoing suits. Even individual platforms like SoundCloud are finding themselves at the center of training debates.
And while it happens to be a key argument from the AI side, evidence strongly suggests that developers based in countries with less robust IP protections are, in fact, training their models on protected works. Put differently, there are more than a few angles to consider when it comes to the unprecedented technology’s ongoing fallout.
View the full article
Ravebot
As AI continues to challenge the boundaries of creativity and copyright in the music industry, SoundCloud has found itself in the crosshairs of a growing conversation about trust, transparency and technology.
This past week, a clause buried in SoundCloud’s updated terms of service captured the artist community's attention. First flagged by Futurism, the clause suggests that music uploaded to the platform could, in some cases, be used to “inform, train, develop or serve as input to artificial intelligence."
The revelation is surfacing deep-seated anxieties among independent artists about how their content is being used behind the scenes. But SoundCloud, long considered a cornerstone of artist empowerment and grassroots discovery, is seeking to clarify intentions.
The company responded through a statement and unequivocally denied that its service has trained AI on the content of its users.
"SoundCloud has never used artist content to train AI models, nor do we develop AI tools or allow third parties to scrape or use SoundCloud content from our platform for AI training purposes," a SoundCloud spokesperson told Futurism. "In fact, we implemented technical safeguards, including a 'no AI' tag on our site to explicitly prohibit unauthorized use."
The company emphasized that its engagement with AI has been focused on enhancing user experience through tools such as personalized recommendations and fraud detection—not harvesting creative works to feed generative algorithms. 
Still, the terms, updated in February 2024, arrived just as legal and ethical scrutiny around generative AI in music hit a fever pitch. Labels have been battling with tech firms over training data and artists have voiced concerns about their identities being synthesized without permission.
For now, SoundCloud's message is one of reassurance, but the industry will be watching closely to see how that message holds up in practice. You can read their full statement below.
Ravebot
Planet 13, the world's largest cannabis dispensary, is poised for what its executives are calling the busiest weekend of the year: not New Year's Eve and not 4/20, but EDC.
The cannabis giant is celebrating the festival's return to Las Vegas by giving away 20 three-day passes to lucky visitors as it launches a slate of EDC-themed offerings in collaboration with RNBW, the Insomniac Events-affiliated cannabis brand.
"EDC has become the busiest weekend of the year at Planet 13 Las Vegas," said Bryant Ison, Planet 13's Vice President of Marketing. "It’s our Black Friday, busier than 4/20, Super Bowl and New Year's Eve. We see a 40% increase in revenues and close to a 30% increase in customer traffic at our flagship Vegas SuperStore during EDC."
The promotion, part of the dispensary’s "Daisy Daze" weekend, features a full-scale retail activation with live vendor pop-ups, food trucks, limited-edition merch and specially curated cannabis bundles. Hopeful festivalgoers receive raffle entries for every bundle purchased and winners will walk away with passes to EDC, North America's largest EDM festival.
The connection between Planet 13 and EDC Las Vegas runs deeper than seasonal marketing, however. RNBW is a luxury cannabis label co-developed through a strategic partnership between EDC's organizer, Insomniac, and industry stakeholders. RNBW’s "Dark Rainbow" strain, available exclusively at Planet 13, is the dispensary’s featured drop this year. 
Pasquale Rotella, Insomniac founder and CEO, has championed RNBW as part of a broader initiative "intersecting live music and cannabis culture," he said in a 2021 statement.
EDC returns to the Las Vegas Motor Speedway this weekend from May 16-18 with Martin Garrix, Alesso, Tiësto, REZZ and many more. You can find the festival's full lineup and read more about its 2025 edition here.
Ravebot
Calling all 30+ ravers—our prayers have finally been answered. Austin’s newest event series, ‘30 Over Raves,’ is reimagining nightlife for adults who miss the vibrant party scene of their younger years but now have responsibilities like careers and mortgages that make late nights impractical. These events offer a long-awaited solution for those caught between a longing for the energetic EDM parties of the past and the demands of their current lifestyles, including a decent night’s sleep.
The concept, developed by Austin-based electronic music event organizers Secret Disco Society, cleverly addresses this dilemma. Instead of typical late-night hours, the ’30 Over Raves’ run from 6 p.m. to 9 p.m. This schedule allows attendees to enjoy a full rave experience—complete with the music and atmosphere of the 2010s EDM peak—and still be in bed at a reasonable hour. It caters to a generation that wants to party but also maintains a 9-5.
Tanner Friesen, founder of Secret Disco Society, explained that the idea for the ’30 Over Rave’ stemmed from a desire to innovate and connect with a specific audience. He described it as an effort to ‘flip the script’ by offering a late-night style rave experience during daylight hours, specifically for the 30-plus demographic.
The music at these events is a key draw, focusing on iconic tracks from artists like Avicii, Zedd, and Swedish House Mafia, who were central to the EDM scene in the 2010s. The goal is to transport attendees back to that period, evoking cherished memories from their “EDM glory days.”
The next ’30 Over Rave’ is scheduled for May 31st at Austin’s Vulcan Gas Company. Tickets are on sale now for $18.
Source – [H/T]
The post Austin’s ’30 Over Raves’: EDM Nostalgia on an Adult-Friendly Schedule appeared first on EDMTunes.
Ravebot
Following from his first release of 2025, Klems returns with a new exciting single, combining a dose of modern soul with vintage, country aspects.
Taken from his ‘As I Am’ LP, which will be available later this year, ‘My Little Motown’ is a brand-new Soultronic hit that channels relaxation, nostalgia, and dancefloor finesse.
With a vibrant rounded bassline, smooth Rhodes keys, vintage percussions mixed with electronic textures, and a soothing acoustic guitar, Klems has created a song that is both evocative and remarkably modern.
It represents the beginning of a new era for the artist, whose upcoming LP will explore his hybrid world in greater detail and combine storytelling, rhythm, and emotion.
Discover Klems
The French DJ and producer launched his career with Armada Music and initially proved himself in the
progressive house world, delivering catchy, impactful songs.
Klems‘ style has developed over time into a sophisticated fusion of modern dance music, French Touch, Soul, and Funk, producing a distinctive and recognisable sound identity.
In addition to his principal alias, the artist has also recorded music under a variety of names, garnering millions of plays on several platforms and regular support from tastemakers, editorial playlists, and electronic labels all over the globe.
Now, it is time for ‘My Little Motown’ to shine on the dancefloor. Stream Klems’ new single below.
Ravebot
Alphones returns with his latest Tech House single, ‘What’s That Called Again?,’ continuing to craft engaging sonic journeys while delivering more high-energy music for his listeners. Released via Decypher Deep, he brings his creative vision to life in this latest production: funky beats coupled with unique vocal layers, the track sees Alphones deliver a sound suited for the dancefloor and beyond, building on his momentum as he adds another strong entry to his discography.  
Originating from Turin, Alphones embarked on a musical journey driven by his passion for Techno and House, navigating through fresh sonic landscapes to evolve and grow in his artistry. Leaning on inspirations that vary from classic and funky House grooves to harder, Tech beats, he shapes a sonic identity that reflects his influences, all the while drawing from his wealth of live DJing experience. As he continues to explore the nuances of his sound, aiming to craft an approach that elevates dancefloors and excites genre fans worldwide, Alphones keeps his motivation high, maintaining a strong drive to showcase his talents, creativity, and signature style. 
In ‘What’s That Called Again?,’ Alphones retains the groovy quality of his sound, skilfully constructing an arrangement of uplifting instrumental elements. From the steady beats, shuffled percussion, tight bassline, and bouncing synth details, the production offers a driving energy that continues to build as the track unfolds. The expressive vocal sample adds a nostalgic layer to the soundscape whilst refreshing elements continue to join the mix, weaving in fluid melodic hooks, dynamic leads, and soaring interwoven lines. Coming together as a vibrant display of Alphones’ approach, the track captures the essence of his identity as a forward-thinking Producer, delivering another production where his groove-led sound meets sonic sophistication.  
As he continues to look ahead, ‘What’s That Called Again?’ adds another layer to Alphones’ developing sound, offering a clear reflection of where his music is heading, all the while marking another confident step forward in his journey.  
So, be sure to keep up with this Producer and DJ by following him across social media and listening to his latest single, ‘What’s That Called Again?’ today, available to stream and download across platforms.
Listen and Buy ‘What’s That Called Again?’ here. 
Alphones Online     
Beatport | Instagram | Spotify | Soundcloud    
Decypher Deep Online     
Beatport 
Ravebot
Despacio – the mighty sound system created by James Murphy, Soulwax, and audio expert John Klett – is coming to Portola music festival this September.
The sound system is not like any other out there, and MusicTech went as far to call it the “world’s greatest” when we got to take a look inside the system itself back in 2019, prior to its appearance at Meltdown Festival.
READ MORE: “I need to build the room I want to play in”: Floating Points has created his very own sound system that he’ll use at this summer’s festivals – here’s why So, having awarded it such a grand title, it only makes sense that we refresh your mind on what you can expect from the system that Klett has called an “emotional transmission machine”.
What is Despacio?
Despacio is a high-end sound system created by James Murphy of the band LCD Soundsystem along with Soulwax’s David and Stephen Dewaele (aka 2manydjs), and designed with the expert input of audio engineer John Klett. The sound system made its debut in 2014 at the Manchester International Festival (MIF), but due to busy schedules and organisational factors, it doesn’t make an appearance all too commonly at events.
Despacio gets its name from the Spanish word for ‘slow’. The tracks played through it are often slowed down, with the intent of creating an antidote to hyper dance music and DJ sets where all the anticipation lies within waiting for drops. The three DJs behind it remain hidden away during use, “playing some of the wildest sounds out there, on strictly vinyl only”.
How does Despacio work?
Despacio is propelled by seven McIntosh-powered speaker stacks. McIntosh amplifiers made up part of the famous ‘Wall Of Sound’ The Grateful Dead created.
The concept for the stacks was based around forward-facing speakers with their acoustic centres aligned to the same vertical plane. Each stack has a five-way system with 21-inch drivers doing low bass, 15-inch drivers powering upper bass and 12-inch drivers doing low-midrange, as well as a large bi-radial horn behind upper midrange. They also each have 10KW available (10,000 Watts) per stack, but for the majority of an event, only 200 and 1,000 Watts per stack tend to be used.

What to expect from Despacio at Portola 2025
Those heading to Portola will be in for a treat. In the words of McIntosh Laboratory president Charlie Randall, “you have to not only hear it, but experience it”: “When you get in the middle of those seven speaker stacks and James, David and Stephen start playing music at the slow speed, it’s truly amazing. It’s something each concert goer will probably remember for the rest of their life,” he told MusicTech back in 2019.
Klett also told us that Despacio “is supposed to move you”. He said, “You are not a scientific-measurement instrument… so tuning up is technical up to a point, then we just dial it in until we are all smiling.”
Head over to the Portola website to view its full lineup and find out more. You can read the full feature on Despacio right here on MusicTech.
The post We called Despacio the “world’s greatest sound system” – here’s what to expect at Portola 2025 appeared first on MusicTech.
View the full article
Ravebot
The great pre-recorded DJ set debate has risen once again, and this time, it’s among artists James Hype and deadmau5.
The beef between the two was ignited as Hype shared a promotional video to his Instagram page for his new live show, SYNC. Within it, he references old comments from 2021 made by deadmau5 where he claimed DJs were often required to play pre-recorded sets at large scale events and festivals.
READ MORE: The best rotary mixers to buy in 2025: 15 best mixers for DJs The video in which deadmau5 made these comments resurfaced in 2023, prompting him to respond and refute the debate, and re-iterate that he does not consider himself to be a DJ: “The fuck do I care. I’m an engineer first, producer second, performer third. Pre-recorded, on the fly, DJs, live PAs… who cares, everyone does shit their own way,” he said. “So maybe just try to have a good time?”
In Hype’s new SYNC promo, he says, “deadmau5 said that you had to pre-record your set if you wanted to sync it to visuals, I think this proves him wrong,” before triggering the deadmau5 logo to flash up around him in response to the sounds he plays. “This is my new live show, SYNC, and it really is live,” he concludes, before another, much larger image flashes up of deadmau5.

Anyone familiar with deadmau5 will know he’s not one to keep quiet, and he’s already responded both in the comments under Hype’s video, and via two of his own posts. In the comments, he writes, “Good shit! Now do it without MIDI and resolume. Hint: UDP socket / port 50000.”
He also adds, “If you’re going to map the top of that table, make it a projection with perspective with a height variable so you can adjust it at venues for the folks above deck height. Looks like shit if it’s just flat mapped like that.”
In his own posts, deadmau5 has shown himself using a CDJ to trigger the words “It’s not that hard” to appear on a desktop screen, and in another has mapped the CDJ to control the Elden Ring video game.
Though DJ and producer Louie Gonzo has weighed in under his post stating, “but you were the one that said u hadda [sic] pre record a set to sync visuals”, deadmau5 has responded claiming he never made the comments, and that things have been taken out of context. He says, “Didn’t say that. Much of the out of context brain rot you rely on as education may have put that in your head though.”


“Next time don’t bring a wet sponge to a tech fight. I can’t even imagine what it’s like renting a stage / film crew / video tech / audio tech to film a deadmau5 burn only to get ruined by a response made with an iPhone, 100 lines of cpp and MS paint. Feel better soon,” he later responds to Hype once again. At the time of writing, he has not yet responded to deadmau5.
Both James Hype and deadmau5 are playing shows this spring and summer. You can get tickets to see them via their respective websites.
The post “Next time don’t bring a wet sponge to a tech fight”: deadmau5 and James Hype are feuding – here’s what’s going on appeared first on MusicTech.
View the full article
Ravebot
The Lot Radio · Daria Kolosova @ The Lot Radio 02-09-2025 A selection of techno and hardgroove from Daria Kolosova, recorded for Lot Radio with our Mix of the Week
Daria Kolosova’s 14 years of experience as a DJ, combined with her deep passion for electronic music, have shaped her into a remarkably versatile and proficient artist. Daria was born in the small town of Lutugino in eastern Ukraine. Her love for music was instilled by her father, and her devotion to electronic music began at the age of 9 when she first heard “Diesel Power” by The Prodigy.
Her passion for music deepened when her mother sent her to music school, where she studied piano. Yet being drawn to DJing from an early age, Daria embraced her vocation, which led to her first performance in February 2010. Following this debut, she continued to actively perform in clubs across Lugansk and other cities while also organising her own parties. After being inspired by the Kyiv electronic scene and absorbing the vastness of electronic music genres, Daria honed her taste and returned to Kyiv. There, she became a resident DJ at Keller, performing under the alias Dar:k and co-launched the party series Materia UA.
After actively being involved in the electronic music scene for some time, Daria started to use her own name, leaving her Dar:k moniker aside as an experimental project. She began headlining most of Kyiv’s underground nightclubs like K41, Closer, Otel and began expanding her reach internationally, performing outside of Ukraine and securing her place on the global stage, with bookings at high-profile events and venues across Europe and beyond. Currently, Daria is one of the most actively growing names in the techno scene. She has played at some of the world’s most renowned institutions, with frequent bookings at Berghain, Bassiani, Fabric, London’s Fold and festivals like Tomorrowland, Junction 2, Awakenings, Time Warp and played at Amnesia, Hi and DC10 in her first Ibiza season.
The post Mix of the Week – Daria Kolosova appeared first on Decoded Magazine.
Ravebot
Geeks On Hubbard EP by DEAS featuring DJ Rush Deas, aka “analogue gear freak”, is the owner of a Bauhaus-inspired label called Bau Muzik. A multitalented artist, curator, performer and self-confessed ‘machine freak’, who has released records for such labels as CLR, Planet Rhythm, and Dynamic Reflection. His tracks are often tested on live audiences by top figures in the techno scene, including Richie Hawtin, Daria Kolosova, Chris Liebing and Luke Slater. 
This future anthem (Geeks On Hubbard feat. DJ Rush) is an organic, unplanned spontanous creative action – it’s a story charged with friendship, emotion and love of music that we love the underground so much for. Deas has been working on new music and one of the new tracks was almost ready. But there was still something missing…
 “I was mulling over it for hours, when suddenly I had a real flashback in my head. I decided to reach for the beloved Chicago classic track by DJ Rush and use his vocal samples, which have always captivated me so much. I remember sitting in the backstage of the Crackhouse club in Gdansk with a resident of the club Cranz (Kysh Records), and playing and discussing the classic techno tracks that inspired us. “Freaks on Hubbard” was definitely one of them!” recalls Deas. “The vocal samples from a Chicago track that came out in 1998 on the UK label Pro-Jex Recordings were just perfect for my song while paying respect to the original. From the start, I knew it had to be an official release and not a bootleg, so I decided to send it to DJ Rush accordingly, with whom I played together a couple of times and who often supports my music. The response came almost immediately: I had the artist’s permission!“
Available via Bandcamp

The post Deas takes on a DJ Rush classic techno anthem appeared first on Decoded Magazine.
Ravebot
Enigmatic producer Aiwaska highlights his 20 years of experience creating melodic and spiritual music through his forthcoming LP release, Flora Fauna. The seven-track journey navigates through an evolving soundscape, exploring a fusion of deep, emotive House, Melodic House, and Indie Dance with his signature edge.


The collection is crowned by the lead track, Love to Hate, capturing Aiwaska’s force perfectly, incorporating rolling basslines, crisp percussion, moody synths, and magnetic vocals from Aquarius Heaven that blur the line between singing and spoken word. It’s a late-night cut built for the underground, with all the hallmarks of Aiwaska’s rising presence on the global scene.

Aiwaska’s pivotal releases have been featured on major labels like Exploited, Crosstown Rebels, Bar 25 Music, Get Physical & Hot Haus and he marks a new chapter with this upcoming release on Aiwaska Planet. Flora Fauna sees Aiwaska also team up with Prana Flow, Megane Mercury, JAW, and Thomas Gandey, each bringing their distinct flavour to this journey through House, Melodic House Indie Dance. 

Known for his signature mask, a gift from Peruvian shamans, he’s collaborated with icons like Egyptian Lover, Roland Clark, and Robert Owens, and delivered standout remixes for artists including Patrice Bäumel, Eelke Kleijn, Kino Todo, and Tensnake. With support from Black Coffee, Solomun, Adam Port, and ARTBAT, his music speaks across the global underground. 
 
Having graced legendary stages including Burning Man, Odyssey, and Alfa Future People, and having hosted Insomniac, Sonica, and Ibiza Global radio shows, Aiwaska is continuing to rise. With praise from Mixmag and DJ Mag amplifying his reach, Flora Fauna promises to cement his place as one of electronic music’s most impactful figures.
 
Aiwaska’s Plant label and event series go beyond the music, blending sound with environmental action. Each release features animal-inspired artwork, with proceeds from every event supporting wildlife conservation. Now, with the launch of the Aiwaska Planet Project, an immersive, NFT-powered event series, he’s bringing together eco-conscious fans through music, art, and purpose, raising funds for environmental causes around the globe.
 
Aiwaska’s Flora Fauna will be available on all major digital platforms from June 6th, offering a journey of discovery and themes of spirituality and nature 
 
Aiwaska – Flora Fauna

Released 06/06/25
Presave
Find Out More & Follow 
Aiwaska Instagram | Soundcloud | Spotify | Youtube  
The post Aiwaska’s Visionary ‘Flora Fauna’ LP Interconnects Spirituality & Nature appeared first on Electric Mode.
Ravebot
The highly anticipated Into The Wild Festival returns to the stunning Chiddinglye Estate in Sussex from 21st – 25th August, 2025. Now in its 11th year, the festival continues to weave together world music, rewilding, and cultural exploration, actively creating a space where people of all ages can reconnect with nature, community, and the wild arts.
A soulful celebration of music, arts, and conscious living, Into The Wild provides five days of deep connection, creativity, and wild beauty. Set amongst ancient forests and rolling meadows, it openly invites festival-goers to step into a transformative weekend of introspection, self discovery, and reconnection.

Following on from the success of last year’s programme, which saw a blissful weekend of workshops and activities, including wild crafts, yoga, dance, and bushcraft skills, with attendees enjoying world music performances, storytelling sessions, and nature walks. Fostering a deep connection with nature, the event serves as a platform for all individuals to immerse themselves in the beauty of the natural world while participating in diverse cultural and educational experiences.
This year’s edition will feature a diverse array of spaces, each offering a unique atmosphere and experience. From the energy of the Main Field and the rhythm of the Sequoia Forest to the sacred stillness of Wise Owl Woods and the playfulness of the Kids Area, every corner invites exploration. Khan’s Kazbah brings an eclectic mix of stalls, while the Forest of Flavours serves up culinary delights. Over 200 workshops and activities will unfold across the Wildcraft and Wellness Areas, from foraging and wild crafts to sound journeys, kirtan, and transformative ceremonies, inviting connection, creativity, and deep restoration.

Into The Wild 2025 promises an unforgettable experience, bringing together an eclectic mix of live performances, inspiring talks, and immersive experience zones. With a carefully curated atmosphere designed to captivate music lovers, nature seekers, and spiritual explorers alike, attendees can expect a dynamic blend of music, wellness, and adventure for all ages. 
With artists and names soon to be announced, Into The Wild 2025 is primed to be an unmissable and unique gathering once again. Now an annual pilgrimage, it delivers an unparalleled atmosphere of pure creativity, connection, and renewal in the heart of Southern England.
With early bird tickets selling out in under a month, demand for Into The Wild 2025 is higher than ever. Don’t miss your chance to be part of this unforgettable weekend, secure your spot and prepare to immerse yourself in the expanse of nature, music, and community.
For more information and to purchase tickets visit:
https://events.liveit.io/into-the-wild-events/into-the-wild-2025/?dc=QR2025
Find Out More & Follow 
Into The Wild Instagram | Website
The post Into The Wild Festival Returns For A Celebration Of Music, Nature & Connection appeared first on Electric Mode.
Ravebot
Marking 45 years on the Balearic Islands, Café del Mar Ibiza reopens this season with a new look, a refreshed sound, an innovative culinary offering, and a special anniversary compilation celebrating its iconic musical legacy.
A globally recognised institution known for capturing the spirit of the island through sunset sessions, iconic events, mediterranean vibes, and world-renowned chillout sound, Café del Mar is synonymous with the Ibiza lifestyle. In a new era, the lifestyle brand is set to explore a refreshed identity centered on an impressive expansion and refurb and refined food and drink experience, featuring a new kitchen and an expansion of their signature alcohol line. 
 

Stepping into this year’s season, Café del Mar is set to evolve. While staying true to its legendary essence, they’re bringing a deeper focus on Ibizan roots and a spotlight on post-sunset parties, resident DJs, promoters, and the labels defining the island, hosting curated lineups, exclusive events, and collaborations.
 
To kick start the anniversary celebrations, Café del Mar released the fifth volume of their infamous Chill Out Mix earlier this year. Highlighting the 45th year, a special anniversary compilation of 30 tracks is also set for release, featuring legends like Frankie Knuckles, Aphex Twin, Röyksopp, Derrick May, Todd Terje, Moby, and Gerald. With more releases on the horizon, fans can look forward to a fresh set of mixes, vinyl repressings of classic Café del Mar compilations, and their new artist album series, kicking off with Pig&Dan on June 13th.
 
The venue also welcomes Ibiza’s first ever installment of the legendary Elara.6 mixer, contributing to an unparalleled booth and sound. Headed up by infamous audio engineer and mixer designer Andy Rigby-Jones, the pioneer of the Master Sounds and Allen & Heath Xone series, the mixer is a celebrated leader in the industry. Offering solid construction, enhanced workflows, and top-quality sound, visitors will experience an elevated and unforgettable listening journey this summer.
 
Set to launch in June, in a new wave of innovation, the venue welcomes a refreshed menu. As Ibiza continues to evolve as a champion destination of lifestyle, music, and culture, food remains a central thread in the island’s vibrant landscape. This next chapter promises to deepen their creative flair and offer a dining experience unlike any other. 
 
Music Manager and resident DJ Ken Fan comments: “We’re incredibly excited to be reopening Café del Mar this summer season and, most importantly, to be celebrating 45 years as an institution on the island. From pioneering the Balearic sound to releasing one of the most beloved chill-out compilation series in the world, we’ve been the backdrop to countless sunsets, memories, and musical journeys – and the story continues this season.”
 
For the last 45 years, Café del Mar has been a sanctuary for sunset seekers in Ibiza. Founded in 1980 on the San Antonio coastline, the imprint birthed a musical movement defining balearic chillout, placing Ibiza on the cultural map as much for its style as for its nightlife. Now a resident brand across Spain and Thailand, Café del Mar has cemented itself as a cultural hotspot. 
 
With a historic season of parties, dining, and the summer sun set, 2025 stands as a living testament to the enduring legacy of Café del Mar. 
 
Find Out More & Follow 

V Chill Out Mix 

Café del Mar Instagram | Website | Youtube 
 
The post Café Del Mar Celebrates 45 Years Of Iconic Balearic Soundtracked Sunsets appeared first on Electric Mode.
Ravebot

Important Information

We have placed cookies on your device to help make this website better. You can adjust your cookie settings, otherwise we'll assume you're okay to continue.