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The Story of STREETrave – ’89-’09 – Old Skool Clubbing

The Story of one of the UK’s biggest and oldest Club brands, from the old-skool raves to the mega clubs. Streetrave have produced an in-house documentary of the last 20 years involvment at the very forefront of the clubbing world telling the true story of how it all started and continuing to the present day.
This film contains exclusive video footage from STREETrave at the legendary Ayr Pavilion, Prestwick International Airport and The Arches, Glasgow to name but a few. They also speak to some of the DJs and friends who helped along the way including Carl Cox, John Digweed, Jon Mancini, Graeme Park and Hooligan X.
The post The Story of STREETrave – ’89-’09 – Old Skool Clubbing appeared first on Decoded Magazine.
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Nightlife Advocacy Specialists VibeLab Presents NightSchool: An EU Funded Programme Offering €75,000 to Support Early Career Nightlife Curators

Five of Europe’s leading nightlife specialists team up to present NightSchool: An EU wide training programme designed to support night culture producers early in their career. This transnational education programme will focus on environmental, social, and economic sustainability.

The project sets to pair nightlife visionaries spanning promoters, bookers, venue owners, to hands-on creatives with industry veterans and experts from the European culture circuit. Funded by the European Union’s Creative Europe, NightSchool will select 15 participants, providing a grant of €5,000 each. This will go towards facilitating a week of peer-learning sessions in multiple cities as well as to launching their own sustainable event ideas. Empowering individuals to turn their visions into reality is at the core of the programme.
NightSchool will offer recipients the chance to travel and engage in a sequence of face-to-face peer-learning sessions hosted by renowned experts and three distinguished European night culture venues. The programme launches with an open call to select young culture producers from across Europe. Together they will visit some of Europe’s most respected venues and learn from the best in their field. 
Co-founder Mirik Milan emphasises, “Nightlife creatives and culture producers are first and foremost problem solvers. They are needed right now, more than ever to take on the unique challenges and opportunities of our rapidly evolving cultural sector.”

The micro-funding scheme (€75,000) will support the selectees in pioneering and implementing sustainability-focused night culture events across all of Europe. To complement the training and mentorship programme, NightSchool is building an online resource and hybrid platform that offers educational content to a global audience, hosted and curated by a vast network of key experts within night culture and sustainability.
A joint effort by five partnering organisations, NightSchool is a collaboration between Vibelab, Belgian club institution FUSE, Latvian culture centre Kaņepes Kultūras Centrs, Italian based creative hub BASIS Vinschgau Venost alongside their in-house event KASINO Club, and Sweden-based cultural strategy and production agency Transversal Project.

This notion of collaboration is key to the programme’s mission, as Milan further highlights: “While the term ‘community’ is frequently overused in the commercial world, its essence lies in uniting a collective of like-minded souls together. At NightSchool, we join forces to address issues of diversity, inclusivity and solidarity. As well as climate action and the ecological dimension of night culture, we provide first-hand insights on maintaining a financially sound enterprise.”

Based on three core pillars of Social Awareness, Sustainability and Entrepreneurship, NightSchool creates inclusive, safe(r) and vibrant environments that actively promote diversity, wellbeing and positive community interactions. Proudly promoting environmental sustainability whilst minimising the environmental impact of nighttime cultural activities. 
Through applied practices incorporating energy efficiency, waste reduction, sustainable sourcing and reduced air travel, NightSchool explores business activities within the nighttime cultural sector covering venue management, events organisation, and curating experiences aiming to enrich their respective city’s local scene.

Applications are open now, closing date for applications will be April 12th, with participants committing to a week long training 3-8 June 2024.
For more information visit  www.night-school.org
Applications can be submitted at https://bit.ly/NightSchoolApplication
The post Nightlife Advocacy Specialists VibeLab Presents NightSchool: An EU Funded Programme Offering €75,000 to Support Early Career Nightlife Curators appeared first on Electic Mode.
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Niklas Dee drops Euro-dance-inspired ‘Now’ featuring Kiara Nelson

Niklas Dee, a German DJ and production powerhouse at the young age of 21, has swiftly climbed the ranks to become one of Germany’s most streamed EDM artists alongside names like Robin Schulz. With over 450 million streams on Spotify, including hits like “Mädchen auf dem Pferd,” Dee has already carved out a notable space for himself in the genre, backed by collaborations with Zara Larsson, VIZE, and David Guetta. Joining forces with him on his latest track “Now” is the Finnish-American singer Kiara Nelson, known for her dynamic performances and collaborations, including an electrifying dance rendition of “Where is the Love” with The Black Eyed Peas and OVRtone, and her presence on M22’s “After Hours.”
Together, Dee and Nelson pay homage to ’90s dance music icons with “Now,” blending driving bass, undulating melodies, and Nelson’s mesmerizing vocals into a gem that’s a frenzy-inducer on the dancefloor.
The post Niklas Dee drops Euro-dance-inspired ‘Now’ featuring Kiara Nelson appeared first on Dancing Astronaut.
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Released 10 Years Ago: Calvin Harris – Summer

A decade ago, Calvin Harris released ‘Summer’, a track that quickly became synonymous with the season it was named after. Celebrating its 10th anniversary, ‘Summer’ has not only aged gracefully but also remains a staple in the electronic dance music scene with over 1 billion streams, a testament to its timeless appeal and Calvin Harris‘ prowess as a producer.
‘Summer’, released on March 14th, 2014, captured the essence of the season with its infectious beats, memorable synth leads, and Calvin Harris‘ own vocals – a rare treat. The track skyrocketed in popularity, dominating music charts and summer playlists worldwide. Its combination of catchy lyrics and a pulsating electronic rhythm made it an anthem for both radio listeners and festival-goers.
Calvin Harris, already a prominent figure in the EDM world, further cemented his status as one of the genre’s leading artists with ‘Summer’. Known for his ability to blend dance music with pop sensibilities, Calvin Harris created a track that appealed to a broad audience. ‘Summer’ was not just a commercial success; it was a cultural phenomenon, featuring in numerous summer campaigns, commercials, and even becoming a festival anthem.
As we look back over the past decade, ‘Summer’ stands out as a milestone in Calvin Harris‘ career. It embodies the evolution of electronic dance music over the years and Calvin Harris‘ unique ability to stay ahead of trends. The track’s enduring popularity is a reminder of the lasting impact of a well-crafted dance anthem. With ‘Summer’, Calvin Harris didn’t just capture the spirit of a season; he created a timeless soundtrack that continues to resonate with new and old fans alike.
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Released 10 Years Ago: Calvin Harris – Summer

A decade ago, Calvin Harris released ‘Summer’, a track that quickly became synonymous with the season it was named after. Celebrating its 10th anniversary, ‘Summer’ has not only aged gracefully but also remains a staple in the electronic dance music scene with over 1 billion streams, a testament to its timeless appeal and Calvin Harris‘ prowess as a producer.
‘Summer’, released on March 14th, 2014, captured the essence of the season with its infectious beats, memorable synth leads, and Calvin Harris‘ own vocals – a rare treat. The track skyrocketed in popularity, dominating music charts and summer playlists worldwide. Its combination of catchy lyrics and a pulsating electronic rhythm made it an anthem for both radio listeners and festival-goers.
Calvin Harris, already a prominent figure in the EDM world, further cemented his status as one of the genre’s leading artists with ‘Summer’. Known for his ability to blend dance music with pop sensibilities, Calvin Harris created a track that appealed to a broad audience. ‘Summer’ was not just a commercial success; it was a cultural phenomenon, featuring in numerous summer campaigns, commercials, and even becoming a festival anthem.
As we look back over the past decade, ‘Summer’ stands out as a milestone in Calvin Harris‘ career. It embodies the evolution of electronic dance music over the years and Calvin Harris‘ unique ability to stay ahead of trends. The track’s enduring popularity is a reminder of the lasting impact of a well-crafted dance anthem. With ‘Summer’, Calvin Harris didn’t just capture the spirit of a season; he created a timeless soundtrack that continues to resonate with new and old fans alike.
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Klinical: Unveiling the Depths of drum & bass and dubstep 

In the ever-evolving realm of drum & bass, where a saturated market has created an  environment of ‘screechy’ monotony, football style chants and big room energy, one  artist stands out for his groundbreaking approach to sound design and genre fusion.  Klinical AKA Dan Paget is a versatile producer based in Bristol who has been  pushing the boundaries of the genre with a sound that seamlessly navigates  between rollers, liquid, and neuro, carving a niche that is distinctly his own. 
Klinical’s journey into the world of music production began in 2015, having been  influenced by the dubstep boom of the 2010s. Since then, he has embarked on an  exploration that defies the conventional norms of drum & bass. With his original  sound rooted in jump-up, Klinical’s shift towards a deeper, dark sound over the past  few years has garnered him respect from both the average drum & bass punter, to  the critical chin waggers that are the ‘sound design’ purists.  
His upcoming EP Violent Castles drops on Overview Music drops March 15.  Inspired by his new home of Bristol, a city pulsating with musical diversity and most  importantly: bass music, ultimately shaping the trajectory of his productions. Violent Castles is an expansion of repertoire exploring 140 bpm dubstep for Klinical, that  aims to recapture the magic of the golden era of the genre’s UK roots. Featuring  collaborations with some heavy hitters the likes of Spektiv, Mythm and Killa P,  Violent Castles in my opinion will be remembered as a pinpoint in dubstep’s  resurfacing into the zeitgeist of UK Bass culture. 
I sat down with Klinical in anticipation of Violent Castles, where we discussed his  production style, his musical upbringing and the future of drum & bass and dubstep. 
Hey Klinical. Where are you today?  
Hey man, I’ve been living in Bristol, UK, for two years now. Originally I’m from Melksham, Wiltshire. So I’ve always lived in the west country.  
Of course, the ‘Bass Music Capital of the world’. How has the move to the  ‘Wubby’ city impacted your musical journey?  
It plays a big factor. I moved to Bristol to get involved in the music scene  here a few years ago. It’s so alive, and has definitely been a big inspiration. The  clubs here are so diverse in terms of its music. It’s definitely been a good  environment to be in working on this new EP. Even being surrounded by producers  and DJ’s, I live with YAANO and our neighbors are Cesco, Azifm and Yancey  so I couldn’t be more surrounded haha! You just bump into the right people and it’s so accessible to meet up and collaborate.  ‘Tokyo’, one of the singles released, came about after me and Spektiv had a few too  many pints of Guinness at Seamus O’Donnels. We decided to go back to Dan’s studio and work into the early hours, from there ‘Tokyo’ was born.  That’s what I love about Bristol, being in that environment things  can happen organically. It’s definitely a good city to be a Bass music producer. 
Let’s start from the beginning. When did you start producing? 
I started producing almost ten years ago now back in 2015 when I was going to UNI in Southampton. At the time I was studying film production. I do a Patreon where I make tutorials, track breakdowns, that kind of thing,  so having an editing background really helped.  
Rather than doing my UNI work, I just wanted to make music and spent most of my time working on tracks and putting on events. Back then I used to run a D&B night with Kanine, Baker, Wilf Hertz, and  T95 called RAAAW at a club called Junk, Southampton. In fact, it  was Wilf Hertz who really helped me up my production game when I was studying.  They were good times.  
Sounds like a talented bunch came out of that UNI. Good thing you didn’t go to  class or who knows where you might have ended up. So tell me, who are your  inspirations? 
So many out there but It’s funny a memory that really sticks out to me is  hearing Modestep’s ‘Sunlight’ for the first time. I think I was on my way to college  and I just remember thinking ‘Ok, I need to start making some tunes’. Back  then I was infatuated with all of the early UKF dubstep days. The likes of Flux  Pavilion, Doctor P and Nero It exposed me to the earlier UK dubstep sound that’s been an inspiration for this new EP. The likes of Skream, Coki etc. A few years  later, I finally saved up enough money to buy a MacBook and from then on I  was completely addicted to producing. It deepened my admiration for  electronic music more and more as I kept learning and the inspiration I got  while learning was like a drug. I would say the process was just as much,  maybe even more, of an inspiration to me as other artists in the scene.
So why did you start making drum & bass?
After my dubstep phase I got really into jump-up. Especially that Belgian sound, which is funny because you wouldn’t  think it from hearing my music. The older I’ve gotten the more  my taste has definitely calmed down a bit.  I’ve also always been into rolling D&B, the likes of Alix Perez, Skeptical and Hazard.  Right  now though, Ivy Lab inspires me the most. Those guys make incredibly forward  thinking music with so much depth, production wise they’re the GOATS for  me. 
That’s a nice variety there. Now, let’s get into the nitty gritty. Reveal your  secrets! What softwares are you using to get your sound? 
Now I’m on Ableton. I found the workflow can be way more streamlined  compared to other softwares. Basically then it’s mostly plug-ins. In terms of basses,  like most people I know who produce drum & bass, I’m using Serum. It’s handy for  getting some complex FM synth sounds pretty easily. For pads and leads though, I  use Arturias Pigments. It’s a sick VST that you can get some nice complex textures  out of. For this EP though, I stepped out of my comfort zone with some of  the production. The whispering in ‘Answer’ is my own voice and I recorded  the guitar on the outro to ‘GXDSWORK’, I had only been learning guitar for a  week or so at this point but with reverb and delay, anything can sound  somewhat good haha!  
Your sound is on the verge of pollers and neuro, unusual for someone with a  jump-up background. How do you manage to achieve this? 
I’ll be honest, I wasn’t too happy with the quality of my music until I moved  towards a more ‘minimal’ sound. When I was making jump-up I could never quite  get what I wanted out of it. I felt I didn’t have the means to express myself through it. However, It definitely  pushed me to learn about sound design. 
You’re known for your more deeper sounding drum & bass, but this EP is pure  dubstep. The first single of the new EP “Tokyo ” with Spektiv harkens back to early  UK dubstep such as Skream, Benga etc. What made you decide to move towards  this direction?  
Yeah so this EP is my debut 140 bpm release. It’s funny but I definitely had  a lot more freedom in doing it. I think it boils down to the fact that I could make music  without expectations from my audience. As it’s a new style for me, I could definitely 
experiment more and not rely on my typical tricks and traits. I’ve always wanted to release dubstep and I thought there would be a lot of pressure around it, but it actually came pretty easily. The crew at Overview Music helped a lot with  relieving the pressure and getting my foot in the door, especially Oli who co-runs the  label who is also my housemate and close friend! He’s a massive dubstep fan too so  he worked really hard on the promo for this release. It’s a debut dubstep EP for both myself and Overview Music, and I feel this EP is a testament to the freedom they  always give me. 
You have some serious collaborations on this EP. What was it like working with  the legendary MC; Killa P? 
Amazing. That was a proper bucket list moment. To me, he encapsulates  the underground UK sound. I couldn’t believe he was up for jumping on the  track, and the man absolutely smashed it!   
Of course he did! Were you nervous working with him? 
Before the track materialised, I was, definitely. I was a bit worried about  doing the vocal mix of an artist with that caliber. But once I got the vocals back from him, all nerves went away. They were perfect.  So crisp and the bars were crazy! It  was too easy really, it fit in so well and I barely had to touch up anything. The guy’s a  legend. 
This EP is so sick and it’s refreshing to see some proper dubstep when the  market is saturated with that jump-up sound. Do you think you’ll be going down the  140 route from now on? 
Basically from now on I want to be known as a multi-genre producer. I don’t  want to be bogged down by one style. It’s refreshing working on something that’s  outside of my wheelhouse. Recently I’ve been working on a drill track with two  local MC’s Limmz and Pabz. I’ve also been experimenting with garage and  techno. It’s a liberating feeling and the reception I’ve had to the music has made the jump feel worth it.  
Also, I think that drum & bass heads are looking for something different. Every time  I’ve dropped my dubstep tracks, they’ve gone down really well with a D&B crowd. It’s  a good break away for people I feel. The drum & bass boom has been good but I  think people don’t want to lean away from it too much these days. 
That leads me into my next question: How do you feel about the current state  of drum & bass?
It’s definitely a bit monopolised at the minute. It’s great because the  audience and hunger for it has grown enormously, both inside the UK and out. That  being said, I think that on the local level, drum & bass has suffered. It’s hard to get a  local night going because the competition is so tough. The music itself has definitely improved in the underground. Artists  like SMG, VISLA, YAANO, Azifm and Para are all newcomers who are bringing originality and are in it for the right reasons. Without originality the genre dies so it’s great to see people trying something new.
There’s definitely a drum & bass boom happening alright, maybe even on its  way out. Do you think dubstep will have its time in the sun again? 
Maybe, but….things rot in the sun. I think it’s having an underground boom again, which I  think is the healthiest thing. It retains the soul while appealing to an audience  which appreciates it for what it is. There’s a lot of originality and heritage in  dubstep that can be explored. Even being here in Bristol I’m starting to hear it more  regularly. It’s exciting. 
Definitely. So tell me, what’s next for Klinical in 2024? 
Release wise, my schedule for this year is looking really full so expect  lots of new music. The gigs are filling up nicely too, including Outlook Festival,  D&B Allstars Festival and lots of shows in between so follow my socials to keep up with them!
We’re looking forward to it. Thanks for taking the time to talk to UKF mate, and see you in 2024!
Likewise!
If you like the sound of Klinical’s upcoming EP Violent Castles, you can check out the first single off of the EP ‘Tokyo’ featuring Spektiv on UKF. The full EP drops on March 15 on Overview Music.
The post Klinical: Unveiling the Depths of drum & bass and dubstep  appeared first on UKF.
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Exploring The ‘Stratosphere’: Lorna James’ Debut Ambient Album

Talented Pianist and music Producer Lorna James is ready to unveil her debut Ambient album ‘Stratosphere.’ Released under Monde Ambient, a sub-label of Flipside Records, ‘Stratosphere,’ on March 8th, which is International Women’s Day. This album showcases Lorna James’ latest sonic explorations; an evocative and immersive listening experience that provides an expansive and tranquil soundscape for listeners.
A pianist and composer with a classical music background, as a pianist and Composer, Lorna James ventured into the Electronic Dance music world, exploring different genres. She has released House, Deep House and Progressive House tracks, and has honed her skills as a Producer and Composer, and developed a signature style and sound. This 9-track album is a compelling and inspiring listen, which highlights her venture into the Ambient genre.
About the album and its title, ‘Stratosphere’, Lorna James comments: “If you imagine yourself floating in the stratosphere looking down, we are all on this beautiful blue spinning piece of rock. No matter who you are or where you live on, your feet are on this earth. And that is the one thing that we all share regardless of race, sex, religion, background. We are all connected to each other. When we look outside ourselves and our immediate needs and desires, humanity is our commonality, and it should be celebrated.”
The album’s 9 tracks bring a refreshing yet uplifting experience, that blend her classical background with complex harmonies and bright melodies, alongside almost nostalgic pads and textural sonic elements. The ethereal and spacious soundscape throughout the album creates an all-encompassing energy. James’s productions have received recent recognition, having reached the finals of the UK Songwriting Contest in 2023.
‘Stratosphere’ is out now and available to stream below.
Follow Lorna James across social media to remain updated on her latest releases and new projects, as this is only the beginning of a promising release schedule from this skillful Producer in 2024.
Follow Lorna James:
Beatport | Spotify | Instagram
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Exploring The ‘Stratosphere’: Lorna James’ Debut Ambient Album

Talented Pianist and music Producer Lorna James is ready to unveil her debut Ambient album ‘Stratosphere.’ Released under Monde Ambient, a sub-label of Flipside Records, ‘Stratosphere,’ on March 8th, which is International Women’s Day. This album showcases Lorna James’ latest sonic explorations; an evocative and immersive listening experience that provides an expansive and tranquil soundscape for listeners.
A pianist and composer with a classical music background, as a pianist and Composer, Lorna James ventured into the Electronic Dance music world, exploring different genres. She has released House, Deep House and Progressive House tracks, and has honed her skills as a Producer and Composer, and developed a signature style and sound. This 9-track album is a compelling and inspiring listen, which highlights her venture into the Ambient genre.
About the album and its title, ‘Stratosphere’, Lorna James comments: “If you imagine yourself floating in the stratosphere looking down, we are all on this beautiful blue spinning piece of rock. No matter who you are or where you live on, your feet are on this earth. And that is the one thing that we all share regardless of race, sex, religion, background. We are all connected to each other. When we look outside ourselves and our immediate needs and desires, humanity is our commonality, and it should be celebrated.”
The album’s 9 tracks bring a refreshing yet uplifting experience, that blend her classical background with complex harmonies and bright melodies, alongside almost nostalgic pads and textural sonic elements. The ethereal and spacious soundscape throughout the album creates an all-encompassing energy. James’s productions have received recent recognition, having reached the finals of the UK Songwriting Contest in 2023.
‘Stratosphere’ is out now and available to stream below.
Follow Lorna James across social media to remain updated on her latest releases and new projects, as this is only the beginning of a promising release schedule from this skillful Producer in 2024.
Follow Lorna James:
Beatport | Spotify | Instagram
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Manu P and Federico Rosa Drop Infectious Tech House Track ‘Bailaito’

Skilful DJs and music Producers Manu P and Federico Rosa are back to present their latest production ‘Bailaito’ via Shaman Records. As usual collaborators, Manu P and Federico Rosa team up once more to release this new Tech House track that ticks all the boxes to reach higher milestones than previous collaborations, being released alongside an official remix by Mihalis Safras, ‘Bailaito’ is ready to conquer dancefloors across the world.
Following their previous collaborations ‘Ice Baby’ and ‘El Padron’, Manu P and Federico Rosa are ready to unveil a fresh track that showcases their captivating sound and style, that keeps garnering accolades and support from top-tier names in the Electronic music world.
‘Bailaito’ starts-off with a hard-hitting beat, deep pounding bass, and electrifying synths that carry the lively vibes of the track; with powerful drops and layered sonic elements, ‘Bailaito’ highlights the signature style and sound these two talented producers are known for.
A Samba beat joins the mix, as a refreshing reminder that the party keeps going, meeting soon another impactful drop that releases the party to the next level. With ‘Bailaito’, Manu P and Federico Rosa continue to push their own boundaries, displaying their skills as talented Producers, and ones to be followed closely.
This release comes together with an official remix by Greek DJ and music Producer Mihalis Safras. The track features a deep underlying bass that carries the groove and flavour of the track, as a fresh take on Manu P and Federico Rosa’s original, Mihalis Safras presents a powerful and electrifying remix to keep the party going.
‘Bailaito’ presents a new opportunity for lovers of Tech House to join the party, while highlighting the skills and talent from these gifted Producers who keep releasing unmissable music at a constant rate. ‘Bailaito’ is out now and available to be streamed below and purchased here.
Make sure to follow Manu P and Federico Rosa throughout social media to remain updated on their latest releases and live shows.
Follow Manu P:
Soundcloud | Instagram | Beatport
Follow Federico Rosa:
Soundcloud | Instagram | Beatport
Follow Mihalis Safras:
Website | Instagram
Follow Shaman Records:
Instagram | Website
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Manu P and Federico Rosa Drop Infectious Tech House Track ‘Bailaito’

Skilful DJs and music Producers Manu P and Federico Rosa are back to present their latest production ‘Bailaito’ via Shaman Records. As usual collaborators, Manu P and Federico Rosa team up once more to release this new Tech House track that ticks all the boxes to reach higher milestones than previous collaborations, being released alongside an official remix by Mihalis Safras, ‘Bailaito’ is ready to conquer dancefloors across the world.
Following their previous collaborations ‘Ice Baby’ and ‘El Padron’, Manu P and Federico Rosa are ready to unveil a fresh track that showcases their captivating sound and style, that keeps garnering accolades and support from top-tier names in the Electronic music world.
‘Bailaito’ starts-off with a hard-hitting beat, deep pounding bass, and electrifying synths that carry the lively vibes of the track; with powerful drops and layered sonic elements, ‘Bailaito’ highlights the signature style and sound these two talented producers are known for.
A Samba beat joins the mix, as a refreshing reminder that the party keeps going, meeting soon another impactful drop that releases the party to the next level. With ‘Bailaito’, Manu P and Federico Rosa continue to push their own boundaries, displaying their skills as talented Producers, and ones to be followed closely.
This release comes together with an official remix by Greek DJ and music Producer Mihalis Safras. The track features a deep underlying bass that carries the groove and flavour of the track, as a fresh take on Manu P and Federico Rosa’s original, Mihalis Safras presents a powerful and electrifying remix to keep the party going.
‘Bailaito’ presents a new opportunity for lovers of Tech House to join the party, while highlighting the skills and talent from these gifted Producers who keep releasing unmissable music at a constant rate. ‘Bailaito’ is out now and available to be streamed below and purchased here.
Make sure to follow Manu P and Federico Rosa throughout social media to remain updated on their latest releases and live shows.
Follow Manu P:
Soundcloud | Instagram | Beatport
Follow Federico Rosa:
Soundcloud | Instagram | Beatport
Follow Mihalis Safras:
Website | Instagram
Follow Shaman Records:
Instagram | Website
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Play Records Unveil ‘Miami 2024’ Compilation

Play Records is here with another exciting compilation titled ‘Miami 2024;’ just in time for the renowned Miami Music Week, the label releases a 12-track compilation kickstarting the club season with tracks covering a wide range of genres, from Tech House, Techno, Jackin House, Organic House, Bass House, Nu Disco, Trance, and Riddim/Dubstep, from fresh names in the scene, along with more familiar names in the Electronic Dance music world.
As usual, marking the important events and dates of the Electronic Dance music calendar worldwide, Play Records infuses this season with an unmissable compilation, packed with hard-hitting music that caters to every taste. This selection features tracks by Elegant Producer (Brazil), Johnny Trombetta (USA), RASIM (USA), Cristian Avigni (Italy), PartyBooze (Netherlands), CHMI (Mexico), Staring Contest (USA), DJ Kez & Karol N (Poland) remixed by FILJ (France), Harbear (Netherlands), DJ CJL (China), KuntyBeatz (Canada), and KWEST (Canada). Alongside the new releases in this edition are previously released tracks by Hotknife vs Mister Tee (UK) and Michelino (Italy).
Elegant Producer brings the party with his Tech House track infused with Latin House elements in his single ‘Siente La Euforia,’ next is CHMI, who brings an Organic House production titled ‘Venti Per Favore.’ To add to the mix, Producer PartyBooze presents his song ’Take Me Up’, a blend of Jackin House with Tech House, that alongside Producer Staring Contest’s debut on Play Records with his mix of Bass House and Tech House, with ’The Rhyme,’ certainly carry this collection to a new level.
‘Miami 2024’ is out now and available to streamed below and purchased here.
Play Records · Miami 2024 As a label to keep on the radar, as they never miss to guide Electronic Dance music fans to the hottest releases of the moment, highlighting up-and-coming talent, as well as, seasoned Producers from all corners of the world, Play Records continue to build their reputation as a label to follow closely, as their releases never cease to impress.
Follow Play Records:
Website | Beatport
Follow Elegant Producer:
Instagram
Follow CHMI:
Instagram
Follow PartyBooze:
Instagram
Follow Staring Contest:
Instagram
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Play Records Unveil ‘Miami 2024’ Compilation

Play Records is here with another exciting compilation titled ‘Miami 2024;’ just in time for the renowned Miami Music Week, the label releases a 12-track compilation kickstarting the club season with tracks covering a wide range of genres, from Tech House, Techno, Jackin House, Organic House, Bass House, Nu Disco, Trance, and Riddim/Dubstep, from fresh names in the scene, along with more familiar names in the Electronic Dance music world.
As usual, marking the important events and dates of the Electronic Dance music calendar worldwide, Play Records infuses this season with an unmissable compilation, packed with hard-hitting music that caters to every taste. This selection features tracks by Elegant Producer (Brazil), Johnny Trombetta (USA), RASIM (USA), Cristian Avigni (Italy), PartyBooze (Netherlands), CHMI (Mexico), Staring Contest (USA), DJ Kez & Karol N (Poland) remixed by FILJ (France), Harbear (Netherlands), DJ CJL (China), KuntyBeatz (Canada), and KWEST (Canada). Alongside the new releases in this edition are previously released tracks by Hotknife vs Mister Tee (UK) and Michelino (Italy).
Elegant Producer brings the party with his Tech House track infused with Latin House elements in his single ‘Siente La Euforia,’ next is CHMI, who brings an Organic House production titled ‘Venti Per Favore.’ To add to the mix, Producer PartyBooze presents his song ’Take Me Up’, a blend of Jackin House with Tech House, that alongside Producer Staring Contest’s debut on Play Records with his mix of Bass House and Tech House, with ’The Rhyme,’ certainly carry this collection to a new level.
‘Miami 2024’ is out now and available to streamed below and purchased here.
Play Records · Miami 2024 As a label to keep on the radar, as they never miss to guide Electronic Dance music fans to the hottest releases of the moment, highlighting up-and-coming talent, as well as, seasoned Producers from all corners of the world, Play Records continue to build their reputation as a label to follow closely, as their releases never cease to impress.
Follow Play Records:
Website | Beatport
Follow Elegant Producer:
Instagram
Follow CHMI:
Instagram
Follow PartyBooze:
Instagram
Follow Staring Contest:
Instagram
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Hotboxx, Flynn Nolan, and Unkwnet Deliver Infectious Vibes with ‘The Prescription’

Hotboxx collaborates once more with the talented producers Flynn Nolan and Unkwnet on their latest single, ‘The Prescription.’ Scheduled for release under The Boat House, this track thoughtfully blends Hotboxx‘s dynamic signature style with Flynn Nolan‘s diverse sound and Unkwnet‘s skillful abilities. Presenting another magnetic collaboration among these three powerhouse talents, ‘The Prescription’ proposes a vibrant listening experience poised to uplift the dancefloor.
Having previously joined forces with Unkwnet on tracks like ‘Disco Daniel’ and ‘Annie,’ and with Flynn Nolan on their recent release, ‘H20,’ these three innovative producers return with music that is both energetic and captivating; united by their shared passion for the colorful and lively sounds of House and Tech House, Hotboxx, Flynn Nolan, and Unkwnet harmoniously complement each other’s eclectic production skills. Hotboxx, a increasingly respected figure in the realm of Electronic Dance Music, has solidified his position as a top Producer and DJ over a decade of honing his craft, with an impactful artistry that is evident in his work, from his radio show ‘All The Smoke’ to his dynamic productions and lively DJ performances.
‘The Prescription’ takes listeners on an entrancing journey with its gradual build-up, pulsating rhythms, and funky vibes right from the outset. The track maintains a heightened energy level throughout, featuring groovy shuffled beats, vibrant synths, and captivating basslines that evoke the essence of club music. The hypnotic vocals and meaningful lyrics further enhance the track’s thematic significance, embodying the essence of a musical prescription.
Listeners can get ready to embark on an immersive experience with this latest release, now available via The Boat House label for streaming and download here.
Stay updated on Hotboxx‘s latest projects by following him on social media platforms, as this emerging producer promises a stream of high-energy and compelling productions, solidifying his presence in the Electronic Dance music scene.
Follow Hotboxx:
Soundcloud | Instagram | Beatport
Follow Flynn Nolan:
Beatport | Instagram | Spotify
Follow Unkwnet:
Instagram | Soundcloud
Follow The Boat House:
Beatport | Website
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Hotboxx, Flynn Nolan, and Unkwnet Deliver Infectious Vibes with ‘The Prescription’

Hotboxx collaborates once more with the talented producers Flynn Nolan and Unkwnet on their latest single, ‘The Prescription.’ Scheduled for release under The Boat House, this track thoughtfully blends Hotboxx‘s dynamic signature style with Flynn Nolan‘s diverse sound and Unkwnet‘s skillful abilities. Presenting another magnetic collaboration among these three powerhouse talents, ‘The Prescription’ proposes a vibrant listening experience poised to uplift the dancefloor.
Having previously joined forces with Unkwnet on tracks like ‘Disco Daniel’ and ‘Annie,’ and with Flynn Nolan on their recent release, ‘H20,’ these three innovative producers return with music that is both energetic and captivating; united by their shared passion for the colorful and lively sounds of House and Tech House, Hotboxx, Flynn Nolan, and Unkwnet harmoniously complement each other’s eclectic production skills. Hotboxx, a increasingly respected figure in the realm of Electronic Dance Music, has solidified his position as a top Producer and DJ over a decade of honing his craft, with an impactful artistry that is evident in his work, from his radio show ‘All The Smoke’ to his dynamic productions and lively DJ performances.
‘The Prescription’ takes listeners on an entrancing journey with its gradual build-up, pulsating rhythms, and funky vibes right from the outset. The track maintains a heightened energy level throughout, featuring groovy shuffled beats, vibrant synths, and captivating basslines that evoke the essence of club music. The hypnotic vocals and meaningful lyrics further enhance the track’s thematic significance, embodying the essence of a musical prescription.
Listeners can get ready to embark on an immersive experience with this latest release, now available via The Boat House label for streaming and download here.
Stay updated on Hotboxx‘s latest projects by following him on social media platforms, as this emerging producer promises a stream of high-energy and compelling productions, solidifying his presence in the Electronic Dance music scene.
Follow Hotboxx:
Soundcloud | Instagram | Beatport
Follow Flynn Nolan:
Beatport | Instagram | Spotify
Follow Unkwnet:
Instagram | Soundcloud
Follow The Boat House:
Beatport | Website
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After a five year hiatus Luke Slater reanimates his L.B. Dub Corp alias

Saturn to Home by L.B.Dub Corp After a five year hiatus Luke Slater reanimates his L.B. Dub Corp alias for a dynamic, vocal-led ode to the club featuring Robert Owens, Paul St. Hilaire, Miss Kittin and more. The album ‘Saturn to Home’ will be released on 10th May 2024 and is announced today with the release of the first single ‘You Got Me’ featuring Robert Owens – the seminal American house music producer, DJ and songwriter, co-founder of Fingers Inc, and voice of some of the greatest tracks in American electronic music history.
Since his first forays into DJing, Luke Slater has been pursuing different streams of inspiration to create some of the most enduring electronic music of the past 30 years. From his grandiose ambient techno of The 7th Plain to the trailblazing machine funk of Planetary Assault Systems, he’s gifted a lot of music to the world. His L.B. Dub Corp alias first emerged in 2006, and has since been a vessel for a looser approach to club music compared to the steely big room energy of P.A.S. At times it’s housier, elsewhere dubbier, but still logically attached to Slater’s overall arc as an artist and music lover. 
On his new album, which marks his first appearance on Dekmantel, Slater wanted to celebrate the unique cultural ferment that set him on his path. It starts with his earliest memories marvelling at the beats in his father’s big band and jazz funk records until he was old enough to be drumming himself. Drums have remained a source of fascination, despite his years entangled in machine music, and for the first time Slater uses his own live drumming on Saturn to Home.
The subtle imperfections of human rhythm are a big draw – Slater has always shied away from anything too ‘perfect’. From the rough and ready advent of drum machines and synths in early 80s pop, disco and electro to the breakthrough years of house music, Slater started to get a handle on how the sounds were made by identifying with the DIY, anything-goes spirit of the era. These are the touchstones that were on his mind as he started to work on Saturn to Home, not seeking to create carbon copies or overtly retro tracks, but rather to keep the verve and open-ended attitude of that music on his mind as made the album throughout 2022. 
Beyond the drums, the vocals are the other vital ingredient which Slater knew he needed for this record. His own voice appears sporadically, but he also very intentionally reached out to artists such as deep house original Robert Owens and dub techno quiet legend Paul St. Hilaire. Iconic French electro provocateur Kittin also makes an appearance, although her turn on ‘Saturn To Home’ came about in a more cosmic fashion. Slater had been puzzling over who might work on the track only to be reunited with Kittin at a gig for the first time in years and it felt like a sign to Slater. Alex is the solo alias for Alexandra Grübler of Baal & Mortimer, who lends her freewheeling approach to ‘Golden Star’ in a style Slater compares to Liz Fraser in Cocteau Twins. 
If Planetary Assault Systems is in service to the energetic apex of the rave, L.B. Dub Corp is a celebration of the club. Some might equate the two terms, but for Slater his idea of the club was forged in those formative 80s years, when styles slipped into one another in tandem with the melee of social strata. It’s remained an enduring focus — he looks back fondly to playing with the late, great Andrew Weatherall for Steve Bicknell’s Spacebase party at Plastic People, when house, Italo, rare groove and dub were just some of the ingredients flowing into the loose-fit flavour of the night. 
Behind ‘Only The Good Times’ lies the story of fabled Eindhoven street character Arnol Kox, whose philosophical proclamations had become local legend. Slater managed to record Kox shouting the Dutch equivalent of the track title, which had become his sole mantra after years preaching to folk in the city centre. Kox passed away in 2020, and so ‘Only The Good Times’ became a heartfelt tribute to someone who embodied the misfit individuality Slater feels most at home around, not least in the club.
It’s this lattice of sounds, stories and feelings which give Saturn to Home its electric, diaristic energy. Whether it’s the feverish passion of ‘Your Love’s infectious chord stabs or the smoky soundsystem tendrils of ‘Golden Star’, the elastic drums and mutant synth funk of ‘Krank’ or the star-scraping breakbeat techno of ‘Only The Good Times’, Slater tells the story of his life in music, which means his life overall, without ever being stuck in the past. 

Tracklist:
A1. Saturn to Home feat. Kittin
A2. You Got Me feat. Robert Owens
B1. Your Love
B2. Golden Star feat. Baal Mortimer
C1. Only the good times
C2. Krank
D1. No Trouble in Paradise feat. Paul St. Hilaire
D2. Cloak and Dagger
Stream / Pre-order here
The post After a five year hiatus Luke Slater reanimates his L.B. Dub Corp alias appeared first on Decoded Magazine.
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Vital Synth Guide: 9 Tips to Get the Most out of It 🔥

Some have called Vital synth the successor to Xfer Serum. Released in November 2020, it is one of the most intuitive synth plugins on the market. And it’s free. You read that right. So what makes Vital so special? In this guide, we will go through everything you need to know to create the most […]
The post Vital Synth Guide: 9 Tips to Get the Most out of It 🔥 appeared first on EDMProd.
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Do LaB Drops Anticipated Lineup for Coachella 2024

Across both festival weekends, Do LaB returns to Indio, CA with another stacked artist lineup full of dance music favorites. Dance music lovers attending Coachella… this one’s for you! The creators of North America’s original boutique festival experience Lightning in a Bottle and immersive art leaders Do LaB have revealed the artist lineup for their [...]
The post Do LaB Drops Anticipated Lineup for Coachella 2024 appeared first on DJ Life Magazine.
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