Jump to content

News

Stay in the loop with the latest updates, event announcements, and everything happening in the world of dance music — brought to you by RaveLink. 🤖💜
In the world of electronic dance music, few names shine as brightly as Calvin Harris, whose headlining act at Ultra Music Festival in Miami sparked an unexpected online debate. Following his electrifying performance on the Main Stage on the festival’s final night, a couple of voices on Instagram dubbed the set “underwhelming.” Unwilling to let the comment slide, Harris stepped into the fray to set the record straight, reminding everyone of the undeniable impact of his music.
Responding to the critics with a powerful defense of his musical legacy, Harris took to the comments section of a Dancing Astronaut Instagram post about his performance. With a career that boasts hits with over a billion streams each, such as “How Deep Is Your Love” and “This Is What You Came For,” Harris questioned the logic behind the criticism. Highlighting his commitment to his art, he revealed the effort that went into creating new versions of his tracks specifically for Ultra, showcasing a dedication that few can rival. His response was not only a testament to his success but also an insight into the pressure and expectations placed on headline acts in major EDM festivals.
Calvin Claps Back
Calvin Harris’ return to Ultra after an 11-year hiatus was nothing short of a monumental occasion, celebrated by many but unfortunately critiqued by a few. Despite the unwarranted criticism, Harris’ comment sparked an outpouring of support from fans and fellow artists alike, reaffirming his status as one of the greatest producers of our time. It’s a shame that an artist of his caliber seldom graces EDM festival stages, as his unparalleled ability to weave hits into unforgettable live experiences is exactly what the scene thrives on. Here’s hoping that despite the detractors, Calvin Harris will not shy away from blessing more festivals with his presence, continuing to prove that his musical journey is far from over. A screenshot of the original exchange can be found below. The original post can be found here.
The post Calvin Harris Defends His Ultra Music Festival Set, Slams Critics appeared first on EDMTunes.
Ravebot
The Chainsmokers are back with "Addicted," an earworm of a house track released today alongside Zerb and Ink.
Musically sleek yet lyrically unrestrained, "Addicted" revels in the darker, more primal aspects of attraction. By turning wanton desire into an addiction, the track makes a penetrating statement about lust's ability to cloud reason, delivering unapologetic ode to the powerful allure of physical chemistry.
"Addicted" features Ink, who has worked alongside Beyoncé, Justin Bieber, Childish Gambino and Stevie Wonder, among many others. Her lyrical bravado is a double-edged sword—charmingly cocky one moment ("reason you came in here tonight") and teetering on delirium the next ("out my mind"). It's a gamble that pays off, mirroring the thrill of flirting on the edge of temptation.
The track will most likely appear on a new album from The Chainsmokers, who wrote "TCS6 begins tonight" yesterday in posts across their social media.
"Addicted" is out now on TH3RD BRAIN Records. Check out the official music video below and find the new single on streaming platforms here.
Follow The Chainsmokers:
X: x.com/thechainsmokers
Instagram: instagram.com/thechainsmokers
Facebook: facebook.com/thechainsmokers
Spotify: spoti.fi/3h6a9ay
Follow Zerb:
X: x.com/zerbofficial
Instagram: instagram.com/zerb
Facebook: facebook.com/zerbmusic
Spotify: tinyurl.com/527c97k7
Follow Ink:
X: x.com/spillmyink
Instagram: instagram.com/spillmyink
Spotify: tinyurl.com/2p9hwvst
Ravebot
North Coast Music Festival just unveiled its Phase 2 lineup for its 2024 edition, taking place Friday, August 30th- September 1st at Chicago’s SeatGeek Stadium Campus. 
North Coast Lineup
The new additions include headliners making their North Coast debut such as GRAMMY-nominated house duo SIDEPIECE at the Shipyard Stage, Night Bass label head AC Slater (as a part of Tchami’s Confession label takeover), LA-based house producer Dr. Fresch at the Shipyard Stage, and hard-hitting bass virtuoso Crankdat at the Vega Stage. The festival has also added a set from North Coast veteran/bitbird label boss San Holo, who is slated to perform at the bass-fueled Vega Stage on Sunday.
Additionally, North Coast will welcome a bevy of talented support acts to their Phase 2 lineup, such as German multi-instrumentalist BUNT. headlining the Fire Pit Stage, experimental bass don Jon Casey (as a part of the Brownies & Lemonade takeover), American singer/songwriter and producer Anabel Englund, experimental hip-hop wizard Bad Snacks, Canadian bass maestro Mythm, and downtempo bass DJ Supertask.
These Phase 2 additions join the festival’s already impressive roster, which includes heavy-hitting headliners such as Above & Beyond, Alan Walker, Chase & Status, Dab the Sky (Dabin & Said The Sky), DJ Diesel (aka NBA legend Shaquille O’Neil), ILLENIUM, ISOKNOCK (ISOxo & Knock2), LSZEE (CloZee & LSDREAM), Seven Lions, SLANDER, Subtronics, Sullivan King, NO REDEMPTION (Tchami & Malaa), and Two Friends. 
North Coast will also maintain its commitment to showcasing local emerging talent by adding 50+ names from Chicago and the greater Chicago area.
North Coast Extras
North Coast relocated to the spacious SeatGeek Stadium in 2021 to host nearly 90,000 attendees annually. Festival attendees this year will see the return of popular art installations and amenities, including The Chill Dome, Incendia’s Fire Pit Stage, NCMF Yacht Club, and more.
The Chill Dome Following its successful 2023 debut, North Coast will welcome back Club Coast, a secret location speakeasy. Festival goers will be prompted to find Club Coast with daily location clues and passwords given through the North Coast app. The Ferris Wheel was also a hit for its debut last year, and will return in 2024 to elevate the overall festival experience for attendees. VIP tickets will include (1) free ride for the weekend, and Platinum VIP will include (1) free ride per day. 
North Coast 2024 promises to be an unforgettable experience for attendees, offering a stellar lineup, experiential programming, and a plethora of food, beverage, and shopping vendors. For tickets, head on over to the website here.
The post North Coast Music Festival Announces Phase 2 of Lineup appeared first on EDMTunes.
Ravebot
While the 2024 edition of Tomorrowland is gearing up for its landmark 20th anniversary in Belgium, exciting developments are brewing in Southeast Asia.
Following recent news from the Thai government expressing interest in hosting Tomorrowland, the festival organizers have issued a statement confirming their active exploration of the possibility. This comes just days after our initial report that Tomorrowland was slated for a 2026 debut in Thailand.
According to Tomorrowland’s official statement, they are “actively exploring the possibility of hosting a festival” in Thailand. To assess feasibility, they’ve entered into an exclusive Memorandum of Understanding (MOU) with a private Thai sector partner. This MOU signifies a joint study to determine the viability of bringing Tomorrowland to Thailand.
While the initial government announcement suggested a 2026 launch, Tomorrowland’s statement clarifies that this is not confirmed. The feasibility study will play a crucial role in determining the project’s future.
The statement concludes by expressing Tomorrowland’s appreciation for the Thai authorities’ enthusiasm. This positive sentiment suggests a promising future for Thailand’s potential Tomorrowland debut.
While we await the results of the feasibility study, dance music fans in Thailand can gear up for Summer Sonic Bangkok, happening this August. This will mark the first ASEAN leg of the popular Japanese festival and the second time it will be held outside Japan.
Stay tuned to EDMTunes for further updates on Tomorrowland’s potential Thailand debut!
The post Tomorrowland Clarifies News About 2026 Thailand Edition appeared first on EDMTunes.
Ravebot
Fundraising campaigns have been launched after a tragic rideshare accident killed an attendee of an Excision concert in Buffalo and left two of her friends with severe injuries.
The group reportedly left the March 21st show, which was part of Excision's Nexus Tour, around midnight and hailed a rideshare before their vehicle was struck by a car "at a high rate of speed with no headlights." The man behind the wheel, Devin Ford, 23, was driving without insurance or a license, according to authorities.
The crash killed Morgan Ehrenbeit and hospitalized her boyfriend, Michael Rosenbaum, who is now recovering at home. Ehrenbeit, 26, is remembered as "an adored aunt to 13 nieces and nephews, a beloved cousin, a loyal friend, and a dedicated dog mom to her best buddy Moose," per her obituary.
Morgan Ehrenbeit, who died after a tragic car accident after attending a Buffalo EDM concert headlined by Excision.St. John Funeral Home
Another passenger, Luke Stempuzis, 31, was critically injured and placed in a medically induced coma at a nearby hospital. Doctors there had to remove his spleen due to internal bleeding, according to a GoFundMe campaign launched by his family, and treat life-threatening injuries to his kidneys as well as a broken jaw, collarbone and ribs. Stempuzis also sustained a severe brain injury.
Rosenbaum's family also launched a GoFundMe for help covering medical costs in the wake of the accident.
"We're really sad to see this news," Excision Presents, the concert's primary organizer, wrote in a post on X. "Sending a lot of love to the people involved in this accident and their loved ones!"
The totaled car that had been carrying Morgan Ehrenbeit, Michael Rosenbaum and Luke Stempuzis.Kristina Stempuzis/GoFundMe
Police said the driver of the rideshare vehicle, Nasir Musazada, was also killed in the crash.
Ford has been charged with two counts of felony manslaughter, two counts of felony assault, speeding, failure to use headlights, being an unlicensed driver and operating a motor vehicle without insurance, Fox 8 News reports.
The City of Buffalo held a press conference to address the fatal accident, which you can watch below.
Ravebot
Dan Griffith, known by his stage name Gryffin, is an American musician, DJ, and music producer known for his unique and euphoric electro pop sound, dynamic DJ sets, as well as raw musical talent. Born in San Francisco, California, Gryffin grew up as a classically trained pianist and learned to play the guitar at an early age. He played in bands to initially hone his instrumental abilities before breaking out as an electronic music producer in the mid 2010s. His meteoric rise to fame is awe inspiring and he has quickly climbed the ranks to become one of the most sought after acts across the globe. This last week, Ultra Music Festival saw the return of Gryffin for another main stage set (2023 was his Ultra Main Stage Debut) hot off the heels of a highly anticipated release with dance legend Armin Van Buuren, ‘What Took You So Long.’ Gryffin was able to spare some time between his busy Miami schedule to chat with us here at EDMTunes. Read the full interview below:
Hey, man. How’s it going? My name is Jaesyun from EDMTunes. We’re very happy you agreed to have this interview with us.
Gryffin: Yeah. What’s up man? How’s it going?
Pretty good! It has been an hectic music week on my end. So I can only imagine how it’s been like for you. You had your big main stage set last night amid all of the changes. How did that go compared to your very first main stage Ultra set last year? Good to be back?
Gryffin: It was awesome, man. Yeah, I felt really good about it. It was it was obviously kind of chaotic with the set time changes and all that stuff, but I was I was definitely willing to accommodate and get Hardwell on there because he prepared for months for this set and I wanted him to have a great set as well. So it was amidst all that. I mean, I had an amazing time. Got to play a bunch of IDs out and really show where I’m going directionally with my music the next year and this next era. The fan response felt really strong and it was perfect. And weather wise we finally saw some blue sky.
You also just released a really big collab with Armin on Friday and it was quite a surprise to hear the trance sound. Can we expect even more genre bending elements from you in the upcoming album? DNB? Maybe a little hardstyle?
Gryffin: Yep. I’m definitely experimenting with a lot of different subgenres of dance. I think this album represents me going dancier than I’ve gone before on any of my albums. So I am experimenting. Like, I’ve got a couple of DNB songs on the album. It’s been really fun. I’ve been really creatively fulfilled, honestly, working on this project. It’s the most fun I’ve had making music in a long time. So I’m excited to see what people think. 
And even just with the Armin song. It kind of came super naturally. We’ve been fans of each other for a long time and finally got a chance to write together in LA; and the entire song was written and produced essentially in like one mega 12 hour session. So that was really cool. It was super organic and the vibes were just perfect that day. We were just bouncing everything off each other and loving what each other was doing. So it just it just came together super naturally and we’re really happy to have it out now. 
Wow 12 hours. Like front to end, right to master or did you have a bit more back and forth afterwards? 
Gryffin: We tweaked it back and forth over the next several weeks, but just remote since he was back in the Netherlands and I was in LA. But, really, if I played you the version that we finished and bounced that day, you would be like, “oh yeah, this is the track.” Um, so it was pretty crazy. Like he had a set an Exchange that night and his manager kept coming in like: “yo, man, we gotta go get food. We have to go get ready for the show.” And [Armin’s] like: “no, I want to stay and finish this.” He was so excited about the track. So it was pretty cool and it was a really fun but long day.
Yeah, totally. It sounds like it really worked out and it was really rewarding. Do we do we have a release date yet for the album? I know you said spring summer, but you know, spring is almost over. 
Gryffin: I know! So yea it’s going to be summer now, but it’s coming soon. I’m just finishing up the last few records and now that touring and stuff is kind of pick back up, I wanted to focus on the sets. I wanted to make sure everything is feeling good in that regard. But now I’m heading home to LA this week and trying to finish the album ASAP. So it’s coming. It’s coming soon. I don’t have a date, but it’s it’ll be a few months away for sure. 
Great! Right during peak festival season. You got any big festivals you’re looking forward to this year? And any that are on your bucket list that you haven’t played yet? 
Gryffin: I’m excited to go to Osheaga. It’s one I’ve always had in my mind that I really wanted to do. So I’m really excited about that one. And of course Tomorrowland — obviously in Europe this summer. It’s going to be my first time going there. I’m very excited for that one. I’m doing a few big other ones later this summer that actually haven’t been announced, but I’m very much looking forward to those as well. And then I’m going to gear up and start preparing for my big fall tour. Brand new show, brand new everything.
For the tour itself, are you visiting any new cities that you haven’t been to before? I mean, obviously you’re probably gonna have a Red Rocks show. Something in New York, something in LA, the Palladium again or?
Gryffin: So in LA…we’re going pretty big in LA. I can’t announce it yet, but it’s going to be a big one. And then I’m not sure if I’m actually doing any new cities I haven’t gone to before, but it’s the most comprehensive tour I’ve done in a long time. It’s going to be like 20 – 30 cities in the US. I haven’t done a tour, like a bus tour like that since probably the Gravity era. So it’ll be fun to get back out there and really travel the country and play the set out. I’m really looking forward to it. 
That’s great. Gravity was one of my favorite albums. I still listen to it on repeat to today! So I want to get your thoughts on the trends in production right now. Tracks in general are going higher and higher in BPMs. What are your thoughts on that as a producer? I know you mentioned that in this particular album, you’re going a lot more dancier here than your previous studio albums, are you kind of following that trend of going with a higher pace, or are you kind of just seeing what works with the track and going along with that? 
Gryffin: Yeah, I guess that is the trend, but I also just am enjoying it. I have actually been going more uptempo. Like it’s fun to play out live. It’s fun to feel the energy. I’m actually really just having fun with that kind of stuff because of the pace and energy these records have when I’m working on them. I’ve actually been really inspired by a lot of what’s been happening in dance music and dance culture. So I am kind of just running with it.
Changing gears a bit. You’ve always put out so many good YouTube content pieces. Like that set in Kauai was just absolutely amazing to watch and listen to. Where do you get the inspiration to do that? Like, do you just go on vacation and then decide on a whim? Or does that take a lot of planning ahead of time? 
Gryffin: That one specifically actually came together pretty fast when I was out there. I just decided to rip it. So it kind of depends. But yeah, that was a fun one to do. I always like putting up those sets every once in a while when I feel like I have a good vibe on the set direction and the environment that I would love to present it in. I don’t have one planned on the horizon necessarily, but I do have some stuff in the works around the album release. So that that should come out pretty soon, which will be exciting as well. But yeah, appreciate the love on that. I definitely enjoy doing those, and I do put a good amount of effort into it. So I appreciate the positive feedback on that.
Of course! All right, I’m sure you have a really busy day. Thank you for carving out these 15 minutes to chat with me. Really looking forward to writing this up! 
Gryffin: Thanks, man. I appreciate that, and thanks for your time as well. 
 
The post [Interview] Gryffin Chats With EDMTunes at Miami Music Week appeared first on EDMTunes.
Ravebot
Jauz has returned to us with a beauty of a track. His latest record ‘Teardrops’ captivates the listener with its ethereal synth melodies, vocal chops, and nostalgic breakbeat rhythms that showcase the dance music heavyweight’s ability to transcend genres. He has a seamless fusion of ambient elements and progressive house melodies.
This newest sound ushers in a new era for Jauz. Last year he dropped 2 albums of varying sounds. His debut LP explored progressive–house sounds with Rise of the Wise. He followed that up with the Drum & Bass and Dubstep-infused Wrath of the Wicked– showcasing the producer’s versatility in the electronic music realm.
‘Teardrops’ will take you on a sonic journey through Jauz’s diverse sound. His take on the trending stutter vocal is wonderful. This track seems to cross the boundaries between the wise and the wicked. It is wise with its beauty but also wicked with its breakbeat, and DnB-like drum patterns.
Jauz is embarking on a huge Wise vs. Wicked 2024 Tour. It kicks off in April in Philadelphia and then Hits New York, Seattle, Denver, Toronto, Austin, and San Francisco.
The post Jauz Drops Captivating and Ethereal Track ‘Teardrops’ appeared first on EDMTunes.
Ravebot
“Left, Right” has a whole new meaning thanks to Alesso. His latest track ‘Zig Zag’ has been sending crowds into a frenzy. You will be skipping that “chit-chat” and dancing all night long. An inviting vocal pulls you in before a groovy and electric drop.
I think it is impossible not to feel the vibes in this one. It is expertly crafted to keep your feet moving and “hit that zig zag.” Crowds have certainly been loving it. The 2nd build has even more tension and power than the first. You will find yourself having this one on repeat on New Music Friday.
This marks Alesso’s first release of the year. He had an awesome 2023 with tracks with Dillon Francis and Ty Dolla $ign. The Swedish DJ is currently on tour with a huge Red Rocks show coming up in April. He also will be hitting EDC Vegas, Beyond Wonderland Chicago, Waam Festival, Weekend Festival, and Daresbury this Summer.
Make sure to check out ‘Zig Zag’ below!
The post Alesso Drops Crowd Favorite Track ‘Zig Zag’ appeared first on EDMTunes.
Ravebot
Anyma’s progressive perspective on human consciousness and technology is effortlessly encapsulated in his sophomore album, Genesys II.
The influential producer, who co-founded the Afterlife imprint and produces music as one half of the duo Tale of Us, infuses thematic depth into his techno soundscapes. Continuing the futuristic narrative from his debut album, Genesys, Anyma’s cinematic style acts as a bold comment on where humanity is headed, and how our relationship with machines will progress over time.
Eerie, dystopian melodies collide with techno kicks and haunting synths throughout the new album, which comprises two discs and 21 tracks. The first 10 songs are all original tunes from Anyma, including recent hit singles "Pictures of You" and "Higher Power." Disc two features 11 remixes by a slew of artists including Cassian, Adriatique and Eric Prydz.
Genesys II begins with a striking collaboration with PARISI titled "Sacrifice," where distorted vocals build into a hair-raising techno breakdown to encapsulate Anyma's signature sound. The track sets the stage for a captivating run as the journey continues with "Now or Never," "The Light" and "Simulation," a trio of powerhouse tracks rooted in the themes of consciousness, coexistence and connection.
Elsewhere in the album, "F.T.L.," Hear Me Now" and "Exodus" allow Anyma to showcase his singular production style, layering thumping techno beats and otherworldly synths with powerful vocals. Its first disc culminates in "After Love," a poignant track that explores the range of human emotion through chilling, dreamlike soundscapes.

Anyma, who was named one of EDM.com's best artists of 2023, recently performed sold-out shows at Afterlife’s massive two-night run during Miami Music Week. He's now set to play a highly anticipated solo set at Coachella as well as a three-hour b2b performance alongside Eric Prydz on the festival's new Quasar Stage.
You can listen to Genesys II below.
View the original article to see embedded media.
FOLLOW ANYMA:
Instagram: instagram.com/anyma_ofc
X: x.com/anyma_eva
Spotify: tinyurl.com/2p976k79
Ravebot
Contrary to local reports, a Tomorrowland festival has not yet been confirmed to take place in Thailand, Tomorrowland spokesperson Debby Wilmsen tells EDM.com.
Citing Thai government spokesman Chai Wacharonke, numerous media outlets have reported that the organizers of the iconic, Belgium-based EDM festival have confirmed a new event in Thailand in 2026. However, while Tomorrowland's proprietors are currently exploring an expansion into the country, they're in the due diligence phase and have not yet solidified plans for a new festival.
"In December the Tomorrowland team had the privilege of engaging in discussions with various parties and exploring potential locations for a Tomorrowland festival in Thailand," Wilmsen tells EDM.com. "Deeply touched by the warm support, we must clarify the recent speculation: nothing has been officially confirmed or signed at this time. The Tomorowland team is diligently conducting thorough research and exploration to assess the feasibility of hosting Tomorrowland in Thailand. There is still much to be investigated."
Wacharonke also said Tomorrowland's unconfirmed inaugural festival in Thailand is the first of 10 consecutive editions, per The Japan Times. That claim is also unfounded at the time of this writing.
"We continue to work towards bringing the magic of Tomorrowland to new destinations, but for now, all focus on the 20th anniversary of Tomorrowland in Belgium," Wilmsen added.
She also noted that Tomorrowland is "very honored that the Thai authorities are eager to welcome us" as their team evaluates the viability of a new festival in the region.
"Tomorrowland has a real interest in Thailand and is seriously exploring the possibility of a festival in the Kingdom," she said. "For now Tomorrowland explores the feasibility of such a project. At this stage, there is no confirmation yet on an actual festival taking place, this is what the feasibility study will make clear."
Tomorrowland recently expanded to Colombia after announcing a new edition of their CORE offshoot in Medellín. That event is scheduled for May 11-12 at the Botanical Garden of Medellín.
Meanwhile, 400,000 people are expected to attend the flagship Tomorrowland festival in Belgium, which will take place in Boom across two weekends: July 19-21 and July 26-28. This year's festival will celebrate the brand's 20th anniversary with a lineup featuring Swedish House Mafia, David Guetta, Hardwell and many more electronic dance music superstars.
Ravebot
Defqon.1 Weekend Festival, the world’s leading harder styles dance festival is proud to present its impressive line-up for their 2024 edition. From June 27th to June 30th, the festival site in Biddinghuizen will once again be filled with four days of the best sounds and entertainment from the hard dance scene. After welcoming over 250,000 visitors from 110 different nationalities last year, fans of the harder styles will come together again for the globally renowned four-day weekend festival during the last weekend of June.
On Thursday, camping visitors kick off Defqon.1 during The Gathering, where the famouswords “Weekend Warriors, Welcome Home” echo throughout the holy grounds. Attendees areprimed by anthem makers Sound Rush at the BLUE stage, while hardcore legend Mad Dogopens the BLACK stage. The first day reaches its crescendo with The Tribute, the first of four closing shows, where a legendary hardstyle track will be honored at the UV stage, setting the tone for a weekend filled with unforgettable experiences.
Friday marks the first official festival day of Defqon.1, opening its door to all festival-goers for a day filled with festivities. The RED mainstage is officially unveiled in a spectacular fashion during The Opening Ceremony by Ran-D. Making a highly anticipated return, Showtek graces the RED stage delivering a melodious set. For hardcore enthusiasts, the BLACK stage is the epicenter, with up tempo sensation Spitnoise taking on the hardcore variant of ‘The Spotlight’. Meanwhile, the GREEN stage welcomes back hard techno lovers with acts like Luciid and Cynthia Spiering. Closing out the first day, fan-favorite Sefa dazzles with ‘The Spotlight with Sefa’ at the RED stage, ending Friday with an abundance of pyrotechnics and visual effects. Last year, Sefa curated his own Defqon.1 Theatre experience, and this year he brings that intimate experience to the biggest stage of all.
Saturday once again sold out within a few minutes. This year, it becomes even more impressive with the return of the renowned ‘Warrior Workout,’ but with a special premiere as it will take place on the RED mainstage for the first time, making it the largest festival workout ever. Raw-hardstyle artist Rooler also makes his debut on the RED stage, while Dual Damage make their first appearance at the Holy Grounds with a performance at the BLUE stage. Also the beloved POWER HOUR, one of Defqon.1′s most famous concepts, is an absolutely unmissable highlight. For an hour, energy levels soar to unprecedented heights, with fireworks, pyrotechnics, dancers, and the famous ‘left-right’ moment that is eagerly anticipated, and spread, by fans worldwide. Hardcore legend Angerfist has the honor of closing the RED stage on Saturday, becoming the first hardcore act ever to do so. The day reaches its fever pitch with ‘The Endshow’, a classic feature of Defqon.1 known far and wide for being an incredible experience.
Sunday Funday adds an extra dose of entertainment to the final day of the four-day festival. Visitors come fully dressed up and are encouraged to express themselves in their own unique way. As night descends, the festival converges at the RED stage for the grand finale, ‘The Closing Ceremony.’ 2024 brings change to this with the show extending to a five-hour affair, moving far beyond its three-hour duration in previous years. The show culminates during ‘The Closing Ritual’ with a breathtaking fireworks display. The line-up for The Closing Ceremony remains a secret, promising one Defqon.1 Legend after another to close this edition in spectacular fashion.
In addition to all this, Defqon.1 offers a night program featuring after-parties, fantastic activities, including fire shows and entertainment areas, along with a wellness area for those who seek relaxation. Details of these fringe events, alongside the complete timetable, will be unveiled during ‘The Warming-Up’ on May 23rd.
Tickets available here.
Ravebot
Desthen‘s “The New Path” is a great example of how well they can create magical soundscapes. Out on Deep Tales.
The music on “The New Path” takes the viewer into a world of ethereal soundscapes and haunting melodies. This shows how good Desthen is at making things. It has a lot of complex layers and emotional rhythms that make it sound like deep, reflective electronic music. Each part is carefully made into the whole. All of them weave a tapestry of sound that rises and falls, taking the listener on a trip of self-discovery and inner exploration.

“The New Path” is even darker and driven in Erly Tepshi‘s remix, as if the original track wasn’t interesting enough. In Tepshi’s version, the haunting tune is mixed with heavy, hypnotic beats. All of the sounds work together to make an interesting difference that can be felt in the deepest parts of melodic techno. This new version gives it a sense of urgency and power.
Both versions are out now via Deep Tales.

The post Desthen presents ‘The New Path’ on Deep Tales appeared first on The Groove Cartel.
Ravebot
Renowned electronic music artist Reinier Zonneveld is set to unveil a revolutionary addition to his live performances at his own upcoming festival, taking place at the iconic location of the Spaarnwoude on August 17th. Zonneveld will be the first artist ever to integrate his specially-crafted AI model, R², into a live electronic music set, promising an experience like no other for electronic music enthusiasts worldwide.
Over the past few years, Zonneveld has fine-tuned R², a cutting-edge AI model that transcends conventional boundaries in music production and performance. The groundbreaking R² AI was trained on over 2000 hours of Reinier Zonneveld’s original music and recordings from more than 1000 live shows spanning the artist’s illustrious 15-year career. With a specific focus on capturing Zonneveld‘s celebrated improvisational style, R² is a unique and innovative partner in live music performance, setting new standards by seamlessly composing real-time tracks based on Zonneveld‘s extensive repertoire.
In addition to the R² mainstage, there will be seven other stages at the festival hosted by music institutions, labels, and clubs pivotal in Reinier Zonneveld’s history. The Beginning will be featured to pay homage to the illegal rave movement that gave birth to Reinier Zonneveld’s career, while De Marktkantine, the extinct nightlife institution from Amsterdam, is set to revive the energy felt during the many infamous Reinier Zonneveld all-nighters. STOOR, the pure improvisation audio-visual experience created by techno icon Speedy J, where image and sound become a symbiosis of unbridled electronics, will see Karl Klomp directing the stage design, lighting, and a team of video artists. The Unreal concept, straight from Bootshaus in Cologne, will bring a darker and heavier rave sound to those who want to enjoy harder techno at R², while the Amnesia’s Pyramid concept, where Zonneveld had his first-ever Ibiza residency in 2023, brings the Ibiza vibe to Dutch grounds. Kompass Klub will make its way from Belgium to showcase its intense, passionate atmosphere, and Reinier’s own Filth On Acid imprint is set to showcase some of the label boss’ personal favorite artists.
“I’ve always been excited about pushing boundaries and integrating technology in my performances. Last year, I broke the Guinness World Record for the longest live electronic music set at my own Karren Maar Festival. This year, With R², we’re taking that ethos to new heights. This isn’t just about playing music; it’s about crafting an experience that transcends expectations. I’m super excited to have all these iconic stage hosts at my festival, where R² and I will lead you on a journey into uncharted sonic territory, redefining what’s possible in live performances,” says Reinier Zonneveld.
Festival-goers can expect an electrifying showcase of Reinier Zonneveld‘s iconic sound, elevated to unparalleled heights by the innovative integration of R². This feat is a continuation of Reinier Zonneveld’s innovative approach to challenging himself to reach new milestones in his live sets. Last August, the artist set an entire new Guinness World Record at his own Karren Maar Festival for the longest live electronic music set with original music only.
Tickets for the festival are now on sale, providing attendees with the opportunity to experience the premiere of Reinier Zonneveld‘s R², alongside an impressive lineup featuring top acts from the techno scene and beyond.
Ravebot
Known for his boundary-pushing prowess, Swedish award-winning artist Alex Alexander embarked on a musical journey to captivate his worldwide audience as both a lead singer and guitarist. His repertoire boasts chart-topping singles like ‘Everything With You’ and ‘Won’t Let Go’, alongside his debut album ‘On My Way’, collectively amassing over 135 million streams on Spotify alone.
Beyond his musical catalog, Alex‘s production credits include hits like ‘Danse Avec Moi’ for M. Pokora and chart-toppers like ‘Shi Tai’ for Cross Gene, showcasing his talent on a global scale. Globally recognized for not only his masterpieces in the music scene and beyond, Alex shines, bright through in his appearances in commercials and music videos, illustrating his multifaceted creativity.
Now, with the release of his latest offering, ‘2080s’, comprising 12 tracks of his eclectic, yet vibrant sound design, Alex continues to push his signature sound forward. An album for the books, ‘2080s’ includes electrifying records such as ‘Leap Of Faith’, ‘Better Off Alone’, and ‘Sleepless’, a truly breathtaking masterpiece indeed, Alex Alexander has shown his pacifying vocals and capabilities are limitless to his worldwide fanbase.
As the visionary founder of LoudKult, he remains at the forefront of innovation, solidifying his status not just as an industry trailblazer but as an award-winning force in his own right. With each endeavor, Alex Alexander reaffirms his position in the global music landscape, poised to leave his mark on the industry for years to come.
Ravebot
EM has low-key been killing it on YouTube with his fire mixtapes, but his new remix of ARTBAT‘s “Coming Home” is truly next level.
The kid took the original progressive house banger and flipped it into this gorgeous, deeply emotional deep house journey. We’re talking Lane 8 or This Never Happened levels of atmospheric vibes.
It’s all warm, lush melodies and moody atmospherics, but the genius move was keeping John Martin’s iconic vocals pretty much intact. That’s the key to a dope remix – reimagining the original without losing the special sauce that made it resonate so hard in the first place.
Speaking of special sauce, EM’s production is absolutely flawless on this one. Fat layered textures, huge cinematic breakdowns that give you chills, and impeccable rhythms that just grip you and never let go. The way he builds tension in that breakdown with the atmospheric vocal chops is a goddamn masterclass.
EM’s whole sound is straight out of the melodic/emotive house realm à la Icarus, Yotto, Duskus and that crowd. Lush, melancholic chord progressions shot through with rays of euphoric beauty. He captures that bitter-sweet vibe perfectly.
As he gears up for a huge 2024 campaign focused on his own original productions, remixes like this have me incredibly hyped for what he’s got coming. You can hear his artistic vision shining through crystal clear.
If you’re into deep, melodic house at all, this “Coming Home” remix is an absolute must-listen. The way EM reimagined and flipped the vibe while still honoring the essence of the track is seriously impressive stuff. He’s even putting it out as a free download too!
Real underground talents like EM are exactly why the melodic house scene stays so fresh and captivating. With A-plus remixes like this one, it’s only a matter of time before he blows up in a major way. Don’t sleep, get hip now before he’s playing massive stages.

The post EM’s Progressive Deep House Remix of ARTBAT’s “Coming Home” appeared first on The Groove Cartel.
Ravebot
Hardwell, Blasterjaxx & Maddix – 16
Big room techno reaches its pinnacle as three of the foremost torch-carriers for the sound join up and produce a killer mainstage anthem in ‘16’ just in time for festival season. In a full circle moment for the big room techno sound, Hardwell, Blasterjaxx, and Maddix work together on ‘16’, a beautifully melodic yet industrial sounding mainstage techno cut, completed by shimmering synth lines and a droning looped vocal sample. ‘16’ feels like a seminal hit in the ever-changing and steadily bubbling big room techno scene.
Tiësto & MOGUAI – Explode
For what some are saying was the set of the weekend at Ultra Music Festival, Tiësto brought out MOGUAI to play their brand new single together called ‘Explode’. Right from the start the crowd was hooked and you could tell this mainstage banger was going to be an epic one and now it’s out for the world to enjoy.
Dzeko ft. Lil Yachty – Wu Tang
Releasing his first single of the year, Dzeko teams up with Lil Yachty on the brilliant ‘Wu Tang’. A perfect blend of both rap and house music, this single is sure to please both fans of each genre and to also introduce others to each genre at the same time.
Amél & D_EXC – Breathe Slow
Manitou Records, the innovative brainchild of Amél, is thrilled to announce the release of its second label track, ‘Breathe Slow’. This release sees Amél team up with D_EXC to deliver a fresh future house experience that stays true to the label’s signature style. With an ethereal vocal performance that seamlessly integrates with the track’s airy atmosphere, ‘Breathe Slow’ promises to be a captivating addition to any dance playlist.
Burak Yeter & Chester Young & NuHype – Sound From Space
After announcing himself as the first DJ to perform in space, Burak Yeter has been on a mission to deliver the best new released and this one is no different. Made in dedication to that performance, ‘Sound From Space’ alongside Chester Young and NuHype is a banging acid techno track that is sure to have any sound system shaking.
Alesso – Zig Zag
Alesso opens up his 2024 catalog with the release of ‘Zig Zag’ via Capitol Records. The infectious track shows off his signature progressive house sound and is primed to become an adrenaline-packed club anthem this year. Last weekend, Alesso played ‘Zig Zag’ to a massive sea of ravers at Insomniac’s Beyond Wonderland festival and is now available for the world to enjoy.
The Chainsmokers, Zerb, Ink – Addicted
After taking the world by storm with the viral hit ‘Mwaki’, Zerb follows it up with a tremendous collab titled ‘Addicted’. Made with hit makers The Chainsmokers and Ink, this team up was only going to deliver one thing and that is a bonafide smash hit.
Honorable mentions:
Andrew Rayel & Emilya Buchan – Euphoria
Anyma – Genesys II
BYOR – Thunder
Corey James & TR3NACRIA – Demolition
Dannic & Dyson – The Reason
Dimitri Vegas & Like Mike x Brennan Heart x Tony Junior – The Scientist
Don Diablo & Felix Jaehn – Monster
Gesaffelstein – GAMMA
Jay Hardway – On My Way
Marnik – Stranger (To Stability)
Matt Nash – Hope
MEDUZA, Ferreck Dawn & Clementine Douglas – I Got Nothing (Ferreck Dawn Remix)
Purple Disco Machine, Roosevelt – Higher Ground
Sandro Silva – Quema
Showtek – Colours
Tujamo x Gamuel Sori x SAYNT – Sometimes
Tungevaag – Waiting For You
Stream all these tracks and more in our New EDM Friday playlist – follow here.
Ravebot
Specializing in Afro-inspired electronic music, AMÉMÉ’s DJ sets are a vibrant tribute to his West African roots, offering an eclectic and diverse musical journey. In the studio, he demonstrates equal dynamism and skill, with releases through his label One Tribe catching the attention of industry heavyweights like Black Coffee. With tracks signed to esteemed labels such as Armada, Crosstown Rebels, Cercle, and Abracadabra, AMÉMÉ has brought his unique “AMÉMÉ House” sound to renowned festivals like Coachella, Tomorrowland, CRSSD, Lightning In A Bottle, Electric Forest, and legendary clubs in Ibiza, solidifying his presence in every major city worldwide.
Now, the Afro-House trailblazer debuts his newest single “Wild Animal” under Defected’s newly established afro-house-focused label, One People. This release marks AMÉMÉ’s first solo original since 2023’s “Kaleta,” following a series of collaborations with various dance producers, including Tom & Collins, Bontan, Baron, and most recently, NenaHalena.
With its pulsating bassline and thought-provoking narrative, the track immediately propels your mind to the dancefloor, fueled by energy-infused drums that create an irresistible fusion of Afro-tech and house vibes. Brimming with the spirit of Africa in every beat, “Wild Animal” promises to dominate the club scene, serving as an uplifting testament from the West African luminary.
Check it out below!
This article was first published on Your EDM. Source: AMÉMÉ joins Defected’s newly-minted One People imprint with Infectious Single “Wild Animal”
Ravebot
Just last weekend we were creating memories in the magical festival that was Beyond Wonderland SoCal 2024. We were lucky to experience some amazing sets all weekend. Including the always exhilarating R3HAB b2b Afrojack set. We got the honor to sit down with the multi-platinum Dutch/Moroccan Artist R3HAB and chat about his summer plans, newest single, and more.
Some of R3HAB’s accolades include the title of Spotify’s Most Discovered Artist and one of Spotify’s top 300 most
streamed artists. Moreover, his releases have been Gold– or Platinum-certified over 80 times. His work has collected over 10B streams to date, including over 1B in 2023 alone. In addition, in 2019 R3HAB’s ‘All Around The World‘ quickly became his biggest ever record already surpassing 600M streams on Spotify alone and achieving Gold
and Platinum status in multiple countries. It was followed by R3HAB’s stellar collaborations with the likes of Ava Max, Luis Fonsi, Sean Paul, Afrojack, Armin van Buuren, Lukas Graham, Icona Pop, (G)I-DLE, Laidback Luke, Tiësto and more.

R3HAB’s official remixes include Rihanna, Drake, Taylor Swift, Calvin Harris, Sia, Jason Derulo, Ed Sheeran, Tyga, Ellie Goulding, The Chainsmokers and P!nk to name a few. Finally, he is currently ranked #14 on prestigious DJ Mag’s Top 100 DJs chart.
Thank you for taking some time to chat with us! You just came out from an epic b2b with long time collaborator Afrojack, how are we feeling?
“It was really nice, it’s always nice to play back in California. My first time here was in 2011 at Escape Halloween, so it always feels great to come back.”
You’ve been very busy releasing new music, just today, you had a major track come out, can you talk more about it?
“Yes, ‘Electricity’! I mean, Fast Boy, the brothers are extremely talented and they have amazing vocals. We felt like we worked great together. I met them in Thailand on a writing trip and the rest is history. I do want to write and produce more with them in the future because it really clicked.”
We can’t wait to hear ‘Electricity’ over and over again this festival season. What are your plans for this upcoming season?
“All over… I have shows in the US, Europe and Asia. It is really special to visit these places during the summer and I love playing during this time. I’m also working on my next single release in the next two months and I think it’s a really good one for the summer”
Photo credit: Frits Van den Brink
That’s exciting! We’re really looking forward on listening once it comes out. Speaking of new releases, who are some names you may or may not be working with the next few months?
“I haven’t planned too much because I’m focusing on writing at the moment. However, I am working with W&W since we have some b2bs planned out. I will continue with some b2bs with Afrojack so we will be working together a lot this season.”
You collaborate with so many talented and creative individuals. How do they inspire you in your writing and in your performances?
“I’ve always loved music since I was young, creating and listening. The love is still there, that’s what continues to inspire me as I work with so many different artists.”
That’s beautiful! Who are you most excited to work with in the near future?
“Oh I’m super excited to work with W&W for our b2b in France. You know when you’re playing a b2b you always want to do something special, and you’re kinda on edge because you have a deadline before the others come in, so that pressure gives you some extra focus.“
We want to express our gratitude to R3Hab and his team for their hospitality. We had a blast reconnecting since our last interview in 2019!
Support R3HAB and FAST BOY’s newest single ‘Electricity‘ now! til next time…

The post [Interview] R3HAB Promises Electric Festival Season and New Surprises appeared first on EDMTunes.
Ravebot
In the past year, 2Spade has exploded onto the bass and trap scene with his captivating sound design and driving percussive basslines. While still considered a newcomer to the scene, his ability to build tension and craft complex soundscapes places him among the bass elite. The South Korean artist has been turning heads left and right in the industry with his forward musical thinking and already has releases on iconic labels such as Sable Valley, Dim Mak, and Circus Records. Now he’s ready to continue his hot streak with his first collaboration of 2024 with past12 titled ‘Patala‘ out now via Barong Family.
In Indian religions, Patala translates to underworld. 2Spade and past12 have created a track that resembles just that, with their mastery over bass sounds. Leading with chanting vocals and a rolling bassline, ‘Patala’ captivates listeners from the sonic landscape that both artists have built. It’s a brooding trap banger that pops with energy during its thunderous drops and draws you into the depths of the underworld with its intricate synth melodies.
The post 2Spade & past12 Channels the Underworld With Bass Heater ‘Patala’ appeared first on EDMTunes.
Ravebot
Los Angeles’ vibrant Sound Nightclub is gearing up to host the much-anticipated ‘7 Days of Framework’. This annual event, running from April 12 to April 20, promises a house and techno marathon. Framework, known for its top-notch music curation, brings a lineup featuring stars like Purple Disco Machine, Reinier Zonneveld, Folamour, and others, including the first Maz b2b Ben Sterling set.
A Week of Stellar Debuts and Performances
The action kicks off on April 12 with Adam Ten and Mita Gami from Maccabi House making their Sound Nightclub debut. They set the stage for artists like Miss Monique and Folamour, who will also debut at Sound. The week heats up with Maz and Ben Sterling’s electrifying b2b set. Purple Disco Machine and Reinier Zonneveld are set to keep the dance floor alive with their sets.
More Than Just Music
Since 2017, ‘7 Days of Framework’ has bridged the gap between Coachella weekends, attracting fans of underground music. It has built its reputation by featuring both legends and rising stars, such as Solomun and Black Coffee. Framework’s talent for spotting and promoting music pioneers has made it a key player in the dance music world.
Kobi Danan, the brain behind Sound & Framework, says, “7 Days of Framework kickstarts our season, showcasing diverse talents in dance music. We’re thrilled to host returning acts and first-timers like Adam Ten x Mita Gami, Folamour, and Innellea. Maz b2b Ben Sterling adds an exciting twist. This gives fans a rare chance to get close to such artists.”
In conclusion, ‘7 Days of Framework’ at Sound Nightclub is more than an event. It’s a milestone in the house and techno scene. It offers a mix of renowned and emerging talents, representing LA’s underground music heart. As fans worldwide gather, they join a movement that celebrates house and techno’s pure essence. This year promises innovation, talent, and memorable moments, making ‘7 Days of Framework’ a must on the global music calendar.
Tickets for 7 Days of Framework are sale now. Individual day passes can be found here.
Be sure to get your 7 Days of Framework Pass, here. 
The post Sound Presents 7 Days of Framework: A Haven for House and Techno Aficionados appeared first on EDMTunes.
Ravebot
Defqon.1 Weekend Festival, the world’s leading harder styles dance festival and has just announced impressive line-up for their 2024 edition. From June 27th to June 30th, the festival site in Biddinghuizen, Netherlands will once again be filled with four days of the best sounds and entertainment from the hard dance scene. After welcoming over 250,000 visitors from 110 different nationalities last year, fans of the harder styles will come together again for the globally renowned four-day weekend festival during the last weekend of June. Tickets here.
In addition to pre festival events on Thursday, Defqon.1 also offers a night program featuring after-parties, fantastic activities, including fire shows and entertainment areas, along with a wellness area for those who seek relaxation. Details of these fringe events, alongside the complete timetable, will be unveiled during ‘The Warming-Up’ on May 23rd. Check out the full lineup below:
Q-dance is the world’s largest organizer of the harder styles events. The Dutch company welcomes over half a million fans annually to their events both locally and internationally. Since its inception in 1999, Q-dance has remained a market leader, successfully launching some of the most recognizable festival brands ever, including Defqon.1 Weekend Festival, Qlimax, X-Qlusive, Dominator, and QAPITAL. With impressive stage designs, immersive shows, quality line-ups, and the ability to build massive fan communities, they rightfully belong among the pioneers of the dance music industry. Q-dance is part of the widely known ID&T Group, which brings together seventy iconic festivals and events from the nightlife scene under one roof.
The post Defqon.1 Weekend Festival 2024 Lineup Announced appeared first on EDMTunes.
Ravebot
Jay Newman is here with his latest Progressive House single ‘Infinite Vision’ via Sommersville Records; a dynamic Producer and DJ on the scene, Jay Newman has become known for his distinct House sound, taking the genre and pushing its boundaries to emerge with a style that moves beyond any limitation, ensuring a fresh, original, and unique result. As he drops this new single, the talented Producer brings attention to his signature creativity and approach, offering a track whose hypnotising energy is sure to enthral any listener. 
With a career highlighted with many impressive accolades, including taking to the stage at some of the most exciting venues across the globe, such as Ministry Of Sound London, Ibiza Rocks Hotel, and Panama Amsterdam, Jay Newman is certainly making himself known within Electronic Music. At every opportunity, Jay Newman manages to impress, taking his name to even higher heights as more and more fans are captivated by his magnetic sonic persona; having had heavyweight names like Steve Lawler and Mark Knight pledge their support to his work, it seems only a matter of time before Jay Newman’s reputation grows even further, placing him high on the list of Producers and DJs to watch on the scene. 
‘Infinite Vision’ starts with a pounding beat, entrancing pads, punchy rhythmic hits, and processed vocals, introducing the listener to a full-bodied soundscape from the very start; with pulsing, staggering synths and bold basslines, the track remains enthralling in vibes as more and more captivating sonic details join to ensure listeners stay engaged. As the track keeps driving forward, ‘Infinite Vision’ maintains a steady pulse, increasing the intensity as underlying risers and layered rhythms add exciting colour into the soundscape; a journey of sonic excitement, ‘Infinite Vision’ surely comes as impressive credit to Jay Newman’s distinct sound and admirable skillset.  
On a path that is sure to see him cementing himself among the top talents within Electronic Music, Jay Newman is certainly one to keep following as he continues to drop striking productions and deliver unforgettable performances. So, make sure to follow Jay Newman across social media to not miss out on his upcoming projects and performances. ‘Infinite Vision’ is out now via Sommersville Records and is available to stream and download across platforms. 
Listen and buy ‘Infinite Vision’ now  
https://fanlink.tv/infinitevision
Jay Newman Online  
Spotify | Instagram  
Sommersville Records Online  
Beatport 
The post Experience the Thrilling Energy of Jay Newman’s ‘Infinite Vision’ appeared first on EDMTunes.
Ravebot
Kito and Chrome Sparks are two indie-electronic acts who will blend their innovative musical styles and reveal their new collaborative project to the electronic music world. This new project is IS U IS U and on March 27, this project has released their debut single, ‘All I Need’ via the Mad Decent record label, which has Diplo himself as the label head. The new IS U IS U project perfectly teams up the phenomenal, soundscape-heightened musical production skills of Kito with the melodic beae ts and rhythmic synths of Chrome Sparks. ‘All I Need’ is a track that provides a colorful vibrancy of groovy (yet also mellow) bass-lines, synth flows, and light guitar chords that will get the rest of the week going really swell. Click ‘Play’ on the Spotify link to listen this very chill track from this new exciting project.
Kito and Chrome Sparks, the superb artists behind IS U IS U
The ‘All I Need’ track represents an amazing unity of vocals and melodies that makes a perfect tune for springtime listening, wherever one may be. ‘All I Need’ also represents what will lead to more exciting releases coming from the IS U IS U project of Kito and Chrome Sparks. Kito is an Australian artist who now resides in and work out of Los Angeles and she has produced phenomenal music alongside the likes of Skrillex, BANKS, and Tinashe, as well as showcasing her talents at festivals such as Electric Forest and Bonnaroo.
Chrome Sparks has risen through the ranks of must-hear, indie-electronic artists who will shake up the electronic music scene for many years to come. Since releasing his debut self-titled album in 2018, he has collaborated with the likes of Flume, Khalid, and Petit Biscuit. The partnership of Kito and Chrome Sparks in this IS U IS U project will surely lead to more fans tuning into their innovative mix of wonderful music styles. To stream this track on other platforms, click on this link as well.
The post Kito and Chrome Sparks Reveal Their New Collaborative Project appeared first on EDMTunes.
Ravebot
This is a guest column written by Gordon Droitcour, a co-founder and executive producer at COUR, a multidisciplinary creative house. He also is the co-founder of Syne Research, a brand that celebrates the visual side of the listening experience through digital album artwork displays.
Late last year, the Excision and Immanent VJ team approached COUR to handle the creative and execution for five songs of Excision's newest tour, "Nexus," along with Ultra Music Festival in Miami.
Elevating the tracks "Bass to the Dome," "1 on 1," "Death Wish," "End of the World" and "Kern Happy Die," COUR sought to create five distinct worlds that would seamlessly merge with the music. Aware of Excision's reputation for creating electrifying performances, the team knew they had to deliver a spectacle that would not only enhance the music, but also leave the audiences wanting more.
The COUR team began work in December 2023, working with Excision and creative/video director Matt Medwid to develop the visuals for five tracks during the performance. Excision and the Immanent team were entirely responsible for the creative concept behind the Ultra Music Festival set and wanted the performance to be visually striking and appear as if the visuals were popping out of the screen towards the audience.
Alongside Matt, COUR drew inspiration from intense twists on nature, the pulsating beat of internet culture and the quirky realms of computer futurism to breathe life into the performance. We came up with unique concepts to accompany each of the five songs.
During "1 on 1," the team wanted to create a Tron- and Tetris-inspired architectural wonderland for Excision that would match the perspective of the stage and extend it. It was a pretty special moment. Lasers were dancing across a wireframe landscape, revealing intricate geometric shapes against the night sky. It was architecturally-led but felt like a fast, rhythm-based cube-crusher game.
Excision's Visuals for "1 on 1" at Ultra Music Festival 2024 (0:30) Matching the futuristic bass beats of "Bass to the Dome," Excision wanted to bring the performance to life with pulsating cubes of lasers rolling and crashing into the earth while unleashing a barrage of pyrotechnics, shockwaves and digital signals. During the track, the sides of the cube begin to fall away, revealing a futuristic bass speaker inside.
Excision's Visuals for "Bass to the Dome" at Ultra Music Festival 2024 (0:30) As the show progressed and the energy of the set increased, the team wanted to create an exciting moment for the audience that would match the energy of "Kern Happy Die." During the track, a laser is emitted from the center of an LED wall, and a reactor core is activated in the centre of the screen.
As the core began to fire up, a bright green backlight slowly began to fill the screen, illuminating a vast array of people standing on a multi-story scaffolding structure. As the song builds, the people on the scaffolding begin to convulse and move frantically.
Excision's Visuals for "Kern Happy Die" at Ultra Music Festival 2024 (0:30) Another concept the team developed was a futuristic computer interface that visualized a cybernetic overlord’s voice through a stunning 3D lattice structure during "End of the World." The computer interface was a thin glass with intricate HUD visuals displaying data.
As the song darkens, the overlord leaves the computer interface, breaking the frame and extruding towards the audience. This moment fully demonstrated Excision’s unparalleled creativity and technical prowess as artists at the top of their game.
Excision's Visuals for "End of the World" at Ultra Music Festival 2024 (0:30) Alongside Matt and Excision, COUR transformed the stage into a rocky, hieroglyphic-filled cave for "Death Wish." An ominous "X" emerged from the darkness, accompanied by bursts of fire, lasers and the chilling proclamation "Time to Grant Your Death Wish" splashed across large screens, which engulfed the audience in an unforgettable sensory experience.
Excision's Visuals for "Death Wish" at Ultra Music Festival 2024 (0:30) Though COUR specializes in video content, they pride themselves in being a multidisciplinary creative house handling things from creative direction to design to content. The Ultra Music Festival performance was a testament to Excision’s raw talent and creativity to deliver one of the most forward-thinking and innovative live music experiences.
Ravebot
You know, after covering the electronic music beat for over a decade at The Groove Cartel, you’d think I’d be numb to surprises by now. But artists like Anyma always find a way to keep things fresh and fascinating.
His debut album “Genesys” was a genuine jaw-dropper when it dropped last year. The way Matteo Milleri seamlessly wove those lush, dreamy soundscapes with cutting-edge visuals and thematic depth – felt like a true evolution for the genre. A new frontier of immersive, almost synaesthetic artistry.
So when whispers started circulating about a “Genesys Part II” in the works, you’d better believe my ears perked up. At first, I’ll admit, part of me worried it might be a hastily thrown-together attempt to milk the momentum from the original’s success. Boy, was I wrong?
Leave it to the mastermind behind Anyma to conceive something sleek and subversive. Rather than slapping together a few bonus tracks, Milleri is going the ambitious remix album route for Part II. An inspired move, if you ask me. Even better is that he will include some brand-new songs. You can expect the long-awaited Now Or Never as well as a collaboration with PARISI.
The Genesys Part II is a hybrid album with new songs, already released ones, and new remixes. The full tracklist of Anyma Genesys Part II album includes:
Sacrifice with PARISI Now Or Never The Light Simulation with Chris Avantgarde Pictures Of You Higher Power with Argy, Magnus F.T.L. Hear Me Now with Rebuke, Karin Park Exodus with Adam Sellouk After Love feat. Delilah Montagu
Eternity (Massano Remix) Pictures Of You (Cassian Remix) The Sign (Kevin de Vries Remix) Welcome to the Opera (Adriatique Remix) Syren (Adam Sellouk Remix) Consciousness (Eric Prydz Remix) Save Me (Kolsch Remix) Syren (Amelie Lens Remix) Welcome to the Opera (Kobosil 44 Symbiont Mix) Explore Your Future (Daniel Avery Remix) Think about it – “Genesys” was such a meticulously crafted audio-visual experience. Allowing fresh production talents to dissect and rebuild those lush atmospheres opens up endless new realms to explore. It’s like witnessing the work strain through a kaleidoscope of aural alchemy.
We’ve already had whiffs of the wizardry in store, with tantalizing remixes like Massano’s techno-big room take on the haunting album opener “Eternity.” Judging by the snippets making the rounds, this isn’t just going to be a run-of-the-mill remix package either.
No, Milleri seems dead-set on curating an entirely new headtrip for fans. An alternative dreamscape where the “Genesys” mythologies get bent, spliced, and recontextualized through a lens of fresh perspectives. I’m ready to plunge into those depths.
The masterminds dropped a key detail too during Anyma’s recent Buenos Aires gig: “Genesys Part II” is locked in for March 29th, hot on the heels of the Afterlife label’s Miami Music Week festivities. Savvy timing to catch that post-festival momentum.
As a veteran spectator of too many remix album cycles to count, let me say – this rollout has me genuinely hyped like it’s year one on the job again. Anyma’s penchant for transcendent, boundary-demolishing art makes this an essential experience for any discerning electronic explorer.
Part two of an already deeply immersive journey? Updates from the live show trail? You know I’ll be downing triple espressos to stay wired for every new Anyma transmission over the next few weeks. This is shaping up to be one for the books.

The post Anyma Announces Release of Genesys Part. II on Afterlife appeared first on The Groove Cartel.
Ravebot

Important Information

We have placed cookies on your device to help make this website better. You can adjust your cookie settings, otherwise we'll assume you're okay to continue.