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The Summit-Kaskade Powerhouse: A Collaboration to Watch
The excitement escalates with the announcement of a collaboration with the iconic Kaskade. Certainly, this partnership is a dream come true for dance music enthusiasts. It promises a mix of Summit’s dynamic beats and Kaskade’s melodic & lyrical depth. Additionally among the anticipated “new IDs” is ‘Resonate,’ a track with Kaskade that fans are eagerly waiting to hear at Coachella. This collaboration, alongside Summit’s solo ventures ‘Eat the Bass’ and ‘Give Me Anything’ with Elderbrook, hints at a groundbreaking performance awaiting Coachella attendees.
Coachella Awaits: The Perfect Stage for New Beginnings
Coachella stands as the ultimate stage for unveiling musical innovations, and John Summit is ready to make his mark. Furthermore, his announcement not only reflects his commitment to pushing musical boundaries but also sets the stage for a riveting display of house music evolution. With ‘Eat the Bass,’ ‘Give Me Anything,’ and ‘Resonate’ on the horizon, Summit’s Coachella set is poised to be a defining moment for him.
In the ever-changing landscape of electronic music, artists like John Summit continue to push the envelope. In the process, captivating audiences with his innovative sounds. As Coachella draws near, the anticipation for his collaborations, and his solo track highlight the genre’s boundless potential. This year’s festival is set to be a celebration of house music’s vibrant future, led by two of its most influential figures.
Firstly, in the dynamic world of electronic music, John Summit continues to stand out with his production skills. Secondly, they shine a light on his creativity and innovative collaborations. Moreover, As Coachella approaches, all eyes are on him as he is arguably at the pinnacle of his career, ready to elevate the festival experience with his new musical offerings. Thirdly, the anticipation for his performance underscores the ever-evolving nature of house music. It highlights the genre’s ability to bring people together. Lastly, proving once again that house music’s boundaries are limitless when pushed by such talented artists.
In conclusion, you can check out his original post, here.
The post John Summit Stirs Excitement with Three New ID’s for Coachella appeared first on EDMTunes.
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Music makes the world go round. And in that regard, we’re constantly on the lookout for new, exciting tunes to share with our audience. We’ve found some that cause goosebumps, and make you open your eyes and get up from your chair to dance. So put on your best pair of headphones, or turn up your speakers, and enjoy this week’s New Music Friday.
Here are our top picks for the best music we came across this week, in no particular order.
Eli Brown & Lilly Palmer – Gasoline
Genre: Techno
Did you expect a massive collaboration like this one? We’re witnessing the clash of two titans this week, as stars Eli Brown and Lilly Palmer come together for a frankly outstanding Techno pounder, ‘Gasoline‘. The title is probably a metaphor to represent the effect of this track on the dancefloor.
With a powerful beat and a rhythmic chord reminiscent of the 90s Euro scene, Brown and Palmer’s release is one you’ll struggle not to make a lemon face with. It’s really that secret weapon for the darkest laser-decorated, smoke-filled rooms.
Nicholas Gunn feat. 88Birds – Heart of Gold (York Remix)
Genre: Progressive Trance, Progressive House
Blue Dot Trance is killing it lately. We’re glad to have covered the birth of this imprint and are, of course, glad to see where Nicholas Gunn, its owner, is taking it. Good music, that’s all. And Trance. Tons of it, and of pristine quality. The latest of the label is York‘s remix of Gunn’s very own ‘Heart of Gold‘, featuring the vocals of 88Birds.
Have you noticed we have a tendency to share at least one close-your-eyes-and-fly-away track in every NMF? Well, this is the one. Do as I say, and let the break, flowing to the chords, flowing to the beautifully old-sounding Progressive Trance drop send shivers down your spine and take flight.
Universe – Shikadai
Genre: Hard Trap
Yeah, I guess we’re breaking the Spotify-only rule and tossing it in the bin. It’s the second week we’ve come across a frankly irresistible track not released on Spotify but rather on SoundCloud. And honestly, we’re more excited to share good music than we are sticking to a statement. Meet ‘Shikadai‘, the latest bomb from producer Universe.
‘Shikadai’ is a Hard Trap choon, something that can, and will, get you off whatever you’re doing and get you hooked as soon as the first drop hits. It’s an eye-opening moment, literally. And the track itself is one jewel crafted for the largest festivals. Have a listen and see.
Station Underground · Universe – Shikadai (Original Mix) Zaytek – Falling
Genre: Tech House
On the decks of this week’s New Music Friday we welcome Zaytek. Mexican-born and Washington-based, the producer has been making waves in the industry lately, with releases like ‘Change My Mind’ and ‘Stay’ — both nearing 20,000 Spotify plays as we speak. His latest release, out this week, only proves he’s aiming for the Moon and further.
‘Falling‘ is everything you’d want to hear on loud soundsystems. Groovy, with just the right amount of melody, entrancing textures, and tasty percussion. The vocal catches you and doesn’t let you go, and so, just like that, you’ve consumed nearly four minutes of good music without noticing. Maybe you’ve even sweated a bit dancing it out. I can’t be the only one!
Corey James x TR3NACRIA – Demolition (The Drill)
Genre: Tech House
We’re all for collaborations. How about four minds blending to update a classic? Corey James, an industry racehorse as of now and who’s been a 1001Tracklists Top 101 Most Supported Producers for three consecutive years, joined forces with Sicilian trio TR3NACRIA, who are the heads behind tens of millions of streams. All of this, for their take on the iconic ‘The Drill‘ by The Drill, from 2005.
The collaboration between them all presents us with a new version of the anthem, perfectly blending the essence of the original with a modern Tech House vibe. It’s always nice to see tracks like this come back to life with respectful versions. We’re fans!
ESSEL & Alex Mills – Rave Is the Weapon
Genre: Tech House
Back on Toolroom, one of the leading labels in the world right now, is ESSEL, whose 2023 release ‘The Edge’ just crossed the 4 million streams bar and nearly 40 BBC Radio 1 supports. Her 2024 release on the imprint is an all-female one, for she is joined by producer and vocalist Alex Mills, one who, in line with her collaborator, has written for CamelPhat, Solardo and Ferreck Dawn, and had a UK Top 40 with her track ‘Million Dollar Bill’.
Judging from CVs like those, this track should be a bomb. Spoiler alert, it is. Don’t doubt it. Packed with old-school House vibes and an overall beat that might as well be used, like its title, as a weapon, ‘Rave Is the Weapon‘ is a must-have for four-digit crowds and mint-condition speakers. Try it out and let us know!
CHEMISTREE – Take It Back
Genre: Brostep
We’re so happy to close this week’s New Music Friday with a track like this. It’s a rollercoaster ride! It is a journey through the senses, a sensory overload, in a very good way. Producer CHEMISTREE has just unveiled the first song lifted from his upcoming artist album, and it is this one, ‘Take It Back‘.
How can you describe something when you have no words for it? It’s tough, but we’ll try: it kicks off as a melodic piece that takes you sky-high in pure ecstasy, only to bring you back down to Earth for a dirty, lemon-face-inducing drop. It’s savoury, very very savoury. Listen with caution. Nah, drop the warning. Blast it with the lights out and, contrary to what one is used to, focus on the breaks very closely, they’re pure bliss!
Final Words
Stay tuned, for more of our compilations every Tuesday and Friday — based on demand. And be sure to follow EDMTunes for all the latest news and reviews that revolve around our beloved Electronic Dance Music!
The post EDMTunes New Music Friday – Week 13 appeared first on EDMTunes.
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Jamal Eid for Insomniac Events Wonderland
The production value this year felt really appropriate, from crazy characters to beautiful photo ops and amazing visuals. Every stage had its charm. However, The Looking Glass was the knight in shining armor this year, with a stacked lineup of incredibly hard techno that packed every inch of the dancefloor. We now feel that the stage has main character energy and it deserves an expansion in the future. Some stages had their own hookah bars and fun amenities, which justified a VIP upgrade. The Queen’s Domain and the Mad Hatter‘s Castle brought out incredible House and Bass acts that made our knees weak all weekend.
Gina Joy for Insomniac Events The Music
Beyond showered us with a lot of love, and a lot of amazing artists. We heard epic b2bs such as Bart Skills b2b Joyhauser, Eli Brown b2b Lilly Palmer, Tchami b2b Malaa, and the legendary Afrojack b2b R3HAB. We even got a chance to sit down with R3HAB after his set to chat about this upcoming festival season.
Credits: Frits Van den Brink The mixture of talent really defined this festival in a category of its own. Individual sets that had everyone go wild include The Chainsmokers, Max Styler, Anfisa Letyago, I Hate Models, and probably the most packed and insane set of the weekend Sara Landry. Her popularity has exponentially influenced the Techno scene in the US so beautifully. It is just a matter of time until she has her own Hekate Records takeover at different festivals, and get booked in bigger and better venues.
Improvements
We are always happy to know that Insomniac consistently listens to feedback in order to improve the experience they provide year by year. From distributing artists and set times on the different stages, to expanding festival hours to allow a better flow during peak hours. Thus, we feel that the parking situation wasn’t ideal as the lots were filling up way too fast and the streets of San Bernardino were very busy. It is understandable, as the event was sold out. However, we hope for better logistic planning when it comes to parking and we know Insomniac has what it takes to make the event event better and safer for everyone.
Photo by Tyler Hill | www.tylerhillphoto.com Final Thoughts
We had a wonderful time exploring this campy world of imagination. Beyond Wonderland created a bunch more core memories for us. As of now, we will gear up towards Beyond Wonderland at the Gorge and the brand new Chicago edition. Next year’s tickets are already up for sale… see you guys there!
The post [Event Review] Beyond Wonderland SoCal 2024 Delivered Its Magic appeared first on EDMTunes.
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No stranger to the limelight, Skonka’s music has pulsated through LA’s underground scene, marking his territory in the world of electronic music. His performances at iconic music festivals such as EDC, Nocturnal Wonderland, and Countdown, as well as legendary clubs like Sound and Exchange LA, have showcased his talent to transform any space into a euphoric haven of sound and connection. ‘Purple City’ promises to be another feather in his cap, further cementing his reputation as a masterful producer and DJ.
Purple City
With ‘Purple City,’ Skonka invites listeners on a journey that bridges the gap between the past and the present. The track’s use of the Lavender Town theme not only evokes nostalgia but also showcases Skonka’s skill in integrating these memories with the pulsating rhythms of house and techno. This release is poised to be a favorite among both long-time fans and new listeners. It offers a unique experience that highlights Skonka’s creative genius. If you’re into house, pokemon, or just good music ‘Purple City‘ is the track for you. Skonka’s ‘Purple City‘ is out now and can be streamed below, enjoy!
Skonka – Purple City | STREAM
The post Skonka Drops Channels Lavender Town Via Latest Single, ‘Purple City’ appeared first on EDMTunes.
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A Pause for Enhancement or a Debt Dilemma?
The official announcement on Imagine Festival’s Instagram conveyed a message of hope and reassurance, stating, “Dear Imaginers, Imagine Festival is pausing in 2024 to enhance your experience. Thanks for your understanding as we work to create a more amazing festival for you.” While the statement paints a picture of an event in the process of evolution, behind the scenes, the narrative seems to be more complex. According to insights from “The Festive Owl,” a reliable source in the festival community, the hiatus is not just about reimagining the festival but also grappling with financial woes. It’s been reported that Imagine Festival has been on the lookout for a new owner since last year, with one potential buyer on the horizon. Unfortunately, due to disagreements on the final details, the deal fell through, leaving the festival without a buyer and, more critically, in significant debt.
The Ripple Effect of Unsettled Debts
The financial turbulence surrounding Imagine Festival has had a profound impact not only on the event’s future but also on the lives of those involved in its creation. The Festive Owl reveals that “many, many people still haven’t been paid for the services they rendered for it.” This unsettling revelation sheds light on the challenging circumstances faced by artists, vendors, and staff who contributed their talents and services, expecting fair compensation. The fallout from these financial struggles casts a shadow over the festival’s legacy, raising questions about the sustainability of large-scale events and the responsibilities of organizers to their contributors and community.
In conclusion, as Imagine Festival takes a hiatus to ostensibly “enhance the experience” for its attendees, the undercurrents of significant debt and unsettled payments tell a story of a festival at a crossroads. The journey ahead for Imagine Festival is uncertain, but the hope is that this pause will not only allow for financial recuperation but also foster a stronger, more sustainable event that honors the contributions of all involved. As the festival navigates through these turbulent waters, the support and understanding of its community will be more crucial than ever in shaping the future of this beloved event. You can check out Imagine Festival’s original post, here.
The post Imagine Festival Hits Pause: Aims To Focus on Attendee Experience appeared first on EDMTunes.
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Now, we’re thrilled to premiere his wildly creative flip of the timeless hit “Pure Imagination”, infusing it with a groovy, bass house vibe. Delving into the realms of nostalgia, Tom Apex’s rendition, bearing the same title, ingeniously reimagines the original melody, crafting an entrancing intro that seamlessly transitions into a dynamic bass-house masterpiece. With its rich layers, pulsating rhythms, and evocative synth elements, the track is poised to keep audiences grooving well into the summer months.
Featuring the exceptional talents of Asunder, Aylin Kayvan, and Lucas Taucoory, “Pure Imagination” emerges as a fusion of musical brilliance, each artist infusing the track with their distinctive flair, thereby ensuring that this rendition remains as captivating as its predecessor.
Listen below!
This article was first published on Your EDM. Source: PREMIERE: Tom Apex Offers Thundering Flip of Timeless Hit “Pure Imagination”
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On Disc 1, Anyma welcomes Adam Sellouk, Karin Park, and PARISI as first-time Afterlife signees, while Argy, Chris Avantgarde, and Rebūke make their triumphant returns to Tale Of Us‘ esteemed record label. Genesys II’s second half boasts remixes led by a five-star ensemble, including Adriatique, Eric Prydz, and Massano, among others. While derivative works from Kevin de Vries and Cassian do well in capturing melodic techno’s baseline essence, Amelie Lens and Kobosil provide harder spun techno iterations of “Syren” and “Welcome To The Opera”. A treat at every turn, stream Genesys II in full, below.
Featured image: Michael Drummond
The post Anyma unleashes ‘Genesys II’ on Afterlife/Interscope Records appeared first on Dancing Astronaut.
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We hope you enjoy your Good Friday with your loved ones if you commemorate this date. As for us here at EDMTunes, we’re pleased to share with you a colossal EP for those who are craving a good, proper Organic time for their Good Fridays. And it comes from Amonita, one of the Organic stars in the world right now.
As the ethereal musician she is, known for her enchanting compositions and captivating live performances, Amonita has been rocking the scene since 2017. And she’s been releasing on today’s imprint, All Day I Dream — one of the leading record labels on this side of the spectrum —, for five years already.
The Rainbow EP
Amonita’s time in Turkey, surrounded by the raw beauty of Nature, became the muse for her most recent release, the Rainbow EP. She says the songs are full of those moments she witnessed: sun-drenched lands, the calming whispers of the sea, and the vibrant burst of a majestic rainbow. It’s a journey for the romantics, the passionate ones, the ones who chase dreams with open hearts, and those who resonate with Mother Nature’s most intimate wonders.
Amonita – Rainbow EP Tracklist
Rainbow Amulet Moon Dust ‘Rainbow’
Happy, uplifting and full of the sonic representation of good times in good company, the title track, ‘Rainbow‘, is perhaps the best definition of the EP. With a shy melody surrounded by ever-evolving elements and an aura of that feel-good stuff, it enchants upon the very first listen.
‘Amulet’
Slightly more mysterious, and even groovier (how?!), ‘Amulet‘ — my favourite out of the three — develops an entire song around quite the simple idea: two chords telling a tale. There’s so much happening that you can almost forget about the simplistic idea of its foundation. You get carried away super easily, it’s just that mysterious. It’s intriguing. And the percussion-vocal combo reminds me of my childhood. For more insights DM me, won’t bother the audience with my past!
‘Moon Dust’
I don’t know how to word this, but this one does, indeed, feel like a track born out of a night experience. I can see it being the most appropriate for a heated night on the dancefloor. Even more mysterious than the other two tracks, and containing filtered elements that can only up the groove and danceability of it, ‘Moon Dust‘ portrays the perfect tune for a full moon’s night.
Listen to Amonita‘s beautiful Rainbow EP below by interacting with the Spotify block below, or click here to support it on your favourite streaming platform.
The post Amonita Releases Masterful ADID Three-Tracker ‘Rainbow’ appeared first on EDMTunes.
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Boasting a top-tier mix down, “Dune Tool” is sure to turn heads and rev up dance floors around the world. Grab a high-res audio file of Watson’s latest here, and stream the infectious new DJ tool below.
Kyle Watson · Dune Tool [Free DL] Featured image: Nick Kaufman
The post Kyle Watson acidifies Hans Zimmer score—stream ‘Dune Tool’ appeared first on Dancing Astronaut.
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The French electronic music icon reinforces himself as a sculptor of emotional resonance, building out monolithic structures carved with dark, glitched-out bass. Yet within these imposing edifices, intricate nuances shimmer and whisper. Gesaffelstein's mastery lies in this equilibrium.
If Hyperion was a chrome-plated monument, GAMMA is the demolition, its anguished vocals writhing to the soundtrack of his world on the brink. From the opening salvo of "Digital slaves" to the haunting, ambient coda of "Emet," the new album is an exercise in duality. His virtuosic command of texture and timbre feels both alien and intimately familiar, an unflinching confrontation with the depths of the human condition.
Elsewhere in GAMMA, Gesaffelstein cranks up the claustrophobia by virtue of "Psycho," a distorted banger that could soundtrack a horror film set in a mirror maze. And after that strobe light headache, he bathes in its afterglow in "The perfect," a sonic sensory deprivation tank wherein his tortured vocals float atop a chugging beat.
You can listen to GAMMA below and find the new album on streaming platforms here.
Follow Gesaffelstein:
Facebook: facebook.com/gesaffelsteinmusic
Instagram: instagram.com/gesaffelstein
Spotify: spoti.fi/3cKr0Nv
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A Harmonious Clash Of Titans
Firstly, at its core, ‘I Haven’t Felt This Way’ is a masterclass in Techno production, crafted by two of the genre’s most acclaimed female virtuosos. The track is a dynamic journey through the essence of the genre, combining a relentless tech beat with the ethereal beauty of soaring pads and bright arpeggios. Secondly, Moudaber and Engberg’s craftsmanship is evident in every beat, with cavernous synths and robust drums creating a soundscape of titanic proportions. Lastly, it’s a warehouse-ready anthem that promises to resonate deeply within the souls of techno aficionados worldwide.
InTheMood For A Decade Of Dance
2024 marks a significant milestone for Nicole Moudaber, celebrating a decade of her InTheMood empire. This sprawling dynasty encompasses not just a record label but a weekly radio show and a series of famed parties that have become synonymous with quality techno. Moreover, the ‘Queen of Techno’ embarked on this anniversary year with electrifying celebrations in Denver and Miami. This set the stage for an exhilarating series of events and collaborations that promise to captivate and enchant Techno lovers across the globe.
Ida Engberg: A Force of Nature
Ida Engberg, the Swedish Techno powerhouse, rides the waves of a stellar 2023 into this collaboration. Her MYSTIK club nights at Ibiza’s Club Chinois became the talk of the town, featuring titans like Dubfire and Sven Vath, and cementing her status as a premier musical curator. Engberg’s connection with InTheMood, highlighted by her ‘Tribute to Orange Clouds’ EP, sets the perfect backdrop for this collaboration, promising a blend of passion, innovation, and sheer musical prowess.
In the world of Techno, where the beat is king and the dance floor is a sanctuary, ‘I Haven’t Felt This Way’ emerges as a beacon of creativity and collaboration. Furthermore, Nicole Moudaber and Ida Engberg have set the stage for what is undoubtedly one of the most anticipated tracks of the year. Additionally, I believe that this offers a glimpse into the future of Techno. As they say, the best is yet to come, and if this collaboration is any indication, the realm of Electronic music is in for a thrilling ride. In conclusion, Nicole Moudaber & Ida Engberg’s debut collaboration, ‘I Haven’t Felt This Way’ is out now and can be streamed below.
NICOLE MOUDABER & IDA ENGBERG – I HAVEN’T FELT THIS WAY | STREAM
The post Nicole Moudaber & Ida Engberg Unleash Electrifying Debut Collaboration, ‘I Haven’t Felt This Way’ appeared first on EDMTunes.
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Now he’s back with a bright new single “San Francisco” that we are thrilled to premiere. San Francisco holds profound personal significance in TATE SEDAR’s artistic evolution. As a city renowned for its musical heritage spanning rock, funk/soul, and hip-hop, it becomes the thematic nucleus of his latest release. “San Francisco” pays homage to the diverse sounds that influenced SEDAR’s formative years while also acting as a platform for his ventures into uncharted musical realms. The track exemplifies the transformative influence of revisiting one’s roots to chart new creative territories.
We had the chance to catch up with him to discuss the song and what’s ahead for him. Enjoy!
The Genesis of “San Francisco”: Can you describe the moment or experience that inspired you to create “San Francisco”? Was there a specific event in the city that sparked this artistic endeavor?
San Francisco was actually something I made by accident. I was playing around with lofi samples and I started to realize: “this sounds a lot like what I grew up with in SF.” Is there a specific event? Well, it’s my youth – my upbringing. And sometimes, you find yourself in other things. And I think that’s what happened with these samples and the production.
“San Francisco” represents a fusion of diverse genres. How did you approach the process of blending elements of progressive rock, funk, hip-hop, and post-EDM to create a cohesive sound?
I first started with the guitar melody and found out (while I didn’t even realize San Francisco was shining its way through) a sort of connection between rock and funk. The connection, of course, is where I’m from: rock and funk are part of the ‘San Francisco sound.’ And then…I kind of left the middle break alone for a bit. But when I started to hear SF, I thought: “I’m going to add hip-hop,” ‘cuz ‘cmon: the Bay Area – we’re known for that (laughs shortly). Post-EDM is the result of this track; it’s all these different sounds and genres in an electronic format, or at least what people consider, you know, EDM and electronic music now. I didn’t even realize at the time I was coming into the concept of post-EDM until after.
Beyond its musical influence, how has the city of San Francisco shaped you personally and artistically? Are there any landmarks, cultural aspects, or personal memories that directly influenced the track?
You know what’s kind of funny is: I was raised in San Francisco but have not spent all my life there. I lived there until I was about seven, moved around with family to the [US] East Coast, then London, went to school in [central] NY – and finally made it back to SF (now in LA). My mom always believed she made “SF part of my…identity” and I think it’s very true because, even though we didn’t live there full-time, we visited every summer and winter. It became important still in adolescence: those high school summers when you’re 16, 17, 18 are crucial in everybody’s upbringing.
San Francisco has shaped me in terms of my outlook on life, social dynamics & experiences with people and some of my beliefs: I kind of am somebody who believes in and hopes for a world without judgment or discrimination – a world where everyone can be who they are or want to be, regardless of what people think. There is a warmth and care that San Francisco breeds, or at least used to (a story for another day) – but I think I’m still part of that [earlier] generation.
I really only discovered what is glam or early progressive rock – Journey – when I lived in London and researched music from SF. Motown and R&B were always part of my youth. I think San Francisco is very much a “melting pot,” like New York City – and that is what this song is: a fondue of music (laughs). Those memories of finding this music is what made this. Some music might be inspired by what’s current now or trends, but this track is about what made me. It’s kind of a retrospective, but also a style and concept I haven’t encountered yet.
Your career has now ventured into the realm of what is labeled ‘post-EDM,’ a genre that signifies progression from traditional EDM sounds. How do you define post-EDM, and what makes “San Francisco” a standout piece within this genre?
The definition (or my interpretation) of post-EDM is: a progressive style of electronic music that incorporates sounds of what some may consider “the Golden Age of EDM” (2010-2014) and afterward as well as music from the past – really, it’s an amalgamation, a refinement of digital and analog sounds. And I realized this made the most sense, in terms of my career, because I felt limited with synthesized sounds. Yeah, sound design is great: it’s something fresh, people love novelty. But there’s something about what we know – what we’re familiar with – that engages people. You can’t deny that guitars, pianos or even an old vocal style each evoke a certain emotion and I feel like just staying with synthetic music is devoid of that [emotion].
“San Francisco” is the introduction to this sound because it incorporates the three most well-known genres of SF, all of which are pre-electronic music (rock, r&b and hip-hop) and its natural form exhibits the definition of post-EDM. Some people might say “it’s a funk-inspired” or “disco house.” track, and that’s ok. There’s a little more there though, and for those that really wanna take it apart and hear that – I think they’ll get the message.
You’ve emphasized storytelling through your music. What story does “San Francisco” tell, and how do you use the different musical elements to convey this narrative?
I would say this is more a story of sound than necessarily a narrative. Yeah, I have love songs and songs about finding yourself – but this is the story of San Francisco through music. And sure, it might feel like a history piece, but some people like history. And also, it just hits a lot of spots emotionally when you think of the different analog sounds that inspire it.
What’s your plans for the future – how are you feeling about 2024 and where you are headed within the year?
I am ready for 2024. I have a lot slated; I have so much music over the past couple of years that basically fit this sound and became the foundations of my rebrand. But also…feeling a little anxious. I committed to trying to put out [1] original and [1] remix a month. That’s a lot of work!
I think there is something to offer for people to hear, but I just need to have a year where I get it all out and see what happens. I didn’t put out a lot of music last year and need to expand the catalog. And if it doesn’t stick, we try again! But I’m confident that some of this will connect with people because there is an audience who doesn’t even know they like electronic music – because they don’t know that these sounds that are familiar could also be part of electronic music. And that’s what I’m hoping to do – is to be able to bridge a gap.
This article was first published on Your EDM. Source: PREMIERE: TATE SEDAR Unveils Electrifying New Single “San Francisco”
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Genix Continues To Make Magnificent Dance Jams After Starting Nearly 20 Years Ago
The accomplished British DJ/producer Genix has made a lot of strides in his career since releasing his debut single, ‘Red Vision‘, back in 2005. Since then, the Electronic music world has seen Genix produce stellar live sets at illustrious locations such as The Gorge when he performed alongside Above & Beyond at Group Therapy Weekender and the famous Warehouse 55 locations in London and Los Angeles. Most recently, his recent EP, Warehouse55 (Volume 2), included support from top artists such as John Digweed, Joris Voorn, and Armin Van Buuren.
The release of Dance Like Nobody’s Watching / On & On comes after the successful release of ‘Lights, Sound, Camera, Action’. It is a collaborative track alongside flowanastasia that has featured on BBC Match of the Day (the world-famous football/soccer highlights program), as well as on Sirius XM BPM and Diplo’s Revolution. When the album comes out on June 14, as well as the start of the tour, Genix will show new fans why he has continued to make top bangers for almost two decades.
The post Genix Releases ‘Dance Like Nobody’s Watching / On & On’ EP appeared first on EDMTunes.
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The first half features 10 brand new, genre-bending tracks, boasting collaborations with PARISI, Chris Avantgarde, Rebūke, Karin Park, and Delilah Montagu. Fans can also expect the previously released singles “Pictures Of You” and the electrifying “Higher Power” featuring Argy. The second half of the album takes a captivating turn with remixes from progressive titan Eric Prydz and techno royalty such as Kölsch, Amelie Lens, and Daniel Avery who add further depth and diversity to the album. Notably, the highly anticipated remix of Anyma’s “Welcome To The Opera” featuring Grimes is in the expert hands of one of Berlin’s fastest rising DJs, Kobosil. Adriatique, Cassian, and Kevin de Vries, all artists that are part of the Afterlife family, remix tracks on the album as well.
Anyma’s ability to push creative boundaries extends beyond the music. He has partnered with the renowned digital and multimedia artist Tobias Gremmler, alongside his long-term visual partner Alessio De Vecchi, to create a stunning visual experience that complements the album’s themes. A glimpse of this captivating collaborations was unveiled during Anyma’s sold-out set at Afterlife Los Angeles this past fall and most recently at Afterlife Miami to kick off Miami Music Week.
The post Anyma Releases Sophomore Album ‘Genesys II’ appeared first on EDMTunes.
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You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here.
EDM.com Fresh Picks
rSun - Without You
Hxly xo, THRSHXOLD - swtr
Harry Hayes, Lily Ward - Pain Away
Disco Lines, demotapes - RWEOK?
MarMar - Heart
Ukiyo - attached (demo)
Lonstoryshort - HER
Yergurl - exactly the same
Moore Kismet - Girls On Bread
Teulu - Never Tried
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No strangers to collaboration, Solomun and Framework have partnered on a plethora of cutting edge music events over the last ten years. Thus, the upcoming show at the 56-acre power station base will also commemorate both parties’ decade long, continually thriving creative partnership. “Framework is a truly long-standing partner,” says Solomun, adding, “After all these years, they never tire.”
Tickets to “Framework presents Solomun,” who very well may bring out an assortment of special guests, are officially available for purchase here.
Featured image: Aj Al Gammal
The post ‘Framework presents Solomun’ at abandoned power plant in SoCal appeared first on Dancing Astronaut.
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Orchestrating a Spotify discography that outperforms the highest echelons of pop royalty without ever stepping into the spotlight, this Stockholm symphonist has been identified as the mastermind behind over 650 artist aliases on Spotify. Röhr's compositions have amassed a staggering 15 billion streams, according to The Guardian.
Röhr's prolific output includes over 2,700 songs. His music, a mainstay on Spotify’s mood-centric playlists, serves as the unseen backdrop to millions of daily lives. Much of the artist's success is believed to come specifically from editorial instrumental playlists.
Critics argue that the dominance of a few, faceless artists undermines Spotify's pledge to support small, independent musicians. Financially, Röhr's windfall from his streaming success isn't fully known, although his company did report a record-breaking year of 32.7 million kronor ($3 million USD) in the 2022 fiscal year.
In response, a Spotify spokesperson told The Guardian: "There is an increased interest in functional music created to enhance everyday activities such as relaxation, focus, or studying, and these playlists are created to match the listeners’ demand. This type of music typically exists in Spotify’s Focus hub which limits competition with artists from traditional genres of popular music."
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Dzeko described the creative process as an exploration of ideas in a press released he shared to EDMTunes. “The song with Lil Yachty came about by hitting the studio literally last March,” he explained. “We went through a bunch of different ideas and vocals.” This experimentation paid off, as Dzeko highlights the unique blend of elements that make the track a success: “I think the combination of the melodic chorus with the Wu-Tang part mixed with the dance/house drop blends so well and makes it a banger.”
Fans are in for a treat as Dzeko’s signature production style fuses with Lil Yachty’s infectious rapping in ‘Wu Tang.’ The year-long effort to perfect the song speaks to Dzeko’s excitement: “A year in the making, and I’m so excited for this to finally come out.”
This isn’t Dzeko’s first foray into cross genre collaborations either with his last one being with country legend Keith Urban on ‘Both Still Young.’ And then there is his platinum hit ‘Jackie Chan‘ with Post Malone and Tiësto which took the world by storm in 2018. Dzeko and Lil Yachty’s latest collaboration is one to get excited for as the combination of their talents has all the makings of a crossover hit. With its catchy melodies, bumping dancefloor beats, and a touch of Wu Tang Clan influence, the track has what it takes to be the next summer anthem.
Dzeko (Julian Dzeko) is an EDM producer and DJ from Toronto, Canada who has cemented himself as a leading figure in the global dance community. His use of colorful arrays of progressive sounds and energetic dance melodies mixed with electro, pop, future and bass house elements show his ability to further push the envelopes of his sound and identity as forward-thinking producer. He has released music on some of the biggest labels in the world, including Spinnin’ Records, Armada Music, and Revealed Recordings. In addition to touring all over the world, he’s held iconic residencies in Las Vegas Casinos such as Hakkasan and Omnia Nightclub.
The post Dzeko Releases Fire Collab With Lil Yachty ‘Wu Tang’ appeared first on EDMTunes.
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Teaming up with Qoiet, a metal/rocktronic artist renowned for his visceral vocal style, they conjure a nightmarish soundscape, blending distorted drums, ominous melodies, and foreboding soundscapes. Each element, carefully selected, stretches the boundaries of comfort while irresistibly drawing listeners into its dark embrace.
In ‘CREATION OF DISGUST,’ AVANCE confronts the demon within, crafting a tale of horror and revelation. This is a descent into the psyche of its creator, marking a monumental chapter in AVANCE’s odyssey through the realms of sound and fear.
Make sure to check out ‘CREATION OF DISGUST’ below!
The post Avance Drops Massive Track ‘CREATION OF DISGUST’ appeared first on EDMTunes.
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Taking place at the Reveille Peak Ranch—an hour north of Austin—from April 5-9, 2024, this location offers the quintessential vantage point to experience the upcoming solar eclipse on April 8th, as it is along the line of totality and free from light pollution.
To celebrate an exceptionally rare celestial event, 12 extraordinary festivals from around the world have tapped in to produce this year's edition of the Global Eclipse Gathering: Texas Eclipse Festival 2024.
Find out more about each of the independent festivals that are involved below:
BACHSTELZEN
Location: Germany
Berlin-based art and party collective, Bachstelzen, is known for curating events that tap into Berlin's avant-garde art scene and underground culture, while ensuring an everlasting commitment to freedom of expression.
BELOVED
Location: Oregon
Beloved is known for producing a series of devotional offerings that are in service to healing the land and one other through sacred, shared experiences.
COSMIC CONVERGENCE FESTIVAL
Location: Guatemala and Austria
By supporting a wide variety of artists, organizations and community projects, Cosmic Convergence is an initiative that is designed to leave a positive social and local impact.
DISQO PEREZOSO
Location: Costa Rica
Hosted and curated by one of the founders of Symbiosis Gathering, DisQo Perezoso is an intimate daytime gathering in Uvita, Costa Rica exploring unknown, downtempo sonics.
DisQo Perezoso
EARTH FREQUENCY FESTIVAL
Location: Australia
Earth Frequency Festival is a multi-faceted gathering that transcends traditional festivals, with a strong focus on arts, education, healing and community spirit.
MEADOWS IN THE MOUNTAINS
Location: Bulgaria
As an annual transformational festival, Meadows in the Mountains is a celebration of deep love for ones community and an ongoing devotion to living with nature through eco-friendly principles and regenerative practices, ultimately inspiring a collective commitment to sustainable living.
FESTIVAL OMETEOTL
Location: Mexico
Ometeotl are a team of dreamers seeking alternative ways to assist attendees in the rediscovery of themselves, learning how to express themselves and grow via spiritual practices, connecting with the earth, art and music.
ORIGIN FESTIVAL
Location: South Africa
Africa's Origin Festival is renowned as a conscious gathering for psychedelic music, art and culture that promotes peace, love, unity and respect for all—including nature.
RAINBOW SPIRIT FESTIVAL
Location: Australia
Rainbow Spirit Festival is a community of people with shared values seeking connection, creativity, celebration and growth. Over 23 years in the making, the fest has grown from a small gathering to thousands celebrating life, music, arts and culture in an intimate way.
RE:BIRTH FESTIVAL
Location: Japan
Born in 2013, Re:birth Festival began as a vision to create an environment where people are able to express themselves freely, while enjoying a diverse range of underground dance music and art.
STRAWBERRY FIELDS
Location: Australia
Founded in 2009, Strawberry Fields has since solidified its reputation as one of Australia's best known art, music and camping festivals offering four days of live music, large scale art, workshops, and wild river swimming in one of the most stunning natural environments that the country has to offer.
SYMBIOSIS GATHERING
Location: California
Since the inaugural Symbiosis Gathering, the team's efforts have been steered by an insatiable drive for novelty, community and authenticity. The event is dubbed an "art project" and its organizers say "our community is our palate," according to the official website.
For more information about the Texas Eclipse Festival 2024, navigate here.
FOLLOW TEXAS ECLIPSE:
Facebook: facebook.com/texaseclipse24
X: x.com/texas_eclipse
Instagram: instagram.com/texas_eclipse
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Perhaps best known for his collaborations with Steve Aoki, Tiësto and Post Malone, Keith Urban and more, the multi-Plaitnum producer is an undisputed hitmaker. Out now, his new track alongside Yachty is bound to become yet another.
"Wu Tang" marks Yachty's second foray into dance music this year after he united with Fred again.. and Overmono to deliver "stayinit." A year in the making, "Wu Tang" combines his charismatic flow with Dzeko's catchy melodies, a match made in heaven.
The new track signifies the start of a "new direction" for Dzeko, he said in a press release shared with EDM.com.
"The song I did with Lil Yachty came about by hitting the studio literally last March," he explained. "We went through a bunch of different ideas and vocals. I think the combination of the melodic chorus in the 'Wu Tang' part mixed with the dance/house drop blends so well and makes it a banger."
Take a listen to “Wu Tang” below.
FOLLOW DZEKO:
Facebook: facebook.com/dzeko
X: x.com/dzekomusic
Instagram: instagram.com/dzeko
Spotify: spoti.fi/2AlHBKs
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After last year's sold-out debut between its iconic monoliths, he's now set to descend on the iconic open-air venue for a headlining doubleheader on November 9th and 10th, 2024. Of The Trees, who was named to the EDM.com Class of 2024, called the return "a dream come true."
Of The Trees performing at the Red Rocks Amphitheatre on November 12th, 2023.Colin Webb
Fans attending the show can also expect to hear plenty of new music as Of The Trees continues to record his long-awaited debut album.
"We'll be presenting two nights of unique production designs inspired by the mountains and woods of Maine and Colorado," he said in a press release. "Now that this lineup is finally out, I gotta go work on finishing this album."
The first night will feature supporting sets by Mindchatter, Halogenix, Anna Morgan, Posij and Sylph. The ensuing show will see Emancipator, Goopsteppa, Freddy Todd and Chef Boyarbeatz take the stage.
You can purchase tickets to the upcoming shows here. In the meantime, check out Of The Trees' stunning 2023 Red Rocks performance, which was filmed by nine cameras in high definition, below.
Follow Of The Trees:
Facebook: facebook.com/ofthetrees
X: x.com/ofthetrees
Instagram: instagram.com/ofthetreesmusic
Spotify: spoti.fi/2YxTKb9
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At last night’s sold-out show at Denver’s Cervantes Masterpiece Venue, Portland-native turned Denver-based DJ sensation Redrum (Tatiana Tindall) took the stage as direct support for Super Future. Little did she know, her longtime boyfriend and tour manager Scott Villanueva, had a surprise up his sleeve: a heartwarming proposal.
In the midst of what seemed like a regular photo op on stage at the end of her set, Scott decided to make his move. Being Redrum’s VJ for the show, he created a cleverly crafted graphic that played during her final song, which let the crowd in on his master plan. Once she finished her set, entire crowd rallied to cheer him on as he took a knee and proposed. It was a proposal that turned the night into something truly unforgettable.
We’d like to wish a special congratulations to both Redrum and Scott and if you’d like to see Redrum this summer, you can catch her at Electric Forest or Lightning in a Bottle!
This article was first published on Your EDM. Source: Redrum Gets Surprise Engagement From Longtime Boyfriend & Tour Manager, Scott
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