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New Venue: RA Centre Grounds
To accommodate its growing audience and enhance the festival experience, Escapade is relocating from Lansdowne Park to the RA Centre Grounds, situated just five minutes away. This move ensures ample space for attendees and allows for the introduction of new features to mark the festival’s 15th year. The organizers expressed their enthusiasm, stating, “We’re excited to announce our new location: the RA Centre Grounds, just 5 minutes down the road!”
15th Anniversary Highlights
In celebration of this significant milestone, Escapade 2025 will introduce several enhancements:
Expanded Stages: With the new venue’s larger footprint, expect bigger and more immersive stage designs. Interactive Art Installations: Engage with captivating art pieces scattered throughout the festival grounds.reddit.com+11dancingastronaut.com+11edmcanada.com+11 Enhanced VIP Experiences: Upgraded amenities and exclusive areas for VIP ticket holders.reddit.com+2edmmaniac.com+2reddit.com+2 Tickets On Sale Now
Tickets for Escapade Music Festival 2025 are available now. Given the enhanced offerings and the festival’s popularity, early purchase is highly recommended. Secure your spot at this monumental event by visiting the official ticketing page.
Connect with Escapade Music Festival
Website: www.escapademf.com Instagram: @escapademf Facebook: Escapade Music Festival Twitter/X: @escapademf Join thousands of electronic music enthusiasts in Ottawa this June for a 15th-anniversary celebration like no other. With a new venue, an exceptional lineup, and special anniversary features, Escapade Music Festival 2025 promises an experience not to be missed.
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Sónar+D 2025 presents more than a hundred activities designed to inspire, train, and connect creators, professionals from various disciplines, and the general public, providing a dynamic platform for the fostering and projection of local and international talent.
The program is structured around three thematic axes: ‘AI + Creativity’, which examines how the tools and approaches of AI are affecting artistic production; ‘Futuring the Creative Industries’, a space to reflect on changes and opportunities in the sector; and ‘Worlds to Come’, an exploration of emerging scenarios that will define the relationships between technology, culture, and society.
Interactive forums, round tables, master classes, performative conferences, workshops, multidisciplinary shows, and an exhibition area with dozens of projects, will open the door to discovering the future before it becomes the present.
Among this year’s invited figures are Libby Heaney (UK) presented by SEIDOR, Tega Brain (AU), Rebecca Fiebrink (UK), Xin Liu (CN), yaboihanoi (TH), Albert.DATA (ES), Danielle Braithwaite-Shirley (UK), Forensis & Bill Kouligas (INT), YESSI PERSE & laSADCUM (ES), and the premiere of ‘Ama’, the new project by Maria Arnal (ES).
The festival expands its collaborations at a local and global level with renowned cultural, academic, and scientific entities such as the New Museum, Serpentine Gallery, Tabakalera, the Onassis Foundation, Universitat Pompeu Fabra, Barcelona Supercomputing Centre, University of the Arts London, IRCAM, IASLab at La Salle-URL; companies like Stability AI and Google Magenta, and pioneering AI projects like AudioStellar.
Beyond AI, the program expands this year to offer a broad and multidisciplinary vision of the present and future, exploring themes ranging from digital sustainability and non-binary futurism to terraformation, space exploration, neurohacking, or emerging trends in internet culture, including incisive satires on techno-feudalism.
Sónar+D 2025 will be held on June 12, 13, and 14 at the Palau de Congressos de Fira Montjuïc, within Sónar by Day, offering attendees access to dozens of talks, debates, and performances from 10:00 AM, as well as more than 50 concerts and DJ sets.
The post Sónar+D 2025 to explore new horizons of music, creativity and the arts in an era of omnipresent AI appeared first on Electric Mode.
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Out now via the producer's own Young Art Records, the new album is a meditation on grief, resilience and the unbreakable pulse of dance music. After a delayed last fall due to a family emergency, the 14-track project arrives not only as a testament to her artistic evolution, but also as a love letter to the connections that shape us. And as always with TOKiMONSTA, it’s wrapped in kaleidoscopic, genre-blurring brilliance.
Regardless of genre, she sculpts each track with an instinctive understanding of movement, both physical and emotional. What began as an album interrupted by personal hardship now stands as a reflection of her ability to transform pain into deeper meaning.
Eternal Reverie begins with "Eternal," a delicate yet captivating overture that sets the stage for a setting where deep house grooves, ethereal synths and organic instrumentation collide effortlessly. But it's the album's disco sensibilities that shine strongest on tracks like "Enjoy Your Life," a plucky anthem that pulses with warm basslines and trippy synth flourishes. The song's title reads like a directive, and its breezy, funk-laced edge makes it impossible not to obey.
TOKiMONSTA paints across the sonic spectrum with tracks like "Corazón / Death by Disco, Pt. 2," which picks up the thread from her 2023 track "Death By Disco" by injecting a Latin-tinged undercurrent into its framework. One of the album’s most intriguing moments comes with "Switch It," a track that, true to its name, flips expectations by embracing a hip-house sound.
Then there’s "All In," a shining example of slow-burning soul. With AMAKA’s vocals, it’s the kind of song that lingers as TOKiMONSTA strips back the frenetic energy of club cuts in favor of something richer—an intimate, heart-on-sleeve moment where every note breathes.
Listen to TOKiMONSTA’s new album Eternal Reverie on streaming services here.
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Despite being a relatively young festival – now entering its fourth edition – BEONIX has already made waves in the electronic music industry. Following a first sold-out last year, organizers are raising the bar once again, curating an unforgettable experience with an even bigger and more powerful lineup.
Leading this year’s lineup as Main Stage headliners are three powerhouses of the electronic music scene: Armin van Buuren, Boris Brejcha, and Adriatique, each bringing their distinct sound and electrifying energy to the festival.
Joining them across four dynamic stages, a stellar selection of internationally acclaimed artists and rising talents will shape an unforgettable weekend of music. Among them are Anfisa Letyago, Avision, Carlo Lio, David Moreno, Dubfire, James Zabiela, Kevin Saunderson, LNTX, Roger Sanchez, Saraga, Spartaque, Tania Vulcano, Xavi Emparan, and Yulia Niko, alongside exciting new additions such as ANII b2b OLYMPE, As Ide, BADBOX, Henri Bergmann b2b Kadosh, Lehar, and The Element.
This year’s festival will feature four immersive stages – Main Stage, Hangar Stage, Organic Stage, and Garden Stage – each offering a unique atmosphere and carefully curated sounds. Whether you’re into deep, melodic journeys, hard-hitting techno, or groovy house beats, BEONIX has something for everyone.
With more names yet to be announced, BEONIX Festival 2025 is shaping up to be a must-attend event for electronic music lovers, delivering an unparalleled atmosphere and cutting-edge sounds in the heart of the Mediterranean.
With last year’s event selling out, demand for VIP & General Admission tickets is expected to be high. Secure your spot now and get ready to experience BEONIX Festival 2025!
For more information and to purchase tickets, visit: https://beonix.art/tickets
The post BEONIX Festival Returns to Cyprus with Armin Van Buuren, Boris Brejcha, Adriatique & more appeared first on Electric Mode.
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You’re returning to play at Siam Songkran this year, having performed at the festival back in 2023. What does it feel like coming back to this event, and how does it compare to other festivals you’ve played?
Thailand has such a passionate dance music crowd and playing there is always special. What makes this festival unique is the whole Songkran celebration – it’s not just a music festival; it’s a cultural experience. The energy at Siam Songkran is unreal and it all comes together in a way that’s so unique.
Thailand has always been a special place for dance music, and you’ve performed here multiple times throughout your career. What’s your connection to the country and its dance music scene? Also, have you ever experienced Songkran outside of performing?
Every time I come here, I feel the love from the fans. The scene is thriving, and the passion for dance music continues to grow! As for Songkran, I’ve experienced a bit of it outside of performing, and it’s absolutely crazy in the best way. I’m excited to be returning!
Last year at Tomorrowland, you surprised fans with a throwback set at the Freedom Stage, bringing back iconic big room classics. What was the thought process behind crafting that set, and how did it feel revisiting that era of your music in a festival setting?
That set was all about celebrating an era that meant so much to me and to the fans. Big room had such a massive impact on the festival scene, and I wanted to take everyone on a trip down memory lane. I even put it to fans on social media to find out what kind of set they wanted to hear, and that made the set even more special. It was such an emotional set, I loved every minute of it and it reminded me why I fell in love with this music in the first place.
Over the past few years, you’ve shifted your style, moving from big room into more techno-driven sounds. Do you see yourself continuing in that direction, or is there another evolution on the horizon? What excites you most about the next phase of your career?
For me, evolution is everything. I never want to stay in one place musically. Coming back with REBELS NEVER DIE was a way for me to reset and push my sound into a new direction. Right now, I’m still loving that harder, more techno-infused energy, but who knows? The beauty of music is that it’s always changing. I just follow my instincts and let creativity take the lead.
From launching Revealed Recordings to your work in radio and your involvement in new music technologies, you’ve always pushed boundaries beyond just DJing. Are there any upcoming projects, collaborations, or new ventures outside of music production that fans should keep an eye on?
Revealed is still a core focus for me. We’re constantly discovering new talent and evolving as a label. This year also marks our 15th year so we’ve big plans for the months ahead. I’m also really interested in the future of music tech, AI, and how we can use new tools to enhance creativity. There are some exciting projects in the works, but unfortunately I don’t want to say anything just yet.
Your album Rebels Never Die marked a shift towards a big room techno sound. What influenced this evolution, and how have your fans responded to this new direction?
Ultimately that album is about freedom – musically and creatively. After my break, I wanted to return with something that felt 100% true to where I was at. Big room was always my foundation, but I wanted to bring in darker, more driving elements. The response ever since has been nothing but incredible. It’s amazing to see fans, and the scene as a whole, embrace the evolution and vibe with the new sound.
Many fans might be surprised to learn about your voice acting roles, such as voicing The Flying Dutchman in the Dutch version of SpongeBob SquarePants. How did these opportunities come about, and do you have plans for more voice acting in the future?
Yeah, that was a fun experience. I’ve done voice work in the past, previously voicing Mel the Pug in ‘Secret Life of Pets’. It sort of came out of nowhere but was one of those unique opportunities that I had to say yes to. I love movies, and its nice stepping out of my world for a moment and trying a different project. If the right opportunity comes up, I’d be down to do more!
As we celebrate the 10th anniversary of your debut album United We Are, how do you feel your music and personal journey have evolved since its release?
That album was such a huge moment for me. It was my first full-length project, and looking back, I can see how much I’ve grown both as an artist and as a person. My sound has evolved significantly since then, my approach to music too has changed, but that album will always be special because it represents a chapter in my story.
Revealed Recordings recently celebrated its 1,000th release. Looking back, what are some of the most memorable moments or releases from your label’s history?
When I started Revealed, I wanted a home for my own music and also to be a platform to support fresh talent, and now it’s grown into this massive family. Some of the biggest moments? We’ve had some amazing hits on the label over the years which is incredible and hitting our 1,000th release was a really insane one for me. Hosting arenas at festivals like Creamfields, Ultra and Tomorrowland are standout moments, as is helping support incredible talent like Dannic, Dyro, Maddix, KAAZE and many other artists early in their careers. I’m super proud of everything we’ve built and how the label continues to evolve.
With that, don’t miss Hardwell‘s set at Siam Songkran in Bangkok on April 12th as he returns to celebrate music, culture and the Thai New Year!
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The Florida flock will reunite at a brand-new location, the DoubleTree by Hilton at the Entrance to Universal Orlando, for a weekend in house music paradise. Dirtybird in 2025 is teaming up with our friends at Home Bass to deliver a bigger and better variety of programming while staying true to its quirky, summer-camp style ethos.
Don Idio/DIVisuals
Taking place over Labor Day Weekend, the experience will feature onsite dining, an arcade, a pool and much more. The fest's color-wars games will feature three competitive flocks: Flamingo Fam (pink), Gator Gang (green) and Scuba Squad (blue). Friendly rivalries, vacation vibes and a stacked lineup of talent will make for an unforgettable weekend.
“The previous CampINN shows have always been a highlight on our calendar, and as we celebrate 20 years of Dirtybird this year, it was a priority to bring it back for our East Coast flock," Dirtybird's Label Manager and Talent Buyer, Deron Delgado, said in a press release. "Thrilled to be working again with Home Bass who consistently knocks it out of the park on the production. We cannot wait to see all of the fun come together which makes this party one-of-a-kind."
Dirtybird's partnership with Home Bass will manifest in a multi-genre lineup spanning house, techno, bass and beyond.
"We have the opportunity to take the first Dirtybird CampINN’s vision to the next level through collaboration and creativity from all the birds this time around," added Brian Thomas, Co-Producer of Dirtybird CampINN and Founder of Home Bass. "I am most excited to see how it evolves, shaping the next chapters of this must-attend annual getaway for years to come. The energy and effort put into planning will be unmatched, enhancing the festival experience with passion, music, wackiness, and a growing sense of community."
The event will unfold from August 29th to September 2nd. While the highly anticipated lineup has yet to release, tickets are now on sale here.
Follow Dirtybird CampINN:
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Each week, host Bora Uzer sets the tone with his immersive live sets, multi-instrumental skills and heartfelt blend of genres that draw on his vast library of sound.
Joining him this year is a who’s who of international talent including the one and only UK icon Boy George (7, 28 June, 5 July), Bora Uzer feat. London Gospel Community Choir (14 June), US house pioneer Roger Sanchez (1 June, 12, 26 July, 16 August), genre defining duos The Ritual (Louie Vega + Anané) (19 July) and Masters At Work (Louie Vega + Kenny Dope) (2 August ), new school tastemaker Purple Disco Machine (9 August), the legendary Kings of House (Louie Vega + David Morales) (3 August), Australian duo Flight Facilities and a live PA from UK dance-pop queen Sophie Ellis-Bextor (30 August). Each and every week, the party starts with opening sets from cultured selectors Fabrice and Sam Oui.
Flower Power is the White Isle’s signature exploration of music that liberates, is powered by love and defined by self-discovery and creative expression.
It is the most authentic way to experience true joy and come together with like-minded souls who embrace a hint of Ibiza nostalgia while looking to an exciting celebration of the future.
Grab your tickets here
The post Flower Power announces full Pacha Ibiza season with Masters At Work, Purple Disco Machine, Roger Sanchez, Boy George, Kings of House, Sophie Ellis-Bextor and Bora Uzer. appeared first on Electric Mode.
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The chart-topping producer, who famously lent his own vocals to his 2011 classic "Feel So Close" before largely stepping away from singing, has announced a brand-new single called "Smoke The Pain Away" with his familiar voice leading the cut.
Posted as an extended teaser on his Instagram, Harris' latest preview incorporates earthy harmonica riffs, twangy plucked strings and punchy, thumping kicks. Stylistically, "Smoke The Pain Away" taps into the growing intersection of country and electronic music, a tried-and-true crossover fusion that has seemingly regained major traction in recent history.
Alongside the music, Harris additionally showcased a refreshed aesthetic, donning long, windswept hair that adds to the rugged, free-spirited character of his latest work. Whether the look is a nod to the folk-infused elements of the track or simply a new chapter in his artistic journey remains to be seen, but if past is prologue, wherever Harris goes, the charts tend to follow.
"Smoke The Pain Away" is set for release on streaming platforms this Friday, March 14th. Listen to a preview below and pre-save the track here.
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Towards the later stages of last year, we had the chance to speak with ALLKNIGHT, Jodie Knight’s Dance-focused alias. Well, it’s no secret she’d been having an outstanding career up to that point, writing and performing vocals for the likes of Marsh, Paraleven, Deeparture, and many more. But she’s taken her career up a notch today.
Just like she told us back then, she was working on producing music that was 100% hers, from start to finish, from kick to toplines. And of course we were over the moon to hear this back then but, I’ve got to be frank: time goes by without you even noticing. And in the blink of an eye we’re in March 2025 now, and we’ve been gifted the first of these ALLKNIGHT-only goodies: ‘Home‘.
‘Home’
I’m lost in the sound. I’m a sucker for everything Organic House and Melodic, warm and those songs which feel like a soft caress to the heart (cue my friend Rama again, this one’s also your fault), so you’d bet when you put a Jodie vocal over a delicate song like this one, I’m bound to binge-listen.
I know this may sound obvious up to a point, but a rare feat that this song showcases with beautiful grace is that the instrumental and the vocals fit like a puzzle. Of course there’s magic in an instrumentalist musician collaborating with a vocalist to fit songs to their track, but when both parts come from the same mind, it’s an entirely different story. Every element here fits like a glove. Every element has its place: guitars, plucks, pads, even the reverb applied to the vocals has its own place to shine.
If this is how ALLKNIGHT sounds towards the future, I’m so ready.
Listen to ALLKNIGHT‘s brand-new ‘Home’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry.
The post ALLKNIGHT Lifts Debut Solo Single ‘Home’ From Upcoming EP, Out On Monstercat Silk appeared first on EDMTunes.
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The Hidden Struggles of Artists
The tragic passing of Avicii in 2018 was a wake-up call for the electronic music world, shining a light on the relentless pressures faced by artists. His documentaries, True Stories and I’m Tim, revealed the darker side of a life that, to outsiders, often appeared glamorous. The constant demand for performances, the need to deliver new hits, and the weight of living up to global expectations often created a cycle of exhaustion. Avicii’s struggles were not isolated, but a reflection of systemic issues that plague many artists in the industry.
Armin van Buuren, a legendary figure in electronic music, has also spoken openly about the challenges of balancing life in the spotlight. He shared how the relentless pace of touring began to affect his health and personal relationships. Armin emphasized the importance of taking breaks, spending time with family, and recognizing that mental health should take precedence over professional obligations. His candid remarks highlight the ongoing need for change, as artists often feel compelled to prioritize their careers over their well-being.
One of the critical barriers is the fear of losing momentum. Many artists worry that stepping away from the stage or studio might alienate their fans or jeopardize their career. The industry must work to create an environment where artists feel supported in prioritizing self-care without fear of judgment or professional consequences.
Rethinking Safety for Festivalgoers
Festivals are spaces of connection, creativity, and freedom, but they also bring challenges that cannot be ignored. Substance use, dehydration, and overexertion are common issues that can escalate into serious risks if left unchecked. The industry’s response has gradually shifted toward harm reduction and education, which are proving to be more effective than punitive measures.
Marlon Hoffstadt, after his Australian festival tour, spoke about the importance of fostering a culture where attendees look out for one another. This mindset reflects a broader shift in the electronic music community toward shared responsibility for safety. Leading festivals like Boomtown in the UK and Shambhala in Canada have pioneered on-site harm reduction teams, free hydration points, and educational programs to promote safer behavior. These measures are essential not only for mitigating risks but also for creating an environment where festivalgoers feel empowered to make informed choices.
The growing discussions around ketamine, particularly its potential reclassification to a Class A drug in the UK, highlight the need for nuanced approaches. Organizations such as The Loop and DanceSafe have been instrumental in offering drug testing services, peer support, and education that help attendees make safer decisions. By normalizing harm reduction practices, festivals can ensure that safety is seen as an integral part of the experience rather than an afterthought.
Building a Culture of Care
Addressing these challenges requires collaboration across all levels of the industry. For artists, this means providing access to mental health resources and creating an environment where taking breaks is not just accepted but encouraged. For attendees, it means fostering a culture of care where checking in on friends and respecting boundaries is normalized.
Promoters and event organizers also play a crucial role in shaping this culture. Initiatives such as offering counseling services for artists after extended tours or providing chill-out zones staffed with trained professionals at festivals can go a long way in supporting well-being. Platforms like DJ Mag and UKF have amplified these conversations, but there is still much more to be done. Highlighting success stories and sharing best practices can inspire others to adopt similar measures.
A Call to Action for the Community
The electronic music community has always thrived on its sense of unity and shared purpose. It is this same spirit that can drive meaningful change. Fans can contribute by supporting artists who prioritize their well-being, advocating for harm reduction policies, and actively looking out for each other at events. Promoters and industry leaders can invest in solutions that prioritize health and safety without compromising the vibrancy of the music and culture.
What if every festival provided harm reduction services as a standard practice? What would happen if artists could take breaks without fear of losing their place in the industry? These are the questions that need to be addressed before another crisis forces them into the spotlight. The music is only as strong as the people who create and enjoy it. By working together, the electronic music community can create an environment that supports everyone involved, from the artists on stage to the fans on the dance floor.
The time to act is now. This is not just about fixing what is broken but about building a foundation where creativity and safety can coexist. By fostering a culture of care and compassion, the industry can ensure that electronic music continues to inspire, connect, and thrive for generations to come.
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For someone like me, who has spent years singing along to both artists, this feels like a moment where two different parts of my music experience are finally crossing paths. Garrix was a major influence in my early years in the EDM scene, while Arijit’s music became something I connected with later. Now, their worlds are coming together in a way that brings both of those moments full circle.
Martin Garrix – More Than Just a DJ for Indian Fans
Garrix has been shaping electronic music since 2013. His breakout track Animals, released on June 17, 2013, was impossible to miss. Whether you were deep into the scene or just discovering dance music, that song made an impact. But what set him apart was his ability to keep evolving. Over time, his music became more than just upbeat tracks for festivals. Songs like Scared to Be Lonely and High on Life showed that he could create music that stays with people beyond the moment.
His connection with India has always been strong. He has performed across the country, played multiple sold-out shows, and spoken about how much he appreciates the energy of Indian fans. His upcoming stadium show in March is not just another event on his tour. It is a moment that represents years of support from a country that has embraced his music since the beginning.
Arijit Singh – A Voice That Leaves an Impression
Arijit’s music wasn’t part of my early years, but when I finally connected with it, it became something I kept going back to. His voice has a way of making a song feel personal, no matter when or where you hear it. Songs like Channa Mereya, Tum Hi Ho, and Kesariya are more than just popular tracks. They mean something to the people who listen to them, often tied to personal memories and emotions.
Unlike many playback singers, Arijit isn’t just a voice in the background of a film. He brings something unique to every song, making each one his own. Now, stepping into a collaboration with Garrix, he is entering an entirely different space. The idea of hearing him on an electronic track is something no one expected, but now that it is happening, it feels like a natural step forward.
The First Hint That This Collaboration Was Happening
It all started with a simple Instagram post. Garrix shared a picture with Arijit, calling it an incredible week. That was enough to set fans into speculation mode. Seeing them in the same room made it clear that something was in the works.
Now we know that the song is called Angels for Each Other. While there is no confirmed release date yet, the anticipation is already building. The biggest question now is what the song will sound like. Will it lean into Arijit’s emotional style, or will it have the uplifting sound that Garrix is known for? That is part of what makes this collaboration so exciting.
Garrix’s First Stadium Show in India – A Possible Live Performance?
Martin Garrix has played in India many times before, but this show is different. His first stadium show here is already a big deal, but with Angels for Each Other on the way, there is another reason to pay attention.
Fans are already wondering if Arijit will make a surprise appearance. Garrix has a habit of bringing unexpected guests to his sets, and this would be the perfect opportunity. Imagine hearing this song for the first time, live, with Arijit stepping onto the stage. It wouldn’t just be a performance. It would be a moment that shows how music can bring together artists from completely different backgrounds in a way that feels effortless.
A Collaboration That Feels Right
This is not just about an Indian singer featuring on a track with an international DJ. It is a sign of how music continues to move beyond categories and expectations.
For me, this song connects two completely different parts of my music journey. Garrix was a huge influence in my early days in EDM, while Arijit became a voice I turned to at a completely different time in life. Now, those two artists, who existed in separate spaces for me, are coming together to create something new.
With Angels for Each Other about to release, the excitement is not just about the song itself. It is about the idea that music, no matter where it comes from, has a way of bringing people together.
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First released in 1990 under the Beat Club Record label, ASHA’s ‘JJ Tribute’ was created by three young Italian producers (aged 18-20) in their Milan-based recording studio. The track quickly gained massive popularity in the UK, becoming a club staple and an iconic anthem of the rave movement. In 1995, a series of remixes were released by Ffrreedom, a subsidiary of FFRR Records, pushing the track to No. 38 on the official UK singles chart. Over the years, it has received unwavering support from top international DJs and remains a defining track for 90s rave culture. DJ Mag even ranked it No. 48 in their “The Hot 100 – The Best Club Tunes Ever!”
Now, with Shugz’s expert touch, the 2025 remix injects new energy into this timeless classic. Christopher Kirkpatrick, known professionally as Shugz, hails from Belfast, Northern Ireland, and has made significant waves in the electronic dance music scene, particularly in trance. Renowned for his dynamic sets and technical prowess—including his innovative use of a third deck, scratching, and layered effects—Shugz has built a dedicated global following.
His production credentials include releases on major labels such as Black Hole Recordings and Who’s Afraid Of 138?!, with standout tracks like ‘The Darkside’ and ‘Down The Rabbit Hole’ topping charts. His remix and collaboration credits extend to high-profile artists such as MK, Rita Ora, and Joel Corry. In 2024, Shugz secured a multi-track major record deal with Columbia Records/Room Two, positioning him among global icons like Calvin Harris, Adele, Daft Punk, and Harry Styles. His ability to blend techno, trance, hard techno, and commercial dance sounds showcases his versatility and forward-thinking approach to electronic music.
Shugz shared his enthusiasm for the remix: “ASHA ‘JJ Tribute’ has always been one of my all-time favourite piano house classics. The vocal and riff are packed with so much energy that I knew a 2025 version would work effortlessly from the moment I started. My goal was to preserve the magic of the original—keeping all the iconic elements—but with a fresh, modern twist. I’ve loved every step of the process, and I’m thrilled with how it’s turned out.”
The ASHA, Shugz ‘JJ Tribute (2025 Remix)’ has been released on March 7th via Fankee, a community-driven label where fans are more than just listeners—they are co-producers, promoters, and amplifiers of the music they love. In an era where social engagement and virality drive success, Fankee empowers artists to break through with the direct support of their fanbase.
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Born and raised in South East London, Blondeting grew up surrounded by a mix of music that shaped the way she approaches her own sound. She studied at The BRIT School, an institution known for producing some of the biggest artists in the UK, but what she has built since has been entirely on her own terms.
Her latest single, ‘AFTERPARTY’, was released on February 28, bringing a track that fits right into the kind of nights where time moves faster than expected. It is built on the feeling of being caught up in everything happening around you, only to realize the afterparty has already come and gone before you even thought to check your phone.
This follows ‘Wondering’, which was released in December 2023 and introduced her to a wider audience. The track resonated in UK and international drum and bass circles, leading to support from BBC Introducing London and BBC Radio 1’s Jaguar. It was a key moment in establishing her name among a growing group of listeners who connected with her ability to bring both depth and movement to her music.
Blondeting’s reach extends beyond her solo work. She recently co-wrote Lola Young’s ‘On The Radar’ rap, showing that her approach to songwriting moves beyond a single genre. She has always been drawn to different influences, and this latest project is another example of how easily she shifts between styles without losing what makes her unique.
Her reputation as a live act has also been growing. On March 21, she will be performing at SuperCharged at Volks in Brighton, supporting Emily Makis. The venue is known for its focus on bass-driven club music, making it the perfect setting for Blondeting to bring her sound to an audience that thrives on late-night sets.
Blondeting has already played at The Roundhouse, Moth Club, and Colours Hoxton, venues that have become key spaces for rising names in the UK scene. Her ability to connect with a live audience has been a major factor in how quickly she is building a following.
Her tracks have been featured on BBC Radio 4’s Loose Ends and BBC 6 Music’s Unsigned Roundtable New Music Fix, giving her a growing presence outside of underground spaces. She has also been added to Spotify’s Planet Rave, a playlist highlighting artists shaping the future of electronic music.With ‘AFTERPARTY’ now out, Blondeting is continuing to establish herself as an artist shaping the next wave of UK club music. This latest release is another step forward, but it already feels like something that will stick around.
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Stay tuned for our other event guides dropping this week: Wednesday, Thursday, Friday, Saturday, Sunday
WMC Opening Party
Where: M2 Miami
When: 10PM-5AM
Lineup: Timmy Trumpet, Deorro, Audien, Nico Moon, DJ Capri
Tickets
Hugel’s Make The Girls Dance
Where: Space Miami
When: 11PM-4AM
Lineup: Deron, Grossomoddo, Hugel, Juany Bravo, Maahez, Mahmut Orhan, Mestiza, Shimza, Tom Enzy
Tickets
Groove Cruise: unlearn Showcase
Where: MODE Miami
When: 9PM-5AM
Lineup: Basura Boys, Doc Brown, Gawp, and more
Tickets
The post EDMTunes Miami Music Week 2025 Events Guide: Tuesday appeared first on EDMTunes.
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What truly elevated 2025 was the undeniable presence of Eric Prydz. His involvement, beyond just a headlining set, infused the entire festival with a palpable energy. It was clear his influence had helped propel the festival to new heights, making it bigger and more immersive than ever before. The festival was slammed on Day 1, the production was better than ever, and the sheer scale of the event reflected a new era for We Belong Here.
But size wasn’t the only story. The 2025 lineup felt like a masterclass in melodic curation, a carefully crafted journey through sound perfectly suited to the festival’s stunning natural backdrop. The focus was clear: music that resonated with the soul and harmonized with the gentle rhythm of the waves and the vibrant hues of the sunset.
Yotto’s deep, textured soundscapes painted vivid pictures, creating an atmosphere of pure bliss. Kaskade, a veteran of the scene, delivered a set that was both nostalgic and forward-thinking, reminding us why he’s a legend. Cristoph, with his signature blend of progressive house and techno, took us on a hypnotic journey, weaving intricate melodies that seemed to dance with the ocean breeze. Steve Angello was probably the biggest surprise, with a set that really ushered the SHM member into the current underground soundscape. And of course, Lane 8, a champion of the melodic sound, delivered a performance that was nothing short of magical, his music creating a sense of unity and connection amongst the crowd.
The festival wasn’t just about the headliners, though. It was about the seamless flow of music, the discovery of new artists, and the shared experience of being surrounded by like-minded souls. The dance floor was a kaleidoscope of smiles, the energy infectious, and the sense of belonging palpable.
We Belong Here 2025 wasn’t just a festival; it was a sanctuary. It was a place where the boundaries between music, nature, and community blurred, creating an unforgettable experience. The festival was bigger than ever this year, but the heart of the festival remained its dedication to a curated melodic journey, a celebration of music that speaks to the soul. It was a reminder that sometimes, all you need is good music, good people, and a beautiful beach to feel truly at home. And in 2025, We Belong Here delivered that feeling in spades.
The post We Belong Here 2025 Was Bigger Than Ever appeared first on EDMTunes.
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This Friday, March 14th, Cash Cash will be coming back to New York for another upbeat melodic set at Marquee. You can expect them to throwdown some heavy beats as well as some of their newest releases including their latest collaboration with lovelytheband called ‘When I Got You’. Tickets to this Friday’s show is available HERE now so make sure to secure them or your table reservations for another exciting night with Cash Cash. Take a listen to latest hit ‘When I Got You’ below now.
The post Cash Cash Makes Their Return to the Tri-State to Perform at Marquee New York This Friday appeared first on EDMTunes.
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Stream “In Your Eyes” and read the official Q&A below.
What led to choosing “In Your Eyes” as Titanic’s End Records’ debut release?
Can you touch on Titanic’s End’s ocean conservation efforts?
What’s it like being an entrepreneur in the music industry?
What lies ahead for you and Titanic’s End?
Featured image: Duncan Rawlinosn
The post Titanic’s End founder Justin Kan talks art car-turned record label’s debut single, ‘In Your Eyes’ [Q&A] appeared first on Dancing Astronaut.
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The week preceding Ultra Music Festival is one giant, endless dance party in Miami's hotels, bars, restaurants and streets, a networking experience rivaled by only a handful of music summits in the world. But when it comes to hotels, few places match the energy, convenience and style of the Clevelander and Essex House.
Perfect for visitors who want the indulgence of Miami without breaking the bank, these sister properties offer two distinct experiences, but together, they create the ultimate home base for electronic music lovers and festival-goers. After all, why just attend Miami Music Week or Ultra when you can make your hotel part of the party?
The Clevelander is an institution. Perched on Ocean Drive, it's been a staple of Miami since 1938 and it's ideal for those looking to immerse themselves in the area's vibrant nightlife and beach culture. The hotel is directly across the street from the beach and it's just a 1-2 minute walk across the road to reach the sandy shores of South Beach.
The Clevelander's sun-kissed pool and patio are central to its appeal, as are its rooftop decks, which provide panoramic oceanfront and city skyline views. Inside, the rooms are clean and cozy with minimalist décor, plush bedding and glass-enclosed showers. You can book rooms with pool views or ocean views, or secure one of the hotel's spacious Rockstar Suites with an expanded layout, king-sized bed and expansive views of Ocean Drive.
c/o Clevelander South Beach
For those who crave a little more balance, Essex House is the perfect complement. Tucked just behind the Clevelander, this Art Deco boutique hotel provides a quieter retreat while keeping you close to the action.
The Essex’s vintage charm and relaxed atmosphere offer a respite from the bedlam of Miami Music Week without sacrificing convenience. Guests still have access to the Clevelander's vibrant parties, meaning you can dive in when you want and escape when you need.
The property features a serene pool nestled in a tropical courtyard with a fountain and bougainvillea. It offers 70 rooms, including 14 luxurious suites, which have king-size beds, pullout sofas and expanded bathrooms equipped with hot tubs.
c/o Essex House by Clevelander
c/o Essex House by Clevelander
Beyond the music, the location of both properties is unbeatable. Situated in the heart of South Beach, you're just a block away from world-class eateries, cafés, designer boutiques and pristine beaches. Whether you're waking up to a sunrise stroll on the sand or grabbing a post-show bite at a nearby late-night spot, everything is within reach.
For a special discounted rate at the Clevelander during Miami Music Week, click here.
For a special discounted rate at Essex House during Miami Music Week, click here.
Also, now through March 30th, readers of EDM.com can also use the code EDM25 for a 25% discount on their stay at either property on any dates through the rest of the year. The offer is subject to blackout dates.
Follow Clevelander South Beach:
Instagram: instagram.com/clevelandersobe
Facebook: facebook.com/Clevelander
Follow Essex House:
Instagram: instagram.com/essexhousesobe
Facebook: facebook.com/essexhouse
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The three-day camping event returns to Ohio's Legend Valley with an impressive lineup featuring Pretty Lights, Tipper, Shpongle, Opiuo and Lotus, each of whom will each deliver two unique sets during the weekend. Of The Trees, Daily Bread, Ternion Sound and other heavy-hitters will help ensure an unforgettable experience.
Among the highlights of the 2025 lineup are EPROM, Yheti x Lespecial: Liminoid, a takeover by Alix Perez's 1985, and two unique performances from Pretty Lights: "Horizon Sprinter" and "The Prismatic Fleet."
The latter has sent fans into a frenzy of speculation, especially after Pretty Lights' recent announcement that a late-June festival in Colorado will mark the band's final appearance of the summer as frontman Derek Vincent Smith and his partner are expecting a baby.
Now in its fourth year, Secret Dreams describes itself as "an immersive weekend festival focused on visual and performing arts." Beyond the music, festival-goers can explore artist galleries, participate in yoga, interact with installations and enjoy a variety of onsite workshops.
Secret Dreams will take place from July 17-19 at Legend Valley in Thornville, Ohio. You can check out the full lineup below and purchase tickets here.
Secret Dreams Music & Arts Festival
Follow Secret Dreams:
Instagram: instagram.com/secretdreamsfest
TikTok: tiktok.com/@secretdreamsfest
Facebook: facebook.com/secretdreamsfest
X: x.com/SecretDreamsOH
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New Foldable IPhone
The TF International Securities’ analyst has been a long time predictor of Apple trends. Through connections he has in the industry supply chain, he has offered reliable and mostly accurate predictions of the Tech company giant. This time, his report showcases a brand new IPhone model that’s foldable, offering a book style device that can turn into a mini tablet. Kuo shares that the price would range between $2000 to $2500. This isn’t unrealistic, as Samsung’s Galazy Z Fold Z sells for about $1800. And we also know the customer base of Apple will spend a good amount of money due to brand loyalty.
This foldable design will also be AI-driven, following the steps of Google and Samsung. This will allow for multiple functions to be handled at the same time manually and through the AI system. Moreover, Kuo estimates for the internal screen to be a crease-free, 7.8 inch display. In effect, making it smaller than the current IPad Mini 7. When closed, the the IPhone could measure about 9mm. This would make it thicker than the current IPhone 16 and its Pro version by less than 2mms. Naturally, the thickness halves when the IPhone opens up, making it thinner than the 2024 IPad Pro, and thinner than the predicted, upcoming IPhone 17 Air.
There is a chance that due to the thinness of the device, other convenient elements such as Face ID will be eliminated. Instead, there is a chance that Touch ID will make a return, similar to older Apple models. Moireover, the design could potentially have a titanium alloy and hih density battery. Lastly, the phone would have a two-lense rear camera and one lense front camera, available in both folded and opened states.
Release
With an expected release in Late 2026/ Early 2027, the analyst explains design specifics should be done halfway through this year, to start production as soon as possible. However, given the complexity of its design, mass production will be difficult. Therefore, the volume of production will be significantly smaller than precursor devices. Nevertheless, if successful, the second generation of Apple foldable Iphones could increase mass production.
is this a sign that foldable phones will make a return to mainstream? Checkout the full analysis of Kuo right here.
The post Analyst Predicts Foldable iPhone Coming in the Future appeared first on EDMTunes.
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The newly announced dates include two landmark performances at Los Angeles’ Shrine Expo Hall on October 3rd and the Brooklyn Mirage in New York on October 9th. The concerts mark Sub Focus' biggest U.S. solo headline shows to date.
Elsewhere onstage, the influential producer recently sold out London's famed Alexandra Palace in just 30 minutes before packing roughly 10,000 fans into the venue. He is also set to become the first-ever solo drum & bass artist to headline Colorado's iconic Red Rocks Amphitheatre in late-October.
Now, these upcoming U.S. dates promise to be a watershed moment for not only for Sub Focus, but also drum & bass in North America. A pre-sale begins this Wednesday, March 12th at 10am local time before the general on-sale Friday, March 14th at the same time.
You can sign up for the pre-sale and find out more here.
c/o Press
Follow Sub Focus:
X: x.com/subfocus
Instagram: instagram.com/subfocus
TikTok: tiktok.com/@subfocus
Facebook: facebook.com/subfocus
Spotify: spoti.fi/3ot6JTg
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