The post Skyline LA Transforms 2024 Festival Experience for Third Edition appeared first on DJ Life Magazine.
- 0 comments
- 169 views
News
Stay in the loop with the latest updates, event announcements, and everything happening in the world of dance music — brought to you by RaveLink. 🤖💜
The post Skyline LA Transforms 2024 Festival Experience for Third Edition appeared first on DJ Life Magazine.
The post Disclosure & Bronze AI Announce Collaboration With Beatport.io appeared first on DJ Life Magazine.
- 0 comments
- 127 views
the EDM landscape.
Keliza’s vocals add an epic dimension to the song, lifting it to new heights and showcasing a remarkable synergy within the collaboration. Each note resonates with depth and emotion, making “Owe It All To Me” a standout piece in their evolving discography. Shifting gears to Fred Again, the track “leavemealone” featuring Baby Keem is making waves with its rap-inspired vocals, UK garage-style drums, and a gritty bassline. Striking a balance between pop sensibilities and universal appeal, this track is a testament to Fred Again’s ability to capture a broad audience with his distinct sound.
In summary, Fred Again continues to impress with “leavemealone,” while Cloudy Parallels establishes themselves as a new voice in melodic dubstep with the outstanding “Owe It All To Me.”
This article was first published on Your EDM. Source: Fred Again and Cloudy Parallels Have “Song Of The Week”
- 0 comments
- 160 views
“Black Magic” showcases a remarkable use of vocal chops, trap drums and wavy synths that truly mark something unique. It’s no surprise that this one broke into the top 100 charts peaking at No. 48, next to some of the top artists in the world. 24-year-old artist Bandaii, a budding artist from Las Vegas, Nevada, has already released an impressive array of five singles in 2023.
Bandaii’s recent performance at BAUHAUS, supporting Vybrant Vibes, has garnered industry attention, with major producers starting to take notice. The success of “Black Magic” on the charts underscores Bandaii and the Wiccan’s meteoric rise,
This article was first published on Your EDM. Source: A New Top 100 US Chart Entry: “Black Magic” By Bandaii & The Wiccan
- 0 comments
- 299 views
Meet Jersey, a dynamic French duo comprised of siblings making waves in the electronic music scene. They stand out amidst the crowd, choosing a unique path to showcase their authenticity, taking an unfiltered approach, producing videos with using 360 cameras, eye-catching AI-generated visuals, and hosting boiler room-esque parties scattered throughout Paris. The results are impressive, with Jersey recently surpassing 100,000 followers on social media, signaling no signs of slowing down.
Their journey began in the basement of their family’s home off the Normandy coast in France, evolving into the underground clubs of Paris post-high school. Here, they honed their production skills, crafting a sound using analog equipment and instruments that seamlessly blend high-energy house music with elements of UK garage and Drum and Bass. This distinctive style defines their music, reflecting the frenetic energy of their live sets and synonymous parties.
Jersey’s modern and fan-declared “futuristic” sound, coupled with viral live sets, quickly garnered a devoted following. Fans not only connect with their music but also with the compelling narrative of two siblings pursuing a shared dream, navigating the music industry on their terms while staying true to their artistic vision.
Transitioning from local gigs to larger stages, Jersey’s online presence grew organically. TikTok videos and Instagram Reels offer behind-the-scenes glimpses into their creative process and electrifying live performances. Unlike traditional promotional content, Jersey’s approach feels like an extension of their artistry, turning followers into active participants in a journey that blurs the lines between the digital and the real.
In the realm of French dance music, names like DJ Snake, Tchami, Mercer, and Malaa of the Pardon My French collective dominate. With a name poised to reignite France’s dance music dominance, Jersey is positioned to be the next breakthrough act in the French electronic music scene.
Don’t miss out on Jersey’s debut EP, “The World I’m Searching For,” available now via TH3RD BRAIN Records.
Connect with Jersey on social media:
Instagram: Jersey’s Instagram YouTube: Jersey’s YouTube Channel TikTok: Jersey on TikTok Facebook: Jersey’s Facebook Profile This article was first published on Your EDM. Source: Introducing Jersey: The Rising Force in French Dance Music
- 0 comments
- 745 views
The post Barclay Crenshaw Announces Pivotal Shift With Headline Tour, New Album appeared first on DJ Life Magazine.
- 0 comments
- 121 views
The post Need a Sample Manager? 3 Killer Options to Browse Samples in Seconds 🚀 appeared first on EDMProd.
View the full article
- 0 comments
- 186 views
Headlining the one-day extravaganza on December 30th is none other than the legend, the pioneer of progressive house – Kaskade. Known for turning every performance into a mesmerizing spectacle, Kaskade is set to ignite the vibes with his chart-topping hits and unparalleled stage presence. Additional performances from Deorro, Good Times Ahead, SAYMYNAME, and YOOKiE are all guaranteed to take you on an immersive journey where the desert sky meets electrifying wobbles.
Get tickets here and check out the full lineup below!
This article was first published on Your EDM. Source: Jackpot Unveils Stellar Lineup Featuring Kaskade, Deorro & more
- 0 comments
- 245 views
The track is both hypnotic and driving with the omniscient style vocal emanating from the silent ambience of the record, only then to be coupled with winding sirens, setting the tone for the dancefloor to ready themselves for the inevitable pumping beat and percussion which follows. It is a quintessential dancefloor weapon made with the soundscape and sonics you would only expect from seasoned musicians like Meduza.
Speaking about the record, Meduza said “Musica is one of those records that moves every dancefloor. We have played it as the start track, middle track and wherever we put it, it always sounds massive and has the crowd pumped and chanting on the dancefloor.”
Listen below!
This article was first published on Your EDM. Source: Meduza Drop Exhilarating Single, “Musica”
- 0 comments
- 180 views
The post Gusted Remixes Dead Or Alive “You Spin Me Round (Like A Record)” appeared first on DJ Life Magazine.
- 0 comments
- 161 views
The post Electric Forest Festival Announces First-Round Lineup for 2024 Installment appeared first on DJ Life Magazine.
- 0 comments
- 150 views
The post Sol Fest Music & Arts Festival Moves to Florida’s Vortex Spring for Third Edition appeared first on DJ Life Magazine.
- 0 comments
- 147 views
The post Club Space Miami & Insomniac’s Factory 93 Join Forever Midnight NYE in Las Vegas & Los Angeles appeared first on DJ Life Magazine.
- 0 comments
- 161 views
“Only You” is characterized by a riff that has ignited a fervor across various musical landscapes. This element of the track not only captivates its listeners but also stands as a testament to Freejak’s skill in weaving together diverse sonic elements. The track is a blend of innovation and nostalgia, appealing to a wide range of music enthusiasts.
Recognized for its instant appeal in live performances, “Only You” encapsulates an energy that has become a hallmark of Freejak’s electrifying sets. The track’s carefully crafted rework amplifies its impact, offering an unbridled rush of excitement for DJs and music lovers alike.
Freejak, in a recent statement, expressed his aspirations for the track: “I genuinely hope that fellow DJs and music enthusiasts revel in the sheer potency of this timeless gem.” He acknowledges the unique allure of “Only You” and its capacity to captivate audiences worldwide.
“Only You” emerges not just as a track but as a symbol of Freejak’s ongoing journey in redefining musical paradigms. It showcases his relentless dedication to creating sonic escapades that push the limits of conventional music.
In a quote that further underscores his passion for the track, Freejak said, “The riff from ‘Only You’ has gotta be one of the all-time greats. Universally accepted by Rockers, Hip Hoppers, and the electronic dance world. It was an instant crowd pleaser that I had to rework to include in my sets. I sincerely hope that other DJs and music fans can enjoy the power and energy of this classic as much as I do.”
As “Only You” continues to resonate across the globe, it solidifies Freejak’s position as a visionary in the world of music, capable of creating tracks that are not just heard but experienced.
Listen to “Freejak – Only U” and join the journey through the uncharted territories of sound.
This article was first published on Your EDM. Source: Freejak’s Latest Track “Only You” Reshapes Musical Horizons
- 0 comments
- 215 views
Hypernaut’s victory in the EDC Orlando 2023 edition of the ‘Discovery Project’ competition is a testament to his exceptional talent and hard work. This win not only allowed him the opportunity to perform at the EDC Orlando festival in November 2023 but also facilitated a significant encounter with the renowned DJ/producer Dillon Francis. Such opportunities are rare and can be pivotal in the career of an upcoming artist.
The release of hypernaut’s latest single, “Zulu (3000 Bass),” marks a new chapter in his evolving story. This track is a compelling blend of emotive melodies intricately woven into a classic drum and bass framework. It offers an immersive and escapist musical experience, showcasing hypernaut’s ability to blend different elements to create something unique and captivating.
Hypernaut’s musical journey is deeply rooted in drum and bass, but his explorations do not stop there. He has a knack for seamlessly integrating adjacent genres into his music, creating a sound that is both fresh and familiar. His active participation in the live music scene, particularly in Florida, has been noteworthy. His performance at EDC Orlando stands out as a significant milestone in his career, highlighting his prowess as a live performer.
of evolution and experimentation. He has dabbled in various roles and styles, each phase contributing to the development of a unique and influential sound that sets him apart from his contemporaries. This extensive experience has been instrumental in shaping his musical identity, allowing him to create a distinct niche in the electronic music landscape.
With his recent achievements and the growing anticipation for the release of his winning track from the Discovery Project contest, hypernaut is quickly establishing himself as a fast-rising talent in the electronic music community. His story is one of persistence and dedication to his craft, making him a standout talent in a fiercely competitive and constantly evolving music scene. As he continues to make waves and push boundaries, hypernaut is undoubtedly an artist to watch in the coming years.
This article was first published on Your EDM. Source: Hypernaut: The Rising Star of Electronic Music in 2023 with ‘“Zulu (3000 Bass)”
- 0 comments
- 180 views
Kicking off the album is Able Grey with “I Need Your Love,” featuring MEDYK, establishing a precedent with its emotionally charged melodic bass that exemplifies the profound emotional range achievable in electronic music. Following suit, JWILLI’s “It’s Not That Easy” offers a more introspective perspective, blending robust drum and bass elements with a contemplative mood.
The tempo takes a shift with Free Apollo’s “Everything You Want VIP,” a track that intensifies the drum and bass impact. FLYNNINHO raises the stakes even higher with “TEAR THE CLUB DOWN,” introducing a robust riddim that elevates the energy to unprecedented levels.
Emurse’s “Parallax” provides a cinematic wave genre experience, immersing listeners in a dystopian soundscape, while DREAMBAY’s “DANCEWITHME!” offers a breather with its lively and melodic mid-tempo beats. Zarkilor then surprises with “Day By Day,” an experimental fusion of breaks and UKG, showcasing a penchant for inventive soundscapes.
The compilation explores various house influences, from the smooth, piano-driven melodies of Jon Alfaro & Yorii’s “Anxious” and Blk Out’s “Something About You” to the classic vibes of Fourth Co.’s “Designed & Engineered.” Djorgiou & PsychE’s “Monster” introduces a playful tech house track, providing a contrast to DJ GOOSE‘s darker “Dark Clouds,” a drum and bass piece characterized by its minimal yet melodic approach.
As the compilation approaches its conclusion, Phrequency’s “TEAR IT DOWN” and HASHBBC’s “Bust It Underground” bring forth riddim and dubstep, delivering high-energy anthems. The finale, 80/40‘s “Obsessions,” combines electro and mid-tempo elements, bringing the journey to a satisfying and complete close.
Listen for yourself below!
This article was first published on Your EDM. Source: The Ex Medias Collective Unleashes Its Biggest Release Yet with ‘WE ARE EX MEDIAS VOL IV.’
- 0 comments
- 146 views
This track seamlessly blends Bleu Clair’s distinctive tech house style with a rejuvenating Latin influence—a departure from his usual repertoire, expertly integrated and executed. Featuring Spanish-vocal samples and pulsating basslines, the single introduces an exciting new dimension to the Bleu Clair sound, paying homage to the diverse roots of house music.
Listen below!
This article was first published on Your EDM. Source: Bleu Clair Wraps Up The Year With Infectious Single “Boom Boom” Via Terminal Underground
- 0 comments
- 577 views
Now he’s back, this time dusting off Dead or Alive’s classic hit “You Spin Me Round (Like a Record)” with a electrifying, upbeat techno/trance infused arrangement. It’s the perfect song to kickstart any morning with it’s pulsating bass line, pumping four on the floor groove, driven by these iconic vocals. “This track was crafted during a period of creative stagnation when it seemed like nothing was clicking,” shares Gusted. “My friend Justin Jay encouraged me to not overthink it, which helped me break through the writer’s block. I ultimately created a track I’d want to perform live.“
The choice of the original Dead or Alive song holds personal significance for Gusted, lending back to his earliest musical influences. “The original Dead or Alive song was on my first little iPod. I remember listening to it countless times, as I had only a few songs downloaded. I made the remix without overthinking it, simply sending it around, and to my surprise, it resonated with people. It reaffirms that my best tracks emerge when I’m in a carefree, exploratory state of mind, not fixated on the final outcome.“
Listen below!
This article was first published on Your EDM. Source: Gusted Dusts Off Dead or Alive’s “You Spin Me Round (Like a Record)” With Electrifying Remix
- 0 comments
- 185 views
Transforming Outkast’s classic ‘I Like the Way You Move’, CRMBS and SCHEINY bring an infectious groove, foot-shuffling bassline, and breakbeat elements to create a melodic, vocal-driven smash. Similarly, ‘Sidechick’ boldly reimagines the Pointer Sisters’ ‘Betcha Got a Chick on the Side,’ infusing a percussion-forward bass house vibe with a relentless bassline, thumping beats, and modernized vocals, delivering a modern feel on a classic.
CRMBS shares that, “Spenser and I met in 2017 in the Bahamas while on “Holy Ship”. Since then, we’ve become the closest of friends, regularly sending music back and forth for input, inspiration, and just a “hey what do you think of this?” As DJ’s, we’ve both started focusing on music production over the past year or two, so the fit was natural for us to collaborate on some music together. Our tastes both lean heavily towards driving club tracks, so when we sat down to make something together the first qualification was that the tracks were “club friendly”, and ready to do some damage on the dance floor. What we ended up with was not one but two tracks, both with their own sense of identity, but both ready to get some bodies moving.”
In addition to each of these releases, SCHEINY & CRMBS will deliver a thrilling b2b, offering direct support for tech house queen Wenzday at Sound Bar in Chicago on December 9th. Tickets are available here.
Listen below!
This article was first published on Your EDM. Source: CRMBS & SCHEINY Remix Outkast & Releasing Sizzling Original Single “Sidechick”
- 0 comments
- 279 views
The post Algoriddim Unveils djay Pro 5.0 appeared first on DJ Life Magazine.
- 0 comments
- 147 views
Building onto their already massive phase 1 lineup of artists (Big Gigantic, Tipper, Bob Moses, LP Giobbi, Barclay Crenshaw + more) they’ve just revealed another wave, adding even more depth to the lineup. Joining in on the fun will be funk-tronic duo The Floozies, the hypnotic sounds of Maya Jane Coles, a beautiful sunset set from Seth Troxler, and a rare “mushroom jazz set” from Mark Farina. There’s plenty more A-listers, as Paul Oakenfold, Vintage Culture, Christian Martin, David Starfire, and The String Cheese Incident are slated to perform.
Philosophically, the variety of music that will be represented at Texas Eclipse is curated to inspire both curiosity and discovery. It also highlights the common threads that bind us as humans together as a global community. It’s a place where we are invited to connect on a profound level musically, recognizing the shared human experiences that unite us all.
Get tickets here.
This article was first published on Your EDM. Source: Texas Eclipse Announces Another Wave of Artists Ft. The Floozies, Maya Jane Coles, Seth Troxler, Vintage Culture + more
- 0 comments
- 183 views
That’s an impressive resume regardless of genre, and now Grey are ready to step into the limelight themselves with their upcoming CONTRA EP. Featuring the already released singles, “7-DS” with AWAY, “RAVEN” with Virtual Riot and the just released title track. CONTRA is shaping up to be a tremendous showcase for the brotherly duo’s production talents. “CONTRA” in particular really highlights how great these guys are at sound design.
We got the chance to sit down and chat with the guys about we’re they come from musically, how they’ve grown after almost a decade of making music, advice for those coming up in the industry and more. Check out our exclusive interview below.
Hey guys, thanks for chatting with us. First off, tell us a little bit about yourselves and how you got into making music.
Kyle: “So, we’re brothers, and we’ve been obsessed with music since we were kids. We used to just ride around our town on bikes and skateboards listening to dream theater, like prog-metal, we used to listen to very complicated music when we were growing up. And as we got older, I started making music first, Michael would help me out with it and then we got into EDM in 2010. And we just decided to start a project together in 2015.”
Michael: “So, we kind of started thinking of music in more of an analytical way.”
K: “Drumline, especially in the school we went to, was very serious and regimented. They wanted us to be the best that we could be and we were just putting everything into that. So, it really shapes the way you view music when you approach it that way. Some people just come into producing like I just want to create cool vibes or something. But, we’ve always had a very intense approach to perfection.”
Most people know you guys for your collabs with Zedd, how did that partnership first come about? Anything in the future with him?
M: “Yeah, I was working at an Olive Garden in Laguna Niguel and Kyle was out in Santa Monica doing his project called Singularity or Kyle Trees? So, we decided to start a new project together called Grey, and then we were just like let’s try to make some remixes. At the time, True Colours had just come out, Zedd’s album. And we just got the vocal for “Beautiful Now” and remixed it.”
K: “And then we did a remix for Jack U, “Where Are U Now” with Justin Bieber. We just had these two bootleg remixes, neither of them official. And my friend said that he had Skrillex’s email, and I didn’t believe him, but we just sent it anyway, and it was Sonny. He listened and was super impressed with the music and sent it to Zedd. And Zedd told me later, that was the first time Sonny had ever sent him anything. So, he was stoked to listen to that and then he hit us up and we had a meeting with his manager the next day.“
M: “Yeah, I was on my lunch break at Olive Garden when he told me, and I was like okay shit, and I just quit that day. But, we found out later on, we had a session with Skrillex and he told us that he never checks that email, it’s like a spam email, and he said he checks it like once a month and just clicks the top one, and that’s just what he did.”
Tell us about the upcoming CONTRA EP? Tell us about the process behind the music and how you guys have come up with a signature sound for Grey?
M: “Well, we were making a lot of pop-centric stuff for a pretty long time, there. And, the last like real, electronic thing, if you want to call it that, that we did was called Chameleon, an EP we did. And we just kind of missed just going crazy and just making some banging electronic music. So, we decided to go back and make an EP like that again, which is super fun. But, now, after doing a whole lot of pop for a while, we’ve kind of gotten a lot better, especially in terms of songwriting. And just doing a cool blend of having real good songwriting and mixing it with the crazy electronic stuff. And now we can also sing on our stuff too, which is really fun.”
K: “Working on electronic music makes you good at sound design and drops and all that kind of stuff. Working in pop music makes you a better songwriter, lyrically and melodically. So, it’s definitely a combo of the two areas that we’ve spent the most time working in.”
M: “And there’s definitely a lot of worldly samples in there, as well.”
When you’re working on a song and collaborating with other people, people probably have in their mind a certain picture, like that Beatles’ documentary of artists just jamming out in the studio. When you’re doing more electronic and pop based stuff, what’s that process like? Is there any jamming out on instruments or is it just sending files back and forth.
M: “I feel like it depends, definitely in the song writing process there’s a lot of jamming acoustically like you’re saying. But, I can remember just being in the studio with Val and we were just nerding out on weird sounds to add. And certain things would spark other ideas from other people, and maybe you add a little bit of guitar or something to certain parts.”
K: “The way it usually goes is like he said, when you’re writing the topline and the most basic part of the song it’s good to be in the room and collaborating. For the whole middle section, all the producing, the main part of it, most producers like to do that alone. Because, it’s so much like an exploration process and trial and error. And it takes so long, it’s #1-boring, and #2 a little bit, it’s a lot of pressure to have someone over your shoulder in those type of moments. So usually we’ll do that on our own and the come back for the final piece, for touch-ups. Touch-ups are really fun to do together.”
You guys recently went on the road. How was your trip to Japan? What’s it been like touring internationally and where can fans expect to see you perform in 2024?
M: “It was super fun, it was our first time going for Halloween and I’m a big anime fan and everyone was dressing up as anime characters. One of the shows we played was a Halloween show and everyone was dressed up, it was really crazy. We added a bunch of crazy anime mashups into our set, and, yeah, it went off.”
K: “We did this remake of Bohemian Rhapsody a long time ago to make it sound modern and really full and we play it in all of our sets. But we thought it would be really funny to change the acapella into a Japanese guy singing Bohemian Rhapsody, so we played that and it’s just hilarious, it’s really hype.”
Is that anywhere for fans to see on YouTube?
K: “No, I don’t think anyone can hear it right now. That would be cool though.”
Do you have a wish list for anyone you’d like to work with?
M: “I really like Imanu, he’s been crushing it recently. We always gotta shout out our friends, Winston, they’re insane.”
K: “We’ve been listening too, on the EDM side, Seth Hills. And Mesto, both of those guys make really cool stuff.”
What advice do you have for producers and musicians trying to break into the industry?
M: “I feel like you need to always know there’s a huge portion of it that’s luck. And you just have to prepare yourself for when you do get lucky, and just try yourself to be as ready as you can be for when that random moment happens that you happen to be seen by some important people that your stuff is good enough to make a difference.”
K: “Another thing I would say is it’s a balance between marketing and skills. I know a lot of our friends are just the most talented producers I know, but they, like us, struggle at marketing. They spend all their time producing and getting really good at songs, but no one hears them. And I’ve met people on the other side of the spectrum, all they do is make Tik Tok videos and they have no idea what they’re doing, music wise. The best thing you can do is have balance between those two things.”
M: “I think being able to show yourself as much as possible, instead of just listening to your music, they get to know you. That’s also part of it, having a personal relationship with people. And then also, you can use music to show people that you’re a type of writer.”
Thanks guys, any words for the fans or anything else you’d like to add?
M: “I mean, ‘Starving’ and ‘The Middle’ is something to be proud of. It’s pretty crazy.”
K: “Even now, when you look at the billion club, there’s not that many songs. So, that’s awesome. One tour that really stands out to me was our tour with Zedd in the US and Japan, it was so fun.”
M: “I think just being able to have this be a career still, for so long, that we haven’t had to go back to working.”
K: “Thanks for sticking with us all this time.”
M: “Look forward to the last two songs of the EP, they’re really cool.”
Check out the latest from Grey, “CONTRA” out now on Lowly. The full CONTRA EP is slated for release in early 2024.
This article was first published on Your EDM. Source: Grey Talk Their Musical Origins, Upcoming EP, Evolving as Songwriters and More [Interview]
- 0 comments
- 278 views
Now, he’s back, this time teaming up with Deeft for their single “Space Bump” via Matroda’s Terminal Underground imprint. It’s a pulsating underground track that boasts an intoxicating groove impossible to resist. It’s a forward thinking track that sonically lives up to its outer space brand, as deep bass warbles reminsicent of never ending black holes weave in and out throughout the song.
Listen below!
This article was first published on Your EDM. Source: Bruno Furlan & Deeft Drop Sizzling Underground Signle, “Space Bump”
- 0 comments
- 197 views
With the first single and video from Pray to the Knife, called “Run and Hide” just released, fans can now hear what’s in store for the rest of the album. “Run and Hide” is probably the most straight up an down emo track on Pray to the Knife, giving My Chemical Romance-meets-The Killers-meets-“Love Will Tear Us Apart” synths. There’s a decent punch of metal to this song as well, with vocalist Violet O adding more goth sensibility with a vibrato to the vox that connotes She Wants Revenge vibes.
While the rest of the album is just as well-composed and performed as “Run and Hide,” there is a lot of variance in style, as Black Bouquet prove again that, despite being in black and grey, they’re certainly not monochromatic in sound. The intro track, “My Love” toggles back and forth between minimal acoustic, almost folkish acoustic guitars and raging, theatrical goth metal. “Prom,” on the other hand, is driven by deep, Michael Rumple’s deep, heavy Disintegration-era Cure-style drums whilst the guitars are lighter and funkier. “Serpents” combines 80s new wave synths with guitar rock and the album closer, the title track is more of a theatrical goth lullaby.
No matter which of the many styles strikes a fan’s fancy, all of Pray to the Knife is composed, mixed and performed to perfection. If Black Bouquet had come along in 2006, they would have easily ruled the emo world and possibly even united it. Now, however, they stand to resurrect it with modernized techniques, electronic flare, a full orchestral compliment and more drama than their predecessors could have imagined. Here’s hoping they do bring back the Scene scene, because this album and the band that created it deserve to be celebrated.
“Run and Hide” is available now on Black Bouquet’s Bandcamp and Spotify along with the rest of their stunning discography. There will be one more teaser track in late December before Pray to the Knife drops in full on February 16. Check out their other videos on YouTube.
This article was first published on Your EDM. Source: New Artist Spotlight: How Black Bouquet Updated Emo By Adding Early Goth, Electronica and Post Punk [Video]
- 0 comments
- 276 views
Hi Marten, thanks for taking the time to chat with us. Tell us a little bit about yourself, how did you first get into music and what has led you to become the producer that you are today?
“Thank you for having me! Dance music has always been something that touched me deeply. After having a few other projects in Music and Music Business I ended up focusing all my love and attention on making House Music in 2018. My first House record ‘You Don’t’ (with Neon Steve) became a bit of an underground hit. And I started building from there.”
Tell us what it was like touring North America? You’ve really blown up over the past couple of years, what’s it been like seeing the response to your sets in person?
“When I started North America was the continent that supported me first, when no-one car‹ed about my music anywhere else. I still have so much gratitude for that, North America is where my heart is! It’s been great to feel the love for my music and my live shows growing so much since then. But the best thing about it is that I can just be myself, play the music that makes me happy and do only the things that I want to do. I love it!”
What’s it been like playing some main stages over the past year or so including Tomorrowland and EDC? Was that something you ever dreamed would happen?
“I remember writing these exact words on my ultimate goals list:
‘EDC MAINSTAGE & TOMORROWLAND MAINSTAGE (LOL)’.
Note the (lol) behind it. It was a big dream but I never thought I would get there. I think that explains pretty well how it felt when it finally did happen… hahah.”
Speaking of great locations, I heard you go to support David Guetta’s Ushuaïa residency. What was that like having a summer home that’s so iconic?
“It was another dream coming true. It’s the best party on the island and even in the whole world if you ask me. I love David for everything he has done for me.”
I heard you have an internal clock hack and that you always sleep according to your home time zone in Germany. Tell us about that and how you avoid jet lag and other travel related issues like that?
“Hahahah, yes! I always stay in the German time zone, no matter where I am. If it’s 22:00 in Germany I go to bed. All schedules, meals, travel, etc. has to be planned & adjusted accordingly. And my team does an incredible job of making it all happen. With the life I get to live now jet lag & lack of sleep is the biggest obstacle. And everything has changed so much since we solved that. Its magic.”
What do you have planned for the rest of the year and into 2024?
“I’m having a whole month of European shows ahead of me. Followed by my first big Asia Tour in December. Incredibly excited!”
When you’re not producing, what do you like to do in your free time? Any shows on streaming or book recommendations?
“I looooooooove cooking. It’s a big part of my life. But that also means that there is not much time for watching series or movies. So my recommendation is: Sit down and learn how to make epic food instead of burning time on Netflix! It will make you so much happier <3”
Check out the latest from Marten Hørger and Dillon Francis “On a Trip” out now on Universal. Check out Marten’s Parookaville set from earlier this summer as well.
This article was first published on Your EDM. Source: Marten Hørger Talks His Big Year, Touring and His Unique Sleep Schedule [Interview]
- 0 comments
- 168 views