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scarlet veil Releases Mesmerizing Wave Single “Strings”

scarlet veil is truly a visionary electronic duo, consisting of Brandi Overstreet and Jerrod Tyler. Together, they have developed a spellbinding allure since their start and today have released their new single “Strings”.
With an entrancing introduction, “Strings” explodes into an uptempo, ethereal dance tune, captivating the senses from start to finish. This track serves as the third teaser from their upcoming album, Every Fantasy, which promises a captivating exploration of imagination and allure. “Strings” ventures beyond their established fantasy motifs to delve into themes ranging from science and science-fiction to personal aspirations and dreams. With “Strings,” scarlet veil invites listeners on a journey of discovery and exploration.
Brandi sheds light on the track’s inspiration, stating, “‘Strings’ started out with the intention of creating a more upbeat track that brought some more energy. The lead synth reminded us of the X-Files and it was written around the time when all of the UFO excitement was playing out, during the congressional hearings, the tic tac video, and secret records speculation. The collective craziness of that time bled into what we were doing and loosely inspired the direction.”
Listen below!
This article was first published on Your EDM. Source: scarlet veil Releases Mesmerizing Wave Single “Strings”
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scarlet veil Releases Mesmerizing Wave Single “Strings”

scarlet veil is truly a visionary electronic duo, consisting of Brandi Overstreet and Jerrod Tyler. Together, they have developed a spellbinding allure since their start and today have released their new single “Strings”.
With an entrancing introduction, “Strings” explodes into an uptempo, ethereal dance tune, captivating the senses from start to finish. This track serves as the third teaser from their upcoming album, Every Fantasy, which promises a captivating exploration of imagination and allure. “Strings” ventures beyond their established fantasy motifs to delve into themes ranging from science and science-fiction to personal aspirations and dreams. With “Strings,” scarlet veil invites listeners on a journey of discovery and exploration.
Brandi sheds light on the track’s inspiration, stating, “‘Strings’ started out with the intention of creating a more upbeat track that brought some more energy. The lead synth reminded us of the X-Files and it was written around the time when all of the UFO excitement was playing out, during the congressional hearings, the tic tac video, and secret records speculation. The collective craziness of that time bled into what we were doing and loosely inspired the direction.”
Listen below!
This article was first published on Your EDM. Source: scarlet veil Releases Mesmerizing Wave Single “Strings”
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Rich Delinquent Returns With Simmering Emotronic ‘Here’s To Dystopia’ EP

Rich Delinquent has been making waves across the pop and electronic spectrum for some time now. He’s an elite artist, handling songwriting, vocals, and production on all of his songs as he’s carved out an impressive niche for his sound among his global fan base who he refers to as ‘Delinquents’.
After releasing a string of singles such as “Chica Diablo” and “Speak Up“, Rich Delinquent revealed they were part of a larger EP that would feature two additional songs, ‘Here’s To Dystopia’, out today and may be his best work yet.
The EP begins with its title track, which features Riley and delves into the haunting themes of societal disillusionment and the influence of the pharmaceutical industry on mental health. “Stop, society has let us down. Stop medicating until we drown. I will only sabotage myself… Here’s to dystopia, we’re in control of ya.” Rich Delinquent fearlessly calls out the issues plaguing society and the detrimental effects of overmedication.
Concluding the EP is the infectious pop anthem “Where’s the Exit,” a joint effort with the emerging Australian band Lakelend. Exploring themes of longing, irresistible desires, and the precariousness of falling in love, the track is characterized by its captivating pop beat and moody melodies.
Listen below!

This article was first published on Your EDM. Source: Rich Delinquent Returns With Simmering Emotronic ‘Here’s To Dystopia’ EP
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Rich Delinquent Returns With Simmering Emotronic ‘Here’s To Dystopia’ EP

Rich Delinquent has been making waves across the pop and electronic spectrum for some time now. He’s an elite artist, handling songwriting, vocals, and production on all of his songs as he’s carved out an impressive niche for his sound among his global fan base who he refers to as ‘Delinquents’.
After releasing a string of singles such as “Chica Diablo” and “Speak Up“, Rich Delinquent revealed they were part of a larger EP that would feature two additional songs, ‘Here’s To Dystopia’, out today and may be his best work yet.
The EP begins with its title track, which features Riley and delves into the haunting themes of societal disillusionment and the influence of the pharmaceutical industry on mental health. “Stop, society has let us down. Stop medicating until we drown. I will only sabotage myself… Here’s to dystopia, we’re in control of ya.” Rich Delinquent fearlessly calls out the issues plaguing society and the detrimental effects of overmedication.
Concluding the EP is the infectious pop anthem “Where’s the Exit,” a joint effort with the emerging Australian band Lakelend. Exploring themes of longing, irresistible desires, and the precariousness of falling in love, the track is characterized by its captivating pop beat and moody melodies.
Listen below!

This article was first published on Your EDM. Source: Rich Delinquent Returns With Simmering Emotronic ‘Here’s To Dystopia’ EP
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Miami Music Week: EDMAs Set for March 22, Voting Opens

The Electronic Dance Music Awards (EDMAs) make their return during Miami Music Week on March 22, 2024, at the Eden Roc Hotel. Miami Beach, Fla.  – The Electronic Dance Music Awards (EDMAs), one of the more anticipated events in the world of electronic-dance music, is set to return to South Beach on March 22. This [...]
The post Miami Music Week: EDMAs Set for March 22, Voting Opens appeared first on DJ Life Magazine.
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Acts to Catch at Ultra Music Festival 2024 in Miami

Among the DJ LIFE acts not to miss at Ultra ’24 include Armin van Buuren, Elderbrook, FISHER x Chris Lake, Peggy Gou & more. As we inch closer to Ultra Music Festival’s return to Bayfront Park in Miami from Friday, March 22 through Sunday, March 24, we’re gearing up for which acts we know we [...]
The post Acts to Catch at Ultra Music Festival 2024 in Miami appeared first on DJ Life Magazine.
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Gryffin & Rita Ora Reveal New Single “LAST OF US”

The new collaboration comes as Gryffin announces his forthcoming third studio album, PULSE, due out later this year. It has come time for dance music maverick Gryffin’s latest single release – and this time he’s teamed up with internationally acclaimed singer-songwriter Rita Ora. The unveiling of his new single, “LAST OF US,” marks the beginning [...]
The post Gryffin & Rita Ora Reveal New Single “LAST OF US” appeared first on DJ Life Magazine.
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Exceptional Performance and Value: A Comprehensive Review of the Adam A8H Studio Monitors

As a music producer, engineer, or studio owner, investing in high-quality studio monitors is paramount to achieving professional-grade sound reproduction.
The post Exceptional Performance and Value: A Comprehensive Review of the Adam A8H Studio Monitors appeared first on Gearjunkies - Music tech news, Reviews, Videos, Synthesizers, Studio, Recording.
View the full article
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Tinlicker drops new album, Cold Enough For Snow

Tinlicker’s emotional yet danceable highly anticipated third studio album, Cold Enough For Snow is out now on [PIAS] Électronique. The LP features a starry roster of collabs on most of the 13 tracks, inc. focus track ‘Glasshouse’ with Julia Church. Dutch duo Micha Heyboer & Jordi van Achtoven will unleash the album and their organic live sound on an accompanying European, and just-announced North American Album Tour.  
13-Track LP ‘Cold Enough For Snow’: Tinlicker’s diamond-sharp production skills reinforce their signature melodic sound with emotion-invoking indie guitar sounds, soulful vocals, arresting lyrics, and orchestral instruments, so that hearts, minds and feet can only blissfully surrender. 
‘Glasshouse’ feat Julia Church showcases Church’s stirring, yearning, yet edgy voice with lyrics affirming faith in love – ‘I know/there is hope, even in the dark, you glow/…/ I was never in doubt’- while fast, breaksy beats and melodic piano arps create an uplifting yet thought-provoking vibe. ‘Glasshouse is written about having a recurring dream about someone you love’ Julia says. ‘How their memory flashes in and out of your world in the same way they did – and no matter where they are, continuing to live in a way that would make them proud. Nathan [Nicholson] and I fell in love with this beautiful instrumental and we loved working together to find the perfect topline.’
Album Tracks/Collabs: South African vocalist/producer Church (60mil+ streams) also sings on ‘Slipstream’, (supported by BBC’s Sian Eleri and Pete Tong), written/produced with major album collab partner, Boxer Rebellion’s Nathan Nicholson whose haunting, soul-tearing voice rides the woodwind melodies of the Metropole Orkest on ‘Strawberry’, the breakbeat, pizzicato ‘Crossroads’, and the disjointed keys and punchy arps of ‘Staring Down Sunset’. 
An uplifting indie singing guitar sound duets with Editors’ Tom Smith’s world-weighted, heart-catching voice on ‘This Life’, complements Kieran’s soaring vocal on ‘Nothing To Lose’ feat Circa Waves, and emerges through the breathy voice and harmonium chords of ‘Who I’m Not’ feat Cloves, while Brian Molko’s decadent tones cut through the uncharacteristically trancey setting of ‘Nowhere To Go’, to create a different kind of ‘Placebo’ effect.
‘I love what music can do for people, become the soundtrack to lives we don’t know about, become very special to them.’ Micha/Tinlicker
The 2024 EU and North American tours: Tinlicker return to the UK, to the legendary Troxy London, Marble Factory (Bristol), Mandela Hall (Belfast). EU dates inc. Gashouder (NL), Elysee Montmartre (Paris), Magazzini Generali (Milan), Vicar Street (Dublin), Live Music Hall (Cologne), Fabrik (Hamburg)… breaking new ground in many cities/nations. Their newly announced North American tour inc. New York, LA, Detroit, Nashville, Houston, Toronto, Montreal.
Album Tracklist: 
Glasshouse (feat. Julia Church)  Staring Down Sunset (feat. Nathan Nicholson) Nothing to Lose (feat. Circa Waves) Blowfish This Life (feat. Tom Smith) Slipstream (feat. Julia Church) Who I’m Not (feat. Cloves)  Revolution Crossroads (feat. Nathan Nicholson) In Your Eyes  Nowhere To Go (feat. Brian Molko) Strawberry (feat. Nathan Nicholson & Metropole Orkest) Pretender Follow Tinlicker:
Website – Facebook – X – Soundcloud – Youtube – Instagram – Spotify

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New K4LT Track ‘This Room (Reprise)’ Pays Homage to Artist’s Muse

YEDM introduced K4LT as a new artist in July 2023, with his pensive, ambient track called “LCPD”. It was a follow-up to his first EP, Endgame, and was two years in the making as well as a departure from his original style. Now focused more on electronic production, “LCPD” has seen an intriguing amount of buzz, both from the industry and fans. Audiences are put on notice, however, not to settle into the dreamy, celestial vibe of “LCPD”. A very different mood is incoming with K4lT’s latest track, “This Room (Reprise)”.
The Belin-based K4LT, whose artist name is a stylized version of the German word “kalt” (trans. “cold” in English), has said his new rash of songs is a reflection of the isolation created by the COVID lockdowns and the struggle of people even now to remember how to socialize. “This Room,” released early this month, with its pseudo-goth synth styling, relentless, quick-paced beat and the ennui and anxiety heavy in the lyrics, gives a disturbingly accurate picture of what many people are experiencing post-pandemic.
“This Room (Reprise)” is also meant to be throwback to a song of the same name by The Notwist, one of K4LT’s biggest influences. This is not a remix or a cover, but a complete re-imagining of the track, as The Notwist’s original is more directly shoegaze and post punk with some interesting vintage and experimental interludes, which might remind some fans of mid-era Radiohead or Death Cab for Cutie merging with Venetian Snares. Refreshingly honest about naming his influences and inspirations, K4LT’s version is both a continuation of the original tone of the track and a reversal. Where The Notwist’s original is soft, vulnerable and largely rock-based, K4LT’s reprise semi-industrial and itchy, pacing, impatient, bordering on frustrated. A contrary statement to the original, but no less impactful.
Perhaps “This Room (Reprise)” meant to show the difference in the way we manage relationships and interact with each other since the lockdown. Rather than focusing on a relationship and where it’s going, we’re constantly looking outward whilst staying inward, not satisfied but not willing to do anything about it. A tech-driven futility and an inability to process emotions through relationships – or even at all – stamps this track. That itch is there though, K4LT warns, and it’s ready to break the surface, the portends of the last line repeated before the song cuts off: “…up to interfere; up to interfere.”
“This Room (Reprise)” is out now and available to stream along with K4LT’s other works on Spotify. They can also be purchased on Bandcamp.
This article was first published on Your EDM. Source: New K4LT Track ‘This Room (Reprise)’ Pays Homage to Artist’s Muse
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Panama Open Air Festival Announces 2024 Lineup

Germany’s budding music fest brings Swedish House Mafia, Gryffin, MEDUZA, Miss Monique, James Hype, Chase & Status and more. Panama Open Air won’t just be this Summer’s only show on German soil for the Swedish House Mafia, the Bonn-based festival has also unveiled the likes of Chase & Status, Gryffin, Hector Oaks, MEDUZA, Miss Monique, [...]
The post Panama Open Air Festival Announces 2024 Lineup appeared first on DJ Life Magazine.
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ZUSO Releases Downtempo, Liquid DNB Single ‘In The Dark’

ZUSO, spearheaded by Australian producer Gabriel Cuenca, is carving out an exciting niche in atmospheric house music that has begun to garner him a global fanbase. In October 2023, Gabriel teamed up with the Sydney-based collective LOVE CLVB for the release of his single ‘Hold Me.’ The track quickly garnered widespread acclaim, capturing the ears of music enthusiasts and tastemakers globally.
As he ventures into the new year, Gabriel recently unveiled his latest offering, the tranquil atmospheric piece titled ‘In The Dark.’ Featuring the ethereal vocal talents of Californian artist KORA, the track serves as another testament to ZUSO’s exceptional production prowess and distinctive style, expertly blending downtempo elements with a thumping liquid drum and bass groove.
Listen below!
This article was first published on Your EDM. Source: ZUSO Releases Downtempo, Liquid DNB Single ‘In The Dark’
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Aussie Breakthrough Artist Arky Waters Drops Mesmerizing Breakbeat Single ‘Hercules’

Aussie emerging artist Arky Waters continues to make a splash with his distinctive fusion of breakbeat and tech-house electronica. Following the acclaim garnered by tracks like ‘Take My Time’ and ‘Gum,’ Arky Waters has now offered fans another glimpse into his forthcoming four-track EP with the release of his latest single, ‘Hercules.’
‘Hercules’ stands as a testament to Arky Waters’ artistic growth, seamlessly blending powerful beats with intricate production elements. The track represents a significant evolution for the artist, serving as an enticing preview of the EP’s potential. With its captivating soundscapes, ‘Hercules’ further solidifies Arky Waters’ position as a forward-thinking presence within the electronic music landscape.
Listen below!
This article was first published on Your EDM. Source: Aussie Breakthrough Artist Arky Waters Drops Mesmerizing Breakbeat Single ‘Hercules’
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NYC’s Prodigy Turns 21 & Hits the Club Scene with New Anthem: ‘Hold On To You’

The heart of New York City is beating with anticipation as Sam Silver, the prodigious 21-year-old artist, steps into the spotlight of the club scene. Fresh off celebrating his 21st birthday, Sam marks this significant milestone with the release of “Hold On To You,” a collaboration with Th3rd Brain that signifies a new era in his musical journey. Currently immersing himself in the creative hub of Los Angeles, Sam keeps the essence of NYC at the core of his brand, infusing his sound with the city’s pulsating energy.
His music promises a feast for ears, blending genres like stutter house, vocal chops, Garage, DnB, and House. His latest release “Hold On To You” pushes the boundaries even further; fusing dance with rap and showcasing Sam’s signature sound that has become synonymous with his name. With a vision to introduce “NY Garage” as a new genre, Sam is not just making music; he’s creating a movement that bridges the sounds of The Big Apple with the iconic vibes of UK garage. In his own words: “With my upcoming releases, my vision is to pave the way for a new genre, “NY Garage,” which is Inspired by the rich musical tapestry of his hometown blended with the iconic UK garage sound,” Silver says.
The song’s seed was planted during a night of exploration in Rome’s pulsating nightlife and absorbing its energy. From there it grew to form a captivating narrative on the complexities of love in a world filled with uncertainty, solidifying Sam Silver as not just a beat maker; but a storyteller. 
“Hold On To You” unfolds like a heartfelt novel, capturing the highs and lows of love’s journey. From flirtation to infatuation and ultimately acceptance, the song mirrors the dynamic twists and turns of life, all set to the infectious rhythm of UK garage.
Follow Sam Silver on Instagram, TikTok, and Facebook. This article was first published on Your EDM. Source: NYC’s Prodigy Turns 21 & Hits the Club Scene with New Anthem: ‘Hold On To You’
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Night Tales Release Mesmerizing Deep House Single “Ready”

Night Tales has built a name for themselves in the house and deep house scene with a very unique sound that has allowed them to crossover into more commercial markets. Their latest single “Ready” is another great tune, with a captivating blend of drums, synths, and horns, expertly crafted by Night Tales to enthrall listeners. The groove-filled instrumental lays a solid foundation for the mesmerizing lyrics that follow.
As the track progresses, it builds anticipation before reaching its climactic chorus, characterized by a deep house bassline seamlessly fused with crisp percussion, ethereal echoes, and commanding vocals. True to Night Tales’ style, the duo keeps audiences engaged with fresh soundscapes and infectious rhythms throughout the latter half of “Ready.”
Delving into the creative process behind the track, Night Tales reveals that “Ready” was born from a collection of samples sourced from Splice and the Serato sampler. This sonic amalgamation incorporates a variety of elements, including melodies, pitch shifters, autotune, and more. The song’s anthem-like quality is further enhanced by the intensity and diversity of the drums, with the duo experimenting extensively with rhythms and musical beds to evoke the desired emotions in the final product.
Listen below!
This article was first published on Your EDM. Source: Night Tales Release Mesmerizing Deep House Single “Ready”
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Desert Hearts Festival Brings Around-the-Clock Music to Arizona in July

From July 4-8, Desert Hearts Festival 2024 takes place at Playa Ponderosa, AZ and returns to its roots with around-the-clock music. Desert Hearts, a name synonymous with curating picturesque and unique festival and event experiences, has just announced the details for their forthcoming edition. The Desert Hearts Festival 2024 is set to take place from [...]
The post Desert Hearts Festival Brings Around-the-Clock Music to Arizona in July appeared first on DJ Life Magazine.
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Sherm & Halil Sensei Link Up For Spectacular Underground Single “Toxic”

Sherm is on an unstoppable rise, culminating in a standout finish to 2023 with features in Forbes and a prime slot supporting Zedd’s NYE bash at Navy Pier. Far from slowing down, Sherm is thrilled to announce his fifth consecutive appearance at Chicago’s prestigious North Coast Festival. Adding to the excitement, he joins forces with Halil Sensei to drop their pulsating tech house anthem, “Toxic,” available today via Hood Politics Records.
“Toxic” encapsulates the finest elements of the underground, powered by a hypnotic vocal and booming tech house groove. Sherm & Halil prove just how dynamic of a team they are, effortlessly contorlling the energy from start to finish to create an enchanting experience. Whether it’s part of your pre-game, peak time at the club, or on your way to the afters, this is the perfect tune to turn on.
Listen below!
This article was first published on Your EDM. Source: Sherm & Halil Sensei Link Up For Spectacular Underground Single “Toxic”
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Dunes of Dawn Make Debut On Insomniac Label With Thrilling Techno Single ‘Dimension’

Continuing their momentum from their Factory 93 single “Instinct,” techno duo Dunes of Dawn ended 2023 on a high note, gracing the stage at Chicago’s esteemed ‘Day One’ event alongside industry heavyweights like Skream and Hot Since 82. These accomplishments caught the attention of influential labels, setting the stage for what promises to be their most impactful year yet.
Comprised of lifelong friends Tanner and Yianni, Dunes of Dawn have dedicated themselves to their craft, with a deep-seated passion for electronic music driving their journey. Navigating the realms of house and techno, their dedication has led to significant milestones, including sharing stages with the likes of Agents of Time, andhim, and Andrew Bayer. Now, their ascent continues with a signing to one of electronic music’s most revered labels: Insomniac Records.
Their latest release, “Dimension,” under the In Rotation/Insomniac Records imprint, marks the beginning of a new chapter for Dunes of Dawn. This track serves as the inaugural step in a series of label partnerships, each representing a milestone in their burgeoning career. From the first pulsating beat, “Dimension” transports listeners to a futuristic dystopia, characterized by its dark melody and powerful percussion. Tanner’s haunting vocal sample seamlessly weaves into the fabric of the track, enveloping the listener and solidifying the thematic architecture.
Check it out below!
This article was first published on Your EDM. Source: Dunes of Dawn Make Debut On Insomniac Label With Thrilling Techno Single ‘Dimension’
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Nate Mars Unveils Official Remixes From Liondub, Tim Reaper, Starkey & His Own New Original ‘Parallelogram’

Nate Mars recently unveiled his latest project, the In Time (Remixes) collection, featuring reimagined versions of his original In Time EP, released just last November. This eagerly anticipated release showcases remixes by esteemed artists Liondub, Tim Reaper, and Starkey, each injecting their unique flair into Mars’ tracks. Alongside these remixes, Mars introduces “Parallelogram,” a fresh original track that perfectly encapsulates his signature style.
Kicking off the In Time (Remixes) is Liondub’s reinterpretation of the title track, “In Time.” Liondub, a seasoned figure in the global drum and bass scene, delivers a smooth and polished rendition, infusing the track with a seamless drum and bass rhythm that propels the listener forward. With Liondub’s extensive experience and collaborations with reggae and dancehall artists worldwide, his take on “In Time” sets the tone for the remix collection.
Meanwhile, Tim Reaper, founder of the esteemed Future Retro London record label, offers a sophisticated remix of “Starting Over.” Known for his mastery of jungle and breakbeat hardcore, Reaper showcases his technical prowess with clever breaks and minimalistic vocal elements that highlight the essence of quality dance music. His remix exemplifies the spirit of original jungle music, staying true to the genre’s roots while adding a contemporary touch.
Philadelphia-based producer Starkey rounds out the remix collection with his unique take on “To Kill A DJ,” infusing the track with dub/reggae influences and hard-hitting UK garage elements. Starkey’s dystopian soundscape captivates listeners, seamlessly blending Mars’ original with his distinct style, demonstrating his versatility and boundary-pushing approach to music production.
Finally, Nate Mars introduces “Parallelogram,” a brand-new original track that showcases his expertise in drum and bass and UK garage. With its metallic percussion, fast-paced breaks, and thick basslines, “Parallelogram” exemplifies Mars’ ability to surprise and delight listeners with his innovative soundscapes.
Check it out below!
This article was first published on Your EDM. Source: Nate Mars Unveils Official Remixes From Liondub, Tim Reaper, Starkey & His Own New Original ‘Parallelogram’
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Aussie artist Kid Caird Drops Simmering Tech-House Banger ‘Body Work’

Following the success of his December 2023 release, ‘You Ready To Work?’ and January 2024’s ‘Everyday,’ Kid Caird is hitting the ground running as he gears up for the year ahead. With over 100K streams on Spotify alone, a busy touring schedule, and countless hours spent in the studio last year, he’s eager to make the most of every opportunity in 2024.
His latest single is “Body Work,” a track born from a stroke of inspiration while Kid Caird was at his keyboard, diving into the digital crates of samples. As he sifted through the sounds, creative sparks flew, culminating in the realization of his vision. With each tinkering session, the pieces fell into place until the song burst to life.
“Body Work” wastes no time in captivating listeners with its crisp tech house percussion, robust basslines, and a synth with brass-inspired tones that serve as the song’s anchor. Combined with chopped vocal samples, it’s the recipe for a night filled with unforgettable moments on the dancefloor.
Listen below!
This article was first published on Your EDM. Source: Aussie artist Kid Caird Drops Simmering Tech-House Banger ‘Body Work’
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Blaze Orange & Kwal Collaborate For Electrifying House Single ‘Shake’

Blaze Orange and Kwal, driven by a string of label releases, club gigs, and late-night afterparties, are seizing every opportunity to ride the wave of momentum cultivated in 2023. Hailing from the vibrant Chicago-Milwaukee corridor, an area rich in artistic opportunities and home to a diverse array of talent and venues showcasing electronic music, the duo is thriving. With their trajectory on the upswing across various fronts, they’ve dedicated themselves wholeheartedly to their latest project.
Their latest release, “Shake,” delivers a club-friendly, classic house vibe punctuated by well-placed vocal samples. The track effortlessly infuses a hypnotic groove, driven by a pulsating bassline, raw synths, and high energy arrangement. Signed to the rapidly expanding label Pharaoh Phonix, “Shake” proves to be another heater ready for dance floors around the world.
We had the opportunity to speak with them about the single and their work together. Check out the interview below!

For both artists: How has the Chicago-Milwaukee corridor influenced Blaze Orange and Kwal’s music and career trajectory?
K: The two cities are so close in proximity that it’s almost impossible for spillover to not occur. Chicago has strong roots as the birthplace of house music.. Milwaukee shares that same passion for house music so finding artists with similar tastes is not a complicated task. There is so much talent between these two cities.

B:  Milwaukee has always seemed to look up to Chicago for being both the home of House Music and quality of events and artists.  I have a great respect and admiration for those early artists that carved the way of House Music.  I think you will hear that more and more out of my recent work some of the Chicago flavor I put into my songs.
For both artists: Can you describe the process behind creating “Shake” and how you achieved its distinct sound without resorting to overcomplicated sound design?
K: Blaze Orange had a fantastic groove laid down when he reached out about collaborating. Once I heard his original idea, I knew I would be able to add my own flavor to it without needing to recreate the wheel. It was one of the less stressful collaborations I’ve done in recent memory and I think that’s what made it so special.

B:  Late one night, I had an idea laid out, the SHAKE vocal response was something I tried in a previous song that didn’t get far.  This time the track was done within a day and I was really digging it.  After I sent it to Kwal for his thoughts, he opted to jump on and it was very easy for the collaboration.  We both were able to add complimenting drums and synths to the sound to keep the energy and make it memorable. 
Blaze Orange, what inspired the transition to your current persona in late 2021, and how has it impacted your musical direction?  
B: I spent 15 years as a mostly open format DJ that quite frankly achieved most anything I ever wanted.  I had the pleasure of playing shows with the likes of Green Velvet, Ardalan, Disco Fries, LA Riots, and many others. However I never took production seriously until then.  Working hard through the summer, I was close to having tracks that could get signed.  I opted to rebrand, stop all open format shows, and go all in on the new persona of Blaze Orange.  Only wanting to do shows where I can play some of my own tracks and other house music tastes that I enjoy.  It’s been fantastic so far.  Lots of hard work in the studio, sending out demos, promoting the tracks and shows.  I’ve accomplished a lot lately but always striving for those next goals and to improve my sound and brand.
Kwal, working in artist relations at Spybar, how has interacting with renowned tech house artists influenced your music production and DJing style?
K: Contrary to popular belief my biggest takeaway from working in AR is not what everyone thinks it is.. 99% of these artists are incredibly nice people and are humble. It keeps me in check and reminds me to just be myself. Hearing headliners play so often also reminds me that we producers tend to really over complicate our song creation process. Create a strong groove and keep it simple.
For both artists: How do you balance the demands of label releases, club performances, and afterparties while maintaining your creative output?
K: As I grow as an artist it is slowly becoming a bit hectic to stay on top of everything “required” to be a music producer in 2024. One thing that keeps me grounded is having a schedule. Set aside time to complete tasks and do your best not to get distracted. Lastly, don’t forget to take time to be with your family, significant other, pets, etc.

B:  I’ll come straight forward and say, it’s my experience and the fact that I am 8 years sober.  I have put great value on weekend studio sessions in the morning being the most productive and creative.  I do not drink at all,  I go home and to bed after most every show so I can get back in my studio the next day.  Striving to get music work done during the work week also can be challenging; however, discipline is everything.  I do turn down some shows or just a fun night out so I can get some music work done.  
Blaze Orange, how has your musicians’ collective contributed to the growth of the community and supported emerging artists?
B:  I have worked with a number of groups over many years.  There are always waves of both music sounds, genres and talent.  Finding the middle ground to respect those that came before you and also help along the younger new talents.  I have taken part in some sober events, fundraising and benefit shows to raise awareness for various causes.  Also on the production side, I have started to tutor and help aspiring producers to learn there way around music production and the industry. 
Kwal, since starting your journey in the music industry in 2013, what significant changes have you observed in the electronic music scene, particularly in Chicago?
K: Chicago is an extremely busy city when it comes to house music culture. One thing I can say for certain is that being able to make good music has never been enough to get you on stage. This city and its promoters/talent buyers really want your support which makes total sense. I neglected this for such a long time and it impacted my career early on. Get involved and shed love as much as you can. With that said, I’d say the biggest change has been in the amount of promoters in the city.
For both artists: How do you approach the creative process when collaborating on tracks, and what roles do each of you play?
K: For me I tend to only take on collabs from others if I truly feel I can add value to the song. My strong suits are writing basslines and drums. I also tend to find myself being picky and not wanting to rush to finish.

B:  For me, working in a compatible DAW like Ableton goes a LONG way.  I can be picky about sounds being genuine to what I like.  This one with Kwal came very easy and organically that fit both of our styles.     I should also mention we met on a Discord server for the producer CASHEW and found out Kwal was pretty local to me.  That was pretty cool, so thanks to CASHEW!
For both artists:  With a clear vision for the year ahead, what are some specific goals or projects you’re aiming to accomplish?
K: My biggest goals for 2024 are to sign a contract with one of my top 5 labels and to commit to playing a local festival like Arc(even if it’s for 2025).

B: Growing my fanbase, socials, music reach. Main targets for this year are signing a track to a much bigger label than previously.  As well as a music festival for this year or next.  Continuing to craft my sound, brand and workflow should help those things fall into place.

This article was first published on Your EDM. Source: Blaze Orange & Kwal Collaborate For Electrifying House Single ‘Shake’
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Duck Sauce Drops Two New Tracks on D4 Dance

Platinum-selling duo consisting of Armand Van Helden and A-Trak release “Clap Your Feet” and “2 Da Face” on Feb. 16. The GRAMMY® Award-nominated and Platinum-certified duo Armand Van Helden & A-Trak return to D4 D4NCE as Duck Sauce with a two-track single package, Clap Your Feet / 2 Da Face. Both tracks, “Clap Your Feet” [...]
The post Duck Sauce Drops Two New Tracks on D4 Dance appeared first on DJ Life Magazine.
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