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Situated on the 16th floor of FIVE Palm Jumeirah, The Penthouse offers a full nightlife experience, from early evening drinks and dining to late-night dancing. The venue has two distinct spaces: the Lounge and the Nightclub. The Lounge brings relaxed house sounds, while the Nightclub keeps things fresh with a mix of genres throughout the week. Regular events include Big Mood Monday for urban sounds, Toy Room Wednesdays for hip-hop, R&B, and reggaeton, and FIVE Music Sessions every Thursday, featuring live acts and entertainment.
April and May Lineup
April and May will bring a mix of well-known names and rising talent to The Penthouse. Robin Schulz, Eli & Fur, Jan Blomqvist, and East End Dubs are among the artists performing, along with Solardo, Hannah Wants, Mason Collective, and HoneyLuv. Other acts include Kitty Amor, Bontan, and Kilimanjaro, each adding their own sound to the venue’s diverse schedule.
The Penthouse Presents (Saturdays)
April 5: Robin Schulz, Sam Oui April 12: Jan Blomqvist, Yazzmin April 19: Eli & Fur, Sam Oui April 26: East End Dubs, Fabrice May 3: Solardo, Fabrice May 10: Hannah Wants, Jenn Getz & Alfie May 17: Mason Collective, Milica May 24: HoneyLuv, Jixo & Danz The Penthouse Dubai (Sundays)
April 6: DJ Bliss, ANREY April 13: ANREY & Friends April 20: Kitty Amor, Emir April 27: Masaka featuring Mickey Dastinz, Monta May 4: Bontan, Emir May 11: Kilimanjaro, ANREY May 18: ANREY & Friends The Penthouse Dubai is more than just a party place. It starts with cocktails and Japanese-inspired dining against one of the best views in the city before transitioning into a club setting where guests can dance into the early hours. The Lounge and Nightclub each have their own vibe, with the Lounge catering to house music fans and the club offering a variety of sounds throughout the week. Big Mood Monday kicks off with urban beats, B.O.T.A Tuesdays bring a ladies’ night twist, Toy Room Wednesdays are all about hip-hop and reggaeton, and FIVE Music Sessions on Thursdays mix live music with entertainment. Fridays lean into hip-hop, Saturdays highlight top house and tech artists, and Sundays wrap up the week with Afro and tribal rhythms.
For those who want a more private experience, The Penthouse offers VIP sections with premium bottle service and booths located right behind the DJ, bringing fans closer to the action. The club is also a favorite afterparty spot, especially following Bohemia Presents and Bohemia Chill, keeping the energy going long after other venues wind down.
FIVE Palm Jumeirah is more than just home to The Penthouse. It is one of Dubai’s top destinations for luxury, nightlife, and entertainment. With award-winning restaurants, a private beach, and a strong commitment to sustainability, the hotel attracts both visitors and residents looking for a premium experience. The Penthouse is a key part of its reputation, hosting some of the most talked-about nights in town.
With this latest round of events, The Penthouse is set to keep its place as one of the most exciting and talked-about nightlife spots in the city.
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Designed by Avant Gardner’s team alongside Hard Feelings and Studio Greenbank, the new Mirage features a monumental heavy timber structure— measuring 197 feet by 164 feet and soaring 65 feet high, this is among the largest timber builds of its kind in the USA. Unlike conventional large-scale event structures, which often rely on steel or aluminum, this build sets a new benchmark for sustainability. The structure is fully pre-manufactured and CNC-cut with the latest addition technology showcasing how advanced prefabrication techniques can push the limits of what is possible in contemporary event space design.Prefabricated with advanced CNC-cut technology, it sets a new standard for event space innovation, blending music, technology, and hospitality in an unprecedented way.
Introducing Mirage Next Generation: A Fully Kinetic, Immersive Experience
The Brooklyn Mirage 4.0 feature the world’s first fully kinetic shutter system of this scale in a live music venue. When closed, it nods to the venue’s early days without LED screens; when open, it transforms into a hyper-realistic 270-degree virtual environment with 30K resolution and over 100 million pixels, surpassing visuals seen at major music festivals.
Paired with a custom-built L-Acoustics sound system featuring over 100 precision-calibrated speakers, Mirage 4.0 ensures an immersive audio-visual experience. With a 90-foot-wide stage and a 400,000-pound rigging capacity, it accommodates groundbreaking productions across all genres. Opera-style balconies enhance the dance experience, offering premium views and hospitality while maximizing dancefloor space. This next-generation venue delivers arena-level production, ensuring every guest feels like they’re in the front row.
Enhancing Guest Experience & Safety
To ensure a seamless experience from arrival to departure, The Brooklyn Mirage has made significant infrastructure investments inside and outside the venue. New lighting, signage, rideshare drop-off zones, and cell service enhancements will improve guest navigation and connectivity. Additionally, the venue has enhanced its team of trained guest ambassadors, expanded private security patrols, and increased first responder-trained staff to enhance safety and overall guest experience.
New Media Art & A Star-Studded Season Ahead
Beyond its state-of-the-art production and hospitality innovations, The Brooklyn Mirage is launching a New Media Art Program, inviting internationally renowned and emerging multidisciplinary artists — including members of the local creative community—to showcase their works on-site. With over 100 shows already confirmed for 2025, the season kicks off on May 1 with a powerhouse lineup featuring Sara Landry, Alesso, The Martinez Brothers, Peggy Gou, Cloonee, Anjunadeep, Artbat presenting Upperground, Cityfox, Elrow, Amelie Lens presenting Exhale, Boiler Room, Sammy Virji, TwoFriends, Excision, Rezz, Gryffin, Subtronics, Francis Mercier, Nora En Pure presenting Purified, Galantis, The Chainsmokers, A.G. Cook, James Hype, All Day I Dream, Underworld, and Empire of the Sun, withmany more major announcements still to come.
For tickets and the latest event updates, visit Avant-Gardner.com.
The post Brooklyn Mirage 4.0 Revealed as Venue Turns 10 appeared first on EDMTunes.
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Hardwell, born as Robbert van de Corput, is the March cover star of lifestyle magazine, Haute Living, and the Dutch electronic music icon recently participated in an exclusive interview with the magazine. In fact, in the interview with Haute Living (click on this link to check out more of the interview), Hardwell talked about various topics, including his four-year break from touring, the future of music production with the increasing involvement of AI, and why making mistakes is a good thing in one’s life.
In this exclusive interview with Haute Living, Hardwell provides an in-depth opportunity for his millions of fans to understand and appreciate his inner innovative side, as well as his personal side outside the spotlight. Furthemore, the interview comes in time for the electronic music icon as he prepares to become the headliner who closes out the 25th Anniversary of Ultra Music Festival, set to happen on the weekend of March 28-30. This comes as another grand step in the illustrious career of Hardwell since he had first performed at the festival at the age of 21 back in 2012, which was also his first time performing in the United States.
Haute Living Hardwell discusses in Haute Living how his four-year break enhanced his growth as an artist
AI getting invovled in music production
Making mistakes is good
The post Hardwell Reflects on His Hiatus, AI in Music, and Making Mistakes appeared first on EDMTunes.
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Find the other daily guides down below:
Tuesday Event Guide
Wednesday Event Guide
Friday, Saturday, Sunday
HILOMATIK MIAMI
Event: HILOMATIK MIAMI
Venue: Wynwood Marketplace
Lineup: Hi-Lo, Enrico Sangiuliano, Fatima Hajji, KAS:ST, Sarah De Warren
Time: 9 PM
Tickets: Here
Axtone & Friends Pool Party
Event: Axtone & Friends Pool Party
Venue: Nautilus Sonesta Miami Beach
Lineup: Axwell, A-Trak, Biscuits b2b Martin Ikin, Dmtri, Luch, Korolova, Mark Knight, Moojo, Tiffy Vera
Time: 12PM-11PM
Tickets: Here
RESISTANCE Miami
Event: RESISTANCE
Venue: M2 Nightclub
Lineup: Charlotte de Witte, Enrico Sangiuliano, Juliet Fox, & Annicka
Time: 10PM-5AM
Tickets: Here
STMPD RCRDS POOL PARTY
Event: STMPD RCRDS
Venue: SURFCOMBER HOTEL
Lineup: Martin Garrix, Dubvision, Eleganto, Julian Jordan, Justin Mylo, KVSH, Lavern, Mesto, & more
Time: 12 PM
Tickets: Here
Purified Miami: Nora En Pure
Event: Purified Miami
Venue: Jungle Island
Lineup: Nora En Pure, Yotto, Innellea, Paradoks B2B Adam Sellouk, & Jono Stephenson
Time: 7 PM
Tickets: Here
TAPE B MIAMI BLOCK PARTY
Event: TAPE B
Venue: Wynwood Marketplace
Lineup: TAPE B, Cyclops, Phrva, & Ricky Remedy
Time: 3 PM
Tickets: Here
Defected: Miami Music Week
Event: Defected
Venue: Sagamore Hotel South Beach
Lineup: Armand Van Helden, Dennis Ferrer b2b TSHA, Sam Devine, & more
Time: 1 PM
Tickets: Here
Sara Landry presents HEKATE
Event: Sara Landry
Venue: Factory Town Park Stage
Lineup: Sara Landry, AK Sports, Charlie Sparks, Godtripper, Nico Moreno, Raven, Ultrathem
Time: 7PM-7AM
Tickets: Here
Gorgon City Presents: Enter The Realm
Event: Gorgon City Presents: Enter The Realm
Venue: Toejam Backlot
Lineup: Gorgon City, DJ Tennis, Interplanetary Criminal, Linska, & Clüb De Combat
Time: 8 PM
Tickets: Here
Diplo X Hugel
Event: Breakaway Beach | Diplo X Hugel
Venue: Hyde Beach
Lineup: Diplo, Hugel, and More
Time: 12 PM
Tickets: Here
ACRAZE: Paradox Miami
Event: ACRAZE Presents Paradox
Venue: MANA 320
Lineup: ACRAZE, Danny Avila, Victor Lou
Time: 10 PM
Tickets: Here
COS Recordings
Event: COS Recordings
Venue: La Otra Wynwood
Lineup: Cristoph, Charles D, Estiva, Hana, Michael Anthony
Time: 4 PM
Tickets: Here
Cosmic Gate at La Otra
Event: Cosmic Gate at La Otra
Venue: La Otra Wynwood
Lineup: Cosmic Gate, Support TBD
Time: 11 PM
Tickets: Here
Marco Carola presents Music On
Event: Marco Carola presents Music On
Venue: Factory Town
Lineup: Marco Carola, Luciano, Chris Stussy, Franky Rizardo B2B East End Dubs, Mason Collective, Cole Knight
Time: 7 PM
Tickets: Here
LMR presents Cloonee & The Martinez Brothers B2B Loco Dice
Event: LMR presents Cloonee & The Martinez Brothers B2B Loco Dice
Venue: Club Space Miami
Lineup: Cloonee, The Martinez Brothers B2B Loco Dice, Prunk B2B Kellie Allen, Olive F, Thunderpony
Time: 11 PM
Tickets: Here
Revealed: Legacy v Destiny
Event: Revealed: Legacy v Destiny
Venue: The Dirty Rabbit
Lineup: Dannic, Domeno, Thomas Gold b2b Deniz Koyu, Lusso, Marie Vaunt, Nifra
Time: 8 PM
Tickets: Here
The Official WMC Pool Party
Event: The Official WMC Pool Party
Venue: Eden Roc Hotel
Lineup: Alok, Cheat Codes, KSHMR, Elephante, Frank Walker, Hayla, Jonas Blue, Lavern, Regard, Vinny Vibe, Z3lla
Time: 3 PM
Tickets: Here
Essential Deep House Brunch
Event: Essential Deep House Brunch
Venue: Jungle Island
Lineup: Richard Earnshaw, Steve Taylor, Ron Carroll, Jay-J, Scotty Boy, DJ Mark Brickman, Saliva Commandos
Time: 3 PM
Tickets: Here
Maddix – ALL DAY RAVE
Event: Maddix – ALL DAY RAVE
Venue: MAD LIVE
Lineup: Maddix, Special Guest B2Bs
Time: 12 PM
Tickets: Here
AUDIEN PRESENTS: PROGRESSIVE. HOUSE NEVER DIED
Event: AUDIEN PRESENTS: PROGRESSIVE. HOUSE NEVER DIED
Venue: MAD LIVE
Lineup: Audien, Dubvision, Third Party, Deerock, Leondis
Time: 10 PM
Tickets: Here
DEADBEATS vs Cyclops Recordings
Event: DEADBEATS vs Cyclops Recordings
Venue: Mana Wynwood
Lineup: Zeds Dead, Eazybaked, Distinct Motive, Friction, Gentlemens Club, Infekt, Level Up, Lumasi, Mary Droppinz, Okayjake, STVSH, Sire, Skellytn
Time: 9 PM
Tickets: Here
The post EDMTunes Miami Music Week 2025 Event Guide: Thursday appeared first on EDMTunes.
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The arrival of “One More Time” demonstrates Weiss’s unmatched grasp of the fundamentals of dance music. This song is more than just a new release; it’s the pulse of house music as it has developed over the years, as seen through the unique perspective of a producer who has immersed themselves in the history of the genre.
The composition unveils itself in stages; first, the raw, unfiltered drums build the groundwork, providing that distinctive rhythmic backbone that strikes a chord with the listener’s body even before their brain has a chance to process. These percussion parts do more than keep the beat; they compel bodily reaction, drawing even the most introverted listener in.
With the help of irresistible disco loops, Weiss takes “One More Time” to a whole new level, making it more than just a nightclub staple. This is more than just a passing reference to disco’s impact on house music; it’s a collection of carefully selected and reworked pieces that connect the past and present of dance music. Both long-time house fans and those just getting into the genre will feel the familiar rush as the loops whirl and change throughout the song.
The post Weiss Drops “One More Time” on Toolroom appeared first on The Groove Cartel.
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The post testing sync appeared first on Electric Mode.
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This time, Wassay teams up with South African singer-songwriter Nathan Blur, adding a fresh vocal touch to his signature sound. Known for his tried-and-true production formula, Wassay once again delivers a track that feels like an instant classic, designed for dance floors and airwaves alike.
Beyond the studio, Wassay remains a dominant force in the club scene across Switzerland and beyond. With his latest release now hitting global platforms, it’s clear that ‘My Limit Is The Sky’ is set to make waves in the House music world.
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On Friday March 14 , they are taking over Room 2 in XOYO for Jungle Cakes, and this is yet another milestone in their journey. What started as a radio show three years ago grew out to be much, much more. From workshops and event takeovers, dedicated Mothership events and festival showcases to their monthly radio show at DataTransmisson: Music From The Mothership is everywhere.
Get your tickets here.
We had a chat with Tank Howls, their founder, to talk about the journey so far, what her thoughts are on the current scene, and what’s to come from Music From The Mothership in the future.
This is such an inspiring collective you have! When did you decide to start Music From The Mothership?
When I was younger, I used to DJ a lot on vinyl. After a while, I got out of that, but when I came back into the scene, I got into digital mixing, and got my first couple of gigs, I felt very isolated. I didn’t know any other female artists, and I didn’t really know anyone in the drum & bass scene at that time. I could see straight away that when I was going to be booked, I was gonna be the token woman on the lineup. I was thinking, why are there still no women in drum & bass? I started researching and found out that there are actually loads. I wanted to connect with them, and wanted to get to know them and give them opportunities, as well as get myself into this scene a bit more. That’s why I started a radio show, and through that the mothership grew. I met so many amazing people through this radio show, and we started collaborating and working together, giving opportunities to each other. When this had been going on for a while, I asked around: “Does anyone like the idea of starting a mothership collective? Would anyone be up for that?” It started from there.
There are a lot of genres represented by the collective. Why is that?
It started just as drum & bass, but I felt it wasn’t that inclusive, I really like all bass genres and other people in the collective could play those genres as well. This way, we’re all playing music that we enjoy, but it’s also opening up the opportunities for the collective. Rumble in the Jungle has booked us a couple of times to do a multi-genre takeover, for example. I think it makes you more versatile, which is good in the industry, and it gives the DJs who play those genres the chance to play all the things they like playing.
And can you tell me more about who is in Music From The Mothership?
First up we have Asset, a drum & bass DJ. She’s my wingman, she really supports me and does a lot of emailing, a lot of posting and editing of clips… She’s the second in command for all the admin stuff, she’s my rock. Next up we’ve got Klumzykhemist, she’s signed to Hot Cakes, andis a DJ and producer. She’s smashing it in her own right currently playing up and down the country, then we have DJ Nay. She’s a DJ and producer, and also the label manager for Dubshotta.
Our youngest member is Sounds of Fia is a student in Bristol, and is a multi-genre DJ and producer and singer. She’s multi-talented, and she’s going to pop off for sure. We’ve also got Tashphrodisiac who is also a multi-genre DJ, mainly drum & bass rollers but also garage, 140, and bassline. Then there’s Anny, she runs Basscamp, and is a neuro DJ learning to be a producer. Then there’s myself, Tank Howls. Then there’s Devotron who is a multi-genre DJ who mainly plays footwork, jungle, bassline, she’s based in London. And finally we’ve got Synthra, she’s a neuro and more heavy DJ and a really sick producer, but yeah she’s taking a little break at the moment. We also have two MC’s and vocalists, Kmzi is our MC and we’ve got TJA who is more of a vocalist, both are super talents who really finish our collective, and help create a real show when we are all together.
In what other way do you want to see the collective grow?
It would be great if we all pushed the production a bit more. I would love it if there was a little Mothership label, that would be a great way to grow, but more work scares me a bit. Another thing that I would really like to do, would be to have enough shows coming in that I wouldn’t always offer the slots to residents. The Mothership has always been about wanting to help a wider group of people. If we were getting to the point where we were getting offered shows every weekend, then we could start inviting artists who are maybe not part of the actual collective but are part of the wider Mothership family.
You’re doing really great things for the music scene, and you’re taking over room two at XOYO this Friday for Jungle Cakes as well. Are you looking forward to that?
It’s such a great opportunity. It’s amazing to have the whole room, so we can get pretty much all of the residents on. There’s a couple that can’t make it, but most of them get to play. We get to have our MC come along as well, which is nice, and we’re also bringing some dancers. It’s going to be a real show which is really exciting.
Is this the first time that you get to take over a room?
We have done some takeovers but normally it’s more like an hour to two hours. We did some stuff with Gorilla Tactics at Boomtown and we also did Boomtown Bobbies. We have been working with Jungle Cakes and Rumble, doing two hours or something like that, but never a whole room yet, so this is great. Doing a room takeover for such a big brand like Jungle Cakes and such an amazing venue like XOYO, it feels like a milestone. It’s really exciting to hit those. It’s great for us, because it means they’re taking notice of what we’re doing and what we’re making noise about, what we’re all about. But it’s also nice for the wider scene, because it makes the lineups more diverse.
That’s amazing, yeah! You started this collective three years ago, did you ever think you would come this far this fast?
I’m quite a hard worker, and I always strive for more and more and more. It can be hard for me to fully recognize when I’ve gotten somewhere, because I’m always looking at the next thing. But I do realize that we’ve done a lot and everybody around me is always like, you’ve gotten so far, but I suppose my goals are always so big, I’m always thinking we can do more.
How did you come up with the name?
Before I started the radio show, I was trying to think, how can I connect with other women? My very initial idea was, how can I connect with other women who are a bit like me? What would my target audience be? What do I want my target audience to be? I’m a mum, I was 40 then. Is my target audience like a young 18-year-old guy? I wasn’t sure. I was thinking, I’ll just call it something that I feel would resonate with women, maybe more of my age as well, so I was thinking of mum and mummy and mothership, and I went with Music From The Mothership, as it just had a good sound to it We resonate with all sorts of people, but we do have a massive female following, which is quite unusual for Instagram. We get a lot of support from women, but we get a mix of comments and likes and support from everybody. We’ve been really lucky. I have hardly had any negative interactions. Everyone always seems to see the genuine passion and energy in the things that we’re trying to do.
What other collectives do you look up to, or would you want to collaborate with in the future?
I really look up to Full Spectrum from Bristol, I admire everything they do. I’d really love to collaborate with all of the female focus brands. There’s Sisterhood in Birmingham. HARMONIA in Bristol is another one, but there are loads of others. One of my ideas that I would love to work more on, is doing regular collaborations with all of these groups. There are loads of people doing stuff on a small scale. We’re starting to get some bigger bookings now, but a lot of the other collectives are still pushing themselves, running their own nights, or getting booked like on a lower level, so it would be really nice if we could work together more. If we were one massive huge collective of people, you could do so much more and you could reach such a bigger audience. I definitely would like to try and join forces with more collectives.
That’s the power of collaboration! What has changed since you founded Music From The Mothership three years ago?
There are more collectives around than I was aware of. I think people are starting to take notice of collectives more. I think that they’re starting to vibe with it and see that it’s nice to have a group of people behind the decks. You have other groups like Girls Don’t Sync, Girls Take Action or Girls Next Door who are bringing that collective feel at that top end, and it would be nice to see more collectives, and it’s growing very slowly. Our collective has definitely grown from just a few at the beginning to 11 artists now.
Have you noticed a change in the scene?
There’s still a long way to go. If you were to look on lineups, I know there’s a hierarchy to DJs, who’s the most famous or who’s going to pull the biggest crowd or whatever it is and that’s that’s totally validated, but there are enough artists out there who are female identifying or who are ethnically diverse or who are from the LGBTQ community. You should be seeing at least 50% of the lineup coming from those three communities. Promoters can do some research and find out who to book or reach out to collectives like ourselves and ask for ideas on artists to book, because I think it’s important. Bigger brands do have a choice to not just put someone on first and once and tick a box. They have the choice to shuffle things up a little bit and drop different people in different places to give them amazing opportunities for them to grow, for people to be seen in the scene.
People are very set in their ways. I get it, it’s a business, so you don’t want to do something to risk people not coming to your show. But if most of your lineup is all of these huge artists then people are going to come for them, maybe take a couple of those bigger artists out and scatter a few smaller artists that fit on the lineup. You’d see a more equal lineup. I just don’t see equal lineups, it’s still lots of guys and one or two women. That doesn’t represent an equal fix. We had an artist on our show who said it really well. She said, “In the underground scene, women are smashing it. In the smaller clubs with smaller promoters, you will see a bigger mix, you will see a lot of women, and you will see a lot of female promoters and a lot of female collectives pushing.” It’s just that bigger step up the ladder which is difficult to reach.
Let’s wrap up this conversation with something more positive. What are some of the best moments you’ve had with Music From The Mothership so far?
Every time we’re in big groups with the collective is great, traveling to and from places. Boomtown was amazing, there were a lot of us there, and we had the Wrong Side of the Tracks take over, the Boomtown Bobbies, both of those were sick. We were all supporting each other, that was amazing. We had an amazing show at Shindig where we had a lot of the residents… Any time we’re all together is always really fun. It’s inspiring and we all give each other energy, we all back each other up. I think that’s really special about it.
What do you still want to achieve with your collective?
We’ve been working with Hospital Records this year because we’re their new business development mentee, which has been a real proud moment. I was really amazed to get that because I’d been trying to get that for three years. Doing a little bit more stuff with them would be great. I’d love to get a Mothership residency somewhere but I don’t know if that’s even possible, and maybe get signed by an agency. We’ve been considering that, but I’m still not sure whether that’s the right path to go. Other than that, we’ve still got our events coming up at Cosies, in Bristol, next one is the 18th April. We will keep them going and get them lively. If we keep continuing to work with some bigger promoters as well, that would be great.
Any final thoughts?
I want to give a big shout out to anyone who supported us over the years. There have been a lot of people in the background who have supported us, our families who look after our children for us when we go to gigs, and then a big shout out to Lez at Headroom in Bristol where we’ve recorded the show for the last few years. He’s always a rock and a big support. Also a big thanks to DataTransmission, who host the show at the moment, big shout out to all the collectives and all the artists that we’ve worked with. It’s been really great getting to meet everyone and growing the family and the community wider. and last but not least, a the biggest shout to all the Mothership girlies. They truly rock!
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Optimistic marks Dave Alex’s fifth release on Ditto, continuing his journey of creating music that not only moves people but also lifts their spirits. Drawing influence from early techno pioneers such as The Prodigy and Aphex Twin, Dave’s new track channels positive energy and an infectious rhythm, designed to spread happiness and create a feel-good atmosphere on dance floors.
Optimistic is a reflection of Dave Alex’s signature sound, blending deep techno with an upbeat, dynamic pulse that makes it an undeniable crowd favorite. With a focus on creating an atmosphere that brings joy, this track continues his tradition of producing music that connects with listeners on an emotional level.
Hailing from Belfast, Northern Ireland, Dave Alex Crawford (also known as Positive Spirit) has been making waves in the electronic music scene since 1996. Starting as a DJ, he quickly gained recognition for his skill behind the decks before venturing into music production in 1998.
Dave’s early work received positive reviews, and he formed Shinebox Radio, an internet radio station dedicated to showcasing fresh, unsigned talent. As his career evolved, Dave secured residencies at prominent stations like Deviant Audio and became a regular guest on various radio shows, including Agnelli & Nelson’s Deep Blue Radio Show, Solaris, and Pure Dance. Additionally, he hosted his own show, Facing Up, on the popular trance station Trance FM in Amsterdam, further solidifying his presence in the global dance music community.
Dave’s music has also been featured on renowned platforms such as BBC Introducing and Deepsink Digital, a Florida-based Christian EDM label. Now, with his own record label Positive Spirit, Dave continues to push boundaries in the techno and trance genres. His deep passion for music is reflected in every track, and his goal remains clear: to spread positivity and connect with audiences through sound.
Support Dave Alex on Social Media
Instagram | Facebook
Listen to more of Dave Alex
Spotify | Apple Music | Mixcloud
The post Dave Alex Uplifts with New Single Optimistic appeared first on Electric Mode.
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The track delves into themes of resilience, hope, and transformation, weaving deep, pulsating beats with a backdrop of haunting melodies. EKKO’s ethereal vocals draw listeners in, immersing them in a soundscape of emotion, mystery, and revelation. Continuing the momentum into Paul van Dyk’s highly anticipated album, the first in five years, the song fluidly captivates audiences and ignites his longtime fans from across the electronic music spectrum.
Joining the collaboration, Paul Thomas, a world-renowned DJ, producer, and longtime friend of Paul van Dyk has become universally celebrated for his deep and emotive sets at events like SHINE Ibiza, SHINE at Tomorrowland and FSOE shows. With releases on his very own label UV, his progressive sound perfectly complements the production on ‘Shed Your Light.’ With releases on esteemed labels that include Toolroom and Defected, his deep, progressive sound perfectly complements the production on ‘Shed Your Light.’
Industry figureheads have earmarked ‘Shed Your Light’ as a melodic masterpiece ahead of its official release, showcasing crisp, signature beats and captivating melodies from this powerhouse collaboration. Reflecting back, Paul first discovered EKKO late last year through a promo track and was immediately drawn to her captivating voice and poignant lyrical delivery. With over 70 million Spotify streams, the songwriter, vocalist, and producer has been making a significant impact with her emotionally charged sound, carving out a distinct presence in the industry.
Paul van Dyk, Paul Thomas & EKKO’s Shed Your Light is set for release on 14th March, with The World Is Ours following In April via VANDIT Records, both marking an exciting new chapter in Paul van Dyk’s legendary career.
Pre Save: https://bfan.link/pvd-shedyourlight
Find Out More & Follow
Paul van Dyk Instagram | Spotify | Website
Vandit Records Instagram | Facebook | YouTube
Paul Thomas Instagram | Soundcloud | Facebook
EKKO Instagram | Spotify
The post Paul van Dyk, Paul Thomas & EKKO Unite On Captivating ‘Shed Your Light’ Single appeared first on Electric Mode.
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Come Ahead: The Remixes Vol 1 (Vocals) will feature eleven remixes of music from Primal Scream’s critically acclaimed new album, Come Ahead. An accompanying album of dub mixes, titled Come Ahead: The Remixes Vol 2 (dubs), is soon to be announced.
Since the album’s announcement in July 2024, The Come Ahead Remix project has evolved in parallel. Starting with UK house legend Terry Farley and Wade Teo’s sold-out white label remix of ‘Ready To Go Home’ – the mix started dropping in clubs last summer 35 years after Terry Farley first created the iconic ‘Loaded’ and ‘Come Together’ remixes for Primal Scream. ‘Ready To Go Home’ (Tim Goldsworthy Remix), ‘Love Ain’t Enough’ (Tim Goldsworthy Remix), and ‘Love Insurrection’ (Black Science Orchestra Remix) all followed. Last week ‘Innocent Money’ (PSB King Of The World remix), complete with Neil Tennant’s unmistakable vocals, brought the project into 2025.
Bobby Gillespie said: “We have been truly blessed that so many wonderful, talented and creative people have taken up the offer to remix songs from our Come Ahead album with such inventiveness and enthusiasm. We are very proud of these remixes and at some point would like to release them on 12” vinyl and include the beautiful dub mixes to accompany them. Andrew Weatherall set a very high bar with his remix work on Screamadelica and I believe that everyone who worked on this latest project had that in mind as they entered the studio to do their stuff. You can hear the results for yourself. Enjoy!”
A new music video for ‘Innocent Money’ directed by ex The Jesus and Mary Chain member, and renowned filmmaker and video director, Douglas Hart, is also released today. The new video marks the latest in a long line of collaborations – Hart has created music videos with Primal Scream since 1991. Most recently directing the music videos for Come Ahead album highlights, The Centre Cannot Hold and Deep Dark Waters. Watch here.
Come Ahead is Primal Scream’s 12th studio album. Released in November 2024 to widespread critical acclaim, MOJO stated “Come Ahead is up there with Primal Scream’s best” and the Evening Standard championed “the album of the year” in a five star review. Record Collector found “an album by a band which has been audibly reborn”, AnOther Magazine praised “joyous soul-shaking music”, CLASH proclaimed, “Come Ahead is another high in a career full of them,” whilst Classic Pop confirmed, “Primal Scream just became important again”.
On 31 March Primal Scream’s Come Ahead Tour will hit the UK and Ireland with 14 headline concerts into April 2025. The last remaining tickets are on sale here. Primal Scream will be supported by Baxter Dury at shows in Bristol, Southampton, Edinburgh, Glasgow, Birmingham, Liverpool, Manchester and Nottingham, and by Fat White Family in London.
After launching The Come Ahead Tour at Corona Capital in Mexico City and performing at Tokyo’s Rockin’on Sonic Festival, Primal Scream kicked off 2025 with headline dates across Australia in January, with their show at Fremantle Prison described as “joyous” by Rolling Stone. The Come Ahead Tour is set to continue through Europe and North America into summer 2025.
Pre Save Here
Come Ahead: The Remixes Vol 1 (Vocals) Tracklisting
1. Innocent Money (PSB King Of The World remix)
2. Ready To Go Home (Tim Goldsworthy)
3. Ready To Go Home (Terry Farley and Wade Teo)
4. Love Insurrection (Black Science Orchestra)
5.Centre Cannot Hold (Lovefingers)
6. Love Ain’t Enough (Tim Goldsworthy)
7. Innocent Money (Radio Slave)
8. Circus of Life (Jonny Wilkes/Naum Gabo)
9. Innocent Money (Lovefingers)
10. Love Insurrection (Terry Farley)
11. Ready To Go Home (Hardway Bros anthem resistance mix)
UK and Ireland Headline Tour Dates 2025
31 March Bristol, Beacon * %
1 April Southampton, O2 Guildhall * %
3 April Edinburgh, Usher Hall *
4 April Glasgow, O2 Academy *
5 April Glasgow, O2 Academy *
7 April Birmingham, O2 Academy *%
8 April Liverpool, Mountford Hall *%
10 April London, Eventim Apollo +%
11 April Manchester, Aviva Studios *%
12 April Nottingham, Rock City *%
14 April Belfast, Ulster Hall
15 April Dublin, 3Olympia Theatre
18 April Leeds, O2 Academy ~
19 April Newcastle, O2 City Hall ~
* = with support from Baxter Dury
+ = with support from Fat White Family
~ = with support Dylan John Thomas
% = with support Mozart Estate
European Tour Dates 2025
4 June Oslo Sentrum Scene, Norway
5 June Stockholm Fållan, Sweden
6 June Copenhagen Vega, Denmark
8 June Cologne Kantine, Germany
9 June Utrecht TivoliVendreberg Ronda, Netherlands
10 June Paris La Cigale, France
12 June Berlin Kesselhaus / Columbia Theater, Germany
13 June Warsaw Stodola, Poland
15 June Vienna Arena, Austria
16 June Prague Lucerna Music Bar, Czech Republic
18 June Lausanne Les Docks, Switzerland
19 June Milan Magnolia Summer, Italy
20 June Taranto Medimex, Italy
The post Primal Scream announce Come Ahead: The Remixes Vol 1 (Vocals) new remix album appeared first on Decoded Magazine.
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The Penthouse Dubai is an award winning and luxe rooftop lounge, bar and nightclub that has long been synonymous with the most electrifying parties in the region and now reveals its next wave of line-ups.
Located on the 16th floor of FIVE Palm Jumeirah, this iconic party paradise is renowned for its stunning panoramic views of the Dubai Marina skyline and the Arabian Gulf. The luxurious venue offers an exclusive day into nightlife experience that combines sophisticated ambiance with world-class music.
The Penthouse Dubai is the perfect place to spend a whole evening, starting with gorgeous cuisine and cocktails on its picturesque rooftop lounge set against ‘Insta-Gold’ views, then moving to the club for late night dancing. The two unique spaces have their own bespoke look, sound and atmosphere with the Lounge exuding deep house cool, while the Nightclub delivers a range of different sounds seven days a week, with a world class sound system, lighting rig and a famously lively dance floor. Urban showcase Big Mood Monday starts off the week, ultimate ladies’ night experience B.O.T.A lines up every Tuesday, Toy Room Wednesdays are all about a dynamic mix of hip hop, R&B, and reggaeton, and Thursdays offer FIVE Music Sessions with special live beats and immersive entertainment show while the week ends on Sundays with Afro and tribal sounds.
Excluding a month off for Ramadan in March, the weekend begins with Hip Hop Fridays serving up the best urban beats and rhythms, while Saturday’s The Penthouse Presents includes house and tech talents such as Jan Blomqvist, Eli & Fur, East End Dubs, Solardo, Robin Schulz, Hannah Wants, Mason Collective, HoneyLuv, Bontan, Kitty Amor, Fabrice, Milica, Yazzmin, Sam Oui, Jenn Getz & Alfie, Quilliam, ANREY and Emir.
For those who love the high life, the venue also boasts premium VIP areas that elevate the experience to new levels of luxury with special champagne shows and exclusive tables behind the DJ booth for an up close and personal view of the action.
The Penthouse Dubai is also an after-party hotspot for when the dancing carries on after Bohemia Presents and Bohemia Chill and is a perfect mix of quality underground and more accessible music, which makes for the ultimate dance floor – all underpinned by the iconic ‘Vibe at FIVE.’
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The post The Penthouse Dubai At FIVE Palm Jumeirah Announces Next Wave Of Lineups appeared first on Electric Mode.
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First released in 1990 under the Beat Club Record label, ASHA’s ‘JJ Tribute’ was created by three young Italian producers (aged 18-20) in their Milan-based recording studio. The track quickly gained massive popularity in the UK, becoming a club staple and an iconic anthem of the rave movement. In 1995, a series of remixes were released by Ffrreedom, a subsidiary of FFRR Records, pushing the track to No. 38 on the official UK singles chart. Over the years, it has received unwavering support from top international DJs and remains a defining track for 90s rave culture. DJ Mag even ranked it No. 48 in their “The Hot 100 – The Best Club Tunes Ever!”
Now, with Shugz’s expert touch, the 2025 remix injects new energy into this timeless classic. Christopher Kirkpatrick, known professionally as Shugz, hails from Belfast, Northern Ireland, and has made significant waves in the electronic dance music scene, particularly in trance. Renowned for his dynamic sets and technical prowess—including his innovative use of a third deck, scratching, and layered effects—Shugz has built a dedicated global following.
His production credentials include releases on major labels such as Black Hole Recordings and Who’s Afraid Of 138?!, with standout tracks like ‘The Darkside’ and ‘Down The Rabbit Hole’ topping charts. His remix and collaboration credits extend to high-profile artists such as MK, Rita Ora, and Joel Corry. In 2024, Shugz secured a multi-track major record deal with Columbia Records/Room Two, positioning him among global icons like Calvin Harris, Adele, Daft Punk, and Harry Styles. His ability to blend techno, trance, hard techno, and commercial dance sounds showcases his versatility and forward-thinking approach to electronic music.
Shugz shared his enthusiasm for the remix:
“ASHA ‘JJ Tribute’ has always been one of my all-time favourite piano house classics. The vocal and riff are packed with so much energy that I knew a 2025 version would work effortlessly from the moment I started. My goal was to preserve the magic of the original—keeping all the iconic elements—but with a fresh, modern twist. I’ve loved every step of the process, and I’m thrilled with how it’s turned out.”
The ASHA, Shugz ‘JJ Tribute (2025 Remix)’ will be released on March 7th via Fankee, a community-driven label where fans are more than just listeners—they are co-producers, promoters, and amplifiers of the music they love. In an era where social engagement and virality drive success, Fankee empowers artists to break through with the direct support of their fanbase
The post ASHA’s ‘JJ Tribute’ Returns as Shugz Revives the 90s Classic for 2025 appeared first on Electric Mode.
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The superstar DJ and producer will take over Ushuaïa's open-air stage for 25 exclusive performances, performing on Tuesdays and Fridays throughout the season. Harris, a longtime dominant force in electronic dance music, is set to introduce a new live concept for the shows at Ushuaïa, according to a press release.
The landmark residency marks a milestone in Harris' remarkable career. Fresh off his headlining performance at Ushuaïa Dubai Harbour Experience in October, his return to the brand's flagship White Isle club promises to captivate fans from all over the world under the Balearic sky.
"This is something that's never been done before, and I’m buzzing to be the first artist to hold a double residency at Ushuaïa Ibiza," Harris said. "None of this would be possible without the incredible fans who’ve been with me every step of the way. The energy of people from all over the world, all coming together at the epicenter of electronic music, is something I can’t wait to feel again. Two residencies, two completely different nights—this is going to be a season like no other."
"His ability to push creative boundaries has been a key part of Ushuaïa Ibiza’s legacy," added Yann Pissenem, Founder and CEO of The Night League and Ushuaïa Entertainment. "With this unprecedented double residency, we are set to deliver something truly spectacular this summer."
You can purchase tickets to Calvin Harris' historic Ibiza residency here.
c/o Press
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Event Dates and Venues
Electric Island 2025 will feature events on the following dates:
May 17-18: Fort York + The Bentway June 28-29: Venue to be announced August 8-9: Venue to be announced August 30-31: Venue to be announced Lineup Highlights
The season opener on May 17-18 boasts an impressive roster of artists:ticketweb.ca+3musicfestivalwizard.com+3electricisland.to+3
May 17:CamelPhat Miss Monique Prospa Jonathan Rosa Shera May 18:Mochakk Sammy Virji SOSA Cozmic Cat Tsenami Additional artists and stage details will be announced closer to the event dates.
Tickets
Tickets for Electric Island 2025 are available for purchase through TicketWeb. Early bird pricing is available for a limited time, so attendees are encouraged to secure their spots promptly
Connect with Electric Island
Website: www.electricisland.to Instagram: @electricislandto Facebook: Electric Island
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Located at 135 W 41st St, Nebula has quickly established itself as a premier destination for electronic music enthusiasts. Hosting massive artists like Diplo, Slander, and Steve Aoki, the club has cultivated a reputation for delivering “out-of-this-world” experiences, seamlessly blending cutting-edge sound and visuals with an electrifying atmosphere.
The investment from Regon Capital LLC will directly support Nebula’s commitment to securing top-tier talent. Fans can look forward to a continued stream of world-class DJs, with Afrojack already slated to headline on April 5th and 6th, marking the beginning of this exciting new chapter.
“This new investment allows us to reinforce what we’ve built and continue growing,” said Yang Gao, co-owner of Nebula. “Nebula has always been about creating a space for music and community, and we’re excited for what’s ahead.”
But the expansion doesn’t stop within the club’s walls. Nebula is set to launch a new events company, leveraging its brand recognition to produce festivals and live events in cities around the world. This ambitious move will extend the “Nebula experience” beyond its Manhattan base, bringing its unique blend of music and atmosphere to a wider audience.
“We’re committed to making Nebula a lasting name in nightlife and live entertainment,” stated Howard Fang, co-owner of Nebula. “This next phase is about building on our foundation and extending the Nebula experience to a wider audience.”
With Yang Gao and Howard Fang leading Nebula since its inception the venue will continue to evolve while staying true to its original vision. Guests can look forward to an exciting lineup of performances and the first steps toward expanding Nebula’s presence globally.
The post Nebula Lands Major Funding: NYC Nightlife Giant Goes Global; Two Nights of Afrojack Announced appeared first on EDMTunes.
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Speaking with Haute Living, the iconic DJ and producer shared his perspective on AI's impact on music production, highlighting a fundamental tension that exists at the bleeding edge of creativity.
For now, Hardwell's position holds firm: human producers remain relevant precisely because they can leap forward in ways algorithms can't predict. While AI can synthesize existing patterns with remarkable fidelity, genuine innovation—the lifeblood of electronic music—remains elusive for algorithms trained on existing data.
"The great thing about electronic music is that it's always pushing boundaries, and AI is always trying to catch up," Hardwell said. "AI can’t come up with anything truly 'new'—it's always doing what’s already been done. I think that's one of the most important things when it comes to dance music: being forward-thinking."
His observation resonates particularly in dance music, where being "forward-thinking" isn't just marketing-speak, but a genuine competitive advantage. From Roland's early drum machines to modern DAWs like Ableton, the genre has historically embraced technological evolution, but there's something distinctly different about AI's controversial entrance into the space.
Unlike previous technological shifts, AI bastardizes what's essential about human creativity—like unpredictability and contextual awareness—and threatens to dissipate the line between tool and creator. For artists like Hardwell, this distinction matters.
"AI can try to imitate [being forward-thinking], but it's always four steps behind," Hardwell added. "Right now, at least. I don’t know about the future, but at the moment it's still behind, which is a good thing for us DJs. It makes us more relevant."
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The warehouses, built in 1897, fell empty when the port expanded to the north and had been empty since 1980, becoming an eyesore. The Port Authority sold the building to a project developer in 2001. The warehouses changed owners a few more times and were completely demolished except for the facades. Almost 25 years later, they are finally coming back to life, thanks to Tomorrowland.
Dieter Vander Velpen and Oyo Architects were responsible for the fairy-tale interior, including butterflies and plants, an indoor and outdoor patio and a central bar. Vander Velpen and Tomorrowland jointly run the Great Library Design Studio, which tries to translate the atmosphere and magic of the dance festival into architecture.
WEAREONE.world now has four hundred employees worldwide. The company also has offices in France and Brazil. In Boom, it also runs the Lab of Tomorrow, where the radio and music studios are located.
The post Tomorrowland Opens Gorgous New Office in Antwerp appeared first on EDMTunes.
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Chemynne’s journey is one of resilience, creativity, and an unwavering love for the music. As a woman in a male-dominated industry, she has faced challenges head-on, carving a space for herself and for the sounds she champions. Through JUICE, its accompanying live stream, and her booking agency, BassRoutes, Chemynne has fostered a vibrant community, brought legendary artists to the US, and nurtured local talent. On the cusp of JUICE’s 20th anniversary, we had the pleasure of sitting down with Chemynne to discuss her remarkable journey, the evolution of the drum & bass scene in the US, and the challenges and triumphs of promoting a niche genre with global appeal.
You had a late-night last night doing your JUICE Live Stream, how was it?
It was great! It’s always a bit hectic with the family in the evenings, getting dinner and everything together before starting the stream, but it’s also energising. The community is extraordinary, and it’s what keeps us coming back.
Where did it all begin? When did you get involved in working in the US electronic music scene?
Juice Drum and Bass itself started in Bend, Oregon, which is a small city in the middle of Oregon back in 2005. At that point, I had already been a keen follower of drum & bass for at least a decade and Jungle as well. I did listen to other genres of electronic music long before that. Living in central Oregon, we really didn’t get much musical diversity and hardly any headliners were coming to town. Back then, even Portland didn’t get a lot of play. Basically, the bigger artists would play in San Francisco and then they’d head to Seattle, skipping right over Oregon. I just wanted to see this change. I wanted to put Oregon on the map for drum & bass.
My design studio at the time was doing well, so I had the foundation to test out a show or two. And truthfully, back then, I had no idea what I was doing. I had recently designed a brand, menu, and advertising for a local club and restaurant. The owners are wonderful people, and they knew that I was an avid follower of drum & bass. They gave me a chance to host a night on the last Saturday of the month, knowing that drum & bass wasn’t really well known, but they were both big fans of electronic music. They used to have breaks, and deep house shows there on the regular. I am still grateful to them for that opportunity.
At the time I think I’d only planned to do a couple of shows, but it turned out that there was a real need to give a forum for local and regional people as well as getting international producers there. People would say, “Where’s Oregon? I’ve never been there. Sounds beautiful.” And it is beautiful here. So I deeply embedded myself into the scene to bring some unique bookings to the area, and the rest is history; JUICE grew from a monthly for years and then relocated to Portland in 2009 and continued forward.
What sparked the initial idea for JUICE? What were some of the early challenges you faced in establishing a drum & bass night?
I observed that most nights were generally not focused on the soulful sounds of drum & bass and I just wanted to celebrate that style. Simply put, I just wanted to see that type of drum & bass make it to Oregon. I wanted to help create and be a part of the movement. Brand development was my longtime professional focus, so in a way, I just saw JUICE as another design challenge: a client to grow. The idea behind the name was that the music really nourished and energised. Drum & bass IS the JUICE of life!
In some ways, running a night early on in Bend was easier than it is now because I had venue support, and extra income to throw toward shows. There was a need for the niche, so I tapped into that to grow our base. Moving to Portland later on brought tougher challenges. It was a terrible time economically 2008-2010, so money was tight, venues didn’t want to support a lesser-known style of dance music, and overall, just required a LOT for me to prove that our night was “worthy” of being in their space. Most venue owners didn’t even know what drum & bass was, and certainly didn’t want to take a chance on us. Most agencies wouldn’t give me the time of day to book artists, so I had to rely on creativity and building a professional reputation amongst artists. Word of mouth has always been key for us.
JUICE has been running for 20 years. How has the night, and the drum & bass scene in Portland and the US in general, evolved during this time? How have you adapted to changes in music consumption, promotion, and the overall cultural landscape?
Well, we’ve come a long way, and I’m proud of having established us as a cornerstone in electronic music here in the Pacific Northwest. I think our scene here in Portland is pretty strong with several different nights running for a while. We all try to support each other’s endeavours too. Drum & bass has definitely grown stateside, but there has definitely been an ebb and flow. I remember at times people telling me that drum & bass had no future, especially the sounds we pushed. I think people were always bringing up the likelihood that we’d fail, rather than acknowledging that we were building something special and doing a damned good job of it.
As for adapting to changes, one thing I’ve learned is to keep reinventing! Never get comfortable with anything. Keep staying creative, trying new things, and different methods and platforms for reaching your audience. I’ve definitely put my design & marketing skills to good use in the process. For instance, when the pandemic hit and venues closed, at first, I was mortified. Both my agency BassRoutes and JUICE Drum and Bass are my jobs, my income. That week that lockdown started, I began working on new merch designs, and a month after that we got on Twitch. We did something that we weren’t seeing anywhere else: offering to actually pay artists to do guest sets for feature livestreams. Bringing in local, regional, and international talent—all remotely—we literally kept our monthly going exclusively through these features and donations.
During that time we also donated to over 25 different organisations who support equality programs, LGBTQ rights, the local environment, Portland culture, and youth music programs. Much to my surprise, JUICE actually grew over the pandemic. And with regard to the agency, I just kept learning and networking, starting early work and planning for Visas so we’d be ready once things opened back up. Even though everything screeched to a halt, I just kept going. I didn’t want to give up on all that I’d worked so hard to build.
You’re known for your dedication to the soulful side of drum & bass, particularly jungle and liquid. What draws you to these styles, and how have you ensured they remain relevant and continue to thrive within the scene?
Growing up, I was raised on a lot of jazz through my dad as well as a healthy dose of R&B, soul and reggae, which led me through the doorways of early electronica and downtempo through artists like Peshay, Big Bud, PFM and early Good-Looking compilations. I heard so much jazz through those sounds, and it was like the ultimate combination of my upbringing, and the sounds of “now”. My parents also focused on learning instruments, so into middle school I took piano, guitar and flute lessons. As a teen I was a rebel with a cause, drawn to the rougher side of ska and punk music, so gravitating to jungle felt natural; like a sound that was already familiar to me. Jungle has always felt like my “roots.” Though I spent most of my professional life as a designer, music has always been a constant. It is still surprising to me that I ended up dedicating my professional life to it. Helping international artists to get their visas and tour here via BassRoutes, along with continuing to push the sounds through JUICE ensures that the music stays fresh and relevant here in the states. Twitch has also been a big part of sharing these sounds over the last almost 5 years on that platform.
How would you describe the JUICE community, and what role has it played in the success and longevity of the night? How has the weekly stream contributed to building and nurturing this community?
Our listeners are literally from ages 17 to 60+. Attendees at our quarterly shows range from early 20s to over 60. They are students, professionals and creatives of all sorts, some are in the music industry, many aren’t…it’s a very diverse group of people. Our vibe, energy and venue Holocene encourages coming as you are, in all your uniqueness and flavour. What I also love about our in-person events is that you’ll find a lot of women and folks from the LGBTQ community on the dancefloor—it’s not just predominantly guys which we do see a lot with drum & bass events. All are welcome, safe and appreciated.
We encourage the same on our weekly “radio show” stream. We don’t discuss politics or stressful subjects. We keep chat light, often sharing cooking tips and recipes, info about other shows and tours around the country, etc. A lot of producers hang out in our stream too, where we can ink others to their music in chat. It’s a place where you can smooth away the wrinkles of the day as we say. While it’s a bit crazy that we’ve dedicated three nights a week to this since 2020, we’ve come to realise that we’re a staple for listeners around the world. Some are getting their kids ready for school, making dinner, or working out at the gym while listening, winding down with us after work. It means a lot, so we just keep showing up.
I’m proud that we have built this amazing community on Twitch to almost 10k followers. I’m also very grateful to my husband too, who handles the tech side of our streams. He’s an amazing DJ and splits regular mixing time with me weekly so we’re able to keep up with our slots consistently without shouldering the full load of a 4-5 hour session each time.
JUICE has hosted legendary figures like LTJ Bukem and was the only US night to host both the ’30 Years of Metalheadz’ and ’30 Years of Dread Recordings’ tours. What do these milestones mean to you, and how do you feel about JUICE’s influence within the broader drum & bass world?
We’ve really had some amazing artists here over two decades. I’m actually still trying to archive old files and pull together a full list of everyone we’ve hosted. I don’t even think I’ll have this list complete by our anniversary! At this point, there are only a handful of drum & bass artists (on the soulful side) we’ve not yet had a chance to have here.
Being the only night in North America to host last October’s show with a 30-Year showcases in the same night was pretty amazing. It was a tremendous amount of work and planning to make that happen, but I’m grateful to Goldie, AntTC1, Ray Keith and Nookie for coming from such great distances to our humble night and supporting the endeavour. I remember at one point during the evening sitting down on the stairs of the stage, heaving a big sigh of relief and thinking “we’ve arrived.”
It took two decades, but we have really established ourselves as a destination event for attendees and have been told we’re a bucket list spot to play for artists. That means so much to me. I don’t ever really think about the influence we have in “the rest of the world.” I’m often surprised to hear people know about our night at ALL when I’m working on bookings with other promoters for BassRoutes artists. I’ve always got my head down and am working so incredibly hard at growing this brand and elevating the sounds, I really can’t believe sometimes what an impact we’ve already made on the scene. I just want people to know that there’s a sweet little night out here in Portland that pushes the soulful sounds of drum & bass, and a humble agency that works tirelessly to get artists here.
The 20th-anniversary celebration is a huge achievement. What can people expect from the event, and why did you choose S.P.Y, Seba and BCee as headliners? What does this milestone represent for you personally and professionally?
Expect great vibes, exceptional sound, ambiance, and headliners start to finish. Khariszma out of San Francisco is super talented. We’ve not yet had a chance to host S.P.Y or Seba, and I’m always trying to get people through who we’ve not had here before. This event soft launches BCee’s 20 Years of Spearhead Records tour, and with Seba’s new album Oni, and a bunch of S.P.Y’s tunes on Spearhead, the lineup developed into a wonderful synchronicity of artists.
As BassRoutes handled both BCee and Seba’s visas (and their incoming spring tours), it’s just a pleasure to have them here as guests, rather than “clients” to show them how special our shows and community are. It’s like I finally get to say, “this is what I DO!” I’ve been so busy lately working on tours for BCee, Seba, Ray Keith and Nookie along with putting this event together, that honestly I haven’t really stopped to think about it. I suppose when it’s all over I’ll just be stoked that we did it!
Personally, I’m just grateful for the support from my husband and our tight crew on event nights, and glad that I’m still somehow able to make events happen and get the music out there. Professionally it feels like a huge accomplishment to head up one of the longest running drum & bass nights in the US, growing a brand from a tiny spot in Bend to an internationally recognised vehicle (which sometimes drives faster than I can keep up with).
What are some of the biggest challenges you’ve faced in promoting drum & bass in the US, and how have you overcome them?
Truthfully? Being given the time of day as a woman-owned business in the scene. Suffice it to say I’ve been blown off by most everyone at some point or another. Some people circle back years later when they see I’m still at it. With others, I’m still trying to get emails answered from larger agencies, festival managers, etc. Despite JUICE’s amazing track record and international reputation, and BassRoutes’ roster of top-level artists in the industry, I still get ignored by people in the field. I’ll be polite here and not call anyone out, but yeah, we’ve not yet been able to host a few artists at our night still, due to this ridiculousness.
Not being treated like an equal (despite having two degrees and a ton of professional experience), can be frustrating. I’ll say I’m still working on overcoming that, mostly just with continual effort. There’s a lot of ego out there around which to navigate.
What advice would you give to others trying to build a scene or promote niche genres?
This is where my phrase “perseverance, dedication, longevity, tenacity, growth” comes in. Never give up. If you believe in it, then do it! Network with other like-minded people. Take risks. Try new methods, new ideas. Keep your head down, chin up, and keep working at your goals regardless of who is telling you that you can’t do it.
Looking back over the past 20 years, what are some of the most memorable moments or highlights of your time with JUICE?
I suppose some of the highlights are when our shows do better than losses or just breaking even hahaha! Running events is rarely lucrative, especially when you pull out all the stops every time for excellence in production and hospitality.
Seriously though, there have been some wonderful moments—like hosting Big Bud in 2006 (and then having him stay with us for a week) as well as hosting ASC, and Kubiks & Lomax early on. Those were big deals for our #biglittlenight. I was star-struck when Marky absolutely shred it on my personal Technics. We’ve had Lenzman through twice; Redeyes has played some amazing performances here too. We loved hosting Total Science and ASIDES and had the pleasure of having DRS & LSB through twice (most recently last summer), both incredible shows. Emma G and Tali smashed it here, and we were also blessed to host Dub Phizix and Strategy… wonderful (and hilarious) gents. And we’ve had some artists like Reid Speed and Spinscott who are just brilliant.
Once an artist lost their wallet at the Portland airport as they were leaving (back in the day when we used to pay artists in cash!) and some amazing person turned it into security. TSA found our business card and called us, and we ended up collecting it on his behalf and shipping it to the artist at his next stop in Puerto Rico!
We’ve had some memorable moments on Twitch as well. INJA was one of our guests during the pandemic, and he did an explosive live DJ/vocal set (longer than we expected) that absolutely blew us all away. It was the kind of energy and positive vibe we all needed at the time. We also had a special set from UK artist Magnum and his daughter TKD Gal, who was 13 at the time: our youngest guest ever to mix for us. She absolutely stole the show.
JUICE DnB in 2022 (Photo by V.A. Davis Photography)
Where do you see the drum & bass genre going in the future, and what role do you hope JUICE will play in shaping that future?
Drum & bass will go wherever it needs to; and reach more people as time goes on. Despite the doubts of many, drum & bass is here to stay—especially soulful, liquid, atmospheric, and jungle sounds. It’s been 30+ years and it’s clear that the movement is growing. We already hear it on car commercials, cooking shows and through sports outlets. My sole motivation here is to get this more under-represented side of the genre introduced to more listeners. We literally have new people pop into the stream every week saying, “I’ve never heard drum & bass like this.” I love that!
Will the type of drum & bass I promote ever be “mainstream”? I don’t know. I think in many ways it will always be underground music to some extent. As long as I have the energy to keep pushing the sounds, I will…and I hope that JUICE Drum and Bass will continue to be a major player in North American drum & bass culture.
If you were talking to a young up and coming drum & bass producer and DJ, what advice would you give them to get on one of your line-ups?
We don’t generally host events which are mixed genre, neuro, or heavy drum & bass, so don’t send us those sets. Nothing wrong with it, it’s just not what we play. If you’d like to play our night or be a guest on a feature livestream, send us a current soulful set. This means we want to hear what new soulful tunes you’re listening to, what moves you. If we haven’t met before, research our night a bit. Check out our socials or come hang out on our Twitch stream to see what we’re about. Also, please don’t email or message me to “talk to the main guy” or “the dudes in charge.” I AM the main guy.
Chemynne’s story is an inspiration to anyone who has ever dared to dream big and pursue their passion against the odds. Her dedication to the soulful side of drum & bass has not only shaped the scene in the US but has also resonated with fans and artists worldwide. As JUICE Drum and Bass enters its third decade, we can only expect great things from Chemynne and her unwavering commitment to the music.
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WMC 2025 Sanctioned Events: A Celebration of Electronic Music
Returning for another landmark edition, WMC Sanctioned Events provide WMC wristband holders free or discounted access to some of the most exclusive Miami Music Week showcases, club takeovers, and pool parties. Among this year’s highlights are:
Armada Invites Pool Party Axtone & Friends Pool Party MK presents Area10 Pool Party Danny Tenaglia, Nicole Moudaber, Jonathan Cowan Anjunabeats Miami Pool Party Toolroom Pool Party Heartfeldt Pool Party WAKYIN & Major League DJz Glitterbox featuring DJ Jazzy Jeff & Moodymann Markus Schulz (Open to Close) And many more! Official WMC 2025 Events
WMC 2025 will kick off with the Official WMC Opening Party at M2 Miami on Tuesday, March 25, 2025. This night promises a stellar lineup featuring Timmy Trumpet, Deorro, and Audien at the 35,000 sq. ft. megaclub in South Beach.
The following day, Thursday, March 27, the Official WMC Pool Party at Eden Roc will be headlined by Brazilian superstar Alok, with special guest KSHMR. Other performers include Cheat Codes, Elephante, Frank Walker, HAYLA, Jonas Blue, and more.
WMC delegates will have complimentary access to both flagship events with their wristbands.
WMC 2025 Closing Keynote: Legends Unite
One of the biggest highlights of WMC 2025 is the special Closing Keynote featuring Danny Tenaglia and Nicole Moudaber, moderated by Katie Knight. This conversation will reflect on WMC’s 35-year impact on the global dance music scene, the genre’s evolution, and what lies ahead. With Tenaglia celebrating 50 years behind the decks, this keynote will be an unmissable event.
Second Wave of Speakers Announced
WMC 2025 continues to build an impressive roster of industry leaders and artists. Newly announced speakers include:
Afrojack Alok Sam Feldt Young Franco Mary Droppinz Juliet Fox Crystal Waters BT Industry representatives from Spotify, Ophelia Records, Night Bass Records, Toolroom Records, MusiCares, The Orchard, Thrive Music, Splice, Beatport, and more will also be present, offering insights on topics such as global music trends, getting signed to labels, and artist self-care on tour.
They join previously announced speakers, including David Waxman (Ultra Records), Cristiana Votta (Manager, Black Coffee), Chris Johnson (SoundCloud), Andy Daniell (Defected Records), and Sam Mobarek (Warner Records).
Limited WMC 2025 Tickets Still Available
Due to high demand, the first tier of WMC 2025 tickets has sold out, but limited passes are still available at WinterMusicConference.com.
What’s Included in a WMC 2025 Ticket?
Access to Official WMC 2025 Events: Tuesday, March 25: WMC Opening Party @ M2 Miami – Featuring Timmy Trumpet, Deorro, and Audien. Thursday, March 27: The Official WMC Pool Party – Featuring Alok, KSHMR, Cheat Codes, Elephante, Frank Walker, HAYLA, Jonas Blue, and more. Friday, March 28: EDMA/IDMA Award Show Pool Party – Honoring electronic music’s brightest stars with live performances. Educational Panels Led by Industry Experts Free or Reduced Entry to WMC Sanctioned Events Networking Opportunities with Artists, Producers, and Industry Professionals For those looking to experience the best of Miami Music Week 2025, Winter Music Conference remains the ultimate industry event.
Stay tuned for further announcements and lineup updates at WinterMusicConference.com.
The post Winter Music Conference 2025 Unveils Second Wave of Programming for 35th Anniversary appeared first on EDMTunes.
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Event Details:
Date & Time: Wednesday, March 26, 2025, from 11:00 AM to 9:00 PM EDT Location: C-Level Rooftop at The Clevelander, Miami Beach Official EDM.com Demo Drop:
Kicking off the event, the Official EDM.com Demo Drop will take place from 11:00 AM to Noon. This session offers emerging artists a coveted platform to present their tracks directly to influential record labels, including:
Confession Label Hood Politics Records Stereo Hype Global Peak Dial House Hats + More! Participants are encouraged to arrive early, as the demo drop starts promptly at 11:00 AM.
Artist Lineup:
Following the demo session, attendees can look forward to an exhilarating lineup of performances from renowned DJs and producers. Past editions have featured top-tier talent, and this year’s event continues that tradition with Henry Fong, Kaleena Zanders, Sunday Scaries, Myles O’Neal, PLS&TY and more!
Embed: https://www.instagram.com/p/DG69IGSPBRA/?img_index=1
Tickets:
Tickets for EDM.com & Friends are now available and can be purchased through Tixr. Given the event’s popularity and the exclusivity of the venue, early ticket acquisition is highly recommended. For more information and ticket purchases, visit: Tixr Event Page
Don’t miss this opportunity to immerse yourself in the vibrant atmosphere of Miami Music Week, connect with industry leaders, and experience live performances from some of the most exciting names in electronic music.
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Inspired by Avicii’s track "For A Better Day," the project was developed to amplify youth voices in conversations around mental health, where adults have traditionally dominated the dialogue. The new book aims to provide a platform for young people to express their ideas, needs and hopes for a brighter future, with the foundation pledging to use these stories to spark meaningful change.
"We listen, we act, and we make sure decision-makers do too," the Tim Bergling Foundation said. Its previous collection of stories was presented directly to Sweden’s Prime Minister Ulf Kristersson, ensuring these voices are heard and advocated for at the highest levels.
The Swedish organization has also built cuboid physical spaces at Sickla Köpcentrum, Forum Uppsala and Mobilia Malmö for people to record their stories. They will be open from March 10-23.
View the original article to see embedded media.
Beyond the book, the Tim Bergling Foundation continues to support youth mental health through various initiatives. The nonprofit has built several music studios across Sweden, offering safe spaces where young people can explore creative outlets and make music, and also partners with Ångestpodden to help students start their own mental-health focused podcasts.
The foundation has also hosted "Together For A Better Day" tribute concerts at the Avicii Arena, using music as a means to inspire others and break the stigma surrounding mental health struggles. You can watch the first-ever concert in-full here.
Fans can submit their stories and suggestions here for a chance to be included in the second edition of This Is What We Need – For A Better Day.
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In a behind-the-scenes TikTok video, the superstar DJ and producer shared his excitement about lending his vocals to his own track for the very first time.
"If you had told me a few years ago that I'd be singing on one of my own songs one day, I never would have believed you," Garrix said. "So, so stoked for the release this Thursday. So much love to everyone for the crazy support so far."
The highly anticipated track marks a fresh chapter for Garrix. "Angels For Each Other" blends English and Hindi, melding diverse musical influences and offering a unique fusion of his signature sound with soulful Indian melodies. Watch the clip below.
The buzz surrounding "Angels For Each Other" is growing, with many fans speculating it could be a key feature at Miami's Ultra Music Festival later this month. Garrix is also preparing for a major live performance at Mumbai's DY Patil Stadium on March 14th, the night after the song's release.
You can pre-save "Angels For Each Other" here.
Follow Martin Garrix:
X: x.com/martingarrix
Instagram: instagram.com/martingarrix
TikTok: tiktok.com/@martingarrix
Facebook: facebook.com/martin.garrix
Spotify: spoti.fi/2YszVxQ
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