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Introducing ‘Ellipsis’: the Hard-Hitting Techno Production From the Talented Cody Chase

Cody Chase returns with another release, this time dropping a hard-hitting Techno gem titled ‘Ellipsis’; set for release via his own label, Chasin’ Records, this gripping new production is sure to hypnotise listeners around the globe, demanding attention with its dark energy and enigmatic vibes. A Producer and DJ whose continued passion and love for Electronic Music have appeared distinctly apparent throughout his musical journey, this latest production from Cody Chase no doubt shows him to be keeping his drive high as he finds even more innovative and refreshing ways to stand out. 
With a release catalogue detailed with numerous striking productions, Cody Chase has been making powerful waves within Electronic Music, exciting fans with tracks that keep the bar raised, performances that remain memorable and electrifying, and unmissable episodes of his radio show, ‘The Chase’. Having set up his label Chasin’ Records with the goal to showcase some of the most talented Artists on the scene, Cody Chase’s love for Electronic Music keeps shining through whilst ensuring his influential impact on the genre continues to be felt.  
‘Ellipsis’ propels listeners into its powerful and mighty-sounding soundscape from the very start, introducing high-octane beats and gritty melodic lines that layer to create an engaging journey of musical intrigue. As Cody Chase leads listeners through ‘Ellipsis’, his unique approach towards music production takes centre stage, shining through in the twists and turns of the track; with pulsing details and growling lines, this new production from Cody Chase spotlights his ever-developing style as a Producer and his confidence to push boundaries to present his listeners with fresh and inventive music. 
So, for Cody Chase’s fans and lovers of the style itself, ‘Ellipsis’ appears as a must-listen production, one that surely breathes exciting energy into both Cody Chase’s release catalogue and the genre. A talent to keep an eye on, make sure to follow Cody Chase across social media to stay in the know about his upcoming releases and performances. ‘Ellipsis’ is out now via Chasin’ Records and is available to stream and download across platforms. 
Listen and buy ‘Ellipsis’ now:  
Beatport 
Cody Chase Online  
Website | Instagram | Soundcloud  
The post Introducing ‘Ellipsis’: the Hard-Hitting Techno Production From the Talented Cody Chase appeared first on EDMTunes.
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Breaking Boundaries in Electronic Music: A Conversation with DJ/Producer IND:RA

Today, we’re excited to chat with DJ/Producer IND:RA, a key figure in advancing Electronic music culture in India and beyond; having his journey into Electronic music begun in 2001, this talented DJ/Producer has honed his skills to develop a sound that showcases his vision and influences, that have lead him to get the attention from top artists in the industry, an opportunity to become a resident at Hakkasan London, and developing the idea to found his own label Desert Disco Records. 
Join us as we delve into his journey, motivations, challenges, and future plans. 
 
Hello IND:RA, how are you? To start, can you tell us about your journey into Electronic music and how it all began for you? 
Hi guys. Interestingly, my journey into Electronic music happened after my journey into DJing. I started DJing in 2001 and used to play club music back then, which mostly consisted of classic House and Trance. I discovered their subgenres as I got exposed to more Electronic music via watching international artists online. Internet was just blowing up in India and I remember seeing Tiësto’s Dance Valley set, Fatboy Slim’s Brighton Beach set, Berlin Love Parade sets and I fell in love with the storytelling of these sets, along with the crowd control that they had. My trips to Goa during those times also helped me get exposed to a variety of Electronic music which came straight from Ibiza and London.  
You’ve been a key figure in advancing Electronic music culture in India. What motivates you to continue pushing boundaries in the scene? 
I grew up and started DJing in Gujarat, a state where alcohol is prohibited, and hence there were no clubs or raves or any Electronic music culture. While discovering amazing artists and records, I had to throw my own parties to be able to play those records. I had some great sources online, and had a great collection of records which other DJs did not have, and I really enjoyed playing something that people heard for the first time. I felt that just because we did not have clubs does not mean people shouldn’t get to hear good music. I started throwing raves, warehouse parties and hired various venues and converted them into temporary clubs to give them the experience I wanted to share with them. I still try and give back, and hope to get some big Dance music brands back home whenever I tour.  
How would you describe your sound and style, and how has it evolved over the years? 
In the past 24 years of DJing I have moved across multiple genres. From Psy Trance to Progressive Trance, early Electro and Acid House, Ethno Techno, Progressive House, and now I like to play and produce Melodic House and Techno. However, I like to merge lines between sub-genres and usually travel between genres while maintaining a particular sound through the set. I love playing records according to the vibe and feel of the set rather than a particular genre. The one common thing about my sound across genres and years is it has always been Melodic and usually synth heavy. I also enjoy lush pads, and am biased towards records which use them well.   
What are some of the challenges you’ve faced as an artist, and how have you overcome them? 
There were too many to mention here. It has not been an easy road, especially early in my life when resources were a problem, but I think it would be the same for a lot of artists in that time. I used to be heavily booked early in my career, but I moved away from commercial music to concentrate on more underground sound in that time. It caused me monetary loss, but I wanted to play a sound that I related to and helped me play the kind of sets I wanted to. It was tough, as Electronic music had just started growing in India, and getting clubs to book you to play those sounds was rare. I eventually started getting booked across India through word of mouth from people who heard me play, and I was part of the artists in early 2000s who pushed the Indian Electronic music scene.  
Being the only Indian artist with a residency at Hakkasan in London is a remarkable achievement; what does this residency mean to you? 
It is always a privilege to work with a global brand like Hakkasan, especially in their flagship venue in London. It was different from what I was usually used to, but an amazing experience. I played for both their venues at Mayfair and Hanway Place, and I enjoyed playing the signature Hakkasan sound.  
Your label, Desert Disco Records, celebrates various genres of Electronic music, what inspired you to start the label, and what’s your vision for it? 
Starting Desert Disco Records was born during peak Covid time. I had recently moved to London, and the club and festival scene was completely shut. I know a lot of talented music producers from India, who don’t get global representation for their records, and the reason for starting Desert Disco Records was to get some of these sounds out globally and get them heard to an audience who have not discovered the Indian Electronic music talent. I hope to continue doing the same and also include upcoming Electronic Dance music artists from across the South Asian community who need a platform to release and get heard.  
You’ve played alongside some of your biggest musical inspirations; can you share a memorable experience from one of these shows? 
I can’t quite share a lot of them here, haha. But one of my best memories is spending time with Simon Posford while he performed for a private crowd of around 20 odd people in my city during his first India tour. I have loved Sphongle and Younger Brother from the early days and hearing him play a 7-hour set creating a journey across his music from these acts was quite something.  
 
How would you describe your style to someone new to your music? 
My music, across my productions and sets, is never random. It revolves around the melodic element, but is like a good Hitchcock movie which has a slow and steady start, and then adds characters. It has suspense, drama a build-up and then the big reveal.  
 
What advice would you give to aspiring DJs and producers looking to make an impact in the Electronic Dance music scene? 
I would say that talent can get you started, but it takes a lot more to make an impact in the current scene. The best thing is to ask questions and learn, collaborate with people who are more experienced than you, or have a skill set you don’t, but most of all, always think of what you can give, rather than what you want from someone. Understanding the value you can give and developing it, will open many doors for you.  
 
What can we expect from IND:RA in the near future? Any upcoming releases or projects you’re excited about? 
2024 has started with a bang. Ended 2023 with an amazing India tour and started 2024 with signing releases to 2 of my favourite labels. I will also be hosting a weekly radio show, called RE:SET Radio, which would be broadcasted across multiple countries and stations across the world, and will have a large listening audience. There will be quite a few releases this year, starting with my single releasing with Silver Panda’s amazing record label Panda Lab Records, which is currently a top 10 Melodic Techno label, on 12th of April.  
As we wrap up our conversation with IND:RA, it’s clear that his passion for Electronic music is boundless. From his beginnings in Gujarat to becoming a trailblazer in the global Electronic music scene, IND:RA’s journey is an inspiring display of perseverance and creativity. While he continues to work on his upcoming releases and shows, make sure to follow him across social media to not miss any updates about his latest news, as this DJ/Producer shows no signs of halting soon. 
IND:RA Online 
Instagram | Soundcloud | Mixcloud 
The post Breaking Boundaries in Electronic Music: A Conversation with DJ/Producer IND:RA appeared first on EDMTunes.
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Exclusive Interview with Jay Newman: Unveiling the Journey of a World-Class DJ

Welcome to our interview with Jay Newman, a talented DJ and Producer known for his dynamic style and sound that’s ready to take the Electronic music scene by storm. Jay’s journey began as a passionate raver, exploring various genres before finding his niche in Deep House, Melodic and Progressive House. 
 
In this interview he talks about his beginnings, experiences and the plans and projects for the months ahead, join us as we learn more about this skillful DJ and music Producer. 
 
Hi Jay! How are you? To start, can you share a bit about your journey into the  world of Electronic Dance music and how you developed your unique style as  a DJ and producer? 
My journey into the world of Dance music started as a raver on the dancefloors. Enjoying exploring all genres & finding what style of music I liked. I quickly found a love for Trance and Progressive music at festivals, following names like Above & Beyond, Tiesto & Armin Van Buuren. 
My style then changed into House & Tech as I started DJing and running events as this because hugely popular at the time. But now, I have matured as an artist I have really found my true sound as a Producer which spreads across the spectrum of Deep House, Melodic & Progressive House.  
As a former Worldwide Touring Artist for Ministry Of Sound & Formula 1, what  were some of the most memorable experiences from your tours and performances? 
A few memories spring to mind, warming up for Fatboy Slim @ Snowbombing Festival on the main stage was up there. So too was DJing on Eddie Irvines Yacht at the Monaco Grand Prix overlooking the track! 
Your music has been supported by several prominent artists in the industry; how does it feel to have such recognition and support for your work? 
It’s always an exciting feeling seeing your idols supporting and playing your own productions. Finally, after 8 years of producing music do I honestly feel like I have now found my sound as an artist, so it’s even more rewarding now. 
What inspired you to start Pro-ject Warehouse and Pro-ject events, and how  do you envision it contributing to the Electronic music scene? 
I started running my own events under the Pro-ject brand as a way to establish my name as an artist & DJ. After a few years of success I quickly decided to grown this and opened a 500 capacity warehouse venue in my hometown Worcester. 10 years later we are still running the events in my hometown. We’ve supported so many artists over the years, giving young talent a stage to perform, I take huge satisfaction being able to do this.  
You’ve performed at various festivals and events around the world, is there a particular show or venue that stands out as a highlight in your career? 
I think for me it was hosting a room and headling at Warehouse project Manchester. Me and my friends really fell in love with the Electronic music scene as party goers at WHP, so to be able to return a few years later and host / DJ there with all of my friends with me was a huge buzz! I still have the flyer for the night in a frame in my studio!  
Your productions often blend Deep House, Melodic, and Progressive House elements. Can you walk us through your creative process when producing a track? 
I’ll be honest, I don’t have a specific process, I feel more comfortable nowadays to open a blank project and just go with the flow of what emotions and feelings I have at that time. I feel that I enjoy the process more when I don’t put pressure on myself to make a certain type of style. Once I’ve made a few records, I can then decide which tracks go together for an EP and for which labels I think they suit.  
How do you approach selecting tracks for your sets, and how do you keep  your performances fresh and engaging for the audience? 
I have my favourite tracks I always like to play and I also make sure I dig out a few classics to jog people’s memories in every set I play. I don’t like to plan too much though, it keeps me on my toes when I start digging through playlists. I always do however mix in key and like to keep a groove to my sets.  
What advice would you give to aspiring DJs and producers looking to break  into the industry and establish themselves as artists? 
Be nice, go to parties and meet DJs and promoters. I networked (partied) really hard when I was getting a name for myself, you really have to meet people and don’t just rely on social media / messaging.  
What are your upcoming projects and releases that fans can look forward to in the near future? 
I’m looking forward to my next release “With You” on Eton Messy Records. Then a release with the wonderful Armada Music.  
How do you see the Electronic music scene evolving, and what role do you hope to play in its continued growth and innovation? 
It’s vital that local cities have events and venues, it’s all good for huge festivals and events with big budget headliners, but it’s important that we ensure the grass roots events are continuing, with the closure of so many clubs in the UK, it’s very different nowadays.  I will always run my own events, so I like to think I can continue to support upcoming talent and help as many people as I can along the way!  
We thank Jay Newman for his time sharing a deeper look into his story, background and vision. His love for Electronic music together with this driving mission to continue to open a platform for emerging artists to showcase their talent through his events that keep building a community around Electronic Dance music, play a significant role in him cementing his name as one to follow closely. 
Jay Newman Online  
Spotify | Instagram 
The post Exclusive Interview with Jay Newman: Unveiling the Journey of a World-Class DJ appeared first on EDMTunes.
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Discover DJ Dris: A Trailblazer in Afro-Infused Electronic Music

Introducing DJ Dris, a London-based musical explorer whose eclectic blend of Afrohouse, Funky House, and Tribal House reflects a lifelong passion for music. From his early days growing up in South London, where he was exposed to a diverse range of musical influences, to his current status as a pioneer of Afro-infused electronic sounds, DJ Dris’s journey has been defined by a deep connection to music and a desire to create memorable experiences for his audience.  
As he continues to build his career, DJ Dris aims to showcase his unique sound and style, through powerful releases that bring an uplifting message of self-empowerment; join us in this interview to learn more about this talented DJ and music Producer. 
 
Hi DJ Dris, it’s a pleasure to meet you! How are you doing?  
I’m doing great, enjoying every day. 
Can you tell us about your musical journey and how you got started in Electronic Music? 
Well, I got into music when I was about 14 years old when my mum used to run various youth projects in South London. As part of it, she asked me what would be a good thing for the projects and the 1st thing I said was turntables. From there the rest is history. 
Who was your favorite artist growing up? And what would be one of your favorite shows you’ve ever attended?  
My favourite artist growing up would honestly be Nas, due to his lyrical art, however this changed once I heard Donaeo on ‘Devil in a Blue Dress’. Reason being, it was an unbelievable mesh of Soul and Funky House.  
My favourite show honestly was Eminem at Wembley Arena and it was just the start of seeing what the power of music can do. I saw people crying, people going crazy, people absolutely in love with his music. I aspire to being able to create moments like that. 
How has your background influenced your current sound and style?  
It’s funny because when I started my journey in music, being of African decent wasn’t as cool as being Caribbean or American so I was really into early Bashment. I was always surrounded by my Nigerian family and loved all the lingo and the culture. So I always had a passion for Afro infused music and then Afrobeats landed and it definitely shaped my taste. 
What was the ‘moment’ that had catapulted you to transition to pursuing Electronic Music?  
I think it was always a passion due to the way I believe it made people feel. The Funky House and Deep House era really made it imperative to me to bring out Electronic music that I believe could make people feel an emotion when listening. And hopefully get them dancing too!
How has your time in the music scene in the South East of London shaped your approach to creating music?  
The beauty of South East London is that there is a bit of everything when it comes to music. So, it’s always made me feel that no matter what happens I can always do what I feel. That for me is key and what I believe is really cool about being from south. 
What challenges have you faced in your career, and how have they influenced your artistic development?  
My biggest challenge musically has always been where do I fit. I always believed that what I was creating felt good – at least to me anyway, so it’s always been difficult for me to say ‘this is the genre of music I make’, as I never have had a structure per se. I have always created based on how I feel in the moment which means the sounds can vary. Now, I really just think create and let people hear it. That’s all. 
 Can you discuss some of the themes or messages you aim to convey through your music?  
I believe in mood music, so I really try to ensure listeners can feel what I felt when I created the music. All of my songs have a deeper message or a story. 
For example, I released a song called ‘Unstoppable’ and the message is for listeners to recall a time where they felt unstoppable or to remind them that they can’t be stopped by anyone apart from themselves. 
Generally, the themes always revolve around Love and Self-Love or Self-Empowerment, as I like to elevate people through my art. 
 Looking ahead, what are your goals and aspirations for your music career?  
I aim to be an internationally recognised artist with an award winning catalogue and a immense and loyal fan base. 
Fans make music all the more worthwhile, because they love you for you and what you do. For me numbers is not necessarily the game, passion is. 
 What can we expect from DJ Dris in the coming months? 
Its release, release, release and performance, performance, performance with a splash of build build build. 
We thank DJ Dris for his time sharing more details about his background and career so far; with a true passion for music and for creating special moments for his listeners and followers, DJ Dris certainly keeps the bar high when it comes to live performances and compelling productions. Be sure to follow him across social media to learn more about his upcoming projects, live shows and releases, as he promises more news to come. 
DJ Dris Online  
Website | Spotify | Instagram 
The post Discover DJ Dris: A Trailblazer in Afro-Infused Electronic Music appeared first on EDMTunes.
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HELANG Drops Electrifying Techno Single, “Wise Devil”

New York-based artist HELANG is back with a thundering new single, “Wise Devil,” through her self-established label, Dauntless Records. Infused with indie-dance vibes and dynamic techno elements, this single offers a glimpse into her upcoming 3-track EP, “Lovers of the Unknown,” scheduled for release on May 16th.
“Wise Devil” maintains a rhythmic pulse throughout, accompanied by silky vocals that create a mesmerizing, groove-filled atmosphere. As the Chinese-American DJ and producer anticipates a significant year ahead, her forthcoming EP, “Lovers Of The Unknown,” will display the diversity of HELANG’s evolving musical style. Leading up to the EP’s May debut, fans can anticipate a second release in April as HELANG prepares to unveil the complete project.
Renowned for her dynamic sets, HELANG has graced stages alongside industry titans such as Testpilot (Deadmau5), John Digweed, Camelphat, Eli Brown, Joris Voorn, Mathame, Adam Ten, and more. Her music has also garnered acclaim from luminaries including Joseph Capriati, Marco Carola, Paco Osuna, Karotte, Nicholas Masseyeff, and others.
Check out “Wise Devil” below!
This article was first published on Your EDM. Source: HELANG Drops Electrifying Techno Single, “Wise Devil”
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Bilbao BBK Live confirms Grace Jones, AIR playing ‘Moon Safari’, Massive Attack, The Prodigy, Underworld and more

Bilbao BBK Live, the famed festival in the Basque region of Spain announces its second wave of artists for the 2024 event with stellar new names across indie, rock, electronic and much more. Grace Jones, AIR and Slowdive join previously announced top tier including Arcade Fire, Jungle, Massive Attack, The Prodigy, Underworld, Khruangbin and Parcels.

The festival’s dance stages have also confirmed another string of names including Marcel Dettmann, John Talabot, DJ Tennis, Nicola Cruz, Djrum, DJ Cormac, Ketiov, Sofía Kourtesis, Neska and others. The renowned dance stages remain open until the early morning hours and are fueled by beats to keep festival-goers moving. The iconic London-born radio station Rinse FM will power the Basoa stage for 2024. 

Additional newbies on the bill include Kiasmos, NewDad, Chalk, Albert Pla, Meute, Mujeres, Maria José Llergó, Samantha Hudson and many more.
THURSDAY JULY 11th – MASSIVE ATTACK, THE PRODIGY, AIR playing Moon Safari, FOLAMOUR (A/V)

Joining the already announced Massive Attack, The Prodigy, Folamour (A/V) and more the sophisticated downtempo sounds of legendary French band AIR, to perform their iconic album Moon Safari, a unique blend of sensual and emotional atmospheres.

Revellers will be descending into a lysergic trance by Orbit performing a nostalgia mix, heightened with their characteristic vocals. The multi-talented instrumentalist who fuses electronic and acoustic Mezerg will bring his whirlwind of energy and irresistible sound. The Galway alt-rockers NewDad recently released their debut album ‘Madra’ and are currently on their sold-out UK/Europe tour, they will be treating the crowds to their dark and dreamy sounds.

Dropping a solid line-up on the Basoa stage from the international club scene including the founder of the label Life and Death, DJ Tennis, who will join the acclaimed Irish DJ Cormac and the rhythmical, queer, sensual mixes of Ketiov. Plus, the talented Peruvian Sofía Kourtesis will introduce her moving house in a DJ set format. Local talent Neska, a Basque residing in Barcelona, and creator of multidisciplinary electronic parties flora & fauna, will also perform. 
FRIDAY JULY 12th – GRACE JONES, UNDERWORLD, KHRUANGBIN, MEUTE, PARCELS, EZRA COLLECTIVE, DJRUM, MARCEL DETTMANN 

The new artists headlining the second day of Bilbao BBK Live are led by the undisputed Grace Jones, who joins previously announced Underworld, Khruangbin, Parcels, Jordan Rakei, and Ezra Collective. Grace Jones, the New York icon, symbolises the most extravagant underground sound, with a post-disco combination of reggae and rock. From Germany comes MEUTE, an array of musicians and instruments, for a live performance of infectious atmosphere in a show that promises to be a huge party. 

On Friday, Basoa is brimming with innovative talent along the lines of the influential Marcel Dettmann, leader of labels MDR and Bad Manners, along with Djrum, an acclaimed underground artist known for his genre fluidity. The electronic sanctuary will also welcome Ogazón, who will offer tasteful selections of house and techno; stellar Parisian DJ Jennifer Cardini, and DJ Gostoso b2b Senda Fatal, two of the most dynamic personalities in the Madrid club scene. 

All performances on the Lasai stage must not exceed 100 beats per minute, welcoming all those who wish to give themselves a moment to unwind and enjoy the masters of slow tempos and high intensities. On the first day of the festival, the stage will be inundated with cutting-edge sounds by Rinse FM.  The Lasai stage will be welcoming the enigmatic Xamana Jones, who will work his magic for the third consecutive time at the festival; the creator of Fiesta x Fiesta Baldman; the stimulating Lucient; DJ and producer Toni Bass and the eccentric podcaster and selector Miguel Agnes. 

SATURDAY JULY 13th – ARCADE FIRE, JUNGLE, SLOWDIVE, FLOATING POINTS, ALVVAYS, ZOE GOTUSSO

On the closing day, joining the previously announced Arcade Fire, Jungle, Alvvays, Floating Points, and Noname, are the British icons Slowdive who dropped their Everything Is Alive album last year, will be treating fans to their instantly recognisable twisted, fuzzy, psychedelic pop. As well as  CHALK, the Belfast experimentalists gear up to spin their DIY mix of techno and punk.

The Icelandic duo Kiasmos will provide the perfect balance between ambient and electropop, whilst the viral Good Neighbours will bring their fresh faces and sounds to the festival.

Saturday welcomes the nearly mystic Nicola Cruz, who brings his evocative Latin-American folk rhythms; the euphoric Bored Lord, straight from the vibrant underground scene in Oakland; the high tempo and heat of Niki Lauda and the Italian disco master class Budino. When the Basoa stage was created, John Talabot was always in the festival’s mind to one day close this electronic oasis. He will be back to do exactly that for his 5th time at Bilbao BBK with the promise to transform the Kobetamendi forest into one of the most distinguished dance floors in Europe.
BILBAO BBK LIVE
Bilbao, Spain
July 11, 12, 13 2024
Bilbaobbklive.com/en
General sales
Promo Pass 150€ until April 5
Day tickets are available starting on April 2
Camping 4 nights: 25€ 
The post Bilbao BBK Live confirms Grace Jones, AIR playing ‘Moon Safari’, Massive Attack, The Prodigy, Underworld and more appeared first on Decoded Magazine.
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Brunch Electronik Debut to Debut in Los Angeles

Brunch Electronik has announced its first events in the United States will be held in Los Angeles. It is planned for July 6th and September 21st.
Brunch Electronik‘s US launch will give fans the unbeatable daytime, outdoor experience the brand is known for, with the best house and techno DJs playing music.
Sunday afternoon in Barcelona
Brunch Electronik started out as a weekly party on a Sunday afternoon in Barcelona in 2013. Since then, it has grown into a world-famous music project. It now hosts events in cities like Madrid, Paris, Lisbon, Lima, and São Paulo.
Last year, they also held their first festival in Barcelona. Brunch Electronik skillfully combines forward-thinking lineup curation, gastronomy, and sustainability efforts. They create welcoming and diverse communities on their dance floors. The event is known for its lively atmosphere and creative programming.

Who’s behind Brunch Electronik in the U.S.?
Minimal Effort, based in Los Angeles, has become a must-see for dance music fans by putting together carefully chosen groups of world-famous electronic musicians in unique places across the city.
As a key part of the underground scene in Los Angeles, SBCLTR skillfully blends top-notch production, unmatched musical curation, and world-class hospitality to bring sophisticated electronic music experiences to people all over the city. SBCLTR is committed to creating immersive, experimental environments for its events.
A little Barcelona in Los Angeles
Southern California’s sun-drenched landscape will be the perfect setting for the launch of Brunch Electronik, making it the perfect place for outdoor partying that is what Brunch Electronik is all about. In the next few weeks, the full musical schedule will be made public.
Pre-register for ticket sales.

The post Brunch Electronik Debut to Debut in Los Angeles appeared first on The Groove Cartel.
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What happened at Ultra Music Festival 2024?

The city’s iconic Ultra Music Festival just wrapped up its 24th edition after three massive days of electronic dance music performances at Bayfront Park in Downtown Miami. Despite facing some dicey weather early on, the sold-out festival went off without a hitch, welcoming 165,000 attendees from over 100 countries around the world.
The stacked lineup did not disappoint, delivering memorable moments across multiple stages. Calvin Harris made his first Ultra appearance since 2013, while Armin van Buuren shockingly brought out rock legend Jon Bon Jovi during his main stage set on Sunday. Veteran DJ Hardwell rescheduled his original Friday slot to put on a jaw-dropping show on Saturday evening.
Making her Ultra debut, Korean DJ Peggy Gou performed a highly anticipated set at the RESISTANCE Megastructure. Dubstep star Excision made festival history as the first artist to play that classic bass sound on Ultra’s main stage, bringing out Illenium as a surprise guest.
Ultra Music Festival drone show 2024 Several special back-to-back performances and collaborations were unveiled, including RL Grime and Knock2 joining ISOxo to premiere new music, Madeon b2b San Holo for the first time, and the debut of Kill the Noise and Bro Safari‘s new “Kill Safari” project.
Not to be outdone, the RESISTANCE underground concept took over Downtown Miami club M2 all weekend long with extended sets from techno heavyweights like Eric Prydz, Amelie Lens, Reinier Zonneveld’s Filth on Acid takeover and more.
As has become tradition, Ultra broadcasts much of the festival globally via its #ULTRALIVE stream, reaching over 34 million viewers. The stream featured performances from across the grounds as well as exclusive interviews and other curated content.
While the music took center stage, Ultra also highlighted its environmental sustainability initiatives through the Mission: Home program. This award-winning eco-friendly effort included over 50 practices focused on areas like pollution prevention, nature preservation and waste reduction.
As the 24th edition comes to a close, fans can already look ahead as Ultra announced dates for its 25th anniversary in 2025 from March 28-30, with tickets currently on sale. If this year was any indication, next year’s silver celebration will surely be one for the books.
The post What happened at Ultra Music Festival 2024? appeared first on The Groove Cartel.
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DJ Dris Goes In Depth About His New Single ‘Work’

In this exclusive interview, DJ Dris dives into the behind-the-scenes of his latest release, ‘Work,’ featuring Natalie Graham. The track, a soulful fusion of House and Afro music, showcases DJ Dris‘s signature sound while highlighting Graham‘s enchanting vocals and creative lyricism. During our talk, DJ Dris shares insights into his collaboration with Natalie Graham, discussing the friendship and mutual respect that led to their partnership, while giving a glimpse into his creative process, detailing how the track’s instrumental came together through experimentation and a bit of serendipity.
Let’s find out more about DJ Dris’ latest release ‘Work,’ and its story and production process.
Hi, DJ Dris! Congrats on the release of ‘Work’ with Natalie Graham! How have you been?
Thank you! And as usual, I’m doing great.
We would love to hear your concept and inspiration behind this track and title, ‘Work.’
To be honest my inspiration for the track was really just a soulful fusion of House and Afro music. The lyrics I left to Natalie Graham to be as creative as she wanted. She worked with her co-writer Adrian Roye on the lyrics and the quirky concept. Then the rest is history.
You’ve worked together with Natalie Graham before, how did the collaboration with her came to be this time around?
This collab was a right moment/right time thing and the friendship we have crafted since the last release we did together “Kiss and Tell.” I have always sent her songs here and there and she has honestly been an avid supporter and friend, so when she heard the instrumental to “Work” she was on board straight away.
How would you describe ‘Work’ to a first time listener?
It’s a soulful Afro House song with enchanting lyrics that will leave you feeling sexy and in a good mood.
What about ‘Work’ would you say defines your signature Afro House sound?
Definitely the tom pattern, hi-hats and congas. That’s a running theme through my music.
What musical influences would you say may have played a part in shaping the sound of this release?
I will always say my favourite artist growing up was Nas due to his lyrical art. Donaeo on ‘Devil In A Blue Dress’ has also always been an inspiration to me. The genre of Funky House ultimately shapes my music as you hear it today and I think the lyricism side of it also shows in ‘Work’.
Could you share with us your creative process in structuring this track?
To be honest it was a beautiful accident. I literally create music most days, so this was one of those days. Trademark metronome kick then I played in a conga pattern. From there, I literally looked for a stab sound that complimented the 2. Once I had that, I looked to fill the void using other percussive sounds, i.e the rim shot and the toms. Followed this with the shakers then just needed pads that worked and that was the instrumental pretty much sorted with the use of a pluck here and there. I left the rest to Natalie and thought she did a great job when she sent through her stems.
What about this track is different from your previous releases?
This track is very soulful compared to my usual productions. I would say due to the lyrics the bounce and the feel, it ultimately comes across soulful.
Do you have plans to perform this track live with Natalie in the near future?
Definitely. It’s in the pipeline, I’ll be posting more about this on my socials soon so make sure you give me a follow : www.instagram.com/deejaydris
What more can we anticipate from DJ Dris? Got anymore collaborations in the works with Natalie or other vocalists?
Definitely, I have a lot of music coming out this year. I release a song every 2 weeks on all streaming platforms. I also have some collabs coming with emerging vocalists Roxa Damas, Olivia London and also Zack Goffe. So I’m super excited and honestly can’t wait to share our creations with everyone.
We wrap up this interview thanking DJ Dris for his time and for sharing more details about the process behind-the-scenes, his collaboration with Natalie Graham and some insight into his own production methods. While he teases some more music on the way, make sure to follow him on social media to remain updated on his new releases, projects and live shows.
Stream this single below.
Follow DJ Dris:
Website | Spotify | Instagram
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Angel Parilli Gives Us A Glimpse Into His Life With New Interview

In this exclusive interview, we sit down with Angel Parilli, a talented DJ, music Producer, and sound engineer, to get a glimpse into his life and passions beyond the studio. From his love for guitar and batting cages, to his unique approach to social situations, Angel shares candidly more details about his downtime activities and personal favorites. Join us as we explore the man behind the music, uncovering fun facts and insights that reveal the person beyond the artist persona.
Hi Angel, how are you doing?
I think I’m doing okay, haha. I was taking some time off from mixing at the studio. Resting my ears a bit.
What do you enjoy doing to relax?
It varies, but usually you’ll catch me playing guitar or hitting the batting cages. I also love watching movies and, of course, SLEEPING!
Got any fun facts about yourself you’d like to share?
Oh man! Here it goes:
Sometimes when I’m surrounded by people who don’t know me, I like to behave like I don’t speak english at all, only Spanish. Trust me, it’s very interesting what they talk about when they think they aren’t being listened to.
I learned English by translating a couple of albums of Guns N’ Roses + other ones from Snoop Dogg, hahaha. Yep, my accent and vocabulary were very interesting during that process.
When I moved to LA, I realized that “Happy Hour” was part of the culture here. I didn’t have enough cash to even afford a happy hour, really, but I wanted to meet new people and socialize. So, basically, I would ask for a glass of water, and just squeeze a couple of fruits from the options they had on the counter top, and add some of them without squeezing in my drink to make it look like a random cocktail haha. I got away with that many many times and I made many friends.
How would you describe your perfect weekend?
Having 2 gigs. I prefer Friday shows to be more chill. Then prior to the show, I’ll get a great dinner at a restaurant, Asian or Mediterranean, or see a movie.
Saturdays, I love a beach day, or play some outdoor sport with friends, maybe some Mimosas or Mezcal Margaritas after, take a nap, then off to a Saturday night gig.
Sunday, gym, then be lazy all day watching movies.
Do you have any fun pastimes?
I love watching paranormal TV shows or exploration TV shows. I also love watching interviews of people who have succeeded in life. I love reading or watching about their stories and biographies.
Are you into sports? If so, which kind and do you follow any teams?
Oh man, I used to really love to watch sports. I played baseball a lot when I was younger, but life kind of got too busy at some point that I just gave up most of it. I only get extremely fanatic about the soccer or baseball world cups, when they happen.
Do you have any pets?
Not currently, but I used to. Back in Venezuela, we had a big house. My dad used to have a couple of big fields and warehouses where he would recycle aluminum, melt it, and make aluminum bars to sell internationally. A lot of people tried to get into these fields and steal the metal to then come back the next day and sell it back to you haha, our planet . In order to protect these fields/warehouses full of aluminum, my dad had to guard them not only with security but also with dogs, Dobermans and Rottweilers. When one of these dogs had puppies, my dad would bring them home because the adult dogs were trained to be so aggressive that they sometimes would hurt the puppies. So, there was a time in my childhood where there were 6 Dobermans and 7 Rottweilers between the front and backyard of the house . So, yeah, I’m a little hesitant to have pets now, since I had to clean up their poop and wash them all in order to get money to go to the movies with my friends .
What’s your favorite movie? What do you like about it?
I have a couple of favorite movies: War Dogs, John Wick, The Shawshank Redemption, Dark Knight. But there is one movie, specifically, that I watched years after it was released that changed my point of view about movies, life, and musically. I liked it so much that I did an original cover of its soundtrack, INTERSTELLAR. It might sound very weird, but Interstellar is a movie that matched my way of thinking about the universe and many other things. It also raised more questions I never thought of about me, us, and the universe, and that’s very exciting to me. When I made my own cover of the Interstellar soundtrack, I had to add a lot of trippy, dreamy, creepy sounds to the song. I was trying to express and match all these thoughts I had prior and after watching that movie. I remember I showed it to my dad who never watched the movie, and I asked him “what does it make you think of or feel?”, he said, “makes me feel like I’m either out exploring space, the universe, with no time and space barriers, or I’m out exploring the ocean with no dangers.” Pow!!! Nailed it! Hahaha. I hope you guys like my track; it’s available now on Beatport and all the platforms.
What are some of your top destinations to go for vacation?
Aruba & Croatia. I like many other places, but those 2 are the ones that as of today mean a lot to me.
If you had 1 million dollars, what would you spend it on and why?
I would find something exciting to invest in. I’m a bit of a nerd when it comes to numbers and I love business. So, I would find a way to make that money work for me, without really having to ever take it out of the bank, but use it as leverage.
If you had to pick 3 people to bring to a deserted island, who would that be and why?
I would say my mom, but she will complain about the lack of amenities, hahaha. Well, if we are talking about survival while we get rescued, I would prefer to have my brother there with me. He’s very resourceful and finds solutions, like I do, which is helpful in a place like a deserted island. My friend Carlos, we call him Carlitos, always goes on explorations and does a bit of camping and living off the land and fishing, he’ll be a good candidate. I don’t think I would bring a 3rd person because then we will have to share whatever food we can fish with an extra person.
As our interview with Angel Parilli comes to a close, we thank him for his time and for sharing more details about his life aside from music, that helped us gained a deeper understanding of the man behind the music. His passion for creativity and exploration extends far beyond the studio, shaping his unique perspective on life and art, and as he continues to inspire with his music and adventures, we look forward to seeing where his journey takes him next.
Follow Angel Parilli:
Website | Spotify | Instagram
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Brunch Electronik announces debut USA editions in LA

Brunch Electronik has today announced its debut USA editions, taking place in Los Angeles on July 6th and September 21st. Held in partnership with premier underground event collectives Minimal Effort and SBCLTR, Brunch Electronik’s US debut will offer fans the unparalleled daytime, open-air experience the brand is renowned for, soundtracked by the leading selector’s in-house and techno.
Established in 2013 as a Sunday afternoon weekly party in Barcelona, Brunch Electronik has since expanded into a globally renowned music project, hosting events across the world in cities such as Madrid, Paris, Lisbon, Lima, and São Paulo, as well as launching their debut festival in Barcelona last year. Known for its dynamic atmosphere and innovative programming, Brunch Electronik skillfully fuses forward-thinking lineup curation, gastronomy, and sustainability initiatives to foster inclusive and diverse communities on their dance floors.
Based in Los Angeles, Minimal Effort has established itself as a premier destination for dance music enthusiasts, hosting meticulously curated lineups of global electronic music luminaries in unique locations throughout the city. Minimal Effort’s parent company Underrated Presents is an independent event production company renowned for crafting top-tier musical experiences that epitomize the essence of electronic music culture. Underrated Presents is also behind one of LA’s most established underground destinations, Clinic Wednesdays. Clinic Wednesdays has served as a weekly soirée at Hollywood’s intimate Station 1640, featuring a dynamic rotation of both established and rising DJs for the last decade.
An integral pillar of the Los Angeles underground scene, SBCLTR skillfully combines top-tier production, unparalleled musical curation, and world-class hospitality to deliver sophisticated electronic music experiences throughout the city. Dedicated to crafting immersive, avant-garde atmospheres for their events, SBCLTR provides a space where emerging talents can flourish and established artists can reinvent themselves. Through their pioneering use of experiential locales for their one-off events, SBCLTR fosters a dynamic synergy between art, culture, and community impossible to experience elsewhere. Expanding its global footprint, SBCLTR is also co-founder of LABRYINTO festival in Costa Rica.
The sun-soaked aesthetic of Southern California will serve as the quintessential backdrop for the debut of Brunch Electronik, providing an ideal canvas for the outdoor revelry that defines the Brunch Electronik experience. The full musical lineup will be revealed in the coming weeks.
Register for presale ticket access here.
The post Brunch Electronik announces debut USA editions in LA appeared first on Decoded Magazine.
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KRK launches ROKIT Generation Five Studio Monitors

For over three decades, KRK earned its reputation through innovation and precision. Building off this legacy, Gibson introduces the newest addition to KRK’s impressive range of professional audio solutions: the ROKIT Generation Five Studio Monitors. Offered in three sizes—five, seven, and eight-inch—these advanced, active, two-way studio reference monitors feature three new voicing modes, an enhanced tweeter design, and a refreshed LCD.
KRK ROKIT Generation Five monitors were created for the diverse needs of musicians, composers, producers, and sound engineers and provide the tools needed to reproduce every nuance of production with astonishing clarity. The ROKIT Generation Five line is available through select KRK dealers and online at www.krkmusic.com.
“Featuring KRK’s world-renowned sound along with new technology and tuning parameters to truly dial-in the listening experience, the KRK ROKIT Generation Five is a must-have studio solution for the most demanding creators,” says Sterling Doak, Senior Director of Marketing at Gibson. “KRK engineers continually pull from the brand’s legacy of trust and performance to refine its studio monitors—blending cutting-edge technology with the time-tested principles of audio engineering. The same holds true for this latest development. As the most advanced monitor in its class, the KRK ROKIT Generation Five is powerful enough to handle the rigors of professional use, but basic enough for emerging producers, engineers, and artists.”
The post KRK launches ROKIT Generation Five Studio Monitors appeared first on Decoded Magazine.
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AVANCE Drops Thundering Riddim Single “Creation Of Disgust”

Monstercat is always finding a way to put out the most intriguing, speaker loving music no matter the genre. The latest offering is from bass music dynamo AVANCE, supported by the likes of Skrillex & Alison Wonderland, who just dropped his heavy Riddim single “CREATION OF DISGUST”.
It’s a headbanging track that keeps the throttle to the max from start to finish. Collaborating with Qoiet, a metal/rocktronic artist recognized for his intense vocal style, they conjured a haunting creation, blending distorted drums, eerie melodies, and thrilling soundscapes. Every component, carefully selected, challenges comfort zones, delving into the unknown while undeniably providing an ominous allure.
Listen below!
This article was first published on Your EDM. Source: AVANCE Drops Thundering Riddim Single “Creation Of Disgust”
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Rinzen Releases Final Single ‘Déjà Vu’ ft. Molly Moonwater

Rinzen’s releases ‘Déjà Vu’ third single from his anticipated debut album Bend To The Light on This Never Happened. Get ready to enjoy this sci-fi track with the dark and enchanting vocals of Molly Moonwater.
‘Déjà Vu’
Picture credit – Annie Noelker Did you recognize this track? Lane 8, the boss of This Never Happened, featured it in his mixtape that was released last week. ‘Déjà Vu’ is the final release by Rinzen before his album drops on TNH on April 5th. The song begins with Moonwater’s upbeat voice along with glissando bass notes, creating an ominous vibe, and Rinzen incorporates a chunky synth melody. Sundius’ sci-fi concept is once again portrayed through this track, bringing out a contrasting theme of harsh reality and hopeful intention. Rinzen highlights his choice of collaboration with Molly Moonwater or known as her indie/alt moniker Sophie Bel.
Lane 8 dropped his first seasonal mixtape of 2024 last week. It was almost three hours of pure bliss that included three brand new tracks from Rinzen’s upcoming album. So now fans have heard more than half the album and I must say I am super excited for this treasure to be added onto the accolades of TNH. Get ready for an epic release and catch him play live this Spring. He will be supporting Sultan & Shepard’s live tour in Toronto on April 19. An all night long show at Sound LA on May 4th, Newspeak Montreal on May 17th an extended set. He will also be at We Belong Here Festival in NYC on May 24th. Pre save Bend To The Light here.
Stay tuned to EDMTunes to get all your latest updates in the Dance music world!
The post Rinzen Releases Final Single ‘Déjà Vu’ ft. Molly Moonwater appeared first on EDMTunes.
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Ultra Miami Ends With Only A Few Arrests

Ultra Miami had one of its most successful editions this past weekend. Even with the half-canceled Friday, the lineup and crowd were electric. According to Officer Kiara Delva, a spokeswoman for the Miami Police Department, there weren’t any Ultra-related arrests on Friday. There were only four arrests on Saturday and three on Sunday. Seven in total is impressive with hundreds of thousands in attendance.
Delva reported the cases were for illegal vending, theft, and trespassing. The Miami police searched everybody as they were coming in to make sure there were no weapons or illegal items. They had undercover officers inside, not only looking for individuals looking to prey on victims — but any type of suspicious individuals.
Livestreaming sets from the festival’s main and RESISTANCE stages to an estimated 40 million viewers throughout the weekend.
The dates for Ultra 2025 have already been set. They will be celebrating their 25th anniversary from March 28-30.
The post Ultra Miami Ends With Only A Few Arrests appeared first on EDMTunes.
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[WATCH] Relive Tomorrowland Winter 2024 With 27 Full Sets

Tomorrowland Winter 2024 has come & gone, but the memory lives on. The 4th edition of Tomorrowland Winter played host to more than 22,000 People of Tomorrow, which saw the snowy peaks of Alpe d’Huez, France transform into a snow-covered, rave wonderland. If you had the chance to check out the winter wonderland, I’m sure you attest that the weekend was legendary. If not no worries, as Tomorrowland has just shared a whopping 27 sets from the incredible weekend.
Dive Into The Musical Oasis
In a celebration that transcended the cold, artists like Afrojack, Armin van Buuren, Steve Aoki, Tchami B2B Malaa, Netsky, and Blasterjaxx, among a total of 27 electrifying sets, set the stage on fire with their incredible performances. From the dynamic beats of Afrojack to the Trance-inducing rhythms of Armin van Buuren, each performance was a unique blend of energy, emotion, and electronic excellence. Now, thanks to the wonders of digital technology, these moments are immortalized, awaiting your discovery on YouTube.com/Tomorrowland, Tomorrowland.com, and the Tomorrowland Mobile App.
Be guided by wonderful melodies, live from Tomorrowland Winter in Alpe d’Huez, France, and let the music transport you back to the magic of the mountains. The festival’s commitment to creating an unparalleled musical journey shines through every set. Ensuring that the spirit of Tomorrowland Winter continues to thrive, even in its aftermath.
A Festival Like No Other
Tomorrowland Winter is not just a festival. It is a gathering of souls connected by the love of music and the pursuit of unforgettable experiences. Moreover, as the 4th edition concludes, Tomorrowland Winter leaves behind a trail of memories and melodies. Whether you were there in the flesh or are joining in spirit from afar, the doors to this magical realm remain open. Furthermore, Tomorrowland Winter beckons you to explore the wonder, excitement, and unity that Tomorrowland embodies.
So, as the snow continues to glisten in Alpe d’Huez, remember that the world of Tomorrowland is only a click away. Dive into the sets, and immerse yourself in the music. Keep the flame of Tomorrowland burning bright until we can all dance together again under the winter sky.
For more information be sure to check out Tomorrowland Winter’s official website, here. The remaining Tomorrowland Winter sets can be found here, enjoy.
The post [WATCH] Relive Tomorrowland Winter 2024 With 27 Full Sets appeared first on EDMTunes.
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Playtime Engineering announces Kickstarter campaign for the Blipblox myTRACKS groovebox for kids

Playtime Engineering, the company behind the beloved Blipblox line of toy-like instruments for ages three and older, announces the upcoming launch of Blipblox myTRACKS. Combining the colourful aesthetics and safety of a kids’ toy with the sounds and style of a hip-hop-inspired groovebox, Blipblox myTRACKS Kickstarter campaign to support the launch opens April 9, 2024.
The Blipblox myTRACKS is more than just a drum machine or a basic sampler–it’s a complete music production studio. It features a built-in microphone for sampling, two FX processors, five tracks, and 25 playpads that trigger over 50 real acoustic, electronic, and percussive instrument sounds.
With myTRACKS, explore the wide variety of built-in instruments and drum kits across 5 tracks, adding effects and modulating them using the two purple levers. Sample any sound with the built-in microphone, then build a song around your samples. Feeling stuck? Get creative inspiration by launching one of the hundreds of built-in melodies and drum loops, then play and record your own notes. With instantly upgradable sound packs and sets online and available for download, creators will never run out of material to work with.
Since its launch in 2018, Blipblox has been committed to designing instruments made for everyone–from kids as young as 3 to adults who have never touched an instrument before, to professional musicians seeking a fun toy-like tool to spark inspiration. The Blipblox myTRACKS is a full music production studio intentionally crafted to eliminate complexity and maximize fun. Designed to keep musical key and style consistent in each of its sets, myTRACKS makes sure that all musical elements sound great together. The powerful randomisation feature instantly creates new songs for unlimited fun and inspiration.
“Creating music with synthesizers and modern music tech has always felt like play to me,” says Troy Sheets, Co-founder of Playtime Engineering. “By merging the portability, durability, and safety of toys with the high-quality and advanced functionality of a legitimate instrument, we’ve created a fun and accessible music-making machine that anyone can play.”
To fund the launch of this newest addition to the Blipblox product line, Playtime Engineering is opening a Kickstarter campaign on April 9 and the first round of products is expected to be delivered in November 2024. 
To become one of the first, reservations are open at blipblox.com. 
What began as an after-work hobby for Silicon Valley electrical engineer Troy Sheets, has become a full-time business venture with the help of Kate Sheets, his wife and Playtime Engineering Co-founder. “Bootstrapping and crowdfunding our business has allowed us the freedom to design and produce our wildly creative line of instruments. We are tremendously grateful for our supporters who helped fund both the original Blipblox and Blipblox After Dark, and we look forward to introducing more friends to the Blipblox community with the launch of myTRACKS,” says Kate.  
The post Playtime Engineering announces Kickstarter campaign for the Blipblox myTRACKS groovebox for kids appeared first on Decoded Magazine.
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Martin Garrix, Carl Cox, Alok, More Revealed as Headliners of 2024 UNTOLD Festival

Following the massive debut of UNTOLD in Dubai, its organizers are returning to Romania for their flagship festival with a jaw-dropping list of headliners.
Taking place at the enormous Expo City, UNTOLD Dubai pulled a 185,000-strong crowd from across the globe and featured sets by Hardwell, Armin van Buuren, Sebastian Ingrosso, Tiësto and many more. UNTOLD’s forthcoming 9th edition in Cluj-Napoca is bound to bring the same larger-than-life energy from August 8-11.
UNTOLD recently announced the iconic Swedish House Mafia and pop superstar Sam Smith as its first headliners, but they've now added even more star power—and the excitement is starting to bubble over.
Among the fest’s newly announced names are Martin Garrix, Alok, Dimitri Vegas & Like Mike, Lost Frequencies, Purple Disco Machine and Timmy Trumpet, all of whom will perform on UNTOLD's towering mainstage. Major additions to the festival’s Galaxy Stage, which is known for its house- and techno-focused sounds, are FISHER, Solomun and Carl Cox, the latter of whom will perform one of his rare "Hybrid Live" sets.
Take a look at the full lineup announcement for UNTOLD Festival below, with more names being announced soon. Tickets are available now via the festival's website.
c/o Press
FOLLOW UNTOLD FESTIVAL:
Facebook: facebook.com/UNTOLDFestival
Instagram: instagram.com/untoldfestival
X: x.com/UntoldFestival
Website: untold.com
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Seven Lions and ILLENIUM Delve Into Depths of Heartache With New Track, "Not Even Love"

Seven Lions and ILLENIUM's "Rush Over Me" is a certified classic in the hearts of many EDM fans. Seven years later, they've reunited to release "Not Even Love," a cathartic collaboration out now on Casablanca Records. 
First premiered live to tens of thousands of fans at ILLENIUM's "Trilogy" concert at SoFi Stadium, the song depicts a relationship plagued by ongoing struggles and conflicts despite enduring love between the partners. 
"Not Even Love" highlights the strengths of both of the melodic bass powerhouses and the soaring vocals of Icelandic singer-songwriter ÁSDÍS. Combining entrancing synths with a powerful melody, the song evokes a poignant yet captivating atmosphere. Check it out below.
After releasing new EPs in 2023, both ILLENIUM and Seven Lions are gearing up for another busy year in their respective careers. The former is scheduled to headline Red Rocks just prior to hotly anticipated return to EDC Las Vegas. Meanwhile, Seven Lions is fresh off two sets at Ultra Miami and has upcoming appearances at Bonnaroo and North Coast later in the year.
You can find "Not Even Love" on streaming platforms here.
FOLLOW ILLENIUM:
X: x.com/illenium
Instagram: instagram.com/illenium
Facebook: facebook.com/illenium
Spotify: spoti.fi/2XO5NxG
FOLLOW SEVEN LIONS:
X: x.com/SevenLionsMusic
Instagram: instagram.com/sevenlionsmusic
Facebook: facebook.com/SevenLions
Spotify: spoti.fi/2Hv2cyM
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Watch the Legendary Skream and Flowdan's Entire Boiler Room Performance in Liverpool

The pain of missing a rare set is a lot easier to manage thanks to Boiler Room.
Earlier in the year, the legendary Skream and Flowdan took the stage at the brand's massive Liverpool outing for a show to remember. Now, their complete set has been shared for all to enjoy.
In the recording you can hear Skream and Flowdan, who have been friends since they were teenagers, throw down iconic tracks from their storied careers as well as new releases from some of the most exciting young artists in bass music.
As one would expect from this duo, the selections were on-point, so much so that only minutes in, Flowdan had to politely ask Skream to reload only once per four songs. Skream, of course, hilariously responded with a reload just seconds later before taking to X to acknowledge his antics.
Skream has been on a tear with many recent high-profile show announcements. Later this year he'll go open-to-close for four nights in Denver with his longtime friends and fellow electronic music trailblazers Benga and SGT Pokes. He'll also join Benga on stage at Coachella and Lollapalooza this festival season.
Flowdan, on the other hand, closed out an industry-shaking 2023 with a Grammy win for "Rumble," his global hit collaboration with Fred again.. and Skrillex. He was also named on EDM.com's list of the year's best electronic music artists.
You can watch Skream and Flowdan's complete set from Boiler Room: Liverpool below.
FOLLOW SKREAM:
Facebook: facebook.com/pg/skream
X: x.com/I_Skream
Instagram: instagram.com/skreamizm
Spotify: spoti.fi/38vLBWo
FOLLOW FLOWDAN:
Facebook: facebook.com/BigFlowdan
X: x.com/BigFlowdan
Instagram: instagram.com/big_flowdan
Spotify: spoti.fi/3X6kUOV
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