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4B Drops Vibey Deep House Track “Haunted”

What would you think if I told you I had a vibey, deep-house track from an artist you’d never expect? If you guessed 4B, congratulations, because his latest single “Haunted” is already one of my favorite tracks of the year.
Featuring an ethereal female vocal, some of the best synths around, and a groovy bassline. The drop seamlessly blends together an old school sound with modern house vibes. That low synth that provides the melody of the track is an incredible touch. The second drop is incredibly danceable but almost soothing in a way.
Whether you’re playing this on your drive or in the wee hours of the morning, “Haunted” is a track that you’re sure to have on repeat. Check out the latest from 4B, “Haunted” out now on Dim Mak.
This article was first published on Your EDM. Source: 4B Drops Vibey Deep House Track “Haunted”
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Paul van Dyk and DJ Pierre AKA Phuture Drop New ACID TRAXXX EP

Paul van Dyk and DJ Pierre AKA PHUTURE, two icons of the dance music industry, have teamed up for a brand new 3-track EP, ACID TRAXXX. The EP’s title track, based on PHUTURE’S 1987 single “Acid Tracks” seeks to bridge the gap between classic and contemporary styles. Featuring those signature 303 basslines and squelching acid house synths, ACID TRAXXX is sure to excite fans old and new.
Clocking in at over 8-and-a-half minutes long, “ACID TRAXX” is meant to transport you back to an old school warehouse rave. Its thrumming bassline and grooving hi-hats have an unmistakable peak hours vibe to it. The massive second buildup in the drop will have you feeling euphoric.
ACID TRAXXX also features a solo single from DJ Pierre and PvD respectively. DJ Pierre’s track, “PHUTURE ACiD!” kind of picks up where “ACID TRAXXX” leaves off. The acid synths are heavy and the urgency of the drop rises with the hi-hats. Featuring an insane breakdown, DJ Pierre shows why he is a true pioneer of acid house.
PvD’s solo track “FILTY ACID” ties a nice bow on the EP bridging that gap between the old school and the “big room techno” that has become popular at festivals around the globe. The acid synths are prominent in this one, but I feel like the propulsive kick drum was what really set this one apart.
“Working with DJ Pierre has been a dream come true,” Paul van Dyk says. “He’s a founding member of music as we know it and revolutionized electronic music with his innovative use of the Roland TB-303. We wanted to create a track that pays homage to the roots of electronic music while pushing boundaries and taking listeners on a sonic journey.”
“Teaming up with Paul has been an incredible experience,” DJ Pierre says. “’ACID TRAXXX’ is a fusion of our musical worlds, and it captures the essence of what both of us stand for in the world of electronic music.”
Check out the ACID TRAXXX EP from Paul van Dyk x PHUTURE x DJ Pierre, out now on VANDIT Alternative. PvD will be hitting the road for some upcoming US tour dates to wrap up the year. Make sure to check him out if he comes to your city.
November 10 – Stereo Live – Houston, TX
November 11 – Stereo Live – Dallas, TX
November 12 – EDC Orlando – Tinker Field, Orlando, FL
November 17 – Dreamstate – Queen Mary, Long Beach, CA
November 18 – Republik – Honolulu, HI
December 8 – Silo – Brooklyn, NY*
December 9 – Silo – Brooklyn, NY
*VENTURE X show
This article was first published on Your EDM. Source: Paul van Dyk and DJ Pierre AKA Phuture Drop New ACID TRAXXX EP
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Disco Face Combines Horror, Dance, And Raw Emotion In Debut Original Single, “Dance With My Demons”

Disco Face, an enigmatic sensation who has skyrocketed to amassing over one million loyal followers across platforms within just one year, has just returned in a huge way. 
Following the success of his earlier 2023 single “Daylight,” the masked artist now offers something more profound, as revealed in his debut original single, “Dance With My Demons,” out now via independent label TH3RD BRAIN. 
The masked artist is frequently compared to dance icons such as Daft Punk and Marshmello. However, beneath the mask is where Disco Face’s persona really shines. A couple of months ago, Disco Face posted a video that garnered a staggering 11.5 million views on TikTok, unveiling the layers of his persona while shedding light on his mental and physical journey. The journey that ultimately ignited his lifelong passion for becoming a musician.
“Dance With My Demons” bears profound lyrics that aim to inspire others to find strength in challenging times. Disco Face encourages his listeners to live life to the fullest, confronting our inner “demons” head-on. 
What sets “Dance With My Demons” apart is Disco Face’s fusion of bright electronic dance music with pensive alternative influences. His allure shines through his deep connection with fans, as evident in his video, which features over 100 dedicated followers, conveying gratitude and encouraging them to face their own challenges on the dance floor.
Disco Face’s journey delivers a valuable lesson: regardless of life’s obstacles, we can coexist with our inner demons while pursuing our dreams. Only a year in, Disco Face has now emerged as one of the most electrifying musicians poised to dominate the music scene in 2024.
This article was first published on Your EDM. Source: Disco Face Combines Horror, Dance, And Raw Emotion In Debut Original Single, “Dance With My Demons”
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KRANKk’s Sonic Revolution with New Single, ‘Into My Home’

Two years post the launch of their groundbreaking album “Dark,” where they redefined the UK Garage genre, Antwerp’s sensation KRANKk is back with a captivating new single, ‘Into My Home’. This track, set to be released under the esteemed electronic label cloudshaper, boasts the vocal talents of the renowned Yann Gaudeuille.
KRANKk, consisting of the talented trio – Aram Abgaryan on the keys, Thomas Geysen behind the drums, and Willem Heylen showcasing his prowess on the guitar and electronics – is known for their innovative takes on classic genres. This time, they’re delving deep into the world of drum and bass. Drawing inspiration from the genre’s core – rapid breakbeats, intense bass rhythms, formidable reese’s, and harmonious melodies – they craft it into their signature style.
Their chart-topping singles “Crazy” (2019), “Don’t Forget” (2020), and “Aftermath” (2021) secured spots in the acclaimed Flemish Ultratop charts. Their revolutionary audio performance, featured at Pukkelpop in 2022 and 2023, transformed The Booth stage into an all-encompassing 360° audiovisual experience, immersing attendees in a sonic landscape.
As autumn 2023 approaches, KRANKk is gearing up for the launch of their sophomore album ‘Late Nights In Antwerp’. This album promises collaborations with iconic artists like Selah Sue, Yann Gaudeuille, A-F-R-O, Splurgeboys, Logan_olm, Ragga Twins, and more.
[Image: KRANKk 2023]
PHOTO CREDIT – Unnamed Photographer
Dive into ‘Into My Home’, a rhythmic drum and bass masterpiece co-created by KRANKk and Yann Gaudeuille, who has previously collaborated with Belgian luminaries Coely and Dvtch Norris. This track seamlessly fuses soul-stirring vocals with pulsating rhythms, offering listeners an unforgettable sonic voyage.
KRANKk describes “‘Into My Home’ as a narrative of discovering solace amidst life’s tumultuous waves. It stands as a testament to the unifying power of music.
The production of KRANKk and Yann Gaudeuille is nothing short of exhilarating. It’s a harmonious blend of energetic drum and bass with poignant vocals. While KRANKk’s music feels avant-garde, it reverberates with echoes of legendary acts like Burial or Kode9 + the spaceape.
Lovers of Chase & Status, Andy C, Shy FX, and Skeptical are in for a treat.
Anticipate the album’s grand release in spring 2024.”
This article was first published on Your EDM. Source: KRANKk’s Sonic Revolution with New Single, ‘Into My Home’
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Precocious producer Niilas shares hypnotic new house track, ‘Oshea’

Norwegian producer and composer Niilas (Peder Niilas Tårnesvik) has unveiled another single, ‘Oshea’, on October 20th 2023. This is the second track off his upcoming fourth album River Of Noise, set for release on the 3rd of November 2023. His award-winning music has received widespread acclaim, earning airtime on BBC Radio 1, obtaining recognition and praise from the likes of VICE, Stereogum, Magnetic Magazine and ElectronicGroove. and accumulated over 1 million plays across all platforms. He is known for his energetic live performances – he headlined at Munch-museum, appeared at Øyafestivalen 2022 which featured Gorillaz, and performed at Spot Festival 2023 before notable artists Caribou and Todd Terje. Niilas pays homage to his indigenous Sámi heritage and Arctic aesthetics in his music, which combines folk instruments with electronic textures from a variety of genres.
‘Oshea’ is a potent organic house track that is further testimony to Niilas’ prowess as a producer. It begins with a glittering passage from the santur (an Iranian stringed instrument played with mallets) performed by seasoned Iranian musician and composer Misraeed Hosseiny Panah. Just as you begin settling into the mesmerizing melody, a house beat and heavy bass launch the listener into a different dimension. A brooding synth progression slowly builds tension as more textures are added in layers, while the santur continues its hypnotizing dance over the rest of the music. The beat recedes and returns with more intensity, and the track ends as it began, with the solo santur dissolving in an eddy of delay. 
Nillas commented: “I tried making an organic house track with the brilliant musician Mirsaeeds Hosseiny Panah. He is a great performer on the Persian instrument Santur, so our session was really amazing (and I have some backup material that might see the light of day in the future…). Blending the fields between organic, acoustic, digital, synthesized and manipulated was key for this track, and I’m very happy how it turned out”.
Follow Niilas:
Website – Facebook – X – Soundcloud – TikTok – Youtube – Instagram – Spotify
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The JLB and GRAVY drop transcending track ‘Too Much Toosh’

The JLB and the innovative Eastend outfit GRAVY have united their creative forces in the release of their latest record, ‘Too Much Toosh’, set to drop on October 20th. This track defies easy categorization, striving to transcend conventional genres. The JLB is the main moniker of Croydon-raised Jamie Bulled. He has been producing his unique brand of UK Bass music for 10 years. GRAVY is a production duo voiced by Casper a multi-faceted writer, rapper, vocalist, producer, artist and designer occasionally supported by idntmttr vocally too an ethereal sonic technician and producer whose ear plays a central role in the majority, if not all of the recent Kingdome Recordings projects and releases. GRAVY now hone their craft at Belly Of The Beast Studios under Nick Detnon previously home to Dizzee Rascal where the seminal Boy In The Corner was made.
Both of these artists are gearing up for a series of live shows and DJ sets, taking their unique sound from London to Manchester, Bristol to Brighton, and everywhere in between. On November 3rd, GRAVY will grace the stage at Kingdome’s BOUDICA in Manchester, sharing the bill with illustrious talents like Shannen SP, Rainy Miller (the DJ/Producer behind Blackhaine), and Ill Japonia (of Bo Ningen fame). Last month, GRAVY and The JLB unveiled their joint bi-monthly Post Genre Party at the now-legendary South London venue, Spanners.
‘Too Much Toosh’ is nothing short of beautiful chaos. The track features deep, transposed vocals and an unpredictable beat that creeps into your senses. It’s a multi-faceted composition, with elements such as old-school rave chords, colossal basslines, and hard-hitting drums. To contrast the aggressive production, ethereal feminine vocals make an appearance. The end result is a harmonious blend of unpredictable yet irresistible soundscapes that demand your attention, despite their seemingly enigmatic and wild nature. It’s a sonic entity that’s unlike anything else while simultaneously encompassing elements from every corner of the musical spectrum. 
Reimagining the formula for forward thinking dance music and asking themselves, “at its core, what makes a banger sound original?” especially in today’s homogenous world. Their answer : “Being bold, different and good.”
Follow The JLB:
Instagram
Follow Gravy:
Instagram
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MONOWIRE Releases Thrilling Phonk Single, “POV YOU’RE UNSTOPPABLE”

MONOWIRE is a mysterious and anonymous phonk producer whose hypnotic beats seamlessly blend electronic, metal, and hip-hop, resulting in a hypnotic cocktail of sound that makes massive waves with every drop.
His latest single “POV YOU’RE UNSTOPPABLE” is a thrilling ride from start to finish, fusing screamo and bass house with his unique spin that is guaranteed to get your blood pumping. Sonically, it feels like a blur between Justice & Rezz, truly a sound you don’t hear often which also comes extremely polished.
Listen below!
This article was first published on Your EDM. Source: MONOWIRE Releases Thrilling Phonk Single, “POV YOU’RE UNSTOPPABLE”
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Headliners Share Their Favorite Scary Movies Ahead of Escape Halloween

Escape Halloween is only a week away. North America’s largest Halloween festival returns to the NOS Events Center in San Bernardino October 27-28. Select tickets are still available.
Insomniac has also teamed up with Grand Central Night Market for a special screening of Scream (1996) at the Million Dollar Theater on October 24. RSVPs have sold out, but you can still secure a ticket at the screening, all while enjoying all of the plentiful food the Market has to offer.
To help you get in the Halloween spirit, we wanted to share a select handful of artists’ on the Escape lineup’s favorite scary movie. From some more lighthearted fare to some of the freakiest films of all time, check out what some of Escape’s top artists enjoy for spooky season.
Kaivon
Movie: Midsommar
“Midsommar is my favorite scary movie of all time. The movie made me feel feelings that were so deep and mysterious. It doesn’t compare to any other movie I’ve ever seen.”
TOBEHONEST
Movie: The Hills Have Eyes
“My favorite scary movie is The Hills Have Eyes. The reason this one resonated with me so much is because I grew up in the desert, and I would go on camping trips in the winter with my family. When we went out, it was usually in the middle of nowhere, like the setting for this movie. A lot of the time, the places we chose had abandoned towns next to them, like Jerome, Arizona. I always viewed these trips as peaceful because you could see the stars so clearly at night. I couldn’t imagine having my childhood trips turn the way the movie did. Plus, the characters in this movie are so great to watch. They did a really great job with the villains and their makeup.”
Codeko
Movie: Saw
“I was 12, after school at my friend’s house, and his older brother showed us a youtube compilation of “saw” traps to try and scare us. We obviously pretended we were all grown up and it didn’t bother us (spoiler it did), and the three of us ended up watching Saw 2 to prove it. His parents came back and found us, we all got in trouble (I also had nightmares for weeks afterwards). But I’ve watched it again since; I think it’s a weird type of nostalgia but I actually really enjoyed it”
Rossy
Movie: It’s The Great Pumpkin, Charlie Brown
“I actually am too jumpy for most horror movies, so for Halloween I like to stick to some more light-hearted classics. Linus getting scared in the pumpkin patch is about as scary as I want to go. No SAW for me.”
Yetep
Movie: The Grudge
“The Grudge completely traumatized my childhood and I stopped watching any scary movies for a while. I remember being so scared that I was afraid of taking showers because of the scene where the girls get her hair grabbed mid-shower. I also remember seeing The Grudge girl a couple of times during my sleep paralysis, so it’s been haunting me ever since.”
Mariana BO
Movie: IT
“I don’t usually watch horror movies, but this is one of the ones that I find the most terrifying. I’ve always been unnerved by clowns, making this film especially frightening. As a child, it was so scary that I couldn’t even bear to watch it!”
Hekler
Movie: Scream
“I really love the Scream movies from the slasher franchise! I watch them all throughout the year with my girlfriend. It’s like a thing we do together. They have the ability to keep us on the edge of our seats everytime we watch them. For me, it’s all about the message hidden in plain sight and the unique cinematography in the films that keep me coming back and if I am being honest also bleeds into how I try to make music. This last one was sooooo good!”
See you at the Psycho Circus this weekend! Daily stage lineups and official Escape 2023 trailer are below.
This article was first published on Your EDM. Source: Headliners Share Their Favorite Scary Movies Ahead of Escape Halloween
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Dirt Monkey Drops Thunderous ‘MYCELIUM SOUND PT. 1’ LP

With a revolutionary sound, Dirt Monkey has a knack for crossing so many genres across the electronic spectrum and succeeding incredibly well. The forward-thinking artist is always one step ahead, and continuously unites the bass music community at festivals such as EDC Las Vegas and Electric Forest. Late-night headline shows with Dirt Monkey always result in top-notch visual production, but most importantly, showcase his signature bass-infused sound we all fell in love with from the start. Seamlessly shifting levels in his production abilities, Dirt Monkey is now blessing the music scene with the highly-anticipated release of his “MYCELIUM SOUND PT. 1” LP.
After revealing the first single “Ignite” featuring Christian Acamo and calling out all of the dubstep enthusiasts, Dirt Monkey has revealed his stellar 12-track LP that spans multiple genres. A true masterpiece that is a representation of his talent, dedication, and willingness to push the boundaries of his craft, Dirt Monkey will be making the ground shake with this impressive and highly-anticipated album. With festival-ready tunes including “Reset Button,” and “Bounce Heavy,” Dirt Monkey transitions from wobbling bass and slow-tempo madness to a high-energy house flair for the masses. An immediate crowd-pleaser, Dirt Monkey has called upon artists such as Shanna Raymond, J Nolan, and Ragga Twins for this eclectic release.
As Dirt Monkey makes his mark in the music industry one electrifying beat at a time, the talented artist has shown the sky is the limit as he gears up for his next release of “MYCELIUM SOUND PT. 2”, the deep dubstep counterpart to his prior release, on October 25, 2023.
Listen below!
This article was first published on Your EDM. Source: Dirt Monkey Drops Thunderous ‘MYCELIUM SOUND PT. 1’ LP
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Gryffin Announces 2 nights at Red Rocks Oct 24 & 25

Since first breaking into the global electronic scene, multi-instrumentalist Gryffin has earned his name as an unforgettable live act. Known for crafting infectious melodies and captivating beats, Gryffin has delighted fans with a string of smash singles, including platinum certified hits like “Tie Me Down” featuring Elley Duhé. His debut album, Gravity, soared to the top of Billboard’s Dance/Electronic Albums chart in 2019, solidifying his status as a chart-topping powerhouse.

In 2023, Gryffin’s momentum continues to soar with exhilarating performances at festivals such as Electric Daisy Carnival, Electric Zoo, and Ultra Europe. He recently headlined ESPN’s F1 Miami Fan Fest and completed a successful East Coast headline tour. The excitement continues to build as he prepares for an upcoming tour, including two nights at the iconic Red Rocks Amphitheatre in Colorado on Oct 24 (already sold out!) and Oct 25.
Get tickets here.

This article was first published on Your EDM. Source: Gryffin Announces 2 nights at Red Rocks Oct 24 & 25
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Nicky Romero Discusses Production, New Music and His Upcoming Open-to-Close Show “Nightvision” [Interview]

It’s been a big year for Nicky Romero, but the biggest is yet to come. The Dutch superstar recently announced his first ever open-to-close solo show “Nightvision”, taking place December 2 at AFAS Live in Amsterdam. The show will take place one day after the release of Nicky’s forthcoming Nightvision EP, which will feature previously released singles like “Give In”, “Mahoya”, and his latest release with TELYKAST and Linney, “Desire.”
We recently got the chance to sit down and chat with Nick regarding all things “Nightvision”, how his production has evolved over the years, changes in the music industry over the past decade, and
Hey Nicky! Thanks for chatting with us as always. Tell us about your 2023? Give us some highlights and tell us what stood out to you this year.
“What’s stood out for me? I think, well, the best is yet to happen, other than all the great festivals, which I’m extremely lucky to play. But, we’re going to do my first solo concert in December, which is the first one in my entire career. December 2 at the AFAS Live in Amsterdam, so that’s going to be something that’s super special and I think I’m going to do things I’ve never done before. So, that’s why I’m saying it’s too early to give the highlight, because I think this is going to be the highlight of my career and not just this year.
But, if I had to name anything else, I feel like we’ve developed quite a cool sound, like a new sound. For example, ‘Techtronic,’ that was one of the first ones off the EP that kind of did really, really well, which was a new sound that not everybody, but some quite big names started to play. And, I feel like that record is the perfect blend of tech house, but still like almost a big room vibe. I just feel like it’s peak time tech-house, and that is the new sound that I tried to develop and over that, I tried to develop something else, which is the ‘Nightvision’ EP, that kind of has like a similar vibe to it.
But, I’m still learning, and I’m still trying to find gaps in the industry, here and there. I think that a big achievement for us was that ‘Techtronic’ tapped into something that wasn’t there yet.”
You’re most recent single “Desire” with TelyKast x Linney is the latest single off of your upcoming Nightvision EP. Tell us what we can expect with the full EP and what new phase of your production does Nightvision represent.
“So, it’s funny you bring that up because, ‘Desire’ for example, is quite similar production and musically to songs like ‘Legacy’, for example, which are super old records. Where the first breakdown is kind of like straight, and the second drop is more melodic and more based on chords. And that was the same with ‘Legacy’, the first drop was kind of a straight drop and then the second drop became more melodic.
Same with ‘Like Home’ for example, now ‘Like Home’ has the instrumental straight parts in the middle. So, I tried to bring the balance between like a straight drop that has one note for example, one bass note. When you make it melodic, it comes alive, it brings a certain emotion. That’s what I’m trying to do with the ‘Nightvision’ EP, where records are normally designed to get the crowd going, I try to get that energy and also make a combination with my fundamentals as a progressive house producer. We have chords, changing basslines, that’s what I try and do, and ‘Desire’ was one of the first records, also ‘Mahoya’ to bring that element, but I’m still developing it, it feels like we’re on a good track right now.”
Tell us about your upcoming open to close Nightvision show. How long are you going to play for and what will make this show so special?
“Oh, well, I just came from a big meeting about how we are going to develop that show, and what am I going to play, and it’s interesting to give you a few sneak peeks. We’ve been thinking about should we play third party music, should I play records from someone else, or should I make it strictly only Nicky Romero? Either originals, remixes, collaborations, or where I took part as a producer. Records with David Guetta and Rhianna for example, like ‘Right Now’ or Sia with ‘Bang my Head’, or with Britney and Will.I.am.
Am I going to take those elements into the show, because you want to reach a bigger audience. It’s not only the extreme fans who know everything from A-to-Z, it’s also going to be people that are going to the zoo the day after. You’re going to have a wide span of people that want to see that show. So, I’m trying to narrow down, what do I want to show them, what do I want them to experience? And, it’s also the storytelling of Nicky Romero, the artist over the last 14 years. So, that is something that we’re trying to find out with ‘Nightvision’ that I’m still developing.
I think we have a really good blueprint now for what we’re going to do. It’s going to be only our own music, and also some remixes, edits and tracks I co-produced and try to bring that together. And, the craziest part about this, how many artists and DJs do you see, actually like, play physical instruments? I’m going to be playing piano, I’m going to be playing drum pads. Basically, I’m trying to show the world that DJs don’t necessarily only press play, and I’m trying to show them this is how a record comes about.
Like, I can play every record I’ve ever made, I can play it for you right here on the keyboard. And, every song that I hear, I can play it in a second, because you’ve trained your ear so much. And, I’m trying to, not only for myself, but for all of my colleagues in the industry, to teach people that what we’re doing is nothing different from what a pop musician is different, just wrapped in a different wrap. ‘Nightvision’ is going to be the embodiment of that all including visuals that you’ve probably never seen.
I don’t have a lot of charting top 40 hit songs, but I feel like I have a really interesting story to tell. Because, the beginning of EDM as we know it, and how people conceive the word EDM, where it all started from me, I had records from Toolroom, I had Mark Knight emailing me, or Simon of Defected. Carl Cox reached out and played my records for Green Velvet, I was more underground.
Now people see me as a commercial EDM artist. Luckily, I’m one of the artists who got the extremely great opportunity to work with such a wide variety of artists. Calvin Harris, Guetta, Armin, Hardwell, Afrojack, Aviici, unfortunately we don’t have him anymore, which is an extremely big loss for everyone. But, I feel like I’m so blessed, and also the story with Guetta, how many chances he gave me, and still does sometimes. I’m trying to wrap that in a story, it could be like a book that’s converted into a movie or show.”
What’s it been like getting in the studio with Hardwell and Guetta in recent years? Especially since they’ve drastically changed their sounds over the past few years, and it’s reflected on the landscape.
“The last time I did a track with Hardwell was a record called ‘Beta.’ And, I remember that we did that like very hybrid, in terms of like half his plays, and half my plays. And, then it was just important to become number one on Beatport. In the beginning it didn’t really matter how many radio plays, nobody was going to play electronic music on the radio, other than like Guetta’s records which were extremely successful already. But, I was far from his status, and I still am to be honest.
But, we were not focused so much on getting radio airplay, we wanted to have a number one on Beatport, and that was just a way to reach an audience. There was no Instagram or Twitter that were active that much, it was kind of developing at the same time. So, it was just like we need to get a cool record and hope that a lot of DJs are going to play it. And, most important, we need to score high on Beatport. These days, it’s just different, Beatport is still extremely relevant. Actually, I think that it’s at its peak again, since maybe 2012 or 2013, which I’m super happy for because it’s a great platform to get your music from. Also, based on the rights and that people actually pay for the product. So, I’m a really big fan of Beatport.
So, yeah, right now we just want to make a record that makes us happy, we both have our own identity, and I really respect Hardwell. In the beginning, we’ve known each other for such a long time. I even drove him to his shows in his car, just being on the road with him hanging out. And then after that making records and then both developing a career, that wouldn’t have been in my mind ten years ago. But, yeah, that’s why the story is so fun. So, there’s a difference, and right now, it’s just like, oh this track needs to work in both of our live sets, on Ultra, Tomorrowland, or EDC, maybe even something like Lollapalooza or Coachella. How do we create a track which has both of our identities which we’ve developed over the years? So that’s just a different approach.”
This is one of those ones I usually ask, but what do you think of the state of dance music as we begin to close out 2023? Like the sounds, where do you think the sounds are going?
“Well, I feel that dance music, I mean, music in general, but let’s narrow it down to dance music. This is something that Guetta told me in 2014, he gave me so much knowledge of things. He told me this music industry is basically a wave, and a wave comes and it seems huge when you stand in front of it. Sometimes you’re in the water in Hawaii or somewhere in Australia and this wave comes, and it seems humongous when you’re in front of it, and you can’t see anything else but this wave, and you think that this wave is going to be the next big thing and it’s going to flood the entire country.
And, it’s true, sometimes there is a wave that really does that, but in our industry it’s true. There can be one sound so popular that it kind of takes over everything, and everyone is going to make that sound. And, then the next wave is coming and the next wave, and then the trick is how do you jump from wave to wave without losing your identity and how do you stay relevant? How do you stay relevant without losing your roots? Because if you’re jumping too fast people have no clue what they’re listening to or when they’re listening to Nicky Romero. So, how do you keep that brand without losing it, at the same time keeping up with the pace of the dance music industry?
Because, the music industry right now, feels like it’s moving faster than it ever did before. It feels like a record is out today, and it’s out tomorrow. I cannot play a record in my set that is not from the last two weeks, otherwise it feels old. And, this has been taken to an extreme, but, let’s say 10 years ago, I could play a record that was Beatport number one for six months and everybody would still love it. And now, there’s so much music, there’s so much output that a record starts to feel old after two weeks.
How is that going to work out in the future? I have no idea. I think people are going to really pick their own niche boxes with what they like, and the majority consumes everything, but therefore the quality goes down. It’s nothing different than the food industry.”
Do you have any book recommendations? Been streaming anything good lately?
“I love reading and gaining new knowledge. My girlfriend is always like when I’m with you it feels like I brought an encyclopedia with me. You have the knowledge of the entire world, which is a compliment, but at the same time she makes me look like I’m some sort of doctor that is not interested in small stuff. But, I’m like a sponge, kind of just trying to absorb everything in its surroundings.
The book that I’ve been reading lately, it might sound boring, it’s a book by Stephen Hawking, ‘The Answers to the Big Questions’. This is very specific, because I wanted to know about black holes. How do they exist, what does it have to do with gravity? These are kind of the questions that keep me up at night. In terms of series, I’m a little behind on Netflix, but I watched this German series called ‘Dear Child’.”
Thanks Nick, any last words for the fans?
“This is going to sound very far away from the topic, but the situation in the world, it’s really a sad time, and feels like we’re very much living in a sad time that divides us more than all of us want. And without going into details about what and where, I just hope that everybody can find the space to help one another and to find one another. So, that’s a message that I’m trying to spread more and more. We’re living in such a weird and sad time, that I just really hope that people can connect with each other and we can spread some love again and help each other out.”
Make sure to check out the latest from Nicky Romero & TELYKAST x Linney “Desire”, out now on Protocol. Click here to get your tickets for Nicky Romero’s first ever open-to-close show “Nightvision” taking place December 2 at AFAS Live in Amsterdam. Check out the official “Nightvision” trailer and get hyped for the show.
This article was first published on Your EDM. Source: Nicky Romero Discusses Production, New Music and His Upcoming Open-to-Close Show “Nightvision” [Interview]
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Texas Eclipse Drops First Wave of Artists ft. Tycho, Big Gigantic, Barclay Crenshaw, Zeds Dead, LP Giobbi + more

We’ve been buzzing with anticipation every since Disco Donnie Presents & Probably Nothing began teasing their 2024 Texas Eclipse festival in Burnet, TX April 5-9. Well, the wait if finally over, as this 5 day art, music, science, and tech extravaganza has revealed the first wave of artists along with immersive experiences that double as family friendly activities.
There’s something for everyone at this festival, from mesmerizing rhythms of jam bands such as STS9, to the massive wubs of Zeds Dead and Boogie T, along with those thumping house grooves from the likes of Desert Hearts and LP Giobbi. World bass queen Clozee is slated to do a special sunset set while trip hop maestro Tipper will perform a twilight set. The list goes on but from what was shared, there will be six musical stages to cater towards specific musical styles/genres.
Additionally, Texas Eclipse Festival promises to transcend the ordinary and usher attendees into a realm of immersive experiences that awaken consciousness and explore the frontiers of science, wellness, sustainability, and Indigenous wisdom. So far, on site experiences include:
Family & Kids Education Area: Young explorers and their families will embark on a journey like no other as they engage with astrophysicists, AI scientists, astronomers, and more. This unique opportunity will be presented through enlightening chats, enhanced storytelling, and interactive stations. Science Workshops: Texas Eclipse invites attendees to explore paradigm-shifting ideas under the vast Texas skies, guided by compelling thought-leaders from around the globe. Topics will span the future of psychedelic medicine, artificial intelligence ethics, biohacking, circular design, unlocking human happiness, and much more. Sustainability Sessions: Embracing a positive future is at the core of Texas Eclipse’s sustainability sessions. Led by some of the best and brightest luminaries, these sessions will delve into regenerative agriculture, circular economies, renewable energy, the future of water, and the intriguing question of whether mushrooms will truly save the world. Indigenous Elders Space: Eclipses hold profound significance for Indigenous peoples worldwide, often marking times of transition and change. Texas Eclipse’s Indigenous Elders Space provides a nurturing environment for learning, listening, and reconciliation, facilitated by Indigenous leaders from collaborating countries. Yoga & Movement: Attendees are encouraged to nurture their bodies and expand their minds with a diverse range of yoga and movement offerings. Curated with wellness in mind, these offerings, led by top instructors, encompass both traditional and unconventional practices. Consciousness Zone and Healing Oasis: A dedicated space awaits those seeking participatory wellness practices, guided by wellness and spiritual leaders. This zone ensures holistic rejuvenation, offering a sanctuary for personal growth and healing. There’s so much to experience at Texas Eclipse, stay tuned for more info at https://seetexaseclipse.com/
This article was first published on Your EDM. Source: Texas Eclipse Drops First Wave of Artists ft. Tycho, Big Gigantic, Barclay Crenshaw, Zeds Dead, LP Giobbi + more
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Kaskade Drops Latest Single “Save Me” and Announces REDUX 006 EP

Kaskade returns with his new single “Save Me” with Lauren L’aimant, the first from his upcoming REDUX 006 EP, due out on October 27. It’s been two years since REDUX 005, and “Save Me” picks up right where the last EP left off. Featuring euphonious melodies, ethereal vocals, and a minimalistic sonic aesthetic, “Save Me” is the perfect encapsulation of the REDUX sound. It’s after hours, but it’s a vibe that engulfs everyone in the crowd.
Speaking of those crowds, Kaskade is currently on a mini-tour in support of his upcoming REDUX 006 release. He just played at FivePoint Amphitheatre in Orange County, CA earlier this month. Kaskade will also be bringing REDUX 006 to Brooklyn, Chicago and Miami later this fall. Click here for tickets.
Make sure to check out the latest from Kaskade and Lauren L’aimant, “Save Me” out now on Arkade Made. Stay tuned for the full REDUX 006 EP, dropping on 10/27. Here are the upcoming REDUX 006 tour dates.
Oct 20 – Avant Gardner – Brooklyn, NY
Nov 17 – Cermak Hall – Chicago, IL
Dec 01 – Club Space – Miami, FL
This article was first published on Your EDM. Source: Kaskade Drops Latest Single “Save Me” and Announces REDUX 006 EP
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Silhouetted Horizons Releases Thrilling, Cinematic Single “Overtone”

Silhouetted Horizons is the brainchild of Benjamin Hurd, who’s already a well-renowned sound designer and engineer in the highly specialized world of fine art. His work has been showcased at prestigious events and venues such as the Locarno Film Festival, The Venice Biennale, Tate Modern, The British Art Show, The Berlin Biennale, deYoung, Bonniers, The Serpentine, ICA, and various collaborations with Nike.
He’s put his talent on displays most recently in his brand new single “Overtone”, a thrilling blend of downtempo, wave, and with a bit of trap fused together in a cinematic fashion. The vocal samples bear hallmark of other great talents such as Odesza and Slow Magic, while staying unique to Silhoutted Horizons in how he manipulates them to elevate the song.
Listen below!
This article was first published on Your EDM. Source: Silhouetted Horizons Releases Thrilling, Cinematic Single “Overtone”
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HARBER & Disco Fries Team Up For Anthemic Single “Falling For You ft. Sydtherockerkid) [LOWLY]

Two of NYC’s finest artists – multi-platinum DJ and production duo Disco Fries and 2x Billboard-charting DJ and producer HARBER – have reunited for their anthemic single “Falling For You ft. Syndtherockerkid” out now via Lowly.
Disco Fries & HARBER compliment each other in wonderful ways, with an amazing ability to craft catchy, uplifting arrangements powered by a glistening topline that all together feels like a massive hit. It truly is a radio-ready anthem that’s perfect for the Summer wind-down to usher in the Fall season.
Listen below!
This article was first published on Your EDM. Source: HARBER & Disco Fries Team Up For Anthemic Single “Falling For You ft. Sydtherockerkid) [LOWLY]
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Sherm Drops Simmering Tech House Single “Light Show” Just In Time For ADE

ADE is right around the corner and here to help bolster your soundtrack for this iconic gathering is Chicago’s prolific DJ, producer, A&R, and podcaster Sherm. He’s unleashed a simmering tech house single “Light Show” that is out now via the highly anticipated Hood Politics x Bring The Kingdom ADE Sampler.
Sherm has a knack for crafting compelling grooves, seamlessly fusing techno, tech house, and hip hop influences into tracks that stick with you. “Light Show” is no different, featuring a hypnotizing vocal and intoxicating rhythm that offers 2:10 of pure ecstasy.
Sherm is also moderating a panel at ADE on 10/19 this year (see here) welcoming guests Carissa Szlosek (from Prodigy artists), DJ Susan (Hood Politics), and Kaysin (A&R Repopulate Mars). The conversation will focus on how to start a relationship with US labels, how to develop a fanbase, organise successful events, and grow profitable relationships with the US. In addition to the panel, he’ll be performing at the Hood Politics x Bring The Kingdom (sub label of Hexagon) showcase on 10/21 (details here).
Listen to “Light Show” below!
This article was first published on Your EDM. Source: Sherm Drops Simmering Tech House Single “Light Show” Just In Time For ADE
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New Artist Spotlight: Faron Sage Brings a New Style to Rap and a New World Order in New Single, ‘No Alternative’ [Video Premiere]

There’s an interesting spoken word phenomenon in the UK that many stateside punters may not be aware of; a combination of the classic, stream of consciousness-style poetry and traditional hip hop-style rap that’s been quite popular in Blighty but never had much of a toehold in North America. Aside from the TikTok famous Louis Theroux jape, “My money don’t jiggle; it folds,” there really aren’t too many modern examples of this mashup on either side of the pond, but it was quite popular in the 90s and 00s. For reference, think Nada Surf’s “Popular” or, likely the most famous example, Blur’s “Parklife,” which features actor Phil Daniels on the spoken word lyrics. Very few, however, have turned this form of poetry into a full musical identity. Enter Faron Sage.
Somewhere at the corner of “Park Life” Gorillaz is actually where one can find Faron Sage. Created as an animated character whose cheeky persona mitigates the hard-hitting political lyrics to be found in nearly every track released, the project has gained a loyal following on YouTube, both for its anarchic yet plain-speaking style and its stark visualizers. Starting from, not surprisingly, 2020, the project began releasing jazz fusion-forward tracks with an aggressive spoken word verse over top. The Zappa-esque music works well with the chaotic meter of the lyrics, but intentionally does nothing to smooth them out. This is Speakers’ Corner in digital form: loud, brash and meant to cause a stir.
“No Alternative” is the latest release from Faron Sage and, in typical fashion, it pulls no punches. Lashed to a jazzy bassline with comparatively minimal music, surrounding, the cartoon character is immediately off on a tear as soon as the track starts, discussing all the political ills of the modern world. The “chorus,” as it were, is the conclusion of the first verse that there is “No Alternative” to the current mess the world is in. What’s surprising, however, is the next verse turns it around and offers an alternative. It comes with critical thinking on a massive scale and thus the alternative presents as quite utopian, which is rare in these times, but it’s nice to see Mr. Sage isn’t all doom and gloom. There is an alternative: social evolution, and it is possible.
Final third of “No Alternative” has a musical break of quite cartoonish nature, which not only fuels the call-and-response argument of the track but also works quite well with the animated video. Done in a whimsical, 1960s post modern advert style, the video for “No Alternative” is more narrative and less visualizer compared to other Faron Sage videos like “Status Quo” and “Whole.” It also features more speaking characters than usual, as videos like “Wake Up the World” and “Head or Tail,” which only feature the project’s main character, the also 60s-stylized Faron Sage. As it’s an argument within a song, it make sense to have a narrative rather than a monologue. The animation itself is a big part of Faron Sage and it certainly helps to drive the point of “No Alternative” home.
Fame is not something that concerns the creators of Faron Sage, and that’s evident in the way the music and videos are presented, so fans of this style shouldn’t take this project as a herald of a new spoken word trend. What said creators hope, however, is that their work is catchy and thought-provoking enough to get people to change their mind and realize that we are not, in fact, doomed to stay stuck in the current system. There is never “No Alternative;” in fact, alternatives abound. We just have to believe in them.
“No Alternative” is out now and available to stream on Spotify. Check out Faron Sage’s YouTube for more of these thought-provoking videos.
This article was first published on Your EDM. Source: New Artist Spotlight: Faron Sage Brings a New Style to Rap and a New World Order in New Single, ‘No Alternative’ [Video Premiere]
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Gammer & Dougal Reunite For Explosive Dancing Dead Single, “Take It Down” 

Masterfully bridging the worlds of happy hardcore and hardstyle, acclaimed talents Gammer and Dougal have returned, landing on tastemaker label Dancing Dead with “Take It Down.” An explosive single, “Take It Down” nicely explores both artists’ impressive range with its intoxicating melodies and dancefloor-ready production, while it marks their first collaboration in 6 years. The tune immediately kicks off with the help of thumping kicks, while it swiftly transitions towards a series of mind-bending drops that tastefully alternate between melodic and hard-hitting. 
“Take It Down” with Dougal is an exciting track for me as it was a chance to reflect on both where I’ve come from and how far I’ve come. Before I was ever Gammer on my own, it used to be Dougal & Gammer. Dougal was my mentor and teacher, and still to this day is someone who inspires me constantly. We hadn’t gotten to do a song together in over 6 years before this, so it was an amazing opportunity for me to work with him again,” says Gammer. 
“We started this one a while back and decided to try and make an in-your-face bouncy kind of track,” continues Dougal. “It developed into something between the boundaries of happy hardcore and hardstyle. This song allowed both of us to look at where we started and the type of music we were making together a decade ago, then to honor that sound while refining it to be modern and interesting. I hope the fans love it as much as we do! “Take It Down” is the product of the rare opportunity for us to get in a room together and actually come out with something polished that we couldn’t wait to release.”
Gammer and Dougal have been making music for over a decade now and their chemistry is truly unmatched. Throughout the past years, Gammer has cemented himself as one of the UK’s most prolific hard dance artists, and was hailed “Hardcore DJ Of the Year” for three consecutive years in 2008, 2009 and 2010. Dougal, on the other hand, has amassed tens of millions of streams across his 30+ year career, with “Taking Down” marking just his latest hit. 

This article was first published on Your EDM. Source: Gammer & Dougal Reunite For Explosive Dancing Dead Single, “Take It Down” 
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Whyte Fang Drops Massive Single “24 HRS”

Alison Wonderland’s Whyte Fang project has been garnering attention from fans all around the world the minute since she announced it, followed by her massively successful debut album GENESIS.
Now, she’s back with a booming new single “24 HRS“, one that is guaranteed to light up any DJ set. Its pulsating energy is elevated by a mantra-style vocal, exploring drum and bass, house, and techno is exciting and intriguing ways.
Check it out below!
This article was first published on Your EDM. Source: Whyte Fang Drops Massive Single “24 HRS”
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Arky Waters Takes Us On A Beautiful Trip To The Underground With “Take My Time”

Arky Waters is an Australian newcomer who is crafting a unique blend of breakbeat electronica with swelling techno influences, which has a sound that can be likened to a mix between Bicep, Overmono and Godford. Just a few months ago Arky Waters treated us to a very impressive debut ep titled “Arky Sucks”, and now he’s back with a mesmerizing new single, “Take My Time.“
The single whisks you on a beautiful trip to the underground, exploring downtempo and break beat influences backed by a vibrant arrangement. Speaking to the single, Arky shares, “This song came about as a sister record to my first EP ‘Arky Sucks’. I hadn’t played live in a while and so everything I was making was a bit more geared towards home listening. I was mostly listening to music on my commutes to work and wasn’t really thinking too much about making music for clubs.”
He also adds – “Winter was approaching so I guess the cold weather also affected the mood of the track. I was heavy into all the UK breakbeat stuff that was popping off, artists like Bicep and Overmono. All that music just makes more sense in colder weather, probably because it’s super cold in the UK and I guess I was a bit closer to feeling the context of where the music was made. The way they used breakbeats was super fascinating to me and I hadn’t really touched breaks until the start of this year. There’s something incredibly human that it adds to electronic music.”
Listen below!
This article was first published on Your EDM. Source: Arky Waters Takes Us On A Beautiful Trip To The Underground With “Take My Time”
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Mojave Grey Releases Infectious Single “Edge of the Night”

Born in Joshua Tree, California, Mojave Grey is a dynamic duo crafting a unique brand of electronica known as “desert dance music,” intertwining Western roots, rock elements, and dance beats. Their work, from the beat of the sunrise to the pulse of the sundown, intoxicates and captivates. Comprised of singer Zander Bleck, known for his collaborations with Avicii and Swedish House Mafia, and Michael Pozzi, formerly associated with HBO, they’ve created a unique sound that’s resonated with fans all around the world.
Now, they’re back with a brand new single “Edge of the Night” – a beautiful representation of these western, desert roots fused with house. It’s a captivating single that is undeniably some of their best work yet.
Check it out below!

This article was first published on Your EDM. Source: Mojave Grey Releases Infectious Single “Edge of the Night”
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Electropop With a Punch: SINES Release their “Real” Debut Album, ‘Gravity’

YEDM has been following SINES, or rather, its producer Jason Wann, since 2021. With a couple of wickedly-produced, synth-forward albums under the SINES name and a cheeky side project called Blood Oyster, it would be hard not to notice the splash Wann’s made in the electronica world, especially with his female-and-human rights focus. With all his work being quite female-focused and SINES always being intended as a duo, Wann considers Gravity to be said duo’s first album. Now that collaborator, vocalist and video director Kitty Richardson is on board as the other end of this SINE-wave, which reaches from Wann’s native Portland to Leeds in northern England, this duo is ready to wave in earnest.
Gravity is a concept album, modeled after the famous novel Flow My Tears, the Policeman Said by Philip K. Dick. The album takes Dick’s story a step farther by dropping the spaceman hero back onto Earth in 2023. The tracks within are meant to be his observations of the current culture, politics and reality itself. If that sounds trippy, wait until you hear the songs and see the videos. Created mostly on Wann’s impressive collection of vintage synths and programmers, the music is produced to hearken back to the golden age of synth pop, and it’s no coincidence that a strong nod to legendary new wave group The Human League can be heard here. The English band’s first demo, “The Taverner Tape,” was also inspired and influenced by Dick’s main character in the iconic novel. Creation begets “Fascination” begets creation, as the sine wave dictates.
One of the many interesting things about Wann and Richardson is that they’ve never met and created Gravity over a 6,000 mile distance via all our lovely modern technology. While Wann was looking for vocalists on the last pseudo-SINES album, A Series of Moments, he came across Richardson on the Vocalizr app. A composer, songwriter and visual artist of some note in her native UK, Richardson seemed to instantly understand the vibe Wann was going for and not only lent her bright, Kate Bush-meets-Sarah Brightman vocals to the single “Something In the Way” but directed the video for it.
Now, with Gravity, these two kindred musical souls are stronger together. They’ve melded their bold, visceral and slightly satirical styles to create an album that’s as multi-layered and charged as it is fun and danceable. They’re working at an alarming rate, as well. Since Gravity released in early September, the pair have been churning out multimedia pieces for each track, including visualizers for nearly all the tracks on the album, as well as two music videos directed by Richardson. Similar to their music, the pair have a lush, vintage-fueled style, borrowing clips from old, spacey movies and splicing them with original art and video. There’s more than meets both the eye and ear here than spacey vibes and Warholian nightmares, however, according to Richardson.
With this new debut, the music world is just beginning to see SINES in its final form, but Gravity is only the ground floor. With loads of creativity and a solid base, now SINES can really move the way they want and it should be a fun, synth-filled ride.
Gravity is out now and can be streamed on Spotify and purchased on Bandcamp. Check out the SINES YouTube for more visualizers and videos.

This article was first published on Your EDM. Source: Electropop With a Punch: SINES Release their “Real” Debut Album, ‘Gravity’
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Matt Barri Offers Stunning Debut EP ‘The Only Way Out Is Up’ + Interview

When we were coming up with the list for our Artists To Watch in 2023, Matt Barri was the first name that we added. Though he didn’t end up as the featured artist for the list this year, his unique sound, landing somewhere between emo, electronic, and euphoria, built up immense anticipation for his newly released debut EP, ‘The Only Way Out Is Up‘.
Barri is a genius with both the pen, the production, and the mic, with an amazing ability to deeply immersed with every word he sings and note he plays. The title track is a perfect example of his wildly creative production capabilities, and the following tune “Everything To Me” keeps you glued to your seat with an ethereal presence- and just when you think it’s over, Barri offer a booming, anthemic climax of synths and vocals.
“You Are Here” indulges rich, bouncy future bass paired with Porter Robinson-esque vocal chops that invoke a sense of bliss and nostalgia. “I’m In Space While You’re Worlds Apart” feels like something Tom Delonge would have brought his Angels & Airwaves project. That pop-punk/electronic vibe is beautifully executed by Barri with thundering drums and a vibrant, unforgettable drop.
“Orbiter” closes out the EP in a futuristic fashion, basking us one last time in his orbit before the song comes to a bittersweet end. It’s safe to say Matt Barri has a bright future ahead and we’re thrilled to be joining along for the ride.
Check out the album below along with our exclusive interview with Matt Barri!
Your debut EP, “The Only Way Out Is Up,” has been released track-by-track over the course of the year. Can you tell us more about the creative process behind this unique release strategy and how it has shaped the reception of your music?
Coming out of the Covid lockdown and shortly after graduating ICON, I produced a bunch of new music.  Some of it was future bass inspired some electro House some was more drum and Bass, as well as a few collaborations with some friends.  We ultimately  released five songs in 2022.  We are getting a lot of great feedback from various people in the industry, and the overwhelming response was if we wanted to break through, we should focus on one genre. 
I had over a dozen songs that were more focused on what I wanted the Matt Barri sound to be.   We made the decision to release two separate Electro Pop EP’s that would feature my topline and vocals. We derived a release plan for the first EP that would start on valentines day releasing the next song every 6 weeks or so. We would see how they would do one at a time and really try to work the releases. The first release “Everything To Me” did so well that we delayed the release of the second track by two months  as not to cannibalize our efforts . We essentially went with this type of release strategy for the whole EP and are now ready to tie a bow around the project, sort of speak by releasing this last track.
I’m excited for people to hear the project as a whole as it tells a the story of my personal journey over the last few years. The responses been overwhelmingly positive. Our plan is to release the second EP the same way we did the first starting at the beginning of next year. Between now and then I have a few other releases,re-mixes and collaborations that will be coming out.
Your musical style combines elements of EDM and emo-inspired top lines and vocals. Can you share more about the evolution of your sound and how it has developed over the years?
I first started making electro house and progressive house. When I started releasing music on Soundcloud, it was mostly future bass and lofi with a little bit of trap mixed in. Then I focused on making melodic dubstep. I was a bit all over the place but I really loved all these genres and what I was making. It was really hard to just work on one style of music. Over quarantine was when I really focused defining the “MATT BARRI” sound. I really put myself out there and started singing on my own tracks and tapping into my rock and electro roots. What evolved was an emo inspired electro pop sound.
“I’m In Space While You’re Worlds Apart” carries a more melancholic and introspective vibe on the EP. What emotions and experiences influenced the creation of this particular track, and how does it fit into the overall narrative of the EP?
It was my songwriting final at ICON during the lockdown, we had classes over zoom.  It was at the same time there were these massive wild fires in Southern California and so everything really did feel apocalyptic. This song was actually originally a ballad with just me singing and a piano. I left a spoken word message to my friends saying goodbye to all of them at once not knowing when I’d ever see them again. There was so much that went into that song. I really loved the melody and how it turned out overall so I built on it and I’m In Space While You’re Worlds Apart was the result. 
As a well-rounded artist who balances skills as a songwriter, producer, and DJ, can you discuss the challenges and rewards of wearing multiple hats in the music industry? How do these different roles influence your creative process?
Normally when I’m writing a song I’m producing it at the same time. It all  comes together at once for me,  I think It’s interesting how in EDM is perceived as a do everything yourself kind of thing. Not Everyone is good at everything. I like writing, producing, mixing, and engineering, I’m just not a great mixer. One of the challenges for me was recognizing and accepting what my strengths and weakness are. It’s more important to be great at one thing than to just be ok at everything. Realizing that I needed help with my mixing also gave me the opportunity to work with my good friend and literal sonic wizard John Buser. He really helped me out with tracking vocals and mixing, He really pushed me in getting the best vocal performances. It turned out great in the end. 
You’ve had the opportunity to DJ internationally and open for artists like Steve Aoki and Lil Jon. How have these live performances and collaborations influenced your music, and what can fans expect from your live shows in the future?
Those were amazing experiences and really helped me mature as a Dj very quickly. I love DJing and put a lot into making my DJ sets impactful and high energy.  When I was growing up I was in many bands and did a lot of musical theater. Performing live is something that I love to do. I just started developing a live set where I’ll be singing live vocals and playing  guitar, bass, maybe some synths here and there. I feel like it’s the best way for my audience to experience my music especially the music from my EP.
Anything else you’d like to share with our readers? 
I am really excited about the future. I have so much new music including a new EP slated for the beginning of the new year. I am focused on my sound but I am also getting the opportunity to cross genres. I got some re-mixes that will be released soon. I am also really excited about a DnB project that I am working on with my good homie Jorlov called Crumb Pit. Our song WGDC is one of the most popular tracks on Space Yacht’s Summer Sampler compilation and we have some heaters to follow up with. Over all I am really pumped about the future. 

This article was first published on Your EDM. Source: Matt Barri Offers Stunning Debut EP ‘The Only Way Out Is Up’ + Interview
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Rello Ranzano: Navigating Musical Echoes and Authenticity in a Global Soundscape

Every artist carries with them a mosaic of influences, a blend of inspirations that ultimately culminate into their unique sound. For Rello Ranzano, this mosaic paints a vivid picture of powerful voices from the past, influences from global icons, and an undying passion for authenticity.
Lil Wayne’s ingenuity, 50 Cent’s poignant tales of the street, and Drake’s emotional candor – these are just a few of the influential forces that have shaped Ranzano’s musical journey. Reflecting on what sparked his passion for music, Ranzano recalls, “Lil Wayne just made music enjoyable and he made being intelligent cool. 50 Cent just spoke about things that were going on around me daily so it felt like he understood us.”
These influences are more than mere names to Ranzano. They represent pivotal moments in his life, guiding lights that have illuminated his path in the world of music. While many are inspired by artists, few internalize this inspiration to the extent that it becomes an integral part of their creative process. Ranzano has managed to do just that.
However, Ranzano’s relationship with music is not just about imitating his inspirations. It’s about innovating and evolving. “My style has evolved a lot from trying to sound cool to actually just being myself,” he explains. This evolution speaks to Ranzano’s commitment to authenticity and his quest to find his unique voice amidst the cacophony of the industry.
A striking element of Ranzano’s musical journey is his songwriting process. Eschewing traditional methods, he relies on intuition and raw emotion. “I don’t write, I just sit there and feel the beat and I allow the beat and my inner feelings to guide me,” he shares. This organic approach, driven by real experiences and emotions, brings an undeniable authenticity to his tracks, setting him apart in a landscape often criticized for its lack of depth.
Ranzano’s work also stands as a testament to the universal nature of music. His belief that his “feelings go well with any culture, the past, present, and the future” emphasizes music’s timeless ability to bridge gaps, transcend cultures, and resonate with audiences from diverse backgrounds.
Despite his clear influences from industry giants, Ranzano’s music is also shaped by a myriad of personal experiences. Growing up in Nassau, Bahamas, he witnessed the interplay of rap, reggae, and dancehall, absorbing the sounds and stories of a place known for its idyllic beauty yet laden with its own complexities. This intersection of personal history with global influences results in a sound that is at once unique yet universally relatable.
For fans and fellow artists alike, Ranzano’s journey offers invaluable insights. It underscores the importance of remaining true to oneself, of taking inspiration but also paving one’s own path, and of understanding that at its core, music is an emotional endeavor.
As Ranzano continues his ascent in the music industry, his commitment to authenticity, his deep reverence for his influences, and his innovative approach to songwriting promise to usher in a sound that’s not just heard but deeply felt. It’s a journey of a young artist from Nassau, echoing global icons, yet fiercely carving a niche of his own.

This article was first published on Your EDM. Source: Rello Ranzano: Navigating Musical Echoes and Authenticity in a Global Soundscape
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Your EDM Premiere: Kaiwei Brings New Innovation to Atmospheric Wave With His Aptly Named ‘Reprocessor’ Album

Taiwanese-Brooklyn transplant Calvin “Kai-Wei” Chang’s debut album Reprocessor is musical, dense and seemingly done-based, causing it to straddle a number of genres from experimental to darkwave to IDM, but that’s not what sets it apart. It’s the fact that it’s made entirely from found sounds, recorded by Chang between 2020 and 2022; no extra sounds or samples have been added. Intended to document the changes in life during COVID, Chang took these sounds and painstakingly reworked, re-engineered and, of course, reprocessed them until they made the visceral, flowing statement piece that is this album. Chang sums it up best himself:
When one really stops to think about the fact that the source material on Reprocessor is the only material, it’s sort of mindboggling, especially from the perspective of an EDM producer; this is how electronic music was originally formed back in the 1940s through the 60s and even up to the 80s. Before we had this massive library of sounds for drums, kicks, snares, pianos and strings to modify for synths, all of those things had to be recoded, pitched, cleaned up, stored and passed on so there could even be synthesizers and programmers. We’re so far modernized now that it’s all taken for granted and the sounds and space have become so clean and accurate that new sounds are created from samples of samples of samples. So what happens when a producer applies all this new tech to the grassroots sound sound loop format? Kaiwei has the answer.
It doesn’t seem Kaiwei’s intention with Reprocessor was to go grassroots in any way, but rather to see what it would sound like to make full compositions out of found recordings using modern gear. One could easily glean that even with modern benefits, it’s a painstaking and tedious process of math, code, and cut/copy/paste to get said compositions lined up, layered and sounding anything like music. The result, however, seems worth the trouble.
With a number of instrumental musicians also contributing sounds to the album, Reprocessor is very much still in the experimental realm of things, and listening to it, one can easily understand how he’s earned a reputation for his compositions accompanying multimedia art instillations and avant garde performing arts pieces. That said, it’s also very much tinged with drone, industrial and even deep house sounds. The musicality of many pieces, such as the title track, “Breakbeat Funky 102” (if you assume there’s anything resembling a conventional breakbeat in this track, you’d be dead wrong) and the “Tors” series might be hard to find on first listen, but keep listening. Through the drone and chaos, almost every part of these tracks it an actually quite delicate piece of symphony-like composition.
Other tracks, such as “Identity” (the only track with a discernable beat), “4u” and the endlessly ambient “Duet” sound more trad musical but that’s only because they’re also quite melodic and have recognizable music sounds. What Reprocessor asks of the listener is to take the album as a whole and connect the dots so the music can be heard in any part of the composition. “Chung Yeung,” a our YEDM premiere today, is the first track on the album and seems to be a preview of this apparent dichotomy, straddling the heavy and the sublime and finding music in both parts.
Named after the famous lunar calendar festival (loosely translated at “Double Ninth Festival” as it takes place on the ninth day of the ninth month), a day of remembrance where the Chinese and Taiwanese people climb mountains to their ancestors’ graves to clean, maintain and leave gifts, “Chung Yeung” sets a somber tone for the album: this is both a remembrance of the struggles of COVID and perhaps those who lost their lives, and a clearing out and “reprocessing” of those ghostly sounds and energies from a period many of us are still trying to process.
The realm of experimental music serves as a leading edge example of what may be possible in commercial music and said commercial musicians look to artists like Kaiwei to push that boundary for them. However in the case of Reprocessor, it seems Kaiwei is also saying it’s important to know ones roots and hone one’s compositional skills as well. COVID showed humanity its own limitations; we’re one solar flare away from losing most if not all of our digital resources, but Kaiwei and others who know how to create music from their own loops would likely be leading the charge in that case. In the meantime, capturing the energy and feeling of such a tumultuous time is also important. If nothing else, Reprocessor shows that creativity will always find a way, and that it will even make new ways for sound and expression with only some found loops, a heap of patience and a need to be heard.
Reprocessor releases on Monday, October 9th and will be available to stream on Spotify (where a few tracks are already available) and can be pre-ordered for purchase on Kaiwei’s Bandcamp page.
This article was first published on Your EDM. Source: Your EDM Premiere: Kaiwei Brings New Innovation to Atmospheric Wave With His Aptly Named ‘Reprocessor’ Album
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