Jump to content

News

Stay in the loop with the latest updates, event announcements, and everything happening in the world of dance music — brought to you by RaveLink. 🤖💜
Show all categories

Sherm & BLUPRNT Team Up For Energy Fueled Tech House Single, ‘Real Life’ via Hood Politics

When it comes to tech house, one of the brightest breakthrough acts is Sherm. Hailing from Chicago, he’s brought a irresistible energy to the house music scene in a way that’s caught on with fans all over the world.
Fresh off of hosting his first panel at ADE along with a massive showcase performance with Hood Politics & Bring The Kingdom, Sherm is back, this time teaming up with close friends BLUPRNT for their single ‘Real Life’. Laced with a groovy bass line, dark melodic undertones, hypnotic vocals and thumping drums, Sherm & BLUEPRNT create an irresistible song that is destined for a bright future.
Listen below!
This article was first published on Your EDM. Source: Sherm & BLUPRNT Team Up For Energy Fueled Tech House Single, ‘Real Life’ via Hood Politics
Ravebot
Ravebot

Lost Prince Drops Thumping Melodic House Single ‘Ipnosia’ From Upcoming EP

Lost Prince is a visionary artist reshaping electronic music with a theatrical flair. His mesmerizing sounds have caught the attention of Swedish House Mafia’s Axwell, leading to numerous releases on the Axtone Records label. Axwell even co-wrote the Lost Prince hit, ‘Always On My Mind’. Lost Prince’s style, a mix of hypnotic melodies and influences from the jackin’ house scene of Chicago and New York has garnered an official remix on Anjunadeep and support from top-tier artists.
Now, Lost Prince is back, gifting us with a beautiful new single ‘Ipnosia’ off his forthcoming EP ‘Exile’. It’s a mesmerizing sonic experience, led by hypnotic drum grooves, driving synth melodies, and a suspenseful aura that envelopes you immediately.
Anticipation is brimming for his upcoming EP but for now, enjoy ‘Ipnosia’ below!
This article was first published on Your EDM. Source: Lost Prince Drops Thumping Melodic House Single ‘Ipnosia’ From Upcoming EP
Ravebot
Ravebot

F.O.O.L. Unleashes Impressive Debut Album ‘MACHINE’ via Monstercat Uncaged

Sporting his iconic mask, F.O.O.L. is the perfect representation of the future, inviting us into his own neon fueled cyberpunk-esque world, where a fusion of bass and cinematic soundscapes reign supreme. We recently shared the single ‘Encounter‘ from our favorite cyberpunk hero F.O.O.L., and now we’re thrilled to share that he’s unleashed his debut album ‘Machine’ via Monstercat Uncaged.
This album from start to finish is a testament to just how talented he is no matter the genre he finds himself in. Songs like The Law” with PYLOT, features a crossover of opera samples paired seamlessly with a mesmerizing retrowave backing, while “Motor” with THIRST, comes thundering through with his electrifying take on phonk.
“Duality” offers hard hitting drums amidst a sonic battle of good vs evil, while “Valhalla” whisks the listener away into the cinematic real reminiscent of movies such as Drive, concluding with an epic drum and bass drop of epic proportions. F.O.O.L closes out the album with a brilliant song titled “Origin”, merging his roots with intoxicating rhythms, blissful synth chords, electric guitar, ethereal vocal echoes.
F.O.O.L has accumulated a substantial following in the gaming community. He has had multiple placements on Rocket League, such as “INERTIA” and his remix of “Horsepower” with TOKYO ROSE. MACHINE will be one of Rocket League’s biggest features yet, with “Duality” being the lead theme of Season 9 and five songs landing on the brand-new Season 13. Additionally, “Valhalla”, “The Law”, and “Tension” can be heard on past seasons.
Listen below!
This article was first published on Your EDM. Source: F.O.O.L. Unleashes Impressive Debut Album ‘MACHINE’ via Monstercat Uncaged
Ravebot
Ravebot

Your EDM Premiere: Billain Offers a Different Perspective With ‘Different Eyes’ [Vision]

By now, everyone in both the D&B and bass worlds knows that when Billain is about to drop a new release, it’s going to be a game-changer. Now with his last releases being in February, the scene is more than ready for a new joint from the Bosnia-based mega-producer. Or so they think. Different Eyes, the upcoming EP due out this Friday, November 17 on Vision, is once again going to lock Billain into the pinnacle of creativity in bass music.
Having already teased the title track two weeks ago, fans might assume Different Eyes will be another atmospheric concept EP, similar to 2022’s Lands Unbreached or 2019’s Nomad’s Revenge. Being that Billain has been so focused on film production with his multi-award winning short Fugitive and scoring said film as well as new A/V projects, it wouldn’t be too farfetched of an assumption. It would, however, be wrong. The fast, aggressive, yet painfully emotive D&B styles that caused both industry and fans to become infatuated with the dizzying levels of production this artist can attain is on Different Eyes in full force.
While almost every track on this EP can easily unalive any dancefloor, it’s important to note that Different Eyes is still a concept album and a journey, and it should be listened to as such at least once. It starts with the atmospheric, largely beatless wonder of an intro track, “It’s First Dream.” This lullaby brings the listener back into a world that only Billain fully knows: one of heavy atmos, cyberpunk dreamscapes and endless lands made of sound and code. It’s actually kind of him to lull the listener into this state, because the next tracks hit so damned hard, we nee a buffer.
What follows in the next five tracks is a sequence of ever faster and crunchier bass hurricanes, reflecting chaos and anger and tightly-reigned skill all at once. Our YEDM premiere is the second track, “Baka,” which presumably taken from the anime slang for “crazy” or “foolish,” and it certainly has the wild chaos of an anime fight scene. Easily the heaviest and most chaotic track on the EP, “Baka” drops the listener into the narrative of Different Eyes like a 3-meter vert ramp and doesn’t let go until it’s damn well ready. As intense and chaotic as it sounds, “Baka” was likely the most tightly produced track on the album, simply by virtue of how chaotic it is. It’s always the maddest syncopation that takes the most programming, and it might also be a little nod to jazz fusion. Only the best DJs will be able to mix this track, and it’s likely that’s the way Billain wanted it.
Going through the journey of the rest of the EP with “Kinetic,” “Uncanny Valley,” “FUCK Y00” and “Void Me,” the intensity and speed of the work only increases, but unlike “Baka,” they all have a trackable drum & bass beat. The EP ends up feeling like exploring a wild new planet in some futuristic inner space hellscape, from the prep of “Different Eyes” to the bumpy, aggressive culture shock of “Baka” to finding one’s stride in the “Uncanny Valley” to being over it already with “FUCK Y00” to the last ride of the ego-destroying ride of “Void Me.” “Different Eyes” is the victory lap, a reward for beating the game and making it through this fever dream of an EP.
As a psycho-thriller in sonic form, Different Eyes is a reflection of doing hard inner work. It’s chaos and anger and confusion and a hurricane of emotions, but the title track is the goal: meant to be the new perspective once one has let all that beautiful pain go. Whether you are working on something personally or just unthinkingly follow the arc of this EP, you will come to the end of this masterpiece seeing the world with “Different Eyes.”
Different Eyes drops tomorrow, November 17 on Vision. Click here to pre-order or pre-save.
–

This article was first published on Your EDM. Source: Your EDM Premiere: Billain Offers a Different Perspective With ‘Different Eyes’ [Vision]
Ravebot
Ravebot

barnacle boi Releases Thumping ‘Introspect’ EP

Ian Oliver, known as barnacle boi, has not only carved a niche for himself at prominent music festivals this year, like Imagine Fest, Wakaan Fest, Elements Fest, and Sound Haven, but also made a notable double appearance at Red Rocks in late 2022. Revered for his deeply emotional, bass-centric, and evocative trap compositions, as well as for his collaborations with icons such as Bones (TeamSESH), Holly Stell, and Madi Larson, barnacle boi’s star is on the rise. Bolstered by support from huge names like Alice Glass and Finn Wolfhard of “Stranger Things”, he draws from the nostalgic chords of 90’s/2000’s anthems, infusing them with his groundbreaking innovations.
Now, he’s back with his highly anticipated ‘Introspect’ EP – making his label debut on Vibe Digital. The result is truly spectacular, as barnacle boi creates a thrilling ride from start to finish on this six track EP. The title track sets the tone, making a thunderous entrance while the subsequent song “Love Hotel” ushers in a more contemplative, downtempo element beautifully executed.
“In The Dark” encompasses notes of festival trap mixed seamlessly with cinematic textures while “U Were Everything 2 Me” takes us even further down the rabbit hole into the sonic bliss curated by barnacle boi. “Stubborn” offers a mesmerizing vibe while “Sorry” caps off the EP with a darker, UK garage sound that yet again shows just how sonically eclectic barnacle boi is.
Listen below!

This article was first published on Your EDM. Source: barnacle boi Releases Thumping ‘Introspect’ EP
Ravebot
Ravebot

Ren Zukii Drops Thunderous Single “10 Hour Shower” via Liquid Stranger’s Wakaan’s Imprint

Ren Zukii is the moniker of 26 year old West Australian experimental bass music producer Rene Snow – who’s truly carving her own lane in this scene. Her music fits somewhere in between chaotic and emotionally impactful, with unhinged creativity guiding her ever step of the way.
Now, she’s back with a new single “10 Hour Shower” via Liquid Stranger’s Wakaan imprint and the single lives up to the hype. Packed with thunderous bass chords and an electrifying arrangement, Zukii turns this into a colossal main stage banger.
“I wrote this track in a tropical thunderstorm in Sumatra, Indonesia. It rained for 10 hours straight while I was there on a surfing trip, so that’s where the title of the track comes from. I was feeling super inspired to write music while in Indonesia, as I used to live there when I was 16, teaching English in a local village.” – Ren Zukii

Listen below!
This article was first published on Your EDM. Source: Ren Zukii Drops Thunderous Single “10 Hour Shower” via Liquid Stranger’s Wakaan’s Imprint
Ravebot
Ravebot

Beaty and Beats for Love: Meet the DJ Who’s All Things Rave in Czechia and Slovakia

Most American ravers know very little about the scene in the former Eastern Bloc, aside perhaps from Berghain and the festivals in Croatia. Drum & bass denizens would likely know about Let It Roll out of Prague and maybe that Czechia is a hub of modern neurofunk, but may not know how big the scene actually is in Czechia and Slovakia. In fact, it’s quite widespread, with the popular imagination festival, loads of clubs and some of the most popular producers coming out of everywhere from Dresden to Russia. Beats for Love, a festival based in Ostrava, Czechia on the Polish border, seems to have been one of the most overlooked by North American punters while simultaneously becoming one of the biggest festivals on the planet. It’s time said punters take notice.
With festival fans beginning work on planning their summers around now, it’s a good time to look up Beats for Love. Conceived in 2014 by festival director Kamil Rudolf as a way to bring big rave names to Central Europe for reasonable prices, B4L’s tenth anniversary is set for early July, 2024. It’s a full week-long festival set in an old ironworks with cool, dystopian vibes, in an urban and easily accessible area and features huge lineups, with 2023’s festival hosting nearly 500 artists. B4L makes sure they cover all genres as well, featuring everyone from Deadmau5 and Tiësto to A.M.C and the Eatbrain League. There are also conference-style forums during the week, daytime carnival activities and a fireworks display at the end that rivals EDC. It’s no wonder it’s now the biggest festival in Central Europe, with nearly a quarter of a million visitors at the 2023 fest.
With her career born out of the burgeoning Czech and Slovak rave scenes of the late 90s and early 00s, DJ Beaty has become a fan favorite both in her hometown of Ostrava and throughout Europe. Her high-energy house, techno and drum & bass sets are usually a mustn’t miss for those in the know, and she dances just as hard as anyone on the floor. Now working on her all-female event series Proppa Rave with childhood bestie and Dnbwear bosslady Mila207, Beaty’s also the boots-on-the-ground coordinator and marketing manager for Beats for Love. Getting to know her and her positive vibes is also getting to know B4L, so with the 2024 season approaching, YEDM decided to chat with beaty and get to know them both.
How did you get involved with music?
For the Americans who are just now hearing about it, can you give us a little history on Beats for Love?
Beats for Love is an electronic dance music festival held at the heart of the Industrial National Monument in Ostrava (an actual UNESCO World Heritage Site). It’s surrounded by the ironworks scenery of the Lower Vítkovice area, so it’s got a very different vibe. This year we will celebrate the tenth anniversary of the festival and because we’re so well-established now, we’ve been able to fill it with plenty of outstanding music on 15+ stages headlining by the biggest names all over the world, not to mention a rich accompanying program and loads of other activities (including fun for kids during the day) for four days. This creates a really unique atmosphere full of fun and enjoyment!
What was the idea behind the festival and how have you seen it grow or change over the years?
The original idea was to organize an event in an industrial space and the original idea was to show electronic music to as many people as possible, which for us meant “a lot of music for little money.” Of course, over time, the festival got bigger, and with that bigger names are added, and with that came an increase in prices, but we are still one of the cheapest festivals year in and year out in terms of the price/performance ratio so we feel our original mission still stands.
How have you been able to get such huge talent to come to the festival each year?
We’re a team here at B4L so I think the best person to answer this is George Ramík, our festival booking manager:
The festival is expanding year by year, not only in terms of production but also the composition of the program. Every year we manage to book a better lineup and this is also connected with the fact that the festival wants to grow.  In order for the festival to be better, we need to put more resources into the line-up and we strive to bring people a better program every year. 
I think the reason why big headliners like to come back to us and want to play here is the unique environment of the old factory, which is not found anywhere else in the world. The main reason, in my opinion, is because of our artist care. We go above and beyond with high-quality artist care and first-class facilities for the whole week. Agents and managers visit our festival to see what Beats for Love is all about and they received first-class service too, which they greatly appreciate. I also think it’s our curated image. Our festival has a face and we keep our relationships strong. Artists and their agents already know us from the communication before the festival and these are the same people they will meet at the venue. We are not just a company, but a team and a family.  The same people have been working together on this festival for a long time, so the artists know exactly who they are and they know they can always count on us to take care of them and present a great festival.
Beaty @ B4L 2023, filmed by DnBPortal For you personally, how does the festival tie in with your own music career?
For me this event is always the highlight of the year, not only because I work on it the whole year but it is one of the biggest crowds I get to play to. It also helps that it is in my hood, I get to meet all my DJ, producer and industry friends in one place and I don’t even have to travel! I feel so happy to be involved with one of the most important rave events of the year. 
Where would you like to see the festival go in the future?*
*I asked our head of marketing, Mathiass O´Zana, to weigh in on this one:
Our goal is to be at the level of such giants as Tomorrowland or Glastonbury, which are known all over the world. In the meantime, the most important thing for us is that the festival still has so many great and satisfied fans, because it is not possible without them and mainly we are doing it for them! 
How has it been trying to manage the festival as well as doing your own gigs?
I´m working for Beats for Love as a marketing manager so during the week I’m going to work normally and during the weekends I’m doing shows. Sometimes it is challenging to be at “work” all the time, but when it is your passion and you love what you do, it just doesn’t feel like you are at work.
What is your favorite part of touring and playing so many gigs?
I love to visit new places and meet new people. I’m doing one or two gigs during the week so it’s quite tiring sometimes with the distances to venues are very long. After a weekend full of gigs I’m really tired but as I said, I love what I do so it also gives me a lot of energy. 
What’s your goal as a musician?
At the moment it’s to continue what I’m doing and try to do my best as a DJ. My goal this year is to take my DJ skills to the next level, which will liven up my performance so mainly I’m focusing on DJing right now. Also I would like to start my own production but at the moment I’m fully busy with my family, job and projects so at the moment I’ve got a pretty full plate. 
Any upcoming projects for you or teasers for next year’s B4L?
This year Beats for Love will celebrate our tenth anniversary, so the preparations are in full swing. We have so many upgrades to the different areas and visuals to ensure the best possible music experience for our #peopleoflove! Last year at the festival we started with the new project “Talking Beats” which is a conference and a meeting of the organizational team with the people at the festival, which was a great success. This year we would like to increase it, extend it to more days, invite interesting guests again and discuss topics related to electronic music, mental health and other interesting topics that are connected to music and the festival in general.
There are loads more Beaty sets available on her YouTube channel. Click here to learn more about the 2024 Beats for Love fest, updates on the lineup and tickets, which are already on sale.
This article was first published on Your EDM. Source: Beaty and Beats for Love: Meet the DJ Who’s All Things Rave in Czechia and Slovakia
Ravebot
Ravebot

Coming soon: Ableton Live 12

Ableton has announced the upcoming release of Live 12, a major update designed to spark musical creativity – introducing playful MIDI tools for generating unexpected ideas, new devices and sounds with surprising capabilities, and improvements that let you work more intuitively.
Live 12 will be released in early 2024, and will soon go into public beta. Ableton is now offering a 20% discount on all new Live 11 licenses, as well as upgrades from previous versions. Users can then upgrade to Live 12 for free when it’s released. Find the details in the Ableton shop. From now until November 30, Ableton is offering 20% off Push 3 standalone. 
What’s coming in Live 12
MIDI Transformations and Generators – Create a variety of simple or complex variations to your MIDI clips. Add ornaments, connect successive notes and chords, simulate guitar strums, or pick from a set of generative algorithms to conjure up melodies, rhythms and chords that follow constraints you define.
MIDI Editor improvements – Rearrange the order of a selection of notes by pitch, velocity or duration. Stretch, split, chop or join notes in new ways; shape the velocity of notes more easily; transpose them into a scale; or add intervals chromatically or in key.
Keys and Scales – Choose a key in Live’s Control Bar to see its notes in any clip you create. Then edit clips using scale highlighting as a guide, use the clip scale to transform and generate musical ideas, or sync the scale of MIDI devices and instruments to the clip being played.
Tuning Systems – Work in tunings outside the 12-tone equal temperament system, and access them with Live’s devices as well as any MPE-capable plugin.
Meld – A bi-timbral, MPE-capable instrument designed for deep sound-shaping that generates a wide array of textural and experimental sounds with two easy-to-use macro oscillators.
Roar – Create everything from subtle and precise mastering-grade warmth to wild and unpredictable sound degradation with Live’s new colouring and saturation effect. Roar’s three saturation stages can be used in series, parallel, or even in mid/side and multiband configurations – and it comes equipped with an extensive modulation matrix.
Granulator III – The latest iteration of Robert Henke’s granular instrument now has MPE capability, giving you expressive control over parameters like note bend, vibrato and glissando. Plus, you can now capture audio in real-time and start manipulating it immediately.
New Packs – Find new tricks for performing on the fly with the four Max for Live devices of Performance Pack. And explore unlikely instruments and unique foley recordings with the Lost and Found collection.
Stacked Detail Views – Get an overview of everything a track is doing at a glance: see your devices and the Clip Editor at the same time, as well as automation and device parameters, so you can focus on the track you’re working on without repeatedly switching between views.
View styling – Stay in the flow with Live 12’s cleaner, more modern look that removes visual complexity and keeps the focus on your music.
Mixer improvements – Live’s Mixer, previously available only in Session View, can now be used in Arrangement View. It also comes with improvements that make it more accurate for detailed mixing decisions, and easier to read and control.
Browser tagging – Use the included tags or custom ones to search for sounds without the constraints of the browser’s built-in categories.
Sound Similarity Search – Start with a sample and tell Live’s browser to find comparable sounds and instrument presets related to timbre.
Accessibility and navigation improvements – Control core workflows in Live 12 using assistive technologies like screen readers, and use new keyboard shortcuts to navigate to nearly every part of Live.
Ableton Live 12 will be available in early 2024.
A discount offer is running from now until the release of Live 12. During the promotion, all new Live 11 editions are 20% off. The purchase of any new Live 11 edition automatically entitles customers to a free upgrade to its corresponding Live 12 edition upon release. Ableton Live 12 will be available for purchase from Ableton.com and, in some countries, through local retailers.
Ableton Live 12 will cost 79 EUR / 99 USD for Live Intro, 279 EUR / 439 USD for Live Standard and 599 EUR / 749 USD for Live Suite.
Existing Ableton Live owners should log in to their accounts to check upgrade pricing
The post Coming soon: Ableton Live 12 appeared first on Decoded Magazine.
Ravebot
Ravebot

Jauz Drops Incredible Remix of deadmau5 Classic “Ghosts ‘n’ Stuff”

There’s no question that deadmau5 is one of the most influential artists in dance music over the past 20 years. If you’re like me, a song like “Ghosts ‘n’ Stuff” is one of the touchstones of electronic dance music. Despite being almost a decade old, “Ghosts ‘n’ Stuff” is still one of the most recognizable and iconic songs in the genre. Despite the prevalence of the original track, it only got a couple of marginal remixes. Now, 15 years later, the track gets perhaps its finest remix to date, courtesy of Jauz.
Jauz’s remix maintains the opening synth line and melody. He also retains Rob Swire’s classic vocal topline. However, Jauz’s version turns the synth melody into strings to give it a more dramatic feel. Jauz throws in a wicked synth loop before the drop incorporates the original vocal and synth melody. Jauz manages to take a classic EDM tune and spin it into a modern powerhouse.
“Making a remix for a song as revered and respected as ‘Ghosts n’ Stuff’ is honestly almost an impossible task,” says Jauz. “It was intimidating and humbling, to say the least. But it was also a great exercise to remind myself how to stop putting pressure and expectation on myself, and just make whatever comes out naturally. I made eight different versions of this remix and this is the only one that really felt like ‘me.’ Thanks to Joel and the team for letting me remix one of the greatest electronic records of all time.  It was an honor and such a cool experience” 
Check out the official Jauz remix of deadmau5 & Rob Swire’s classic “Ghosts ‘n’ Stuff’ out now on mau5trap.
This article was first published on Your EDM. Source: Jauz Drops Incredible Remix of deadmau5 Classic “Ghosts ‘n’ Stuff”
Ravebot
Ravebot

Hardwell & AFROJACK Team Up For Massive New Collab “Push It”

It’s been a great week for collabs between legendary Dutch producers. Hardwell and AFROJACK just dropped their third official collab, “Push It” featuring MERYLL. The duo debuted the track during Hardwell’s Tomorrowland set earlier this summer and it sure seems like it’s going to become a staple in both DJs’ sets.
“Push It” is keeping with all of Hardwell’s previous recent releases, advancing his big room techno sound. The track opens with a psy-trance beat layered over the vocal “Push it, pull it, twist, I’ve got it.” After that it goes to a windy synth breakdown that is trademark AFROJACK. The synth lead starts mixing with the percussion before going into another massive drop combining the bassline and synth melody.
“I’m excited to finally be releasing another song with Hardwell after all these years.” AFROJACK says. “The people loved it at Tomorrowland and I’m happy for people around the world to be able to hear it now.”
“I’m excited we’re finally dropping this collaboration; it’s been a long time in the making.” Hardwell adds. “For years, AFROJACK and I kept bumping into each other and talking up the idea of getting back in the studio together, so I’m glad that time has now arrived and this new collab is getting its release date. We first premiered it at Tomorrowland in the summer, and I recently aired it on my relaunched radio show, Hardwell On Air; now I’m looking forward to including it in my sets in the coming years.”
Check out the latest from Hardwell x AFROJACK “Push It” featuring MERYLL, out now on Revealed.
This article was first published on Your EDM. Source: Hardwell & AFROJACK Team Up For Massive New Collab “Push It”
Ravebot
Ravebot

Tiësto & R3HAB Join Forces For Massive Festival Anthem “Run Free (Countdown)”

Tiësto and R3HAB, two of the Netherlands’ biggest stars, have finally come together for their first official collab, “Run Free (Countdown)”. Tiësto has been using this track as the opener in his sets for months, including at EDC Las Vegas and Tomorrowland. While the two artists have previously remixed each other, this is the first proper collab between the two Dutch legends.
The track opens with some blocky synths fading up into the foreground along a siren and the instantly recognizable countdown from 10. Are you ready!!??? The synths and the beat take over, again, if you’ve seen either of these artists over the past six months, you’ll definitely recognize this tune. It all repeats again for a second, even heavier drop. It certainly feels like the bassline rolls even thicker the second time around.
“R3HAB and I have been waiting eagerly to share ‘Run Free (Countdown).’” Tiësto says. “We’ve seen the energy it ignites in our live sets all summer, and now, we’re thrilled to finally share it with the world. This track encapsulates freedom and boundless energy, a true anthem for Mainstage lovers.”
“Tiësto defines the global club culture, and I’m excited to finally join forces.” R3HAB adds. “I shared the idea of ‘Run Free (Countdown)’ with him early this year, and he loved it. We’ve played it over 50 times on iconic stages, including Tomorrowland, Ultra, EDC, and Creamfields, honing the production to its final form. The countdown call-to-action and drop energy combo is special. This is my biggest 2023 club record, and fans have been going wild. I’m hyped to finally share it with the world.” – R3HAB
Check out the latest from Tiësto x R3HAB “Run Free (Countdown)” out now on Musical Freedom.
This article was first published on Your EDM. Source: Tiësto & R3HAB Join Forces For Massive Festival Anthem “Run Free (Countdown)”
Ravebot
Ravebot

Camelphat announce North American tour supporting their album “Spiritual Milk”

In a thrilling development for electronic music fans, the ground-breaking, multi-platinum, Grammy-nominated DJ and production duo CAMELPHAT have announced a limited-engagement North American tour. This announcement follows the successful release of their highly-anticipated second album, ‘Spiritual Milk’, marking a new chapter in their illustrious career.
CAMELPHAT, known for their dynamic and immersive electronic beats, have already made a significant impact in 2023. They’ve captivated audiences at some of the biggest music festivals around the globe, including Coachella, Ultra Music Festival Miami, and a notable performance at LA’s Pershing Square. Their reputation as one of the most in-demand electronic music acts in the world is well-earned, and this tour is set to further cement their status in the music industry.
CAMELPHAT ON TOUR:
Feb 9 – Great Hall, New York 
Feb 16 – Echostage, Washington DC
Feb 17 – History, Toronto 
Mar 1 Radius, Chicago 
Mar 2  Fillmore, Denver 
The upcoming tour is not just a series of concerts; it’s an entirely new experience for fans. CAMELPHAT is set to debut a special, never-before-seen visual show that encapsulates the music and spirit of ‘Spiritual Milk’. This album has been a significant milestone for the duo, featuring high-profile collaborations with an array of talented artists such as London Grammar, SOHN, Shimza, Mathame, Kolsch, Anyma, RHODES, Jake Bugg, and Desire. These collaborations have brought a fresh and diverse sound to the album, showcasing CAMELPHAT’s ability to blend different musical styles seamlessly.
This article was first published on Your EDM. Source: Camelphat announce North American tour supporting their album “Spiritual Milk”
Ravebot
Ravebot

Lost Frequencies Prepares A Grand Finale to The Year with ‘All Stand Together’ LP

As the year draws to a close, Belgian sensation Lost Frequencies, renowned for his unique blend as a producer, DJ, and live performer, is gearing up for a spectacular finale. November 10th marks a significant date in the music industry as Lost Frequencies announces the release of his third artist album, ‘All Stand Together’.
Lost Frequencies, a name that has become synonymous with musical innovation, has experienced a monumental year. His journey over the past several years has been nothing short of extraordinary, culminating in sold-out arenas on his Lost Frequencies Live tour. His presence has graced every major festival stage, from the electrifying crowds of Tomorrowland to the vibrant scenes of Lollapalooza and Creamfields. Adding to his accolades, he has also been nominated for a Brit Award for ‘Best International Song’. Yet, with the upcoming release of ‘All Stand Together’, it seems the best is still to come.
‘All Stand Together’ is more than just an album; it’s a musical odyssey. Lost Frequencies collaborates with a mix of familiar and fresh talents, taking listeners on a journey that melds feel-good electronics with pop joy. The album features 11 sensational tracks, including the international hit ‘Where Are You Now’ with Calum Scott, the recent solo release ‘The Feeling’, and a title track destined to captivate audiences. Collaborations with artists like Netsky, James Arthur, and Tom Gregory further enrich the album, showcasing the diverse musical landscape that Lost Frequencies navigates with ease.
This album is a testament to Lost Frequencies’ musical evolution. It traverses various genres, from uplifting house and tropical vibes to folk influences, acoustic instrumentals, and deep vocal performances, culminating in dancefloor-ready anthems. ‘All Stand Together’ is poised to be Lost Frequencies’ most signature artist album to date, marking a pivotal point in his career.
This article was first published on Your EDM. Source: Lost Frequencies Prepares A Grand Finale to The Year with ‘All Stand Together’ LP
Ravebot
Ravebot

DJ Flex Drops New Infectious Single, ‘Odo’

Straight out Newark NJ, with roots in Ghana, DJ Flex (Felix Erwiah) returns with a delectable slice of melodic feelgood Afropop. A playful, sweetly romantic and universally appealing song inspired by Flex’s African heritage, ‘Odo’ (slang for Odoyewu, from the West African Twi dialect) encapsulates the Ghanaian concept of love for life in all its varieties. 
One of the hottest producer/artists on the scene today, DJ Flex has crossed many genres and collaborated with such luminaries as Megan The Stallion, Shenseea, Mya, Nija and Nigerian superstar Minz. He has garnered huge Spotify editorial playlisting (resulting in over 30 million streams), performed a Boiler Room set and been featured on BBC Radio and OVO Sound Radio. His unique background has fostered a globe-trotting sound that incorporates elements of Afrobeats, Jersey Club and Baile Funk. Now signed to Virgin Music Distribution / Ingrooves, ‘Odo’ is the first track off of an album project out 2024.
Growing up in working class Newark, DJ Flex was introduced to dance music and club life by his father, who, in addition to working two jobs as a cab driver and Fedex employee, also made some extra cash as a videographer for big weekend gatherings among the Ghanaian diasporic community. As a small boy, the wide-eyed DJ Flex was able to experience the rhythm of these parties firsthand. Fascinated by the DJ’s ability to take the crowd on a journey through the night, Flex started tinkering with rudimentary equipment on his own as a teenager, eventually getting paid gigs throughout the Northeast, and as far-flung as Atlanta and Germany, all the while going to college and working odd jobs to get by. 
Life became more difficult when his father succumbed to a stroke and DJ Flex had to stay home and care for him, all the while completing his degree and hustling to earn as much as could with his (now viral) productions and DJ gigs. After his father died in the Covid epidemic in 2020, DJ Flex decided to fully embrace music as his career and destiny, inspired by the struggles and sacrifices that his father made to raise little Felix into DJ Flex.
About ‘Odo’, DJ Flex says ‘When I am creating, I love the feeling of merging different cultures and allowing the sound of the song to speak with people on a deeper connection. My goal when I was creating this song was to bring elevation to the current sound of afrobeats and adding a message everyone in the world can relate to, which is love.’
This article was first published on Your EDM. Source: DJ Flex Drops New Infectious Single, ‘Odo’
Ravebot
Ravebot

Biometrix & Nat James Unleash Fiery Collab ‘Heavy Artillery’ via Position Music

Hailing from the realm of dubstep, Biometrix’s genre-blending incorporations have catapulted him to international acclaim, shairng stages with icons such as Chase and Status and Zomboy, drawing support from renowned platforms like BBC Radio 1, while boasting an astounding 300 million streams globally.
On the other side of this dynamic duo is Cambridge’s own Nat James, a high-octane EDM vocalist who has been nominated for Best EDM Artist by the TMMP Awards for two consecutive years (2022 & 2023). Not only has James played monumental events like EDC and Tomorrowland, but he’s also become a staple voice in colossal sets where the worlds of Rap & EDM intersect. Having collaborated with industry heavyweights such as Riot Ten, Whales & Jaenga.
Now, these two are back, unleashing a fiery collab upon us titled “Heavy Artillery” via Position Music. It’s a thunderous blend of cinematic synths, ground shaking bass, and vocals that seem to inject pure energy into your veins. Each drop finds a way to infuse even more explosivness into this song that you’d expect, making it another club and festival weapon for all bass DJs.

Listen below!

This article was first published on Your EDM. Source: Biometrix & Nat James Unleash Fiery Collab ‘Heavy Artillery’ via Position Music
Ravebot
Ravebot

Nate Mars Releases Mesmerizing Liquid Dnb EP ‘In Time’

Nate Mars’ is an artist who’s consistently found a way to stand out, partly out of his love for the good ol fashioned analog gear. His music carries the unmistakable pulse of the TB-303 masterfully intertwined with a rich assembly of analog hardware, looped vocals, and an ever-present dark pop sensibility.
We’re thrilled to see that his highly anticipated In Time EP is finally out, infusing inspirations from greats like Moby, The Prodigy, Omni Trio, DJ Krust and 4am Kru into one cohesive listening experience. Sounds reminiscent of 90s rave scene weave throughout yet Mars puts an innovative and fresh take on it all, commanding our attention the whole way through.
Nate Mars pushes his musical boundaries, incorporating song-like structures and laying down his own heartfelt vocals and evocative lyrics in tracks like title track “In Time”, “Starting Over” and “Collect Call From”. These tracks illuminate Mars’s versatility, echoing his deep-rooted love for music and his evolution as an artist.
Listen below!
This article was first published on Your EDM. Source: Nate Mars Releases Mesmerizing Liquid Dnb EP ‘In Time’
Ravebot
Ravebot

Coco & Breezy announce their latest single, “There Is A Light,” featuring Zak Leever, off their forthcoming EP “I Am Free.”

Coco & Breezy’s global rise these last few years in the electronic dance music space has been exponential. This last year alone, Coco & Breezy graced DJ MAG’s July 2023 cover; they were included in Beatport’s Next Class of 2023 and were included in Spotify’s Artist to Watch 2023 playlist.
Touring the world playing top nightclubs from Ibiza to Tulum, major festivals – and playing alongside major artists MK, Diplo, Fatboy Slim, Gorgon City, A-Trak, Sofi Tukker, Chromeo, Thundercat, Chanel Tres, Blessed Madonna, and more!
Their chart-topping releases “Just Say” and “Off My Mind” have received international radio support on BBC Radio 1 in the UK and Triple J in Australia and have left an indelible mark on the US Billboard Airplay Dance Chart, as well as racking up millions of streams on all DSPs.
“There is a Light” was born from the desire to create a musical embrace for those in need of solace and upliftment.  Coco & Breezy and Zak Leever take us on a sonic journey, from moments of introspection to the exhilaration of the dance floor. The lyrics resonate with the idea that even in our darkest hours, there is a light within us waiting to be ignited. It’s a reminder that hope and healing are always within reach. In Coco & Breezy’s own words, it’s a testament to our way of life – one that values the transformative power of music.
This article was first published on Your EDM. Source: Coco & Breezy announce their latest single, “There Is A Light,” featuring Zak Leever, off their forthcoming EP “I Am Free.”
Ravebot
Ravebot

Gearjunkies video – The Erica Synths Syntrx II in 23 Minutes

The Erica Synths Syntrx II, a monophonic analog synthesizer, stays true to its modular design, drawing inspiration from the 1970s
The post Gearjunkies video – The Erica Synths Syntrx II in 23 Minutes appeared first on Gearjunkies - Music tech news, Reviews, Videos, Synthesizers, Studio, Recording.
View the full article
Ravebot
Ravebot

KRK releases CLASSIC 5 Monitor pack, all-in-one package

Looking for new studio monitors? the KRK CLASSIC 5 Studio Monitors have become an industry staple for budding producers and seasoned mix engineers. Now, it’s even easier for users to get their hands on a CLASSIC with the introduction of the all-new KRK CLASSIC 5 Monitor Pack: a comprehensive package featuring a pair of KRK Classic 5 monitors, two XLR cables, and two wedge isolation pads for just $299. Available online at krkmusic.com and through select dealers, the CLASSIC 5 Monitor Pack provides tried, true, and reliable KRK sound in a hassle-free ensemble.
“As a long-trusted audio solution within the industry, we’re excited for the CLASSIC 5 monitors to be more accessible than ever,” says Sterling Doak, Senior Director of Marketing, Gibson Brands. “We’re always looking to raise the bar on value, and the CLASSIC 5 pack does just that—producers can now find everything they need for their speaker setup in one place without the need for multiple purchases. Whether you’re saving up to build out your home studio or looking for the best value when adding monitors to your existing studio, the CLASSIC 5 bundle will fit all your needs.”
A staple among hip-hop, R&B, and pop producers, the CLASSIC 5 defaults to a flat frequency solution for critical listening and more accurate mixes. An optional +2 dB KRK Bass Boost also provides the enhanced bass response and sound that music creators around the world have loved for years.
Additionally, the CLASSIC 5 monitors offer Volume, HF, and LF level adjustments to tailor the monitors to any acoustic environment and fine-tune the monitoring level. Class AB amplification with region-specific linear power supplies produces 50 watts of power, with a 30-watt amp driving the woven glass fibre woofer and a 20-watt amp for the soft dome textile tweeter.
Beyond the esteemed CLASSIC 5 Studio Monitors, the CLASSIC 5 Monitor Pack also includes additional accessories to complete your speaker setup. Get mixing right away with the two 10-foot XLR cables, which allow you to connect the monitors to most audio interfaces and mixing consoles, while a pair of acoustic foam wedge isolation pads allow for improved clarity while providing a protective barrier to the workspace surface.
The KRK CLASSIC 5 are part of the KRK CLASSIC Series, which was inspired by the brand’s popular ROKIT line. Included in the series are the seven-inch CLASSIC 7 and eight-inch CLASSIC 8 monitors. All three solutions build off KRK’s 30 years of innovation to deliver the same features, accuracy, and performance and are an ideal springboard into the world of premium KRK studio monitoring.
The new KRK CLASSIC 5 Monitor Pack is available online now and through select dealers. For more information, visit here
The post KRK releases CLASSIC 5 Monitor pack, all-in-one package appeared first on Decoded Magazine.
Ravebot
Ravebot

ATB returns to North America this Fall 

German dance music legend ATB returns to the USA for jaunt through America’s west. The tour, with stops in Denver, Costa Mesa, Salt Lake City, Seattle and Houston, comes on the heels of ATB’s sizzling new remix of VisionV’s “Lonely’.
Legend of the modern day, main floor trance scene, ATB. brings his signature heavyweight sound to “Lonely;’ shapeshifting the impact of the original into a new ferocious display of club ready firepower. Utilizing the soft, emotive, exquisiteness of Phea’s vocals to create an extra impactful drop that wipes away all emotion into a venomous force of stomp ready, four to the floor party music, ATB is a genius at knowing exactly how to get a party started and this remix offers just that. 
ATB had his big breakthrough moment with his hit single “9pm (Till I Come)” in 1998. The track took the German producer and DJ to the top of the UK singles charts becoming the first dance song to reach number 1 in the UK. But that’s not all: ATB’s debut single also peaked in several top 10 charts worldwide, including the US Billboard charts, and opened the door for dance music on mainstream radio. His creative spirit continued to flourish with an impressive series of hits including “Don’t Stop”, “Ecstasy”, “Let U Go”, “What About Us”, “Move On” and “When It Ends It Starts Again”. 
A total of 10 studio albums and over 55 gold and platinum awards in numerous countries underline the German’s status. On top, ATB has been non-stop in the renowned DJ Mag Top 100 ranking for almost two decades now.
Highs and Lows is available now on Astralwerks Records
ATB USA Tour Dates 
November 10 – Denver, CO – Temple
November 11 – Costa Mesa, CA – Time
November 16 – Salt Lake City, UT – Sky 
November 17 – Seattle, WA – ORA
November 18 – Houston, TX – Stereo Live 
Buy Tickets Here
This article was first published on Your EDM. Source: ATB returns to North America this Fall 
Ravebot
Ravebot

Seadrvnk Delivers Thundering Bass/Tech House Single “Get You Paid”

Since his early days in Worcester, MA, Seadrvnk has been shaped by the underground pulse of Americana, including graffiti, skate culture, and the band scene. This tapestry of influences converges in his music, which he began producing in 2012, using FL Studio as his forge. From the college party DJ to a sought-after name in Boston’s burgeoning music scene, Seadrvnk’s rise has been nothing short of meteoric.
Now, the talented artist/DJ is back with a bumping bass infused tech house single titled “Get You Paid”. It’s a song that will get you hyped up no matter the time of day, as a pitched down vocal from the vocalist Caliber recites the song’s mantra, to “Get You Paid”. Paired with sizzling synth stabs and thumping bass groove, this song has all of the fixings to be a weapon in any DJ set.
Listen below!
This article was first published on Your EDM. Source: Seadrvnk Delivers Thundering Bass/Tech House Single “Get You Paid”
Ravebot
Ravebot

Insomniac Outdoes Itself for the Biggest and Best Escape Halloween to Date [Event Review]

Original Photo by Ivan Meneses for Insomniac Events It’s been a week since Escape Halloween took over the NOS Events Center for its 12th edition, and like most things Insomniac, the festival just got bigger and better. Featuring mind-blowing production, sick attention-to-detail, immersive Halloween experiences, blistering sets, immaculate vibes, and plenty of space to move and groove to; Insomniac pulled out all the stops for the largest Halloween festival on the continent.
It was our first time back at the NOS Events Center since last year’s Countdown and our first Escape since 2019! One of the things that definitely stood out is how wide open and easily accessible everything was. Insomniac has definitely taken steps to make it easier to access all of the vast NOS Events Center where their events take place. At no point at all did I deal with bottlenecks or crowd congestion.
The other thing that, of course, stands out upon entering the Escape festival grounds is just how immersive it is. With the exception of EDC, (the flagship festival) Escape has without a doubt the highest production values, the most performers, the most Easter Eggs to explore for. Escape is simply massive, and, if you ask me, is the best of Insomniac’s Southern California festivals. It certainly didn’t hurt that the weather was absolutely perfect for the weekend too.
Original Photo by Jake West for Insomniac Events I’m not wrong when I say that this was the biggest Escape to date, they actually added a fifth stage inside the Citrus building, Wicked Woods. Crazy Town, which ostensibly serves as Downtown Escape, is a perfect meeting spot. Its location is easily accessible from all stages, and its landmarks are unmistakable. The fire organ is a sight to behold and always has a performance popping off, it’s the perfect place to sit and take in the splendor of the festival grounds. The Crazy Town fountain is also a perfect spot to reunite with your crew and figure out the next move. Oh, and of course, they’re all great photo ops too.
As far as the stages go, they were all top notch. The main stage is, of course, The Grimm, a massive cloaked skeleton with its two hands stretched out clutching two spherical stones. Again, outside of EDC, this has to be the best Insomniac stage around. The lasers got major reinforcements and the huge video panels lining the ceiling of the mega-structure helped to create an even more immersive experience. Even if you were seated on the fake grass or at the tables outside of the mega-structure, you still felt like you were immersed in the stage. Sound and video production were A+ this weekend.
Original Photo by Jamal Eid for Insomniac Events The second stage was Feeding Grounds, also inside a mega-structure. This stage’s theme was a massive spider web. White canvas adorned the ceiling of the mega structure and instead of a disco ball, there was a massive black widow spider hanging above the stage in its place. The third stage was Sanitarium, a slightly smaller mega-structure, its rectangular video panels would play macabre and disturbing images of a mad surgeon conducting unsound experiments.
The stage that probably got the best treatment of all though was Sewer District, the Factory 93 stage. When I went to Escape in the past this was not a stage I gave much thought to. I figured let the techno snobs hang in the back. Well, techno has now permeated the mainstream and I was keen to check out a set at Sewer District. Insomniac fully leaned into shipping trailers and an underground warehouse type of vibe. The light panels were just right and the sound was pitch perfect. I talked to several headliners who said that Sewer District had some of the best sets of the weekend.
Original Photo by Marlene Sanchez for Insomniac Events Speaking of the sets, let me tell you about them. Every single DJ absolutely brought it this weekend. Everyone’s got to go a little bit deeper, a little bit darker, especially the closers, to match that Halloween vibe, and that’s exactly what we got. Friday night really didn’t get going until I watched AFROJACK’s set at the Grimm. The Dutch legend did not disappoint, dropping a massive set that ignited the crowd. This was the set that truly set the night off as AFROJACK took full advantage of the Grimm’s production capabilities.
After that I caught a little hardstyle over at Sanitarium, then headed back to the Grimm for Above & Beyond. Much like AFROJACK’s set, the crowd packed in the stage to overflow capacity. Jono & Paavo threw down a captivating set that had the crowd enraptured. Above & Beyond always strives for “moments like these” and they certainly achieved it at Escape.
After A&B, I headed over to Feeding Grounds, which was hosted by Bassrush for the night, to have my face just melted off. ATLiens were well into their set of wonky dubstep, rap mashups and trap beats. It’s always nice to see the different vibes at different stages, but aside from the Grimm, the Basscon stage was bringing better vibes than the Bassrush stage. Zomboy followed up ATLiens and also proceeded to ignite the crowd.
Original Photo by Felicia Garcia for Insomniac Events I proceeded back over to the Grimm, but I made a quick stop at the new stage, Wicked Woods. I’m always a sucker for an indoor stage, and Insomniac made the most of the space they were given. Setting up a mini forest behind the DJ booth as well as a circular video board, Wicked Woods was a huge come up if you happened upon it. Not too crowded, but still stellar production. I watched a little bit of K?d’s Throwback Set and I wish I had caught more.
Finally back to the Grimm, Kaskade closed the night with an incredible set that saw him lean into the REDUX sound and turn the Escape mainstage into an underground club. The lasers and stage production could not have been more on point.
We got there nice and early on Sunday. As I mentioned before I started things out at Sewer District and caught Charles D. Despite the early time slot and smaller crowd, the vibes were on point for Sewer District. I was now prepared for techno on Halloween weekend. I flitted between stages and sets checking out TOBEHONEST at Sanitarium, Ship Wrek at the Grimm, who drew a massive and rowdy crowd for such an early time slot, and Rossy at Feeding Grounds, who killed it with her blend of bass house and trap.
Original Photo by Ivan Meneses for Insomniac Events After that, it was back to the Grimm for Matroda’s massive house set. Along with the permeation of techno into the mainstream, the re-eruption of house music has to be noted too. My god, people absolutely love house music. I didn’t recognize a single song Matroda dropped, but it was still a dope set and the vibes were unmatched. Tchami came on next and dropped a set for the ages. Opening with the AC Slater x Chris Lorenzo (Fly With Us) track “Seismic”, Tchami’s mix of French house was absolutely perfect. The lasers and pyro also started taking over.
DJ Snake took the stage next and turned the Grimm into an absolute trap house. The beats were coming hard and fast with DJ Snake, and the packed crowd was more than ready for all of his hits. “Southside”, “Trust Nobody”, “Lean On” and he even dropped Knock2’s “dashstar”. A memorable set indeed.
Zedd was up next and he thrilled the crowd by opening with his “Where You Are” remix. The packed out crowd was chanting along with the lyrics. Zedd was also one of the few DJs to dress up for Halloween as he sported a Super Saiyan outfit (from Dragonball Z). Zedd dropped a masterful set consisting of his hits like “I Want You to Know” and “Stay the Night” on top of his energetic live edits and some EDM classics like Eric Prydz’s “Call on Me”.
Original Photo by Ivan Meneses for Insomniac Events Finally, Armin van Buuren closed out the weekend. Armin perfectly blended trance and techno for the best Halloween set imaginable. Armin maintained his signature sound while seamlessly blending in some dark techno beats that were perfect for the spooky season.
It was an absolute joy to be back at Escape after three full years away, the longest drought we’ve had between Insomniac festivals. The Pandemic denied headliners festivals in 2020. I didn’t get to Escape in 2021 because there was the Fall Edition of EDC a week before. I could have gone in 2022, but I didn’t. I’m elated to have made it back in 2023. Although no announcement has been made, I would expect Escape to return for its spookiest 13th edition next year.
Original Photo by Scott Hutchinson for Insomniac Events This article was first published on Your EDM. Source: Insomniac Outdoes Itself for the Biggest and Best Escape Halloween to Date [Event Review]
Ravebot
Ravebot

MiTiS Shares Exclusive Groove Cruise 20th Anniversary Playlist

2023 is far from over, but we wanted to look forward to the upcoming 20th anniversary of the Groove Cruise. Taking place Jan 24-28, 2024 and departing Miami and going to Great Stirrup Cay in the Bahamas, the most iconic music festival at sea will take place on the Norwegian Encore, the largest and most luxurious ship to date.
To get you Groove Cruisers ready to set sail in a couple of months, we’re happy to share this exclusive playlist from MiTiS, curated just for the upcoming 20th anniversary sailing. The lineup for the upcoming edition of the cruise fest is absolutely stacked. Tiësto, Diplo and John Summit will headline the cruise. Other featured acts include MiTiS, Aly & Fila, Disco Lines, Gem & Tauri, Joel Corry, Kyle Walker, LP Giobbi, Markus Schulz, Trivecta, VNSSA and many more.
Additionally, Groove Cruise has also announced it’s 2025 edition, taking place Jan 23-27, 2025. Again departing Miami, the 2025 edition will sail to Labadee, Haiti on the Royal Caribbean’s Allure of the Seas. So, even if you miss out on this year’s sailing, you can still reserve a spot on the 2025 cruise for only a $99 deposit.
Check out MiTiS’ exclusive Groove Cruise playlist and the 2025 announcement video below. Click here for Groove Cruise 2025 tickets.
This article was first published on Your EDM. Source: MiTiS Shares Exclusive Groove Cruise 20th Anniversary Playlist
Ravebot
Ravebot

Important Information

We have placed cookies on your device to help make this website better. You can adjust your cookie settings, otherwise we'll assume you're okay to continue.