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The Wolfe Tones to play huge Finsbury Park gig in July

‘The legendary Irish music group, The Wolfe Tones, have revealed their final London performance, set to be their largest UK show yet. This historic event will occur at Finsbury Park on Friday, July 5, 2024, commemorating their remarkable 60-year journey. Joining them for this extraordinary celebration will be The Undertones, The Sharon Shannon Big Band, The Scratch, and Brògeal.’
Tickets go on general sale at 9AM on Friday 15 March 2024 from this page on Ticketmaster.
Speaking about the show, Brian Warfield of The Wolfe Tones says: “The Irish diaspora across the world have always been massive supporters of The Wolfe Tones, and no greater support was had than from the Irish in Britain! I wrote ‘My Heart Is In Ireland’ as a tribute to the Irish in England, Scotland and Wales. The London Irish hold a very special place in our hearts, there are too many shows to mention but the great nights in The National in Kilburn will never be forgotten. It is most fitting that The Wolfe Tones 60th Anniversary Concert will be our final London performance. It will also be our largest ever in the UK, with a headline set in Finsbury Park!  We promise to make it a very special experience for what we hope will be a massive attendance as we say farewell to London – Let The People Sing!”
Starting from their modest origins in Dublin, The Wolfe Tones have captivated Irish music enthusiasts worldwide for six decades—from enchanting audiences at Carnegie Hall in New York to the revered Paris Olympia. Spanning from 1964 to 2024, their illustrious career cements their status as iconic pioneers of traditional Irish music.
After a historic performance at Ireland’s Electric Picnic in 2023, where the beloved band attracted one of the largest crowds in the festival’s history, The Wolfe Tones are now gearing up to say goodbye to London with their ultimate show in the capital — their most significant UK performance yet.
The Undertones, Northern Irish icons hailing from Derry since 1974, will be joining them at Finsbury Park. These revered punk legends perfected their art through bedroom rehearsals and tuning in to John Peel’s BBC Radio 1 show, a key influence who later championed their work. Coming off the success of their 45th-anniversary tour for ‘Teenage Kicks’, their performance this summer with The Wolfe Tones promises to be a historic event at Finsbury Park.
Michael Bradley from The Undertones expressed his excitement about sharing a stage, as well as half a name, with The Wolfe Tones on a momentous day for the latter.
The lineup at Finsbury Park will feature The Sharon Shannon Big Band, a multi-platinum selling artist known for pushing the boundaries of Irish traditional music; the genre-blending group The Scratch; and Brògeal, a rising Celtic folk-punk band from Falkirk.
Tickets go on general sale at 9AM on Friday 15 March 2024 from this page on Ticketmaster.
Tickets go on general sale at 9AM on Friday 15 March 2024 from this page on Ticketmaster.
The post The Wolfe Tones to play huge Finsbury Park gig in July first appeared on UK Festival Feed.
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Studio Survival- Original Sin

Feature Image Photo Credit- Thea Greenfield
I’ve been making music for a long time now and in that time I’ve had a few different studio setups.
One was almost completely analogue and others have been either hybrid or totally in the box. My preferred setup for speed and ease of use is in the box but they all had their merits. 
That said, one of my favourite pieces of studio gear is the Roland VP-03. Currently I own the Behringer VC340 which is an analogue re-creation of this classic string ensemble and vocoder from the late 70’s. I discovered it while studying Vangelis, something I’ve done multiple times at different points in time.
The CS80 gets most of the credit for the Blade Runner score, but there’s just as much of the VP-03 in the score too, providing choir type pads and emotive string swells.
I’ve used this in so many tracks that I’ve lost count to be honest. I’ve owned every version of its software emulation and hardware,but not the original Roland unit sadly.
Because the VC 340 is an ‘ensemble string machine‘ with a vocoder and human choir sounds, it lacks most of the parameters that a synth would have, old or new. 
For the strings you can adjust the attack, the tone (brightness) and the volume and the same for the human choir. You can also add the built in ensemble effect to either the choir or the strings. These limitations force me to use it in creative ways. 
Its most recent use was on a collab track ‘Deeper‘. I used the Behringer VC 340 to create some vibes in the intro with some moody string / pad swells which I then added vibrato to with the chopper plugin in cubase. 
My latest release 100k w/ Shakes (out now on Souped Up) was actually the first track I haven’t used it on in any way. I predominantly used serum for all sounds on that track except the drums. But that would have been less interesting as an article, I think, because we’ve all used serum I’m sure!
The post Studio Survival- Original Sin appeared first on UKF.
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Inside the Ambitious Quest to License Daft Punk's Music for "Beat Saber"

Meta Quest gamers are experiencing a whole new level of "Digital Love" after Daft Punk's music joined the illusory realms of Beat Saber.
From the iconic vocals of "Harder, Better, Faster, Stronger" to the ageless melodies of "One More Time," Daft Punk have finally sliced their way into the beloved VR rhythm game. The legendary robots were "hands-down one of the most requested artists from fans to add to the Beat Saber lineup," per Meta.
The ambitious effort to activate Daft Punk in Beat Saber took over two years, according to Vickie Nauman, founder of the Los Angeles-based consultancy and advisory firm CrossBorderWorks.
"The collaborative effort was between Beat Saber core team, Warner Music in London and Daft Punk crew," Nauman tells EDM.com. "This probably involved 10 main people across the three parties over more than two years and it included a lot of back-and-forth about which songs Beat Saber wanted in the game, the music rights involved, and what songs the artists wanted."
Nauman has worked with the title's developer, Beat Games, to execute the company's licensing deals since its early days as an independent gaming studio in Prague, a role in which she remained after Facebook (now Meta) acquired the studio in 2019.
"As a rhythm game, Beat Saber has specific requirements for what will work in the game and our beatmapping process led to some last-minute changes, but everyone was very accommodating as we all wanted it to happen," she continued. "We've wanted Daft Punk in the game since the game started in 2018! Then the band broke up and we thought there was no hope until the Warner UK team rekindled the idea. A real multi-team effort."
A collaboration between Daft Punk and Beat Saber had been a latent dream, but the pie was never in the sky. Tim Miles, Warner Music Group's Senior Vice President, Sync, tells us his team had an unwavering belief that there was a "genuine and authentic fit" between the two, but the timing needed to be right.
The stars aligned in 2022, when they were brainstorming for the 25th anniversary of Daft Punk's influential Homework and Alive 97 albums. It felt like the perfect time, Miles said, to leverage their relationship with Meta.
"After working on other gaming projects with The Pokemon Company and Ubisoft, we were incredibly sensitive to the vast amount of time and resources it takes to create gameplay—and in the case of Beat Saber, beat-matching the visuals to the music," Miles explains. "With this in mind, we were extremely thoughtful about what the experience would be for fans and this is why it's the first Beat Saber pack to include live versions of songs and the graphics during the game. The pack also showcases Daft Punk's iconic helmet, which isn't a million miles away from what the Meta Oculus VR headset looks like, so clearly it was meant to be!"
Available as of March 7th, the official Daft Punk Music Pack is somewhat of a watershed moment for Beat Saber. The release has led to the game's first-ever live tracks and mashups as well as its longest song, "The Prime Time of Your Life (Live 2007)." That record clocks in at 10 minutes and 23 seconds, dethroning Lynyrd Skynyrd's "Free Bird" and building forearm muscles everywhere.
View the original article to see embedded media.
The developers at Beat Games didn't stop there. With the pack comes a new in-game environment inspired by Daft Punk's fabled pyramid stage, on which they performed their totemic Coachella set back in 2006.
It all paints a picture of a paradigm shift in the way music is licensed for games. The technological terra firma beneath gaming's feet is growing at a rapid pace, empowering developers to transcend the constraints of music alone and use it to build multi-sensory dreamscapes.
Miles believes we're seeing a broader scope of music's capacity for storytelling to enhance the gaming experience. The upshot, he says, is a "huge opportunity" for artists and writers.
"Traditionally music in games would be used as a part of an in-game radio—look at GTA or Far Cry for example," Miles explains. "We also had great success with karaoke and rhythm games, like Guitar Hero and WeSing, back when they were en vogue. Nowadays though, the space has evolved to include opportunities for artists to score and create songs for triple-AAA games and fit straight into the game's narrative. For example, we worked with Stormzy for Watch Dogs: Legion in the form of bespoke DLC, and Ed Sheeran for Pokemon Scarlet and Violet where Ed's 'Celestial' plays on completion of the game."
"Gaming is definitely an alternative channel for music consumption, and how artists and developers engage with it is still in its infancy," he continues. "The exciting part is the number of opportunities are increasing, developers are becoming braver and more agile and record labels like Warner are leaning into the space with an open mind. The process is also similar to how we place our artist’s music across Film and TV, and how we work with top-tier Hollywood productions."
Beat Saber players can secure the Daft Punk Music Pack for $12.99 or purchase individual tracks for $1.99 each. New Meta Quest owners who want to add the game can bundle it with the pack for $39.99.
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New Music Gear Monday: Submission Audio Flatline 2 Mastering Maximizer Plugin

It doesn’t seem all that long ago when engineers began to get access to relatively inexpensive mastering limiters that emulated the gear that only mastering engineers had previously. That led to a wave of way-too-loud mixes that we’re only now beginning to recover from. That said, there’s a whole new category of mastering plugins that […]
The post New Music Gear Monday: Submission Audio Flatline 2 Mastering Maximizer Plugin appeared first on Bobby Owsinski's Music Production Blog.
View the full article
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Caspark and Vreden’s Hit A Homerun With “Woah”

Our fresh find this week is Caspark and Vreden – who just released their latest single, “Woah,” and it's giving us that great old-school Kaytranada sound. “Woah” is perfect for chilling, dancing, or anything in between. The duo blends rappy verses with smooth melodic hooks in a seamless, engaging way. Under the mentorship of the
The post Caspark and Vreden’s Hit A Homerun With “Woah” appeared first on EDM Sauce.
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Liquidfive Breaks Into Top 10 US Dance Charts Alongside Illenium and Galantis With “Veins”

In a surprising twist on the US iTunes dance charts, a new artist has captivated our attention and is poised to make a splash worldwide. “Veins,” a collaborative masterpiece between German dance-house sensation Liquidfive and the soul-stirring vocalist B Martin, has not only broken into the top 10, but is also just an absolute banger.
The post Liquidfive Breaks Into Top 10 US Dance Charts Alongside Illenium and Galantis With “Veins” appeared first on EDM Sauce.
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Don Diablo and Major Lazer Unveil “Jiggy Woogie” Collab Featuring Baby Lawd

Global sensations Don Diablo and Major Lazer join forces for the release of their latest single, “Jiggy Woogie,” now available on Don Diablo‘s label HEXAGON. Featuring the legendary vocals of Jamaican sensation Baby Lawd, this groundbreaking track promises to ignite dance floors worldwide.
Premiered to a rapturous audience at the prestigious Untold Festival in Dubai last month, “Jiggy Woogie” marks a historic collaboration between Don Diablo and Major Lazer. Showcasing their unparalleled synergy, the performance offered a tantalizing glimpse into the infectious energy of the track and the excitement it has generated among fans.
“We are thrilled to bring ‘Jiggy Woogie’ to our fans across the globe,” said Don Diablo. “Working with Major Lazer has been high on my wishlist for a few years now, and this track represents more than just music; it’s a cultural moment, bringing together artists from different backgrounds to create something truly special.”
“We had a blast working with the legend Don Diablo and Baby Lawd on this one,” added Major Lazer. “‘Jiggy Woogie’ embodies the spirit of collaboration and the joy of music, and we can’t wait for everyone to hear it.”
Don Diablo, currently ranked as the world’s #13 DJ by DJ MAG Top 100, continues to push boundaries with his innovative sound. His third studio album “FORΞVΞR,” released in September 2021, showcases his evolution as an artist and his ability to transcend genres with ease. With his HEXAGON radio show reaching millions of listeners across 68 countries and his influential HEXAGON record label, Don Diablo remains a driving force in the electronic music industry.
Major Lazer, the brainchild of Diplo, Walshy Fire, and Ape Drums, has redefined the fusion of dancehall and electronic beats, producing chart-topping hits like “Lean On” and “Cold Water.” Their latest album “Music is the Weapon,” released in October 2020, features collaborations with a diverse array of artists, highlighting their commitment to breaking down musical barriers and creating unforgettable experiences for fans.
Baby Lawd, with his captivating voice and infectious rhythms, has quickly risen to prominence in the international music scene. The success of the original “Jiggy Woogie” track on TikTok catapulted him into the spotlight, setting the stage for this highly anticipated collaboration.
“Jiggy Woogie” is available now on all major streaming platforms. Join Don Diablo, Major Lazer, and Baby Lawd on an unforgettable musical journey that transcends boundaries and celebrates the universal language of music.


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REAPER's Sophmore Album Showcases His Leading Role in America's Drum & Bass Scene

While his mask may conceal his face, REAPER's influence as a producer has given him another identity: one of the torchbearers of the American drum & bass movement. 
He's further solidified his reputation after releasing his sophomore album, CHALLENGER, on Bassrush, comprising seven masterful tracks. From his signature soaring synths to his frenetic percussion, it's the enigmatic producer's most influential work to date.
The album's intro track "BALANCE" expertly captures REAPER's artistry. Its vocals pair effortlessly with a rumbling beat, adding two distinct hypnotic layers that beautifully break the ice.
Elsewhere, "COLD CASE" sees the producer reuniting with Bella Renee after their breakout hit "IMY" in 2022. Their new collaboration embraces the same uplifting energy as Renee's enchanting vocals once again blend with REAPER's powerful production.
All said and done, CHALLENGER is a defining work for REAPER, who is reinforcing himself as a leader of America's drum & bass renaissance as he continues to tour and write inventive music. You can listen to the new album below and find it on streaming platforms here.
View the original article to see embedded media.
FOLLOW REAPER:
Facebook: facebook.com/reapernoises
Twitter: twitter.com/reapernoises
Instagram: instagram.com/reapernoises
Spotify: spoti.fi/3b7iZ66
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Covex On Why His Long-Awaited Sophomore Album Gave Him "A New Sense of Purpose"

A new artistic chapter is unfolding in the story of Covex.
The esteemed producer is jumping headlong into 2024 by unveiling bits and pieces of OSCILLATE, his hotly anticipated sophomore album. Out May 16th via the renowned record label Seeking Blue, the project is shaping up to be his best piece of work yet.
After making a splash with "Power," a scintillating combination of garage production and aching vocals from Yianna, Covex has now teamed up with Fi Sullivan for "Another Night." Out now, the stunning track combines the whimsy of indie-pop with bubbly sound design with playful production and a powerful topline from Sullivan. Nostalgic and dancefloor-ready, it beautifully sets the stage for his album rollout.
EDM.com caught up with Covex to discuss the creative and collaborative process of “Another Night,” lessons learned from his upcoming project, his plans for 2024, and more.
EDM.com: Your collaboration with Fi Sullivan on "Another Night" seems to have been an incredibly efficient and fruitful process. Can you walk us through how the lyrics and melody came together in just one day, and how Sullivan's vocals added that special touch to the track?
Covex: Fi and I have been friends for around five years and since seeing her live, I knew she had something powerful in her voice and lyrics. We toyed with the idea of making a song together for a long time but it wasn’t until I made the instrumental for “Another Night” I knew she would be a great fit.
Fi came over to my home studio in the summer of 2023, I showed her a few ideas but “Another Night” stuck out the most. We agreed we wanted to make a dance banger but to keep it sweet and light-hearted. It was one of those magical sessions where things flowed very naturally. She would come up with a line, and then I would immediately follow that with another. The process was quick and seamless. Her voice has so much emotion and soul. Without her on this track, it wouldn’t be the same.
View the original article to see embedded media.
EDM.com: “Another Night" combines indie-pop and dance music elements in a stunning way, something a combination of sounds you’re no stranger to. How do you navigate the creative space between these genres?
Covex: I rarely go into making music with the intention of combining genres. With this song, in particular, I started by sampling my fingers running across my upright piano strings. I created a dense bed of ambiance and natural sound, then started messing around with a lead sound using one of Ableton’s Max For Live devices, and finally filled it all in with a driving bassline. I think what makes it the combination of those genres is the use of natural and synthetic sounds.
EDM.com: "Another Night" sets the stage for what promises to be a standout year for you. Can you give our readers a sneak peek into what they can expect from your forthcoming album?
Covex: My second album OSCILLATE continues the story of my previous EPs, Solis and Luna. The album is a story about the human experience and duality of life.
It’s divided into two discs—the first is a more light-hearted, bright, upbeat side which I’ll continue to call Solis (resembling the sun) and the second is a darker, heavier and more emotional side called Luna (resembling the moon). When creating the EP’s, I knew I wanted them to be part of a larger body of work. It’s a story I’ve wanted to tell for many years and it’s my favorite project I’ve ever made.
EDM.com: Could you share the most pivotal lesson you learned while creating “Another Night,” or the entire album in general?
Covex: It’s impossible to know when a song is done but there’s usually a feeling you have on the first day of creating the idea, a very emotional feeling. It’s important to save that moment in the song and not “edit” it away.
EDM.com: If you had to describe the album in three words, what would those be?
Covex: Duality, Sun and Moon.
EDM.com: Your debut album A Change of Perspective was released back in 2021. How did your approach to producing and conceptualizing this forthcoming album differ from your debut, and what growth do you feel it represents in your musical journey?
Covex: My debut A Change of Perspective and my forthcoming OSCILLATE have many similarities. The music that I’ve made and continue to make, doesn’t necessarily fit into one box. Some days I love to make pretty, ethereal music and others I’m excited to try out a new bass sound design technique.
It’s always been like this. I get easily bored by trying to “fit in” to a certain sound or emotion. In creating OSCILLATE, I wanted to showcase both sides of those sounds and feelings by separating the record into two distinct pieces.
I learned a lot about myself through the three years of creating this, both artistically and personally. I experienced some monstrous highs and the lowest of lows, which all can be felt and heard in this album. This album gave me a new sense of purpose and confidence. I’m insanely proud of this work.
FOLLOW COVEX:
Facebook: facebook.com/covexmusic
Instagram: instagram.com/covexmusic
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Spotify: spoti.fi/3ll8PUr
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Husband and Wife Duo, The Two Fake Blondes, Drop Ethereal Drum & Bass Track: Listen

After a yearlong hiatus, husband and wife duo The Two Fake Blondes are back with something entirely new, an infectious drum & bass track, "Holy Spirit Lead."
The song originally began as an acoustic demo that the pair eventually transformed into a drum & bass arrangement. The song embodies the passion The Two Fake Blondes channel into each of their tunes, kicking things off with enchanting vocals before introducing a drop with an ethereal LFO sequence, ultimately delivering a unique take on the red-hot genre.
Since debuting their project in 2020, The Two Fake Blondes unveiled their debut album, Out Of The Darkness, in 2021 and have received support from a handful of notable artists like Steve Aoki and Don Diablo. While their primary focus has been danceable house tracks, their foray into drum & bass has proven to be a positive one so far. 
You can listen to "Holy Spirit Lead" below and on streaming platforms here.
FOLLOW THE TWO FAKE BLONDES:
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X: x.com/the2fakeblondes
Instagram: instagram.com/thetwofakeblondes
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Whethan Sparks New Album Cycle With Fresh Lead Single, "Room Is On Fire"

In a world where music often feels as though it's retreading familiar ground, Whethan's new single with AG Club and Snakehips ignites a fresh blaze.
With its bulbous, punchy bassline and loungey synths, "Room Is On Fire" stands as a testament to the power of simplicity. The track's hook, delivered in a deadpan tone, contrasts sharply with its high-energy verses, creating a dynamic interplay that's sure to both captivate and intrigue from start to finish.
The new single marks a significant moment for Whethan, serving as the lead single from his long-awaited 2024 album, Life of a Wallflower Vol. 2. The announcement arrives nearly six years after the release of its predecessor, a breakthrough project that catapulted Whethan into the spotlight and solidified his position as a leading producer in the dance music scene. The 2018 effort, which included global dance hits "Good Nights" and "Superlove," went on to amass over a billion streams across platforms.
Whethan's new album, Life of a Wallflower Vol. 2, is expected to release in June. Take a listen to "Room Is On Fire" below.
FOLLOW WHETHAN:
Facebook: facebook.com/whethanmusic
Instagram: instagram.com/whethan
X: x.com/whethanmusic
Spotify: spoti.fi/3hiiFmK
FOLLOW SNAKEHIPS:
Facebook: facebook.com/Snakehipsuk
X: x.com/snakehipsuk
Instagram: instagram.com/snakehipsmusic
Spotify: spoti.fi/2ZwdAkr
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Coachella's Do LaB Reveals Expansive 2024 Lineup Featuring Alesso, Chase & Status, More

The Do LaB is where the unexpected becomes the norm at Coachella, transforming every moment into an adventure that elevates the spirit of discovery.
Standing as a longtime cornerstone of the festival's experience, the stage has now unveiled a lineup that promises to blend the boundaries between genres, generations and geographical origins.
This year, The Do LaB has curated an eclectic mix of artists that span the spectrum of electronic music, from a new branded set by Alesso titled "BODY HI," to the spirited rhythms of Chase & Status and the underground sensibilities of DJ Tennis. Notably, the lineup also shines a spotlight on Hamdi and HoneyLuv, two rising stars who were recently named to the EDM.com Class of 2024. 
But the allure of The Do LaB extends beyond its carefully curated lineup—it's the unexpected surprises that truly define the essence of the stage. Reflecting on Do LaB's legacy of over a decade, it's clear that its essence lies in the art of surprise, curating unpredictable moments into unforgettable memories. From last-minute bookings of headline-caliber acts such as ODESZA to back-to-back sets that become the stuff of festival lore, the stage's organizers have mastered the craft of delivering surprise performances that captivate and enthrall.
"It’s pretty exciting to have so many people care about it," Jesse Flemming, the music-booking member of The Do LaB's founding team, told EDM.com at Coachella last year. "Everybody knows there’s gonna be some surprises so everyone signs up to hear the announcements, and before it gets out there everyone wants to know instead of waiting until the last minute. I love it."
As Coachella 2024 draws near, with its weekends set for April 12-14 and April 19-21 respectively, the promise of The Do LaB's stage looms large as a beacon for those seeking the extraordinary. Check out the full lineup below.
c/o Press
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Barclay Crenshaw Bares His Soul in Debut Album, "Open Channel"

When Claude VonStroke first made his transition to Barclay Crenshaw, fans had no idea what to expect. But with the release of his debut album, he has bared his soul. 
Open Channel is a bold departure for Crenshaw. Through each of its 10 tracks, he takes us through an eclectic listening experience that flows masterfully between experimental bass, dub and funk, without any genre taking center stage.
Open Channel is delightfully unpredictable, expertly weaving through a wide palette of bass-centric sounds while keeping the production cohesive throughout. One moment you're hearing the grumbling, low-end heavy sounds of "King of Monsters" and then next you're getting down to the groovy beat of "The Quiet Storm."

While transitioning to a new project is never easy, Crenshaw has done it with the gravitas of a seasoned dance music vet. Though his music may be entirely different than his wonky Dirtybird house music as Claude VonStroke, he's stepped into something that feels just as personal. If his previous success is any indicator, Crenshaw will be a mainstay in experimental bass music for years to come. 
"I’m full focused, dialed in and ready to go," he said in an intimate op-ed penned for EDM.com in late-2023. "I switched to my real name, Barclay Crenshaw, and went back to my roots in bass music and I couldn’t be happier or more excited than right now.
You can listen to Open Channel below and find the new album on streaming platforms here.
FOLLOW BARCLAY CRENSHAW:
Instagram: instagram.com/barclaycrenshaw
Facebook: facebook.com/BarclayCrenshaw
Spotify: spoti.fi/47lRQsf
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DIESEL and LEVEL UP Collide for Fiery Dubstep Track, "LVL UP"

This one's been a long time coming. After first teasing their collaboration way back in 2022, DIESEL and LEVEL UP have finally delivered their heavy-hitting collaboration, "LVL UP."
Arriving by way of Monstercat, the track brings the explosiveness for which both producers are known, combining their sounds for a true dubstep anthem. The track features DIESEL's unmistakable vocals and its devastating drop is a stunner, complete with laser-like synths and warbling bass befit for the globe's biggest stages. All said and done, "LVL UP" is a bona fide crowd-pleaser that's set to dominate the festival circuit come summertime. 
DIESEL has been on a roll after unleashing his debut album GORILLA WARFARE, which featured collaborations with Jessica Audiffred, Hairitage, CELO and many more. LEVEL UP has also stayed busy, releasing her Seance and SHADOW SYMPHONY EPs as well as a monster remix of Kayzo's "SHT SHOW."
You can listen to "LVL UP" below and find it on streaming platforms here.
FOLLOW DIESEL:
Facebook: facebook.com/shaq
X: x.com/djdiesel
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FOLLOW LEVEL UP:
Facebook: facebook.com/Levelupdubs
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Instagram: instagram.com/levelupdub
Spotify: spoti.fi/3qU70j8
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New Penny-Per-Stream Royalty Bill Proposed to Congress

Musicians may soon get a long-awaited raise at the expense of streaming services.
In an effort led by representatives Rashida Tlaib and Jamaal Bowman, the United Musicians and Allied Workers (UMAW) have proposed the Living Wage for Musicians Act to Congress. The bill would help ensure that artists are able to build a successful career in the tumultuous age of digital music streaming, according to its authors.
"Streaming has changed the music industry, but it's leaving countless artists struggling to make ends meet behind," Tlaib said in a statement. "It's only right that the people who create the music we love get their fair share, so that they can thrive, not just survive."
It's important to note that this is an additional royalty on top of artists' current royalties. The new royalty would be paid directly to artists, bypassing the tortuous, multi-level corporate filter every penny of streaming revenue goes through.
Platform subscription fees and a 10% levy on non-subscription revenue would fund these royalties, ensuring that artists receive a minimum of one penny per stream, a rate that is significantly higher than what streaming services currently pay. The royalties would be paid out through a central fund and would be subject to an eventual cap on the amount of profit per month.
UMAW have also launched a petition in support of the bill, asking for musicians, music professionals, advocacy groups and independent labels to pledge support.
"There is a lot of talk in the industry about how to 'fix' streaming – but the streaming platforms and major labels have already had their say for more than a decade, and they have failed musicians," UMAW organizer and musician Damon Krukowski said in a statement. "The Living Wage for Musicians Act presents a new, artist-centered solution to make streaming work for the many and not just the few. We need to return value to recordings by injecting more money into the system, and we need to pay artists and musicians directly for streaming their work."
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