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Photo Credit: Deezer
Deezer says over 20,000 fully AI-generated tracks are uploaded to its platform daily, or around 18% of all uploaded content.
Global streaming platform Deezer has reported that over 20,000 entirely AI-generated tracks — or around 18% of all tracks — are uploaded to its platform daily. That’s an increase from the previously reported 10% in January, when Deezer launched its cutting-edge AI music detection tool. The company’s AI music detection tool sets an industry standard — but the onslaught of AI-generated music is unrelenting.
“AI generated content continues to flood streaming platforms like Deezer, and we see no sign of it slowing down,” said Aurelien Herault, Chief Innovation Officer, Deezer. “Generative AI has the potential to positively impact music creation and consumption, but we need to approach the development with responsibility and care in order to safeguard the rights and revenues of artists and songwriters, while maintaining transparency for the fans. Thanks to our cutting-edge tool, we are already removing fully AI generated content from the algorithmic recommendations.”
Deezer’s AI music detection tool is able to detect 100% AI-generated music from “the most prolific generative models — such as Suno and Udio,” with the possibility to add detection capabilities for “practically any other” tool, provided there’s access to relevant data examples. Deezer has also made significant progress in creating a system with “increased generalizability,” to detect AI-generated content without a specific dataset to train on.
Still, the reported increase in AI-generated content comes at a time of growing concerns about AI companies training their models with copyrighted material. Platforms like Suno and Udio have been sued by the major labels, but those lawsuits are still pending. Moreover, concerns are ever-growing of governments potentially diminishing copyright laws to facilitate AI development.
Deezer has reiterated its commitment to protecting the rights of artists and creators, and remains the only streaming platform to sign the global statement on AI training.
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Photo Credit: Alexander Shatov
Spotify is back up after a widespread outage that left many users suspecting hackers were to blame. But the company says that’s “completely inaccurate.”
Tens of thousands of Spotify users reported problems with the popular music streaming service on Wednesday during a widespread outage. But Spotify was back up and running a few hours later.
“All clear — thanks for your patience,” said Spotify on social media, around noon ET. “Get in touch with @SpotifyCares if you still need help,” the company added, pointing to its support account.
Users widely had difficulty loading the app and the desktop site earlier in the day, or playing songs, as well as using the platform’s search function. Spotify also noted some users had trouble accessing its support site.
Disgruntled users took to social media to vent their frustration at the interrupted service. “Messing with my morning, man!!” wrote one user. Some users said they were still able to listen to music, but experienced issues during playback. Other users said they couldn’t listen to any music, or get the service to load on either the mobile app or the desktop site.
The outage seemed to have begun around 6:20 AM ET, with outage reports appearing to peak after 9:30 AM ET, with around 48,000 people reporting issues. Spotify said it was “back up and functioning normally” by 11:45 AM ET. In the early afternoon, around 1,500 outage reports remained. Users across the US and parts of Europe appear to have been affected.
While Spotify did not specify what might have caused the outage, the company was quick to stamp out rumors that a security hack was to blame. The Stockholm-based streamer says reports of that nature are “completely inaccurate.”
Spotify currently serves up music and podcasts to more than 675 million users worldwide, including 263 million subscribers across over 180 markets.
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Photo Credit: Lorenzo Spoleti
How accurately can humans identify music created using artificial intelligence? A new study conducted by MIT Technology Review reveals humans struggle against diffusion-created AI music from platforms like Suno and Udio.
Diffusion models for creating music don’t compose songs the same way a human might, by starting with chords and adding vocals and drums. Instead, these models generate the noise of music all at once—visualized by a waveform. With hundreds of millions of waveforms from human generated songs, AI platforms like Suno and Udio can create a model capable of generating AI music.
“A model is fed millions of clips of existing songs, each labeled with a description. To generate a new song, it starts with pure random noise and works backward to create a new waveform. The path it takes to do so is shaped by the words someone puts into the prompt,” O’Donnell writes of these AI services. That backwards generation is the exact opposite of how humans write music—but the human ear struggles to differentiate from the two.
While major labels are suing both Suno and Udio for training their models on copyrighted music at an “unimaginable scale,” these companies argue that training models are fair use. Udio says it has model filters in place to prevent the model from “reproducing copyrighted works or artists’ voices.”
O’Donnell spent a few days playing around with Udio’s model for a test. Generating 30-second samples, he created tracks in 12 genres of music and asked the newsroom team at MIT Technology Review to identify the songs made by AI amid other songs created by people.
“The average score was 46%,” O’Donnell reveals. “And for a few genres, especially instrumental ones, listeners were wrong more often than not.” O’Donnell says when he watched people take the test, he noticed that qualities they confidently flagged as AI compositions—fake-sounding instruments, weird lyrics—were not always right.
“Predictably, people did worse in genres they were less familiar with; some did okay on country or soul, but many stood no chance against jazz, classical piano, or pop. Beaty, the creativity researcher scored 66%, while Brandt, the composer, scored 50%.” With just a few text prompts, O’Donnell created music that humans couldn’t pick out of a line-up as AI generated. “A few could have been easily played at a party without raising objections, and I found two I genuinely loved, even as a lifelong musicians and generally picky music person,” he shares.
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Moments after a court ruled to leave in place an injunction blocking NewJeans’ solo career activities, the group appealed to the Seoul High Court. Photo Credit: SBS Radio
A Seoul court has upheld an injunction blocking NewJeans members from engaging in professional activities without Ador’s involvement. And right on cue, the group has kicked off a High Court appeal.
Both developments came to light in regional reports today. By now, many are familiar with the uglier-than-ever contract dispute between NewJeans and its Hybe-owned agency, Ador.
But just to recap – the convoluted showdown has a number of layers – late March saw the aforementioned injunction put an end to NewJeans members’ solo activities.
Having rebranded and performed as NJZ for a time, NewJeans was (and remains) specifically barred from pursuing any career moves without Hybe/Ador. Meanwhile, the five-piece act’s separate court challenge to the underlying contract is plodding along.
In short, then, the on-hiatus NewJeans’ current options include attempting to overturn the injunction, waiting out the suit challenging the contract (though a win certainly isn’t guaranteed), or reconciling with Hybe/Ador.
The latter path is definitely interesting, but the first course of action hasn’t brought about the desired result for NewJeans. As summed up by the Korea Herald, the court today upheld its prior ruling on the injunction.
Per the same source, NewJeans members promptly appealed to the Seoul High Court – though it’s unclear how long it’ll be before the legal wheels are in motion there.
Closer to the present, evidence suggests that the involved parties are still quite far from an amicable resolution. At the same time, with not-so-subtle press conferences in the rearview, the worst of the confrontation might be over.
To be sure, many NewJeans fans appear eager to see the group reunite (or at least stop quarreling) with Hybe/Ador, which, as noted, now has multiple courtroom wins under its belt. Undoubtedly interested in ending the battle, Hybe last week extended an olive branch to NewJeans by vowing to crack down on online harassment targeting the group.
Furthermore, NewJeans members are evidently still open to performing (they did so as NJZ before the injunction was handed down) and to making music (they unveiled a new track at the same concert). And returning to their original professional home might be the easiest way to continue earning a living from the efforts.
NewJeans’ relationship with ousted Ador CEO Min Hee-jin (who has worked with the group from the outset) is undoubtedly the biggest hangup in this area.
Though there are two sides to every story, an initial rift between Min and Hybe management seemingly fueled the wider conflict with NewJeans.
Long story short, NewJeans members are adamant that Min should be reinstated, and Hybe has spelled out that the ship sailed a while ago. Among many other things, litigation is ongoing between Hybe and Min.
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Chartmetric trending artist du jour, De La Soul
Digital Music News is now expanding its longtime partnership with Chartmetric, the industry’s most respected music intelligence and data platform.
Jumping in, DMN readers will soon have access to a constantly-updating track popularity ranking, complete with fast-emerging breakouts. Complementing the ranking will be Chartmetric’s latest data trend analyses, which will include a broad range of genres, artists, and broader worldwide music developments.
Everything will be available to Digital Music News readers in a neat dropdown widget, which will complement DMN’s existing industry coverage.
The dynamic chart ranking will lean heavily on Spotify Monthly Listeners and Chartmetric’s own scoring methodologies to monitor breakout tracks and artists, 24/7. For those seeking a real time ranking that better reflects trending realities online and off, there isn’t a better barometer of what’s bubbling.
For those that want to dive deeper, Chartmetric’s data-focused breakdowns will offer unparalleled examinations of music trends worldwide.
That includes featured articles from Chartmetric’s ‘How Music Charts,’ a dedicated editorial column focused on music charts, data, and analytics – with extremely time-sensitive and relevant articles.
And that’s in addition to DMN’s non-stop, hard-hitting industry coverage and DMN Pro analyses.
“Chartmetric and Digital Music News have been partnering for years with a mission to broaden music industry intelligence,” said Chartmetric President & COO Andreas Katsambas. “Now, we’re taking things a step further.”
Meanwhile, Chartmetric is recharting the possibilities in A&R with a recently-released ‘Talent Search Tool’ to power better predictive intelligence.
As profiled on DMN, Chartmetric’s Talent Search Tool sifts through data from over 10 million artists, identifying key signals that suggest an artist’s potential for long-term success. Each artist receives a daily score from 1 to 10 across various metrics, making it easier to spot emerging talent worthy of deeper investigation.
Just recently, Chartmetric joined forces with DMN to broaden awareness of its data-powered predictive tool.
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Throughout his entire professional music career, and even long before that as a listener and a beginner DJ, Roman Messer has always loved and cherished trance music, and especially uplifting trance if he had to pick his one true love. Being the closest thing in Roman’s book to the elusive label of “true trance” if there is one, uplifting trance and closely related sounds always held a special place in the artist’s heart.
But anyone with more than a couple years of listening to the genre under their belt can attest: trends in trance can change faster than seasons do. There is always a exciting new sound to explore for a producer, or an inspiration from outside the genre that results in something fresh and quirky, there’s always room for personal growth as an artist by broadening your production skills, there’s always a song idea coming from a vocalist that would work great as a mellow progressive tune… In other words, it can be rather hard – and, one might argue, even detrimental – to pigeonhole yourself into one particular style or sound throughout your entire career. It is no surprise then, and certainly no crime, that Roman Messer’s four earlier studio albums covered a very wide spectrum of sound that could broadly be described as modern trance music in general and even some things on its fringes.
But the time has finally come to pay a proper tribute to the true trance sound that Roman has always loved. ‘For All Time’ , Roman Messer’s brand new fifth studio album, is all about that profound majestic feeling of flight which, arguably, only uplifting trance can give you.
What might seem like a career anniversary milestone celebration of some sort – after all, Roman’s brainchild Suanda Music turned 10 years old this year, and his professional career as a producer with signed releases is only about a year older than that – is, in fact, a project that’s been in the making since long before 2023. Long-time followers undoubtedly took note of Roman’s overall focus on uplifting trance lately, and he even reworked some of his biggest progressive anthems into supercharged “Full Fire” versions over the last few years. Glancing at the album’s tracklist, one might notice a couple of tracks that were first presented all the way back in 2020; indeed, every now and then, Roman put a special track or two aside for the uplifting trance album that he had been planning, with work on said album really picking up the pace once the producer fully devoted his studio time to the project. A risky one, perhaps, according to his own admission – after all, the world of trance has plenty of styles and there’s always a chance that listeners might prefer more variety on an LP – but a very deliberate one, as Roman felt he was long overdue to pay tribute to the sound that he loves and share this love with his like-minded followers and proselytize the more sceptical ones.
Apart from Roman’s own solo productions, ‘For All Time’ sees a fair share of his collaborations with musicians ranging from Roman’s own all-time trance idols, like Alex M.O.R.P.H., Emma Hewitt, Roxanne Emery and Christina Novelli, to rising stars that he himself helped grow through his own earlier productions and through his label. Vocalists like Cari, Joe Jury and Diandra Faye saw a surge in their own popularity and demand in the trance scene after working with Roman, while artists like Skyvol and NoMosk are among Roman’s favorite producer talents at the moment and are tipped by him to have a very promising future ahead with their excellent sound. Something else that connects Roman’s album to the surrounding trance scene is the inclusion of his versions of some of his personal favorite classics throughout the years. The vocal anthems “Silence” and “Need To Feel Loved” have always been among Roman’s most cherished trance works, and although the producer was initially hesitant to rework them fearing that he wouldn’t be able to do them justice, the end results proved very popular with the trance crowd, ending up being some of his most in-demand tracks lately.
A self-admitted bold experiment – complete with a fully solo open-to-close club night to celebrate its launch, which isn’t done all that often in trance music these days – and a heartfelt love letter to the genre that shaped Roman’s own tastes and his music career. Full of sonic adventures through the landscape of modern uplifting trance from start to finish, ‘For All Time’ is intended to, you guessed it, stand the test of time and remain one of the centerpieces of Roman’s discography for years to come.

The post Roman Messer honors uplifting trance with heartfelt album ‘For All Time’ appeared first on EDMTunes.
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Titus1 and Roger Raw teamed up for a groovy and emotional new release titled ‘Ground’ on Deeper Harmonies label. This collaboration from two highly respected and talented acts takes us on an emotional, uplifting and introspective journey. Inspired by the contrast between melodic techno and progressive house, this track from Titus1 is another example of his genre-crossing, versatile nature. The Canadian DJ and producer uses his experience and knowledge to create a musical experience that showcases his musical prowess and keeps us coming back for more.
The track has a warm, analog feel with layered synths, lush pads, and a rolling bass line that creates movement and depth throughout the song. The percussion is tight and minimal, allowing space for the melodies to breathe, while subtle leads add an organic touch. Overall, the track blends deep, emotive melodies with a driving yet atmospheric groove. It’s a standout with its evolving synth layers, cinematic breakdowns, and a crisp, punchy low end that keeps the energy flowing. Tension builds and resolves in this emotional sonic voyage that keeps listeners hypnotized and engaged.
Be sure to check out ‘Ground’ for yourself, out everywhere now!

The post Titus1 and Roger Raw Release Ethereal ‘Ground’ appeared first on EDMTunes.
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Billy McFarland and the organizers of the controversial Fyre Festival have postponed a planned sequel to the infamous 2017 event following disputes with Mexican authorities over its location, according to an email issued to ticket-holders and obtained by EDM.com.
Fyre Festival 2 will no longer take place in Playa del Carmen, Mexico, as previously announced. The organizers claim they have been "blindsided" by local government officials who allegedly first supported the event before publicly denying any knowledge of it.
"When a government takes your money, issues permits, promotes the event, and then pretends it’s never heard of you, that’s not just dishonest—it’s theft," the statement reads. "Due to this, we have decided to move FYRE Festival 2 elsewhere."
The statement described a pattern of similar challenges with officials in Isla Mujeres, where the festival was initially planned. After receiving "official government documentation stating full support" in December 2024, organizers said they secured venues and began selling tickets, only to face public disavowal from the same authorities.
When approached by the government of Playa del Carmen with what they called "a proposal we couldn't refuse," Fyre organizers relocated the event there. According to their statement, they obtained and paid for various permits, participated in a joint press conference with various partners and received public support through government social media accounts before facing another denial.
"Then, days later, and after international media coverage, the same government publicly denied any awareness of FYRE Festival 2," they wrote in today's email. "You can't make this stuff up."
McFarland in 2018 entered a guilty plea for fraud for his role organizing the original Fyre Festival, a botched event that devolved into chaos on the Bahamian island of Great Exuma. He was released from prison in 2022 after serving four years for wire fraud.
The team behind Fyre Festival 2 insists the event "is still on" and are currently "vetting new locations." They have not announced new dates or refund policies at press time.
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From poolside grooves to late-night sets, EDX has been a staple of Miami Music Week for years—and 2025 is no exception. We caught up with the Swiss DJ and producer during the chaos of MMW to chat about his longevity in the scene, his evolving sound, and what fans can expect next:
Let’s jump right into it and start with Sirup, it’s been 25 years now?
EDX: Yeah, it’s crazy. We are into our 25th year now and there’s a ton of excitement. A very emotional one too; it brings back so many memories from over the years. From the evolution of my music to everyone I’ve worked with, there’s so much history to unpack, and I’m happy to be celebrating it all.
As we look to the future for Sirup and your own music career, what’s next?
New music is coming, of course, along with collaborations and a summer tour. I am always trying to think of ways to evolve my own music and energy to keep my sound fresh.
Can you tell us a little bit about your upcoming collabs?
I recorded a track with Jess Ball again, which will be released soon. There might also be collaborations with my group, Helvetic Nerds. Lots of things to look out for.
Let’s get into the fun questions now – is there an artist or group that you would love to do a collab with?
There are a lot of bands out there, so many great ones that it is hard to choose. But, I think every artist dreams of doing a collaboration with a band like Coldplay – so I would have to pick them.
If I were to hand you the aux cord right now, what song would you put on?
I would probably play my new song, “Cobalt,” because I’m really in love with it. It’s a great song for the dancefloor.
Connect with EDX:
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Mary Droppinz channels the chaos of Fortnite into something physical, filthy, and undeniably filthy in her new single, "Drop In."
A sub-heavy salute to the iconic game, "Drop In" succeeds where many crossover attempts fail, speaking authentically to both gaming enthusiasts and bass music aficionados without pandering to either. The result is both accessible and uncompromising, precisely what makes Droppinz one to watch.
Out now under Zeds Dead's Deadbeats banner, "Drop In" is a nasty, expertly carved slab of deep dubstep that doubles as a nod to gamer culture. What elevates the track beyond mere gamer fan service, however, is her DIY approach to sound design. Droppinz, a producer's producer, melds Apache drum loops and Think breaks to create a rhythmic backbone and even samples the pang of her own glass water bottle.
The track's highlight is its wonky bassline, which provides the gravitational pull around which Droppinz's vocals and samples orbit. Her own vocals purr the titular command, but it's the drop's woozy low end that brings it into banger territory, wobbling like heat off asphalt.
You can listen to "Drop In" below and find the new single on streaming platforms here.
Follow Mary Droppinz:
X: x.com/marydroppinz
Instagram: instagram.com/dirtybirdrecords
TikTok: tiktok.com/@marydroppinz
Facebook: facebook.com/marydroppinz
Spotify: spoti.fi/3fOxIJB
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Coachella is widely recognized as one of the world’s most iconic music festivals, bringing together top artists, cutting-edge fashion, and unforgettable desert vibes over two action-packed weekends. Weekend one often grabs the spotlight with influencer presence, early buzz, and surprise moments.
But for those heading to weekend two, there’s a strong case to be made that the second round might just be the better experience. Let’s dive into why weekend two might actually be the best choice for you.

1. Artists Are More Dialed In
By weekend two, performers have shaken off the nerves, worked out the kinks, and often level up their sets. More confidence, tighter transitions, better crowd control. The test run is complete, and now artists are ready to really deliver.

2. Surprise Guests Still Appear ( Sometimes More)
Weekend two may not advertise as many special guests, but artists often bring out surprise guests to switch it up and keep things exciting. Plus, some artists love to one-up themselves and make Weekend two feel like a gift for their die-hard fans.

3. Less Influencers, More Energy
Weekend one is influencer central. Weekend two? Real fans. It’s less about photo-ops and more about the vibes. You’ll actually see more people dancing, and less posing for social media obligations. You get the people who are actually there to experience the festival—not just content farm it.

4. Smoother Logistics
Traffic, camping, and food lines tend to be less hectic during Weekend two. The staff and vendors have had a full run-through already, so everything just flows better. You can also choose which art installations interest you, saving time. It feels like a more polished and smoother experience all around.

5. You Already Know the Setlists
You can watch Weekend one and walk in fully prepped, knowing the best crowd spots, which artists you want to see, and any special moments. It’s like getting the answers to the test before you take it. Even then, artists will still make small changes, leaving you with awesome mid-set Easter eggs.

6. FOMO Turns Into Anticipation
While others are packing up dusty boots, you’re still gearing up for your weekend. That buildup? Inevitable. That payoff? So worth it. Plus, when the last song plays at the end of the festival, knowing that you were part of those final closing moments feels really special. You’re not behind by attending Weekend two—you’re just getting ready for the best experience possible. 
Coachella Valley Music & Arts Festival will return to Indio, California, for its second weekend this April 18-20. For more information or to purchase weekend two tickets, visit coachella.com.
All images courtesy: Coachella.
The post 6 Reasons Why Coachella Weekend 2 Is The Better Choice appeared first on EDM Maniac.
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Coachella is widely recognized as one of the world’s most iconic music festivals, bringing together top artists, cutting-edge fashion, and unforgettable desert vibes over two action-packed weekends. Weekend one often grabs the spotlight with influencer presence, early buzz, and surprise moments.
But for those heading to weekend two, there’s a strong case to be made that the second round might just be the better experience. Let’s dive into why weekend two might actually be the best choice for you.

1. Artists Are More Dialed In
By weekend two, performers have shaken off the nerves, worked out the kinks, and often level up their sets. More confidence, tighter transitions, better crowd control. The test run is complete, and now artists are ready to really deliver.

2. Surprise Guests Still Appear ( Sometimes More)
Weekend two may not advertise as many special guests, but artists often bring out surprise guests to switch it up and keep things exciting. Plus, some artists love to one-up themselves and make Weekend two feel like a gift for their die-hard fans.

3. Less Influencers, More Energy
Weekend one is influencer central. Weekend two? Real fans. It’s less about photo-ops and more about the vibes. You’ll actually see more people dancing, and less posing for social media obligations. You get the people who are actually there to experience the festival—not just content farm it.

4. Smoother Logistics
Traffic, camping, and food lines tend to be less hectic during Weekend two. The staff and vendors have had a full run-through already, so everything just flows better. You can also choose which art installations interest you, saving time. It feels like a more polished and smoother experience all around.

5. You Already Know the Setlists
You can watch Weekend one and walk in fully prepped, knowing the best crowd spots, which artists you want to see, and any special moments. It’s like getting the answers to the test before you take it. Even then, artists will still make small changes, leaving you with awesome mid-set Easter eggs.

6. FOMO Turns Into Anticipation
While others are packing up dusty boots, you’re still gearing up for your weekend. That buildup? Inevitable. That payoff? So worth it. Plus, when the last song plays at the end of the festival, knowing that you were part of those final closing moments feels really special. You’re not behind by attending Weekend two—you’re just getting ready for the best experience possible. 
Coachella Valley Music & Arts Festival will return to Indio, California, for its second weekend this April 18-20. For more information or to purchase weekend two tickets, visit coachella.com.
All images courtesy: Coachella.
The post 6 Reasons Why Coachella Weekend 2 Is The Better Choice appeared first on EDM Maniac.
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Photo Credit: Post Malone’s set at Bonnaroo 2024 by Taylor Regulski
Bonnaroo Music & Arts Festival announces the complete schedule for this year’s edition, kicking off June 12-15 in Manchester, Tennessee. A timeline peek at this year’s lineup is also included.
Bonnaroo 2025 will boast an assortment of highlights over its four unforgettable nights. Spanning multiple main stage performances on Thursday, June 12 — including a headline set by Luke Combs, Bonnaroo’s first country headliner, three completely unique sets across various stages from King Gizzard & The Lizard Wizard, an array of appearances by John Summit, and Bonnaroo’s world famous SuperJam — and many more spectacular performances.
This year’s headliners include Luke Combs, Tyler, the Creator, Olivia Rodrigo, and Hozier. Other acts will include GloRilla, Vampire Weekend, Treaty Oak Revival, Grace Bowers, ATLiens, Remi Wolf, Tyla, Modest Mouse, Avril Lavigne, RAYE, RL Grime, Saxsquatch, Foster the People, Marcus King, Rebecca Black, and many more.
The upcoming festival will also feature more opportunities to dance the night away than ever before, with a star-studded After Hours lineup featuring Dom Dolla, Glass Animals, Justice, Insane Clown Posse, Megadeth, Arcade Fire Presents “Santa Pirata,” JPEGMAFIA, and an epic sunrise set from Gorgon City. There will also be pop-up parties, surprises, and shenanigans — including the hugely popular Frick Frack Blackjack and the Super Queer Ultra Gay Pride Party, presented by House of Yes with Boyyyish.
This year will also see the debut of the Infinity Stage, a new one-of-a-kind venue, presented in partnership with Polygon Live — boasting spatial sound, synchronized lights, and an unprecedented three-dome, open-air design to create the world’s largest, most immersive, 360 degree spatial audio experience.
One-day and four-day general admission, GA+, VIP, Platinum, and Roo Insider tickets remain available, but most ticket types are trending to sell out in advance of the festival. Layaway Plans starting at 50% down are still available while supplies last. Tickets start at $169 for a single day pass and range up to $26,000 for four-day ‘Roo Insider’ passes.
Bonnaroo 2025 Full Schedule
Photo Credit: Bonnaroo
Photo Credit: Bonnaroo
Photo Credit: Bonnaroo
Photo Credit: Bonnaroo
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Photo Credit: Kodak Black by David Cabrera for Atlantic Records
For the second month in a row, Kodak Black has paid rent for over 200 residents at a Florida housing project.
While he may not be looking for publicity for it, rapper Kodak Black has paid rent for more than 200 residents at Florida’s Golden Acres housing project. This is the second month in a row he has done so. The news was revealed by a man who seems to either be a resident of or a staff member at Golden Acres.
“He may not want the limelight, but for the 2nd month straight @KodakBlack has paid the rent for over 200 residents in Golden Acres, the entire projects!” the post reads. “A lot of people shine light on the negativity. I’ma see how many people share the positive things you do fam. You’re a blessing to a lot of people. Thank you!!”
This isn’t the first time Kodak Black has felt exceptionally charitable. In 2022, he covered the outstanding rent of 28 families in his native Pompano Beach who were about to be evicted, and paid their rent for several months. The year before that, he donated 100 air conditioners to several Pompano Beach residents.
Also in 2021, he was recognized by the City of Margate for his donation of $20,000 to the daughter of a South Florida police officer who died from complications related to COVID-19. City officials made the announcement during the grand opening of its new sporting complex.
“Some of you may know him as a celebrity, but this is an act of charity,” said board member Arlene R. Schwartz, who presented Black with a certificate of recognition for his act of service.
Further, the rapper has donated money to the children of two FBI agents who were killed on the job. “You know, at the end of the day, we’re all we got,” he said. “This ain’t nothing to do with politics, or white, Black, rich or poor. It’s up to us to help each other in the best way we can.”
Kodak Black said in 2023 that he wants to be known as a philanthropist rather than a gangster. “I only worry about being a good son and making sure my mom is proud of me. Making sure my family proud of me.”
While the rapper is all too happy to be seen as a philanthropist, his donations becoming public knowledge could attract some of the wrong attention. Drake, who is known for making generous donations to fans, was besieged during his recent shows in Australia by fans asking for financial aid.
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DJ Mag’s annual Top 100 Festivals 2025 Voting is now open. You can cast your vote here. Voting closes on May 28th, so make sure to give your favorite festival a vote before it’s too late. The results are set to be announced on June 18th via a countdown across DJ Mag’s social media channels.
Now entering its fifth year, DJ Mag’s Top 100 Festivals is the definitive guide to the world’s best events, ranked entirely by votes from DJ Mag’s global audience. There was a record number of votes last year. North America was the continent that submitted the most votes, followed by Europe, Asia, South America, Oceania, and Africa. In terms of countries, the USA recorded the most votes in 2024, followed by the UK, India, Thailand, Brazil, Italy, Germany, Romania, China, and Belgium.
Tomorrowland came on top for the fourth time and third consecutive year in the 2024 voting. The impressive run by the Belgium Festival is a testament to their dedication in the festival landscape.
EDC Las Vegas came in 2nd, and Untold Festival in Romania came in 3rd. Ultra Miami came in 4th, and rounding out the top 5 was Creamfields in the UK. The United States had the most festivals of any country in the top 10, with Coachella also joining the list.
We are excited to see which music festival comes out on top this year and who will enter the top 100 for the first time.
The post DJ Mag Top 100 Festivals 2025 Voting is Now Open appeared first on EDMTunes.
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Tomorrowland's influence is swelling far beyond electronic dance music as the legendary Belgian festival steps into the world of interior design with the launch of MORPHO, a luxury furniture collection.
The collection is the brainchild of Tomorrowland's newest creative venture, Great Library Design Studio. The launch marks a major evolution for the brand, expanding its immersive world-building ethos beyond music festivals and into people's living spaces.
With MORPHO, Tomorrowland brings its signature whimsical storytelling to life through nature-inspired furniture, lighting and décor. The collection leans heavily into organic forms, earth tones and a bespoke design philosophy with a mission to capture the same sense of wonder and escapism that has defined the festival's onsite experience for 20 years.
Dragonflies served as Tomorrowland's "main source of inspiration," according to a press release. The MORPHO bar stool incorporates the shape of the insect's wings, and the motif can also can be found in the metal detailing of the collection's sunbed as well as the embroidery on the leather back of the lounge chair.
The goal is simple: to turn the ephemeral magic of the festival into something tangible and lasting within both interior and exterior spaces. Great Library Design Studio worked alongside specialized craftsmen, factories and workshops to ensure every piece in the collection feels intentional and transportive. 
Tomorrowland's primary collaborators are a trio of esteemed Belgian design brands: Ethnicraft, Atelier Vierkant and RVB. Inspired by Art Nouveau, they pulled inspiration from legendary architects such as Victor Horta and Antoní Gaudí.
The Art Nouveau-inspired MORPHO line is available now. You can shop the collection here.
Follow Tomorrowland:
X: x.com/tomorrowland
TikTok: tiktok.com/@tomorrowland
Instagram: instagram.com/tomorrowland
Facebook: facebook.com/tomorrowland
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New York City Mayor Eric Adams is exploring the idea of introducing a 24-hour nightlife experience to the city by bringing in E11EVEN, Miami’s renowned ultraclub. During a recent appearance on the Flagrant podcast hosted by Andrew Schulz and Akaash Singh, Adams mentioned, “We need an E11EVEN in New York.” He further revealed, “I spoke to some folks. We may be rolling it out in New York.” ​
E11EVEN Miami, located in downtown Miami, is celebrated for its continuous 24/7 operations, offering a blend of nightclub energy, live performances, and upscale amenities. The club has hosted performances by artists like Cardi B, 50 Cent, and G-Eazy, and has attracted celebrities such as Leonardo DiCaprio, Kendall Jenner, and Post Malone. ​
Co-founder Dennis DeGori, a native New Yorker, expressed enthusiasm about the potential expansion, stating, “As a native New Yorker, I’ve always imagined the Big Apple as the perfect second home. While we have yet to identify the right location and conditions, we appreciate the support and enthusiasm from Mayor Adams and Andrew Schulz.”
Currently, New York City’s regulations require bars and clubs to cease alcohol service by 4 a.m., with establishments permitted to reopen at 8 a.m. (10 a.m. on Sundays). Introducing a 24-hour venue like E11EVEN would necessitate changes to existing laws and could significantly impact the city’s nightlife landscape.​
For those interested in hearing Mayor Adams discuss this initiative, the full podcast episode is available here:
The post Mayor Eric Adams Wants to Bring Miami’s 24-Hour Club E11EVEN to NYC appeared first on EDMTunes.
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Today, Interscope Records, Pophouse, and the Avicii Estate are proud to announce the upcoming release of AVICII FOREVER, a compilation featuring 19 essential tracks from Avicii’s iconic catalog, along with the brand-new single “Let’s Ride Away” featuring Elle King. Listen to a teaser clip here.  
This special release honors the lasting impact and influence of Tim Bergling, better known to the world as Avicii. With beloved hits like “Wake Me Up,” “Levels,” “Heart Upon My Sleeve” (feat. Imagine Dragons), and more, AVICII FOREVER captures the spirit and sound that made Avicii a global phenomenon.
The compilation also introduces “Let’s Ride Away”, a long-awaited new track that showcases Avicii’s genre-defying sound, blending folk and electronic elements with powerful vocals by Elle King. AVICII FOREVER will be available across all major streaming platforms, in physical formats and through exclusive content on Avicii’s official social channels on May 16 and is available now for pre-order here.
Tracklist
Wake Me Up Levels Let’s Ride Away (feat. Elle King) (NEW SONG) The Nights Waiting For Love Without You (feat. Sandro Cavazza) SOS (feat. Aloe Blacc) Hey Brother Lonely Together (feat. Rita Ora) I Could Be the One [Avicii vs Nicky Romero] Silhouettes Fade Into Darkness You Make Me The Days For A Better Day Addicted To You Friend of Mine (feat. Vargas & Lagola) Broken Arrows Heart Upon My Sleeve (feat. Imagine Dragons) Heaven The post AVICII Forever Best Of Compilation Coming With New Track Next Month appeared first on EDMTunes.
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Cyazon’s new EP, ‘Home,’ highlights his refined production and evolving sound across five immersive tracks. ‘Home’ sits at the intersection of the genres of melodic dubstep and synthwave, with the two styles working together in perfect harmony. The record boasts two brand new tracks, “Lose My Mind” with glasscat and “White Lies” featuring Ollie Wride, along with three previously released singles, “Home” featuring Natalie Shay, “Reach For You” alongside Snnr, and “Wait A While” with Leyla Diamondi.
Two years in the making, ‘Home’ marks a new chapter in Cyazon’s ever-growing discography, showcasing his signature fusion of cinematic soundscapes and high-energy dance music. Powerful, bass-driven drops perfectly compliment soaring, emotive synths throughout the entirety of the EP.
With past releases on esteemed labels such as Monstercat, Ophelia Records, and Insomniac’s Bassrush, and support from heavyweights like ILLENIUM, Gryffin, NGHTMRE, and SLANDER, Cyazon continues to solidify his place in the electronic music scene. ‘Home’ is yet another testament to his evolving artistry and cutting-edge production.
Featured image: Cyazon
The post Cyazon shows off evolving sound on new five-track EP, ‘Home’ appeared first on Dancing Astronaut.
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After years of existing only in fragments and unauthorized online leaks, Avicii's long-awaited song "Let's Ride Away" is officially releasing as part of a new compilation, Avicii Forever.
Due out May 16th via Interscope, Avicii Forever will feature many of the Swedish EDM icon's most prized anthems alongside the previously unreleased track, which features vocals from Grammy-nominated artist Elle King. The record represents one of Avicii's final creative endeavors prior to his tragic death by suicide in 2018 at the age of 28.
"Let's Ride Away" originated from a collaboration between Avicii, whose real name was Tim Bergling, and country music superstar Kacey Musgraves. Though the original version featured Musgraves' vocals, it never made it onto an official release.
The new version has been finalized by Carl Falk, a longtime collaborator of Bergling's, who completed the mixing and recorded King's vocals. Multiple versions of the song had leaked online prior to this official release.
View the original article to see embedded media.
Avicii Forever celebrates Bergling's enduring legacy by curating a selection of his most beloved songs, including 2011's breakthrough "Levels," which defined a generation of EDM, and 2013's "Wake Me Up" and "Hey Brother." The compilation also draws from 2019's posthumous album Tim.
Avicii Forever is a collaborative effort between Bergling's estate, Interscope and Pophouse, which in 2022 acquired 75% of his recording and publishing rights. It marks another chapter in the investment firm's ongoing efforts to preserve and celebrate the musical contributions of the late DJ, whose blend of EDM with elements of folk, country and pop helped redefine contemporary music in the 2010s.
Pophouse is also currently developing a musical about Avicii, whose life was the subject of a recent high-profile, intimate Netflix documentary released on New Year's Eve 2024. Another documentary from the Academy Award-winning filmmaker Lawrence Bender is currently in production and will feature "previously unreleased footage" recorded around the time of Bergling's discovery and rise to fame.
The reveal of Avicii Forever arrives just ahead of the seventh anniversary of Bergling's death on April 20th, 2018. His collaborator on "Wake Me Up," Aloe Blacc, has announced a streaming event in remembrance.
Avicii Forever is due out May 16th, 2025. You can view the compilation's trailer and full tracklist below.
Avicii Forever tracklist:
“Wake Me Up”
“Levels”
“Let’s Ride Away (feat. Elle King)”
“The Nights”
“Waiting for Love”
“Without You” (feat. Sandro Cavazza)
“SOS” (feat. Aloe Blacc)
“Hey Brother”
“Lonely Together” (feat. Rita Ora)
“I Could Be the One” [Avicii vs Nicky Romero]
“Silhouettes”
“Fade Into Darkness”
“You Make Me”
“The Days”
“For a Better Day”
“Addicted to You”
“Friend of Mine” (feat. Vargas & Lagola)
“Broken Arrows”
“Heart Upon My Sleeve” (feat. Imagine Dragons)
“Heaven”
Follow Avicii:
X: x.com/Avicii
Instagram: instagram.com/avicii
TikTok: tiktok.com/@aviciiofficial
Facebook: facebook.com/avicii
Spotify: tinyurl.com/3tkv6c2e
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YouTube is expanding its Creator Music platform with an AI-powered feature that allows users to generate custom instrumental music for their videos. The tool, Music Assistant, is gradually rolling out to creators across the U.S. who are part of the YouTube Partner Program, according to TechCrunch.
After a beta phase in late-2024, Music Assistant is now officially launching to allow creators to generate background music without worrying about copyright claims, offering a cost-effective alternative to licensed music.
Users can enter text prompts describing the exact kind of music they want, specifying the mood, instruments, video type and other criteria, before the AI generates a copyright-free track available for download. Suggested prompts are also provided to help guide the creative process.
Music Assistant builds on YouTube's earlier "Dream Track" experiment, which used DeepMind’s Lyria model to create 30-second AI-generated tracks in the style of specific artists. Unlike Dream Track, which was limited to Shorts and short-form content, Music Assistant is being integrated into the broader Creator Music marketplace for long-form content.
YouTube says the goal is to give creators more flexibility and control over their soundtracks while simplifying the music licensing process. For more information, check out the video below published on YouTube’s Creator Insider channel. 
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John Summit‘s ‘Focus’, featuring the haunting vocals of CLOVES, made a major splash when it dropped back in January 2025 via his Experts Only imprint and Darkroom Records. Now, the Chicago house star invites Layton Giordani to put his own spin on the emotional heater — and the result is a cavernous techno weapon that deserves club rotation.
Giordani, a staple of Drumcode Records, wastes no time in flipping ‘Focus’ into a darker realm. While CLOVES’ dreamy top-line remains, the track’s soul shifts from Summit’s melodic house warmth into pulsing low-end grit, crispy hi-hats, and ominous breakdowns. It’s hypnotic, heavy, and unapologetically built for the warehouse.
This isn’t the first crossover moment between the two. Summit and Giordani shared decks at the Experts Only pop-up in Vail, treating fans to a memorable b2b set that blurred the line between house and techno. The remix is a natural extension of that chemistry, showing both artists exploring new territory while keeping their core identity intact.
Whether you’re into John Summit’s emotional grooves or Layton Giordani’s warehouse power, this remix lands right in the middle — and it hits hard.
Listen to John Summit – ‘Focus’ (Layton Giordani Remix) below and tell us which version you’re spinning.
The post John Summit – ‘Focus’ (Layton Giordani Remix) appeared first on EDMTunes.
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RESISTANCE London is set to make a seismic impact on the UK’s electronic music scene with its inaugural two-day takeover at Drumsheds on September 26 and 27, 2025. This event marks a significant milestone for the globally renowned brand, known for its cutting-edge techno and house lineups.​ Drumsheds, located in North London’s Meridian Water area, is a 608,000-square-foot venue housed in a repurposed IKEA warehouse. With a capacity of 15,000, it has quickly become a cornerstone of London’s nightlife, hosting major events and artists since its opening.
While the full lineup for the RESISTANCE takeover has yet to be announced, anticipation is high. Given the brand’s history of featuring top-tier artists and immersive productions, attendees can expect a stellar roster of performers and state-of-the-art visuals.​ This event is part of Drumsheds’ ambitious programming, which has included performances by industry heavyweights such as MK, Green Velvet, and Charlotte de Witte. The venue’s commitment to delivering unparalleled live experiences makes it the perfect setting for RESISTANCE’s London debut.
Tickets for the RESISTANCE London takeover at Drumsheds are expected to go on sale soon. Fans are encouraged to stay tuned to official channels for updates and ticket releases.​
For more information or to sign-up for the presale, please visit drumshedslondon.com.
Stay tuned for more news!
The post ​RESISTANCE London Announces Drumsheds Debut in September appeared first on EDMTunes.
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As Fyre Fest 2 continues with an extremely confusing path towards the official date, more shocking news surfaces. Francesca Keller, known as DJ Donna Francesca, told Good Morning America she turned down Fyre Festival’s offer to play at their event in Playa del Carmen from May 30 to June 2.
Latest Updates on Fyre Fest 2
Before her statement, Fyre Festival had posted a series of documents that seemed to be legal paperwork that allegedly gave the event legitimacy. However, they had also reposted an official statement from the Playa del Carmen official Instagram that debunked Billy McFarland’s posts entirely. Moreover, some of the paperwork shows that the permit would only suffice for a 250-person capacity at a beach club from midnight to 4 am and pre-recorded music only.
DJ Donna Francesca went on Good Morning America to explain her interaction with the Fyre Fest boss. Skeptical, she asked lots of questions since his phrasing was vague. According to the DJ, Billy told her he was shocked she had so many questions. He claimed other artists he talked to didn’t have as much pushback as she did.
Ultimately, Francesca refused the offer. She stated that if the festival even happens, it will probably only be a beach club takeover. Of course, that would be a waste of time for the DJ and all attendees.
With a little over a month until it’s supposed to occur, controversy surrounds Fyre Fest 2 again. We will continue to cover any updates.
The post DJ Explains Why She Turned Down Fyre Fest 2 Offer appeared first on EDMTunes.
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As the 2024/25 winter clubbing season comes to a close, the legendary Peter Pan Club in Misano Adriatico is gearing up for its final events—marking the end of a season where it stood out as the only venue open every weekend.
So, when are the last chances to dance at Peter Pan this season?
Sunday, April 20 – Easter Special with Luciano
Friday, April 25 – Nostalgia takes over with 90 Wonderland
Saturday, April 26 – Latin vibes and reggaeton reign at Vida Loca
Screenshot
Sunday, April 20: Luciano at Peter Pan
The Easter celebration will be headlined by none other than Luciano, a true icon in the global electronic music scene. Known for his ability to unite crowds with a sound that’s deeply personal yet universally recognizable, Luciano brings a unique energy to every set.
From his legendary Vagabundos nights in Ibiza to the influential releases on his own label Cadenza (founded in 2003), and from the vibrant Magik Grande Festival in Santiago de Chile to the humanitarian work through his One Coin for Life foundation—Luciano’s impact extends far beyond the booth.

Whether he’s behind the decks or supporting cultural preservation, Luciano embodies passion, precision, and a touch of magic. Every set is a journey. Every track, a moment. Simply put: Magik Luciano.
As the winter chapter closes, the Peter Pan Club is already preparing for an exciting summer season with full event details coming soon.
Meanwhile, the buzz is building for the grand opening weekend of Villa delle Rose, Misano Adriatico’s iconic summer destination, set for Friday, May 9 and Saturday, May 10, 2025.
Stay tuned. The party never really ends.

The post Peter Pan Club Misano Adriatico: The Final Countdown to an Iconic Season appeared first on Electric Mode.
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