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Speaking to the Wall Street Journal‘s Matt Alt, Negishi’s daughter, Atsumi Takano, reveals that her father suffered a fall on 26 January. He died of natural causes shortly after.
Negishi invented the first-ever karaoke machine in 1967. According to the Wall Street Journal, his original invention started as somewhat of a joke; Negishi loved to sing, so when a colleague joked that he had an awful voice, he started daydreaming about how he might sound with a backing track.
His idea was simple: to create a machine that would play instrumental tapes. It didn’t matter if Negishi had a ‘bad’ voice – he made it his mission to create a machine that would allow him to sing his heart out over a backing track like a real popstar.
The 1967 Sparko Box was the initial karaoke machine prototype. Negishi ran a consumer electronic company, which allowed him access to a speaker, microphone, and tape deck. As Negishi revealed to online publication Kotaku, Negishi tested out the prototype with an instrumental version of Yoshio Kodama’s Mujo no Yume, before heading home and hosting the world’s first karaoke party in his kitchen.
However, Negishi never patented the design. Negishi and his partner believed it would the “cost and headache wasn’t worth it”, Alt wrote for Kotaku. At the time it would have been “extremely expensive and time-consuming to obtain a patent” – not to mention it required instrumental tracks to run, which would each require unique usage rights.
While Matt Alt was entrusted to relay the news on the Wall Street Journal, Alt also took to X to reflect on Negishi’s passing, stating: “Farewell to another legend: Shigeichi Negishi, inventor of karaoke, has died age 100. By automating the sing-along, he earned the enmity of performers who saw his machine as a threat to their jobs. It’s an eerie precursor of the debate surrounding AI’s impact on artists today.”
Alt also shared a lovely behind the scenes snap of him and Negishi. The photo is from 2018 when Alt was interviewing Negishi for his book, Pure Invention: How Japan Made the Modern World.
Alt reports that Negishi’s family still owns the original – and still functioning – Sparko Box.
The post Shigeichi Negishi, The Godfather of Karaoke, dies at 100 appeared first on MusicTech.
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Five thousand dollars had never devaluated so quickly in Argentina before. It’s no secret Lollapalooza is one of, if not the, signature yearly festivals of South America. Argentina, Brazil, Chile and other countries hold their own versions of the gathering each March, bringing to the continent a plethora of different artists and genres. Among those, Dance music is always present. This year, artists like Diplo and Timmy Trumpet represented the scene, alongside Trance trailblazers Above & Beyond.
Celebrating their return to Buenos Aires for the first time since their last show nearly a year ago, Jono and Paavo were bringing the heat to the Perry’s Stage of the venue, playing banger after banger. The crowd was buzzing, and everything was going spectacularly well. Until it wasn’t.
The Incident
Right as they were hypnotised by the energy of the moment during ilan Bluestone’s remix of their hit track ‘We’re All We Need’, something unbelievable happened: the DJ booth tipped over and fell forward, taking with it the entire DJ equipment, as well as the boys’ laptop, which they use to write their iconic on-screen messages while playing.
Unsurprisingly, the music cut off abruptly as cables snapped and detached from the players. Jono and Paavo were, well, speechless, but took the situation like champs and laughed it off from the beginning, while help came to work out a solution. Although witnesses recall buttons flying from the poor gadgetry plummeting onto the ground, not a single attendee was harmed. Everything was sorted in a timely manner, and the boys went back to playing in just over five minutes. Laptop and everything.
Culprits?
General consensus points to the festival itself as the one to blame for the incident. Poor — or rushed — building quality of a booth that was put there just after other acts which involved live bands and, therefore, forced the stage to be set up against the clock. Although others say Above & Beyond had a share of responsibility, from the video — attached below — you can see they didn’t push the booth forward. If anything, Jono tried to catch it mid-fall.
And, just to be clear, you can’t ask a DJ not to enjoy what they’re playing. We’re full of those guys now, let’s try and embrace passion again thank you. Plus, you’ve got people like Timmy Trumpet who played just hours before at the same festival. And he too jumps around, and he even climbs on top of the booth to play! I can only begin to imagine the chaos that would’ve hit the festival if this very thing had happened to him atop the decks.
Luckily, what happened was, damaged equipment aside, something we can now laugh about. Nobody was injured, the show went on, they even did their Push The Button moment afterwards, and closed their set in style, falling just a bit short of their original plans, just to stick to the schedule.
Watch the moment of the incident, below.
The post Above & Beyond’s DJ Table Fell Over During Their Lollapalooza Argentina Set appeared first on EDMTunes.
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Moovin Festival is an exceptional celebration of sonic brilliance, eclectic music, and quirkiness, set in a beautiful and intimate environment. It has a bespoke ambiance, state-of-the-art sound systems, and unique stages that transport you to an adult playground of music and magic and consistently draws in the sort of big international names that you don’t usually get in such an intimate environment. This means the festival offers a rare chance to get up close and personal with your favourite acts in beautiful surroundings with like-minded crowds of discerning music lovers.
In addition to renowned legends, Moovin excels in uniting emerging talents and local artists from unique acts. The lineup includes mesmerizing circus shows, revitalizing yoga classes, holistic healing therapies, and ethically procured cuisine.
Escape to the ultimate late summer Bank Holiday experience at Moovin in Etherow Country Park, Compstall. Located just 30 minutes from Manchester and Sheffield within the eco-friendly Whitebottom farm, Moovin is renowned for its meticulous attention to detail, bespoke ambiance, and welcoming atmosphere. Enjoy a hidden oasis with lush trees, serene lakes, and captivating gorge, along with stages like the iconic Barn Stage—a spacious cow shed with cozy hay bales for relaxation. Experience a counter-cultural vibe, exceptional musical lineup, ethically sourced cuisine, artisanal cocktails, rejuvenating yoga sessions, holistic healing treatments, and captivating circus performances.
This year, the spotlight on sonic excellence shines bright with the presence of French techno icon and scene luminary Laurent Garnier, a pivotal figure who has significantly influenced the genre’s sound over three decades. With fewer tours nowadays, seizing this rare opportunity to witness him in such an environment is a special treat. He will be accompanied by Leftfield, trailblazers renowned for their groundbreaking albums, commanding techno rhythms, and a wealth of timeless hits at their disposal.
Accompanying them are the renowned hip-hop ensemble Souls of Mischief, reggae legend David Rodigan, and Afro beats trailblazer and worldwide sensation Sampa The Great—a unique blend of fractured beats and heartfelt vocals that have established her as a standout figure in the scene.
Moreover, Moovin regular and Hacienda Legend Graeme Park returns to mark 40 years in the scene. Congo Natty commemorates 30 years as a pioneer of the jungle revolution, while Erol Alkan presents an energetic fusion of indie dance music. Crazy P delves into various disco forms during their DJ set, and Prince Fatty & Horseman deliver their powerful dub sounds.
The lineup features a diverse array of live bands, from the captivating sounds of Nubiyan Twist to the infectious beats of K Klass and the mesmerizing performance artistry of Oh My God It’s the Church, known for their raucous fusion of gospel, soul, and rock. This lively group provides high-energy shows with passionate vocals, catchy rhythms, and theatrical flair. More than just a band, they offer an ecstatic experience that leaves crowds uplifted, entertained, and fully immersed in their distinctive gospel sound.
Dub FX will bring an electrifying performance to keep the crowd moving. Meanwhile, Moovin residents DJ Paulette, Mr. Scruff, Krafty Kuts, Greg Wilson, and Jaguar Skills return to display their exceptional skills on the turntables, navigating through disco, funk, hip hop, breaks, soul, jazz, and more. Drum & bass and jungle music enthusiasts can anticipate heavyweight sets from DRS, Ray Keith, DJ Randall, Nicky Blackmarket, Mark XTC, and others for yet another thrilling experience.
Get ready to dive into the enchanting world of Moovin Festival for an unforgettable weekend getaway filled with magic, chaos, and boundless surprises—the countdown has begun!
“Moovin Festival stands out as one of the top festivals for me this year. Set in a fantastic location, it brings together a crowd of enthusiastic partygoers who are always up for a great time. What more can you possibly want?” – KRAFTY KUTS
“Playing at Moovin Festival is always a standout moment on my festival schedule. When I catch sight of the waterfall, it’s like returning home. The crowd exudes beauty, and the tech energy is electrifying.” – DJ PAULETTE
“In a tree-flanked valley’s depths sits a hay barn hosting a robust sound system. A carefree gathering unfolds—no VIP barriers, no fuss—only music and positive energy. Is it a ’90s free party? No, it’s the fantastic Moovin’ festival!” – GROOVE ARMADA
“I love DJing at Moovin’. It’s a truly special and enchanting experience with amazing vibes!” – GRAEME PARK
The post Moovin Festival announces biggest ever line-up first appeared on UK Festival Feed.
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He is set to perform at the renowned UK venue for 10 shows, showcasing the hottest performances of 2025 and solidifying his position as one of the most sought-after stars worldwide.
Following Usher’s electrifying Apple Music Super Bowl LVIII Halftime show, his highly acclaimed two-year run of 100 sold-out shows titled My Way: The Las Vegas Residency, and the iconic eight-night residency at Paris’ La Seine Musicale, these upcoming performances mark his return to Europe since the 2015 ‘UR Tour,’ with the exception of the remarkable 2023 Paris engagement.
USHER announces, “You all are serious! Due to overwhelming demand, I’m thrilled to announce a 10th and final show in London. Excited to bring Usher: Past Present Future to The O2 on March 29th.”
Presented by Live Nation, USHER will take the stage to commemorate his illustrious 30-year career, featuring tracks from COMING HOME, his ninth studio album launched on February 9 under mega/gamma. Anticipate awe-inspiring performances, iconic favorites, fresh classics, and an unforgettable evening.
For tickets visit UsherWorld.com
Sign up for the fan presale starting Wednesday 20th March at 8am.
General On sale Friday, 22nd March at 10 am
The renowned global entertainer, a multi-platinum artist with 8 GRAMMY awards, captivated the world with his performance at the Apple Music Super Bowl LVIII Halftime Show. Featuring special guests Alicia Keys, Ludacris, Lil Jon, H.E.R., Will.i.am, and Jermaine Dupri. This epic showcase on the grandest stage during the most-watched Super Bowl of all time showcased hits like “Caught Up,” “U Got It Bad,” “Love In This Club,” and “Yeah!”, revealing why an USHER show is truly extraordinary to millions worldwide.
Because of overwhelming fan requests, USHER has expanded his highly awaited North American tour to nearly 60 sold-out nights, incorporating additional performances. He is currently taking his smooth R&B tunes, contagious smile, and polished dance moves to audiences worldwide.
Usher UK & Europe tour dates 2025:
Sat 29 March – London, UK – The O2 Arena – NEW SHOW ADDED Tues 01 April – London, UK – The O2 Arena Wed 02 April – London, UK – The O2 Arena Sat 05 April – London, UK – The O2 Arena Sun 06 April – London, UK – The O2 Arena Tues 08 April – London, UK – The O2 Arena Wed 09 April – London, UK – The O2 Arena Fri 11 April – London, UK – The O2 Arena Tues 15 April – Paris, France – Accor Arena Wed 16 April – Paris, France – Accor Arena Tues 22 April – Amsterdam, The Netherlands – Ziggo Dome Wed 23 April – Amsterdam, The Netherlands – Ziggo Dome Fri 25 April – Amsterdam, The Netherlands – Ziggo Dome Sat 26 April – Amsterdam, The Netherlands – Ziggo Dome Mon 28 April – Amsterdam, The Netherlands – Ziggo Dome Thurs 01 May – Berlin, Germany – Uber Arena Fri 02 May – Berlin, Germany – Uber Arena Sun 04 May – Berlin, Germany – Uber Arena Tues 06 May – London, UK – The O2 Arena Wed 07 May – London, UK – The O2 Arena The post Usher announces 10th and final UK show at The 02 first appeared on UK Festival Feed.
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Additional shows have been added, expanding the tour to a substantial 86 dates. Some performances will feature a BSL interpreter. John plans to extend the tour into 2025. Tickets for shows in various cities will be available for purchase starting at 10:00 am on Friday, March 22nd on JohnBishopOnline.com. Cities include Liverpool, Weymouth, Portsmouth, Southampton, Rhyl, High Wycombe, Brighton, Worthing, Nottingham, Reading, Chatham, Llandudno, Sheffield, Bristol, Bath, Torquay, and Truro.
For more information or to buy tickets, head to this page on Ticketmaster.
After engaging in two years of TV presenting, stage acting, podcast hosting, dog walking, and decorating the spare room, John has returned to his greatest passion: standing on stage and bringing laughter to audiences.
John exclaimed, “Adding these extra dates to my ‘Back At It’ tour brings me great joy. The work in progress shows began roughly 10 days ago, reigniting my creativity with immense audience support. I eagerly anticipate meeting more of you as we hit the road.”
John Bishop’s career has been remarkable. Just three years after his debut comedy performance in 2000, he was entertaining sold-out arena crowds nationwide and launched the UK’s fastest-selling stand-up DVD.
Since then, he has found significant success with numerous comedy, entertainment, and documentary shows of his own. These include programs like ‘John Bishop’s Australia’ (BBC1), ‘John Bishop’s Britain’ (BBC1), ‘John Bishop’s Only Joking’ (Sky1), ‘The John Bishop Show’ (BBC1), ‘The John Bishop Christmas Show’ (BBC1), ‘John Bishop’s Gorilla Adventure’ (ITV1), ‘John Bishop’s Ireland’ (ITV1), and four seasons of the highly acclaimed ‘John Bishop: In Conversation With…’ (W Channel). In this series, he engaged in one-on-one conversations with prominent figures from the realms of entertainment, music, and sports. His other television appearances encompass two seasons of ‘The John Bishop Show’ (ITV1), a stint on ‘Doctor Who’ (BBC1), and the documentary ‘John & Joe Bishop: Life After Deaf’ (ITV1).
John co-hosts the podcast Three Little Words alongside writer, actor, and director Tony Pitts. Together, they engage in conversations with intriguing individuals about their lives, aspirations, challenges, and convictions. The show boasts a diverse range of guests, spanning from globally renowned musicians and actors to scientists, politicians, artists, and sports personalities. Previous episodes have welcomed guests such as Robbie Williams, John Cleese, Sebastian Faulks, and Professor Brian Cox.
John headlined the UK & Ireland tour of Mother Goose alongside Ian McKellen last year, featuring a highly triumphant stint in London’s West End spanning four months.
For more information or to buy tickets, head to this page on Ticketmaster.
John Bishop ‘Back At It’ tour dates
2024
9-10 March Bromley: Churchill Theatre 20 March Dorking Halls 21 March Guildford: G Live 22-23 March London Palladium 2 May Southend: Cliffs Pavilion 4 May Aylesbury: Waterside* 8 May Buxton: Opera House 9 May Scunthorpe: Baths Hall 11 May Harrogate: Convention Centre 12 May Newcastle-upon-Tyne: O2 City Hall 16 May Bradford: St Georges Hall 17 May Halifax: Victoria Theatre 18 May Stockton: Globe* 19 May Sunderland: Empire Theatre 21 May Belfast: Ulster Hall 23-24 May Letterkenny: An Grianan 28 May Belmullet: Aras Inis Gluaire 29 May Galway: Black Box Theatre 30 May Clifden: Station House 31 May Galway: Leisureland 1 June Limerick: Dolans 3 June Killarney: Inec 5 June Clonakilty: De Barra’s 6 June Cork: Live at The Marquee 8 June Wexford: National Opera House 9-11 June Dublin: Vicar Street 4-5 July Stoke-on-Trent: Regent Theatre 6-7 July Warrington: Parr Hall* 11-12 July Ipswich: Regent Theatre 13 July Milton Keynes Theatre* 14 July Wolverhampton: The Civic at the Halls 5-6 September York: Barbican 7 September Dunfermline: Alhambra Theatre* 8 September Inverness: Eden Court 14 September Edinburgh: Usher Hall* 18 September Paisley: Town Hall 19-20 September Perth: Concert Hall 21 September Dundee: Caird Hall 23-24 October Basingstoke: Anvil Arts 25-26 October Hastings: White Rock Theatre 27 October Croydon: Fairfield Halls 31 October Warwick: Arts Centre 1 November Blackpool: Opera House 2 November Scarborough: Spa Grand Hall* 3 November New Brighton: Floral Pavilion* 5 November Liverpool: Empire 6-7 November Stockport: Plaza 8 November Peterborough: New Theatre 9 November Cambridge: Corn Exchange* 14-15 November Oxford: New Theatre 16 November Bexhill: De La Warr Pavilion* 17 November Tunbridge Wells: Assembly Halls* *Early show and evening show on this date For more information or to buy tickets, head to this page on Ticketmaster.
2025
14 February Weymouth: Pavilion Theatre 15 February Portsmouth: Guildhall 16 February Southampton: Mayflower Theatre 21 February Rhyl: Pavilion 22 February High Wycombe: Swan Theatre* 27-28 February Brighton: Theatre Royal 1 March Worthing: Assembly Hall 5 March Nottingham: Royal Concert Hall 6-7 March Reading: Hexagon Theatre 8 March Chatham: Central Theatre* 14 March Llandudno: Venue Cymru Theatre 15 March Sheffield: City Hall* 20 March Bristol: Beacon 21-22 March Bath: Forum 27 March Torquay: Princess Theatre 28-29 March Truro: Hall for Cornwall* *Early show and evening show on this date For more information or to buy tickets, head to this page on Ticketmaster.
Performance schedule
Early shows
Doors open at 3:00 PM. Show starts at 4:00 PM. Interval is from 4:45 to 5:10 PM. Show ends at 6:00 PM.
Evening shows
Doors open at 7:00 PM. Show begins at 8:00 PM. Intermission from 8:45 to 9:10 PM. Show concludes at 10:00 PM.
BSL signed shows
22 March 2024 London: Palladium 12 May 2024 Newcastle: O2 City Hall 11 July 2024 Ipswich: Regent 14 September 2024 – Early Show Edinburgh: Usher Hall 31 October 2024 Warwick: Arts Centre 7 November 2024 Stockport: Plaza 27 February 2025 Brighton: Theatre Royal 6 March 2025 Reading: Hexagon 14 March 2025 Llandudno: Venue Cymru Theatre 15 March 2025 – Evening Show Sheffield: City Hall 20 March 2025 Bristol: Beacon For more information or to buy tickets, head to this page on Ticketmaster.
The post John Bishop announces ‘Back At It’ tour extension for 2025 first appeared on UK Festival Feed.
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The post New Music Gear Monday: United Plugins FireEQ Plugin appeared first on Bobby Owsinski's Music Production Blog.
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READ MORE: All the best free loops, music sample packs, breaks, one-shots and synth sounds This month’s roundup includes a fiery ‘bass enhancer’, a channel strip, an analogue colouration plugin, a cool-looking instrument called Sur, and a compression plugin created by Phil Speiser. We’ve picked these plugins out because, while free, they’re well-developed, delivering arguably as much power as paid-for plugins.
Vox Samples – Fire Boy
Fire Boy is the latest free effect plugin by Vox Samples, joining the equally free Pixel Rabbit bit crusher, Time Turtle delay, Fat Cat saturation plugin and more. Fire Boy is a bass enhancer plugin that helps enrich bass without muddying the sound.
Crafted for musical harmonics, it adds depth without sacrificing headroom. It’s a straightforward effect, donning three simple knobs – Intensity, Freq, and Gain – that can be used to adjust for your desired bass enhancement and volume control.
Download Fire Boy for free at Vox Samples.
Lotus Sound – MixHARMONY
MixHARMONY, engineered for versatility, is a channel strip that features EQ and compressor sections drawing from classic Solid State Logic channel strip models.
With the EQ, you can use it to enhance vocals or boost low end effortlessly. Smoothly add dynamics or aggressively compress your bus with the integrated compressor. You can also explore various meticulously crafted factory presets for instant inspiration.
Download MixHARMONY for free on Patreon.
Variety Of Sound – TesslaPro Mk IV
TesslaPro Mk IV is the latest update to Variety Of Sound’s free analogue enhancing plugin.
It’s a powerful tool designed for digital mixing and mastering engineers seeking to infuse their productions with the rich, analogue character often associated with high-end hardware devices.
It brings subtle analogue artefacts into the digital domain, adding warmth and depth to the sound while enhancing transients and stereo imaging. Its Boost feature provides further control over mix cohesion and peak management. Whether applied to individual tracks or to your mixbus, TesslaPro works well for adding elegant analogue vibes wherever needed.
Download TesslaPro Mk IV on Variety Of Sound.
MNTRA Instruments – Sur
This new soft synth by MNTRA is a “free taster” of the brand’s forthcoming Naada synth. Replicating the essence of the drone in Indian classical music, Sur is a sample-based instrument using samples of traditional Indian instruments, such as the Tanpuras, a Sitar-like string instrument, and the shruti box.
Powered by MNTRA’s advanced MNDALA 2 sound engine, it invites musicians to delve into the intricate nuances of popular Ragas with precision and authenticity, serving as a gateway to the calm beauty of Indian classical music.
Download Sur for free on MNTRA.
iZotope – Trash Lite
iZotope’s Trash distortion plugin, which was originally released in 2003 and soon established itself as an iconic distortion effect for producers, made a big return recently. This revamped version introduces a new look, a more modern interface, a free version and a version for iPad.
Trash offers over 60 distortion types and 600 impulse responses. New additions include an XY pad for blending algorithms, an envelope follower, and what it calls a Scream filter. With Trash Lite, you get a free, limited version of the full thing, but it’s still impressive nonetheless.
Check out Trash Lite for free on iZotope.
Phil Speiser – The_Compressor
Phil Speiser, a musician and now plugin developer who to date has been involved in a number of top 10 hits, has released The_Compressor. This plugin simplifies compression, providing easy control for professional outcomes.
Developed due to frustration with existing options, it most notably features a function called Magic Mode, which automatically sets optimal parameters. Designed for accessibility, it ensures users of all levels can achieve expert compression without having to be an expert.
Download The_Compressor for free on Phil Speiser’s website.
SoliderSound – S Doubler (Free)
S Doubler is a widener plugin that lets you position four doubling voices on a virtual sound stage so you can tailor the stereo image of your music. Using it, you can add width and depth to vocals and instruments, replicating the psycho-acoustic effects of sound proximity for dimension in your mix. There are three controls to shape the width you’re giving your audio, Spread, Distance, and Tone.
According to the developer, “Whether you’re looking to create subtle enhancements or bold stereo effects, S Doubler offers the exibility to tailor the sound to your exact specifications.”
Download the free version of S Douber on Solider Sound.
The post Best free plugins and freeware of the month: March 2024 appeared first on MusicTech.
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The post Run The Enemy brought even more tragedy to the legacy of Sylvia Plath with their Post-Punk vignette, She Writes Poetry appeared first on A&R Factory.
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Metal Percussion for UVI Falcon 3.0 is a collection of unusual percussive sounds build upon samples... Read More
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A Melodic Odyssey with Veteran Flair
The remix odyssey embarks with Fideles returning the favor for CAMELPHAT’s remix of the Afterlife hit, ‘Night After Night,’ by delivering a potent reimagining of ‘In Your Eyes.’ This track first reverberated through the crowds of Afterlife Tulum, and has since become a standout anthem. Following closely is Øostil with the album’s third rendition of “In Your Eyes.” Øostil‘s signature melodic techno groove, enriched with a unique blend of synths and kick drums. This marks a compelling addition to the Spiritual Milk saga.
The Rising Stars and Their Sonic Innovations
Not to be overshadowed, Tigerblind marks a return to the spotlight with a high-octane version of ‘Compute’. This remix ups the tempo and energy in a display of musical prowess. Having lain dormant since 2022, Tigerblind’s resurgence is a clarion call to the industry. It is clear to see why heavyweights like CAMELPHAT, Swedish House Mafia, and Solomun have already thrown their support behind the emerging talent. Dorian Craft then takes us on an afro-house journey with his take on ‘Embers’. Craft infuses the collaboration with Shimza and Julia Church with a rich, cultural tapestry of sound that only he can conjure.
A Remix Album that Continues to Evolve
With this second batch of remixes, CAMELPHAT not only expands their discography but also cements their status as curators of the evolving dance music landscape. Each artist’s unique approach to remixing tracks from “Spiritual Milk” adds a new layer of depth and dimension to the original compositions. This makes the album a multifaceted gem in the electronic music crown. As we dive into the heart of festival season, CAMELPHAT’s remix album emerges as a beacon for club-goers and festival aficionados alike. This promises an unforgettable auditory experience that resonates with the soul of the dance floor.
With the addition of these four remixes, ‘Spiritual Milk’ continues to surprise and captivate. This proves once again that CAMELPHAT is a force to be reckoned with in the music world. As the remix album evolves, it stands as a testament to the duo’s commitment to innovation and their unwavering ability to electrify listeners worldwide.
For all things Camelphat, be sure to check out their official website, here.
The post CAMELPHAT Ignites the Dance Floor with Spiritual Milk Remixes PT. 2 appeared first on EDMTunes.
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The Changing Landscape of Music Streaming
The journey from the early days of internet music streaming to its current state reveals a fascinating evolution in user behavior and technology. Initially, streaming was a novelty, enjoyed by a modest 56% of Americans. This figure surged to 69% in 2014 and breezed past 80% by 2018. The year 2023 marks a milestone, with music streamers surpassing 90% of the internet population for the first time. This growth is not just about numbers; it’s about how and why we listen. MusicWatch counts various forms of streaming, from ad-supported platforms like Spotify and Pandora to video services like YouTube, excluding short-form video platforms such as TikTok and Instagram Reels.
The Role of the Internet and Devices
The expansion of the U.S. internet population from approximately 125 million in 2012 to 193 million in 2023 underscores the explosion in music streaming adoption. This isn’t just about more people being online; it’s about how they access the internet. The shift from dial-up to high-speed home internet, coupled with the advent of mobile internet, has been instrumental. Moreover, the reasons behind subscription payments have evolved. Early adopters were drawn to features like playlists and social network connectivity. Nowadays, as Russ Crupnick of MusicWatch points out, the convenience of seamless listening across various devices and settings has become the primary motivator.
The Financial Tune of Music Streaming
As music streaming services have become an integral part of our lives, they’ve also seen a notable increase in per-capita spending on recorded music, which went up by 7% from 2022. This uptick is attributed to organic growth and price inflation, with services like Apple Music, Spotify, YouTube Music, and Amazon Music implementing price hikes. These adjustments reflect the value users find in these services, ensuring access to their favorite tunes anytime, anywhere.
Music streaming has undoubtedly changed the landscape of music consumption in the U.S., becoming a ubiquitous part of daily life. As technology and user preferences continue to evolve, the harmony between accessibility and enjoyment promises to keep the melody of music streaming alive and well for years to come.
[H/T] – Billboard
The post Over Half of U.S. Internet Users Pay For Music Streaming Services appeared first on EDMTunes.
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Due to its high-end design, specific needs, such as a proper audio setup, and high-quality physical and digital copies of tracks to play on, you won’t see this become a standard at any big clubs/venues soon. Nonetheless, for those of you who are into the more complex setups and performances, expect to see this baby show up at a big artists’ setup occasionally (Yes, looking at you, Mr. Cox).
Euphonia
Alphatheta’s Euphonia is a 4 channel mixer, with multiple in and out audios. Its potentiometer-based design aims for a more humane feeling of the transition, making it possible to create an almost invisible transition. It includes an analogic transformer that allows you to work both digitally and analogically. Designed in collaboration with the legendary engineer Rupert Neve, it is definitely a collector’s item, both aesthetically and historically.
A most iconic item in the history of the DJ profession, it is no wonder fans have been asking for this one for a long time. Although its design and price range make it quite hard to get one, it will find a loyal crowd that will build culture around it. Who knows, maybe one day we’ll have one of these next to every club mixer. And honestly, why not?
The post AlphaTheta Reveals Euphonia; Their New High-End Rotary Mixer And First Of Its Kind In Pioneer’s History appeared first on EDMTunes.
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