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Alesso’s ‘Surrender’ Remixed: Skepsis, AYDEN LOYDE, and More

Alesso and Becky Hill’s hit track ‘Surrender’ has become a signature track between the two, and now we have a fresh new spin with a collection of remixes from four exciting names in electronic music. The remix album features Skepsis, AYDEN LOYDE, Marten Hørger, and John Alto. Each producer adds their signature style to the track, creating a diverse catalog.
Skepsis’s D&B spin
Skepsis, a rising star in the UK bass scene, brings his signature style to ‘Surrender’ with his heavy Drum & Bass. Popular for his ability to energize the crowd with his high-energy intensity, his remix has a good chance of making an appearance in live shows. It incorporates his powerful sound dominating the scene, making it a must-listen for fans of UK bass music.
AYDEN LOYDE adds Melodic Tech House vibes
AYDEN LOYDE, the solo artist from Sweden, brings a more melodic twist to the ‘Surrender’ remix. Popular for blending progressive and melodic house, AYDEN LOYDE delivers a remix that is rich in emotion. His signature style combines smooth melodies with a driving rhythm, making it a great addition to the remix album.
Marten Hørger’s Bass House edition
Marten Hørger, a key figure in the bass house scene, stays on top for his ability to create mainstage music with high-energy drops and infectious rhythms. His remix of ‘Surrender’ brings a bold, festival-ready feel, with his signature bass house sound.
John Alto’s creative overhaul
John Alto’s remix of ‘Surrender’ concludes the remix album with an unforgettable and distinct sound. Popular for blending elements of techno, house, and trance, John Alto creates a remix that blends his full style. His interpretation focuses on signature sound design, deep basslines, and rhythmic patterns that are easy to dance to.
Conclusion
The ‘Surrender’ remix album is a showcase of talent, bringing fresh life to Alesso and Becky Hill’s original track. Each remix offers a unique perspective on the track, whether it’s Skepsis’ D&B, AYDEN LOYDE’s melodic tech house flair, Marten Hørger’s Bass House, or John Alto’s one-of-a-kind twist. With these four popular producers at the helm, the ‘Surrender’ remix album is a must-listen for anyone looking to explore different facets of electronic music and enjoy a reinvented version of a global anthem. If Alesso is on your bucket list to see you can see his tour dates at https://alessoworld.com/tour.
The post Alesso’s ‘Surrender’ Remixed: Skepsis, AYDEN LOYDE, and More appeared first on EDMTunes.
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Calvin Harris refutes claims that his new song Blessings plagiarises a particular 1996 trance track: “So far I’m not hearing it”

Calvin Harris has just scored his 45th Top 10 hit in the UK with his new track, Blessings. With its thumping dance beat and bright vocal performance from Clementine Douglas, it’s a summer-ready anthem – and it’s inspired, in part, by Grateful Dead.
In a new Instagram video, the Scottish DJ explains how Blessings’ foundational riff exists thanks to his obsession with Grateful Dead. Last summer, he hunted down the guitars and bass guitars used by the rock group, and he’s been using them to aid his creative process.
“I became obsessed with the Grateful Dead, and I bought this guitar,” he explains, picking up a Martin D-28. “It was [Jerry Garcia]’s favourite guitar, apparently, for rhythm stuff.”
READ MORE: My Forever Studio: TOKiMONSTA nabs a historic synth In terms of recording, he set up three equally spaced-out mics. “I’ve got the condenser in the middle, and then these two for a nice stereo pair,” he says. “Then I sat in [a] chair, and I recorded!”

He humbly notes that he’s “not the best player, let’s be honest”, and that he “sounds like shit” on guitar, so he instead tends to record “one note at a time”. But he makes up for his lack of guitar skill with energy, re-enacting how he plotted out the song’s rhythm with a “bam, bam, bam!”

He then digs into the tech side. Drawing up his DAW, Harris shows a “very basic” chain, noting the boosts, highs and smack attack. “Get slapping!” he cries, before hitting play.
The decision to showcase the process behind his new track could be a jab at producer Nick Bracegirdle, who claims that Blessings sounds similar to his 1996 trance track, Offshore.
As Bracegirdle highlights the alleged plagiarism on Logic Pro, he explains: “I am defending my copyright and my intellectual property here guys and I’d like to know what your comments are.”

Harris’s response? The DJ wasn’t too pleased. He disproved the claim in a TikTok response, laughingly calling the producer a “stupid bastard”.
In the TikTok, Harris tries to line up the two tracks, pitch-shifting and looping certain parts to find the similarities. “OK, so far I’m not hearing it,” he says as he hunts to find the supposed plagiarism.
Harris even counters Bracegirdle’s claim by pointing out Offshore’s similarities to an even older track. In his opinion, Tangerine Dream’s 1984 track, Love On A Real Train, sounds even more similar to Offshore.

The post Calvin Harris refutes claims that his new song Blessings plagiarises a particular 1996 trance track: “So far I’m not hearing it” appeared first on MusicTech.
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Avicii Forever—Best Of Compilation Album Out Now

Today, Interscope Records, Pophouse and the Avicii Estate are proud to release AVICII FOREVER, a compilation featuring 19 essential tracks from Avicii’s iconic catalog, along with the brand-new single “Let’s Ride Away” featuring Elle King. AVICII FOREVER is available across all major streaming platforms, in physical formats and through exclusive content on Avicii’s official social channels. 
Follwoing the global release of the critically acclaimed documentary I’M TIM which premiered on Netflix on New Year’s Eve, this special release is a celebration of producer/DJ/songwriter Tim Bergling, better known to the world as Avicii, and honors the lasting impact and influence of his artistry. 
Produced by Tim Bergling, Luke Laird and Carl Falk and written by Kacey Musgraves, Tim Bergling and Luke Laird, the new track “Let’s Ride Away” is a testament to Avicii’s unparalleled ability to blend genres and create music that resonates deeply with listeners. Featuring the powerful and emotive vocals of Elle King, listeners share the familiar sensation of freedom and adventure that Avicii’s music engendered live and on record. The track also features the same brass band that performed on his worldwide smash “Fades Away.”
Said Carl Falk, producer and longtime friend of Avicii, “Tim wasn’t just a unique artist, he was a once-in-a-generation songwriter and producer, with an unmatched gift for turning any sound into something unmistakably his own. ‘Let’s Ride Away’ captures that perfectly. It is one of those rare songs where it blends organic, roots-inspired elements with his signature melodic style in a way that feels both fresh and undeniably Avicii. Releasing it now gives even more people the chance to experience that brilliance – maybe even for the first time. He continues, “Tim’s creativity knew no bounds – he could pick up any sound, any voice, any instrument and make it completely his own. One of the most beautiful things about Tim’s music is its timelessness – every new generation keeps discovering Avicii, and his songs continue to touch hearts around the world.”
Tim was constantly searching for new influences, new collaborators, and new voices, and in 2017, that search took him to Nashville. One of the sessions he booked was at the legendary Sound Emporium studio with Kacey Musgraves and producer Luke Laird.
Said producer Luke Laird, “Tim had that perfect balance of humility and confidence in the studio. He gave his collaborators the freedom to be creative, and at the same time, paid close attention to the best parts of the melody and lyrics and accentuated that. Working on ‘Let’s Ride Away’ together was a true joy. I think Tim would be really happy with the way it turned out. I know he loved it the day we wrote it and Elle delivered an incredible vocal and stayed true to the melody but also put her own unique spin on it.”
CLICK HERE FOR INTERVIEW EXCERPTS FROM LUKE LAIRD AND CARL FALK ON THE MAKING OF
“LET’S RIDE AWAY”
AVICII FOREVER makes long-awaited new music available to fans, while also elevating Avicii’s profound catalogue with beloved global hits like “Wake Me Up”, “Levels”, “Heart Upon My Sleeve (feat. Imagine Dragons) and more, capturing the spirit and sound that made Avicii a global phenomenon. See below for the full tracklist. AVICII FOREVER was created to deepen the casual listener’s knowledge of Avicii’s repertoire and introduce his legacy to a new and younger generation.
AVICII FOREVER Tracklist
Wake Me Up Levels Let’s Ride Away (feat. Elle King) (NEW SONG) The Nights Waiting For Love Without You (feat. Sandro Cavazza) SOS (feat. Aloe Blacc) Hey Brother Lonely Together (feat. Rita Ora) I Could Be the One [Avicii vs Nicky Romero] Silhouettes Fade Into Darkness You Make Me The Days For A Better Day Addicted To You Friend of Mine (feat. Vargas & Lagola) Broken Arrows Heart Upon My Sleeve (feat. Imagine Dragons) Heaven Listen to ”Let’s Ride Away” HERE, watch the story behind the song clip HERE and the download/stream the full album HERE.
The post Avicii Forever—Best Of Compilation Album Out Now appeared first on EDMTunes.
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Guinness Certifies Drone Light Show As World Largest

Vietnam just set a Guinness World Record on April 28th, 2025.
A beautiful display utilizing 10,518 drones all happened in Ho Chi Minh City. The drone light show was for the 50th anniversary celebration of the Liberation of the South and National Reunification.
“Largest drone light show by number of drones flying simultaneously” was the official record, Guinness-certified during a practice rehearsal that was completed two days before the actual event. And what’s crazy is that the planned event was for April 30th, which was soon cancelled after the practice performance due to removing the ads that may have caused issues with the drone choreography, resulting in collisions. Even though the show had its setbacks, the drones formed a number of images, such as national emblems, historical scenes, and city skylines
DAMODA, a Chinese company known globally for large-scale aerial displays, enhanced the drone’s performance. It was designed in close cooperation with the show’s Vietnamese organizers. DAMODA stated that its drones functioned reliably during performances, despite heat and signal interference. The company claims to have conducted over 10,000 performances to date without any accidents, achieving a reliability rate of 99.999%.
Watch the aerial show below.


The post Guinness Certifies Drone Light Show As World Largest appeared first on EDMTunes.
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There’s A Good Reason Why Martin Jensen Ditches the Numbers Game on His New HYPEBEAST EP

With HYPEBEAST, Martin Jensen didn’t just release a new EP—he built an entire ecosystem of creativity. In this exclusive EDMNOMAD interview, he called it a playground, and after listening, it’s clear this isn’t just a metaphor. HYPEBEAST plays loud and loose with genre, weaving Afro House, rap, funk, and pop into a five-track set that feels more like a house party than a press release. According to Martin, “What you see is exactly what you get—five tracks of fun.” There were no discarded ideas, no tracks left behind. Everything that made it in was part of a carefully unfiltered vision from the beginning.
It’s not the first time Martin has crafted hits across genres, but this project hits differently. His choice to shine a light on rising artists reflects a growing frustration with the industry’s obsession with numbers. “A lot of artists only want to work with someone that perhaps has virality,” he explained. “But for me, it is all about the talent.” Whether an artist has a thousand monthly listeners or a million, what matters most to Martin is whether their sound excites him. “If what they are doing is exciting, fresh and appeals to me, then that is someone I want to work with,” he shares. That philosophy rings loud through HYPEBEAST, where voices from all over the globe—South Korea to Las Vegas—collide in an unapologetically bold sound.
Martin Jensen Breaks Down Each HYPEBEAST Track
For those wondering what track best captures Martin Jensen’s own personality, don’t guess ‘YES, PLEASE’ too quickly. While that cheeky, valley-girl-inflected anthem—driven by Sami Brielle’s playful vocals and Carrie Keller’s slick production—certainly turns heads, Martin aligns more with ‘FOODTRUCK’. The track, featuring Bradeazy and MADDS, hits a late-night sweet spot. “It has that Martin Jensen house vibe,” he said, “but with a melancholic message and rap sections about being carefree, spilling liquor, and being out at 3am.”
That vibe—fun but not frivolous, wild but rooted in emotion—runs through the EP’s DNA. ‘YOUR MAMA’ delivers deep bass and unexpected humor with lines like, “Think about how your best friend could become your best Dad!” The production, helmed by Roxy Ferrari and I.D.O., balances funk with bold lyrical choices that feel cinematic in their storytelling.
Elsewhere, ‘ANIMAL’ brings primal energy to the floor. Featuring Yako and Kromi, it marries Eastern-influenced big-room with intense vocal fire. Every drop feels engineered for chaos—in the best way possible. And of course, the title track ‘HYPEBEAST’, with LA-based SAVI and South Korean singer Eliana, opens the EP like a manifesto. With punchy lyrics and an undeniable bassline, it sets the tone for what’s to come: music that’s not just heard but felt.
Pushing Boundaries by Letting Go
Despite his global stage presence—Tomorrowland, Ushuaïa Ibiza, Wembley Stadium—Martin Jensen’s creative drive isn’t fueled by spectacle. It’s powered by freedom. “If I have to adhere to a certain sound to fulfill what a label wants,” he admitted, “my heart won’t be in it.” That’s why HYPEBEAST felt so personal to Martin Jensen. It allowed him to break from formula and lean into collaborative chaos with rising stars.
The creative block only appears, he said, “when I don’t have freedom.” But on HYPEBEAST, he felt liberated. Over six months, he co-created a space where boldness replaced bureaucracy. It became a “fun, funky, hybrid project”—and that emotional satisfaction rings through every synth and drop.
His vision also centers on shifting how fans consume music. While most listeners fixate on beats or vocals, Martin wants them to catch the subtle brilliance underneath. “I’m a vocal guy so I’m glad fans notice that, but as a producer, I’d say probably melody,” he shared. “It can create a mood and acts as the backbone to a release.” For Martin, melody isn’t an afterthought—it’s the architecture holding the sound together.
Danish Roots and Global Dreams
Though he’s made Denmark a key node on the global dance map, Martin thinks most people still miss what the Danish scene truly offers. “I really love what Tripolism are doing,” he noted, pointing to the trio’s breakout moment beyond home. While Denmark may be known for folk and pop internally, Martin sees its dance music future expanding rapidly—and internationally.
And what about genres he hasn’t yet explored? Martin admits he’s already dipped into pop through past collaborations, but he’s got dreams of going deeper. “I would for sure love to do more in pop music, be that collaborations or remixes, I’m a huge Taylor Swift fan,” he confessed. “I’d love to remix a track of hers one day.”
Martin Jensesn Activates HYPEBEAST Mode
Right now, Martin Jensen is living fully in HYPEBEAST mode. Touring, summer festivals, and bigger announcements are on the way. “2025 is going to be one of my biggest years yet and I can’t wait to take you all along for the ride” he promised, teasing what lies beyond this chapter. He’s not just riding the wave of streaming numbers—he’s creating new currents. At its core, HYPEBEAST is a loud, colorful call for risk-taking. It invites rising talent to share the spotlight. It tosses genre labels aside like last week’s drop. And it reminds fans that, in a world chasing metrics, it’s okay to chase feeling instead.
Through HYPEBEAST, Martin Jenses didn’t just create a five-track EP. It’s a manifesto. And it sounds like 3am at your favorite afterparty, windows down, no rules in sight. Stream the ‘HYPEBEAST’ EP now.
The post There’s A Good Reason Why Martin Jensen Ditches the Numbers Game on His New HYPEBEAST EP appeared first on EDMNOMAD.
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Xtaosea Releases Shimmering Single ‘Waterfall’

In the world of deep house there’s a new talent emerging from Virginia. Xtaosea is a rapidly developing artist who first appeared in 2024 with her debut single ‘Show Me The Way.’ She’s already dropped a further 3 tracks this year and now her fourth song of the year ‘Waterfall’ is here.
There’s a great variety in instrumentation across the track from the brooding bassline of the intro to the subtle yet effective percussion in the verses. With interspersed ear candy from start to finish ‘Waterfall’ feels fresh through every section alongside having excellent vocal production. The track is designed to work all season long from sunny days on the beach to late nights out on the town.
Her work rate having released 4 singles this year is impressive as it is, however, she’s turning up the wick with 2 albums planned for later in the year. Expect to see diverse sounds across the albums with one aimed to be a vibrant dance album, while the other will be a faith-based album that ventures into spiritual themes.
There’s no doubt that there’s plenty to look forward to from Xtaosea in the near future with her admirable work rate and fast-growing talent. Keep an eye out on this vibrant, versatile, Virginian.
To follow Xtaosea on Instagram, click the button below:
XTAOSEA INSTAGRAM
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Iconic guitar amp brand Marshall enters the soundbar game with the Heston 120

Marshall has made its long-anticipated entrance into the home audio space with the launch of the Heston 120.
As the brand’s first-ever soundbar, the Heston 120 aims to do more than just pump up your Netflix marathons. It’s designed to deliver a “colossal audio experience for both TV and music,” blending Dolby Atmos and DTS:X spatial sound with Marshall’s signature analogue flair.
READ MORE: This soundbar optimises sound specifically for where you’re sitting in a room “We know that soundbar owners use their soundbar to listen to music, yet most soundbars are not built for both music and TV,” says Anders Olsson, Senior Product Manager at Marshall Group. “This gave us a reason to exist and an opportunity to really shine with our legacy in music and audio.”
Inside, the Heston 120 features 11 drivers firing in multiple directions to bounce sound across the room. The result? Deep, rumbling, lifelike bass, clearer dialogue, and a more expansive soundstage whether you’re watching a blockbuster or spinning a playlist.
Boasting HDMI eARC, Wi-Fi, Bluetooth LE Audio with Auracast, and even RCA inputs, the Heston 120 is future-proofed for just about any setup. It integrates directly with Spotify, Tidal, and internet radio stations – with presets available via the tactile knobs or the new Marshall app, which now includes room calibration to help you find the perfect acoustic fit for any space. The soundbar also comes with a range of different sound modes to fit the moment, including Music, Movie, Night and Voice modes.
“We spent hundreds of hours fine tuning Heston 120,” adds Ed Camphor, Audio Technology and Tuning Lead at Marshall Group. “It was important to us that we spent equal time and effort on both TV and music, not one over the other. Everything inside is tailored and engineered to have very specific roles to give you an optimal audio experience.”
True to its roots, Heston 120 is dressed in wrapped leather trims, knurled metal knobs (for bass and treble tuning), and a brushed metal panel, all nodding to Marshall’s iconic amp heritage. It’s also built to last, featuring repairable and replaceable parts, including the fret, end caps, and the drivers and circuit boards.
To celebrate the launch, Marshall has partnered with MTV Cribs for a new special starring Dan and Justin Hawkins of The Darkness, with a cameo from alt-rock duo Nova Twins. The episode, streaming now, offers a look inside the band’s eccentric home, The Hawk’s Nest, with Marshall sound taking center stage.
The Heston 120 is available for pre-order now for £899.99 at Marshall’s website, with general availability starting 3 June and select retailers getting stock from 16 September. More models in Marshall’s new TV sound range, including the Heston 60 and Heston Sub 200, are expected to launch later this year.
The post Iconic guitar amp brand Marshall enters the soundbar game with the Heston 120 appeared first on MusicTech.
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North Coast 2025 Unveils Epic Lineup for 15th Year

This summer, North Coast Music Festival celebrates a major milestone—its 15th anniversary. A three-day event from August 29 to 31, 2025, at SeatGeek Stadium in Bridgeview, Illinois, USA. What started as a multi-genre city festival back in 2010 has transformed into one of the Midwest’s premier celebrations of electronic music and immersive festival culture.
A Lineup to Mark 15 Years of Coastin’
North Coast isn’t holding back for its anniversary edition. With a Phase 2 announcement that added even more firepower to an already loaded roster, the festival continues to spotlight both major headliners and rising talent across bass, house, techno, and everything in between.
Newly announced acts include Liquid Stranger, who brings his psychedelic bass sound back to the Midwest. The always-mysterious ATLiens, known for their sci-fi visuals and heavy low-end frequencies. Daily Bread joins with a dose of electro-soul. While fresh energy comes from artists like LYNY, Zingara, INFEKT, Oppidan, CELO, and Tazu. Each carving their own lane in trap, UKG, dubstep, and future bass.
These additions join a Phase 1 lineup that already features a festival-worthy list of headliners. Artists include Zedd, Excision, Chris Lake, Galantis, RL Grime, Zeds Dead, REZZ, Seven Lions, Kaskade, Louis The Child, SOFI TUKKER, Timmy Trumpet, and a rare drum & bass set from deadmau5. Supporting acts like Of The Trees and SVDDEN DEATH PRESENTS VOYD will bring late-night chaos. While more than 30 local Chicago artists round out the bill and reinforce North Coast’s homegrown roots.
Seven Stages, Art Installations, and One Wild Weekend
North Coast’s success has been tied to more than just its music— for them it’s about creating an immersive environment. The 2025 edition will feature seven stages, each with its own personality and aesthetic.
At the center of the action is the Stadium Stage. This stage will be home to the weekend’s most high-octane performances and jaw-dropping production. Expect fire towers, lasers, LED walls, and next-level visuals. Beyond the main stage, festival-goers will encounter a wide spectrum of sonic experiences, including The Vega and The Shipyard which offer genre-diverse energy and immersive lighting. The Fire Pit, powered by Incendia, surrounds dancers with flame towers in a 360-degree setup. Club Coast—North Coast’s hidden speakeasy dance floor—returns with a new location. To enter you require a secret daily password which will available only through their official app.
For those needing a breather, The Chill Dome is a full-sized air-conditioned soccer dome filled with cushions, lasers, and downtempo, lofi, and deep house sets. It’s one of the most unique spaces in the festival map. Add to that the Silent Disco, the elevated Yacht Club viewing deck overlooking The Shipyard stage. Attendees can also find larger-than-life art sculptures by Paul Khan. The Ferris Wheel offers panoramic views, while roaming performers and interactive exhibits ensure surprises at every turn.
Getting to North Coast: What You Need to Know
SeatGeek Stadium, located in Bridgeview, Illinois, is about 15 miles southwest of downtown Chicago, making it easily accessible for both locals and out-of-town festival goers. Attendees can drive to the venue but should note that they require parking passes. Overnight parking is not allowed and designated drivers are strongly encouraged. Early wristband pickup via will-call is recommended for smoother entry.
For those coming from downtown Chicago, public transit is available via the CTA Orange Line to Midway Station. Here, rideshare and shuttle services will connect attendees to the stadium. While North Coast doesn’t offer on-site camping, festival organizers recommend partner hotels in the Bridgeview area, with shuttles expected based on demand.
For those planning their weekend digitally, the North Coast Music Festival have their app. This app allows attendees to build custom schedules, view set times, and access hidden experiences like Club Coast. Live stream options will return for select sets via the official festival website. This is ideal for Coasties who want to relive the weekend or tune in from afar.
Ticket Tiers and more
North Coast Music Festival offers multiple ticket options for 2025, including a new GA+ tier. This ticket adds express entry, air-conditioned restrooms, and a commemorative anniversary pin to the standard General Admission experience. GA tickets provide access to all seven stages, art installations, and food courts, with over 150 artists performing over the weekend.
VIP passes unlock elevated experiences like private viewing decks, access to the Ferris Wheel, and a hidden mini-club with its own DJ. Platinum passes now include all-you-can-eat-and-drink lounges at The Vega and Shipyard stages, in addition to the Platinum Lounge overlooking the Stadium Stage. Tickets are on sale on their website. For more information, check out their Instagram.

The post North Coast 2025 Unveils Epic Lineup for 15th Year appeared first on EDMNOMAD.
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Charlotte de Witte Is Headlining 6 New York Shows In 4 Days

From underground warehouses to big-name venues, Charlotte de Witte is storming New York this week with a massive run of shows.
Starting Wednesday, May 21st, the Belgian techno superstar is headlining six shows across four days, with most already sold out. She begins at Public Records before conquering Superior Ingredients, a mysterious secret location, 99 Scott, The Ruins at Knockdown Center, and finally The Great Hall at Avant Gardner.
Fans attending these shows will likely hear unreleased music from de Witte's long-awaited debut album, due out November 7th via her own KNTXT label. She recently released its opener "The Realm" and is now set to drop another new single on May 29th, a techno track called "No Division" featuring XSALT.
The song's vinyl version, which includes the "Original Mix" and "Instrumental Mix" as a B-side, is getting an early release and will be available to purchase sale at each show.
"Launching this single while I’m in New York feels symbolic," de Witte said in a statement. "There’s something about the city, its chaos, its diversity, its constant movement, that perfectly mirrors the spirit of 'No Division.' It’s a place where differences collide and coexist."
Tickets to de Witte's tour are available now and you can pre-save "No Division" here.
Follow Charlotte de Witte:
X: x.com/charlottedwitte
Instagram: instagram.com/charlottedewittemusic
TikTok: tiktok.com/@charlottedewittemusic
Facebook: facebook.com/charlottedewittemusic
Spotify: spoti.fi/2ZDewDm
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Fender Studio: The closest thing to PreSonus Studio One in your pocket?

Fender Studio has arrived, and with its one-tap recording, range of amp sims and jam tracks and simple-to-understand user interface, it could very well be a disruptor to existing simplified DAW offerings like GarageBand and BandLab.
Available on iOS, Android, macOS, Windows and Linux, Fender Studio can be downloaded on any computer or mobile device, offering a simple recording and editing solution for anyone looking to quickly capture their ideas when inspiration strikes.
READ MORE: The best free and paid-for plugins you need to know about this week It adds to Fender’s growing portfolio of apps, which also includes Fender Play, Fender Tone and Fender Tune. Fender Studio itself is free; all you’ll need is an audio interface. Fender’s recently launched compact Link I/O, for example, will do the trick.
An offering from an out-and-out guitar brand, many of Fender Studio’s features are aimed at guitarists, like a range of amp sims emulating its Mustang and Rumble amps, as well as a series of effects and a tuner. 
But it is essentially a one-stop recording solution, so vocalists and other musicians can also record and capture ideas using their device’s microphone.

The app also offers 20 jam tracks ranging in style from pop ballads all the way through to metal. Each of these tracks is a multitrack session, so users can transpose, mute, solo, speed up and speed down elements as they would in any conventional DAW.
Sharing DNA with Studio One (Fender acquired PreSonus in 2021), Fender Studio also comes with a selection of studio-quality audio editing tools, including a compressor, EQ, reverb and delay, and vocal effects like de-tuner, transformer, ring modulator and vocoder.
“I’ve always said to the team, anyone should be able to just hit a single button on their phone and be able to start recording,” said Fender CEO Andy Mooney. 
“We’ve built exactly that. We believe Fender Studio will enable more music creation than ever before by serving the needs of today’s creators and that will drive sustained growth for our company and our industry. I’m proud of what the team has created and can’t wait to hear what gets recorded in Fender Studio.”

“Fender Studio represents our continued commitment to providing players and musicians of all levels with great sounding, easy to use recording tools,” said Max Gutnik, EVP & GM of PreSonus, Jackson, Charvel, Gretsch and EVH Brands. 
“Whether you are new to recording or a seasoned pro, Fender Studio delivers authentic Fender tones and intuitive editing capabilities to record, jam, create and inspire, for free. We are super-excited to release Fender Studio and hear all the amazing music it will help bring into the world!”
Fender Studio is free and available to download now. For more information, head to Fender.
The post Fender Studio: The closest thing to PreSonus Studio One in your pocket? appeared first on MusicTech.
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Satorious & Saint Daniel Release Melancholy Marvel ‘Lift Me Up’

House is often a source of joy but that’s not to say that it’s a genre that never delves into darker emotions. Satorius & Saint Daniel have brought that diversity in emotion to the genre with their new track ‘Lift Me Up’ that tackles one of the hardest things anyone can ever go through. Saying goodbye.
‘Lift Me Up’ is an astonishing combination of immaculate production, delightful songwriting, and beautiful vocals reminiscent of Lana Del Rey’s ‘Summertime Sadness.’ While excellent in production, the story told in the track is rather more bleak as it’s about a father unconscious in hospital, saying goodbye to his wife and children. The idea came to Satorius while working as an ICU nurse watching that situation unfold and wondering what that father might say. For so many those final words may never be spoken, but ‘Lift Me Up’ gives a voice to those that are gone and will perhaps provide comfort to people who have lost loved ones.
There’s more in the works from Satorius with a new track ‘Kings & Queens’ lined up for release soon which offers a completely different musical direction entering the realms of pop rock. Once again collaborating with Saint Daniel, as well as Australian singer, Texture Like Sun, ‘Kings & Queens’ has a very soulful trajectory for fans to look forward to.
With plenty more music in production and more collaborations planned, Satorius has a great deal on his plate to be served out to the world. His knack for creating songs rich in emotion and elegance is particularly evident in ‘Lift Me Up’ and is an exciting precursor to his upcoming projects.
To follow Satorius on his Instagram, click the button below:
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[WATCH] Tiesto Shares In Search of Sunrise Set from EDC

EDC Las Vegas ended Monday morning, but iconic producer and DJ Tiësto gave all of us what we have been hoping for decades. The artist honored tens of thousands of fans, closing out day three of EDC Las Vegas with Trance classics, nodding to his In Search Of Sunrise mixes from his earlier years.
In Search of Sunrise at EDC Las Vegas
The 80-minute video takes us on a melodic and transcendental journey, pushing the boundaries of time and space. With perfect harmonies and sultry beats, Tiësto rendered a safe space for “headliners” (EDC attendees) to mellow into dawn. The Mainstage lit up with hope and wonder, as the ethereal vocals and heavenly synths enchanted the OGs and the new fans alike.
Tiësto
The veteran tastemaker and GRAMMY Award winner commands the stage just as much as he did in the late 1990s. His mixing skills and devotion to music have earned him multiple awards, including World’s Best DJ from 2002-2004 and The Best DJ In The Last 20 Years in 2014. Recently, he made history during Anyma’s End of Genesys Residency at the Sphere in Las Vegas, and he is part of the soundtrack for the upcoming Formula 1 movie.
Let loose and feel the power or Trance with Tiësto’s In Search of Sunrise at EDCLV 2025!
The post [WATCH] Tiesto Shares In Search of Sunrise Set from EDC appeared first on EDMTunes.
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Charlie Sparks goes on a ‘Jungle Run’ with new single

London based artist, Charlie Sparks is back with a fresh release on his own label, ELEKTRA Records.
‘Jungle Run’ is Sparks’ latest display of his unique blend of vibrant sound textures and energetic beats that have fascinated techno fans all over the world.
The song is an exciting fusion of soaring synths, tribal drums, and wild rhythms, as the artist looks to bring the wilderness of the jungle into every listener’s sound system.
The creative production sets ‘Jungle Run’ apart, with pulsing life, intensity and powerful beats that make you dance endlessly.
In addition, the track’s clipped vocals and pounding bassline make it another notable breakthrough in electronic music.
A distinctive element in ‘Jungle Run’ are the ‘video game’ sounds added by Charlie Sparks. They are a small detail but add a fun aspect to the song.
M
Meet Charlie Sparks
Charlie Sparks has quickly established himself as one of the most intriguing artists in the scene thanks to his boundary-pushing approach and fearless studio exploration.
With prior releases on labels like EXHALE and NINETIMESNINE, as well as support from industry heavyweights like Amelie Lens, Sparks has built up as a visionary artist who is always pushing the boundaries of electronic music.
He has played at various renowned events such as ADE, as well as the infamous Boiler Room as part of the Teletech line-up.
The DJ also owns the ELEKTRA Records label, a powerful platform for the upcoming generation of electronic music producers.
Allowing Charlie Sparks’ vision to collaborate with other artists, the label is an extension of his musical ethos, an intense, fascinating blend of Acid, Industrial, Rave, Tekno, and Psytrance-inspired grooves.
To get a taste of what Charlie Sparks and ELEKTRA Records have in store, check out ‘Jungle Run,’ out now worldwide, on all streaming platforms.
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Surprise Baby Reveal: Calvin Harris and Vick Hope Announce Pregnancy Live

Calvin Harris is going to be a dad. The global DJ and music producer is expecting his first child with wife and BBC Radio 1 host Vick Hope. The couple, who usually keep things private, shared the happy news live on air in a moment that caught listeners by surprise.
A Heartfelt Radio Moment
During a live segment with co-host Jamie Laing, Vick casually revealed that this would be her final week before going on maternity leave. As she touched her growing bump, Jamie responded with warmth, calling her an amazing person and a soon-to-be amazing mum. Vick’s quiet “thank you” made the moment feel even more personal for listeners tuning in.
From Ibiza Romance to Family Life
Calvin Harris, 41, and Vick Hope, 35, have kept most of their relationship away from the spotlight. After a whirlwind one-month romance, Calvin proposed during a private moment under a tree at his Ibiza property. They married in September 2023 at a Glastonbury-themed ceremony in Northumberland. Since then, the pair have continued to keep things low-key, appearing together at award shows but avoiding overexposure.
Baby on the Way and a New Home
The pregnancy announcement follows photos Vick shared recently from what appeared to be her baby shower. Friends gathered for a meal and games, offering a glimpse into the couple’s quiet celebration.
Alongside their growing family, Calvin Harris and Vick Hope are also preparing to settle into their new countryside home. The property, located in a quiet Gloucestershire village, is a custom-built three-storey house surrounded by nature. It’s a far cry from the nightlife of Ibiza, but it seems like a fitting choice as they prepare for a more peaceful chapter.
Looking Ahead
With the baby expected within the next two months, fans of the couple are celebrating alongside them. While Calvin Harris has spent years playing to vast number of crowds, his most important role yet is about to begin. For now, it looks like the couple is happily embracing the balance between private life and occasional public moments that mean something more.
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Soma Labs Flux is what happens when Theremin heritage meets modern sound engine

£1,299 / $1,300 / €1,300, somasynths.com
Soma Labs doesn’t necessarily have a monopoly on oddball instruments that seem custom catered to film scores and experimental noise makers, but it’s certainly a leader in the area. The Lyra series, The Pipe, The Pulsar 23, Ether, RoAT, Terra… The list goes on and on.
READ MORE: Arturia’s V Collection 11 Pro almost made me forget I had other plugins
Flux is the latest addition to its stable of wild instruments. Underneath the hood, there’s a complex digital synth with physical modeling and abrasive FM capabilities. But what makes the Flux special isn’t the synth engine — it’s how you play it.
Flux seems inspired by the likes of the Theremin and modern controllers like the ROLI Seaboard. You don’t touch Flux, you wave your hands over it while holding magnetic ‘bows’. These look nothing like the sort of bow you associate with a cello, however. Instead, they’re small, hourglass shaped, with north and south magnetic poles at either side. Your hands’ position is then tracked in three dimensions, both over the ‘timbral sensor’ on the left and the note board on the right to control various parameters from volume to filter cut-off or tremolo speed. Essentially, it combines the complex multi-dimensional control of the Seaboard with the touch-free heritage of a Theremin.
The appeal of Flux is 100 per cent in the way you interact with it. It requires patience and accuracy, which can be frustrating at first. It doesn’t necessarily lend itself to lightning-fast licks or expansive chords, even though it is capable of polyphony. Instead, it’s best approached as a machine for drones, pads and lilting melodic passages. It can be beautiful when you gently coax melodies out of it, or suffocatingly ominous when you lean into long, low drones.
Getting comfortable finding notes on the right-hand side is a lot easier than I expected it to be. The markings make it pretty easy to visualise your place, and there is note quantisation if you need it to help ease into things. Quantisation does come in handy when using plucky or bell-like sounds, where you’re likely to come down from the top more quickly to ‘strike’ notes. For smoother patches, I prefer to come at the notes by sliding up from the bottom of the board, which I find more accurate.
Gliding over the board to string notes together is satisfying, but the more interesting part of Flux is the timbral sensor on the left which gives you a ton of control over the expression of individual notes. It’s comprised essentially of three magnets in a row that turn the area in an XYZ pad that you wave a second ‘bow’ over. This can turn thin vox-style leads into low rumbles, strum notes like a guitar, or play back arpeggios faster as you move to the right. This also opens the filter as you move upwards and increases velocity as you get closer in the Z axis. It’s a shockingly simple but powerful tool that elevates the Flux beyond just being a big fancy Stylophone.
Adding even more versatility, the magnetic bows have two poles, which give you different effects when you flip them over. On the note board this usually just transposes everything up or down. But on the timbral sensor it can completely transform a synth patch into something new or control a completely different set of parameters.
While playing the Flux might sound intimidating, it’s actually pretty approachable. It’s everything else about Flux that gets a little confusing. Changing presets, synth algorithms, controlling release… Basically everything on the Flux requires placing your fingers on one or two touch-sensitive nubs and then moving the bow over the note board. The act of touching ‘R’ and then moving to the right to extend the release of a note makes sense. But trying to remember what each button does both in normal mode and bow flipped mode is difficult. Thankfully, there’s a cheat sheet that I keep handy when having a play. Creating custom patches is also annoying. That all said, you don’t have a ton of control over the synth engines anyway, so this is an instrument where I’m inclined to just stick with presets.
There are 37 synth algorithms in total, with eight variations of each, providing plentiful jumping-off points for designing sounds. But your actual ability to tweak settings is limited beyond that. Your best bet for actually crafting unique timbres is through manipulating the magnetic bows and adding external effects pedals. Flux has a built-in reverb and delay, but they’re somewhat mediocre, with limited controls and you can only use one at a time.
Certain Flux algorithms can also sound thin. Sometimes this is by design, for instance with the VOX algorithm which is based on classic Theremin designs. A Theremin can sound beautiful, otherworldly, creepy, but rarely is it described as thick or meaty. To bring body to many of its patches, I heartily recommend bringing an analogue delay to the party, as well as a spacious reverb. I often pair it with the Chase Bliss Thermae and the Death by Audio Rooms and the results are thrilling. That combination feels custom-tailored to score work. Melodies are bigger and cut more, drones rattled your guts, and plucks become atmospheric abysses.

Like most of Soma Labs’ instruments, Flux is decidedly niche. It’s £1,299, which isn’t prohibitively expensive, but also isn’t cheap. You also need to be invested in the particular sound and style of Flux, which is decidedly experimental. If you’re often doing game score work, or work in what Soma likes to call ‘academic music’ (what most would probably just call experimental), Flux will certainly seem appealing.
Key features
37-note touch-free note board 37 synth algorithms 12-note polyphony (polyphony dependent on the preset) 6-pole magnetic ‘timbral sensor’ 4 magnetic ‘bows’ Onboard reverb and delay Balanced stereo outs Headphone out Dimensions: 1000 х 114 х 30 mm Weight: 1.7 kg The post Soma Labs Flux is what happens when Theremin heritage meets modern sound engine appeared first on MusicTech.
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Zeds Dead sampled a century of sound to create their new sci-fi bass odyssey

“Ideas? I got a million dreams. That’s all I do is dream. All the time.”
A Million Dreams by Zeds Dead begins with these wondrous sentences spoken by the piano legend, Duke Ellington.
READ MORE: Myd locked himself in the studio for 168 hours and livestreamed every minute — but did it really help him finish an album? “This is not piano, this is dreaming,” he continues.
Ellington passed away in 1974. In order to include his whimsical oration on their new album, Return to the Spectrum of Intergalactic Happiness (RSIH), Zeds Dead, consisting of Zachary Rapp-Rovan and Dylan Mamid, had to find a sample…one they almost didn’t clear.
“It was difficult to get in touch with [Ellington’s] people about it. We thought it wasn’t gonna happen. Then his grandson responded and apparently liked the song. We were really stoked,” Rapp-Rovan tells MusicTech.
The bass-fueled production duo didn’t just splice in Ellington’s voice, though. In the video they sampled, his hands float around on the piano, providing a brief aural glimpse into his dreams. Zeds Dead took an instance of his playing and built a serene drum & bass track around it.
As two producers who started their music careers making hip-hop, sampling is their lifeblood. But over the years, they faced many frustrating cases with the opposite outcome of A Million Dreams.
“It’s hard to clear samples. We would get to these places where we’d have something in the track, and then we would have to take it out and replay it, and it wouldn’t sound as good,” Rapp-Rovan says. For a while, they enjoyed the challenge of creating music from scratch, but on RSIH, they renewed their affinity for the historic production technique. “In the last three years, we’ve been sampling like crazy, and for this album, we just said, ‘Let’s just have fun with it and try to clear it at the end.’”

RSIH is Zed Dead’s first LP in nine years, and sampling is at the core of the album’s multi-layered artistic concept. The fictional “spectrum of intergalactic happiness” is where the sound and light waves from all the TV shows, music, video games, and movies have been living after they left speakers and screens and floated out into space. Each song on the album represents a channel on an old-timey TV cruising through the cosmos, transmitting these frequencies as sound and visuals, with the samples serving as the most direct connection back to the original source.
The full breadth of the concept exists in the album’s accompanying film, which is filled with visual samples. Everything broadcast after 95 years of copyright protection enters the public domain. So, with the help of visual director Callum Gillies, they combined their chosen clips from the massive public library with found footage to create a psychedelic visualiser that pairs seamlessly with each song.
“We were playing around with those kinds of ideas. Where could the channel be changed to?” Rapp-Rovan says.
The next layer of the concept is the live show. Zeds Dead project clips from the film and display the videos associated with the samples on-screen during the live set. From Al Pacino’s threatening speech in Scarface that fuels their hard-hitting house cut, Bad Guy, to Ella Fitzgerald performing her soaring vocals of Summertime by George and Ira Gershwin. Zeds Dead morphed the latter into their gripping dubstep track, One Of These Mornings.
“The live show is a representation of musical culture over the last 100 years through the lens of bass music,” Rapp-Rovan says.
This historical exploration goes back to Mamid and Rapp-Rovan’s earliest years together. When they were first breaking through, they’d remix songs from pop artists into their bass-heavy signature to bring familiarity to the audience (a technique they still recommend to younger producers trying to get noticed).
“Early on, I thought remixing a popular song was a cool way to showcase your style and creativity, because if they know the original, then they’re like, ‘Oh, that’s kind of clever,’ versus a song that comes out of nowhere,” Rapp-Rovan says.
This instinct proved right when their 2009 dubstep remix of Eyes on Fire by Blue Foundation catapulted them into popularity. The track was an unofficial bootleg at first, then Blue Foundation eventually permitted them to release it. It remains Zed Dead’s highest-streamed song on Spotify with over 63 million plays, and the UKF YouTube video has over 174 million views.
Remixing and sampling are two sides of the same coin in repurposing a previous work, and both Eyes on Fire and Ella Fitzgerald’s iconic voice are united in the inspiration they provided to Zeds Dead.
“[Sampling] gets your juices flowing. You might hear something, and it might move you in a certain way. We might make something based around the sample, and the sample might not even stay in at the end of the process. But it could have sparked something or inspired something,” Mamid says, leaning into their interest in musical history. “You’re connecting to a different era. You’re bringing something back; connecting to a real moment.”
“There’s some sort of magic in the studio those people were in at that moment, and it’s sometimes intangible. You’re honing in on something that they didn’t necessarily even see,” Rapp-Rovan continues.
Zeds Dead created a framework for the album by visiting different moments throughout time via samples. Each moment was populated by different kinds of artists, whether it be musicians, actors, or anything in between. Then each of those moments created a framework for a track.
“Focusing on individual songs is zooming in heavily to a micro level, and then zooming out and thinking about everything else conceptually was really interesting,” Mamid says. “Once you open this rabbit hole, you can keep going down. It led to a lot of discussions between us, thinking about the overall project as one thing. It’s not that we hadn’t done that before, but we definitely went in more on this project.”
As they went deeper into the rabbit hole of the concept, production served as a source of light. Shifting away from the magical and the mystical and towards the technical, in the modern era, where there are thousands of plugins, modules, and synths, it was samples that helped them lessen choice paralysis.
“Once we figured out the concept, it helped to get our heads around what it could be and what made sense for it,” Rapp-Rovan says. “We wanted to make an album like some of the classic albums we listen to, where you listen to the whole thing. They all have some sort of criteria. That’s always been a big part of our whole thing: the challenge of taking some source material and flipping it into something that’s interesting and unique.”
However, the inspiration from that source material also led them down endless roads. Every song on RSIH has multiple versions in different tempos and drum patterns on a hard drive somewhere (ideal for switching things up during their live sets).
“The options are still overwhelming sometimes because not only are there so many choices, but we are also passionate and make so many styles of music. Even with a sample, we might try to flip it into 10 different styles,” Mamid says.
In their quest to follow their endless creative interest, they approached every track with a new set of plugins, hardware, and other pieces of tech. One dictum that guided the process was simple. They wrote on a whiteboard while they were making the album, “fuck shit up,” and one method of doing so was resampling.

They took a sample or an original piece of audio they created and manipulated it until they landed on a version miles beyond where they started. Not only did this create a unique sonic palette, but it also added to the gritty audio aesthetic related to the concept of frequencies coming through retro TVs.
“One thing I’m a big fan of is removing a lot of high and mid frequencies from a sound, using distortion to add back in harmonics, and then continuing to do that over and over and over again to bring certain things out of sounds,” Mamid says. Beginning this process with another sample adds a unique flavour to the final product, no matter how mangled it may be, or even if the sample was at a low bitrate. “The characteristics of the sample are something that you can’t necessarily get through synthesis.”
“This album went through many phases,” Rapp-Rovan says. “It ended up being remixes of ideas and remixes of those ideas, which I think was interesting for us because remixing is something that is very much like sampling, and something that we’ve done our whole time making music. So it was an interesting journey,”.
Zeds Dead would quickly shirk the notion that they are on the same level as a legend like Duke Ellington, but RSIH was the product of a million ideas coming together in the same way Ellington had a million dreams. The duo would certainly encourage artists sampling their ideas 50 years after their time.
The post Zeds Dead sampled a century of sound to create their new sci-fi bass odyssey appeared first on MusicTech.
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Genre-Defying Duo Soft Changa Release ‘Surely’ on House of Frequency

Soft Changa are set to unveil an intoxicating new single, ‘Surely’, on the 9th of May 2025 via House Of Frequency. The track marks a powerful new chapter for the genre-defying pair, formed by producers Jo.Ke, the voice behind ‘Who Loves The Sun’ – one of the biggest tracks to come out of the Burning Man scene over the last decade, who boasts over 350 million streams across his projects, and his long-time collaborator, ulises. With standout performances at WOMOON (Ibiza), Burning Man, and BRAVO GNP, Soft Changa continue to affirm their place as one of electronic music’s most captivating emerging acts. 
Emerging from Berlin’s eclectic underground, Jo.Ke first came to prominence through the legendary BAR25 scene. A poetic polyglot with over 2.2 million monthly listeners on Spotify alone, he has spent the past decade touring the globe as a solo act, DJ, and a core member of the revered electronic/ organic downtempo collective Feathered Sun, releasing music on Platon Records, Circus Company, and Denature.

ulises, originally from Buenos Aires, embarked on a sonic odyssey to find a miraculous sound merging folk circus, techno, and spirituals. A multi-instrumentalist with a boundless curiosity, his work is shaped by diverse influences – from Zen Buddhism and Borges to Dadaism and Depeche Mode. ulises fuses native instrumentation from indigenous cultures with contemporary tools and textures of electronic music. His releases span across labels like Sol Selectas, Scorpios Music, MoBlack Records, and Kiosk ID.
Together, Soft Changa channels an alchemy that feels at once ancient and futuristic – soulful, danceable, and undeniably immersive. Deeply influenced by spirited icons like David Bowie, Brian Eno, and David Byrne, the pair offer a versatile sonic palette of Indie Electronica, sure to be enjoyed by fans of WhoMadeWho, Monolink, and RÜFÜS DU SOL.
‘Surely’ is a kaleidoscopic marriage of movement and introspection. A steady four-on-the-floor guides shuffling percussion, pulsing pads, hypnotic synth layers, deep dreamy guitar licks, and a mesmerically melancholy vocal floating atop the haze, singing yearnfully for someone that, despite the euphoria around them, remains in their thoughts. ‘Surely’ is co-written by both members, produced by ulises, while Jan Siebert handled the track’s mixing and mastering.

Soft Changa shared: “Our newest release ‘Surely’ talks about the feeling of missing that special person, especially and even more so when surrounded by people in the euphoric mood of a party. How no matter if you‘re having a really good time and with plenty of friends and beautiful  others you just wish your loved one was there with you.”
Follow Soft Changa:
Instagram – Soundcloud – Youtube – Spotify
Follow Jo.Ke:
Instagram – Facebook – Soundcloud – Youtube – Spotify
Follow ulises:
Instagram – Soundcloud – Spotify
The post Genre-Defying Duo Soft Changa Release ‘Surely’ on House of Frequency appeared first on Electric Mode.
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Fleur Shore announces sophomore single ‘Bless The House’ feat Émilie Rachel on her new label UNDERGROWTH

Hot off the heels of her debut single and the launch of her new label UNDERGROWTH, Fleur Shore returns with her second release, ‘Bless The House’ feat Émilie Rachel
 
Featuring the tripped out vocals of Émilie Rachel, ‘Bless The House’ delivers a no-nonsense dose of classic four-four energy. It’s understated house music at its finest—the kind of track diverse enough for sweaty intimate club nights, to pulsing through packed dancefloors, and soundtracking sunrise afterparties. 
© Photography by Daisy Denham (www.daisydenham.co.uk)
UNDERGROWTH is a record label, a party series, and more importantly, a community of art lovers who want to break free from mundanity and embrace the unknown. No rules, no expectations, and no concessions to the market. 
 
The first single ‘Higher’, which came out last month, received praise and plaudits from tastemakers and fans alike and was highly touted on BBC Radio 1 by dance music authorities Danny Howard, Sarah Story and Arielle Free across their respective shows while also being singled out on Beatport as one of the Hype records of the month. 
 
The mantra is simple: we are connected, we are one, we are undergrowth. UNDERGROWTH is a safe space where artists – new, legendary, forgotten or under the radar – can express themselves however they want. 
 
BUY / STREAM ‘Bless The House’ feat Émilie Rachel’ [UG002]
The post Fleur Shore announces sophomore single ‘Bless The House’ feat Émilie Rachel on her new label UNDERGROWTH appeared first on Electric Mode.
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US House Master Cevin Fisher Drops ‘Everyday’ For Sunshine Terraces Everywhere

Following on from dark technoid beast ‘Feeling All The Pressure’, Cevin Fisher returns to Jack Said What with a release that drops more sunny side up.

Rolling tribal drums set the basis of the track, soon to be joined by shakers, a muted horn and a deep burrowing bassline. But it’s the expansive mid-section — an exultant “Everyday” refrain, fit for sunshine terraces everywhere — that brings the winning smiles. Simple but deadly, ‘Everyday’ is a feelgood summer anthem that’s going to bring dollops of joy to dancefloors whenever it gets an airing.

Cevin Fisher is a US house producer/DJ with pedigree. He had a purple patch around the millennium with tracks like ‘The Freaks Come Out’ and ‘(You Got Me) Burnin’ Up’, both of which conquered the UK and US charts. But even by that point he’d been in the music game for a decade. He began DJing in his father’s bar in New Jersey before scoring a residency at 17 in the infamous Club Zanzibar, where Kerri Chandler and Tony Humphries also cut their teeth.

Moving to New York, he got engineering work at Arthur Baker’s Shakedown Studio and with Motown, and remixed Chaka Khan and Quincy Jones, before the one and only Danny Tenaglia suggested to Cevin that his talents merited branching out on his own. A string of productions followed on Nite Grooves, Groovilicious, Subversive and Tommy Boy before he hit big with ‘The Freaks’. Cevin has continued to release quality house music this century on labels such as Strictly Rhythm, Big Love, Olmeto, Nettwerk, Nervous, Toolroom and Glasgow Underground, working with producers as varied as D.Ramirez, Prok & Fitch, David Morales, Jack Back, Layo & Bushwacka and Seamus Haji. Most recently, last year he co-produced wiggly, syncopated rhythmic house smash ‘Move That Body’ with Danny Tenaglia, and released ‘Give Me My Pleasure’ on Faith.

Play ‘Everyday’ every day this summer for maximum joy.
The post US House Master Cevin Fisher Drops ‘Everyday’ For Sunshine Terraces Everywhere appeared first on Electric Mode.
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‘Honey F#cking Dijon’ weekly line ups revealed at Chinois Ibiza

Globally adored, Chicago-born icon Honey Dijon unveils weekly line ups for her Honey F#cking Dijon 8 date residency at Chinois Ibiza. She’ll be joined by her supreme selection of the world’s best guest DJs every Thursday night, June 5th to July 24th, including Jamie XX, Uncle Waffles, Major League DJz, Âme, Derrick Carter, Benji B, Patrick Mason, Honey Luv, Gina Jeanz amm. Check out the full rundown for each week below and get ready for an incredible f#cking summer…

“I’m excited to be back at Chinois this summer – we’re bringing the heat straight to the dancefloor,” Honey says. ‘Nothing beats the raw, unfiltered energy of the club – the lights, the bass, that connection between me and the crowd. It’s where music breathes, where it lives. Chinois has that energy, that vibe. I’ve got some of my favourite artists joining me on Thursdays throughout June and July, and I’m really looking forward to it. Can’t wait to see everyone there.”
Apart from igniting Chinois dancefloors, recently Honey has increased her already global status in music and fashion, inc. walking in WILLY CHAVARRIA’s show at Paris Fashion Week; her contribution to the DJ Kicks compilation series (October); her latest release C*NTY with Kevin Aviance; and press support inc. Vogue, L’Officiel, GQ, New York Times, Notion, Guardian… All since emerging from the underground to produce with Beyonce, collab with Jamie XX et al, play the biggest venues, and create runway soundtracks for Vuitton and Dior.

Weekly Schedule:
Thursday 5th June (Opening): Honey Dijon, Âme (DJ), Cameron Jack
Thursday 12th June: Honey Dijon, Derrick Carter, Honey Luv, Tommy Gold
Thursday 19th June: Honey Dijon, Patrick Mason, Isaac Carter, Pascal Moscheni
Thursday 26th June: Honey Dijon, Luke Solomun, System Olympia, Makadsi
Thursday 3rd July: Honey Dijon, Benji B, Blck Mmba, Keyrah
Thursday 10th July: Honey Dijon, Major League DJz, Gina Jeanz, Remixia
Thursday 17th July: Honey Dijon, Jamie xx, TSHA, Manu Gonzalez
Thursday 24th July (Closing): Honey Dijon, Uncle Waffles, Malix, Rosey Gold
Connect with:
Chinois – @chinoisibiza
Honey Dijon – @honeydijon
The post ‘Honey F#cking Dijon’ weekly line ups revealed at Chinois Ibiza appeared first on Electric Mode.
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Klangkarussell returns alongside Oliva for new single ‘Holy Father’ on Bias Beach Records!

Austrian electronic duo Klangkarussell return with their latest single, ‘Holy Father’, set for release on May 16, 2025. Teaming up with Colombian rising star Oliva, the track is a seamless fusion of melodic house and Afrobeats with Latin influences, delivering an emotionally charged summer anthem about temptation, regret, and redemption.
‘Holy Father’ tells the compelling story of a woman entangled in a forbidden affair. Overwhelmed by guilt and inner conflict, she seeks solace in prayer, asking for the strength to resist temptation. Oliva’s powerful vocals and Latin-Caribbean influences bring raw emotion to the narrative, while Klangkarussell’s signature production weaves hypnotic rhythms and captivating melodies—resulting in a track that could resonate everywhere, from dance floors and festival stages to beach clubs and the airwaves.
 
Blending Klangkarussell’s dynamic beats with Oliva’s vibrant energy, ‘Holy Father’ is poised to be the anthem of this summer.
BUY / STREAM: KLANGKARUSSELL, OLIVA: ‘HOLY FATHER’ HERE
Connect with Klangkarussell:
https://www.instagram.com/klangkarussellofficial/ 
https://soundcloud.com/klangkarussell 
https://www.facebook.com/klangkarussell
The post Klangkarussell returns alongside Oliva for new single ‘Holy Father’ on Bias Beach Records! appeared first on Electric Mode.
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Don Diablo’s Alter Ego CONTROL ALT DΞLΞTΞ Unleashes Grime and Drum & Bass Power with “Head Banger,” Featuring Scrufizzer – Debut on Iconic Label UKF and North American Tour Announcement

Don Diablo’s alter ego CONTROL ALT DΞLΞTΞ crashes into the UK grime and drum & bass scene with his most creative cut yet – “Head Banger” with Scrufizzer, proudly representing the British grime scene, via the UK’s legendary label and platform UKF. This marks the CONTROL ALT DΞLΞTΞ project’s debut on UKF, and Don Diablo wastes no time making his presence felt, teaming up with grime powerhouse Scrufizzer for a genre-bending namesake banger that slaps from the very first bar. The track opens with a warped vocal riff and spirals into grimy synth stabs and digitized melodies that sound ripped from an AI-doomsday video game, before exploding into a pulse-racing, bass-heavy drop built to detonate dancefloors. With CONTROL ALT DΞLΞTΞ, Don Diablo pushes his boundaries wide and into the underground, signaling he’s dead serious about this new chapter of his career. One thing is for certain – “Head Banger” is just the beginning.

“Dropping my first official release on UKF with my brother Scrufizzer, our second record together is a full circle moment! I have always loved the label and their unique sense of community. This one hits harder, faster, and deeper. Don Diablo pres. CONTROL ALT DΞLΞTΞ is just getting started… and I couldn’t be more excited.” – Don Diablo

Don Diablo / CONTROL ALT DΞLΞTΞ
Currently voted the world’s #15 DJ on the prestigious DJ MAG Top 100, Don Diablo has long been a trailblazer in electronic music, known for pushing genre boundaries with hits like “On My Mind” and “Cutting Shapes.” The sought-after Dutch producer has collaborated with and remixed an eclectic roster of global superstars including Dua Lipa, Justin Bieber, Gucci Mane, Ed Sheeran, Mark Ronson, Travis Barker, Miley Cyrus, Rihanna, Madonna, The Chainsmokers, Coldplay and many more. A true visionary, Don’s creative output spans far beyond music – his hybrid physical-digital fine art pieces have broken records on SuperRare, been auctioned by Sotheby’s, and exhibited at the Venice Biennale, Art Basel, and beyond. In fashion, he helms HEXAGON’s streetwear line, releasing capsule collections with the likes of Disney, Lucasfilm, and Netflix. A consummate presenter, Don has hosted his globally syndicated Hexagon Radio show for over eight years, currently broadcast in over 68 countries. His label HEXAGON, launched in 2015, remains a powerhouse in championing new talent. Ever the innovator, Don is also one of the world’s top-selling crypto artists, making history with the release of his GΞNΞSIS NFT and the groundbreaking digital concert film NFT DΞSTINATION HΞXAGONIA. As CONTROL ALT DΞLΞTΞ, Don is all about creating something sharp, modern, and unapologetically different from his four to the floor output, a new lane, not a new mask. The name is no accident, either. Like the keyboard command, it’s a reset and a creative override.
Scrufizzer
First arriving on the scene as a producer coming straight out of west London, Scrufizzer has had quite the career so far. Starting out spitting on pirate radio, he quickly caught the ear of some of the UK’s finest and became part of the nascent grime scene, building up kudos with every set and feature, a quick search for his appearances on radio show freestyles and SBTV demonstrate why he caused such a stir and amply convey his ability. There has always been a variety of different layers to the Scrufizzer sound, from bashment to house & garage, from hip hop to jazz, funky to acoustic guitar, and he refuses to be pigeonholed to one particular style, preferring to be able to express himself on a variety of different beats and with a range of vocal styles. A true product of the melting pot of the UK music scene, his versatility and taste shine through on his tracks as his storytelling art.

Don Diablo’s forthcoming dates (North America 2025 tickets):
May 16 – Duplex – Prague, CZ
May 31 – Jun 02 – NAMELESS Festival – Annone Di Brianza, IT
Jun 13 – The Church – Denver, CO
Jun 14 – New City GasM – Montreal, QC
Jun 26 – Holika Festival – Calahorra, ES
Jul 09 – FEQ – Québec, QQ
Jul 11 – Ramova Theatre – Chicago, IL
Jul 12 – Echostage – Washington, DC
Jul 18 – The Midway – San Francisco, CA
Jul 19 – The Rooftop at Pier 17 – New York City, NY
Jul 20 – Cabana Pool Bar – Toronto, ON
Jul 30 – Opium – Barcelona, ES
Download / Stream
More info on Don Diablo / Scrufizzer / UKF:
Don Diablo: Facebook | Instagram | Spotify
Scrufizzer: Facebook | Instagram | X | Spotify
UKF: Facebook | Instagram | X | Spotify
The post Don Diablo’s Alter Ego CONTROL ALT DΞLΞTΞ Unleashes Grime and Drum & Bass Power with “Head Banger,” Featuring Scrufizzer – Debut on Iconic Label UKF and North American Tour Announcement appeared first on Electric Mode.
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Mau P Announces Full Season Line-Ups For Baddest Behaviour at Pacha Ibiza

Mau P’s Baddest Behaviour is set to become one of the hottest new nights on the island this summer. Running every Wednesday from 6 August to 8 October 2025, it will feature a unique mix of pioneering legends and new school innovators from across the house spectrum.   Dutch DJ and producer Mau P is one of the hottest names in house right now. He is best known for his breakout 2022 single ‘Drugs from Amsterdam’ and has dominated the scene ever since. His always sold out shows have taken him to some of the biggest clubs and festivals stages on the planet, always with a raw energy and direct connection with his dancers.    This summer, he will play a select extended set as well as going back to back with several legends. The season in full will feature CAMELPHAT, Patrick Mason (house set), Discip, Mau P b2b Seth Troxler, Mahony, Hot Since 82, LP Giobbi, HAAi, The Blessed Madonna, Quest, Mau P b2b Nic Fanciulli, Mano Le Tough b2b Henrik Schwarz (live), Deer Jade, Mau P b2b BLOND:ISH, Sally C, WhoMadeWho (hybrid DJ set), Jan Blomqvist, Karretero, Mau P b2b Innellea, Mind Against, Pole Position, Mau P b2b Jimi Jules and Mall Grab.   Ahead of Mau P’s Baddest Behaviour residency is an exclusive Introducing Baddest Behaviour party on 1 June with Mau P and CamelPhat that offers the island a taste of what’s to come later in August.   Mau P’s Baddest Behaviour is the most essential place to be for lovers of edgy, up front house music so secure your ticket now. 
Sunday 1 June 2025 Introducing Baddest Behaviour CAMELPHAT B2B Mau P Kimonos Tini Gessler   WEDNESDAYS
6 August, 2025 Mau P Patrick Mason (House Set) Discip   13 August, 2025 Mau P B2B Seth Troxler Mahony   20 August, 2025 Mau P Hot Since 82 LP Giobbi   27 August, 2025 Mau P (Extended Set) HAAi   3 September, 2025 Mau P The Blessed Madonna Quest   10 September, 2025 Mau P B2B Nic Fanciulli Mano Le Tough B2B Henrik Schwarz (Live) Deer Jade   17 September, 2025  Mau P Mau P B2B BLOND:ISH Sally C   24 September, 2025 Mau P WhoMadeWho (Hybrid DJ Set) Jan Blomqvist Karretero   1 October, 2025 Mau P B2B Innellea Mind Against Innellea Pole Position   8 October, 2025 Mau P B2B Jimi Jules Jimi Jules Mall Grab STAY UPDATED HERE  Instagram | Website | TikTok  TICKETS The post Mau P Announces Full Season Line-Ups For Baddest Behaviour at Pacha Ibiza appeared first on Electric Mode.
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Brighton Music Conference Set To Unite Electronic Music Industry This Week

The award-winning Brighton Music Conference (BMC), the UK’s leading electronic music and networking event, is gearing up for its 12th edition this week.  Taking place from 21st to 23rd May 2025, the award winning BMC will once again bring together Industry-leading professionals and present a jam-packed programme of insightful talks, workshops and networking events. BMC is a hub for the next generation of talent.

New Health, Wellbeing and Lifestyle Programme
The new Health, Wellbeing and Lifestyle programme in collaboration with Skiddle at the Harbour Hotel will provide a treat for the body and mind with yoga and soundbath sessions to help delegates start the day with a calming mindset. Tonic Music will present a session on ‘Breaking The Stigma – Severe and Enduring Mental Illness in the Music Industry’, Skiddle and Music Minds Matter will discuss ways to foster a healthier and more supportive event community in the session ‘Who Is Looking After The Industry’s Mental Health? A Collective Remedy’ and registered dietitian Sally Freeman will bring her ‘Eat Sleep Rave Relax’ concept to BMC, highlighting the best strategies for health and resilience in the music industry.   Protecting your hearing will also be a key topic with ACS presenting a session on ‘The Tinnitus Toolkit’ and the NTIA ‘Listen for Life’ initiative to prevent hearing loss.
Other important topics to be discussed include; ‘The Power Of No: How To Thrive In The Music Industry’, ‘Burnout’ hosted by Sound Mind, ‘Motherhood & Djing’ which will deep dive into the unique challenges and triumphs of balancing motherhood with a thriving career in the DJ and production world, shesaid.so will host the session ‘Beyond The Buzzword – Why Community Is Essential In The Music Industry’ and ‘Neurodiversity & Djing’ will return after the huge success of last year’s event, bringing together some of the brightest minds in the industry to discuss the intersection of neurodiversity and electronic music.
Keynote Artist Interviews
There will also be several keynote interviews across the 2 two-day event featuring the legendary Graham Massey of 808 State, Arthur Baker and Paul Oakenfold, plus an exclusive showing of the Frankie Knuckles Documentary followed by Q&A.
The Tempest Programme
Jam packed with practical knowledge for artists and industry professionals the programme kicks off on Thursday with ‘PR & Marketing’ sharing insights into spending your marketing budget in 2025 followed by ‘How To Earn A Living From Music – Where Does Your Money Come From?’ presented by PRS For Music and Fuga/Downtown will highlight strategies for a successful releases campaign in ‘Behind The Release: Mastering Your Campaign Strategy’.  The ‘Social Media’ session hosted by Data Transmission will discuss what no one is telling you about social media for artists and events in 2025, Label Radar will help artists learn by their mistakes in ‘Don’t Play Yourself: Red Flags, Hacks & Power Moves for Artists in 2025’ and the ‘Artist Development Workshop’ with ellevate will provides artists with a practical a guide to brand development and how to grow a fanbase in 2025.
The Association For Electronic Music will present two sessions to support the next generation of talent in the industry with ‘Where Are The Party Starters?: Support the next generation of promoters’ and ‘Finding The Right: Agent/Manager/Publisher/Publicist / Label’. They will also host their ‘Meet the Experts’ session giving delegates the opportunity to book in one to one sessions with industry professionals.
Other key topics include ‘A&R’ with the Wonk Creator Clinic, Cavendish Music will share tips on how to pitch and sync a track into some of the biggest reality TV shows in ‘Get Synced On TV’ and Beatport will host their annual ‘Industry Hour’ sharing insights from the market, reveal new genres and features as well as share results from a recent study.  ‘Money and Royalties, Demystifying the Numbers’ is another hot topic alongside ‘Artificial Intelligence’ and the sustainability challenges facing the vinyl industry today in the ‘VINYL’ discussion. The programme will end with the new ‘Ask Us Anything’ session, giving the opportunity to obtain definitive answers to questions that you have always wanted to ask.
The Horizon Programme
Popular Brighton nightclub Horizon (previously the renowned Honey Club and formerly Shooosh) is a new venue for the 2025 edition, giving more space to expand the programme and offer even more value for delegates and a line up of top artists and industry professionals. Attack Magazine will explore the growing trend of DJs turning into authors in ‘Long Live The Dj Narrative: When Djs Become Authors’, the ‘Sync’ panel promises a deep dive into the cutting-edge world of sync licensing and music in media and the ‘Vocals’ session brings together an all-star lineup of vocalists and songwriters who have shaped the sound of electronic music.  The ever popular ‘DJ Q&A and ‘Producer Q&A’ sessions return, promising dynamic discussion with the industry’s most influential selectors and esteemed producers. The annual ‘DJ Agents’ panel brings together some of the most influential agents in the industry to share their insights on navigating the fast-moving world of electronic music bookings and ‘Jungle’ will discuss the evolution and enduring impact of Jungle music, featuring an all-star lineup of pioneers and innovators.
In today’s rapidly evolving music landscape, the battle for listeners’ attention is fiercer than ever and ‘Who Rules The Airwaves’ will deep dive into Radio vs Playlists vs Podcasts.  The ‘DIY’ panel brings together industry experts to offer insights and practical advice for independent electronic musicians navigating the world of self-release, promotion, distribution, and label management. Vocalists are high on the agenda with the ‘Vocals’ session exploring the evolving role of vocalists in dance music and ‘Crediting Vocalists’ focusing on the crucial issue of properly crediting vocalists for their work in high-profile collaborations and releases.
Friday’s edition of the ‘DJ Q&A’ will be another insightful conversation filled with personal stories, technical expertise, and an inside look into the lives of DJs who are truly embedded in their communities and the ‘Promoter Q&A’ brings together another powerhouse lineup of industry professionals with decades of experience, offering an exclusive look into the world of event promotion and artist collaboration. Rounding off the days sessions will be a topical discussion on grassroots electronic music venues being vital incubators of innovation, talent, and community within the UK’s cultural landscape presented by the Night Time Industries Association (NTIA) in ‘Amplifying the Underground: Supporting Grassroots Electronic Music Venues Across the UK’
A&R Sessions
The ‘A&R Sessions’ at The Tempest is where artists can bring their demos and have some of the most discerning ears in the industry listen to them. Headed up by prolific DJ and music producer Steve Mac, a wide variety of labels covering different genres have been lined up to give more opportunities for immediate feedback on productions and one-to-one meetings with leading A&Rs in the electronic music industry. Last year was a sell-out success, with a high quality of music being submitted and several signings during the event. The sessions will be booked on a first come first served basis. Limited spaces available, book your tickets now here.
Confirmed labels and A&R professionals Include; Armada, Axtone, Beatport, Critical, Data Transmission, Defected,  Eve Records, Fabric Records, Freakin 909, Helix Records, Inflyte, Krafted, Label Radar, LNADJ Records, Maraki, Mesh, Mixmasters, Perfecto, Prime Direct Distribution, R&S Records, Rinse FM, Shogun Audio, Sleazy Deep, Toolroom Records, Trusted Rhythm Records, We Are The Brave and Wh0 Plays.
Networking Events & Clubnights
Networking is a big part of the BMC ethos and there are plenty of opportunities to meet industry colleagues and connect with like-minded people at the many exclusive networking parties at some of Brighton’s best-loved venues.
The Tempest will host the official BMC Welcome Mixer in association with AFEM with dj’s Anna Cee, Dorian Flagrant, Jess Bays, Miss Rae and Trophie and shesaid.so will host their annual ‘Breakfast Club’ Networking event will take place at the Lazy Fin with the opportunity to get yourself a free press shot.   After each day of the conference, there will be a variety of networking events at some of Brighton’s best love venues. On Thursday PRS will host a mixer at the Harbour Hotel with dj’s Flambé, Hilit Kolet, Paris Cesvette,
Ridney, Richard Earnshaw and Sophie Lloyd and local label Jack Said What will take over The Tempest with dj’s 20:20 Kag (R&S Records), Ben Westbeech, Carl Loben, Jon Carter, Nickelle and Zoe Vice.  On Friday at The Tempest the NTIA will host a mixer with dj’s Arthur Baker, Banki, DJ Hatcha (UKG Set), DJ MJ, Graham Massey (808 STATE), Mini Da Minx, Nolan and a Groover DJ competition winner tba.  Grahame Farmer teams up with Beatport & Plugin Boutique to host his popular Blueprint Breakfast at the Lazy Fin, helping DJ’s kick start their careers in this intimate round table session.Buy tickets here
The official BMC25 closing party will be held at Oculist on Friday 23rd May in collaboration with Decadance UK radio with dj’s Charmain Love, Chris X, Elliko, SJMuel, Brett Maxey, SUPERClaud, McCauley and will be broadcast live.
If that wasn’t enough, BMC has teamed up with some of Brighton’s best-loved seafront venues for electronic music with a variety of events taking place on Friday and Saturday. On Friday Horizon will present Paul Oakenfold, Black Octopus and Sarah Monument, Volks will host Ray Keith ft Degs, DJ Rap and Degs (Dj Set) and Adam, Angelo Ferreri, Craig Nook, La Rose, Lui Florez, Maslow Unkowen, Mov, MYSD, Paul Hilditch, Pique, Tom Yates will take the the decks with 4 to the floor/play presents at Tide. On Saturday, Graham Gold, Jody Cottier, Jonny Nelson, Matt Pook and Sterling will play at the Waterbear Venue, Jack Jeffery, Larnie, Nina Carina, PLVSTYK and Robin will play at Patterns and Mixmasters will take over The Tempest on Saturday.
The post Brighton Music Conference Set To Unite Electronic Music Industry This Week appeared first on Electric Mode.
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Weval Announce New Album ‘Chorophobia’ Out 5th September On Ninja Tune Imprint Technicolour

Today, critically-acclaimed Dutch electronic duo Weval (AKA Harm Coolen and Merijn Scholte Albers) announce their long-awaited new album ‘CHOROPHOBIA’, due for release on the 5th September 2025 on Ninja Tune imprint Technicolour. Alongside the announcement the duo share up-beat new single “JUST FRIENDS”, which follows on from UK-bass-infused “DOPAMINE” released last month – both tracks signalling an exciting new direction for the duo. Weval are also heading on a massive run of UK and EU shows this summer supporting Rüfüs du Sol, before a headline tour in Autumn. Please find full dates below. 
 
When it came to making their fourth album, ‘CHOROPHOBIA’, Weval faced their fears. Despite being grouped into the dance scene since their 2013-released debut EP ‘Half Age’ and going on to play festival stages including Nuits Sonores, Lowlands, Primavera, Best Kept Secret, Pukkelpop and DGTL Amsterdam with their five-piece band, Harm Coolen and Merijn Scholte Albers have actively pushed away from being known as a floor-filling act. But, more recently, when the pair stumbled across the phrase chorophobia – which means a fear of dancing – they decided to lean into the irony and get out of their comfort zones. “Until that point, we had always worked on records with a ‘listening’ mindset,” Harm reflects of Weval’s second and third albums (2019’s ‘The Weight’ and 2023’s ‘Remember’) – “we realised that we’ve been scared of making dance music for all of our journey as producers”. 

Jumping in at the deep end has resulted in Weval’s most extroverted collection to date. While they teased this new direction with 2024’s groovier ‘Night Versions’ EP for Technicolour, letting go of their inhibitions has required patient artistic evolution. “we wanted to commit in a way that still felt liberating and true to us”, Harm says, adding that calling it a dance record not only felt like a u-turn but freed them from the boundaries and cliches of certain categories.
 
This unrestricted, genre-crossing ethos made room for guilty pleasures, higher BPMs, big drops and an increased number of hi-hats. The titular intro sets the scene and is ominous enough to soundtrack a 70s horror movie, before acid synths take it in a wiggier direction, flowing seamlessly into the spiralling build up of ‘MOVEMENT’. Comparatively, ‘JUST FRIENDS’ would suit a Tame Impala record perfectly, and the funk-infused ‘BETTER’ sits in a similar sphere to records from the Motown era. Featuring vocals from club favourite KILIMANJARO’s brother who spontaneously joined a studio visit, ‘HEAD FIRST’ – ups the ante, as does ‘DOPAMINE’, while the subtler ‘MERCATOR’ forms a bridge between Weval’s previous releases and this record.
 
An album designed to be experienced with others – ‘CHOROPHOBIA’ is sure to satisfy both longtime fans and lead them to discover a new audience. Not only is it a hedonistic expansion to the sonic world that Weval spent almost a decade building, their stylistically-brave fourth record is proof that doing what scares you the most often ends up being the most thrilling choice to make.
‘CHOROPHOBIA’ is out 5th September. “JUST FRIENDS” is out now
The post Weval Announce New Album ‘Chorophobia’ Out 5th September On Ninja Tune Imprint Technicolour appeared first on Electric Mode.
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