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For those who don’t know, Ceas has put out a lot of great music over the years on important labels like Anjunadeep and his own Purified Records. His skill at creating lush, emotional soundscapes and expertly manipulating vocal samples is once again on full show in “Grain de Sable.”
Deep, echoing piano chords set the mood for the whole song right away, making you think and feel reflective. As atmospheric pads build in the background, broken voice cuts hint at a human presence amidst the growing synthetic sounds. Ceas skillfully adds each part one at a time, like a wavy bassline, hypnotic arpeggio patterns, and complex percussion rhythms, gradually luring the listener deeper into the sound trip.
The movie-like beauty of “Grain de Sable” really shines around the two-minute mark. The intimate warmth of the pianos blends perfectly with the beautiful vocal slices, all supported by a pulsing but stable groove. Ceas‘s sound design and musical arrangement skills come together to create an all-encompassing, emotionally powerful euphoria.
It becomes clear that “Grain de Sable” is short-lived as the eight-minute journey slowly fades away. The name of the track comes from a tiny particle. It’s a short-lived spiritual experience that is beautiful in its temporariness.
With tunes like this latest Sinners album, Ceas keeps building his reputation as a master at taking listeners to otherworldly soundscapes. “Grain de Sable” is a beautiful getaway and a great addition to Sinners’ discography. Do not ignore this.
The post Exploring the Emotional Resonance of Ceas’s “Grain De Sable” appeared first on The Groove Cartel.
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Consisting of 5 tracks, ‘SERENTY OF EARLY DAYS’ is a showcase of the sound that sander baie has been working on for a number of months. Each track with it’s own identity, but connected as a story, this EP was formed through both experience and reminiscence, inviting listeners into a serene and richly textured sonic landscape. The album is steeped in simplicity and nostalgia, each track meticulously crafted to evoke specific emotional landscapes.
The use from sounds like nature reserves, busy roads and racing circuits subtly integrates sander baie’s inspirations from nature, alongside an homage to cultural touchstones like the Gran Turismo video games series, which resonate in the rhythmic precision and dynamic progression of tracks like ‘morning at sepang international’. ‘sounds of koel’, where the naturalistic elements are at the forefront, brings the listener to bask in the soothing yet complex layers of sound that mimic the calm and unpredictability of wildlife. ‘saturday in may 2012’ offers a reflective, almost introspective journey through sander baie‘s personal memories, when he experienced his favourite football player Dider Drogba scoring the winning goal for Chelsea in the Champions League final.
‘SERENITY OF EARLY DAYS’ marks a foundational position in sander baie’s discography. This release is soon to be followed by more dance-centric tracks later this year, hinting at an evolution from serene and introspective to lively and engaging.
Stream this EP below.
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Samm is ready to take his art to new heights now that he has signed with One World Artists, Tomorrowland‘s well-known management and booking agency. His official remix of Lost Frequencies and Bastille’s “Head Down,” which came out just weeks ago, is already getting a lot of attention from fans and reviewers.
Combining afro-house with upbeat dance music melodies, Samm’s unique style has caught the attention of big names in music, like Solomun, who named the track they made together “Does It Matter” the track of the year. With help from big names in the business like Adriatique, CamelPhat, Keinemusik, and Themba, Samm’s rise is clear to see.
That’s not all, though. Samm started Magnifik, a new record label and community. He is hosting his own ‘Magnifik’ stage at the Belgian festival Extrema Outdoor, including performances by Amémé, Sona, Avangart Tabldot, and more.
Samm’s journey is just getting started. He is getting ready to play at some of the world’s best events and clubs, like Tomorrowland, Pacha Ibiza, and Extrema Outdoor. We sit down with the rising star for an exclusive chat to talk about his musical roots, how he comes up with new ideas, and his hopes for the future.
So sit back, and enjoy our exclusive interview with Samm.
How did you first get into producing music, and what inspired your unique sound?
Fifteen years ago, I started my journey into music as a producer. I began experimenting with FL Studio and soon transitioned to Logic. Growing up in a musical family, there was always music in the air. I picked up a guitar at age 12, which led me to explore house music and other genres. For the past decade, I focused more on producing for other bands and acts. However, after my child was born, I felt a strong urge to create my own project. That’s when ‘Samm’ came to life.
Can you tell us about the creative process behind your official remix of ‘Head Down’ by Lost Frequencies & Bastille?
It was quite challenging because the original track has a very poppy, radio-friendly sound, so I needed to adapt it to fit my sets. To achieve this, I incorporated my signature bassline and added some chords. Next, I focused on creating a strong drum groove to keep the record going. Felix and Bastille’s vocal creation during the breakdown provided the perfect lift, bringing the energy back into the groove.
Your music blends afro-house and melodic dance music elements. What drew you to these particular genres?
I love percussion that’s not too basic, which is why I’m drawn to African and Latin grooves, but at the same time, I’m a fan of melodic elements like chords and harmonies.
Can you share some details about your new record label and community, Magnifik, and your collaboration with Ajna?
We both began our solo careers around the same time and wanted to create a party that reflected how we would like to party. We had been working on music, so it felt natural to take the next step and build a complete atmosphere around it. That’s when “The Magnifik” concept popped in our head. What defines us is our focus on warm vibes and our type of mellow, yet still clubby music. We aim to connect with our fans on a personal level. Our goal is to make it feel like we’re partying alongside them, not just performing.
What are you most looking forward to about playing at Tomorrowland this summer on the Keinemusik stage?
Since this is the first time Keinemusic will be hosting a stage, I’m eager to see what kind of crowd it attracts. Of course, I’m excited to the set as well.
How did the opportunity to make your debut at Pacha Ibiza as part of CamelPhat’s residency come about?
When Camelphat performed ‘Does It Matter’ and we heard they had an album coming out, they reached out to us for a remix. They’re super friendly and open-minded about discovering new talent, and we were excited about the opportunity. I think their label, When Stars Align, does a fantastic job of shining a light on other artists.
Tell us about the experience of hosting your own ‘Magnifik’ stage at the Belgian festival Extrema Outdoor.
Extrema was one of the first to recognize the potential in what we are doing so we’re forever grateful that they allowed us to curate a line-up like this. This year we have Moojo, Avangart, Tabldot, Sona, Mosoo, Bastin and Ameme on the schedule. We’re excited to see how it all unfolds!
Last year, you shared the Atmosphere stage at Tomorrowland with artists like Black Coffee and Dixon. What was that experience like?
The weather gods were very kind to me. It started raining so badly that everyone at the festival ran to my stage, giving me a packed house! It was my first big festival as ’Samm’ so I enjoyed it every minute of it. Despite the weather, or maybe because of it, the energy was incredible, and it turned out to be a fantastic experience.
How do you approach crafting a setlist or a live performance?
I don’t hahaha — I always look at the crowd and randomly put new tracks on my usb. This is what keeps me fresh as a dj and lets me adapt to the energy of the crowd.
What’s the most challenging aspect of being a DJ/producer in today’s music industry?
I believe consistency is key in the music industry nowadays. The days of releasing an album and then going quiet for four years are over. To stay relevant, artists need to maintain a steady presence, whether it’s through new music, live performances, or social media engagement. It’s all about keeping the momentum going and continuously connecting with fans.
How do you balance the creative process of producing music with the demands of touring and performing live?
It can be challenging, but I’ve developed some techniques that help me generate ideas quickly, allowing me to polish and finalize them later.
Are you more of a hardware or software guy when it comes to producing music? What are some of your go-to tools or gear in the studio?
I used to be more of an ‘in the box’ guy but I recently got myself the Project 6 which I plan to set up in MIDI mode to make my productions more expensive. As for in the box, I’m a big fan of Soundtoys and RC10 to tweak and give an analog feel. My favorite synth at the moment is Repro.
Do you have a particular routine or process when it comes to writing and producing tracks? For example, do you tend to stay in the studio until you land on an idea you want to pursue, or do you wait until inspiration strikes and then head into the studio?
Most of the time, I start with an idea in my head, which for me is already about 50% of the work done. If I’m stuck without a clear concept, I pick a random number from 1 to 12, which determines the musical key I’ll start in. From there, I let things evolve and see where the creativity takes me.
How important is sampling and incorporating organic sounds or field recordings into your productions? Can you give an example of an interesting sample source you’ve used?
I always add something ‘real’ to my productions to create a layer that sets the mood right away. This adds a sense of realness and prevents the track from sounding too computerized.
Can you share any details about upcoming projects or releases you’re working on?
The next release is called “Everybody Get Up,” a collaboration with my good friend Maxi Meraki. However, the exact release date is a secret—no one knows when it’s coming! Keep an eye out for it!
How has your sound or approach to music evolved since you first started producing?
My sound and approach to music have evolved enormously since I first started producing. It seems to change every year, partly because I never use templates. This approach forces me to be creative and continuously push myself.
How important is maintaining an active social media presence for you as an artist, and which platforms do you tend to focus on the most?
Maintaining an active social media presence isn’t a top priority for me as an artist, but I don’t stress about how to approach it either. I prefer to keep it simple and focus on just being myself. I like to post or say things that feel genuine rather than making it all about me. This way, I stay true to my personality and connect with my audience in a more authentic way.
What advice would you give to aspiring producers or DJs who are just starting out?
Share your music with others and ask for feedback—don’t overthink it. Just release what you like. To grow as an artist, you need to keep evolving, and the best way to do that is by putting your work out there. So, make sure to finish your tracks and let them see the light of day!
If you could collaborate with any artist, living or dead, who would it be and why?
If I could get Tom Mish on guitar, FKJ for the musical elements, and myself as the producer, I’d be able to die happy J
The post Let’s Talk About Samm appeared first on The Groove Cartel.
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The first track is called “Solace,” and it’s a beautiful composition between Wassu and Axenity. Smooth pads and jumbled synths wrap you up in a warm hug right away. There is a smooth flow to the music that rises and falls with your breath. Phonic Youth’s sultry voices melt over the wavy basslines, making it sound like sirens are singing.
On the other side, “Clarity” brings Phonic Youth and Wassu back together for another magical journey. The Bay Area duo’s touching words and smooth production skills mix with Wassu’s love of deep rhythms and rich melodies. The end effect is a vortex of hallucinations that will turn your mind into a puddle of happiness.
‘Solace‘ is a beautiful journey into the deepest parts of melodic bass, from the opening swell of the heavens to the final sounds of happiness. Wassu, Phonic Youth, and Axenity have used all of their combined powers to make something truly amazing happen here.
Do yourself a favor and let “Solace” take over your mind. When you come out, you might be in a higher state of awareness, or at least have a huge amount of euphoric sound running through your body. No matter what, you’ll be thankful for the short break from the wild real world.
The post Wassu, Phonic Youth, and Axenity Debut Hypnotic ‘Solace’ EP appeared first on The Groove Cartel.
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Recognized for his energetic blend of Latin rhythms and club-centric beats, San Pacho has been making waves since his debut (the double-sided single, “Work/God Damn,” released via Tchami’s Confession in 2019). “Afloja” is a flavorful addition to San Pacho’s series of Latin-minded productions, including the much-loved “La Pasion,” produced alongside Matroda.
“Afloja” is San Pacho’s fourth single of 2024, following the success of “Taka” with SIDEPIECE in March. Stream it below.
The post San Pacho teams up with Buitano, Fatboi for vibrant new single ‘Afloja’ appeared first on Dancing Astronaut.
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Oh, the wonders of thinking outside the box. In an industry saturated with template tracks and music that can hardly be told apart from one another, it’s quite refreshing to acknowledge we’ve got people pushing the boundaries of production. Not only from an arrangement point of view, but really, from the get-go.
For all those craving for new roads to be paved, we’re really excited to introduce you to a massive band, comprised of massive members. Meet Of Love And Lust (OLAL).
Of Love And Lust (OLAL)
(Left to right) Kuzman, Rush, Skunk. Credit: Ryan Monolopolus We’ve already shared one of their recent endeavours, so if you’ve been an avid reader you should remember them. OLAL is an Alternative Rock / Electronica hybrid-focused band, whose sound pays tribute to the golden era of the 80s. Not only do they have a sound that can take you back there, but their members truly embody the spirit of that beautiful decade.
Let me make myself a bit clearer: they were a part of the 80s. Each on their own lane. And have now come together for a music project in today’s era, with today’s technology, but with the magical touch of yesterday.
Members like Gareth Jones have a long history of being at the forefront of music history, even from that era. He’s worked with the likes of Erasure and Depeche Mode, and back in the day, he pioneered the whole synths-samples-Dance fusion. Fusion, mind you, that is basically the foundation of the genre we all know and love here at EDMTunes. Wild.
The band’s members are currently based all over the world: Rush (vocals) in Berlin, Kuzman (guitars, keyboards) in Macedonia, Gareth Jones (keyboards, production) in London, Christie McCarthy (vocals) in California, Alex Baum (drums, keyboards) in North Carolina, and Skunk (keyboards, songwriter) in Arizona.
‘Calm in Your Eyes (Bleep Bloop Remix)’
Now, notice I started this post mentioning “daring marketing”. Why? Here’s why. OLAL have recently unveiled their next sonic chapter, ‘Calm in Your Eyes’. But they have NOT shared the original track. Instead, playing with the order so core to the industry, they’ve decided to first release a remix of the original. In this case, Glitch and Bass producer Bleep Bloop’s.
To understand why, let’s dive a bit into the backstory of the single itself.
Bleep Bloop. The Backstory
Skunk, OLAL’s sound designer and keyboardist, comments that the bond between both parties has its roots an entire six years back in time. He stumbled upon Bleep Bloop’s set while he was playing at the Shaky Beats Festival in Atlanta in 2018. From then on, he was hooked. A couple of years later, more sets watched, and some conversations started, ‘Calm in Your Eyes’ finally served as the spark for Bleep Bloop and OLAL to join forces on a track.
Unlike many remixes that only use fragments of the original, Bleep Bloop retained nearly all the lead vocals of the single, while infusing the song with his distinctive flair throughout and beyond. The result was so powerful that, instead of releasing it as a secondary remix, the band felt it deserved to lead as the first release.
“Bleep Bloop has utterly transformed our upcoming single with his signature electronic twists, prompting us to premiere the remix a month before the single itself, which will drop on May 10th”, says Skunk.
The Track
Quite following the whole breaking the mould essence of the band, this song was not only sung but also written by Christie, traditionally OLAL’s backing vocalist. Her voice is not only a main focal point of the arrangement from the beginning, but also a pretty versatile weapon of choice for Bleep Bloop. Several glitched-out washes can be heard throughout, playing with effects such as bitcrush, gates, repetitions, and even some sort of source for other signals to adopt her waveform. No wonder why the band loved this version so much. To me, it aligns perfectly with their vision of the project!
Christie McCarthy. Credit: Ryan Monolopolus Listen to Bleep Bloop’s remix of Of Love And Lust’s ‘Calm in Your Eyes’ in full by clicking the Spotify button we’ve provided. Also, be sure to follow the artists on their socials (OLAL | Bleep Bloop). And don’t forget to stay tuned to our page for the latest news and reviews from our beloved EDM industry.
*Cover art painting by Gary Paintin.
The post Of Love And Lust Break The Mould Yet Again Releasing ‘Calm in Your Eyes (Bleep Bloop Remix)’ Before The Single appeared first on EDMTunes.
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In an artistic switch-up, he's back with "On Again," a single that not only sees the Dutch dance music star contributing his own vocals to a record for the first time, but also features the stylings of influential hip-hop producer Mike Dean.
"This song has had such a beautiful process where I feel like I really found a new part of me as an artist," Mau P said in a press release shared with EDM.com. "I always felt like it was a demo that was meant for a bigger artist than myself, but after showing everyone the version with my vocals on it it just stuck. The magic was already there and after getting Mike Dean’s blessing on it, it really felt perfect."
Dean’s masterful synth work has become the foundation for many storied tracks over the last three decades, shaping the hip-hop spectrum from the work of Beyoncé to Travis Scott to Jay-Z. His hand in "On Again," is the accent mark to a career already punctuated by a long history of bold collaborations.
The synergy between his seasoned touch and Mau P's innovative approach has yielded another record that has already become an established fan-favorite of the latter's recent festival sets, including his latest high-profile outing at Coachella. Take a listen below and find the new single on streaming platforms here.
Follow Mau P:
X: x.com/realmaup
Instagram: instagram.com/maupmusic
Facebook: facebook.com/maupmusic
Spotify: spoti.fi/3vHLn9Q
Follow Mike Dean:
X: x.com/therealmikedean
Instagram: instagram.com/therealmikedean
Facebook: facebook.com/mikedeanmwa
Spotify: tinyurl.com/333esudd
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Austin Millz’s impromptu set not only delighted the 21+ crowd but also marked the beginning of a special partnership between NÜTRL and the talented artist. This collaboration was a strategic move for NÜTRL, a proud sponsor of the festival series, to enhance its brand presence and connect with music lovers over a shared passion for music and community.
As the sun dipped below the horizon, the stage was set for an unforgettable experience that would solidify NÜTRL’s reputation as a brand that goes beyond just providing drinks but also fosters a sense of unity and joy through music.
NÜTRL Vodka Seltzer: A Brand on a Mission
For NÜTRL Vodka Seltzer, the partnership with Austin Millz and BREAKAWAY Music Festival was more than just a marketing opportunity—it was a reflection of the brand’s core values. NÜTRL is not just about providing refreshing beverages; it’s about creating meaningful connections and memorable moments for its consumers.
By aligning itself with music and culture, NÜTRL has positioned itself as more than just a drink—it’s a lifestyle brand that celebrates diversity, creativity, and unity. Through its support of events like BREAKAWAY, NÜTRL is able to reach a broader audience and engage with consumers on a deeper level, forging lasting relationships built on shared experiences and shared passions.
About Austin Millz
Austin Millz has surely surpassed (but not forgotten) his roots as one of Harlem’s hometown heroes and early renegade of its genre-bending art scene. From recently performing at Quincy Jones AKG 70th anniversary to performing for Beyoncé at her special Coachella Homecoming event, Austin has been trail blazing. His music is a deeply textured coalescents of soul and dancefloor euphoria, it emblifies the different phases of a night out – the afterhour bliss, a hazy pastel sunrise. It is an expansion of the sonic vocabulary with depth and boldness that can only be truly captured in the flesh. Applauded for his fusion of hip-hop and dance music, Millz has carved out a special niche between the two realms within his unique vision and has also garnered attention for his larger than life stage presence, which has captured both local and national audiences. With an unruly energy, and an oasis of expressionist energy in live performance, Austin evokes a type of postmodern exploration that questions conventional notions of music and culture. A type of exploration in which one’s brightest light is always upon the horizon. Only watching Austin perform, as he tames every sputtering vibration with a deeply focused effortlessness, does it become clear why he has surpasses the rest.
About Breakaway Music Festival
BREAKAWAY Music Festival is the nation’s leading touring music festival providing premium experiences and entertainment to music fans across the nation. Since its inception in Columbus, Ohio in 2016, the festival has expanded into multiple cities and grown into a two-day, multi-stage event. Breakaway has successfully reached music fans in cities that have traditionally been overlooked by other festivals, bringing superstar performances to diverse local communities. With over 100,000 attendees in 2023, Breakaway has become a must-see event for music lovers across the country. Our festivals champion music, art, creativity and diverse community celebration in your hometown, offering Gen Z, Millennials and everyone else invaluable interactive experiences. Leave it all behind—and BREAKAWAY.
The post Austin Millz Surprise Set with NÜTRL at BREAKAWAY Music Festival appeared first on EDMTunes.
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The world of entertainment is being redefined by an exciting initiative known as Lab of Tomorrow, brought to life by Tomorrowland. Tomorrowland is set to launch the Lab of Tomorrow in Q3 of 2024. This dynamic platform serves as a vibrant hub for collaboration, celebration, and bringing to life the ideas of entrepreneurs, ambitious companies, and innovative academics.
Lab of Tomorrow offers a plethora of resources to the entertainment tech community. It boasts a sprawling 3000 square meter full-service office space, designed to cater to the diverse needs of its members.
In addition to the office spaces, Lab of Tomorrow provides premium meeting rooms and event spaces. These areas are designed to facilitate productive discussions, brainstorming sessions, and networking events, further enhancing the collaborative spirit of the community.
However, it’s worth noting that seats at Lab of Tomorrow are limited. They are exclusively available for teams that harbor ambitions in entertainment technology, ensuring that every member is aligned with the community’s vision of driving innovation in the entertainment industry. Flexible options are also available for freelancers and small teams.
Lab of Tomorrow will host five state-of-the-art technology labs, each designed to provide a unique environment for exploration and experimentation: Audio Production, virtual scenography, Immersive Audio, Lighting, and Audio Mastering. They will also offer options for customized lab environments.
Lab of Tomorrow membership also includes access to the Labs community program. Benefits include a calendar full of events such as industry talks and networking events, exclusive discounts and perks from partners, and a mobile app to connect & collaborate with other members.
So, if you’re ready to secure your spot at the forefront of entertainment innovation, don’t hesitate. Apply to join the Lab of Tomorrow today, and be part of the revolution that’s shaping the future of entertainment. The post Tomorrowland to Launch “Lab Of Tomorrow” appeared first on EDMTunes.
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Porter Robinson talks sobriety and SMILE! in a recent interview with The Independent.
Porter experienced a meteoric rise to fame by age 21, touring with icons like Tiësto and Skrillex, and achieving a UK Top 10 hit with ‘Language.’ However, at the height of his success, he faced a personal crisis, leading to a dramatic shift away from EDM.
Now 31, Porter reflects on his journey, including a disassociating moment on stage that led to a “meltdown” and a reevaluation of his career. His new album, SMILE! , is a departure from EDM towards a pop sound infused with indie pop-punk and guitar ballads, influenced by his discovery of bands like Radiohead and The Killers.
His early love for EDM, sparked by Dance Dance Revolution, has since evolved into a passion for creating music, but as EDM became mainstream, he felt disconnected from the genre.
Previously his debut album, Worlds, was a deliberate pivot from EDM to electro-pop, and despite initial resistance, also including a desire to alienate his rave audience, he now appreciates all listeners. Robinson’s candid reflection on his past, including his involvement with the hit ‘Clarity’ and his struggle with the EDM label, reveals a complex artist navigating fame, identity, and creativity.
Nevertheless, Robinson’s sobriety and the sobering effect of Avicii’s death have influenced his current outlook. Following the critically acclaimed Nurture, his latest work continues to explore new musical directions and personal revelations, showcasing his resilience and artistic evolution.
SMILE! World Tour has just kicked off in Boston, MA April 29th at MGM Music Hall at Fenway and the album is to be released July 26th, 2024 via MOM+POP.
The post Porter Robinson Talks Sobriety and SMILE! :D appeared first on EDMTunes.
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The act classifies music tourism as the act of traveling to a state or locality to visit historic or modern-day music related attractions including museums, studios, venues of all sizes and other sites related to music.
From an EDM perspective, I feel like we do our part here. Our community is constantly traveling to new states for festival’s like Ultra, EDC, Bonnaroo, Coachella, Lost Lands, etc.
If passed, the act would strengthen the economic benefits of music festivals like Tennessee’s Bonarroo or California’s Stagecoach. It will also support music venues from Madison Square Garden to Bluebird Cafe in Nashville.
The American Music Tourism Act would leverage this existing framework within the Department of Commerce to highlight and promote music tourism in the United States with the act requiring the assistant secretary to submit their findings, achievements and activities to the congressional and senate committees within one year of its passage and every year thereafter.
The post The American Music Tourism Act of 2024 Promotes Traveling For Concerts appeared first on EDMTunes.
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ULTRA Worldwide continues to cement its status as the most international music festival brand. Boasting active events on all six inhabited continents, including the flagship Ultra Music Festival in Miami, the global festival brand is heralded for delivering an unparalleled combination of top-tier electronic talent, cutting-edge technology, and large-scale productions.
2-Day Early Entry GA tickets (which require attendees to enter the venue before 5pm) are priced at $136.50, while 2-Day Regular Entry GA tickets are $162. Tickets are on sale now here
The post ULTRA Bali Sixth Edition Phase 1 Lineup Announced appeared first on EDMTunes.
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BENAR (real name Ido Ben Artzy) unveiled ‘Track Of Time’ in an incredible live performance on Youtube that shows his musical ability. The track is a straight vibe from start to finish and features many types live instrumentation. The best of this is an epic flute solo which brings an incredibly original feel to the whole song.
Ensuring nothing less than the most captivating of vibes, BENAR is the epitome of an act that has been mastering his craft to the utmost of perfection. With ‘Track Of Time’ being his very first electronic production, we most definitely cannot wait for what’s next. Be prepared to feel all types of emotions as BENAR’s debut album release edges ever closer. Check out BENAR and ‘Track of Time’ for yourself, out everywhere now!
The post BENAR Unveils ‘Track Of Time’ from Upcoming Album appeared first on EDMTunes.
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Global EDM icon Steve Aoki has no issues with Artificial Intelligence (AI) having a current presence in producing music. According to a cover story that Billboard just conducted with Steve Aoki, he stated that he is still a “novice” when it comes to the utilization of AI in creating music releases. However, the Dim Mak label founder also said in the Billboard cover story that “AI is here to stay“, emphasizing the embrace of artificial intelligence in the music industry these days.
Steve Aoki mainly uses artificial intelligence for lyric regeneration to support him in creating lyrics he can use for his upcoming tracks. If his songwriting team has any difficulties with creating lyrics for the tracks, then AI is there with the much-needed assistance. With these words from Steve Aoki, it seems like a new era of music is approaching where AI will become a major factor in music production throughout various genres.
Photo Credit: Jessica Chou / Billboard Steve Aoki Also Has More Opinions About Ai In Today’s Music Industry
Additionally, the DJ Awards and Billboard Awards-winning DJ/producer also stated that artificial intelligence will not solve any ongoing problems that the music industry is still dealing with overall. Steve Aoki said in the same cover story that his famous collaborative hit single from 2011 with Afrojack, ‘No Beef’, became popular even before the rise of AI and music streaming.
That being said, Steve Aoki mentioned that he is certain that the “powers-that-be are building ‘safeguards’” to make sure AI will not fully influence the aspect of innovative and genuine music making. The EDM superstar then ended his discussion about artificial intelligence in music production by saying, “You just have to ride the wave with it and just start building safeguards as we go“.
The post Steve Aoki Says He Has “No Issues With AI Producing Music” appeared first on EDMTunes.
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On And On Again
Hot on the heels of his VIRAL B2B performance with Diplo on Coachella’s new Quasar stage this month, this track marks a major moment for Mau P as he steps into the spotlight not only as a master producer, but a versatile artist. With a dedication to experimentation, ‘On Again’ goes beyond the beats as the serial hit-maker fuses together Electronic and Hip-Hop elements to create an infectious new release uniquely in a category of its own.
Mau P’s distinctive, high-energy sound is the undeniable driving force behind the track, elevated by a powerful hook and the trademark synth work of Mike Dean. With a 30+ year career working with the most high-profile music industry artists such as The Weeknd, Beyoncé, Kid Cudi, Travis Scott, Jay-Z, Drake and beyond, Dean’s contribution not only solidifies its undeniable clout, but showcases Dutch DJ Mau P’s ability to cross-genres as he carves out his own place in the industry. The signature feature of ‘On Again’ is none other than Mau P’s own vocals.
The release of ‘On Again’ all comes ahead of his Sold-out 7,500+ person BADDEST BEHAVIOUR – UNDER THE K BRIDGE show this September in NYC and, just as his previous hits ‘Drugs In Amsterdam’ and ‘Gimme That Bounce‘, it will be nothing short of massive.
More of Mau P
It is not often that an artist of Mau P’s caliber joins the ranks in Electronic music. One of the break-out stories of the decade, ‘Drugs From Amsterdam’ originator Mau P has indisputably left his mark on the Dance music scene since his debut single release.
Born Maurits Westveen into a family brimming with musical genius. He quickly made his way onto the world’s premier stages and into the hearts of many as Maurice West. Despite everything seemingly running smoothly, the Maurice West project had run its course and an aseismic shift was in the works. Fast forward to today and Mau P is reaping the rewards of a leap of faith. In effect, the wager on his artistry paid off in a spectacular manner.
His debut single rocketed from the underground. It became a huge global hit with close to two hundred million streams across platforms. ‘Drugs From Amsterdam’ cracked the charts and topped Beatport’s prestigious Top 10 for over a month. Nevertheless, it turned out to be the beginning of a meteoric upwards trajectory. Mau P released the follow up, ‘Gimme That Bounce’ right as he was embarking on his first North America tour. A tour that sold out shows from coast to coast. The summer that followed, Mau P was firing on all cylinders, releasing official remixes for the Swedish House Mafia, Calvin Harris and Armand van Helden as well as his original collaboration with Kevin de Vries, ‘Metro’ on Afterlife. The latter of which became the most-played track of Tomorrowland 2023.
2024
In 2023 Mau P also released ‘Your Mind Is Dirty’ and ‘Dress Code’. They both turned out hugely successful in their own right. Over the course of his first full year in business, Mau P graced acclaimed stages across the globe. From EDC Las Vegas to Tomorrowland and from Hï Ibiza to Amsterdam Dance Event, He won over fans one beat at a time. This foundation of high-profile performances and successful releases set up Mau P for a truly spectacular start to 2024. Mau P started 2024 by announcing the release of his most sought-after ID yet, ‘Beats For The Underground’. Then he announced his new SiriusXM radio show XXX Radio. Moreover, he became a Wynn Las Vegas resident DJ. Not long after, Mau P confirmed a back-to-back slot with Diplo on Coachella’s brand new Quasar stage.
‘On Again’ is one track you will want to hear on every set you see this summer.
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The DEA filed the brief late last week in the U.S. Circuit Court of Appeals for the Ninth Circuit, in response to the latest legal challenge from Dr. Sunil Aggarwal and the Advanced Integrative Medical Science (AIMS) Institute. Aggarwal and AIMS have spent years pursuing various legal and regulatory pathways to allow the clinic to use psilocybin in palliative care.
Right To Try Laws
The clinic contends that the Controlled Substances Act (CSA) must be interpreted to allow a legal pathway for terminally ill patients to access psilocybin under state and federal Right to Try (RTT) laws. These laws were specifically enacted to give patients with limited time the chance to try promising investigational medications that haven’t yet received full approval. Washington State adopted a right to try law in 2017, and then-President Donald Trump (R) signed the federal Right to Try Act the following year. Dozens of other states followed along with their own RTTs.
Despite repeated attempts, AIMS has been stonewalled by the DEA. The clinic has presented numerous proposals outlining ways to legally cultivate or acquire psilocybin for use under Right-to-Try laws, all to no avail. In their scathing opening brief earlier this year, AIMS highlighted the DEA’s concerning lack of engagement: “The agency has categorically rejected each request,” they wrote, “without ever addressing the substantial arguments Dr. Aggarwal has presented in support of them.” This raises serious questions about the DEA’s commitment to patient access and adherence to the intent of Right-to-Try laws.
The Dispute
The DEA attempts to downplay the reach of the Right-to-Try (RTT) Act, despite eight U.S. states and Washington D.C. siding with AIMS in their legal fight for psilocybin access. The agency claims the law doesn’t apply to controlled substances at all. This narrow interpretation directly contradicts the spirit of RTT, which aims to empower terminally ill patients. The DEA argues the law simply removes some FDA red tape for non-controlled investigational drugs.
The DEA contends Dr. Aggarwal would need to be a registered researcher conducting an approved project. DEA says they are matters handled by different federal agencies.
The DEA’s response to the AIMS lawsuit borders on disingenuous. They dismiss AIMS’s interpretation of the Right-to-Try (RTT) law as a “fundamental misunderstanding,” a harsh label for a legitimate legal argument. Their claim that allowing psilocybin access would somehow grant the DEA authority over Schedule I substances is a red herring. Terminally ill patients, AIMS argues, deserve the chance to try potentially life-saving treatments, regardless of arbitrary classifications. This lawsuit is about compassion and patient choice, not some grand attempt to rewrite drug scheduling.
Background
Aggarwal and AIMS have been working since at least 2020 to find a way to legally obtain psilocybin for patients in palliative care, initially seeking to win permission from regulators under state and federal RTT laws.
When the DEA rebuffed that request, Aggarwal sued. But in early 2022, a federal appellate panel dismissed the lawsuit, opining that the court lacked jurisdiction because DEA’s rejection of Aggarwal’s administrative request didn’t constitute a reviewable agency action.
The current Ninth Circuit cases stems from Aggarwal’s responses to that ruling. In February 2022, the doctor filed a formal petition with DEA to reschedule psilocybin from Schedule I to Schedule II under the federal Controlled Substances Act (CSA)—the denial of which is a reviewable action. He also applied for the regulatory waiver to obtain psilocybin.
DEA denied Aggarwal’s petition in September 2022 and rejected the waiver request the next month. The doctor’s Ninth Circuit cases challenge both decisions.
Aggarwal’s Case
Encouragingly, as Dr. Aggarwal’s case progresses, research continues to build a compelling case for psilocybin’s potential medical benefits. Late last year, Congress signaled its support by including funding in a defense bill for studies on the therapeutic use of psychedelics like psilocybin and MDMA, particularly for veterans. Additionally, a recent clinical trial published by the AMA found promising results, demonstrating psilocybin’s “strong and persistent antidepressant effects” in patients with bipolar II disorder. It showed no negative impact on mood stability or suicidal ideation. Further bolstering this evidence, a joint study from Johns Hopkins and Ohio State universities linked psilocybin use with long-term reductions in depression, anxiety, and alcohol dependence. Alongside positive changes in emotional regulation, spiritual well-being, and social connection.
In a promising development, Canada took steps in 2020 to expand access to psilocybin for therapeutic purposes. That year, the country’s health minister granted compassionate exemptions to four cancer patients. It allowed them to legally use psilocybin for end-of-life care. This marked a significant shift in policy. Later in 2020, Canada also introduced regulations enabling certain healthcare professionals to legally possess and administer psilocybin in specific contexts. (source)
For more info on Dr. Aggarwal’s and AIMS research, click here!
The post DEA Disputes “Right To Try Law” And Psilocybin Use For Terminally Ill Patients appeared first on EDMTunes.
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Jauz Instagram ‘Chains’
The new track aims to be a classic club anthem that exudes a sense of euphoria with its hazy summertime vocals and irresistible hook. ‘Chains‘ is a tribute to the future bass dance music era 2010 and showcases Jauz’s ability to adapt and innovate. This electrifying electro-pop spectacle will dominate speakers and get people moving on the dance floor. With this, he is ushering in a new era of versatility across his music productions and embracing a new realm of dance music.
Bite This!
Bite This! founded in 2018 with the aim to support upcoming artists with a community of industry professionals. It is not just another record label or EDM giant, but rather a manifestation of Jauz’s creative vision. The label provides a platform for new artists to release music that Jauz truly believes in. The Bite This! team comprises of fearless creatives who are committed to realizing their artistic visions without compromising on quality.
Bite This! is relaunching and has committed to promoting emerging talents, including Italian DJ/producer Albert Breaker. Breaker’s EP, Essence Vol. 2, will be released on May 31st through the label. He is making a name for himself in the dance music scene with his unique fusion of house music and Latin influences. The 23-year-old producer has gained attention for his tracks such as ‘Mind Breaker’, ‘Bottle Flip’, and ‘Birkin‘. He is aiming to collaborate with industry heavyweights like Baddies Only, LiL CaKe, and MC Pogba in 2024 – with their collaborations featured on the project.
In 2023, Jauz expanded his musical style by releasing two original albums: Rise of the Wise featuring progressive-house sounds, and Wrath of the Wicked which fused drum-and-bass and dubstep influences. This showcased his versatility and set the foundation for his Wise vs. Wicked 2024 Tour that began earlier this month. Check out his future tour dates here. Enjoy ‘Chains‘ and stay tuned to EDMTunes for all your dance music updates.
The post JAUZ Inogarrates Relaunch Of His Bite This! Label With New Single ‘Chains’ appeared first on EDMTunes.
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The acclaimed dance music duo today announced their third studio album BREAD, an acronym for "Be Really Energetic And Dance," a mantra that perfectly encapsulates the infectious energy that courses through their music.
Sophie Hawley-Weld and Tucker Halpern have been whipping up this auditory feast for roughly two years with ingredients like globally-inspired beats, honeyed vocal hooks and a generous helping of unfettered creativity. If their Grammy-nominated past releases are any indication, BREAD is sure to be a sumptuous, multi-layered experience.
View the original article to see embedded media.
BREAD is the duo's first album since 2022's scintillating WET TENNIS. An ode to unrestrained movement, it's scheduled to release on August 23rd and will feature 10 tracks, including collaborations with Channel Tres and Kah-Lo.
For the calorie-conscious, this bread contains no empty carbs—only rich nutrients to fuel dancefloors everywhere. Case in point is "Throw Some Ass," an unapologetic, hip-shaking single due out on Friday, May 3rd.
Check out a clip of SOFI TUKKER performing the track live below and pre-save it here.
View the original article to see embedded media.
SOFI TUKKER - BREAD Tracklist
1) Bread
2) Throw Some Ass
3) Guardian Angel (Stand By You)
4) Hey Homie
5) Woof (feat. Kah-Lo)
6) Goddess In Disguise (feat. MC Bola)
7) Spiral
8) Cafuné (with Channel Tres)
9) Jacaré
10) Perfect Someone
Follow SOFI TUKKER:
X: x.com/sofitukker
Instagram: instagram.com/sofitukker
Facebook: facebook.com/sofitukker
Spotify: spoti.fi/37qJdQd
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The acclaimed dance music duo today announced their third studio album BREAD, an acronym for "Be Really Energetic And Dance," a mantra that perfectly encapsulates the infectious energy that courses through their music.
Sophie Hawley-Weld and Tucker Halpern have been whipping up this auditory feast for roughly two years with ingredients like globally-inspired beats, honeyed vocal hooks and a generous helping of unfettered creativity. If their Grammy-nominated past releases are any indication, BREAD is sure to be a sumptuous, multi-layered experience.
View the original article to see embedded media.
BREAD is the duo's first album since 2022's scintillating WET TENNIS. An ode to unrestrained movement, it's scheduled to release on August 23rd and will feature 10 tracks, including collaborations with Channel Tres and Kah-Lo.
For the calorie-conscious, this bread contains no empty carbs—only rich nutrients to fuel dancefloors everywhere. Case in point is "Throw Some Ass," an unapologetic, hip-shaking single due out on Friday, May 3rd.
Check out a clip of SOFI TUKKER performing the track live below and pre-save it here.
View the original article to see embedded media.
SOFI TUKKER - BREAD Tracklist
1) Bread
2) Throw Some Ass
3) Guardian Angel (Stand By You)
4) Hey Homie
5) Woof (feat. Kah-Lo)
6) Goddess In Disguise (feat. MC Bola)
7) Spiral
8) Cafuné (with Channel Tres)
9) Jacaré
10) Perfect Someone
Follow SOFI TUKKER:
X: x.com/sofitukker
Instagram: instagram.com/sofitukker
Facebook: facebook.com/sofitukker
Spotify: spoti.fi/37qJdQd
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Inspired by the magical ‘Amicorum Spectaculum’, the legendary fourth edition of Tomorrowland Winter took place from March 16-23, 2024. More than 22.000 People of Tomorrow came together to celebrate the spectacle of friendship in the beautiful French ski resort of Alpe d’Huez. More than 150 of the world’s best electronic artists performed across 8 magnificent indoor and outdoor stages, including AFROJACK, Alesso, Amber Broos, Andromedik, ANNA, Armin van Buuren, Da Tweekaz, Dimitri Vegas & Like Mike, Henri PFR, Kevin de Vries, Konstantin Sibold, Lost Frequencies, Netsky, Nina Kraviz, Sebastian Ingrosso, Steve Aoki, Sub Zero Project, Tchami b2b Malaa, Vintage Culture, and many more.
Having travelled to Alpe d’Huez for the first time, the iconic CORE stage instantly turned into a crowd favorite, while ‘The Reflection of Love’ stage was a brand-new gem to discover in the mountains, inspired by the fabulous ‘The Reflection of Love’ Mainstage in Belgium and Brazil.
More info about Tomorrowland Winter 2025 coming soon, sales will start in September 2024. Go to winter.tomorrowland.com, subscribe and stay-up-to-date with the latest news.
The post Tomorrowland Winter Returns to Alpe d’Huez in 2025 appeared first on EDMTunes.
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The Duo took it on their social medias to showcase the plate they received to commemorate the award. We can’t forget the track has earned over 10 million streams on spotify. The track embodies Trance in its rawest form. Its true nature and drive summarize the power the genre carries from decade to decade. Naturally, ‘RAMsterdam’ (Jorn van Deynhoven Remix) reigns supreme over 999 other songs that have moved millions of people since the inception of A State of Trance. Furthermore, RAM mentioned on his Facebook post that after he earned the title, DJ Mag announced his residency in the number one Trance club in China for 2024.
Both artists are one of a kind, and the award deeply recognizes the mark they continue to leave on a State of Trance and the scene itself. ‘RAMsterdam’ (Jorn van Deynhoven Remix)paved the way for more unique sounds to evolve and develop to this day. RAM and van Deynhoven have what it takes to carry the title of worldwide phenomenon.
Congratulations to these two legends! Now, go ahead and leave ‘Ramsterdam’ (Jorn van Deynhoven Remix) on replay. After all, it is the number 1 ASOS Top 1000 track.
The post A State Of Trance Top 1000 #1 Is Revealed! appeared first on EDMTunes.
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