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Napster Is Promoting Its Streaming Platform Through Fortune Cookies

Nearly 25 years after forever changing the fabric of digital music distribution, it seems Napster is still focused on innovation. This time around, they're experimenting with a more unconventional form of marketing: fortune cookies. 
Napster, which is now a streaming service, has partnered with OpenFortune, a marketing company whose mission is rooted in promoting brands through fortune cookies distributed to restaurants.
Their campaign will embed papers with QR codes into cookies to promote individual artists as well as the Napster platform, giving them a three-month free trial. Over 50 million fortune cookies will be distributed, Music Ally reports.
While it might seem silly on the surface, it's tough to deny the creativity of promoting music through an after-dinner snack. We're not aware of any data from OpenFortune elucidating how much a campaign like this can affect streaming numbers, but time will tell if their strategy is worth baking into a music release rollout.
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Alesso Unleashes Hotly Anticipated Single, "Zig Zag"

After teasing new music at some of the biggest stages in the world, including EDC Mexico and Tomorrowland Winter, the next chapter of Alesso is finally here. His latest single, "Zig Zag," has arrived via Capitol Records.
A conduit for crowd-control, "Zig Zag" offers fans a hypnotic listen. Subtle percussion and a mesmerizing vocal sample slither through the mix to entrance them before the arrangement builds into a minimalistic and infectious drop.
Alesso is preparing for yet another big year in 2024, with "Zig Zag" serving as the first track from his forthcoming Hypnotize EP. Most of the record has already seen play as fans wait with bated breath for its full release. In addition to new music, Alesso is set to launch his new "Body Hi" experience at Coachella's DoLab during the festival's first weekend.
You can listen to "Zig Zag" below and find the new single on streaming platforms here.
FOLLOW ALESSO:
X: x.com/Alesso
Instagram: instagram.com/alesso
Facebook: facebook.com/AlessoOfficial
Spotify: spoti.fi/3kHFy5c
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Hardwell, Maddix and Blasterjaxx Join Forces for Booming Track, "16"

With festival season on the horizon, the latest high-powered, mainstage-ready collaboration has arrived in the form of "16," a new track from Hardwell, Maddix and Blasterjaxx.
Arriving by way of Hardwell's Revealed Records, "16" is a relentless festival anthem that perfectly captures each of the Dutch producers' signature sounds in 2024. The track masterfully showcases their production expertise, delivering a big room-influenced beat with tinctures of techno.
Hardwell, Maddix and Blasterjaxx are all names that need no introduction—each has solidified themselves as mainstage mainstays. After returning from his hiatus in 2022, Hardwell has consistently shown he hasn't lost a step, recently returning to Ultra Music Festival for a monster performance. 
You can listen to "16" below and find the new song on streaming platforms here.
FOLLOW HARDWELL:
X: x.com/HARDWELL
Instagram: instagram.com/hardwell
Facebook: facebook.com/djhardwell
Spotify: spoti.fi/3s1xcJD
FOLLOW MADDIX:
X: x.com/maddixmusic
Instagram: instagram.com/maddixmusic
Facebook: facebook.com/maddixmusic
Spotify: spoti.fi/2ImjqP4
FOLLOW BLASTERJAXX:
X: x.com/Blasterjaxx
Instagram: instagram.com/Blasterjaxx
Facebook: facebook.com/BlasterjaxxOfficial
Spotify: spoti.fi/3bjXqkz
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AMÉMÉ Debuts on Defected's One People With Fiery Afro-House Track, "Wild Animal"

One People, the freshly minted Defected Records offshoot, has tapped AMÉMÉ for his latest Afro-house track, "Wild Animal."
"Wild Animal" is as infectious as it is electrifying. The track beautifully captures the essence of the EDM.com Class of 2023 alumni's sultry sound, instilling haunting grooves through its percussive elements.
With a driving beat that'll keep everyone moving all night long, "Wild Animal" also beautifully speaks to the vision of One People. The label aims to "orchestrate a sonic celebration of Afrocentric music from a diverse and international roster of artists," according to a statement issued at the time of its launch.
AMÉMÉ's signature event series, One Tribe, recently made its return in London at the iconic fabric earlier this year followed by a new residency in Amsterdam at Shelter. He's now set to bring the beloved series to Ibiza and Egypt next month.
You can listen to "Wild Animal" below and find the new track on streaming platforms here.
Follow AMÉMÉ:
Instagram: instagram.com/amemedj
Facebook: facebook.com/djameme
Spotify: spoti.fi/3Jan2Bg
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Defqon.1 Announces 2024 Lineup and Explosive 5-Hour Closing Ceremony

When the beat drops at Defqon.1, the world listens.
The world's preeminent music festival for hard dance has once again shattered expectations, unveiling a colossal lineup of over 350 artists and a closing ceremony that promises to etch itself into the annals of festival lore. 
From the 27th to the 30th of June, Biddinghuizen will transform into a sanctuary for the hardstyle faithful. Defqon.1, an annual pilgrimage for over 250,000 fans, embarks on its 20th edition with an electrifying roster featuring Ran-D, Angerfist, Showtek, Brennan Heart, Sound Rush and Sefa. These luminaries, among others, will guide fans through a four-day rite of passage in an explosion of hardstyle, hardcore and more.
However, it's the announcement of the festival's closing ceremony that's currently capturing the collective imagination of Defqon.1's loyal following. Promising an unprecedented five-hour finale, the ceremony will see the festival's RED stage become an epicenter of hard dance and host a to-be-announced lineup of Defqon.1 legends to the stage, one after another. 
Tickets to the 20th anniversary of Q-dance's Defqon.1 Festival are on sale now.
View the original article to see embedded media.
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Sinners releases melodic compilation ‘Brightness Pt. 2’

We’ve been hotly anticipating the release of Sinners‘ latest compilation ‘Brightness Pt. 2.’ This innovative label has a knack for curating lineups of ridiculously talented artists that blow my mind. And let me tell you, they’ve truly outdone themselves this time around.
Just look at the names gracing this tracklist. Reading the artists featured gets us giddy with excitement.
I’ve had Esoteric Circle‘s breathtakingly atmospheric sounds on repeat lately, getting lost in their lush, gauzy textures. But I’m just as hyped for the abrasive experimentation Polygraph is sure to bring to the table. And AGAP? Their emotive songwriting always leaves me with a puddle of feelings.
Then you’ve got heavyweights like Haffenfold and Analog Context who have mastered crafting these utterly hypnotic, enveloping soundscapes. Just thinking about getting submerged in their immersive productions gives me chills.
But Swanborn is the wild card that really intrigues me. Whenever I listen, it’s like reality glitches and I’m experiencing music from another dimension. Weird in all the best ways.
Each artist’s contribution to ‘Brightness Pt. 2′ is going to complement and elevate the others’ into some kind of transcendental musical experience.
I’m bracing myself because this album is about to blow my mind into an astral plane. These are the kinds of releases that reshape my entire concept of what music can be. Listening is going to be a religious experience.
‘Brightness Pt. 2‘ glimpse true brilliance and having my soul forever altered. Sinners has done it again, and I can’t wait to have my existence rocked.

The post Sinners releases melodic compilation ‘Brightness Pt. 2’ appeared first on The Groove Cartel.
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2smile Pay Homage To The Late Italian DJ ‘Da Frikkyo’ With Their Latest Single “Tribute To Frikkyo”

French production duo 2smile makes a poignant return with their latest single, “Tribute To Frikkyo,” paying homage to the late DJ ‘Da Frikkyo,’ an influential figure in the Italian hard techno scene. Crafted on the night of Frikkyo’s passing, the duo recalls their creative process as deeply spiritual, describing it as if guided by an ethereal presence. “Tribute To Frikkyo” seamlessly blends exhilarating guitars and rich basslines with sampled vocals from the legendary Fela Kuti. This fusion of elements creates a captivating sonic experience, celebrating the life and legacy of a beloved friend.

Following a string of successive releases on their Ondawey Music imprint, blending styles spanning Melodic Techno, Tech House, and Afro House, 2smile‘s latest export showcases their production prowess and ingenuity for eclecticism. This hasn’t gone unnoticed, with “Tribute To Frikkyo” already leaving an impression on industry heavyweights such as Laurent Garnier, Terry Francis, Deer Jade, Mike Van Brugge, Paco Osuna, Steve Lawler, and Don Diablo.
With an Arsenal of over 100 unreleased tracks, fluidly mixing genres whilst incorporating elements of music from across the world, 2smile’s consistent output of high calibre, club ready floor fillers combined with their abundant stage presence solidifies their position as one of the most exciting emerging acts to watch this year.
Stream/Buy Tribute To Frikkyo

Follow 2smile: Facebook | Instagram | Soundcloud
The post 2smile Pay Homage To The Late Italian DJ ‘Da Frikkyo’ With Their Latest Single “Tribute To Frikkyo” appeared first on Electic Mode.
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Teho’s Immersive Melodic Journey Continues with “Rising”

The talented producer Teho is back with another insanely infectious, intricately crafted melodic trip called “Rising.” If you’re familiar with their work, you know Teho has an uncanny ability to craft these lush, atmospheric soundscapes that just wrap you up and transport you somewhere else entirely.
“Rising” is the latest glimpse into Teho’s melodic mind, and it’s a tantalizing one. The melodies are intricate and evolving, the synth work is rich and layered – it has all the hallmarks of a Teho production that you just get completely lost in. But there’s definitely an evolution in their sound happening here too.
As a single flagging their forthcoming album “Shifting,” “Rising” hints that Teho is taking their brand of hyper-melodic, cinematic dance music to even grander heights. The lead melodies on this track are simply sublime, washing over you in waves of blissed-out beauty. And the cadence and groove underneath it all? Chef’s kiss – it’s got that addictive, body-moving energy that’ll have you locked into the groove.
What’s wildest is how Teho seamlessly melds the huge, spine-tingling melodic moments with these subtler, more nuanced interludes and layers that reveal themselves more with each listen. It’s dense and immersive as anything they’ve done, but with a deftness of touch that’s incredibly impressive.
If “Rising” is any indication, “Shifting” is gonna see Teho taking their cinematic, deeply textured productions to new heights. The melodies will soar, the soundscapes will engulf you, and you’ll be helpless but to surrender to the groove. Get hyped, because this is setting up to be Teho’s most powerful full-length yet.

The post Teho’s Immersive Melodic Journey Continues with “Rising” appeared first on The Groove Cartel.
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Parra for Cuva releases ‘Pinie’ ft. Orbit

Parra For Cuva, a German electronic producer and multi-instrumentalist, releases the third song from his highly anticipated fifth studio album in April. It’s called “Pinie.”
Orbit, a rising DJ and producer, has been tapped by Parra For Cuva to create a seductive sound trip for Pinie. This shows how well the two can work together. The track is the last thing he’s put out before his new record, Mimose, comes out.
‘Pinie‘ takes listeners into a private and mysterious world, inspired by a deep link made during a retreat in Liguria, Italy.
A sense of wanderlust runs through Parra For Cuva’s music, which takes listeners to faraway places with its beautiful melodies and images. He has made a name for himself as a real artist in the electronic music scene by combining different kinds of music, from Caribbean steel drums to old Zimbabwean instruments.
Each live show is a sensory experience that has been carefully chosen to go with the unique and alien style of his music. The artist has played to sold-out crowds at E1 and KOKO, most recently at Drumsheds for Drumcode on a bill with Adam Beyer, Yotto, Kolsch, and others, and will soon be at Junction 2. It looks like 2024 will be a terrible year for Parra for Cuva.
As people wait for “Mimose” and other releases, Parra For Cuva’s mesmerizing music and captivating performances are ready to captivate audiences all over the world. This creative artist is about to go through a big change in 2024.

The post Parra for Cuva releases ‘Pinie’ ft. Orbit appeared first on The Groove Cartel.
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Mark Knight remixes Groove Armada classic “Get Down”

Groove Armada and Mark Knight joined forces with Knght remixing “Get Down” – a dance floor holy grail.
The original is an iconic Groove Armada anthem released over 20 years ago. The vocals and synths are instantly recognizable with the tune ingrained in dance music history.
Knight was thrilled about the opportunity. As the Toolroom founder, reimagining this beloved classic was an honor.
The result is pure adrenaline with the remix distilling dancefloor passion. From the first time we hit play, the tune is clearly a rip-roaring, peak-time monster. DJs like Danny Howard and Dombresky can’t resist playing it with dance floors explode with feverish energy.
Knight’s take stays true to the original’s soul with an infectious groove that breathes new excitement.
For Knight, it was a labor of love as the chance to remake “Get Down” stirred his deepest artistic drive. He fused his rhythms with the anthemic original recreating what it is an instant classic.

The post Mark Knight remixes Groove Armada classic “Get Down” appeared first on The Groove Cartel.
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Bryony Jarman-Pinto voices frustrations on new single “Willow”

“Introducing ‘Willow,’ the latest release by Bryony Jarman-Pinto, a singer, songwriter, and musician based in Lancaster. This single expresses her protest against politicians through themes of defiance against misinformation. Set to be featured on her forthcoming album ‘Below Dawn’ (Releasing on Friday, 10th May via Tru Thoughts), the track was produced by Ben Lamdin, also known as Nostalgia 77, from the same label. Bryony’s previous singles garnered significant backing from BBC Introducing, Jazz FM, and Huey Morgan (BBC 6Music).”
The song “Willow” starts with the lyrics “Willow won’t you grow and shelter me? There is a nonsense I do hear”, serving as a reminder to resist anger triggered by political irrationality. Inspired by the Jazz Standard “Willow Weep For Me,” the track kicks off with a bassline and chords, while Ruta Sipola delivers a graceful flute solo that evokes visuals of protective branches against social injustice and disappointments from authorities.
‘‘Beneath the Morning Light’ explores emotional topics, spanning societal shifts and unexplored feelings to the profound odyssey of childbirth and maternal experiences, emanating an intimate ambiance. Bryony’s unique melodious voice and the incorporation of jazz-influenced tunes enhance this sentimental depth. The album represents a profoundly personal and metamorphic musical expedition, with its title elegantly capturing this evolution. Bryony explains, “This record delves into my life on the brink of motherhood and embarking on a new chapter, hence the title mirrors that unseen driving force.”
Bryony Jarman-Pinto, a singer, songwriter, and musician born in London and now based in Lancaster, is recognized for her skillful fusion of captivating vocals, mesmerizing jazz-inspired tunes, and finely detailed, heartfelt lyrics that showcase her storytelling prowess.

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John Summit Stirs Excitement with Three New ID’s for Coachella

The electronic music scene is buzzing, thanks to John Summit’s latest teasers. This dance music music marvel has a knack for effortlessly blending the various styles of house & techno. From the deep, soulful rhythms of progressive, to the pulsating beats of tech-house, the man can do it all. It could even be argued that he’s even well-versed in techno. His recent social media post reveals his dedication. It states that he’s been “locked in the studio finishing up these new ones for Coachella.” With hits that always make waves, Summit’s journey is a showcase of his ever-evolving mastery and creativity in music production.
The Summit-Kaskade Powerhouse: A Collaboration to Watch
The excitement escalates with the announcement of a collaboration with the iconic Kaskade. Certainly, this partnership is a dream come true for dance music enthusiasts. It promises a mix of Summit’s dynamic beats and Kaskade’s melodic & lyrical depth. Additionally among the anticipated “new IDs” is ‘Resonate,’ a track with Kaskade that fans are eagerly waiting to hear at Coachella. This collaboration, alongside Summit’s solo ventures ‘Eat the Bass’ and ‘Give Me Anything’ with Elderbrook, hints at a groundbreaking performance awaiting Coachella attendees.
Coachella Awaits: The Perfect Stage for New Beginnings
Coachella stands as the ultimate stage for unveiling musical innovations, and John Summit is ready to make his mark. Furthermore, his announcement not only reflects his commitment to pushing musical boundaries but also sets the stage for a riveting display of house music evolution. With ‘Eat the Bass,’ ‘Give Me Anything,’ and ‘Resonate’ on the horizon, Summit’s Coachella set is poised to be a defining moment for him.
In the ever-changing landscape of electronic music, artists like John Summit continue to push the envelope. In the process, captivating audiences with his innovative sounds. As Coachella draws near, the anticipation for his collaborations, and his solo track highlight the genre’s boundless potential. This year’s festival is set to be a celebration of house music’s vibrant future, led by two of its most influential figures.
Firstly, in the dynamic world of electronic music, John Summit continues to stand out with his production skills. Secondly, they shine a light on his creativity and innovative collaborations. Moreover, As Coachella approaches, all eyes are on him as he is arguably at the pinnacle of his career, ready to elevate the festival experience with his new musical offerings. Thirdly, the anticipation for his performance underscores the ever-evolving nature of house music. It highlights the genre’s ability to bring people together. Lastly, proving once again that house music’s boundaries are limitless when pushed by such talented artists.
In conclusion, you can check out his original post, here.
The post John Summit Stirs Excitement with Three New ID’s for Coachella appeared first on EDMTunes.
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EDMTunes New Music Friday – Week 13

Listen to the most flavour-packed tracks we discovered this week.
Music makes the world go round. And in that regard, we’re constantly on the lookout for new, exciting tunes to share with our audience. We’ve found some that cause goosebumps, and make you open your eyes and get up from your chair to dance. So put on your best pair of headphones, or turn up your speakers, and enjoy this week’s New Music Friday.
Here are our top picks for the best music we came across this week, in no particular order.
Eli Brown & Lilly Palmer – Gasoline
Genre: Techno
Did you expect a massive collaboration like this one? We’re witnessing the clash of two titans this week, as stars Eli Brown and Lilly Palmer come together for a frankly outstanding Techno pounder, ‘Gasoline‘. The title is probably a metaphor to represent the effect of this track on the dancefloor.
With a powerful beat and a rhythmic chord reminiscent of the 90s Euro scene, Brown and Palmer’s release is one you’ll struggle not to make a lemon face with. It’s really that secret weapon for the darkest laser-decorated, smoke-filled rooms.
Nicholas Gunn feat. 88Birds – Heart of Gold (York Remix)
Genre: Progressive Trance, Progressive House
Blue Dot Trance is killing it lately. We’re glad to have covered the birth of this imprint and are, of course, glad to see where Nicholas Gunn, its owner, is taking it. Good music, that’s all. And Trance. Tons of it, and of pristine quality. The latest of the label is York‘s remix of Gunn’s very own ‘Heart of Gold‘, featuring the vocals of 88Birds.
Have you noticed we have a tendency to share at least one close-your-eyes-and-fly-away track in every NMF? Well, this is the one. Do as I say, and let the break, flowing to the chords, flowing to the beautifully old-sounding Progressive Trance drop send shivers down your spine and take flight.
Universe – Shikadai
Genre: Hard Trap
Yeah, I guess we’re breaking the Spotify-only rule and tossing it in the bin. It’s the second week we’ve come across a frankly irresistible track not released on Spotify but rather on SoundCloud. And honestly, we’re more excited to share good music than we are sticking to a statement. Meet ‘Shikadai‘, the latest bomb from producer Universe.
‘Shikadai’ is a Hard Trap choon, something that can, and will, get you off whatever you’re doing and get you hooked as soon as the first drop hits. It’s an eye-opening moment, literally. And the track itself is one jewel crafted for the largest festivals. Have a listen and see.
Station Underground · Universe – Shikadai (Original Mix) Zaytek – Falling
Genre: Tech House
On the decks of this week’s New Music Friday we welcome Zaytek. Mexican-born and Washington-based, the producer has been making waves in the industry lately, with releases like ‘Change My Mind’ and ‘Stay’ — both nearing 20,000 Spotify plays as we speak. His latest release, out this week, only proves he’s aiming for the Moon and further.
‘Falling‘ is everything you’d want to hear on loud soundsystems. Groovy, with just the right amount of melody, entrancing textures, and tasty percussion. The vocal catches you and doesn’t let you go, and so, just like that, you’ve consumed nearly four minutes of good music without noticing. Maybe you’ve even sweated a bit dancing it out. I can’t be the only one!
Corey James x TR3NACRIA – Demolition (The Drill)
Genre: Tech House
We’re all for collaborations. How about four minds blending to update a classic? Corey James, an industry racehorse as of now and who’s been a 1001Tracklists Top 101 Most Supported Producers for three consecutive years, joined forces with Sicilian trio TR3NACRIA, who are the heads behind tens of millions of streams. All of this, for their take on the iconic ‘The Drill‘ by The Drill, from 2005.
The collaboration between them all presents us with a new version of the anthem, perfectly blending the essence of the original with a modern Tech House vibe. It’s always nice to see tracks like this come back to life with respectful versions. We’re fans!
ESSEL & Alex Mills – Rave Is the Weapon
Genre: Tech House
Back on Toolroom, one of the leading labels in the world right now, is ESSEL, whose 2023 release ‘The Edge’ just crossed the 4 million streams bar and nearly 40 BBC Radio 1 supports. Her 2024 release on the imprint is an all-female one, for she is joined by producer and vocalist Alex Mills, one who, in line with her collaborator, has written for CamelPhat, Solardo and Ferreck Dawn, and had a UK Top 40 with her track ‘Million Dollar Bill’.
Judging from CVs like those, this track should be a bomb. Spoiler alert, it is. Don’t doubt it. Packed with old-school House vibes and an overall beat that might as well be used, like its title, as a weapon, ‘Rave Is the Weapon‘ is a must-have for four-digit crowds and mint-condition speakers. Try it out and let us know!
CHEMISTREE – Take It Back
Genre: Brostep
We’re so happy to close this week’s New Music Friday with a track like this. It’s a rollercoaster ride! It is a journey through the senses, a sensory overload, in a very good way. Producer CHEMISTREE has just unveiled the first song lifted from his upcoming artist album, and it is this one, ‘Take It Back‘.
How can you describe something when you have no words for it? It’s tough, but we’ll try: it kicks off as a melodic piece that takes you sky-high in pure ecstasy, only to bring you back down to Earth for a dirty, lemon-face-inducing drop. It’s savoury, very very savoury. Listen with caution. Nah, drop the warning. Blast it with the lights out and, contrary to what one is used to, focus on the breaks very closely, they’re pure bliss!
Final Words
Stay tuned, for more of our compilations every Tuesday and Friday — based on demand. And be sure to follow EDMTunes for all the latest news and reviews that revolve around our beloved Electronic Dance Music!
The post EDMTunes New Music Friday – Week 13 appeared first on EDMTunes.
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[Event Review] Beyond Wonderland SoCal 2024 Delivered Its Magic

The Mad Hatter released all the craziness from wonderland in San Bernardino. This year’s Beyond Wonderland SoCal gave us everything we wanted and more, from one of Insomniac‘s best lineups to date, to raging afterparties that went until 6am. We shall dig deeper into the rabbit hole and reminisce all the goodies that we found this past weekend. The event shined a light to all genres of EDM across six psychedelic stages. Nevertheless, wonderland was stacked with incredible Techno and Hardstyle acts that gave Alice a crazy trip.
Jamal Eid for Insomniac Events Wonderland
The production value this year felt really appropriate, from crazy characters to beautiful photo ops and amazing visuals. Every stage had its charm. However, The Looking Glass was the knight in shining armor this year, with a stacked lineup of incredibly hard techno that packed every inch of the dancefloor. We now feel that the stage has main character energy and it deserves an expansion in the future. Some stages had their own hookah bars and fun amenities, which justified a VIP upgrade. The Queen’s Domain and the Mad Hatter‘s Castle brought out incredible House and Bass acts that made our knees weak all weekend.
Gina Joy for Insomniac Events The Music
Beyond showered us with a lot of love, and a lot of amazing artists. We heard epic b2bs such as Bart Skills b2b Joyhauser, Eli Brown b2b Lilly Palmer, Tchami b2b Malaa, and the legendary Afrojack b2b R3HAB. We even got a chance to sit down with R3HAB after his set to chat about this upcoming festival season.
Credits: Frits Van den Brink The mixture of talent really defined this festival in a category of its own. Individual sets that had everyone go wild include The Chainsmokers, Max Styler, Anfisa Letyago, I Hate Models, and probably the most packed and insane set of the weekend Sara Landry. Her popularity has exponentially influenced the Techno scene in the US so beautifully. It is just a matter of time until she has her own Hekate Records takeover at different festivals, and get booked in bigger and better venues.
Improvements
We are always happy to know that Insomniac consistently listens to feedback in order to improve the experience they provide year by year. From distributing artists and set times on the different stages, to expanding festival hours to allow a better flow during peak hours. Thus, we feel that the parking situation wasn’t ideal as the lots were filling up way too fast and the streets of San Bernardino were very busy. It is understandable, as the event was sold out. However, we hope for better logistic planning when it comes to parking and we know Insomniac has what it takes to make the event event better and safer for everyone.
Photo by Tyler Hill | www.tylerhillphoto.com Final Thoughts
We had a wonderful time exploring this campy world of imagination. Beyond Wonderland created a bunch more core memories for us. As of now, we will gear up towards Beyond Wonderland at the Gorge and the brand new Chicago edition. Next year’s tickets are already up for sale… see you guys there!
The post [Event Review] Beyond Wonderland SoCal 2024 Delivered Its Magic appeared first on EDMTunes.
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Skonka Drops Channels Lavender Town Via Latest Single, ‘Purple City’

Los Angeles’ own Skonka is back at it. This time, channeling his inner Pokemon trainer, sort of. He does so with his new track, ‘Purple City’, released on Lee Foss’ Repopulate Mars. What makes this one stand out? He’s gone back to our childhoods and sampled the theme from Pokémon’s Lavender Town. Yeah, you heard that right – that slightly spooky, totally catchy tune from the game has found its way into a house and techno beat that’s as fresh as it is nostalgic.
No stranger to the limelight, Skonka’s music has pulsated through LA’s underground scene, marking his territory in the world of electronic music. His performances at iconic music festivals such as EDC, Nocturnal Wonderland, and Countdown, as well as legendary clubs like Sound and Exchange LA, have showcased his talent to transform any space into a euphoric haven of sound and connection. ‘Purple City’ promises to be another feather in his cap, further cementing his reputation as a masterful producer and DJ.
Purple City
With ‘Purple City,’ Skonka invites listeners on a journey that bridges the gap between the past and the present. The track’s use of the Lavender Town theme not only evokes nostalgia but also showcases Skonka’s skill in integrating these memories with the pulsating rhythms of house and techno. This release is poised to be a favorite among both long-time fans and new listeners. It offers a unique experience that highlights Skonka’s creative genius. If you’re into house, pokemon, or just good music ‘Purple City‘ is the track for you. Skonka’s ‘Purple City‘ is out now and can be streamed below, enjoy!
Skonka – Purple City | STREAM
The post Skonka Drops Channels Lavender Town Via Latest Single, ‘Purple City’ appeared first on EDMTunes.
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Imagine Festival Hits Pause: Aims To Focus on Attendee Experience

In a surprising twist that has left fans and stakeholders in a state of disbelief, the much-anticipated Imagine Festival has announced a sudden halt to its operations for 2024. The festival, known for its immersive aquatic fairytale experience, has been a beacon for EDM lovers, bringing together a unique blend of music, art, and community. However, this year, the organizers have decided to take a step back, aiming to “enhance your experience,” as revealed in a heartfelt Instagram post addressed to their dedicated followers, the “Imaginers.”
A Pause for Enhancement or a Debt Dilemma?
The official announcement on Imagine Festival’s Instagram conveyed a message of hope and reassurance, stating, “Dear Imaginers, Imagine Festival is pausing in 2024 to enhance your experience. Thanks for your understanding as we work to create a more amazing festival for you.” While the statement paints a picture of an event in the process of evolution, behind the scenes, the narrative seems to be more complex. According to insights from “The Festive Owl,” a reliable source in the festival community, the hiatus is not just about reimagining the festival but also grappling with financial woes. It’s been reported that Imagine Festival has been on the lookout for a new owner since last year, with one potential buyer on the horizon. Unfortunately, due to disagreements on the final details, the deal fell through, leaving the festival without a buyer and, more critically, in significant debt.
The Ripple Effect of Unsettled Debts
The financial turbulence surrounding Imagine Festival has had a profound impact not only on the event’s future but also on the lives of those involved in its creation. The Festive Owl reveals that “many, many people still haven’t been paid for the services they rendered for it.” This unsettling revelation sheds light on the challenging circumstances faced by artists, vendors, and staff who contributed their talents and services, expecting fair compensation. The fallout from these financial struggles casts a shadow over the festival’s legacy, raising questions about the sustainability of large-scale events and the responsibilities of organizers to their contributors and community.
In conclusion, as Imagine Festival takes a hiatus to ostensibly “enhance the experience” for its attendees, the undercurrents of significant debt and unsettled payments tell a story of a festival at a crossroads. The journey ahead for Imagine Festival is uncertain, but the hope is that this pause will not only allow for financial recuperation but also foster a stronger, more sustainable event that honors the contributions of all involved. As the festival navigates through these turbulent waters, the support and understanding of its community will be more crucial than ever in shaping the future of this beloved event. You can check out Imagine Festival’s original post, here.
The post Imagine Festival Hits Pause: Aims To Focus on Attendee Experience appeared first on EDMTunes.
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PREMIERE: Tom Apex Offers Thundering Flip of Timeless Hit “Pure Imagination”

Originating from Dillenburg, Germany, Tom Apex has built quite the following around his project, amassing millions of streams, enthralling audiences worldwide with his inventive take on dance music. Continuously evolving and redefining his sound, his adept fusion of classical elements with modern influences positions him as a trailblazing figure in the field. With each stride, Tom Apex ventures further into uncharted musical realms, not merely creating music but also sculpting the trajectory of bass-house’s future.
Now, we’re thrilled to premiere his wildly creative flip of the timeless hit “Pure Imagination”, infusing it with a groovy, bass house vibe. Delving into the realms of nostalgia, Tom Apex’s rendition, bearing the same title, ingeniously reimagines the original melody, crafting an entrancing intro that seamlessly transitions into a dynamic bass-house masterpiece. With its rich layers, pulsating rhythms, and evocative synth elements, the track is poised to keep audiences grooving well into the summer months.
Featuring the exceptional talents of Asunder, Aylin Kayvan, and Lucas Taucoory, “Pure Imagination” emerges as a fusion of musical brilliance, each artist infusing the track with their distinctive flair, thereby ensuring that this rendition remains as captivating as its predecessor.
Listen below!
This article was first published on Your EDM. Source: PREMIERE: Tom Apex Offers Thundering Flip of Timeless Hit “Pure Imagination”
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Anyma unleashes ‘Genesys II’ on Afterlife/Interscope Records

Out now via Afterlife/Interscope Records, Anyma has delivered the highly anticipated Genesys II album. A double-sided LP, Disc 1 includes seven new originals, while Disc 2 offers 11 remixes from both Genesys and Genesys II. Named Dancing Astronaut‘s ‘2022 Label of the Year,’ Afterlife has continued to flourish under it’s new partnership with Interscope. Continuing to explore the depths of technology, AI, and nature through melodic techno, Genesys II materializes a culmination of Anyma’s continued success as one of dance music’s most artistic innovators. 21 songs in total, Genesys II unleashes 17 new tracks that will grace Afterlife events, major festivals, and clubs around the world.
On Disc 1, Anyma welcomes Adam Sellouk, Karin Park, and PARISI as first-time Afterlife signees, while Argy, Chris Avantgarde, and Rebūke make their triumphant returns to Tale Of Us‘ esteemed record label. Genesys II’s second half boasts remixes led by a five-star ensemble, including Adriatique, Eric Prydz, and Massano, among others. While derivative works from Kevin de Vries and Cassian do well in capturing melodic techno’s baseline essence, Amelie Lens and Kobosil provide harder spun techno iterations of “Syren” and “Welcome To The Opera”. A treat at every turn, stream Genesys II in full, below.
Featured image: Michael Drummond
The post Anyma unleashes ‘Genesys II’ on Afterlife/Interscope Records appeared first on Dancing Astronaut.
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Amonita Releases Masterful ADID Three-Tracker ‘Rainbow’

Get ready to be delighted by a gigantic Organic House release.
We hope you enjoy your Good Friday with your loved ones if you commemorate this date. As for us here at EDMTunes, we’re pleased to share with you a colossal EP for those who are craving a good, proper Organic time for their Good Fridays. And it comes from Amonita, one of the Organic stars in the world right now.
As the ethereal musician she is, known for her enchanting compositions and captivating live performances, Amonita has been rocking the scene since 2017. And she’s been releasing on today’s imprint, All Day I Dream — one of the leading record labels on this side of the spectrum —, for five years already.
The Rainbow EP
Amonita’s time in Turkey, surrounded by the raw beauty of Nature, became the muse for her most recent release, the Rainbow EP. She says the songs are full of those moments she witnessed: sun-drenched lands, the calming whispers of the sea, and the vibrant burst of a majestic rainbow. It’s a journey for the romantics, the passionate ones, the ones who chase dreams with open hearts, and those who resonate with Mother Nature’s most intimate wonders.
Amonita – Rainbow EP Tracklist
Rainbow Amulet Moon Dust ‘Rainbow’
Happy, uplifting and full of the sonic representation of good times in good company, the title track, ‘Rainbow‘, is perhaps the best definition of the EP. With a shy melody surrounded by ever-evolving elements and an aura of that feel-good stuff, it enchants upon the very first listen.
‘Amulet’
Slightly more mysterious, and even groovier (how?!), ‘Amulet‘ — my favourite out of the three — develops an entire song around quite the simple idea: two chords telling a tale. There’s so much happening that you can almost forget about the simplistic idea of its foundation. You get carried away super easily, it’s just that mysterious. It’s intriguing. And the percussion-vocal combo reminds me of my childhood. For more insights DM me, won’t bother the audience with my past!
‘Moon Dust’
I don’t know how to word this, but this one does, indeed, feel like a track born out of a night experience. I can see it being the most appropriate for a heated night on the dancefloor. Even more mysterious than the other two tracks, and containing filtered elements that can only up the groove and danceability of it, ‘Moon Dust‘ portrays the perfect tune for a full moon’s night.
Listen to Amonita‘s beautiful Rainbow EP below by interacting with the Spotify block below, or click here to support it on your favourite streaming platform.
The post Amonita Releases Masterful ADID Three-Tracker ‘Rainbow’ appeared first on EDMTunes.
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Kyle Watson acidifies Hans Zimmer score—stream ‘Dune Tool’

DJs rejoice; Kyle Watson has unlocked a coveted track ID sampling Hans Zimmer‘s famed movie soundtrack that helped break the box office—and it’s free to download. Streaming exclusively on SoundCloud, “Dune Tool” is a crisp, percussively intricate, and wonderfully timely take on Zimmer’s dark and dystopian “Dune: Part Two” film score. As made evident in the track’s title, in addition to the free download link, Watson’s cinematic new tech-house edit is but a set-boosting gift to DJs everywhere, professionals and hobbyists alike.
Boasting a top-tier mix down, “Dune Tool” is sure to turn heads and rev up dance floors around the world. Grab a high-res audio file of Watson’s latest here, and stream the infectious new DJ tool below.
Kyle Watson · Dune Tool [Free DL] Featured image: Nick Kaufman
The post Kyle Watson acidifies Hans Zimmer score—stream ‘Dune Tool’ appeared first on Dancing Astronaut.
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Listen to Gesaffelstein's "GAMMA" Album, a Bruised Heart Beating in a Chrome Chest

Chrome tears rolling down cyborg cheeks, Gesaffelstein is at his most vulnerable in GAMMA, his first album in five years.
The French electronic music icon reinforces himself as a sculptor of emotional resonance, building out monolithic structures carved with dark, glitched-out bass. Yet within these imposing edifices, intricate nuances shimmer and whisper. Gesaffelstein's mastery lies in this equilibrium.
If Hyperion was a chrome-plated monument, GAMMA is the demolition, its anguished vocals writhing to the soundtrack of his world on the brink. From the opening salvo of "Digital slaves" to the haunting, ambient coda of "Emet," the new album is an exercise in duality. His virtuosic command of texture and timbre feels both alien and intimately familiar, an unflinching confrontation with the depths of the human condition.
Elsewhere in GAMMA, Gesaffelstein cranks up the claustrophobia by virtue of "Psycho," a distorted banger that could soundtrack a horror film set in a mirror maze. And after that strobe light headache, he bathes in its afterglow in "The perfect," a sonic sensory deprivation tank wherein his tortured vocals float atop a chugging beat.
You can listen to GAMMA below and find the new album on streaming platforms here.
Follow Gesaffelstein:
Facebook: facebook.com/gesaffelsteinmusic
Instagram: instagram.com/gesaffelstein
Spotify: spoti.fi/3cKr0Nv
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Nicole Moudaber & Ida Engberg Unleash Electrifying Debut Collaboration, ‘I Haven’t Felt This Way’

In the ever-evolving realm of Electronic music, few announcements stir the airwaves quite like the unveiling of a pioneering collaboration. This time, the spotlight gleams on Nicole Moudaber and Ida Engberg, legends of the Techno scene, who have intertwined their formidable talents to birth their first-ever track together, ‘I Haven’t Felt This Way‘. Released under the prestigious banner of Moudaber’s InTheMood imprint, this track is not just a song but a declaration of musical mastery.
A Harmonious Clash Of Titans
Firstly, at its core, ‘I Haven’t Felt This Way’ is a masterclass in Techno production, crafted by two of the genre’s most acclaimed female virtuosos. The track is a dynamic journey through the essence of the genre, combining a relentless tech beat with the ethereal beauty of soaring pads and bright arpeggios. Secondly, Moudaber and Engberg’s craftsmanship is evident in every beat, with cavernous synths and robust drums creating a soundscape of titanic proportions. Lastly, it’s a warehouse-ready anthem that promises to resonate deeply within the souls of techno aficionados worldwide.
InTheMood For A Decade Of Dance
2024 marks a significant milestone for Nicole Moudaber, celebrating a decade of her InTheMood empire. This sprawling dynasty encompasses not just a record label but a weekly radio show and a series of famed parties that have become synonymous with quality techno. Moreover, the ‘Queen of Techno’ embarked on this anniversary year with electrifying celebrations in Denver and Miami. This set the stage for an exhilarating series of events and collaborations that promise to captivate and enchant Techno lovers across the globe.
Ida Engberg: A Force of Nature
Ida Engberg, the Swedish Techno powerhouse, rides the waves of a stellar 2023 into this collaboration. Her MYSTIK club nights at Ibiza’s Club Chinois became the talk of the town, featuring titans like Dubfire and Sven Vath, and cementing her status as a premier musical curator. Engberg’s connection with InTheMood, highlighted by her ‘Tribute to Orange Clouds’ EP, sets the perfect backdrop for this collaboration, promising a blend of passion, innovation, and sheer musical prowess.
In the world of Techno, where the beat is king and the dance floor is a sanctuary, ‘I Haven’t Felt This Way’ emerges as a beacon of creativity and collaboration. Furthermore, Nicole Moudaber and Ida Engberg have set the stage for what is undoubtedly one of the most anticipated tracks of the year. Additionally, I believe that this offers a glimpse into the future of Techno. As they say, the best is yet to come, and if this collaboration is any indication, the realm of Electronic music is in for a thrilling ride. In conclusion, Nicole Moudaber & Ida Engberg’s debut collaboration, ‘I Haven’t Felt This Way’ is out now and can be streamed below.
NICOLE MOUDABER & IDA ENGBERG – I HAVEN’T FELT THIS WAY | STREAM
The post Nicole Moudaber & Ida Engberg Unleash Electrifying Debut Collaboration, ‘I Haven’t Felt This Way’ appeared first on EDMTunes.
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PREMIERE: TATE SEDAR Unveils Electrifying New Single “San Francisco”

TATE SEDAR has made a mark in electronic music, notably performing at the 2020 Insomniac Discovery Project: EDC Virtual Rave-a-Thon. Collaborations with industry heavyweights like Dada Life, Don Diablo, and more have cemented his status as an innovative artist. With over 5.7 million plays in 2023 and tracks like “Heaven” and “Find a Way” featured on massive publications, SEDAR’s global influence is undeniable. His remix of Empire’s Terrell Carter’s “Hero” and edit of Justin Bieber’s “Hold On” demonstrate his commitment to infusing electronic music with deeper themes.
Now he’s back with a bright new single “San Francisco” that we are thrilled to premiere. San Francisco holds profound personal significance in TATE SEDAR’s artistic evolution. As a city renowned for its musical heritage spanning rock, funk/soul, and hip-hop, it becomes the thematic nucleus of his latest release. “San Francisco” pays homage to the diverse sounds that influenced SEDAR’s formative years while also acting as a platform for his ventures into uncharted musical realms. The track exemplifies the transformative influence of revisiting one’s roots to chart new creative territories.
We had the chance to catch up with him to discuss the song and what’s ahead for him. Enjoy!
The Genesis of “San Francisco”: Can you describe the moment or experience that inspired you to create “San Francisco”? Was there a specific event in the city that sparked this artistic endeavor?
San Francisco was actually something I made by accident. I was playing around with lofi samples and I started to realize: “this sounds a lot like what I grew up with in SF.” Is there a specific event? Well, it’s my youth – my upbringing. And sometimes, you find yourself in other things. And I think that’s what happened with these samples and the production.
“San Francisco” represents a fusion of diverse genres. How did you approach the process of blending elements of progressive rock, funk, hip-hop, and post-EDM to create a cohesive sound?
I first started with the guitar melody and found out (while I didn’t even realize San Francisco was shining its way through) a sort of connection between rock and funk. The connection, of course, is where I’m from: rock and funk are part of the ‘San Francisco sound.’ And then…I kind of left the middle break alone for a bit. But when I started to hear SF, I thought: “I’m going to add hip-hop,” ‘cuz ‘cmon: the Bay Area – we’re known for that (laughs shortly). Post-EDM is the result of this track; it’s all these different sounds and genres in an electronic format, or at least what people consider, you know, EDM and electronic music now. I didn’t even realize at the time I was coming into the concept of post-EDM until after.
Beyond its musical influence, how has the city of San Francisco shaped you personally and artistically? Are there any landmarks, cultural aspects, or personal memories that directly influenced the track?
You know what’s kind of funny is: I was raised in San Francisco but have not spent all my life there. I lived there until I was about seven, moved around with family to the [US] East Coast, then London, went to school in [central] NY – and finally made it back to SF (now in LA). My mom always believed she made “SF part of my…identity” and I think it’s very true because, even though we didn’t live there full-time, we visited every summer and winter. It became important still in adolescence: those high school summers when you’re 16, 17, 18 are crucial in everybody’s upbringing.
San Francisco has shaped me in terms of my outlook on life, social dynamics & experiences with people and some of my beliefs: I kind of am somebody who believes in and hopes for a world without judgment or discrimination – a world where everyone can be who they are or want to be, regardless of what people think. There is a warmth and care that San Francisco breeds, or at least used to (a story for another day) – but I think I’m still part of that [earlier] generation.
I really only discovered what is glam or early progressive rock – Journey – when I lived in London and researched music from SF. Motown and R&B were always part of my youth. I think San Francisco is very much a “melting pot,” like New York City – and that is what this song is: a fondue of music (laughs). Those memories of finding this music is what made this. Some music might be inspired by what’s current now or trends, but this track is about what made me. It’s kind of a retrospective, but also a style and concept I haven’t encountered yet.
Your career has now ventured into the realm of what is labeled ‘post-EDM,’ a genre that signifies progression from traditional EDM sounds. How do you define post-EDM, and what makes “San Francisco” a standout piece within this genre?
The definition (or my interpretation) of post-EDM is: a progressive style of electronic music that incorporates sounds of what some may consider “the Golden Age of EDM” (2010-2014) and afterward as well as music from the past – really, it’s an amalgamation, a refinement of digital and analog sounds. And I realized this made the most sense, in terms of my career, because I felt limited with synthesized sounds. Yeah, sound design is great: it’s something fresh, people love novelty. But there’s something about what we know – what we’re familiar with – that engages people. You can’t deny that guitars, pianos or even an old vocal style each evoke a certain emotion and I feel like just staying with synthetic music is devoid of that [emotion].
“San Francisco” is the introduction to this sound because it incorporates the three most well-known genres of SF, all of which are pre-electronic music (rock, r&b and hip-hop) and its natural form exhibits the definition of post-EDM. Some people might say “it’s a funk-inspired” or “disco house.” track, and that’s ok. There’s a little more there though, and for those that really wanna take it apart and hear that – I think they’ll get the message.
You’ve emphasized storytelling through your music. What story does “San Francisco” tell, and how do you use the different musical elements to convey this narrative?
I would say this is more a story of sound than necessarily a narrative. Yeah, I have love songs and songs about finding yourself – but this is the story of San Francisco through music. And sure, it might feel like a history piece, but some people like history. And also, it just hits a lot of spots emotionally when you think of the different analog sounds that inspire it.
What’s your plans for the future – how are you feeling about 2024 and where you are headed within the year?
I am ready for 2024. I have a lot slated; I have so much music over the past couple of years that basically fit this sound and became the foundations of my rebrand. But also…feeling a little anxious. I committed to trying to put out [1] original and [1] remix a month. That’s a lot of work! 
I think there is something to offer for people to hear, but I just need to have a year where I get it all out and see what happens. I didn’t put out a lot of music last year and need to expand the catalog. And if it doesn’t stick, we try again! But I’m confident that some of this will connect with people because there is an audience who doesn’t even know they like electronic music – because they don’t know that these sounds that are familiar could also be part of electronic music. And that’s what I’m hoping to do – is to be able to bridge a gap.
This article was first published on Your EDM. Source: PREMIERE: TATE SEDAR Unveils Electrifying New Single “San Francisco”
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